A beautiful bird from the folk embroidery patterns, traditional in the area of Kashuby (the north of Poland)
Ingredients
A grammar structure, for us it was the Present Perfect sentences with yet and answers with already and yet. If you are interested in the lessons that it was used, you can find out more here. I will present it based on this particular structure, but, naturally, the game can be used with a variety of structures, too.
A group of kids
The whiteboard where to present the pattern and the options, the online whiteboard or just a slide in your presentation.
Procedure
Introduce the structure in anyway you find appropriate. This time I actually used the coursebook materials (Superminds 5, CUP, Puchta and Gerngross) and the idea of the uncle sailor who has visited some countries and who has not visited some other ones, not yet anyway. And it must have been this activity that inspired me to come up with the game)
There is a set of pictures of all the flags in the coursebook and we used these flags in a simple controlled, drill-like activity: the teacher calls out the name of one of the countries, the kids (and the teacher) react by producing true sentences about themselves, based on whether they have visited these countries or not yet. The slide for this activity looked more or less like that:
After a few rounds, the kids take over and call out the countries from the list. After a few more rounds, they are allowed to call out the countries not included in the coursebook as well as any other places, countries, cities and famous places ie Germany, Dubai, Saint Petersburg, the Tretyakov Gallery etc.
In the following lesson, we went one step further. And then more. After we checked the homework, I showed another slide, with four variations of things we have already eated, drunk, seen and the places we have been to that day. The slide looked more or less like that:
First, the teacher models the activity, with each of the versions, for example a banana, coffee, the bathroom, my friend and the students react, producing the relevant sentences. After that, the students take over and lead the activity.
All the other versions which may appear ie written a test are allowed.
Why we like it
The game is an opportunity to practise the target langauge in a controlled way with some (albeit not a lot) freer practice and some personalisation.
It is also an opportunity to drill the structure, to perfect the intonation and the sentence stress. It can be done chorally (the kids produce all the sentences together which is less risky and much safer, especially for the shy students) or taking turns. In real life, the activity was a mixture of both and I simply let it be, although, of course, the teacher can insist on either choral or individual production.
Very little preparation, if any. In the first part of the task, we were able to use the coursebook materials, the visuals (the flags) and the model sentences which were already on the page. The second part required the model sentences on display, at least in the beginning. This was the first time we played this game. I suppose these will be less necessary in the future.
There is a lot of potential for students’ involvement: first of all, they are personalising, sharing some details from their life. But of course, there is more to that – the students are also invited to lead the game and to suggest topics, places, food, things they are interested in. This also helps to make the activity memorable.
We did it as a whole class but it can be done in small groups or teams, too.
I created it for the lesson on the Present Perfect but I believe that it can be used with the other structures, with slight adaptations ie the Present Simple and the adverbs of frequency (T: watch the news, SS: I never watch the news, I always watch the news), the Past Simple structures (T: go to school, SS: I went to school, I didn’t go to school), or the adjectives to express opinions (T: Maths, SS: Maths is easy, Maths is difficult) etc.
My students are kids but I can see a lot of potential for this game with my adult beginners group, too.
The name! Of course I like it because I came up with it but I think it does reflect the principles of the game and it is its brief description: you echo but you adapt, too)
This post, like many others, starts in the classroom…
The thought falls on my head out of nowhere.
We are playing the game with the first conditional. There are only four of them, on the day, in-between the holidays, so we don’t even bother to go into the breakout rooms, we are playing together. It is not even a real game, either. Someone starts a sentence, someone else, called out, thinks of an ending, action – reaction, a situation – consequences. And they are just producing. Coming up with great ideas, some of the sentences just down to earth and realistic, some of them, as we call them, ‘creative’, just for laughs. And so we laugh out loud. A trainer in me suddenly realises that the lesson plan (if there had been a formal lesson plan) should include not only the traditional elements, like the staging and ‘the teacher will’ and ‘the students will’. The trainer in me realised that it might be worth considering to include a laughing fit and the necessary calming down part in the timing, in the assumptions and the potential problems and solutions…We laugh a lot with my kids.
Unavoidably, I realise, I get those constant flashbacks, those mini-trips into the past and I am looking at my students, today already 10 and 9 (or 8 and 7, still, some of them) and I remember how we walked into the classroom together, for the first time, me on my toes, all eyes, all ears, and them cautiously taking every step and every action. I do remember how we learned to say ‘Hello’ for the first time with some of them and how we first said that we don’t like broccoli ice-cream (except for Nadia, my little rebel). How I used to need lots of miming and scaffolding and modelling, with every single activity and how they’d start with single words, then move to phrases and to sentences.
And I, who was present, 99% of the time, over those seven years, I cannot believe my own eyes and my own ears now, how they throw the language at me, storytelling, or using the Present Perfect in free speech. Or the first conditional.
What does it mean for a teacher to continue for an extended period of time? What does it mean for the business? How does the methodology change? Does it change at all? What do the parents think? And, last but not least, perhaps it would be better to change the teacher once in a while?
This post will be very personal. This post will be very emotional. But I would like to look at it from the other points of view, too, thinking like a trainer, thinking like a methodology expert and, also, inevitably, thinking like a teacher and like a human, too.
In order to make it a bit more objective and more like a research, I asked my teacher friends for help. This post was written with the help, support and contributions from my amazing colleagues: Ekaterina Balaganskaya, Nadezhda Bukina, Marina Borisova and Tatiana Kistanova. Thank you!!!
Are you still up for such an adventure? Follow me.
Over to…ateacher trainer
You know your students very well, in every aspect, including the interests, their motivation, the family situation, the strengths, the areas that need improvement, the interaction patterns that they favour, their best friends in and outside of the group, their favourite activities and games, their role in the group. This helps a lot with lesson planning, shaping up and choosing the activities and, later on, in class, with managing the activities, the lesson time and the interaction patterns.
Giving instructions is much easier, after a while. The students know you very well, too, that they are almost able to read your mind and to react to any, even those less formal hints and clues. Quite likely before you give them.
You need to be creative because after a while, your students might get bored with the activities you usually use. This might not sound like something positive because it means that you are at risk of running out of anything that you normally keep up your sleeve in terms of games, classroom management techniques or ways of checking homework, for example, but I would like to see it a more positive light. Working with a long-term group can be a wonderful catalyst for your creativity and, as a result, there are more new games, classroom management techniques and ways of checking homework!!!
It is perfectly natural that with any new group, a teacher strives to build up the comfort zone in order to ensure the conditions for the effective teaching and learning. However, once that comfort zone is created (and after a few years with a group it is likely to be a very stable comfort zone, a very cozy and safe ZPD, hello Leo Vygotsky), the teacher can start dreaming of venturing out and trying out new things on a much more advanced level. Not only a new game to practise vocabulary but a new approach that you may have heard about such as introducing a new approach to storytelling after you have found out about PEPELT, setting up journals with your students, just because you read that one research article or just taking your lifelong passion for teaching English through another level. Or, actually, you might even want to start a blog at one point. An experimenter is, I believe, one of the most important teacher roles!
Teaching long-term, you are moving on, together with your students and that means changing and adapting the approaches and techqniues to match them to needs of the kids who are growing up. With time, kids are becoming more mature and more capable of producing the language and dealing with more and more complex tasks. They say that a rolling stone gathers no moss and the same can be said about teachers who are growing and developing with their students. Sure, some of that can be achieved within one year, but there is definitely a lot more potential for the changes and the evolutions if the learning process takes a bit longer than just one season.
My colleagues also mentioned the impact on the learning process and the very shaping of the curriculum as it was adapted to the particular needs of the students. Instead of just following the book (or the curriculum whichever form it came in), as might be the case with a less involved teacher (although, of course, I am not implying that working with a group for a season only equals lower quality service), with a longer term group a teacher is able to introduce a circular / spiral curriculum, introduced to the world by Bruner and to me be Ekaterina, with the teacher returning and revising the crucial elements of the language, regardless of what the coursebook or the pacing schedule says. For example, working on the past simple (served in manageable chunks) from the beginning of the year instead of waiting until April when that topic appears in the book. This was Ekaterina’s example and I realised that we have been doing the same with my kids, simply because I wanted us to have the language (or some bites of it) for us to be able to talk about the weekend and the holidays and the day at school. Tatiana also mentioned it as one of the key benefits as knowing the group helps the teacher set the pace that will be most appropriate for this particular bunch of children.
Over to… a manager
Students staying for a few years are basically yourreturning customers, your loyal customers and your dream come true. As they would be in any other area. They come back, month after month and year after year and they make the world go round, basically.
What’s more, these students are also likely to bring in other students, their friends, brothers, sisters, cousins or even parents, to join your groups or the other groups at the school. Since there has been a positive experience in the family, so to speak, these are also likely to stay.
The fact that you have worked out the patterns and the procedures of managing the finances, the group, the assessment or the festivities, will mean that these will be easier to implement.
This will be a huge advantage, should there be any changes to adapt to, even those unexpected and unplanned, as in case of the pandemic. Perhaps that was not the case in all the countries and with all the groups and students but, in my experience, many of those that went online, smoothly, were the long-term students and groups and they basically trusted their teacher to transfer online or, later on, to study in the hybrid classroom.
That also means that a strong bond and trust will be built and the parents will be more likely to accept any changes or even any complications such as the need to move online, the need to change the timetable, the need to make up for the class or to run the lesson online, or even, to have a cover class.
Staying with ‘the old’ teacher might also be easier for the parents which was a very important point made by Ekaterina. Parents are busy, they might not be able to devote a huge amount of time to looking for a new teacher, a new school or a new group and they might also worry that their child would not fit in the new set-up. Some parents fear that due to the previous negative experience, either with the school, the group or even the teacher’s professional competence. Staying is easier.
Over to… a teacher
The first one to mention here will be the enormous sense of achievement that a teacher can get from working with a group for an extended period of time and the opportunity to observe and to assess the same students, not only from September to May, from the beginning to the end of the level but over the years, from pre-A to A2 or even further.
Teaching a group over any longer period of time provides the teacher with plenty of opporunities and a lot of data for formative assessment, as pointed out by Ekaterina. It will apply to all the language skills as well as vocabulary and grammar, accuracy and fluency. Let’s take the past simple as an example. There will be the series of lessons devoted to the topic, a series of lessons per level or coursebook even, and the students might do well in these lessons. However, it will be up to the teacher to track whether and how accurately the students use it to describe the past events in free speech, recalling the events of the day at school or retelling a story. The aims of these two activities are not the freer grammar practice per se but, for example, settling in and checking understanding after a reading skills development stage. It might (and it will!) take a considerable period of time for the students to finally assimilate the structure and to start using it freely and correctly. I have also noticed in my teaching that with time I tend to prioritise formative assessment over summative assessment but this is a new discovery and I need some time to think about it before I write about. A new post? Who knows)
Creating a positive atmosphe in the classroom, creating the environment that will be beneficial for learning, learning about your students and their needs is something that we, as teachers, do regardless, but there is something special in the connection that you build with a group over the years. You accompany them in their lives outside of the classroom, all the good marks and bad marks, all the competitions, holidays and birthdays. You get to meet their parents, grandparents, brothers and sisters and all the pets. You take part in the important family events, such as the births of baby brothers and sisters or even those more traumatic events like an illness or a death of a family member and, whether you want it or not, you bond. To an outsider it might sound strange but there must be a reason why so many teachers refer to their students as ‘my children‘ or, sometimes, when in a non-teaching environment, ‘my educational children’.
Then, there is the pride in all their achievements and progress that they are making. Going back and reminiscing about all the milestones, all the firsts is a truly wonderful journey for a teacher to take: the first lesson ever, the first time we made full sentences, the first time we started to create in English, the first letters scribbled, the first story we did and the first time they asked to be allowed to take over the story reading, the first test, the first real grammar lesson, the first ‘OMG, I cannot stop them from chattering away‘ day or every time they took an exam, Starters, Movers, Flyers, KET, PET, FCE or, finally, also, CAE.
Over to…a human
‘If you meet with the same people twice a week for 8 – 10 years, you can’t help loving them‘ (Marina)
‘It’s a joy to see them grow, to see the progress and the results. Develop relationships and see them enter a new age group‘ (Nadezhda)
‘The best thing about it was that I knew them and they knew me, the rapport was strong‘ (Tatiana)
‘When I was moving a country, they were devastated. Luckily, we could continue our lessons online‘ (Ekaterina)
The group is a community. Ekaterina mentioned that the kids in the group she has been teaching for seven years became friends outside the group and that they all meet offline when that is possible, even go out for pizza or to a museum. Even when those outside events are not possible, the group can celebrate together either because they get a Christmas-themed lesson or because they all bring snack and have a little party at the end of the lesson. Even if it is an online lesson.
It is interesting that the personal preferences work both ways and that the resistance to change the teacher might come from the students, too, as you will see in the stories for teachers that I share in the paragraph below and that, as Marina highlighted, the fact that some students stay with you (and, of course, not all of them will) is based also on their personal preferences and attachement to the teacher. Staying for longer may be seen as a result not some intertia, the inability or laziness to find a new teacher, but, simply, a conscious decision on the part of the parents and the students.
Or on the part of the teacher, too. As pointed out by Tatiana, it might be related to the teacher’s own personality, if the long-term connections are important for them, as humans. Or, it might be the impact of the context in which they are working as the changes, imposed or not, are more likely to take place in different educational institutions whereas the teachers who work freelance would probably be in favour of keeping the students, unless, of course, it is impossible due to any external circumstances.
As for me, personally, well, I love what I do. Yes, there are sometimes duties, tasks or even groups that I am not entirely wildly excited about but, overall, I enter the classroom, online or offline, with joy and looking forward to the lesson. And one of the reasons for that are my students and, especially, my educational children aka my adorable monsters. It is thanks to them that I have blossomed as a creator, as a teacher and as a trainer. It is thanks to them that I was able to cope with the strains of the lockdown and it is thanks to them that ‘I am stillstanding‘, as Elton John might put it, when the world is what it is right now.
At the beginning of the pandemic, when we were about to transition online and change our EFL lives forever, I remember how I felt about the big unknown and how, pretty quickly, it became apparent, that no matter what (really, no matter what) we are what we are, a small (and a bit loud) community and that we had had enough experience of each other worked out and accumulated and that we can take it elsewhere. I remember one morning, just before the lessons were about to start (the first real lesson, not the free online trial and getting to know each other with zoom) how I felt the panic creep over. But I also remember the thought: ‘Hold on, they are my kids. That’s is. We will just do it, under slightly different circumstances‘. And, guess what? We did.
A change would do you good?The other side of the coin
Because, of course, there is one! Changing the teacher might be beneficial! On the one hand, as Nadezhda mentioned, the teachers themselves might feel the impact of the long-term interaction, some form of material fatigue, and in such a case a change is more than welcome. In such cases a change of a teacher might be the solution. A new teacher means new methods, new approaches, a different sense of humour…
Sometimes this ‘tiredness’ and the call for a change may come from the fact that students are growing and transitioning into another age group and the students might welcome a more official confirmation or recognition of that process. Perhaps, the change of a teacher might do the job here. If, for example, it is Mr Alexander is the teenage groups’ teacher then him taking over the group from taught so far by Miss Carolina is going to be some form of a rite of passage.
However, it needs to be mentioned, it is not as straightforward as it might seem. First and foremost, the students may not want to change the teacher at all and, in such cases, it is enough to tweak the format or the routine a bit. Then it might be that the outside circumstances change and they sort the problem out. Ekaterina shared her story of one of her groups with whom she started to consider the possible change of a teacher as the kids’ growing up and changing into teenagers resulted in some discipline issues and, as a result, the lessons not being as effective as they previously had been. However, here, the problem sorted itself out – due to the pandemic the class was transferred online and it turned out that the physical separatation (or the space and the own territory that the students gained) was the only thing that the group needed. They still continue with Ekaterina as their teacher.
This brought my own group to mind. The kids were still in pre-school, year 3, when we were asked to give our cosy kiddies classroom to a younger group. We moved and the most surprising thing was that it turned out to be an important stepping stone for the students. ‘We are real students now!’, they kept repeating and back then I was just listening to them and giggling inside that the big desks and big chairs can make anyone so excited. Today, when I look back at it, it seems to be this perfect moment in the life of a group when a change was needed. And it did take place, although, yes, without changing the teacher.
The most important thing to consider here is how thestudents can benefit from the new circumstances. Marina brought it up, too and, Ekaterina gave a perfect example from the British schools. In the schools her children attend, there is an obligatory change of a teacher every year, with Miss Elena only teaching the 4th-grades, Mr Peter only working with the 6th graders and so on. The system was introduced in the school to ensure fairness. This way, all the children get a change to work with all the teachers throughout their school life and the is no chance that, due to some ‘preferences’, class 4A only gets ‘the best teachers’. Not to mention that this must contribute a lot to bonding and building of the community as little Pasha will know all the teachers personally and all the teachers, after a while, will have had Pasha in their classrooms.
The end is the beginning is the end…
The most interesting thing is that, from among the teachers who waved back at me and wanted to chat about the long-term teaching of a group, there was nobody who would be a strong proponent of the Change the Teacher Every Year approach. Can it be considered a sign? I have no idea but, if, by any chance, there is anyone among my readers who has had an experience with it, please, pretty please, get in touch, I would love to talk to you!
There is nothing like a good metaphor and I use it a lot in the classroom, to give feedback to my students (‘Your essay is a bit like a skeleton, all the good bones but no muscles at all’), to explain grammar (‘Reported speech is basically telling stories’) or to manage the behaviour of my younger students (‘This desk, Sasha, is like your island and these other desks are other island. We don’t travel there. Never ever ever!’).
I also started to use metaphors in teacher training and, of course, you can read about it here and here and this is how this post started, too.
I asked my trainees ones how they would describe a lesson in terms of a metaphor and I found out that a lesson is a lot like: playing football, playing a game of snakes and ladders, a journey, a frame…I am getting goosebumps now because I know that there WILL BE a separate post about that, soon.
A lesson is like a story
Oh yes, it is! In a good story you absolutely need a good opening line (this is how I choose my books, yes. Because if the author did not bother to make an effort to say hello properly, why would we even be talking, eh?), a set of interesting characters, some adventures, some challenges and achievements, a climax and the ending.
In terms of a lesson, these would stand for a warmer activity (a good opening line), the community of the teacher and the students (yes, we are the characters), some engaging activities (our adventures), some new things, some learning and development (or the challenges and the achievements), one amazing focused task because all the roads lead to Rome (and this is our methodological climax) and….a good cool-down activity aka the ending.
We absolutely need the ending!
First and foremost, a lesson needs an official round-up, the final touch, the coda, the summary of everything that has happened during the lesson. Since one does not walk into the classroom and start the lesson without saying ‘Hello’, nor does one leave without saying ‘Goodbye’, there should be the first real activity of the lesson and the last real activity, too.
What’s more, a good ending of a lesson is also an introduction to the following one. If the lesson finishes on a high note, the students will leave the room looking forward to coming back next time.
Move! By Super Simple Songs! If you haven’t used it before, find it asap!
# 1 Finishing with a song
An easy and no-prep resource, especially with the younger students. A song is a signal for the students that we are finishing but it can be also a signal for the parents waiting in the hallway. It can be the same good-bye song in every lesson but it can be a song that the students choose to finish the lesson with. This is an especially useful trick with the older and more advanced children, who might eventually get bored with the same song. With one of my online students we had a tradition of choosing one of her favourite songs, in Russian, to listen to and to dance, after the offcial lesson time, just as this thing that we did together (and I had a longer break in-between classes and I could spare a few minutes). One of my trainees, Nathalie (lots of virtual hugs here), also built in a dance into her class routine. At the end of the lesson, the kids would choose one of the Super Simple Songs, for example, get up, find a place in the middle of the classroom and just dance and sing, together with the teacher and then go home.
I have yet to start experimenting with songs with my older students.
# 2 Finishing with a story
Admittedly, that is a part of the routine that is something of a staple food in my pre-school and primary school EFL lessons. Stories, both storybooks or videos, can be used either to revise the key language or to introduce and practise the new language, not quite related to the topic of the lesson. From the point of the view of the lesson, the story is a part of the ritual and something that helps to build the class community.
In the classroom, we clean up after the focused task, set homework and go back to the carpet (preschoolers) or to our hello circle (primary), we choose a story and read or watch it and talk about it. Then, the only thing left is the goodbye-song. And stickers).
This is, probably, one of my favourite ways of finishing a lesson, because we get a chance to settle, to bond, to practise the language and to express opinion, all in one. I am wondering whether and how my older students could benefit from these, too. Something to experiment with in the next academic year, perhaps?
This is the feedback the kids left after the first week of the summer camp activities
#3 Finishing with afeedback session
There are many ways of organising a feedback session after the lesson, depending on the aim of the feedback session.
Self-reflection when the teacher is simply irrelevant (in a way). The main aim is to give the students an opportunity to look back at the lesson and to consider the learning process. In this case, the students work in pairs or small groups and share their views, answering a set of questions, such as: What did you like? What was the most difficult / interesting / boring / the easiest part of the lesson?
Feedback for the teacher: students can leave their comments on the board or on the wall (or the door!) if the feedback is to be anonymous or they take part in a discussion in small groups or as a whole class.
It is up to the teacher to decide how frequently any kind of feedback can be carried out: once a week, once a month, after each test or after any lesson with a new element in it such as a new activity or a new game.
This is our feedback after one of the tests
# 4 Finishing with a self-reflection task
This activity is an extension of the previous point but it focuses more specifically on the content and, even more specifically, on the vocabulary. My students (primary and teens) had their notebooks which we used for taking notes and for the self-reflection tasks, too.
At the end of the vocabulary lesson, the kids take their notebooks and look back at the lesson and categorise the words according to a number of the following categories: the difficult words, the easy words, the useful words, the words that look strange, the words that sound strange, the words that may not be very useful…
They can either create their own lists by copying the items from the board or the coursebook and by categorising or colour-coding them. A short speaking activity would follow in which the students explain their choices to their partners in pairs or small teams.
# 5A revision task
That is another set of tasks that we sometimes use also based on the key vocabulary in each particular lesson and it has got a lot to do with everything that is written on the board already such as the new language or the emergent langauge. The main aim here is to give the students one more opportunity to use the target language. Since these games have no definite ending, their length can be adapted to the amount time left in the lesson.
The students work in pairs and can play one of the following games:
Definitions: student A calls out the word / phrase, student B: provides a definition and an example, then they change, the teacher helps out only when necessary (aka the word has already been forgotten)
Synonyms and antonyms: student A calls out the word / phrase, student B: provides a synonym or an antonym
Questions: student A chooses a word / a phrase and asks student B a question that includes that word / phrase. Then they swap roles.
A story: students work in pairs, they take turns and tell a story, using different words / phrases from the board
Pairs: students take turns and they try to find connections between different items on the board, based on meaning, pronunciation, grammatical category or associations
Sometimes we also play the memory game with the whole class: the students take turns to close their eyes, the teacher erases one or two items, the students open their eyes and try to recall the words that have disappeared as well as all the other words and phrases from the previous rounds. The class listen and help out with definitions and associations. The bonus? The board gets cleaned))
# 6 Finishing with an introduction to the following lesson
This approach to the finishing the lesson was the result of the reality of the teaching life. No matter how well you plan your lessons and how many optional activities you have up your sleeve, it might still happen that everything has been done and there is still some time left but not enough time for the teacher to properly spread the wings, be it in a game or in any other fully-fledged task.
In such a case, it might be a good idea to introduce the topic of the following lesson, without properly setting the context (no, time, remember?) for example by:
introducing the title of the reading, the topic, for example through a game of hangman and a discussion about the students’ expectations and prediction
talking about the visuals that accompany the following topic, without going into any details
three questions to help the students relate to the following topic for example: What do you think about…? Have you ever…? Do young people in your country often…?
This will create a link between the lessons and it can be further extended by a homework along the lines of: ‘Find out more about…’. All of these can be easily adapted to almost any topic.
# 7 Finishing with a game
The games chosen to finish the lesson with should be fun (the students are already tired and less able to focus), fast (if there is a lot of time left, perhaps it should be devoted to something else) and offering some flexibility to the teacher (aka games with no definite end or result that can be stopped or paused at any given point).
We like to play:
Categories aka STOP: students work in pairs or small teams, they write one word in each category beginning with a specific letter, afterwards the teacher awards the points.
The Game of 5: each team or pair prepares a list of 5 in their category (a separate and unique one) such as 5 irregular verbs, 5 cities in Europe, 5 farm animals etc. Afterwards, the teams have a minute to guess all the words their partners have come up with. They can get 50 points in each round, 10 points for every word they manage to guess with the team setting the task getting 10 points for every word their partners did not manage to guess.
One-Minute Game: this a game that requires a set of flashcards (very easy to prepare) or a set of word cards (prepared by the teacher throughout the year, can be easily recycled). Students work in small teams as they take turns to explain as many words out of the set (definitions, associations or miming) to their team within one minute. I am pretty sure that this was loosely based on some kind of a game show but I have no idea which one. Oups.
In order to better manage the game and time in class, we started to play these with the same teams over a series of lessons, pausing when it is time to go home and recommencing in the following lesson.
The stained glass project: in the making
Bonus: An Art Project
‘Anka, what’s this?’ the kids asked when entering the classroom and noticing a few boxes of the stainglass paints.
‘These are special paints. We used them to make these special pictures with the little kids.’
‘Anka!’ they said, in that very special tone of voice that my kids have mastered, the voice reserved for these particular occasions, to compain, to chide and to express disappointment. ‘The little kids? And what about us?’
So I had to think of a way of including this particular project in our classes. Making stained glass pictures is one of the coolest activities ever but it takes time as the various layers need to get dry before you apply the following ones and there is virtually no chance of completing a task in one lesson. Not to mention that it is a perfect decorative kind of a craft and trying to adapt it in order to maximise production would be simply counterproductive.
Instead, I wrote to the parents and I explained that, instead of a game, at the end of the lesson, for the next few lessons, we would be preparing our own stained glass pictures. The kids chose a template or designed their own pictures, they drew the outlines, they coloured them in and, as soon as they were ready, they took them home to cut out and to display them. All in all, it took about 5 minutes over a series of four lessons.
The Chameleon Day!
Bonus: The Chameleon Day akaGoogleSearch
Choosing virtual stickers is not a new idea and thanks to Miro we have lots and lots of fun and we can keep track of all of our stickers throughout the entire year, if necessary. Here you can read how we deal with that with my primary students.
Further reading
The 9 Best Ways to Finish EFL Lessons from the ELT Guide
15 Awesome Wrap-up Activities For Students from Class Craft
Happy teaching!
*) This material was collected and put together for the online training session organised by National Geographic Learning for Russia in October 2021 where I had the privilege of sharing the zoom stage with Dr Joan Kang Sheen and Tatiana Fenstein.
Two circles cut out of cardboard (regular photocopying paper is too thin and flimsy), with the two holes for fingers also cut out before the lesson.
Glue to glue these together
Crayons, pencils or markers to draw the appropriate body parts
Procedures
Show the kids the finished product, introduce the frog, chat with the kids
Show the kids the smaller circle, show how you decorated it.
Give out the pencils / markers.
Give out the small circles, decorate it with the kids.
Give out the bigger circle, decorate it, if appropriate.
Collect the pencils.
Show the kids how to glue one on top of the other. For the younger kids, it might be a good idea to draw a small cross on the top of the bigger circle, to signal where the kids should put the glue.
Give out the glue sticks. Kids glue their circles together.
Glue the additional body parts, when appropriate.
Collect the glue sticks.
Play
@ Magdalena
Why we like it
It is super easy! These frogs here, in the picture, were produced for a child (a huge Frog Fan), rather than with a child, and that is why I went a bit crazy with the eyes but there are the simpler versions of it)
These two circles can become many many things: a frog, a bear, a cat, a dog, a monkey, a rabbit or a snowman, with little adaptations.
The task does involve a lot of pre-cutting but the rest can be done by the kids during the lesson.
Once the toys are ready, they can be used to play, as any other puppets with all the structures that the kids are familiar with and with those that match the topic of the lesson, at the very least, ‘Hello’, ‘My name is’, ‘I like…and you?’ and it is always great when you can maximise production.
It was a typical day in the life of a small scale Mary Poppins. I set out for a shift at the volunteering centre and, as an experienced one, I could not imagine to go unprepared, even if minimally. I thought that, at the very least, we can do some circle magic. I could not take everything but I had a big pocket and so it got filled in with three glue sticks, an envelope full of circles, a small packet of colourful feathers (that was a nice coincidence that I had it). A4 paper and a box of markers did not fit in one hoodie pocket.
When I arrived and started the shift, it became obvious very very quickly that the place is not ready for any craft activities because, apart from one small table and a few little stools and a box of coloured pencils, there was nothing. Or, rather, there was only me and my pocket.
There is some beauty in that, really, when you get to see how your brain starts to get involved in order to think of a solution. Sure, THAT was not about sending a man to the moon or putting together a new recipe, but, still. I was building a grid for our version of hop-scotch and sorting out toys, and the brain was trying to imagine what I can make out of the contents of my pocket. A little chick, that’s what.
Ingredients
lots of circles, cut out before the lesson out of colour paper, regular type, cardboard might be too thick. As for the size, this time it is officially: the Size of the Bottom of a Mug, colourful, for the kids to choose from, two pieces per child
glue
something to draw (markers, pencils, crayons)
colourful feathers (I got them in the stationery section of a regular supermarket, you can buy them in any craft activities), but they can be replaced by strips of colorful tissue paper (also those unevenly torn), three per child, if you use the feathers or as many as you want, if you use the strips of the tissue paper
Procedure
ideally, for the smaller children especially, it would be a good idea to put a cross on one side of each circle, so that it is absolutely clear on which side children should put the glue
each child chooses two circles
choose the circle that will be your front, draw the eyes (two small circles in the most basic version), and a beak (a small triangle)
take the other circle, cover the cross side with the glue
place one of the feathers on the top, for the little ‘fringe’, on top of the glue, so that a part of it is on the cirlce and a part of it stands out of it
repeat the same with the other feathers, by putting each of them on two sides, for the wings
take the front circle, put it face down, cover the cross side with a lot of glue
place it (more or less carefully), on the top of the back circle and the feathers, press
use the birdies to play, the kids can use them as puppets, say hello, introduce themselves, ask how they are, and use any other structures that they already know
Why welike it
is very, very easy, I have done it with two-year-olds (with a tiny bit of help) and with eight-year-olds
there is more potential for decoration (a more complex bird’s face, legs, tail etc)
the main focus of this lesson (or activity) can be playing with the chicks as making them will take only a few minutes
despite being very easy to produce, this craft has a lovely ‘wow’ moment and it lies in the fact that such simple elements put together can gives a lovely little bird.
below, you can also see the ‘proper Easter, made with mum and aunt’ version, with professional wings, made of felt. They look pretty and we made them only because I found this set in a shop. Here, it might be a good idea to let the chicks spend the night in the middle of the book, to make sure that they stick properly (felt is a bit thicker and it will need more encouragement, especially if you are using just the regular glue)
None, almost. In some cases, it might be necessary to write some of the ideas on the board, to serve as an inspiration. See procedures
Procedures
Students work in pairs. They share their ideas. If there is time, the students can change partners and repeat the activity. To round up, students share some of the information they have found out about.
This stage is always present, in each lesson, and it takes about 10 minutes. We keep the same variant for about a month and then we choose a new one.
All the variants (so far)
Verbs: the teacher writes on the board all the basic verbs in the past tense: I went to, I saw, I ate, I drank, I talked to…about…, I watched, I played, I bought, I wrote, I didn’t…The kids choose 5 and they build simple sentences about their day, week or weekend. I like to start it with my students even before we officially cover the Past Tense (as soon as they are ready to differentiate between the present / the past form of the verbs) and it really does help the kids to practise and to remember the verb forms.
Did you go…: a variation of the activity described above. The teacher puts the question form and the short answers on the board. The kids work in pairs and ask each other questions. The student who provides answers uses ‘I did’ and ‘I didn’t’ but they are also requested to give a brief explanation (because…)
Tell meabout your day: the teacher writes the name of the activity and a list of topics which can be also elicited from the students. The regular set might include: the weather, the school, the teachers, my best friend, lunch, getting around, marks, tests, pets, brothers and sisters, homework etc. The students work in pairs and they have to choose three topics to talk about. They take turns to share stories about their day and they follow-up each story with a question.
The B-words: this one is a slight variation of the above, only here the teacher writes a selection of words starting with a certain letter as the list for the students to choose from and to be inspired by. Some of the words might be completely random but they also encourage the kids to produce the language. Later on, the students can choose the letter of the day and then can also help make the list of the words, too.
This is how I felt today: in this variation the teacher puts up the words to describe emotions and feelings. The list can be a simple one (happy, sad, angry, sleepy, hungry, tired, bored) and then it can be extended to include more interesting ones, too (confused, excited, chatty, exhausted). Again, the students choose 3 or 5 of them to describe their day.
Superheroes: this time the list on the board is made of names of superheroes, famous people as well as characters from books and films, for example Superman, Spiderman, Wonder Woman, Chebourashka, Winnie-the-Pooh, Santa etc. The students are supposed to think of their day from the point of view of these characters and describe it talking about how they felt. ‘I felt like Superman because I got three good marks today’*)
The superlatives: the teacher writes on the board a list of superlatives (the best, the worst, the funniest, the tasties, the most difficult, the easiest). The students choose 3 or 5 of them and use them to describe their day, for example: The best thing was that I had only three lessons etc.
Why we like it
A stage of that kind is absolutely necessary as the time for the students to settle in
This is also when they learn how to communicate without any preparation and outside of any set-up frameworks since each day might be different and each day may involve a different set of verbs and nouns
At the same time, it is an opportunity to practice the past tenses or the perfect tenses as for many of the students, many events repeat themselves (going to school, writing tests, having a good day or a bad day etc)
It is a fantasic opportunity for the group to bond, to share the great things that happened during the day or to vent about all the disasters that they had to deal with, the tests, the teachers, the piles of homework
To be continued. Soon. We are quite likely to get very bored with what we are doing at the moment…
Happy teaching!
*) My favourite so far! It is amazing how my students come up with their own metaphors and associations, both the teenage group and the kids. Here are a few quotes: ‘I felt like Chebourashka because I was a bit confused’, ‘I feel like Robinson Cruzoe because I am locked up at home now’, ‘I feel like Masha from Masha and Medved because I am a bit crazy today’, ‘I felt like Santa because it was my friend’s birthday and I had a present for him’, ‘I feel like Superman because I did all my homework really fast’…
Disclaimers: I have chosen to use Discover with Dex by Macmillan in this exercise here due to a few reasons: I have had a chance to work with it, it is one of the recently published coursebooks and there are some sample pages available online on the CUP website and so I am not at risk of any copyright infrigements here. This is not in any way a criticism of the activities and instructions included in the original material. I just wanted to recreate what I would normally do in this lesson. For that reason, I have decided to do one more thing that I never do and that is plan the entire lesson without consulting the teachers’ book or checking what is there (I really struggle with reading all types of manuals). I left it until after I was done with the whole post. See the last paragraph. It was my conscious decision not to supplement the coursebook activities with any songs, stories or videos or even electronic games such as wordwall, although, of course, I do that in my lessons. I wanted to keep the most basic version of the lesson.
Details: Discover with Dex, Macmillan, level 1, unit 1, page 7.
The original activities can be found in the sample on page 8 as well as in the TB, on the same website, page 11.
Ready?Steady?Go!
Pre-book
Introduction and revision of the vocabulary: simple flashcard games, realia (ie putting post-it notes with numbers on the realia, T: calls out the numbers, Kids: name the item), or realia and flashcards (ie matching the relevant flashcard with the item in the classroom by putting the flashcard on the relevant object) Why? Because students need enough exposure to the target language and enough practice, controlled or freer, so that they are ready to complete the task in the coursebook.
Movement games: using gestures at least for some of the objects (chair – sitting down, table – putting arms on the table, sticker – peeling off and sticking, book – opening the book and reading, pencil – a gesture for writing something carefully, crayon – a gesture for colouring in), puzzle, Puzzle Run – copy the flashcards and cut them up into the jigsaw puzzles (ie two pieces, perhaps three if the kids are older), keep one piece of each in the classroom, leave the rest out and place them around the classroom or the hallway, depending on the location. Pick out one piece, say ‘What is it? It’s a….’ and elicit the rest from the kids (‘a pencil’), ask one of the kids to look around the classroom and look for the missing piece of the puzzle. When they bring it, put the pieces together, elicit the question and the answer, drill. The question and answer can be easily turned into a chant, by adding rhythmical clapping. The roles can be nicely divided, too, with the teacher asking the question and the children replying or the other way round. For instance, if that is the first lesson with this structure, the kids can only repeat the question, it will be the same line over and over again. Why? Becuase the kids have been sitting for quite some time and they will need a stirrer to get rid of the energy that has accumulated so far and to prepare them for a serious settler aka the focused task.
While-book
Funky envelope: this is one of my favourite tools everand it seems perfect for this activity. It will keep the kids curious, it will create an opportunity to practise the target language and it will create a link between the flascard games and the activity in the coursebook. The teacher continues using the same structure, What is it? It’s a… Why? Because this kind of an activity will prepare the students for the format of the task they are going to be asked to complete as part of the focused task.
Open the book (teacher only): the teacher opens the coursebook (or displays it on the screen / the interactive whiteboard) and calls out the names of the objects in the top row, using the key structure again. Why? Because this way the chances are that the students will remain focused on the task and on the instructions. There is only one thing to look at (the book that the teacher is holding or demonstrating), no other books, no other pages in the students’ books etc.
Model: still with only the teacher’s book open, the teacher completes the first part of the activity. The teacher points at the first circle and asks ‘What is it?’, students answer ‘It’s a chair’. The teacher says: ‘Let’s take a red pencil’ and colours the chair in the circle and draws the line. The teacher repeats the question – answer again, pointing at the pictures ‘What is it?’ ‘It’s a chair’. Why? Because the kids need to see how to complete the task, step by step. Verbal instructions only are not going to be as effective and through looking at the task is completed, the children will understand better what they are to do in the following stage.
Open the books (students): the kids open their books. The teacher asks again, give out the red pencils / crayons to all the students, monitors. When the kids are ready, the teacher collects all the pencils and they all repeat the exchange again: point to the circle – What’s this? – It’s table – trace the line – point to the picture of the table. Why? This is for everyone the controlled practice task, repeating the teacher’s actions in their own coursebooks.
What’s this? It’s a crayon: repeat the procedure with the crayon and a new colour. The teacher gives out and collects the pencils or crayons after each round and elicits the question – answer. It might be a good idea to let the kids choose the colour of the pencil / crayon for each round. Why? By adding the element of the different colours and by pencils being given out and collected by the teacher in each round, the teacher ensures that the task is paced properly, that all the students complete the task and that everyone stays on the ball throughout that stage of the lesson.
Done! the teacher draws a star or a smile to signal that the task has been completed successfully. The kids close their books. Why? Because it helps the kids to understand that the task has been finished.
Post-book
Riddles: it will be a bit of a stretch from the original context but the structure can be used to play riddles, too. The teacher chooses a flashcard, keeps it hidden and asks ‘What is it?’, the kids make their sentences trying to guess the card. It might be necessary for the teacher to model first and provide the first few incorrect guesses to give the children an idea, for example ‘It’s a pencil’ – ‘No’, ‘It’s a sticker’ – ‘No’, ‘It’s a table’ – ‘Yes!’. Naturally, after a few rounds led by the teacher, the kids take turns to lead the game. Why? At this point, with a lot of exposure and practice, the kids should be able to take part in a game when they have to produce the langauge freely.
Pelmanism: in order to play this game, the teacher needs to prepare a set of flashcards, set A: the regular flashcards, with the objects fully seen and set B: either stencils of the objects or parts of the objects (like in the coursebook), matching or, the simplest set and the easiest to prepare: two sets of the regular flashcards printed in two different colours. Actually, with pre-school or primary students, I always use colour-coded sets as it makes it easier to set the game and to handle the materials. The students play together, led by the teacher. The kids take turns to uncover the cards and to find a match. Every single time they ask the question and answer it (What’s this? It’s a pencil). If they have a pair, they put it away. Why? This is another game that creates an appropriate setting for the use of the key question and answer. If the game is played together, without counting points, it is appropriate also for the youngest students.
Happy birthday to you: it is a silly game that we sometimes play as part of the new vocabulary practice and here it would be yet another way of providing another opportunity to practice the key structure within the appropriate context. The kids have to sit in a circle and you need to have a set of flashcards. First, to model the activity, the teacher chooses one card, keeps it secret, face down and gives it to the student on the left. This student passes it to their friend and so on until the card makes it back to the teacher. Then, the teacher takes another card and yet another one and the cards start circulating, all of them face down. The teacher start singing ‘Happy Birthday’ and at one point, the teacher stops abruptly. The teacher then asks ‘What’s this?’ and all the kids turn their cards over and tell everyone what they’ve got ‘It’s a sticker’, ‘It’s a pencil’ etc. Then, they play another round. If there are enough flashcards for all the kids, then, naturally, all the students will describe their flashcard. If, however, there are fewer, then the activity is easier to manage and the kids who end up without a flashcard, they can say ‘Oups’ and it is fun, too as the teacher is the one to manage the song and to make sure that different children get a chance to say ‘Oups’ during the game. Why? There are opportunities for the natural use of the key structure as it is a mystery and the game can be stopped at any moment which will be quite a useful feature at the end of the lesson, when the kids are naturally more tired and less likely to remain focused for a longer period of time.
Question to ask yourself while planning:
What is the aim of the lesson? Even if it is not a formally assessed lesson, it is a good idea to formulate it for yourself, even if only verbally. Why are you and the kids entering the classroom on the day? What would you like them to achieve as regards the language, the social skills, the motor skills or any other area?
How does the coursebook material help you meet these aims? What would you have to add or to adapt?
How much language are the students going to produce? Are there any ways of maximising production?
Will your students (those who are in your group, your student Misha, Peter, Tommy and Andy) be able to complete these tasks? Will they like them? Apart from the fact that you are the teacher (the one asking them to do things) and they are the students (they listen and follow), is there anything in the task and the materials that will get them involved?
How are you going to prepare the students for the task? What activities will you prepare to introduce and to revise the vocabulary and the structure? Is there anything that you can do to prepare them for the format of the task, too?
And now I am actually going to read the teacher’s book…
There is a different TL (Can you see? Yes, I can) which could be used very naturally in the classroom. At the same time, this is not the TL that is introduced and practised in the unit (Have you got? Yes, I have. No, I haven’t). We might argue which structure would be more useful for the students (Can you see? or ‘What is it?’) and both have got their benefits and it is up to the teacher whether to follow the book and what to supplement it with.
The teacher’s book suggest a slightly different procedure and there is a nice variety of structures introduced and practised (Can you see? What is it? What’s missing? Is it a…? Where is the other chair?). It is great to see a lot of natural language used during the lesson but since all of my students are EFL learners with a limited exposure of one or two real hours per week, I would want to focus the language practise and production and work on one structure at a time. Although, of course, the teacher would be creating a proper language environment, without limiting their own production to this one specific structure only.
I am afraid I would not use the original task with colouring the magnified objects to match the real objects. The chair and the crayon are easy but the book and the pencil would involve more than one colour and would take a bit longer than I would like to spend on that activity.
The same goes for the personalisation task. Most of my students are too young to draw such complicated pictures so I would be skipping that one, too. With the older children, I might use it for homework perhaps.
There is a great set of the digital resources to accompany the coursebook as well as the wall hanging to go with the flashcards and these could be a lovely addition to the lesson.
Happy teaching!
P.S. Don’t forget to check out the wonderful directory of all the useful things in the VYL world created by Sandy Millin. You can find it here.
The aim of this post is the following: by the end of the post, the readers will be more familiar with the concept of connecting the EFL with the elements of Art Exploration and the appropriate craft activities.
As a source of potential inspiration for anyone who might want to try it.
The group
The kids for whom this course has been designed were a group of preschoolers, aged 4 – 6, who are and were part of a greater project at MAMM with Fun Art Kids and I was responsible for the English language slot. I taught them from October 2021 until February 2022 and we had lots of creative fun in English. I used to joke that these classes were the reason for me to wake up on Tuesdays.
My students were beginners and for many of them, if not for all, those sixty minutes of English were the only real exposure and the only real lesson and, despite the fact that it is not a lot of time (at all) we made progress that I was really happy with.
The format
The whole idea behind the Kids in the Avangard programme was that children should be given an opportunity to experience art and all the many ways of creative communication, through music, through dance and movement, through theatre, through visual arts and through English. The programme was run in module, each with their own theme (colour, shape, line etc) and within those modules the kids would participate in lessons that were separate entities devoted to an artist, an artistic movement etc. At the same time, kids work on a performance which takes place at the end of the ‘term’.
It was not easy to nest the English classes in that format but it was not possible. The main idea is that the English classes in which we deal with the beginner students (or a mixed ability group), it was impossible to aim for a very content-rich input and some adaptations had to be made for that. What I decided to do is to focus on giving the kids a good basis of English, including the vocabulary and structure from the pre-A level (although not necessarily not synonymous with and not in the order of the ‘typical pre-school curriculum’) and to combine it with the introduction to the world of the world Art and related craft activities. Just like in the case of all the other classes of the programme, our lessons were connected but each of them was a separate module, too.
The format of the lessons followed a typical EFL pre-school lesson with the hello circle, revision, new material introduction, movement and table time and it was supplemented with and built on songs and stories, too.
The palette of ideas
In the chart below you can see the content and the ideas for some of the lessons I ran as part of the course. In many ways it was an experiment, this whole course and, overall, it was a very successful experiment, the kind that makes you shout out ‘I want more of that!”. However, it was an experiement and, naturally, some lessons were more effective than others, and some ideas better than others.
In the chart below, I have decided to include those that I have tried and tested and loved, as those that I can strongly recommend, ready to use almost. All the misshaped ones will be worked on and developed and presented at a later date, when I have improved them a tiny little bit at least. But, in order to be honest and to share the experience as it was, I have also decided to include some of the things I have learnt by making the mistakes I did make. All of those you will find in the final section of this post aka What not to do.
Thegallery
KleeGoncharovaKandinsky, Malevich, El Lissitzkyvan GoghWarhol De CosterMashkovMonet
Thenot-so-successful sideof theexperiment
The time allowances: either because it is a brand new thing for the kids (aka the entire course) or because it is a new element to the everyday class routine, the students need time to figure things out, to learn how to navigate around it and to make it familiar. Once they do, the whole programme will be a lot more effective and enjoyable. Don’t be upset if it is not an instant success.
The high expectations regarding the content and the input: the main aim of this programme is not to provide the kids with any substantial input on the artist’s life and career. Instead, they are supposed to be given an opportunity to be exposed to the world art and to interact with it.
Kids will produce the language, however, it is most likely to happen during the English language part of the lesson (introduction of the new vocabulary, practice, language games)
Each lesson has three separate objectives (language, Art and craft) and it is perfectly natural that only one of them will be given priority in a lesson and that English and the language production will not always be the main focus. If these classes are taught as a part of the general English course, then it is assumed that they will be balanced with the regular, more productive English lessons. In case of a separate course, this aspect (and potential parents’ expectations) are even easier to manage by outlining the course objectives beforehand.
Many craft activities look good on paper but they might not be easy to implement and to manage in a group of pre-schoolers. Trying, trialling and testing (aka making it first at home, before the lesson) is the best way to avoid and to get ready for at least some of the potential problems.
Time is on your side. Fnding a strong link between the three elements and preparing a coherent lesson gets easier with time. And more and more enjoyable.
There are plenty of things that can be done just with the simple resources such as markers, crayons or watercolours and paper but don’t forget that there is a lot more that can be done! Experimenting is fun!
Why?
If you are still wondering whether to start including art in your EFL lessons, please have a look at this earlier post and here you can find a great website with lots and lots ideas for art activities.
a very detailed plan and careful staging (see below)
post-it notes (two different colours)
the materials to set the context based on the material from Superminds 5 by Herbert Puchta and Gunter Gerngross from CUP
Procedures
The introduction to the project was based on the material in the coursebook.
Afterwards we made a list of places in the city (I was taking notes on the board). Then, the kids were chatting in pairs, creating questions for each other: Which one is more important in a city, X or Y? Why? This was a fun activity, the kids were coming up with sometimes impossible pairs and providing justification for their choices.
I divided the kids into pairs and explained that we were going to design a good city. Each pair got a set of questions about their city and they were to discuss these with their partner. The handout was cut up into three pieces and they were given out, bit by bit (or rather, that was the plan. In the end, I only gave out the first part, the other phrases and questions were simply written on the board for everyone to see). I was only monitoring and asking follow-up questions. We did not have a whole class feedback.
I gave out the A3 sheets and the yellow square. I explained that it is the city centre and I asked the students to decide where it is in their town and to glue it on. I did it on my model. I drew the map legend box and I drew two items on my plan. Afterwards, I gave out materials and the students started to work.
The negotiation language and the steps (stage 2 of the handout) was displayed on the board. I planned it differently but, in the end, I decided not to give this part of the handout out. There was no room for it on the tables anyway.
The kids were working on the project for about 10 – 15 minutes, until the end of the lesson.
At the beginning of the following lesson, the kids sat down with the same partner and each pair got a set of post-it notes, pink to write what they like about the city and green to write about the things that the city should have. We circulated the projects, kids worked in pairs, looked at the plans, talked and made their notes on the post-it notes, discussed what they liked about each city. They also made suggestions and all their ideas were written down on the post-it notes which they attached to the plans. Each pair had a chance to talk about all of the other posters.
In the end, the posters returned to their owners and the designers had a few minutes to look through the comments.
In the very last stage, each pair of designers was asked to provide feedback on the feedback they received. They did that by answering the following questions: Which are the favourite places in your city? What should your city have? Do you agree? Why? This was the only part of the project that was done in front of the whole group.
In the end, the posters were displayed on the walls.
Why we like it
I personally really liked this project because it was a diversion from a traditional approach to a project in which the students work in pairs or teams to produce something and then present it to the rest of the class and in which a creative stage is followed by a productive stage. I have decided to give up on this format almost entirely and, instead, to minimise the creative stage and to maximise the production without limiting it to the post-project phase.
Throughout the entire project, the kids produced lots and lots of language, they were making suggestions, expressing views and commenting on the other students’ suggestions. There were at least three layers of material created by the students, in one format or another.
In hindsight, I do believe that there were even more opportunities for the further extension of the project by comparing the real cities the kids know and whether they would be a good place to live, by making suggestions how the city they live in can be made better or by ‘visiting’ one of the other cities and writing letters or postcards from their visit…
I was glad that I decided to keep the creative part of the project, even if in a limited format. They students really did enjoy designing their cities, drawing and colouring, even though in my eyes (a boring teacher here) they should be the first to go as not very generative.
It looks like my kids also enjoyed the project. They were asking after the lesson whether I would put the posters up (I did!) and, a few days later, whether we are going to have any more project lessons (we will!)
Dear reader! I hope you are here because you have been in search of ideas for a lesson on Art and English for primary school children. If so, you are in the right place! I would like to share with you a lesson that I taught a few months ago as a part of my Art Explorers programme. I would like to start with some blowing my own trumpet in an attempt to inspire you and to think ‘I want one ofthose!‘
our group of Art Explorers was a mixed-age, a mixed-level and a mixed-ability group, with some pre-A, some A1 and some A2 children and we were all united in art. Everyone was involved, everyone was producing as much as they could and everyone had fun.
the kids who took part were the members of five different groups at the school and it was the first time they had a chance to interact with each other, in English.
the children had a chance to revise and practise English, to find out about Andy Warhol, to talk about feelings, emotions and associations and to exercise their creativity in the craft task.
it worked very well as an introduction to our Art Explorers programme
it was relatively low-key as regards the preparation and craft materials as we used the simplest things available: a powerpoint, a handout, a few sets of vocabulary flashcards, a few sets of watercolours, paintbrushes and cups.
it lasted 60 minutes but it could easily be adapted to 45 or 90 minutes, depending on the needs of the group and the age of the students.
We said hello, introduced ourselves and we had a small ‘get to know each other’. Each pair of students got a pile of flashcards (food, toys, sports, colours, animals etc). The students were supposed to pick out one card and to ask each: Do you like…. There was a model question and answers on the board, together with ‘because’ which the older students were already familiar with in order to encourage more developed answers.
Stage 2: Colours and emotions
We revised the emotions and a set of the basic adjectives was displayed on the board as a point of reference. Afterwards, we revised the colours and I introduced the idea of associations. The key word here (‘associations’) is actually quite similar to its counterpart in the kids’ L1 but I decided to use even a simpler structure ‘Green is a happy colour because…’
The kids were put into pairs, for another speaking activity and they were comparing their own associations related to each of the colours. At this point we did not use the flashcards. Instead, eaach pair got a set of markers and they were asked to discuss all the colours in the set. Afterwards we compared our ideas.
Stage 3: The artist of the day
We moved to the TV room to meet the artist of the day. At this point I was using the powerpoint which you can find in the attachments.
First of all we looked at the photo of Andy and the kids said as much as they could, about his appearance and character. Only later did I introduce him properly, albeit briefly – as artist, from the US, a very creative person.
I showed the kids a few paintings and asked what they thought of them. They were using the simplest structures of ‘I like’ and ‘I don’t like’ and, in the case of the older and more advanced students, to provide a rationale for their views.
The Campbell soup was especially interesting. First of all, because we compared it to the local brand of ready made food that the kids could relate to and it was a huge surprise that such a usual item can become an artifact. Second of all, this particular painting was how we transitioned into the theme of the day: how the same item, represented in different colours can create different associations.
Stage: The colours and the emotions
We looked at the photograph of Marilyn Monroe and one of the most famous paintings by Andy Warhol and at the similar painting of Mickey Mouse. We worked as a group and we talked about the different emotions related to different versions of Marilyn and Mickey Mouse and how they made us feel. I wanted to keep it open class in order to give the students a chance to hear as many different versions and ideas as possible to show them that the same painting can generate a great variety of emotions.
Stage: Let’s create
I told the kids that we are going to try to express our emotions and that we are going to be like Andy Warhol. I added that to Andy, Marilyn and Mickey were important symbols because he was American and that we would use some other symbols. At this point, the kids were already shouting out the name ‘Chebourashka’:-)
We went back to the other classroom. Everyone got a handout (see below) and a pencil or a marker. First, we all decided what feelings and emotions we wanted to represent and we labelled all the sections of the handout.
Afterwards, I gave out the painting materials and we sat down to work. The kids were given time to paint and I was painting my own and monitoring and chatting to the kids and asking the follow-up questions.
Stage: Tell me about your Chebourashka
The kids worked in pairs and told their partner about their pictures and the emotions they represented and, whenver possible, provided rationale for that. In that particular lesson, we only had enough time to talk to one partner but, in theory, there is a lot more potential and it is more than recommended for the kids to swap pairs and to talk to as many peers as possible.
Stage: Goodbye
We finished the lesson with cleaning up, with a round of stickers and with a song.
