Crumbs: Little ideas for the classroom

Crumbs#16 The Musical Challenge!

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The first challenge ever (primary, A1)

Today about an activity that requires almost no preparation and is a nice break from the coursebook and from the everyday. Plus – you can draw. Ready? Let’s start the Musical Challenge!

Ingredients

  • A piece of paper, some drawing tool and a few tracks.
  • The choice of the tracks will depend on the teacher but it is good to include a variety of genres, songs or music with different tempo and instruments. I like to pick songs with a long intro and in a language that the students do not speak, not to let them be influenced by the lyrics.
  • Tell the students that you are going to play a short piece of music and they have to draw what they are thinking about when they hear this music. Highlight that all ideas are good ideas. Give the students an opportunity to include words, for example is some concept are difficult to draw.
  • Model, with a sample track.
  • Play about 30 – 60 seconds of a track and give the students up to a minute to finish drawing after the track stops. However, this is a fast-paced activity and its main aim is to provide material for speaking, not the drawing itself. Some students might want to make their drawings too pretty and too detailed and that will take time.
  • Put the students in pairs, let them discuss the songs. If possible, it might be a good idea to play the track they are discussing in the background to create the appropriate atmosphere.
  • Remember to put the questions / structures you want the students to answer / to use on the board. It will help them produce and stay on the ball.
  • Final feeback can include choosing the favourite and least favourite song.

Why we like it

  • It is very easy for the teacher to set up. It is enough to play the audio from the phone or even from youtube, pratically no preparation is necessary. It is possible to prepare a grid with numbers but it is much easier to give out an A4 or an A5 piece of paper that the students are asked to fold into halves until you get eight or six boxes. It works well, too. Because of that, it can easily become your go-to last minute, no-prep activity that can be added to any lesson.
  • It works well with different ages, not only with higher-level students, although, obiously, they will be able to produce more langauge and to discuss their own associations, metaphors, using more advanced language such as modal verbs for deduction. At the same time, even the younger and lower level students can describe their illustrations using simpler structures (I can see, he is wearing, he is happy) and to express their views (I like this song, I don’t like this song because…). The youngest students that I have done this activity with were about eight years old and studying in the A1 level.
  • The teacher has a lot of flexibility, this activity can be stopped whenever it is necessary, after four, five or eight tracks. The activity does not really have an end so it does not matter when it is stopped, for example when the students are not quite interested.
  • It can be further extended into a homework task. The students can be asked to choose a song, prepare their drawing at home and then play the song for everyone in class and either draw or just talk about their associations before presenting their original picture. If the songs are played in other than L1 or English (or if the beginning of the song does not include any text), the discussion can go in the direction of the story that the song is telling, based on the title, the summary or the single quotes.
  • It gives the students a chance to express themselves through drawing. We do a lot of that with the younger students but as we go, higher (level) and older (age), drawing and colours do disappear from our lessons, sadly. It is good to bring these moments back. They students do enjoy these.
  • It is a fascinating opportunity to see how music can be seen by a group of people and how different these associations can be.
  • It is highly personalised and open-ended, all ideas are good ideas
  • As a result, that kind of an activity generates a lot language.

The last time we did it a few week ago, we used the following tracks (we also read a text in our coursebook on music and fashion in the last 70 years, this is how all of the songs appeared here and how I listened to Ed Sheeran for the first time in my life:). Now, have a look at the pictures illustrating this post and have fun guessing which song inspired them. The Joni Mitchell, River

The Rolling Stones, Gimmie Shelter

The Clash, Should I stay or should I go

Ed Sheeran, Perfect

Backstreet Boys, Tell me why

Buddy Holly, Everyday

P.S. My kids loved the Clash and the Stones! Not all is lost)))

Happy teaching!

Crumbs #15: Our new favourite vocabulary game aka General Kutuzov

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As soon as I said it out loud, it turned out that in my classroom is a crowded place. Apart from the teacher (that would be me), my students (older and younger), there is a whole bunch of characters who simply are there.

There is Pasha (the invisible student), there is Angelina (our class puppet), there is Mr Milk (the little-known-superhero), there is the Flying Cow…And there is also general Kutuzov. To whom this game is dedicated.

The thing is, general Kutuzov is a personal hero of mine. Every time I find myself in the middle of a big project, with one million areas to oversee and to manage, while on the verge of going crazy (because I multi-task well only in the classroom and in the kitchen), I think of general Mikhail Illarionovich Kutuzov, one man managing troops, camps, provisions, civilians, and all that in the face of the approaching enemy (aka Napoleon). This thought calms me down.

But not only that.

We sometimes play games with my kids (duh!) and sometimes they get very competitive (duh!) and sometimes, instead of ‘just playing’, some of them take time to think, to ponder, to come up with some very clever strategies in order to win…Which, on one occasion, resulted in me saying ‘Oh, look, here is general Kutuzov, planning something’ and ‘General, Kutuzov, please, can you make a decision? Today?’

They giggled. They are eight but they got the reference. And general Kutuzov stayed with us. So now, when they want to comment on someone taking their time to think or someone coming up with a strategy, they call him or her ‘general Kutuzov’ which, to be honest, I am rather proud of.

And that’s what I called that game:-)

www.wikipedia.com

How to play?

  • The main aim of the game is to get from the START to FINISH, choosing your own route on the board.
  • Players move across the board and as they do, they have to explain the word in each box. They answer the question ‘What’s…?’ or ‘Tell me about ….’
  • It’s always good to put the key structures on the board, to support the production. In the animals game, with my A1 students, we used ‘It has got…(body parts)‘, ‘It can…(verbs)’, ‘It likes to eat…(food)‘ and ‘It lives in… (habitats)’.
  • Students play in pairs or groups of three per board.
  • Players move one box at a time, to the left, to the right, up, down or diagonally up or down.
  • Each box has a number of points assigned and the students collect the points throughout the game.
  • I give the kids small cards, folded, on which they are to write their points and to keep them secret until the end of the game.
  • In the end, each player adds the points and we announce who the winners are, in each pair and in the class.

Why we love it

  • The game generates a lot of language and it keeps the students motivated and involved.
  • It is a competitive game but you can win it not because of good or bad luck but because you plan your movements well.
  • It is suitable for mixed ability groups as the students choose their route themselves and can, if necessary, avoid using the words they don’t know.
  • We played it in our offline lessons but it can be also used online, with the kids annotating on the screen. It would work best with individual students, small groups or big groups playing in teams.
  • It depends only on the players (or their teacher) how long the game is going to last. Naturally, the kids will try to get from start to finish and as soon as one player does it, the game is stopped and the points counted. At the same time, the teacher can set the timer at ‘ten moves per player’ or, simply, stop it at any given point in the game (with the same number of moves per player, of course), announce the end and count the points.
  • It takes a few minutes to prepare and it can be used with any kind of vocabulary, a thematic set (lower levels) or any random set of vocabulary taken from a story or a listening task.
  • The first time we play it, the game is teacher-led and we play with teams of students, on the board but once they get the idea, they can play in pairs.
  • No dice is necessary. Kids can either use checkers or colourful markers to draw their route across the board.
  • I have played it with primary school students (A1) and with my B1 teens, too.
  • The game can easily be made more or less challenging by keeping only two types of boxes (1 and 5 points, for example) or by adding more of those (1, 3, 5 and 10 points) and the number of points can reflect the level of difficulty of the word or phrase.
  • Players can move in any way they choose, one box at a time, but to make it more challenging, the teacher can exclude moving diagonally or any other of the movements.
  • The same can be applied to the rule of using the same box twice. It can be allowed or not.
  • I have thrown my kids at the deep end but I think that if I were to introduce the game again, in a new group, I would probably create a board of boxes worth only 1 point to highlight the importance of strategic thinking here. The kids figured it out themselves, though: the longer the route, the more points (the kids’ aim) and the more language produced (the teacher’s secret objective:-)
  • The board can be colour-coded. It will make it more attractive visually and it will help the kids understand where to move next, for example: a green box = 1 point, a blue box – 3 points and a yellow box = 10 points. Having said that, the black and white simple chart with points works equally well.
  • You can get my animals boards here: the colour-coded board and the points board.

Happy teaching!

P.S. The inspiration for the game might have been a listening activity in one of the old coursebooks by OUP called ‘I Spy’ which had a listening activity in each unit called ‘the maze’. Maybe or maybe not))

Crumbs# 14 The United Buddy Bears Art Project

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The United Buddy Bears in Sofia AD 2011

Welcome to my favourite art project: The United Buddy Bears. I first met the bears face-to-face (almost because they are 2 meters tall so face-to-face, eye-to-eye is not so easy to do) in Sofia because we all happened to be visiting the city in spring 2011. They were an art project back then already (since 2002 actually) but after our encounter they also became an EFL Art Project.

The United Buddy Bears: Brazil

Ingredients

  • First of all, if you have never heard about the project, start with this article on wikipedia or the bears’ own website.
  • A set of photographs of some of the bears that I use in a quiz. The students are shown the photos and they are asked to look at them and guess the name of the country. Naturally, the set should include the kids motherland.
  • Depending on the age and the level, the follow-up stage might involve describing individual bears, especially the bear representing the students’ country or symbols in general, as well as talking about the bears they like or dislike.
  • The main objective of the project for the younger students (primary) is to draw their version of the bear to represent their country. First, it might be necessary to brainstorm and to introduce the vocabulary and concepts that people normally associate with the children’s country. In case of Russia, it is especially interesting as it creates an opportunity for the students to learn that they already know many of these words, for example balalaika, borscht, matryoshka and they only need to learn how to write them in the Latin alphabet. Then, the students decorate their bears using the template provided by the teacher and, eventually, present their bears to the group.
  • The older students are invited to design a bear that represents them. It can be a bear that will show their hobbies, personality, favourite sports, school subject or a band, or, really, any concept that they consider important. The sky is the limit here. The students present their bears to their friends, ideally in a mingling activity.
  • The templates can be taken from globalperspective.info, clipart-library.com or just teach the kids how to draw it.
  • In the end, all the bears are proudly presented on the walls of the school or the classroom.
  • In both cases, it might be necessary to start drawing and decorating in class, to make sure that everyone is on the task but to set the task for homework, with the presentation scheduled for the following lesson. Some students might need more time to complete their drawings or to prepare their presentation and that might help to solve this problem.
The United Buddy Bears:Poland

Why we like it

  • It works like magic. Or almost. Some of the bears are easy to interpret, some of them require a bit more of background information but this way they can serve as a springboard to learning about different countries. The set of bears used in the quiz can be easily adapted by choosing the more straightforward bears for the younger students.
  • Regardless of which project you choose, the students get a wonderful chance to personalise the content, either because they will be drawing to reflect their own interests and hobbies in the bear or because they will be creating their own version of the Russian bear. It is a very happy coincidence that the Russian bear (or the first Russian bear because later I did find some other versions) is rather ugly. As a result, all my students with whom I have ever done that project, all of them without exceptions, were deeply offended that it is supposed to represent their country and were more than eager to create their own, better and more beautiful bears. The one you can see below is the more beautiful, later version of the bear.
  • It can be adapted to different levels and age groups. I have done it with elementary primary students and with advanced teenagers.
  • It is an opportunity for the students to express themselves, to create and to produce the language.
  • It can be used to supplement the coursebooks and it can be done as a part of the extra-curricular programmes such as summer camps, CLIL etc.
The United Buddy Bears: China

Happy teaching!

The United Buddy Bears: Russia (the beautiful one) from www.buddy-baer.com

Crumbs #13: Angelina, our class puppet.

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First steps

I still remember my first ever lesson with pre-schoolers in Moscow. I went in prepared, a whole pile of flashcards, crayons, books, mini-cards at the ready. I wasn’t scared or panicky and the thought that we had to occupy ourselves for only 45 minutes was rather soothing. After all, I did teach in Spain, the group was much bigger and the lessons much longer and yet I survived. In a rather victorious manner.

But then the kids came in, only five of them, they sat down nicely and we started the lesson. And by that I mean ‘I’ started the lesson. They did not give me the register before the lesson, the admin left quickly, the door was closed and the parents were somewhere else. I was on my own.

The kids were sitting nicely, very nicely, just looking at me and absolutely not reacting to my smiles, hellos and communication attempts. They did not respond at all to my ‘silly teacher guessing game’ that I normally (and successfully) use to get the kids to introduce themselves at the beginning of the first lesson. I say my name, pointing at myself and then start with one of the kids (the brave-looking one) and start bombarding them with all the boy’s or girl’s names typical of the country that I can think of until I bump into the right one or until the child reacts to the silliness and introduces themselves.

Only this time, I was getting nowhere. Five pairs of eyes were looking at me, just looking at me and waiting for something else. Something else which I did not have. It did last only a minute or even less, in real life, but it felt like a whole eternity. And I did start to panic.

Luckily, among the rubbish that I did bring to class that day, I had a puppet, Max from Playway to English. And guess what, the kids did not want to talk to me but they were more than happy to converse in Max. In English, straight away, even without any special introductions in L1 and explanations that Max is from England does not speak Russian and so we have to make an effort. That was not necessary, they just wanted to talk to him. We did talk. Yay!

I don’t really like puppets, to be honest.

I don’t and I cannot even explain why.

I am actually good at all the puppet-related skils. I don’t have a problem with putting on voices, making faces and role-playing things with myself for the benefit of the 5-year-old audience. And anything in the classroom can find its own soul and voice, flashcards, masks, pencils.

But, really, I use puppets only in the beginning of the course, with new groups, when we have new students joining an already established group or when we were forced to move our pre-primary classes online.

Dex is then ready to help and Teddy sorts out most of the issues. Children feel more comfortable with something that is soft and pretty and right out of the world that they are familiar with and someone who does silly things and who can make them happy. Teddy and Dex are always at the ready.

However, as soon as we done with the first weeks of the course and we feel comfortable in the classroom, they visit less and less frequently. I don’t miss them but perhaps this is something that I should actually reflect on why we are not using puppets more. But there are exceptions, of course.

Angelina, my superhero

It all started in 2017 because this was the Year of the Rooster and, traditionally, the world filled up with toys, figurines, puppets representing this very animal. One of my friends landed one as a present and decided that my classroom will be the best permanent home for it or, actually, her, because, regardless of the Chinese horoscope, it is a she, a hen, Angelina.

At the time, my youngest group were already very big, already five years old, well-accommodated in the school and in the classroom and definitely beyond the stage when they needed a puppet to ‘feel better’ or ‘to break the ice’.

But I had Angelina and I really wanted to use it and, of course, I did. It was not one of the projects that you start with research and reading that lead to implementing an idea in the classoom to meet some specific aims. Here, we went topsy-turvy. I had a resource, I jumped in at the deep end, without any specific aims, observing, taking notes and reflecting. And learning a lot about working with preschoolers. Here is how Angelina changed my teaching life.

Angelina 1: When puppets listen, kids talk.

Instructions

  • Get a puppet, think of the name, the background, the voice and the movements. Our Angelina, for example, is not quite a puppet, rather ‘a fancy sweets container‘ as she has a big zipped pocket, in her bum (sorry) which I decided not to use it. I do not to put it on my hand. She normally sits in my lap and I hold her by the back, letting her express herself mostly through the head movements. Sometimes, with the use of my other hand, I use Angelina’s wings or wings which are quite dangly. She is, overall, quite expressive for a puppet))
  • Make the puppet a part of the classroom routine. Our Angelina sleeps in her house (this being a rather unappealing plastic bag hanging on the bookshelf). Right after the hello song and hello routine, we wake her up and invite her to join us in the circle. Afterwards, she says goodbye and returns to her house, to continue sleeping.
  • The main aim of Angelina’s visits is to provide an opportunity for freer speaking practice and to encourage the kids to produce the language spontaneously.
  • In practice that means that we ask lots and lots of questions and Angelina is telling us about herself. We start with ‘What’s your name?’, ‘How are you today?’ and ‘What’s your favourite….?’, later moving on to ‘Do you like…?’, ‘Have you got…?’ and ‘Can you…?’, although these are always only ideas and I make sure that all the contributions are welcome. I have not tried telling and retelling stories yet but that might be another option.

Why we love it

  • Angelina (or ‘a puppet’) is a fascinating way of getting the language out of the kids. They start producing the questions because they are really curious about the class puppet’s life and these questions start from the ‘traditional’ questions, often used and heard in class but they quickly become very creative and unexpected.
  • Kids naturally react to what Angelina says and we can use this opportunity to teach them and them a chance to express surprise (‘Wow’), disbelief (‘Really?’) or shock (‘Oh no!’).
  • There is some opportunity for emerging langauge learning, for example ‘wolf’ (things that Angelina is scared of), ‘corn’ (things that Angelina eats) and ‘planet’ (things that Angelina likes) that we might not have learnt otherwise because they do not really feature in our coursebook.
  • It is a woderful opportunity for spontaneous production since with this kind of activities the students are in charge of the content. Naturally, they will not be able to chat freely in English about Angelina (what with being 5, pre-A learners of English, with a limited exposure to L2) but from my perspective (I still teach these same, first Angelina, children, now we are seven and eight and A1 level), this was an important first step that has definitely contributed to my students’ current level of fluency and communicative skills.

Angelina 2: Our class puppet and her diary

Instructions

  • First you need to have had a class puppet for some time for the kids to become familiar with the puppets, their habits and interests. I introduced Angeling in year two and the diary in year three, but it will depend on the group and the children.
  • The teacher starts the journal. I used a sketchbook and filled in the first few pages with Angelina’s adventures. Each of them was a drawing and a sentence.
  • The teacher brings the journal to class. The group look at it together and talk about what they can see in the pictures.
  • After a few weeks, the teacher first explains the whole idea and the logictics to the parents: the kids, in turns, will be taking Angelina and the album home for the weekend and then, when they are ready, they will bring them back, with one more drawing added. In class, we are all going to look at it and talk about it.
  • To lessen the stress of having to draw in the official diary, I have used a template for the main character, an drawing from clip art library that I printer, cut out and glued to a few empty pages. This way we would always create a collage, the drawing of Angelina would be consistent and of a good quality and the students would only work on the scene itself.
  • The kids were only suppsed to write but some of the parents helped and wrote the key sentences.
  • When I introduced the idea, one of my eductional mums said ‘Youa are brave!’ and, I guess, by that she meant that I was risking Angelina getting destoryed, lost, stained or loved so much that she would never want to go back to school…Yes, that is something to take into consideration. The younger students might get too emotionally attached and we would be in trouble. Plus, there are the accidents of the everyday that we cannot predict or prevent. I did think about it and I still wanted to risk. Plus, I had located another copy of Angelina in our accountants’ room and I was ready to ask, bribe or steal, should anything really bad happen to our original SuperHen.
  • ‘Angelina is making cookies’
  • ‘Angelina is having cookies and tea.’

Why we love it

  • The kids loved taking Angelina home to play. Once she came back to school with a boyfriend (who stayed only for a day) but she also encouraged other kids to bring her toys. A parrot called Pepsi attended our lessons regularly, participated eagerly and sometimes asked for her own handout in order to be able to do her own homework. Which, accidentally, was always different from her human’s homework.
  • The project gives the kids a chance to be creative as Angelina can do absolutely anything while visiting. She can go to the park and she can fly to the moon, too.
  • It provides the entire group with a picture to talk about, to discuss and to ask questions about and the best bit is – we never know what it is going to be. As a result, we get yet another chance to use the language tools we have to talk and to learn new vocabulary, too.
  • No Angelina was harmed during the entire project. The kids took this responsibility very seriously and I was really proud of them.

  • ‘Angelina is making a cake’
  • ‘Angelina is on the beach’
  • ‘Angelina is jumping into the swimming pool’

Instead of a coda, another puppet story.

If you think that puppets and class puppets work only with the little kids, I would like you to reconsider.

In the classroom where we study with my older kids, we don’t have any balls and whenever we need to throw things (while playing games) we use soft toys. For that reason, we have a creature called ‘Flying Cow’, which lives on the top shelf, is a very sphere-like toy cow and, yes, it frequently flies.

Despite the fact that the students are well-past the primary age, Flying Cow always gets stroked, squeezed, hugged, patted, or, in other words ‘is shown affection’. Last year, while we were playing, the cow got thrown or caught rather too energetically and, as a result, suffered a tail injury (reads: it just got ripped off).

It was an interesting thing to see that all my seemingly teenage students gasped in horror at the damage done. As if Flying Cow would really be in pain. I did keep a straight face and acted like a good doctor ‘Don’t worry, everything is going to be alright. I’ll take her home and fix it.’ Which was met with relief.

Maybe not only the little kids?:-)

Now, dear teacher, take a careful look around. Is there anyone that could become your Angelina?

Happy teaching!

Bibliography

  1. Carolyn Webster-Stratton, PhD, Tips for Using Puppets to Promote Preschool Children’s Social and Emotional Development, accessed on 6 January 2021, from www.incredibleyears.com
  2. Christine Belifiore, Puppets Talk, Children Listen, accessed on 6 January 2021, from https://teachmag.com/archives/5618
  3. When Puppets Speak, Children Listen, No Strings, TeDxBermuda, accessed on 6 January 2021, from youtube.com
  4. Sandie Mourão and Gail Ellis, Teaching English to Pre-Primary Children, DELTA Teacher Development Series, pp 48 – 51

Crumbs #12 In my little house: A craft activity for one hundred occasions.

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If I had to choose only one craft activity for all my classes, a proper all-rounder, for the younger and for the older, to serve a hundred purposes – that is the one!

Welcome to my little house!

First of all, I really did try hard, very hard to remember where and when I learnt how to make it and how to use it and who taught me and I can’t. I don’t know. For sure, it was Moscow, definitely my first year here but who and how? No idea. The only thing that I can do now is to say ‘Thank you!’ to this forgotten and now anonymous benefactor. I am, indeed, much obliged. Now, I am sharing.

Instructions

  • Two pieces of paper per student / house. In the samples in the photos I have used A4 but in the classroom, with my kids I tend to use both A3 and A4, depending on the main aim. If we are just glueing things, A4 works just fine. If we draw – A3 is bigger and offers more room for the kids’ drawings.
  • Fold the house. It is pretty easy and you can watch this video here, from Inner Child Fun to see how it is made. Emily is using origami paper but a regular A3 or A4 will work just fine!
  • Important: I normally do it myself, for all my students because even adults (like my trainees) might not be very good at origami-like activities and the house, although it is relatively simple, it does require some precision and if it is not applied, it is not going to look very well, unfortunately. Preschoolers will not be able to fold it and when I once tried with my primary school kids, I immediately began to regret it because some of them took the responsibility of the taks too seriously and were getting very nervous, predicting that they might not be skilled enough to manage the task. They did, in the end, with a lot of encouragement but I think it is just not worth it. We can still teach them how to do it, for them to practise and play at home but if you think of the lesson itself, the timing and the aims – just not worth it.
  • In my case, depending on the aim of the particular house (see below, there are plenty of options), I make one house myself, as a template, hand-drawn or using clip art images, and then I photocopy it to fold for each student. The advantage of it is that you can put in your house whatever you want. The basic design involves only the lines inside the house and the division into rooms, with numbers. That helps during the activities because you can ask your students ‘Go to room number 1’ and this way you make sure that everyone is on the ball and that they don’t glue pictures wherever they should not, for example, on the lines as that would get in the way of the house closing and opening.
  • Also, before the lesson, I glue the houses onto the garden page. This is especially useful in the case of the pre-primary students and in the case of those of my primary kids who have not done the activity before. Being glued on, the house is not as easy (although not impossible) to be dismantled and unfolded and it is just easier to manipulate in class.
  • I start with demonstrating my house, with all the theatre that I can muster. We look at it, we knock at the door, we open it and look inside. This can be done on the carpet or with the kids gathered around you so that everyone can see all the details.
  • I give out the houses and we start with drawing the door and writing the number (ask talking about them) and then drawing the windows (and talking about them). Make sure that all the students are more or less in the same place here. I normally only give out one colour per child (although they can ask for a different colour for the door and a different colour for the windows) or, with the older kids, with a pencil only. They will want their houses to be really pretty so erasing might be necessary and I really don’t want to waste time on colouring, this can be done at home.
  • The main task usually involves glueing things in different rooms, for example pets. For that, I prepare small pictures of all the pets, one set per child, on a tray (or whatever works as a tray) and a poster to put up, for everyone to see all the options. We start with room number 1 and I say, ‘Go to room number 1’. ‘I can see a cat (in my room number 1)’ after which I glue there the small picture of a cat. Then, the kids take turns and make similar sentences choosing their own animal from the set. They only receive a picture to glue after they make their sentences. When everyone is ready with room 1, we show our pictures, we say ‘I’m ready’ and move on to room number 2. And so on.
  • In the end, if there is time, we draw the sun, the tree and the flowers in the garden and we colour the house for homework. Also, if there are any leftover animals, these can be given out to glue at home (although, yes, that involves some more complex logistics, paperclips, small envelopes, not impossible though).
  • In the following lesson, we look at our houses and describe the rooms, the colours etc.
  • Variations: there are many of these. The house can be anything you want it to be. Here are some of my favourite ones:
  • Any set of vocabulary and almost any set of stucture, starting with ‘I can see’ and ‘I’ve got’, with some less obvious ones like the pictures of activities to practise Present Continous (‘I’m jumping in the kitchen’) or even words or word cards with the Past Tense forms which can be used later to tell stories for example ‘A strange Sunday’ (‘My brother slept in the garden’, ‘My dad danced in the kitchen’ etc)
  • Halloween or Christmas house – with the characters and symbols of each holiday
  • International House (accidental) – each room is a country represented by its flag and some symbole, these are drawn or glued, for older children
  • Rooms of the house – template is prepared with some furniture typical of each room, students can place pets in rooms (‘Where is the cat?’ ‘It is in the bedroom’) or family members (‘Where is mum?’ ‘She is in the living room’), add small objects to each room (‘Where is the lamp?’ ‘It is in the kitchen’, it is best to choose things that could be in any room such as lamps, pictures, chairs, rugs) and this version can be also further extented (‘Where is the lamp?’ ‘It is in the kitchen. It is on the cupboard’). The older kids can also draw these, making a regular or a silly house, too.
  • Secret Room – this was a follow-up activity in which I used the template which I drew with one empty box (empty, only because I could not, for the life of me, draw anything resembling a dining room). We did one of the activities mentioned above but the last room was to be drawn at home and it could be anything – a space room, a swimming pool, a library, an ocean zoom, a pirate room…
  • Where are you? – a template with the rooms, pre-prepared, each student gets a set of the leftover stickers or small cards, they put them somewhere in the house, in secret and afterwards they guess where their objects are. It can be used to practise simple prepositions and the rooms (‘Is it in the kitchen?’) or more complex ones (‘Is it in the living room?’ ‘Yes’ ‘Is it on the sofa / behind the chair?’etc)
  • Put your penguin in the living room on the sofa – a template with the rooms, pre-prepared and a set of stickers or small cards. The kids dictate to each other where to glue them, again, it can be used for simple or more complex prepositions, to get the kids ready for the Starters speaking exams. Later on, we compare our houses.

Why we love it

  • It is relatively easy to make and the kids love the fact that it is a real house.
  • It can be used with any vocabulary or structures (or almost)
  • It can be used with pre-schoolers and primary
  • It has to be prepared before the lesson for all the students but it is a good time investment
  • It is at the same time a focused task to be done in class and a homework task. The homework can involve only colouring and decorating it, talking about it in class but a writing task can easily be added for the older students (any template to be printed on the back of the garden, for example the focus can be such structures as there is, I can see, colours and furniture, my favourite room etc
  • It encourages the students to produce the langauge and it is easy to stage since you go from room to room
  • Lots of opportunities for adaptation, even if you repeat it with the same group. Every single time, it will be a different house.

Happy teaching!

Crumbs #11: Speaking Circle (aka My favourite part of the lesson)

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Set-up: a set of small chairs in a circle, in one super cozy corner of the classroom. This is where always start the lesson before we move to the serious part of the classroom and the lesson, with big tables, big chairs and coursebooks.

Time: 5 – 10 minutes in the beginning of each lesson

Materials: Angelina, dice and any visuals, especially flashcards, EFL posters (and at the school we do have a big and the most random collection of these from long-forgotten publishers and coursebooks), Starters, Movers and Flyers wordlist picturebooks which you can be easily downloaded (although we are lucky to have a few paper copies, too) and sometimes a whiteboard or a set of mini-whiteboards

Interaction patterns: all the new activities are first tried and tested with the whole group, to support production and to make sure that all students feel comfortable to be creative and to share their ideas. Later on, we split and continue in pairs or in teams.

Here a confession: ideally, of course, all of the interaction should be taking place in pairs to ensure that everyone has a go and produces as much language as possible but it is not what we always do. I have noticed that first of all, the children really do enjoy the whole group discussion, when everyone can contribute and when we do something together. I cannot quite describe it but it is almost palpable, this ‘team spirit’ and it does have a positive impact on them and on the atmosphere in the group. Plus, they are always curious about everyone else’s creative (aka crazy) ideas so they pause to eavesdrop, especially when there are giggles coming up from different parts of the circle. Because of that, we do both, a lot of whole class and a lot of pairwork.

Some of the activities to use in the Speaking Circle:

  • Tell me about that boy: the kids choose a person, an animal, a character or an object in the picture. The kids choose themselves what they want to conversation to be about and what information to include. The basic information usually includes emotions, clothes, activities or location.
  • Yes or no: the kids use the picture as the basis to make true or false sentences about the picture. The other students listen and correct the sentences when necessary.
  • Riddles: the kids describe something in the picture (the colour, the size, the location and the activities) for the others to guess
  • Which one is better?: the kids draw two cards out of the pile (animals, gadgets, food or anything else that we are studying) and they choose which one is better.
  • It’s a pair: the kids look for associations among different objects, people, animals in the set and they have to explain why they have put them together
  • Silly pictures: the kids talk about different silly things they see in the pictures
  • Silly stories: the kids come up with a character and they take turns in coming up with the adventures based on the set of verbs and / or other words that the teacher prepares in advance (displayed on the whiteboard or on the mini-whiteboards).
  • Angelina: the kids chat with the class puppet, ask and answer questions (pre-primary groups)
  • Hello dice: a new variation of the hello circle that can be introduced long before the kids actually study the Past Simple. They roll the dice, once, in turns and talk about their day, starting with the key phrase and we try to encourage including justification (‘School was easy because I have only 4 lessons on Tuesday’) or evaluation (‘I ate soup and it was very yummy’) etc. Sometimes we also play with the imaginary dice which basically means that everyone can choose what they want to talk about. Somehow, then number 6 is the most common choice. Perhaps because it is most generative of all of them and it is fun to say that ‘I didn’t go to Mars’, ‘I didn’t eat a fox’, ‘I didn’t dance in the park’ and what not. Not to mention that they just LOVE rolling the imaginary dice.
I kept it colour-coded to help them navigate among the verbs in the early days of this game.

Why we like it

  • The kids love it
  • They are very creative, they have great ideas and they want to share them
  • By being creative, they also develop their creativity, there are new ideas, new approaches and even more fun
  • Endless opportunities for revising without focusing too much on any specific vocabulary or structures.
  • Some potential for accidental learning and emerging vocabulary (although to make it work properly, I should start keeping track of it)
  • The activities do provide lots of opportunities for spontaneous (or almost spontaneous) language production where the only scaffolding devices are just the resources prepared by the teacher for the day and the langauge that the kids have at their disposal and, in many ways, we are just having a chat, despite being only A1 level.
  • Really, the part of the lesson that I really look forward to, every Tuesday and every Thursday.

Happy teaching!

Crumbs #10: Silly pictures

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So here is a picture, have a look.

www.seanparks.net, also reproduced by allisonfors.com and aulap.org

Can you see what I see? Are you thinking what I am thinking?

This adventure started like many others, really, with google and one of those straightforwardly mindless searches and a hope that the engine can actually pleasantly surprise you once more. this time it was ‘silly pictures for kids, clip art’ or something similar.

When I came up, I tried to take in all the absurdities all at once but at the same time, my teaching brain was firing at me with the many ideas of how I could use it in class. If I had been an ancient Greek philospher, most likely, I would be running around shouting ‘Eureka’ but since I am only a humble teacher, the only reaction was a rather excited mumble ‘THIS is going to be SO good!’

Now, this Crumbs post is going to be slightly different. We are still in the middle of winter holidays so there hasn’t been a chance to properly trial and test it with mu kids. but I am going to share it anyway, now, and the real classroom experience is going to be added in a week.

Here are the activities I am planning for next week

Preschoolers: Yes and No.

With my second year preschoolers, we are going to use the winter scene as this one is most relevant due to the what’s happening in the world outside of our windows and because the vocabulary and structures that we are already familiar and this picture has a chance of being most productive.

Yes and No is a game that my kids are familiar with. The teacher makes a sentence about the picture, which can be true or false and the kids have to react to it and correct it, using either a full sentence or only a phrase, depending on their abilities.

For example:

T: I can see a girl. She is sliding on a doughnut.

SS or S 1: Yes / Yes, it’s true.

T: I can see a girl. She is wearing one yellow hat.

SS or S: No. She is wearing 5 hats.

https://www.pinterest.ru/pin/96686723224800785/

Primary: Can you see something really silly?

Step 1: Prediction

T tells the kids that they are going to see a picture of a campsite. T asks the whole class to guess what might be in the picture. To make it even more dramatic, T can ask the kids to close their eyes, imagine that they are in the forest and say what is happening. T may preteach some of the campsite-related words that kids might not be familiar with yet.

Step 2: Silly campsite

T tells the students that the campsite that they are going to see is a little silly. Kids work in pairs. T gives out a copy of the picture per pair. Kids circle and describe all the silly things they can see.

Step 3: What’s the silliest thing in the picture?

To round up, each student chooses one thing in the picture that they think is the silliest one.

www.seanparks.net, also reproduced by allisonfors.com and aulap.org

Primary: Silly pictures reading practice

This one was inspired by an activity I found on aulapt.org and, automatically, I wanted to have my own. Here is it, created on wordwall and it will be shared as an additional homework task.

Primary: Tell me about this boy…Because

All these silly picture scenes are going to be the main character in our free speaking activities that has become a regular feature in our lessons recently.

One of the easiest activities to apply here is ‘Tell me about this boy‘. In the beginning, the teacher is leading the activity, chosing the people, animals or objects to describe and the students, in turns, decide what information they want to share. Now we have reached the stage when the kids are comfortable enough with working in pairs and taking turns in choosing the parts of the illustration for their partners and describing what was selected for them.

Now, with this new resources and all the absurdity, I would like to go in the direction of looking for rationale for their actions. We will try to play ‘Because‘. It might not always be easy but since the students are in charge of their discourse (well, ok, their mini-discourse), they can focus on how the people are feeling, what they like or don’t like or what they did before that might have had an impact on their non-standard behaviour now. Especially that we have just started talking about the past, using was/were and the affirmative forms of the regular and irregular verbs so that might be just a perfect opportunity to practise these.

Stage 1: Extended modelling

T: Tell me about this animal.

S1: It is a bull. It is swimming.

T: Because he likes water.

T: Tell me about this man.

S2: He is sitting. He’s got a big fork.

T: Because he is very hungry.

Stage 2: Because

Since this is a new kind of an activity and it might quite challenging to find the rationale for all the actions, we will play it together, to ensure a good brainstorming session. Kids will be choosing what they want to talk about and the whole class will try to say what everyone is doing and why.

In the worst case scenario, we might resort to our ‘Because because’ answer which they sometimes use or we might just go for a simple ‘Because it’s fun’.

http://ecx.images-amazon.com/images/I/91l29YCYn2L.SL1500.jpg


This ia brand new adventure for us. I will be back in a few weeks to let you know whether it was a story of success or yet another epic fail story to post on this blog, too.

If you are interested in our free speaking practice circle, have a look at this post and if you would like to know more about what EFL teachers can learn from speech therapists – here is another post to check out!

If you are looking for more ideas on using pictures in speaking activities, here are two posts from the series of ‘All you need is…a picture’ and, its Volume 2 (because activities are accumulating:-)

PS A word of confession: it was very difficult to resource these illustrations. They have been posted, reposted and shared a million times, sometimes losing the artist on the way. I did my best!

Happy teaching!

P.S. A request!

It is very simple.

I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.

Hence the survey.

Crumbs # 9: Storytelling noughts and crosses

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Today a post about a post about one of my favourite games ever: noughts and crosses. I have written about it already on this blog because I use with illustrations, to practise vocabulary and with my preschoolers, too, to increase production.

Today it is storytelling noughts and crosses!

Instructions

  • Demonstrate or check that all your students know how to play noughts and crosses, in the traditional, non-EFL way. It can be done with one of the stronger students, on the board.
  • Draw an EFL grid of the game, on the board, filling it up with the words you want the students to use. I normally start to use it to tell stories when we get to the lessons with the Past Simple and normally we play the game just to talk about our ‘yesterday’, our ‘last weekend’ or ‘last summer’, not to put too much pressure on the kids and to get them into the habit of using the language. These are some of the grids that we used with my A1 primary, aged 7 – 9. The symbols at the top mean nothing and they just help us identify different grids.
  • Introduce the characters that the kids are going to talk about. One of the unsung heroes of my lessons has been one Mr Milk who has been with us for a good few years* and who has been kind enough to bring some of his friends along. For that reason, figuring out who can be the character is never a problem. Mr Milk always goes first, the others follow suit.
  • Demonstrate how to play the game on the board. This time we have done it: teacher vs the group, represented by one of the students at the board and the whole class participating, choosing the verbs and telling the story.
  • This version of the game is slightly more challenging because you not only have to use the verb. It is very necessary that you also continue a story. Of course, students are allowed to use more than one sentence (yes, please, do!!!) but the key verb (or the key word) is the one that they have to use. These are some of the grids we used this week. As you can see, they are all very basic but hey, that’s what it is, the real classroom life. Sometimes the handouts are pretty and picture perfect, sometimes they are not. Sorry – not sorry.
  • Students play in pairs and they are told to play until the very end, when all the verbs have been used in the story.
  • The teacher monitors and eavesdrop on some of the precious lines created such as ‘Miss Apple ate an apple (a normal one, not a person!)‘ or ‘Miss Umbrella drank the rain‘.
  • In the end, when everybody has finished, the teacher asks some feedback questions, for example ‘Was it a happy story or a sad story?‘, ‘What happened in the end?‘, ‘What was the best part?’ and all the pairs are invited to share something about their stories.
  • Next step is the scores. I usually prepare a few sets, like this one in the photo. One of the students chooses one of the letters and the teacher draws the grid on the board. Students count their points and we write them on the board.
  • We normally play two or three rounds, depending on the time we have.

Why we love it

  • We love Mr Milk and all his friends.
  • We love stories.
  • It takes a few minutes to prepare (High five to all the lazy teachers!)
  • It generates lots and lots of language (High five to production greedy teachers!)
  • It is motivating because of the scoring system but it is not very competitive since we use the most random points sets and you never know what you might get, 1 point or 1 000 000 points.
  • It helps to develp creativity and imagination.
  • It has a lot more potential for developing listening skills (if only one round is played and the kids have to retell the story to the rest of the group) or reading and writing skills, too (if the sets are given for homework and the students are asked to write a short story using the same nine verbs that they have used in class. During the following lessons, the kids can exchange and read their stories, too).

Happy teaching!

*) I have just realised that Mr Milk has been accompanying my teaching life for about twelve years now… And that he might actually deserve his own post. Just a second, please!

Crumbs #8: Storytelling treasure hunt

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Instructions

  • Prepare a set of vocabulary sets for example: characters, adjectives, verbs, places, objects and animals, one, two or three per team of students. Cut these up and put them in the envelopes. I have used a set like that one here.
  • Prepare a treasure hunt around the classroom or the school. Students will walk around the school, as a whole group, they will be looking for the clues. At each station, they will collect their words, for example station 1: a character or two characters, station 2: a verb or two verbs etc.
  • Divide the students into pairs or groups of three.
  • Go on the treasure hunt, collect the cards.Take a set for yourself, it will come in handy for modelling and giving instructions in the second part of the activity
  • Once back in the classroom, let the kids sit with their partner. Check out that the kids have all the cards, ask ‘Have you got a character?’ and let the kids call out their words.
  • Explain that all these words come from a story. Tell your story using all your words. The structures used will depend on how advanced the students are. With my A1 students, we used only Present Simple and Present Continous.
  • It might be a good idea to write the key structures on the board, to support production.
  • Students are asked to work in pairs and prepare for telling their story.
  • Students tell their stories to the rest of the class.
  • For homework, students are asked to draw their character(s) or an illustration to their story.
  • In the following lesson, they show their pictures and talk about them. All the pictures are put on display in the classroom.

Why we love it

  • The treasure hunt was an adventure in itself and it gave us an opportunity to use preposions of place in a real context and to practise our reading skills.
  • The students were given a chance to work in pairs and giving them the time to prepare really made a difference. The basically told the story twice, first in pairs, while getting ready, then once more while retelling the story to the rest of the class.
  • All the cards were displayed on the table and while telling the story, we were putting the cards back into the boxes in which we were collecting them during the treasure hunt. This small trick added a small kinesthetic element to the story and it helped them to remember to use all the words.
  • The treasure hunt element can be skipped and the cards can be used on their own. It will definitely minimise the preparation time. The cards can be re-used, too and students can choose their own characters, objects, verbs etc.
  • In the future, when the stuents become a lot more comfortable with the format of the task, I would want them to mingle and tell and retell their stories in pairs, to ensure that everyone is producing the language.

Crumbs #7: Line up, everybody!

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Today about a little and very un-revolutionary change in the routine that has, nonetheless, made a huge difference to my VYL and YL classes.

Instructions

  • Make sure the door to your classroom is closed and that the children wait for the lesson outside.
  • When it is the time to start, come out and line them up, perhaps with the parents’ help in the beginning, until they get used to the new routine
  • Wait for them to be ready, say hello to everyone and count together how many students are present
  • Say hello to the first student, ask how they are, let them into the classroom, wait until they book the books and bags away, choose their seat and sit down.
  • Let the second student in.
  • If setting homework is a part of your routine and programme, this is when you can check the homework, asking each student a few questions about it.
  • If there is no homework, this time can be devoted to a short individual conversation with each student. It can be a short revision of the vocabulary, talking about a picture or, if the students are already in one of the primary levels – some reading practice with flashcards or a few questions about any material covered in class. We often use it for practice with ‘Tell me about…’ with the use of a picture.
  • When the students get used to the first part (entering the room), you can add the second element and make sure that the students already sitting in the classroom are occupied, too. They can either play a simple guessing game if this game has been practised in class and if they have been given a set of flashcards. They can also play some games on the phone or the tablet, for example to practise reading with phonics. Again, they have to first to try it under your close supervision, to get used to taking turns etc.

Why we love it

  • It helps to introduce the order from the very start of the lesson since the kids are not waiting in the classroom and the teacher’s arrival is not an interruption of something that they are doing.
  • It is obvious who is responsible for the students during that time, the teacher’s take-over is clearly marked. It might not be as obvious if the kids enter the room during the break or before the teacher, especially if the teacher wants or has to spend the break time outside of the classroom, for whatever the reason.
  • The parents are of a great help in the beginning of the course, they can help explain what the kids are supposed to do, they can help with the name etc.
  • This part of the lesson is a fantastic opportunity for the 1-1 conversation with each child. Regardless of whether the teacher uses this time to check the homework or to ask and answer questions or to read, they are giving each child all their attention (almost all, the eyes at the back of the teacher’s head are watching the kids already in the room, of course:-) and they can check the progress and language use.
  • For the parents, this is a wonderful opportunity to find out how their children are interacting in English, without the parents’ supervision and this is how they can, indirectly find out about their child’s progress, before every single lesson if they wish to do so.
  • For the parents, this is also a chance to find out how the homework handouts or materials are used, what questions the teacher asks and how much language can be generated out of a page that, to the untrained eye, looks like a simple colouring page. If they want to and they have have the time, they can later use this knowledge to practise English at home.
  • In the beginning, when the children are just getting used to the new routine or if they are really young, this part of the lesson can be kept short, later it can be made longer. Similarly, in the begining, the T leads the activity but, later on, the kids can ask each other at least some of the questions, too.
  • I have been using this technique for about six years now. My first ever group for which this has been created (because there were ten of them and we hardly ever got to talk 1-1 in class), now in the third year of primary, still line up to chat with me on entering the room. I have been using it with my pre-primary students, too, groups and individuals, too. The parents always wait in the hallway, at the back of the line and they always wait to hear how their children talk to me. If they leave the school, it is only after their kids have walked into the classroom. They always wait and not because they don’t trust us/me but because they are curious and want to know how it goes.

Happy teaching!