#crafideas

Teacher up, dear teacher!

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This is the second episode in my Made-up Phrasal Verb series which deals with the different aspects of being a teacher who works with kids. The first one is devoted to stepping out of the shoe of a Miss/Mr Serious Teacher in order to become a human in the classroom, who, first and foremost, cares for the child’s well-being and who takes care of the whole child, which sometimes means putting some (or all?) of the methodology principles on the back burner. You can find the post here.

As it often happens, right after I wrote the post I had an opportunity to ‘practise what you preach’. One of my little students got terribly upset about something she didn’t manage to and right after the class ended, she crawled under her desk and, as a result, I spent some quality time on the floor, in my freshly-washed jeans, under the desk, just hanging out and keeping her company in that difficult moment, until she calmed down. All things considered, it was the most useful thing that I did as a teacher last week…Teachering down full time!

But teachering down is the solution for some of the days and for some of the situations. Sometimes, the teacher needs to do the contrary, to be the real teacher and even more than that. Hence this post.

Teacher up!

Like many of teachers, I follow the social media in order to keep my ears to the ground and to find inspiration for teaching. Then, there are activities that my colleagues and teacher friends share and those that my trainees bring to the course, too. Up until a year ago, there was also the monthly intake of the ‘things I saw in the lessons I observed’ but at the moment, I observe less frequently. Nonetheless, there is a steady inflow of ideas or, in other words, lots of food for thought.

Statistically speaking, a lot of brilliance that can be taken into the classroom directly or after some minor adaptation and it is just great! And if you have any doubts, think about the teacher’s life ten or even twenty years ago when googling ‘ideas for a snowman craft for kindergarten was not an option. Nor was raking through your favourite and trusted bloggers’ accounts for insights. Or sharing a story about a horrible day at school to get a few virtual supportive pats on the shoulder. How did we even live back then?

At the same time, the amount of the seemingly educational material out there is just worrying. There are so many ideas that, at a glance, look like something that would work well, that, on closer inspection turn out to be only ‘the Instagram teaching’, high on the WOW factor, and ‘scraping the bottom of the barrel’ low on methodology and appropriacy as regards the child in the classroom.

Looking at these, the trainer’s eyebrow raises and the teacher’s muscles twitch. And a plethora of questions floods the mind of both. Why did you think it was a good idea for a group of preschoolers? What is the aim for that activity and how is it even connected to everything else in the lesson? Is it in any way appropriate? Generative? Safe? Is it in any way methodologically justifiable? Is there anything to it apart from the WOW materials and WOW photographs that you will be able to post on the social media or send to parents?

Entering the classroom full of pre-school or primary school students, we assume many roles. We become in loco parentis, sometimes a mix of a nanny and a baby-sitter, sometimes more of a governess or a nurse, sometimes a coach, sometimes a witch, sometimes an actor. But, despite all that, first and foremost, we enter the classrooms as teachers.

Teachers who have clear aims for the lesson, linguistic, personal and child development aims, teachers who have thought of the lesson as a whole and all of the puzzles in it, teachers who selected activities and materials with a full awareness of the children’s needs and abilities. There is nothing that ‘just happens to be there’ and even if there is some fluff, it is a well-thought-out and justified fluff that also has a clear aim.

It is a happy coincidence that the first post and these ponderings came at the same time as a series of posts from @abc_academia_ (Katerina Balaganskaya) and @ginger_teacher_efl (Evgeniya Kiseleva) and their project ELT Expert Hub, especially the one about the need for the teachers to focus on good quality continual professional development (see the link in the bibliography). This is all came together. Enthusiasm is great, passion is a must-have, great ideas are precious, optimism and energy in a human make the world go round but, first and foremost, in the classroom, we are teachers. And Michael, a teacher friend, kept sharing the ideas he came across.

Examples? Yes, please. Here are three.

When you are reading them, please remember about my background and context: I am a teacher and a teacher trainer, I work with pre-schoolers and primary school children, who come in groups, possibly fifteen at a time and for most of my students, English is a foreign language whereas for some it is becoming their second language. With some students we have only 2 academic hours of class a week, with some of them we have a lot more but it is in response to a more demanding curriculum. None of my students has a bilingual background or a full-time exposure to English at home. The time in class is precious.

Craft (but NOT for craft’s sake!)

If you are looking for reasons why craft should (and must) be included in the lessons for primary and pre-primary students, you have come to the right place. The best place, I could even risk saying. I love craft at home, I love craft in my classroom and I have already spent a considerable part of my life trying to convince teachers to be a little bit more excited about it. You can read about five reasons of using it in the classroom here and why craft is so important in the VYL world here.

BUT.

Regardless of how much kids love craft activities and of how passionate teachers might be about them, not everything is a lesson-friendly idea and not everything is feasible. Even in a lesson with pre-schoolers, the choice has to be made in connection with and following the methodological principles of teaching English. We are teachers and we walk into classrooms to develop linguistic skills, first and foremost. We need a language aim, we need language production, we need staging and the coherence with the rest of the lesson, the rest of unit and the curriculum. It cannot be ‘just something that we will do’, just something to kill the lesson time, to keep the kids occupied and that will make them go ‘WOW’.

As an example I decided to use the ideas from the video that I found on youtube, on the Gathered Makes channel, here. I actually love all of the ideas presented here but not one of them is a craft that would would work in the language classroom. The tissue paper wreath is pretty and it would really look good on the door or on the window but preparing them would take a painfully large portion of the lesson and it does not offer any opportunities for language production, not even as regards the functional language. A huge part of the task is repetitive and involves sticking on the green tissue and a lot of it so the kids would not be required to ask for different colours or different resources. This would, naturally, lead to a lot L1 in the classroom and, potentially, to some unwanted behaviour. You cannot even ‘talk about’ the different elements of the wreath because it is all just green. The finished product cannot be used in any speaking activity either.

Button candy canes are perfect for the fine motor skills development but I would not want to give out pieces of wire to a group of children, even with a teacher assistant and I would need lots and lots of buttons for the whole group. I am afraid, the little fingers would need help and assistance in the final stage, with tying and fitting in the candy canes and that would simply not work. What’s more, no communicative purpose here and that is one more big disadvantage.

Paper plate Christmas trees look so pretty and they require only the basic resources (the little pompons could be replaced with paint or stickers) but, again, the process is too complicated for a group of primary and pre-primary students. I love the trick with the paper clip here, to keep hold the tree in shape until the glue sets (although I would still use a stapler because I have some serious glue trust issues) but even in the video the child needed the adult’s help with the shaping of the tree. Exactly the same thing would happen in the classroom, and that could mean one pair of two adult and skilled hands AND eight or ten pairs of little hands in need. I have already tried a WOW Christmas tree craft and I simply have to say no here.

Lolly stick snowflakes. No, sorry. Glitter does not enter my classroom. It is probably the single resource that I personally hate. No matter how hard you try and how careful you are, it is tricky to use, it is accidents-prone and it stays with you forever, on the tables, on the body, on the clothes, everywhere. Even if you are using the glitter sticks. And that’s on top of all the other reasons, similar to those mentioned above.

Easy paper decorations are, indeed, easy and fun, as a way of transforming a 2-D shape into a 3-D shape. There is a little bit of cutting (5 circles for a child in the group) and I am not against cutting up things in large quantities to prepare for a lesson but I do when this helps me get lots and lots of language from the children in the proces (for example here). Here, this aim would be difficult to meet. I am not sure about the staging here as painting of the 3-D finished product would be just too messy and, potentially, too frustrating as it would involve holding a half-painted piece and getting fingers dirty and destroying what already has been done.

As mentioned above, I do love all the craft activities but the effort made, the potential complications and the potential for language and the kids’ safety and well-being are absolutely crucial to be taken into consideration. The WOW effect or the pretty photos on the social media cannot be the driving force behind the decision that a teacher makes to include or not to include something in the lesson plan.

If you are looking for any ideas how to plan craft lessons, please have a look at this blog (Chapter: Craft) where I share the ideas from the classroom, tried and tested. I would also like to recommend MadFox which is Carol Read’s creation and six word manual to the principles of craft activities in the classroom. You can read more about it 500 Activities for the Primary Classroom.

Games. Because educational fun is important

‘Fun’ is one of the most popular words added to titles in education. ‘Young children learn through play’ is probably one of the first things that you will hear in different courses, workshops and trainings devoted to teaching children. It is true, of course, and it applies not only to languages but to all the other skills. This makes our lives much easier and it helps to get the kids interested and keep them involved in the tasks that, at a glace, might be less exciting or those that might involve some hard work. For that reason, only this week, I have decided to teach subtraction to 100 through colouring dictation, through puzzle and through a bunch of reindeer with a serious problem. That is why we have been developing our reading skills through jigsaw puzzles and through Petya, my new invisible student who needed help with his English and that is why I made up a chant about classroom rules. Yes, in a way I was a marketing specialist and an advertising expert, I wanted to sell my product. I did.

In one line: games are good, we need them.

And here is a game that a teacher played with a group of kids in kindergarten. If we had an observation report with the certain standards to observe and to meet, the observer would certainly be able to tick the box: game. Yes, indeed, the teacher prepared a game for the lesson. And that would be all.

Naturally, that is only a small part of the entire lesson and there is no way of knowing what happened before or after and what the aim for the lesson was. However, judging only by this short video, there are quite a few areas for this teacher to work on. It is very difficult why this particular activity was even included in the lesson and what its aims could possibly be. There are no linguistic aims as the kids only do some counting and they use only one colour (orange), only one student is involved at a time while everyone else is watching and it is impossible to figure out whether there were even any child development aims. To be perfectly honest, none of the children taking part seem to be enjoying it and some are even forced to be in, despite their intentions.

If we had to describe the game for someone who did not watch the video, we would have to say that ‘the teacher brings one of the children into the circle, to blow up a balloon and to let the air out right into the children’s ear while the other children are watching and laughing’ and that really turns the category of the activity from a game into ‘a game’. If I had been the observer and the assessor of this lesson, the comments section on the lesson plan or the obervation report would simply say: ‘Please, don’t do this again‘.

A few years ago, there was this tendency at the YL conferences that I happened to attend. Everyone seemed to be criticising the idea of fun in the classroom and replacing it with some other, more serious, methodology-worthy words such as ‘enjoyment’, ‘motivation’ or ‘pleasure’. Maybe it was a trend, maybe just a coincidence but I did not like it. I am up for fun in the classroom, although, for my own personal use and for this blog, I have coined the term: educational fun, to differentiate it from the carefree merry-making.

There is no denying that this carefree merry-making is very necessary in life but since we are teachers, we are obliged (oh-o, the serious words have entered the building) to ensure that we happens in the lesson is deeply rooted in the methodology and child development knowledge that is not only there ‘because because’. Maybe it is true that ‘girls just wanna have fun’ but teachers want to have fun and they also want to smuggle something more while doing it.

To continue with the advertising metaphor from a few paragraphs above, I did have fun but I also had a real product to offer and to promote: a set of classroom rules, a pile of sums and lots and lots of sentences to read and to improve. My students would have done them anyway, we would have to, basically, but it was easier and more pleasant because we did it through and with fun.

Project. What’s love got to do with it?

Here is one more example of the educational path to hell that is paved with very good intentions and the social media teaching that has nothing to do with real classroom methodology but that is extremely photogenic and has ‘WOW’ written all over it. I give you: a CLIL / STEM project devoted to the moon phases.

This is a real example of an activity that one of my teacher friends, Michael, was asked to do with his group and that he happily shared with me, having his own human-adult-fatherly reservations about it. As with the craft activities above, I have nothing against the activity per se but taking it into a classroom full of kids is something that I fail to imagine.

Food allergies aside and the fact that some parents might simply not approve of teachers dishing out sugar portions in class (as, presumably such issues would be dealt with beforehand), there are a few other things that might turn this seemingly amazing and wonderfully appealing project into a complete disaster.

  • somebody needs to buy Oreos and in a situation when a school struggles with providing scissors, glue, paper, plasticine and markers, asking for Oreos is just not worth it and might simply not happen. Purchasing them by the teacher is out of the question.
  • separating the cookies into two even halves, without breaking them and with the cream staying politely on only one of the sides is…well, I don’t know. It’s been years since I played this way and not with Oreos but with my delicious local equivalent and I just don’t remember. Anyway, we separated them for fun. Our main aim was consumption and we would devour them regardless of how much cream there was on either side. At best, no one can guarantee that all the Oreos for all the kids will comply.
  • shaping the cream into the required shape to reflect the phases of the moon is not easy either and it does require something close to surgical precision. And a tool of some sorts (a popsicle stick).
  • you are allowed to eat the final product and, hopefully, there is time to talk about the changes and to admire the work done but, ideally, there has to be a lot more Oreos than the number of students x 4 Oreos. Otherwise, we are going to be the cruel people to have the kids work on the cookies, touching them, smelling them but without eating them for a long time and it is a guarantee that not all the kids will be able to stay strong. In the lesson that my friend was asked to teach, the cookies did not last and the model was never made. Either the kids were too hungry or the smell of the cookies too strong, they could not resist. The resources were eaten before the completion of the project. And, to be perfectly honest, I do get it. As an adult, I would struggle myself and I would be tempted to nibble. Or to do a full-on Cookie Monster.

Perhaps it is a fun project to do and a great way of learning about the phases of the moon. For me as a teacher and as a trainer, there are simply too many ‘but’s’ that make it simply not worth the effort. Especially, that there are plenty of other, less high-maintenance and less high-risk and more methodology- and teacher-friendly replacements that can be done with paper, paints, plasticine or ping-pong balls, craft activities and projects that would be more beneficial for the kids.

Coda

We are teachers. We think about the activities that we bring to class.

We are teachers. We respect the parents who trust us with their children and who pay for our teaching skills and the educational process that we provide.

We are teachers. We walk into the classroom with clear lesson aims, linguistic, child development and personal aims, too.

We are teachers. We want to have fun but not for fun’s sake.

We are teachers. First and foremost, we are teachers.

Happy teaching!

Bibliography

Carol Read, 500 Activities for the Primary Classroom, 2007, Macmillan Education

ELT Expert Hub, Evgeniya Kiseleva and Ekaterina Balaganskaya, Teachers’ CPD. https://t.me/eltexperthub

Crumbs #73 Winter, winter and cheering up Mr Levitan

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This is a double lesson, actually. Right now my Art Class has been divided into two, the younger and the older. Sometimes they take part in the same project, graded to their level, sometimes the project takes two different directions. This is what happened to Isaac Levitan this week. Here are all the ingredients and all the activities. Feel free to mix and match as you see fit.

Raised Salt Paintings. Santa. No watercolours.
Raised Salt Paintings. With watercolours.

Ingredients

  • Winter vocabulary: we used the following Art Winter, as the theme for the entire month.
  • A recording of Vivaldi’s winter, the first few minutes.
  • The winter scene craft: glue, scissors, pencil and paper: one big square for the box, green for the trees, white for snowman, colourful for presents and white tissue for the snow. I was considering the following version here but it was too complex for my kids. Instead I recycled what I did last year. You can read about it here.
  • The raised salt painting: pencil, cardboard, pvc glue, salt, watercolours. You can see the tutorial here.
  • And, of course, a few of the copies of the winter wonderland according to Isaac Levitan.
March by Isaac Levitan

Procedures

  • The lesson for the younger kids started with the vocabulary introduction and practice. We did a bit of drilling and some miming. We are going to be working on these in the weeks to come. So far we have only used the simplest ‘it is’ and ‘they are’ but I am hoping to take it further as regards description (It is big / small. It is hot / cold) and Present Continuous (Santa is running, reindeer are jumping) and hopefully towards picture description.
  • With the older kids, I wanted to introduce a new element, namely music. I told them about Vivaldi and his ‘Four Seasons’ and then we listened to the first two minutes of ‘Winter’. The kids were asked to listen and to think about their associations with the music. Afterwards, in the open class discussion, we talked about their impressions (Do you like the music? Vivaldi thought that it show what winter is like. Do you agree with his vision?).
  • Afterwards, we introduced the Artist of the Day and both groups looked at a few examples of the winter landscapes painted by Levitan. As usual, we talked about our impressions (Do you like it? Is it sad / happy? What colours can you see?)
  • Next, I presented the finished product to the kids. I showed them how the winter scene can be changed by adding kids’ toys, with whatever the kids had on their tables and in their bags.
  • With the older group, I showed the kids the final product and showed all the materials needed to complete the task.
  • We made the scene in the following stages: drawing and cutting out the snowman, drawing and cutting out two Christmas trees (aka triangles), drawing and cutting out the presents (aka squares). We prepared the pyramid (cut and glue) and started glueing in the figures. The task finished with tearing up the tissue to glue it on the floor.
  • The older kids were given a complete freedom as regards the choice of the design. I prepared a snowflake but they were more interested in representing their favourite things in this drawing, and I allowed for that. We did everything in a few simple stages: giving out the cardboard, drawing the design in pencil, covering the lines with the glue, sprinkling it with salt, using watercolours to add colour and leaving them to dry.
Four Different Wonderlands
The Salt Box
An Artist at Work

Why we like it

  • Both lessons were successful and, again, we managed to combine English, creativity and some interesting techniques. I used two different approaches with both age groups but I am actually very curious how the younger ones might react to Vivaldi and what kind of winter wonderland my older students might create. There is the following week, so who knows? And, naturally, when my little kids saw the drying salt paintings on the window sill, they immediately started to demand that we do it, too so we will have to. I have already promised.
  • The winter wonderland is relatively easy to prepare. To make it more achievable for my younger kids, some of whom are preschoolers, I prepared and folded the squares before the lesson. All of the parts of the picture are simple shapes (circles, squares and triangles) and, if the kids are ready, they can add the little elements themselves or just draw them with a pencil, for example the ribbons on presents. We didn’t do it but snowflakes can be added to the picture, too, for example with a white marker or a pencil. That has to be done before assembling the pyramid, though, otherwise it is a bit tricky to draw on and it can be destroyed by accident.
  • I was demonstrating the activity, step by step and we took our time, to make sure that everyone could finish their cutting, before moving on. If the kids are younger, the task can be made much simpler by limiting the number of trees, the teacher preparing a simple snowman cut-out beforehand. If the kids are ready, Santa or the reindeer can be added to it.
  • The raised salt painting was a lot of fun to create. No matter what you draw, the colours seeping through the salt make it all look amazing.
  • The process is easy to stage and to manage as the teacher gives out and collects materials needed for every stage and kids themselves can grade it to their level by drawing something very basic or something more intricate. They drew their favourite animals, they wrote their names or prepared signs with their favourite things.
  • There is a danger that the salt will make it a bit messy but if you have a big box, a bit bigger than the size of carboard you are using, everything will be great. With the older kids, we used paper plates, from which we took the salt and where it shook off the excess. Please don’t remember that it is not a good idea to touch the paint and the salt, turning the paper upside down and gently patting on it will make the excess salt fall off without destroying the picture.
  • The watercolours can be added before the glue dries which makes it all feasible within a lesson time. The pictures can be left to dry overnight and taken home or put up on the following day.
  • Upd: I did the activity with the younger kids, too and I simply loved how teacher friendly it is. Because of the number of the materials needed and the process, the activity practically stages itself.: cardboard and pencils for everyone, pencils away, glue for everyone, glue away, salt for the kids, one by one (I did use a big box! See the photos.), watercolours for everyone, watercolours away.
  • The finished product (especially if done on the recycled carboard) looks like gingerbread cookies. So pretty!
  • I really liked how the older kids interacted with the art and the artist. I have a very creative group and some independent kids who already have developed a taste for Warhol and Malevich. For that reason, I was a bit worried that they might find Levitan, well, boring and too unimaginative. However, that’s not what happened. My kids were stunned that a painting so realistic could even be created and some of them came up to the screen to check and to confirm that it was, indeed, a painting and not just a photo.
  • I was also very happy that we added music to our lesson. They listened with interest and they were involved in the discussion later on, sharing their views, although, actually, they did not agree with Vivaldi’s interpretation of the winter-themed music. Apparently, it is too energetic and too loud and winter requires peace and silence. I will be experimenting with adding music to our lessons. The younger group first, with Vivaldi himself, and then some other tunes for the older group, too. I hope that, eventually, we will be able to find someone who wrote the good winter music that matches my students’ tastes. I will be very curious to find out who that is, because I, myself, love Vivaldi’s winter.
Raised salt paintings
Raised salt paintings

Happy teaching!

Crumbs #61 How to make a shaker

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Ingredients

  • A4 pieces of cardboard, one per child. I have used just regular craft cardboard, sold in sets. I had the colourful one but I needed the back side of it, in order to decorate it so white carboard will be even better.
  • Glue, to be used before the lesson
  • Markers to decorate
  • Scotch and scissors or a very good stapler
  • Something to put inside, for example buckwheat (raw).

Procedures

  • Partially, the materials had to be prepared before the lesson. I folded and glued the A4 pieces of cardboard into envelopes a few hours before the lesson, to give them a chance to dry completely. Each cardboard sheet was folded into three and glue was applied along the shorter edge.
  • One model shaker was also prepared before the lesson and then presented in class. We learned the word and we passed it around for all the kids to touch it and to try to use it.
  • The envelopes templates were given out, we wrote our names on them and we took about 5 minutes to decorate them.
  • I set up the assembly table with all the other resources and as soon as the kids were ready, they were coming up one by one to the teacher to finish the shaker.
  • The final stages completed by the teacher went as follows: 1. close one end of the envelope with three layers of scotch. 2. fill the envelope with buckwheat, to about 1/3 of the envelope 3. fold the other edge of the envelope and close it with three layers of scotch 4. try it with the kid
  • The most important part was our attempt to use the shakers. We tried out two activities. The first one was a simple Listen and Repeat with different rhythms ‘dictated’ by the teacher and, possibly, also by the children. The other one was singing of a song that we all know very well with the instruments. We chose ‘If you happy and you know it’ by Super Simple Songs. For one song we all became an orchestra and we agreed to shake twice (after the words ‘clap your hands’ because, indeed, there are two claps) and once (on the words ‘clap your hands’ because, again, there is one clap there). The same patterned followed in the other verses, with stomping, oh no and take a nap.

Why we like it

  • First and foremost, I am excitingly happy with the design of this shaker which I came up with myself. The topic of the lesson was Music and one of the activities suggested was making some easy intruments. There are lots and lots of amazing designs that I found on Zing Instruments’ website and I want to make so many of them but, last week was very busy and I simply had no time to collect plastic bottles or to ask parents to give their kids one. I did not want to use plastic cups because I did not have the right kind of glue and I have always had some reservations about collecting toilet rolls that frequently feature in these activities. I spent the whole evening breaking my head over that dilemma, getting angry by the minute because the ideas were not coming. Until I finally gave up and went to sleep. My last conscious thought that day was the answer to my question. This design works. The materials are easy to get, the task is feasible for everyone and it has a universal appeal, too. All my kids were equally excited and involved in the task, the one aged 4 and the one aged 10.
  • I was a bit dubious about the durability of the shaker but it did last a whole full day of extensive use. We made it in the first lesson of the day but the kids were carrying around and using it throughout the entire day. I cannot guarantee, of course, how many days they would last afterwards but, even if they break later on, they can be easily fixed with a piece of scotch and some buckwheat or remade and although I do not wish it on my educational parents, the worst case scenario will not be a real disaster. The raw buckwheat can be easily cleaned up and I don’t imagine, kids would want to eat it, because it is just not tasty or pleasant to eat.
  • The cardboard envelope was very easy to decorate, easier than a roll or a plastic cup and we could use regular markers instead of all the other materials featuring on the designs I found on the website, such as the painter’s scotch, decorative scotch, permanent markers or acrylic paints. The kids could draw anything they wanted, either very simple patterns such as stars or hearts or something that was very special to them, for example a blue whale, a white tiger or a skyscraper.
  • As I have already mentioned above, the shakers became the real treasures almost instantly, to all the kids. ‘Are we going to take them home?’ was, naturally, one of the questions that every single child asked while we were producing them, just to make sure. And yes, we did take them home but the kids agreed for me to take a photo of all the beautiful shakers. Mine does not even feature in the photos, it was definitely the least interesting:-)
  • The finished product helped us in developing social skills. In the final stages of the lesson we became an orchestra and we worked on doing something together, listening to the teacher to repeat the rhythm and, even more importantly, listening to the song and shaking our shakers to the rhythm of the song. This particular group really really needed this kind of an exercise and I was very happy that we managed to become an orchestra for a few minutes. If it had been my regular, long-term group, I would produce some of these shakers to keep in the classroom and to repeat this kind of an exercise more regularly.
  • I was a little bit worried about me having to deal with sealing the envelopes but I could not delegate this task to kids as it is quite tricky, for any young learner hands. However, because there were only five children present and of different ages and of different levels of interest in drawing, it all came together. My youngest Sasha completed the task of decoration first and his shaker was the first ready. But then, having had a look at what everyone else created, he went back to his table to add some elements and afterwards he started to play with the shaker. A similar thing happened to all the other students and there was no dead time. However, if we make the shakers again, I will start playing our favourite songs during the time when we all decorate our shakers. This way the kids can start using the shakers with the music as soon as they ready. And, even if they are still working, they can still sing along.

Happy teaching!

Crumbs #59 Hello Elephant!

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Ingredients

  • One piece of A4 paper per child. It can be the regular photocopying paper or a sheet of the drawing paper, of regular texture, from a drawing album that kids use at school.
  • Markers or pencils, scissors and glue.
  • My elephant was inspired by the design I found at Creative Family Fun website, which I adapted to the needs to my group.

Procedures

  • Show the kids the finished product. I do not always do it but in case of this craft it seemed important to help the kids see the final product and to visualise how they are going to proceed during the entire activity.
  • Check that everyone has all the materials by going through the list, picking the items up and showing them to the camera, asking ‘Have you got…?’
  • Fold the A4 paper into halves, crosswise. Open the paper and draw the line in / along the fold. Cut into two.
  • Put one of these halves aside. It will be used later for the trunk and the ears.
  • Take the other piece of paper, hold it lengthways (with the longer edge on the top), draw a line along one of the shorter edges
  • Closer to the top edge draw two eyes. It might be a good time to decide if the elephant is a boy or a girl and add eyelashes and / or a bow on the forehead.
  • Open the glue and apply some glue along the line that has just been drawn along one of the shorter edges. Roll and glue into a tube. Put it on the side.
  • Take the other piece of paper. Draw a circle. Cut it out. It is ok if it is not a perfect circle.
  • Fold the circle into half and draw the line in / along the fold. Cut into two semi-circles.
  • Draw the line along the diameter of the circle, on both semi-circles.
  • Apply the glue on the line, on one of the semi-circle and attach it to the side of the head of the elephant. Press. It might be a good idea to show the kids how to press it here – with the fingers inside the tube and the fingers outside of it.
  • Repeat with the other one.
  • Prepare the strip of paper that will be used as the trunk. It will be glued under the eyes and it might be a good idea to check its length and perhaps cut off a bit.
  • Roll one of the ends of the strip around a marker or a pencil. It will twist it a little bit and it will make it look a little bit more like a trunk. Apply the glue under the eyes of the elephant, attach the top of the trunk and press.

Why we like it

  • This is a relatively easy craft that can be completed by children online, although I would not choose this particular activity as the first craft of the year. However, it is appropriate for five-year-old children, half-way through the academic year or the children who have taken part in some craft activities before.
  • It is a simplified version of the original craft and it requires less preparation on the part of the teacher. It was ‘designed’ and tested with regular A4 photocopying or drawing paper, without any real templates or special resources such as the cardboard tubes and goggly eyes.
  • If the students are younger, the teacher might choose to cut up the paper before the lesson (one big rectangle for the body, one small rectangle for the trunk and a circle for the ears).
  • It is an online-friendly activity.
  • The finished product can be easily used as a puppet (if it is put on the two or three fingers of a hand). One of my students also turned it into a bracelet, only because she chose to use a bigger square and, in the end, it was big enough to be worn on the wrist. As such, it can be used in simple role-plays.
  • It definitely has the WOW element and kids get very excited to be able to make a real toy out of a piece of paper.
  • It can be used to accompany a story, for example ‘Elmer’ or ‘Dear Zoo’ as one of the animals.
  • Our elephants were very simple and white but they can be made colourful, very much in the theme of the elephant party we know from Elmer in which all the grey elephants ‘get dressed’ for the occasion. The teacher can use the colourful paper or the kids can decorate their squares before glueing them together into a tube. If there are some leftover stickers available, these can be used to decorate the elephants in the end.
  • We used the elephant as a part of our unit Animals in Art and English classes and apart from making the elephant we also looked and talked about different elephants created by Salvador Dali, Pablo Picasso and Henri Rousseau, among others.
  • We also had a lot of fun playing with the semi-circles. We used them as our mouse’s ears, cat’s ears, sunglasses, monkey’s ears and wings. ‘I am a butterfly’ as a lot of fun!

Happy teaching!

Craft #58 Baby shark craft

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Ingredients

  • One A4 piece of cardboard paper, ideally in colour but if that is not available, the while cardboard will do, too.
  • Markers, scissors, glue
  • Something to use as a template for a circle i.e. a small plate for the bigger circle and a small glass for the smaller circles
  • A link to inspire you. Mine came from supersimple.com, after some adaptations for our online classes.
  • A link to the song which this craft usually accompanies. This is my favourite rendition of the song.

Procedures

  • The teacher starts by demonstrating the finished product to facilitate the whole process. I do not use this kind of an approach but it might come in really handy with this particular craft activity.
  • The teacher and the class go over the all the resources necessary for the lesson. The teacher calls them out and shows them to the camera. The kids do the same.
  • The teacher demonstrates how to draw a big circle on the piece of cardboard. If the kids are ready, they can draw a circle themselves. If not, the teacher shows them how to draw around a plate. It is a good idea to use the paper economically, in order to ensure that there will be enough paper left for the small circles. The kids do the same and show their circles to the camera.
  • The teacher cuts out the circle. The kids follow suit.
  • We fold the circle into half and we draw the eyes and a smile at the front.
  • The teacher demonstrates how to draw two small circles (or how to circle the smaller object twice). Afterwards, these are cut out, too. They are folded into halves and cut into halves, too.
  • Two of these half-circles are used as fins. They are glued to the side of the shark. The teacher demonstrates that, step by step.
  • The third half-circle is to become the frontal dorsal fin. It is glued to the top of the shark, at the back.
  • The remining half a circle is cut into two pieces (in any way) and these are are the tail (or the caudal fin, what a pretty name!). Their ends are glued together to form something resembling the letter V and they are glued inside the folded circle.

Why we like it

  • It is a perfect craft to accompany the song or to be included as a part of the life aquatic-themed unit.
  • It is easy enough to make, even online. It works well in the offline classroom, too and the teacher can adapt it to the younger students by preparing the circles before the lesson or even by folding them beforehand.
  • Even if the circles are drawn by the kids themselves and they do not turn out perfect, the sharks will look good.
  • The sharks are 3D and are a lot of fun.
  • They can be used as a puppet and they can be used in role-plays.
  • The kids can decide if they make a baby shark or a mummy or daddy shark and they can decorate the sharks accordingly.

Happy teaching!

Crumbs #47 Our Weather Book

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Ingredients

  • 6 pieces of paper, A5-size aka 3 pages of A4 cut into halves.
  • glue
  • drawing materials: crayons, markers, felt tip pens, coloured pencils

Procedures

  • Introduce and practise the weather vocabulary as usual. This is not our first year of English so we have been using the extended set of words and phrases. Over the series of lessons we have been describing the weather, miming riddles (and yes, I have come up with the gestures for ‘it’s foggy’ and ‘it’s cloudy’, it is not impossible:-) and we have also watched an episode of Peppa Pig, George catches a cold, because it gives us an opportunity to practise the weather, the clothes, some Present Continous and the feelings. Here you can find the set of wordwall cards that we use for the retelling exercises. As you can see, the weather topic became the opportunity to introduce and to revise a whole range of vocabulary sets and structures and it will be reflected in the Weather Book. We are also using the songs and here are our three favourite ones: How is the weather?, What’s your favourite season? and Put on your shoes.
  • First it is necessary to make the book itself. We study online so I asked the parents to prepare the materials before the lesson (six pages, glue, markers), in the offline classroom there is the option of making the book first or the teacher preparing the booklets before the lesson, depending on the age of the students.
  • Making the booklet in class is easy if you follow these few steps: check that everyone has all the necessary materials (‘Have you got the glue? Show me!’), counting all the pieces of paper together etc. Then we draw the line alongside the edge of the paper, page by page and putting the ready pages away. These lines will be help the kids to apply the glue and stick the papers together. The teacher needs to model all the stages and it is absolutely necessary to wait up for the kids, to make sure that everyone is on the same page (no pun intended:-). Afterwards, the teacher shows how to apply the glue (‘Put some glue on the line’) and how to add another page on top, repeating until all pages are glued together into a book (‘Look, we’ve got a book!’)
  • Kids, together with the teacher, number the pages. The numbers will help the teacher and the kids to navigate the booklet throughout the activity. We also write our names on the front page.
  • The next step is to start filling the booklet, one topic per lesson. When we are ready, we put the books away until the next lesson. Once there is something in the book, we start the activity with talking about what we already have got.
  • The topics that we have included so far include: the weather, the emotions (‘It is sunny, I am happy’), the clothes (‘It is sunny, I am wearing a dress’). In the future, I would like to add to it some basic accessories (‘It is sunny, I’ve got my sunglasses’) and some basic Present Continous (‘It is sunny, I am riding a bike’).

Why we like it?

  • There is a lot of potential for craft as the book activity can be extended over a series of lessons.
  • The book also allows for personalising the topic of the weather by associating it with emotions, clothes etc.
  • And, last but not least, it gives us a lot of opportunities for producing the language and, since a large part of the content is revised and repeated over and over again, the kids become a lot more confident at producing it and becoming creative with it, too. After a few lessons, we started to make up silly sentences not matching the weather for the other student(s) to correct the information that they have already heard and have become familiar with.
  • It can be used with a variety of topics, not only the weather, for example food (with pages devoted to fruit, vegetables, drinks, lunch and desserts) or animals (with pages devoted to big and small animals, animals which can fly, swim, run etc) although so far, I have been using the weather book only as a long-term project, with my 1-1 online student. We made the food book with my online group, as a one-off project. It was also a success.
  • There is more flexibility as regards the format, too. We made the booklets and starting filling them in in the same lesson because my kids were ready but it is also possible to divide it into two stages: lesson 1: making the book, lesson 2: start filling it in.
  • The same can be done with all the other lessons. The weather words and the emotions are quite easy to write and adding these in is feasible enough, one lesson (or a ten-minute slot) is going to be enough. The clothes or the accessories might take longer and it can be divided into two lessons to avoid the risk of the activity taking too long and the kids getting bored.

Happy teaching!

A square, a circle and some scotch OR three amazing Christmas crafts. And a lion.

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Dedicated to Mishka and Mum @_mad_alen_

These three activities were brought about by the calendar, this title by the title of a wonderful Christmas (?) book by C.S. Lewis. The lion just found itself.

A square aka ‘The Winter Wonderland’

This is a lovely activity that was found on Instagram by one of my colleagues, Larisa. The original, created by @kardasti.saz was a lot more intricate and a lot more complex, too complex in fact for my online classes.

The activity starts with a square of regular A4 photocopying paper. It is folded diagonally, to create a triangle, twice and opened. The kids are asked to trace one of the lines, from one corner to the other. We then draw the pictures above the line: the trees, the snowman, the presents and, finally, the snowflakes. It is very important to stage the drawing carefully, element by element, modeling and pausing for the kids to follow. This way, even the younger kids will be able to create such drawings.

We trace the line along the fold, from the centre of the square to the corner, on the bottom part of the square. We cut along this line, until we reach the centre point. We put the glue on the top of one of these newly-created triangles and we put the triangles on top of each other and press.

We have done this activity online so I had to limit the materials to the simplest and basic ones but in the classroom or if the kids have it, there is more potential for the cotton snow or 3-D figures in the little yard.

A circle aka the Rocking Santa

Circle is the best shape ever and this activity has be yet another piece of evidence to prove this. I have found it online, on the Noreva Project channel but, again, because we did it online, the instructions and procedures were simplified – only the regular A4 paper, white, which, in case of the triangle, was simply coloured red in class. The parents helped with preparing the materials (a circle and a triangle) but, again, we did everything ourselves and because we went slowly, step by step and line by line, the students could follow and create their own Santa. All the instructions are in the video.

We combined this craft with the song from Super Simple Songs, Santa, where are you? and we used to practise the prepositions (in, on, under) in a guessing game in which students hide Santa somewhere in the room and we keep guessing where it is (Is it on the table? etc).

Some scotch aka the Coolest Christmas Tree There Is

This piece was a present that my niece, Mishka made for me with her mum @_mad_alen_ and I can’t repeat it enough: it is simply amazing. It would be too much to try to pull off in the online classes but it is perfectly feasible with the offline groups. I have certainly done craft that involved the same level of pre-lesson prep work.

What you need is a piece of cardboard, with the cut out shape, a few strips of scotch taped to the back of it, sticky side up and a selection of things to decorate with: sequins, buttons, pompons. I suppose there is some potential for less professional ingredients (crayons or coloured pencils shavings, sand, scraps of coloured paper) or even food (buckwheat, seeds).

The scotch here makes it a bit more manageable (no glue!) and the card can be displayed in the window to let the sun shine through it. Or simply used to check how different sources of light change the picture. And there is an opportunity (and a need) for a health and safety training on not eating craft materials and handling small objects.

Not to mention that Mishka’s Christmas Tree has been elected the Christmas Tree of the Year.

Happy teaching! Merry Christmas! Happy holidays!

Ed Emberly and Monsters. Teaching English through Art

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I suppose that, on some level, the idea of including the storybook illustrations and their creators into my English through Art curriculum has always been there and it was just waiting for its turn. The first lesson devoted to that happened somewhere in December 2020 with my juniors and you can read about it here. Including it in the series of lessons with my primary kids was just a matter of time. Ed Emberly (and his bestiary of monsters)* is the first one to have a lesson dedicated to. The first of many, I hope!

The artist

The idea to base the whole lesson on Ed Emberly and his art came from the Big Green Monster storybook which has been my go-to resource in all the body parts / monsters lessons for a very long time now. The kids absolutely love the fact that they can control the monster, make it appear or disappear and this way deal with the fear. I used to have students who would sneak into the storybook room before the lesson and ‘read’ the book on their own or run a reading sessions for their friends who also wandered in, both in English and in Russian.

But then, as I started to look through everything that Ed Emberly produced, it turned out that monsters really were his favourite thing and that he wrote a few books on how to create your own illustrations using finger paints and markers. ‘I want one of those!’ was the brain’s initial reaction.

First of all, we introduced Ed as our artist of the day (name, face, country and his favourite thing) and we talked a bit about the monsters which he drew, including the Big Green. The gallery walk was a very brief one this time but that is because Ed was present throughout the lesson, with the story and the craft. It was probably the most consistent and artist-focused lesson of all of those that I have ever taught on this course.

The language

This part was very simple and very straightforward – as much of the body parts practice as possible. It was the first lesson with this topic and we did a variety of exercises related

  • Introduction, repeating, a bit of drilling (I do less and less of that, as a teacher and I have begun to wonder why. The post will be coming soon).
  • Pointing and moving of the said body parts which could perhaps go under the TPR label
  • Introducing the song ‘My teddy bear’ by Super Simple Songs
  • And a selection of the wordwall games such as matching the human body parts and the animal body parts, pelmanism (only in zoom we write the numbers first on all the cards) and describing monsters using ‘my monster has got…’ and similar structures, also with the use of a set of wordwall cards. This last one is the most generative activity and I have high hopes for her in terms of the amount of the language produced in the long run. Usually it takes a few lessons for the kids to get used to it and to become comfortable and this time round was not an exception. With my current group, the Ed Emberly lesson was chronologically the first one and it was only in the Degas lesson, two weeks later that the kids were ready to produce lots of language.
  • Last but not least, we watched and participated in the storytelling and it was, of course, Ed Emberly’s ‘Go Away Big Green Monster’, this time in the video format, although, ideally, we would have used a storybook only I did not have it at home at the time.

The craft

Originally, Ed Emberly monsters (and other creatures) were done with a combination of two techniques – finger paint prints and drawing with markers. For anyone willing to use this approach, his books are full of ready made ideas. However, finger paints are a tricky resource to use in the classroom, especially if you want to finger print and draw, and I just did not want to bother with the logistics of it in the online world, especially that our group is now located in three different countries. Solutions had to be found.

It does help, I suppose, that I am a lazy teacher and I have noticed that with all the obstacles of the online Art class I am blossomig and I end up with the ideas that I like. This was the case here and that’s what we did:

  • The first step – produce own monsters in order to test and trial and to understand how much time is required and how many monsters can be created during the ten minutes that we hae assigned for the craft activity.
  • Write to the parents, to inform them what resources will be necessary: a sheet of A4 paper, a marker, glue, old newspaper and magazine pages OR coloured paper.
  • Show the kids the finished product and describe all the monsters (colour and body parts). I did it holding the picture in front of the camera but it was not as effective as I would have wanted it it to be. Next time, I will keep the paper on the desk and I will move the camera above it, in order to make sure that the kids see only one monster at a time and that it is clear and big enough.
  • The monsters are super easy to make and the one thing that is necessary is a piece of paper (the more recklessly torn off, the better). It is then glued onto the paper and the body parts are drawn. Then the kids describe their own monster, ideally using full sentences but, since it is the first lesson with the new vocabulary, I accepted simple ‘three eyes’, ‘one nose’, ‘two legs’. The number of the monsters produced in class will depend on the age and the skills of the kids.
  • My students are already quite ‘advanced’ when it comes to craft and after they figured out how to make the monsters, they were on producing more and more of them, focused more on the craft than on the speaking (ouch!). For that reason, when I teach this lesson again, I will want to scaffold even more carefully and introduce the following tricks a) ‘dictate’ the colour for the monster, b) promote production by guessing how many legs their monsters will have, hoping that even if I don’t guess, they will want to correct me and c) introduce a punctuation mark between the monsters ie a proper introduction (My name is Polly. I am a happy monster)
  • I personally adore the fact that the monsters are made from newspapers and that they have the most irregular shapes, the more reckless, the better. However, I noticed that some of my parents were reluctant to the idea of letting the kids work with old newspapers and magazings, preferring the regular and pretty craft paper. I have also noticed that some of my students did not quite like the idea of the torn paper and while I was happily tearing the resources for my monsters, they simply picked up their scissors and started to cut out square, circles and triangles. In the offline classroom, I simply wouldn’t have given out scissors, trying to encourage them to work with a new resource. In the online classroom I could not control it but the monsters turned out pretty anyway.

*) I cannot NOT share this amazing article with the funny and weird collective nouns. Enjoy!

Happy teaching!

Edgar Degas and Ballerinas. Teaching English through Art in Primary.

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Sonia’s ballerina

The artist of the day

Edgar Degas is a perfect example of a love – hate relationship with Art. I adore his ballerinas, the beauty caught in a frame, the purposeful randomness of different set-up that make it often look like the candid camera photos, caught in the act, almost random, immortalised forever. But, at the same time, Edgar is the artist that I would never want to meet in person or talk to because of his beliefs and views.

But, it so happened that we are still doing body parts with my kids and I have only girls in the group and I really wanted to make ballerinas and so, reluctantly though it was, I chose Degas to be the artist of the day.

As usual, we introduced him by name, by country and by his favourite thing (ballerinas!!!). We looked at the paintings and talking about the colours and the actions and then, we made our own ballerinas.

Our gallery with Degas

The language

  • We are still practising expressing opinion using ‘I like’ and ‘I don’t like’, we include it in every lesson and at this point we are (almost) at the point when the kids talk spontaneously about the different things we are looking at
  • We are still practising describing monsters using the sentences such as ‘my monster has got two eyes’ as well as ‘my monster is green and yellow’, ‘my monster is happy’ and ‘I like it / I don’t like it’. Apart from the regular revision and drilling, we used the monsters from one of the wordwall sets, such as this one here. I was simply over the moon to see that at this point (and it was our lesson #3 with this topic), the kids were just producing a sequence of two or three sentences. It needs to be mentioned that we still sing the song about the teddy bear and it helps us to produce, too as the key structure ‘my teddy bear has got one nose’ can be easily transformed into a sentence about the monsters or ballerinas and that definitely helped, too.
Teacher’s ballerina

The craft

  • The final version of the craft is a combination of two ballerinas that I have found online, one of them from Kidspot, the other from Creative Child. Since my students are still very young and our lessons are online, I needed something that we would all be able to do without my direct assitance
  • As usual, I sent the information to parents with the list of all the necessary items: two sheets of white paper, safety scissors, glue and markers or crayons.
  • In class, we checked that everyone had all the materials (‘Have you got the paper? Show me, please’ etc).
  • I showed the students what we are going to need: a rectangle (for the body), a circle (for the head) and a square (for the skirt).
  • We prepared our shapes together: I showed the students how to cut off the rectangle (the shorter side of an A4 piece of paper, approximately 4 cm wide) and I waited for them to cut off theirs. I cut out a circle for the head and I cut of a square, too. We put the scissors away.
  • I did not give the students (or the parents) any details regarding the dimensions of all the shapes because, in a way, it does not really matter and we could manage with the wider or thinner rectangles or the smaller squares or circles. Whatever was too big, got trimmed later on. However, I knew that my girls would be able to handle that. With some of my other students or with much younger children, I would consider asking parents to cut out the shapes for us, before the lesson.
  • We proceeded to making the ballerina and here are the exact instructions. As usual, I was making my own doll and demonstrating, waiting for all the girls to catch up on with us.
  • Step 1: take the rectangle, fold it into half, lengthways (‘It’s a book’, said one of my kids, and a book it was, although it had a slightly weird size) and we spread some glue inside of it, to glue both sides together, in order to make it thicker.
  • Step 2: draw the lines at the bottom and the top of of the rectangle, to make the cutting a bit easier and to ensure that the kids don’t cut it into halves.
  • Step 3: cut along the line at the bottom of the rectangle, say ‘My ballerina has got two legs’
  • Step 4: cut along the line at the top of the rectangle, fold them to the sides, say ‘My ballerina has got two arms’
  • Step 5: glue the circle on, draw the eyes, the nose, the hair, we were drawing and talking about it ‘My ballerina has got…’
  • Step 6: fold the square into a triangle and cut the patterns, in a way in which we make paper snowflakes. Decorate the skirt with markers.
  • Step 7: cut off the top of the square/triangle in order to be able to put the skirt on. Put it on the doll and glue it at the top (and at the back) in order to make sure that it does not fall off.
  • Step 8: add all the other details: draw the hands, shoes, top of the dress etc.
  • Initially, I had the idea of practising some Present Continous with our ballerinas but in this particular lesson we only managed to start using it and the kids were not ready. Instead, we introduced them and sang the goodbye song together.
Marta’s ballerina

Some final notes

  • As I have mentioned before, the ballerina does not require any careful or detailed actions and even a messy cutting or measuring do not get in the way of finishing the task, if the kids are old enough. The most challenging part was the skirt as it involves preparing the snowflake and cutting off the tip in order to put the skirt on but once the kids were shown the final product (a circle with a slit), they were able to find their own solutions. Some of the skirts were not circles, some of them were not the most regular squares, some of them had not the prettiest slits but they could all be put on and, when, decorated, they all just look beautiful.
  • With the younger students, I would ask the parents to prepare the shapes and to cut the slit for the skirt, too.
  • I have also seen ballerinas that are even easier to make as the snowflake skirt could just be replaced with tissue paper or strips of paper glued on, or, if you have them, cupcake paper liners folded in half. This would also make this craft easier to make.
  • I loved the fact that when I first introduced my ballerina, the kids were slightly taken aback (and, fair enough, it is not the most graceful thing in the world, my ballerina) but as we proceeded through the craft, they grew fonder and fonder of their creations. They came up with many ideas of personalising them and of adding more detail ie a separate piece of paper for the hair. Not to mention that their dolls are simply amazing.
  • Another beautiful that happend during this lesson was the fact that the girls remembered the acrobats that we did in a Chagal and Circus lesson in December 2021. An eternity ago and yet, they did remember!

Vicky’s ballerina

Happy teaching!

Joan Miró and elephants. Art and English in primary

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Here is our Elmer

I went into this lesson on my toes, slowly, cautiously, almost unwillingly. On the one hand, I was curious, as with all the Art project. On the other hand, I was just not so convinced. On the one hand, there was a new group of kids, I did not know their levels and we were supposed to try doing online what we did face-to-face before. On the other hand, I started to look for all the Miró animals and, randomly, I typed in ‘Miró and a toucan’ and found just that. And it made me burst into laughter, just because it there was an occasion when Joan Miró held a hornbill (aka almost a toucan). I knew I would do it all anyway, even if only to find out whether I can, but I was a bit anxious.

Our Gallery in Miro

The Before

  • Introduction of colours, a variety of songs, wordwall games and Miro games
  • Working on building the routine and getting used to the online format
  • Introduce the artist of the day and his arts. We focused only on the animals and on the colours. We ‘visited’ our MiroBoard Gallery and we tried to guess the animals and match Miro with photographs
  • We started to sing ‘Walking in the Jungle‘
  • And, finally, we tell and listen to ‘Elmer’ for the first time (I have actually only used the video, muted, and I told the story myself. We also included some gestures to involve the kids).

It is necessary to add that this year, due to the fact that we meet online with my Art Explorers, our classes have a slightly different format and we work on two-lesson basis. In lesson A we introduce the vocabulary and the artist, in lesson B: we revise and focus on craft and creation. The activities mentioned above were also executed over a period of two lessons.

The photo of the materials sent before the lesson

The While

  • Get all the materials ready (a glue stick, a marker, a piece of white A4 paper, some coloured paper or pieces of colourful pages of newspapers and journals), send the list to parents ahead of time
  • Check that everyone has everything (‘Show me your paper’, ‘Show me your glue’ etc)
  • Show the kids your coloured paper, call out the colours.
  • Ask the kids to show you theirs, call out the colours.
  • Show the kids how you tear off a strip of each colour, show them a ready bunch. Wait for them to get theirs ready.
  • Draw the elephant step by step. Start with the body, then the legs, the tail, the head, the trunk and the ear (by the way, the full shape of an ear is here only to help the kids visualise the elephant, a part of it will be covered by the coloured paper). Show each step to the camera and let the kids copy. Ask them to show you the paper after they have finished each step. Put the marker away.
  • Open the glue, spread the glue all over the elephant, evenly, while holding the paper to the camera. Close the glue and put it away.
  • Tear off a piece of one of your colourful stripes, glue it on the elephant, and then a few more. Invite the kids to do the same (‘Now you’). After a while ask them to show you their copies or ask what colour they are using, only to check how they are doing.
  • Continue until the elephant is ready.
  • Take the marker again and draw the eye, a small black circle. This way the creation will be easier perceived as an elephant.
  • Put up your elephant for the kids to see. Ask them to show you theirs.
The drawing. In one piece and in the puzzle version

The After

  • Introduce your elephant and describe it: ‘This is my elephant. He is green, blue, yellow and black’.
  • Ask the kids to do the same.
  • Watch Elmer, the video again, and, as before, pause and re-enact it with your elephants.
  • We finished with singing ‘Walking in the jungle’, with our elephants, too.

Comments

I am really happy with how the activity went. Initially, I was worried that preparing the elephant will be too difficult for my kids (but they all could follow me in drawing the elephant, step-by-step, with pauses and modelling) and that preparing the patchwork will be very time-consuming but the magic happened here, too as the kids quickly realised that they were in charge of managing how big the pieces of our ‘patches’ were. The older ones were more dilligent and more accurate with the smaller pieces whereas the younger ones opted for bigger pieces and we all finished at the same time. The patchwork part took about 5 minutes. Only one of my students needed more time (as she does every time) and for that reason we started to watch the story without her elephant to give her a little bit more time. She was watching while finishing and she introduced her elephant and it worked very well.

Overall, the amount of language produced was not quite on the amazing side but this was only our third lesson of the course and I am happy. Last but definitely not least, my kids were happy and very proud of themselves and their patchwork, Miró elephants. There is definitely more to come.

Happy teaching!