Anka Zapart, Author at Funky Socks & Dragons

Dear Mr Bruner aka Exercises in scaffolding

September 23, 2022December 26, 2021 by Anka Zapart

Dear Mr Bruner,

I am happy to inform you that, inspired by your article, I have decided to follow your example and to start experimenting in the area of scaffolding…

Oh, how I wish I could write a letter of that kind. Since I first read the article by Bruner, Woods and Ross on the original research and how the term ‘scaffolding’ started to mean what it does to us, teachers and educators, it has become a kind of a life mission to spread the word about it among my teachers and trainees, conference attendees and, of course, the readers of my blog. This is also the area that I choose to invesitage in my first classroom research project as part of my MA programme.

Of course, the most important things keep happening in the classroom, in the everyday when you observe and adapt your instructions, gestures, voice and actions to better suit the young or very young learners as regards demonstration, marking critical features, reduction in degrees of freedom, recruitment, direction maintenance and frustration control (the six orignal features outlined in the article).

This time, the starting point was the lazy teacher…

I started to plan the final lesson with my three pre-school groups that also happened to be our Christmas lesson. And it was out of this tiredness and the madness of the end of the year that made me wake up one day and decide: ‘I am going to repeat the lesson!’

Three lessons in a row, three different levels, three different age groups and the same lesson plan. Well, to a point, of course. We would all study the same vocabulary set and sing the same songs, but the activities would vary, depending on what the children are capable of.

Topic, vocabulary and structure

There were eight words in the set (Santa, a reindeer, a stocking, a Christmas tree, a present, a start, a snowflake, a snowman) and I wanted to combine them with the question that we all had been practising before: ‘What is it?’ ‘It’s a…’.

The level 1 kids (and the youngest group) have got as far recognising the words and pointing at the right flashcards and participating in the ‘What’s missing?’ game although most of the time they would guess the missing word in Russian and they actively produced only some of them in English, such as ‘a star’, ‘a snowman’ and Santa. We also watched the ‘Guess the word video‘ and it was a chance for us to drill the vocabulary in a different way. We also introduced ‘What do you want for Christmas‘ and it was a nice opportunity for us to revise toys which we covered in the previous unit. But only that. In the end of the lesson we also had time for storytelling and we used Rod Campbell ‘My presents’, again as a way of revising the key vocabulary.

With the level 2 kids, we did pretty much the same but the kids were able to remember and to reproduce all eight words really quickly. We played the same game (What’s missing) but they were all actively involved and producing. We watched the video and guessed the words, pretty much just the way the younger group did, although it was interesting that I did not need to encourage them to repeat the words and, as soon as the full picture and the correct answer was revealed, the kids said the word without any cues from me. It seems that due to their age and to the fact that they have been in class for longer, they are much better used to that kind of reaction to the content. We seem to have developed that habit already.

As for the song, we even managed to personalise the song and talk about whether each of the presents featuring in the song are a good idea (or not? ‘Not’, according to some students:-) and we sang a verse for each of the kids:

‘What do you want for Christmas, Christmas, Christmas? What do you want for Christmas? Santa is on his way…’

‘I want a…’

I did not use the storybook with the older children. I had planned it only for the little ones. For the older ones, we had a back-up of an episode of Christmas Peppa, but, in the end, there was no time for that.

The oldest group, level 3 kids, need only a quick revision of all the words and then we could play a variety of games. We did not even play ‘What’s missing?’ as they are too ‘adult’ and this particular game is not challeging for them anymore. Instead, we played a team game, ‘Tell me about it’, in which the players choose a box, open it and say something about the picture hidden in the box. And they collect the points.

We did use the video mentioned above but in this lesson it was not just a simple guessing game, we also managed to talk about whether each round is going to be easy or difficult and then to comment on what it really was. And, of course, the song was also personalised and followed-up by a proper chat. There was also another song, ‘Who took the cookie from the cookie jar?‘, in its life acquatic version (nothing to do with Christmas, but the kids were curious and this is the game we are playing right now). This group are already quite good at personalising songs (aka ‘The original version is good but let’s see what we can do with it and how can we make it better?’) so it was the kids to suggest that we start singing it when we pick up our surprise at the end of the lesson from the reception. If I rememeber correctly, the final version of it (as shaped up by the kids) went along the lines of: ‘Who took the surprise from the surprise jar?‘

I was teaching, having fun and keeping my eyes and ears open and trying to remember what was happening. It was already very interesting but I was really waiting for the most important part, the cherry on the cake.

The cherry on the cake

Surprisingly enough, this time round, it did take a long while to choose the craft activity but finally I settled on the snowman. I found something that I liked among the 25 Easy Snowman Crafts For Kids on countryliving.com. I planned the lesson, spent an hour cutting out the circles, the noses, the hats, the arms and the Christmas trees and orgnising the room. And then we took off.

It so does happen that although my children are divided into groups by the level and by the age, there are exceptions and special cases in all three groups.

The actitivity, the materials, the staging and the instructions were exactly the same in all three groups but the outcomes (visible in the photographs below) and the scaffolding necessary (not visible in the photographs:-) heavily depended on the age of the students.

The youngest students produced these beauties:

This was interesting, especially because this lesson came first and after a very short moment, I realised that, while preparing and planning, I gauged myself for a slightly older audience and I had to adapt on the go, especially for the almost 3 y.o. girl for whom it was the trial lesson and the first 45 minutes in our classroom.

It turned out pretty quickly that it is quite a challenge to glue the ribbon, to turn the circle over and to tie it and that the orange ‘carrot’ nose is actually very small. But we managed, with the pace really, really slow and the teacher keeping an eye and demonstrating everything twice. Plus, yes, the teacher had no other choice but to help with the ribbon.

The age of the students shows most obviously in the way that all the small parts were glued and how the eyes, the smile and the buttons were drawn, with a different level of accuracy and precision. Almost where they should be:-)

And it was because it took longer to produce the snowman that I decided to skip the little sticky arms. They were too thin, too fiddly and too risky. And the snowmen still look pretty without them.

The snowman created by the 5 y.o. hands looks like that

First of all, the five-year-old snowmen did not take as much time to produce and the little fingers were much more agile and ready. As a result, the teacher did not need to help with the ribbons, the noses were handles with much more efficiency and we did have time to add the arms.

It is interesting to see that at this age, the students did observe the teacher (the mentor / the expert) to do exactly what she was doing but they were observing to figure out what had to be done and to interpret it in their own way. Some snowmen were happy but not all. Some had the scarf tied on the neck aka above the arms and the others had it more where their snowman-y waist would be. Some had the buttons and some did not. Some snowman mouths were a string of dots, some were drawn with a line. Some of the Christmas trees were glued on the snowman’s chest (like in the teacher’s model) but then again, some were holding them in their hands (although this obviously involves even a higher level of precision).

The 6 y.o. snowmen look like that:

The older snowmen are even ‘neater’ (in inverted commas here because I adore all of these snowmen, even the ones that look as if they were created by Pablo Picasso) and the evidence of precision and accuracy as well as even a more detailed and a more personalised version, which were the students’ own additions as they were not modelled by the teacher such as the eyebrows, the hat decorations (not featured in the photos) or a bigger number of buttons.

And the oldest of them all, the almost 7 y.o.

This snowman was made by our oldest student, a girl who is actually in school but who is finishing the level with us. As regards the level of English, the development of the literacy skills, she is like the other students in the group, but her motor skills are more developed and for that reason she usually is the fast-finisher. That is not an issue and while she is waiting for the group to finish, she usually continues working on her craft or handout, adding details and decorations.

This time round, she decided that her snowman is going to be a snowgirl, with her and a bow, which was her own original idea.

Reflections of a small scale Jerome Bruner…

This was an absolutely fascinating experience and I would really recommend it to teachers who work with different levels within the same age group, especially within primary and pre-primary where scaffolding seems to be one of the most important factors deciding about the task completion and success.

It can be a great source of information, about the students’ skills and abilities…
…as well as an opportunity to trial something new, be it a song, a video, a game or a craft activity and to learn more about this type of a task.
It is a chance for the teacher to practise and to develp their scaffolding brain…
…and a great opportunity for a freer practice in the area of differentiated learning, not only within the group of learners (something that happens in every class) but on the level of different age groups and levels

Like in the original experiment, the design or the choice of the task and the material is crucial but the holiday lessons, not really closely connected to the coursebook curriculum, seem to be a perfect way out.

What else? Not much? Some curiosity on the part of the teacher, some willingness to experiment and some flexibility in order to be able to adapt on the go. Plus, the eyes wide open to notice all the little changes and proceedings.

These two, in the photo below, are my own interpretation of the original craft and a more complex version of it, here in the form of a card, made by an adult (myself). Perhaps this is what I am going to make with my oldest primary group in our Christmas lesson. If we do, I will let you know how it goes. That would be, indeed, a nice follow-up and an extension of our experiments. We’ll see. In the meantime:

Merry Christmas! Happy New Year!

Happy teaching!

The diary of a desperate teacher: young kids and ‘advanced’ grammar: 5 activities

December 19, 2021 by Anka Zapart

The background: a group of 7-8-9-year-olds, who have been learning English for a number of years (some of them even for 5+ years), in the EFL context, currently in the A2 level and supposed to deal with the grammar structures that are quite advanced for their age and the current level of cognitive development. Plus an experienced teacher, ready for a challenge.

The challenge: practice activities that do focus on the target language but in the context appropriate for YL (sadly, quite a few of those that we have in our coursebook are just junior or even adult practice activities with kiddies characters’ names, we use them but there is very little joy, our last resort).

How to use this post: read the description of the types of activities and then look at the handouts we did use in class, with my A2 kids while in the unit on the zero conditional.

Type #1: Something is wrong here

This is usually the first practice activity with a new structure as this type of an exercise does not require any real knowledge of the grammar structure. Its main aim is the extended exposure to the structure that is our target language. The students are to read the sentences and find the problems and sort them out. These are usually the logical inconsistencies and they can be corrected in many different ways. It is an open ended activity. According to my kids, some of the sentences contain no issues as, apparently, ‘If you run in the hallway, the teacher runs with you’ is exactly what happens in their school. LOL.

This activity can be follwed up with a quick memory game in which the kids word in pairs and try to recreate the original sentences with only some hints from their partner. For example, student A calls out ‘ice-cream, the sun’ and student B tries to produce the full sentence.

Type #2: Find a mistake

This type of an activity is a good idea because it helps the kids develop the linguistic awareness in the very limited area of the chosen and practised grammar structure. We have found those very useful since the kids are slowly becoming aware of the structure and they are slowly being introduced to looking at grammar in a more adult way.

The handout is basically a set of sentences, with some grammar mistakes. In the sample sentences you can see in my handouts, these can be: missing words, additional words, incorrect froms.

The instructions are super simple, the kids work together or individually (depending on how independent your kids are) and underline and correct the mistakes. In this and in the previous activity, my students adore taking colourful markers and play the teacher here, treating these as my tests which they correct and give back to me. With marks that are not necessarily the best one.

Type #3 Your ideas!

This kind of an activity gives the kids even a greater opportunity to produce personalised sentences and to express themselves. It is entirely open-ended especially that the kids also have a chance to choose the sentences which they want to complete. In the handout available, there are ten sentences in total and the students were asked to complete five they like most.

The kids complete the sentences in any way that is true for them. In the follow-up stage, they work in pairs, read their sentences to their partner and explain why. The most important part of is the written sentence with a strong focus on the TL but this is only the springboard to a lot more productive task. If there is time, the students can change partners and to produce a lot more language. Another opportunity is to keep the handouts and ask the kids to complete the remaining five sentences in the following lesson and to repeat the pairwork, with the same or with different partners.

Type #4 Caption this!

This is a slightly more productive task, but still a very open-ended one. The kids are required to create their own captions to the images provided and, of course, the selection of the images and the language used has to be relevant to the topic of the lesson.

It can be set up in (at least) two ways: either at the desks with the students working together and writing the captions which we compare in the feedback session or with the images displayed on separate pieces of A4, with one image per page, which are circulated in the classroom and with the new ideas being added by the students as we go along.

If there are appropriate conditions in the school, the kids can also be invited to walk around the school, look at the visuals and add their ideas to the visuals that they like most. This offers more freedom as it is not a given that they will write something under all of the visuals (unlike in the activity when the cards are circulated when we are sitting) but this set-up requires proper stations (aka any horizontal working space which allows for comfortable writing) as the young kids might struggle with writing on the posters displayed on the walls.

The visuals can be very specific or, like in our handout, they can simply help to narrow down the topic.

Type # 5 Role-play starters

First of all, kids prepare the conversation starters. They can work in pairs or individually and they write one sentence for a specific situation (see the handouts). Ideally this is done in the end of a lesson. The teacher monitors, encourages and suggests. The kids are put in pairs, they read the sentences to each other and choose the funniest ones or the most interesting ones. The teacher collects the handouts.

For the following lesson, the teacher cuts up the sentences and divides them into sets. It does not quite matter if a set has more than one situation of the same type. The idea is that the kids will work with a set of random sentences.

Kids work in pairs. Student A takes out a sentence and reads out the situation. Then they start the role-play in which the sentence should be included. Student B reacts, as appropriate. Then they swap and student B takes out one of the cards and starts a conversation.

And this is, more or less, how we roll, me, basically, throwing things at the walls and see if it sticks. So far it has. Then, onto the next one. Although, of course, we will have to wait and see about the long-term results.

Bonus tasks. A grammar-focused project: How we became scientists

These particular activites are very specific to the particular topic or the target langauge here and they will not be easily transfered into other contexts and topics. However, they were very effective and they did help us practise the target language and for that reason I am including them here.

We have already practised a lot and this handout was set a homework task. I was very open-minded (or almost very reckless) about the mode of completing this tasks. The kids were asked to complete the handout but, because they asked, I also allowed them to complete the questions with mistakes (which we would correct later), in Russian or just to think about these situations. The only thing I had to highlight was for them not to do these experiments at home.

I had to choose the experiements following a few criteria (something we can do in class, something that does not involve any fire or potentially dangerous materials if the kids decided to do them again at home, something that will not involve any langauge or structures that are too advanced for us) and to prepare the materials and the classroom set-up, too, with all the desks in a semi-circle and a table in the middle.

In the following lesson, we went step by step, using the following framework

the hypothesis and the ideas from kids, introducing some of the key vocabulary, mostly verbs
doing the experiments, highlighting the results, producing the key structure
asking additional questions and follow-up questions, letting the kids play, when appropriate ie with spinning the eggs or mixing the water etc.

Some of the experiments have been completed in the same lesson (skittles) and some of them will be completed and finalised in the following lesson (we have used the lemon juice to write and in the following lesson we will see if these letters show after we have ironed them).

Despite the fact that the experiments meant a lot of work for me, I am very happy with the outcomes because we did manage to create an almost perfect context for the target language and the students really did produce a lot of language. I might not do it in every unit but it was definitely worth it.

Happy teaching!

The diary of a lazy (VYL) teacher: Five songs that have become games

December 12, 2021 by Anka Zapart

‘The hills are alive with the sound of music….’

Hello! My name is Anka and I am here to tell you how to be a lazy teacher. ‘Lazy’ here is to highlight ‘no preparation‘ although that does not mean ‘doing nothing at all‘. That never happens in the pre-school classroom.

All of the songs featured here are the favourites of my students and that is one of the two reasons why we turned them into games. The other one is the fact that all of them contains the most precious structures and an opportunity that I could not just miss.

One disclaimer that needs to be included here (and the most important one here) is that things do not happen overnight and these are not the games that we play in the same lesson in which the songs are introduced. The song games are the freer practice activity, the follow-up, the spontaneous production opportunity and the fun opportunity, yes, but we start playing them strictly only when the kids have become entirely familiar (‘borderline bored’ even) with a song. All due to the age of the students and the way they process songs and the world.

This post will be about our (mine and the kids’) Top Five Songs, those which brought us most fun. If you are interested in the logistics, please have a look at the older post in which I describe the stages of un-singing a song in more detail. You can find it here.

Do you like broccoli ice-cream?

If, by any chance, you are not familiar with the phenomenon of broccoli ice-cream, it is definitely time to catch-up. This is the song that my own personal ‘un-singing’ started with and I have safely say that since I found this song, this has been the only tool I have been using to introduce and to practise ‘Do you like…?’ with both my primary and pre-primary students.

We start with singing and talking about food, we created our own most random, disgusting and delicious, food combinations and then we slowly move towards the non-culinary questions, too.

What do you like to do?

When I was first introducing this song, I was in two minds. On the one hand, the song was very tempting – lots of useful verbs, a beautiful complex sentence with a linking word ‘but’ and lots of fun. On the other hand, my 5 year-old preschoolers, beginners and all these verbs…I could not imagine all of these being pre-taught all together. We would have to have a whole separate unit, flashcards, two weeks of practice and then the song itself. I didn’t want to do that.

And I did not. We turned everything upside down and inside out and we started with just watching the video, for the fun of it and for pleasure. The practice and the speaking, started with these few verbs that we did know already such as ‘dance’, ‘ride a bike’, ‘cook’. They were the main focus and everything else was acquired, bit by bit.

When we create our own ideas for things we like and don’t really like to do, the kids first tend to change only little details, for example ‘I like riding a bike but I don’t like riding a dinosaur’ instead of the original ‘shark’ or to use the ideas from other verses, for example ‘I like reading but I don’t like reading in the air’, instead of ‘upside down’. But the important thing is that they speak and the song helps them produce complex sentences. The really amazing thing happens later on – the more we play, the more creative and original these contributions become.

As a teacher, I am mostly interested in maximising production, of course, but there are some hidden bonuses here. The kids know that it is the creative part of the lesson and they are really looking forward to hearing their friends’ ideas (aka ‘we work on the focus and extending the attention span’), they listen (aka ‘we develop one more skill’) and they react either by just laughing or expressing opinion when their own view on riding dinosaurs or drawing on the moon differs from that of the author (aka ‘we develop interactive skills’).

As quiet as a mouse

As soon as I found this song, I knew that I would be singing it with all my students. After all, conditions are perfect: a yummy piece of a structure that wonderfully lends itself to language games, the theme of the animals, some great adjectives (a most recent obsession of a VYL teacher) and, last but not least, a few music genres that were chosen to represent different animals. What’s not too like here?

I liked it so much that I decided to introduce it ‘just because’, not waiting until the next animal lesson or the next adjectives lesson. Actually, at this point, my ‘advanced’ pre-schoolers got bored with all the hello songs (of which I was informed) and so this has become the new hello song or the piece that we start our lessons with now.

And then we play, making new sentences about the animals (‘as beautiful as a lion’), ourselves (‘as happy as Anka’) and all the impossible and sarcastic combinations (‘as big as a ladybird’ and ‘as little as a giraffe’). With lots and lots of laughter.

I’m rocking in my school shoes

This is the only song in this set that does not come from Super Simple Songs and which we owe to Pete the Cat.

Here, the story took a completely different turn – I did want a module on school (it was the start of the year) and on the Present Continous (which would help us later to get the kids involved in the telling of the stories and in the describing the pictures) and so I wrote it for my kids and the video and the song, of course, were the basis for it.

The contents of the module included: rooms in the school and a set of Present Continous sentences, but the original set from the song was later extended by the set of places which the kids studied before (such as ‘the cafe’, ‘the volcano’, ‘the park’) and the other verbs which we have been using for two years in our movement game. Now they came in very handy.

This particular song is the song that we have modified the most and our key structure, sung and then spoken, went according to the formula ‘what I am doing’ + ‘where’, for example: I am reading in the garden.

What’s your favourite colour?

I have mentioned it before, in one of the previous posts, that I utterly love this song. Not only is it a very dynamic way of practising colours (we sing it, touching and pointing at everything green, blue and yellow around us) and, as such, it can be introduced even with the youngest beginners, but it also has got the advantage of introdcing a superbly generative and adaptable ‘What’s your favourite…‘ together with an equally superbly generative and adaptable (and straightforward) answer ‘I like‘. We sing it first with colours but, as soon as the kids are ready, we start singing (and then talking) about our favourite colours. And then, as we progress through the unit, about our favourite fruit, pets, toys, weather, food and animals. If there is any structure that can be and should be introduced as the first five ones…

In class, I sing the verse for each student, using their name ‘Sasha, Sasha, What’s your favourite colour?’ and Sasha is expected to answer by choosing a flashcard from the pile of colour flashcards as she answers. Which is a procedure that we repeat later on with all the topics. To make it more managable, I have also created a set of special flashcards which have the question on one side and a selection of items in each category on the other side. This way I do not have to keep a huge pile of flashcards from all the categories to practise this question.

With my older students we have managed to take this activity one step further and turn it into a pairwork activity. At this point, we have a beautiful selection of categories (sport, hobbies, lunch, dessert, transport, toys, jungle animals, farm animals, ocean animals) and the kids are good at accepting the flashcard of a tractor to stand for the entire category. We put our ten categories of the day (aka ten flashcards) on the floor, we sit around it in pairs. One child in each pair gets five counting sticks and they ask their chosen five ‘favourite’ questions to their partners and, as they do, they put one stick on the relevant flashcard. After they are done, I collect the sticks, divide them into the packs of five and redistribute and the other child in each pair asks their chosen questions.

As a follow-up, they ask me a question each, as we collect the cards of the floor. A beautiful, personalised pairwork activity that started a long while ago with a Super Simple Song.

What are you waiting from? Have you got a song that you have been singing for a while now and that your kids know very (very) well? Are there any interesting structures that could turn this song into a game? Go on! Use it to maximise production! It will be fun! I guarantee!

Happy teaching!

Crumbs #22 The Big Story Competition

December 4, 2021December 4, 2021 by Anka Zapart

When you suddenly notice how the everyday is beautiful. The metro station Universitet

Ingredients

A group of teenagers or pre-teens
Paper and pen
The theme of the story. We are preparing for the Cambridge exams and so we used pictures and the exam format of the story writing in KET (three pictures) and the exam format of the story writing in PET (the opening or the final sentence).

Procedures

We start with some warming-up activities and they depend mostly on the coursebook and the curriculum but they all they have one thing in common – they help the kids get ready and get in the mode for the proper writing task.
Some of the potential exercises include: talking about the story, generating vocabulary to support the weaker students or less creative students, see the post here (especially Sstep 2: Two crazy words) or the following two
One-line stories

Make it better: students start with a set of simple sentences and work in pairs or individually, trying to develop it in a few rounds. The students can either work on the same handout using a set of colourful pens (a different colour for each round) or a few copies of the same handout. It can be followed up with a reading session and choosing the most interesting sentences of all but it is not quite necessary to include one more competitive element. The number of rounds can be limited or extended, depending on the age and level of the students.

We include ‘The Thinking Time‘ to give the students a chance to imagine their story and make the necessary decisions. These are the questions which they might be asked to consider:

Everyone can choose their own pen name, too.
I make it more formal by announing that we are going to choose the best story and that I am going to ask my colleagues to help me.
The students start writing, the teacher monitors and I help out with vocabulary when necessary.
There is not one time slot or the number of words required. We are practising in the exam format but without too many limitations at this point.
Afterwards, we type the stories up and share them with our BKC teachers who vote for the one they like best. I don’t correct any mistakes at this point.
I prepare diplomas of participation for all the students and one more for the winner and there is a reward (food as this is the one hobby that we all share, me and the students). We have a ceremony that involves a speech from the teacher, applause for everyone and for the winner and eating because they all share the reward. Our winner is the master of ceremonies of the day.
The final stage is the error correction. In the original handwritten copies I underline a few mistakes that the kids correct later on. So far, these have been mostly in the area of spelling, tenses or the general style.

Why we like

The students get really involved in the writing process and looking at how they write away, it is really difficult to believe that teenagers don’t like writing, that they are not motivated or that they are not creative at all.
If carefully scaffolded, it is an activity that all the students can complete and it is very mixed-ability-groups-friendly. Since there is not word limit, everyone writes as much as they can and want. The last time we did it, using the PET format with 100 words as the limit, I received entries of about 70 words but also entries of 400 words.
It is an amazing opportunity for the students to express themselves. They can choose the storyline, the genre and the style. This year they produced a horror story, a love story, a post-modernist short story and a diary entry, among others. We have been working together for at least two years (and for about six with some of them) and yet, I was still surprised that they can write like that. Because they can and they are amazing kids although this is not some kind of a writing-obsessed and literature-obsessed group (unlike their teacher) but a bunch of typical teenagers: always tired, always under-slept, who’d always choose ‘no homework’ over ‘homework, please’ and ‘no test’ over ‘test, please’ and so on. And yet.
This time round I have decided to include the most beautiful comment that each story got from the readers and, in a way, it started to resemble the categories that we have at different film festivals, although, to be fair, they can be quite random as they are generated by the readers, such as ‘your dreams will come true award’, ‘I can’t believe a child has written it’ or ‘A kind heart’. And my students really liked it and were touched by that.

P.S. I would love to share these stories here but some of my students keep them secret even from their parents. Their stories and their copyrights. So be it.

Happy teaching!

All the reasons to use stories with YL

November 28, 2021 by Anka Zapart

The classroom before the IH VYL session 7 devoted to storytelling…

Writing this kind of a post about songs was a lot of fun. Here’s hoping to the same results with stories.

Storytelling (a definition for the purpose of this post): story-everything in class: telling stories, reading stories, listening to stories, writing stories, making-up stories, watching stories…

All the reasons to use stories in class when you teach children…

Stories, storybooks, traditional stories are a part of the child’s world
Stories help children learn about the world and the concepts
They also provide models of behaviour
They introduce children to other cultures
Telling stories and listening to stories is a social event
They help to develop focus and concentration
They can be a starting point to developing learning strategies such as predicting or making hypothesis
They expose children to different illustrations and they help to develop visual literacy
They help develop imagination
They help to develop kids’ memory
Stories help children to know the sounds, rhymes and this way to develop early literacy skills

Working with stories helps children learn about the value of books
They help children learn about the real and the imaginary world
Stories help faciliate interaction between adults and children
Children who read and listen to stories find it easier to understand other people
Kids who read stories are likely to have higher confidence levels
Stories are a natural way of teaching children
Stories help children relax
Stories help children understand their own feelings
Reading and stories can develop critical thinking skills
Storytelling and story reading can be a source of fun and pleasure

All the reasons to use stories in class because you teach a foreign language…

They create the context for the language
They help to build and develop the vocabulary
They can be used to introduce the langauge
They can be used to practise the langauge
They can be used to revise the language
They help develop listening skills
They expose the children both to dialogue and to narrative
Listening to stories is the first step to producing the language
They help develop literacy skills
Stories are a wonderful opportunity for integrating skills ie reading with listening or speaking with writing.

The stories created specifically for the EFL / ESL context have the graded language and they are built closely around the vocabulary and structures that they are already familiar with
Traditional stories have the advantage of being familiar to the children already and this will make their reception in a foreign language much easier
Storybooks are a source of the beautiful and natural language that can be made accessible to children. Some of them might be known to children (for example Gruffalo or The Very Hungry Caterpillar) and this will make the L2 version more easily understood and easier to use
Visuals accompanying the stories can also be used as a resource to introduce and to practise the langauge
They are an intergral part of the Young Learners Exam so using stories in class from early on will be contributing to preparing students for them
They can help connect studying English at school and studying English at home
They can motivate the children to learn the language
Using stories in class can encourage children to read for pleasure
Storytelling can be used as a classroom management tool as they are natural settlers
Some of the concepts in stories can be used to manage children’s behaviour in the EFL/ESL classroom ie ‘Boris goes to school’ is a story about making friends

Telling stories or reading stories can be an introduction or a follow-up to song lessons or craft lessons
Many stories have a set of structures and that makes them easier for the EFL/ESL students to learn
A story is usually used in more than one lesson. This repetition is also beneficial for the students as they can get more and more involved in the retelling or the re-reading of the stories
Telling stories can be an introduction to role-plays and drama activities
Even the lower level students can be encouraged to create stories. They will use their ideas based on the vocabulary they have (Wright)
Storytelling activities appeal to children with different intelligences and learning styles (Read)
Stories can be used to supplement the coursebook
Or they can be used as the basis for a curriculum
Reading and listening to stories can help with pronunciation in L2, too.
Stories encourage the kids to contribute ideas and to express themselves

Have I forgotten anything? I must have. Although 50 is not a bad number to start with. More later…

Happy teaching!

Bibliography

I will give myself a permission to be slightly reckless about referencing everyone since it is not a very serious research article. While preparing this post, I have consulted:

Sandie Mourao and Gail Ellis (2020), Teaching English to Pre-primary children, Delta Teacher Development Series

Opal Dunn (2012), Introducing English to Young Children: Spoken Language, Collins

Reading and storytelling with babies and children, raisingchildren.net.au

Why is storytelling important to children? BBC Teach

Why are stories important for children? The Writers Bureau

Why is reading so important for children? High-Speed Training

11 Reasons Why Reading is Important for Children, EdArabia

Andrew Wright ( ), Creating Stories with Children, Resource Book for Teachers

Carol Read (2007), 500 Activities for Primary Classroom, Macmillan

The importance of storytelling in the EFL classroom, The EFL Academy

Some Tips on Using Storytelling in the EFL Classroom, EFL Magazine

Karen Saxby, Using Pictures and Stories in the EFL Classroom, HLT Mag

Teaching English to Young Learners Using Stories: The Ultimate Guide, The ELT Guide

How to use storytelling in language teaching, Yur Topic

Teaching English Through Art: Why you might want to start

May 18, 2024November 21, 2021 by Anka Zapart

An introduction to an introduction

Teaching English through has been something that I have been playing with for quite some time now and it started in the most selfish of ways, namely, I simply wanted to bring my favourite things to class. You know, have these beautiful Georgia O’Keeffee’s skyscrapers hanging by the whiteboard or practising prepositions of place not with the description of the classroom but of everyone and everything in one of the Chagall’s villages. My favourite things, nothing else.

I wanted and I did. Only once I started (and once I started to read about it, to research it, to experiment with the younger and the older, and to read even more and to reflect), I realised that there is a lot more to it, for me and for my students.

Somehow, once you start, it is difficult to stop because new ideas and new projects emerge and there is a lot to write about. This is not my first blog post about combining Art and EFL so if you interested, please have a look here (How to see a city through Art), here (How to hear Stravinsky, although the format can be adapted to any piece of music) and here (How to read storybook illustrations, a lesson not for kids) or here (if you are interested in using realistic and not realistic visuals with children).

With this post, I have decided to take a more organised approach to teaching English through Art, going a little back to the basics, to tell you why you might even want to think about it.

A bit about me and my background

My name is Anka, I am a teacher of English as a foreign language but I am also interested in Art. My first degree is in History and as a part of that adventure many years ago I did have a privilege in taking two terms of History of Art with one of the most amazing teachers ever but I still consider myself only ‘a human interested in the visual arts’, not a professional.

First and foremost I am a teacher of a foreign language and the main aim is always teaching them vocabulary and grammar, the four language skills development and, sometimes, exam preparation. However, I do believe, that there is always room for a bit of Art, here and there, smuggled, hidden and used to develop the language skills.

At the moment, I am taking part in three different projects which, to some extent, involve Art Etc.

my regular classes at BKC IH Moscow, classes which have a clear focus, a curriculum, a coursebook in which I use Art Etc to supplement what we do, for variation
my Art Explorers lessons, a bonus, free-of-charge once a month class for the students of our branch, a project that we are launching only this month
Kids in the Avant-Garde, a cooperation between BKC IH Moscow, Fun Art Kids and the Multimedia Art Museum in Moscow, which gives the kids a chance to express themselves creatively in a variety of ways.

In the long-run, I would like to share here some ideas and activities which we used in all of these projects, but before we get there, here are some of the reasons why including Art in the EFL lessons is a good idea. Let’s go.

The alphabet book based on the animals from the paintings at the Tretyakov Gallery

Teaching English Through Art: all the reasons why you should at least consider it (in a rather random order)

Paintings used in regular EFL lessons as flashcards to introduce or to practise the language are a wonderful tool and a source of variety, to compliment the drawings, cartoons, illustrations and photographs. They will be especially appropriate while teaching animals, clothes, transport, activities, food, the city or the natural world.
Using painting also means exposing children to different styles in Art will help develop their visual literacy skills, even without any special lessons on the theory or the artists’ biographies.
Teaching English through Art with younger children, preschoolers or primary, usually involves some creative activity. This gives the children an opportunity to interact and to experiment with a variety of artistic materials such as paints, watercolours, crayons, fingerpaints and techqniues, for example collage, prints, scratch art and so on.
Kids, of the age, are learning to make decisions, choosing their own composition, lines and colours, not only attempting to become a five or a fourteen-year-old Walhor, Mashkov, Goncharova or Rousseau but personalising it and owning it every step of the way.
Since this creative activity is only an add-on in the regular English classes, it might help children discover a talent and interest in the artistic world, something that might not become obvious otherwise.
Just like any content-and-language-integrated lessons (CLIL), also the Art lessons give the students an opportunity to use the language to access other subjects and areas of knowledge and, especially in the case of the older learners, to see the real purpose of learning a foreign language
Interacting with the world art can be a springboard to discussions which generally generate a lot of language for the students, in relation with their level of English. Since ‘all ideas are good ideas’ (one of the mottos of our classes) and since all interpretations are welcome, students feel free to express themselves and to share what they think.
Art lessons especially lend themselves to learning and practising the language of expressing and asking for opinion, agreeing and disagreeing, talking about associations, possibilities and hypothesis.
Somehow (and this bit is really beyond me) during the Art lessons students, juniors and teens alike, are more likely to use the beautiful English. All of a sudden they realise that there are other adjectives than ‘beautiful’, ‘nice’ or ‘interesting’ and so the language they produce is of a much higher quality than what they normally during the conversations about the everyday topics.
Art can supplement lessons on practically any topic and they will help to ensure that the curriculum and the programme is diverse and engaging.

All of these are simply my reflections based on what I have observed in class. The real research will follow.

If you are interested you can continue reading here:

7 Amazing Benefits of Art for Kids That You Might Not Know Of from the artfulparent.com

Art Techniques For Children nurturestore.co.uk

Teaching English Through Art from Jorge Sette

Art in the classroom, blog from the British Council

English Through Art by Peter Grundy, Hania Bociek, Kevin Parker

Bonus titles: lots and lots of resource books – in the photos accompanying this post.

There is more to come!

Happy Teaching!

P.S. A request!

It is very simple.

I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.

Hence the survey.

Wordwall: Top 10 Favourite Activities

August 27, 2024November 14, 2021 by Anka Zapart

Well, well, well, this is officially my post #100 on the blog and I am in the mood for celebrating. That might take the form of sharing some random numbers (8,280 visits and 5,563 visitors over a year and a half (and mind you, I have NO IDEA WHATSOEVER if it is ‘impressive’, ‘not so good at all’ or just ‘why even bring it up?!’) and pondering over the fact that these have been my 5 most popular posts:

a) Colourful semantics in EFL?

b) The Invisible Student and why you might want to have one

c) The first VYL lesson Survival Kit

d) A to Z of homework for very young learners

e) All you need is a picture

Which means that there is some interest in teaching pre-schoolers, using visuals in class and that Pasha, the invisible student, has become a bit more real, overall.

Apart from that, however, I would also like to take this opportunity to share with you my top 10 wordwall activities that I use with my primary and pre-primary students.

Disclaimer: Wordwall is amazing, no doubt about that, but it is still only a resource, a material. Its main aim is to provide opportunities for the students to produce the language. For that reason, in all of the games (for the lack of a better word) described below there will be always a differentiation between the material (the actual tool created with wordwall formats) and the activity (how we use it in class).

Here we go (in no particular order):

Are you scared of?

Materials: Random cards, for example ‘Are you scared of…?‘

Activity: Kids take turns to ask everyone the key question using the cue on the card. All the students in the group answer. The same pattern can be used with any question ie Do you like…? Can you…? Have you got…?

Works well with: primary (they can attempt working in pairs and taking turns to ask a question to their partner only) and pre-primary, individual and groups

Tell me about

Materials: Open the box, for example Tell me about this picture (seasons #2)

Activity: Kids play in teams, ask for the box to be open, produce a sentence (or sentences about the picture), win the number of points. The game about seasons is a very simple one, for preschoolers, the one such as this one here, about animals, can generate a lot more language, also with preschoolers and, of course, a lot more with primary.

Works well with: primary and pre-primary (with pre-primary we play T vs the whole class), groups and individial (we play T vs the student).

What’s this? Stencils

Materials: Flashcards, double-sided, for example Secret animals. What’s this?

Activity: Kids play in teams, team A asks the question ‘What’s this?’, team B tries to answer. Afterwards the teacher flips the card to check. Depending on the vocabulary kids then say whether they like it or not or try to describe, too.

Works well with: pre-primary, individual and groups, it might be a bit under-challenging for the primary students

Which one is correct? Spelling

Materials: Flashcards, double-sided, with visuals and correct and incorrect spelling of the word Places in the city or a quiz with a similar idea, for example this one Superminds 5, Read and choose

Activities: Kids read both versions and choose the correct one. With the flashcards the teacher is flipping the cards back and forth, I use it mostly with my 1-1s. With groups the quiz version works better and it can turn into a proper quiz, with the kids writing the answers down.

Works well with: primary, individual and groups

Advanced riddles aka Turn your back

Materials: Random cards, for example Transport Revision.

Activities: Kids work in pairs, one student in each pair has to sit with their back to the TV/ interactive whiteboard, the other is looking at the board. T keeps dealing the cards. The student looking at the screen has to describe the word for their partner to guess. After a certain number of rounds they change. The cards usually have the words on them, too, so it works well with mixed ability groups.

Works well with: primary and teens. I have only tried it with groups.

Song support

Materials: Match, for example Pete the Cat, Rocking in my school shoes or As quiet as a mouse

Activity: We use the cards or the matching activity to sing the song, slowly, with pauses, to practise and to revise before the actual video / track. The set such as the one for the ‘As quiet as a mouse’ can be used to start creating own versions of the song as kids have only the animals and they can (if they are ready) to come up with their own adjectives.

Works well with: primary and pre-primary, individual and groups.

Story / video comprehension check

Materials: Match to accompany Peppa Pig ‘Fruit Day’ or a quiz to accompany Peppa Pig ‘George is ill’

Activities: We normally learn the vocabulary, get ready for watching the video and then watch it. The games described here are used to check comprehension. The quiz is read by the teacher and the kids answer ‘Yes’ and ‘No’ and correct the incorrect sentences (unless I use the same story with primary who can read it themselves). The matching activity is always accompanied by a structure. It can be a simple ‘Apples are for George’ or a more comples ‘George would like apples’.

Works well with: primary and pre-primary, individual or groups.

Memory Game

Materials: Match, for example I am going to the supermarket. I am going to buy bread or any other matching activity consisting of two components.

Activities: The game itself is usually set for homework. We check it together, whole class. Afterwards the kids are divided into pairs and they test each other, for example Student A says: I am going to the supermarket’, student B has to recreate the second half of the sentence. To help the kids a bit, I put up some key words (ie places and main verbs) on the board. The kids change after a few rounds.

Works well with: primary, individual or groups

Just questions

Materials: Flashcards or random cards, with full questions or prompts.

Activities: Kids work in pairs and the kids interview each other, reading the questions or prompts of the computer / TV / interactive whiteboard. Afterwards they swap.

Works well with: primary and teens, individual and groups

Yes / No

Materials: Radom cards or flashcards for example ‘She’s / He’s wearing’

Activities: Kids look at the cards and listen to the teacher describing the pictures. If the sentence is correct, they say ‘Yes’, if there is a mistake, they reply with ‘No!’ and correct the mistake. Later on, there is a lot of potential for the kids to take turns to lead the game. The older students can work in pairs, too, while looking at the screen / the interactive whiteboard / the TV.

Works well with: primary and pre-primary, individual and groups.

If you are looking for inspiration or ready activity, you can find my profile (Azapart) there. I share all of my activities so there is plenty to choose from, especially if you work with Playway to English and Superminds.

Here you will also find Part 2 of this post and even more ideas for using Wordwall games in your YL classes.

Happy teaching!

P.S. A request!

It is very simple.

Hence the survey.

Crumbs #21 ‘Write 5 words’ aka a vocabulary game for lazy teachers

February 12, 2022November 6, 2021 by Anka Zapart

Here is a pumpkin flower: simple and unexpectedly beautiful, just like this game.

Ingredients

A piece of paper and something to write with
For younger students – somewhere to keep the paper safe and secret i.e. inside a coursebook
Imagination
The whiteboard to put the target language on

Procedures

Kids work individually, keeping their cards secret from their friends but if the game is played for the first time, they can work in pairs, this will be their natural support and the source of creativity because two heads are better than one.
Teacher ask the students to write numbers from 1 to 5, in a column. When they are ready, teacher asks the kids to write 5 words, one at number 1, one at number 2, etc. Teacher monitors and prepares her/his own set to use in modelling. It might be also a good idea to write a few examples on the board although these are just for modelling and they will not be used in the real game. The target structures should also be displayed on the board.
Teacher demonstrates how to play the game – she / he describes the first word on her / his list for the whole class to guess. It might be necessary to play a few rounds with the whole class, with the teacher leading the game or with one of the strongest students leading the game.
The game can be played until all the words are described and guess OR for as long as there is time.
Important: It is absolutely necessary to carefully combine the vocabulary and the target structure to make sure that the set is used naturally and that it matches the context, too. Some of the examples of the activities we used below
Places in the city (ie bank, post office, school) + I can see…I can hear…I can smell…Where am I?
Professions + I am going to work, I am going to do…Who am I?
Animals + It is big / small, It can run / fly / swim, It has got…
Body parts + I need it / them when I write, swim, play
Objects + passive voice ie It is made of…, It is used for…
Personal characteristics + Present Simple, 3rd singular, This person always does something, This person never does something

Why we like it

The biggest advantage of the game is that it can be adapted to almost any set of vocabulary and any structure.
It can be used with the lower-level and the higher-level groups, with the younger and the older students.
The game requires no preparation for the teacher and it is SS-generated which means that it is personalised and motivating for the kids to play.
It is a perfect controlled practice activity as the kids are using the target langauge and the target vocabulary.
It is a guessing game and because of that it is both achievable and challenging.
With the younger kids we play the game of 5, with the older ones we usually prepare 10 words.

Happy teaching!

Crumbs #20 Тетрадка Love*)

November 6, 2021November 6, 2021 by Anka Zapart

Or about my favourite resource in this academic year, hands down.

Ingredients

A notebook for each student and a box to keep all the class notebooks. These notebooks don’t travel home, they live in the classroom.
Some writing materials: pencils, markers, crayons.

Why we love it

For all of the students in all the groups where I introduced notebooks (and that’s everybody, pre-primary, primary, juniors and teens, apart from my pre-primary level 1 and 2, who are still only 3 and 4 years old, they are going to get theirs a bit later in the year), this has become a surprisingly wonderful way to express their personality and to become even more present in the classroom. When I gave these out, many of my students of all ages were inquiring what they should write on the front page or on the cover page. I suppose it is because there might be some specific regulations at their schools regarding what needs to be and what can be written there. When I just shrugged my arms and said ‘I have no idea. It is your notebook. Write what you want‘, many of them looked at me in disbelief and then started to write some elaborate names in Russian or some made-up names and nicknames or just their names, in a variety of fonts and styles.
Equally, the format of the note-taking is highly personalised, too. There are certain activities that we use these notes for (see below) and sometimes they involve a structure or a format which is the same to everyone but, at the same time, the kids are in charge as regards the choice of the writing materials, colours or the ratio between text and the drawings.

It is the students’ personal space in the classroom, too. We share what we have written but I hardly ever look into those notes, unless they ask me to or unless they need help with some vocabulary or structures. Since this is a new project and since I am just developing it and discovering its potential and its potholes, I have just realised that I will have to include some kind of delayed error correction in the process, for instance by reading the entries and contributions to fish out some of the spelling or grammar mistakes.
It give the students an opportunity to write and to read more.
It is an opportunity to keep all the notes and all the ideas in one place and to go back to them, to review, to remember, to reminisce or to recycle.

Notebooks for the high level students (C1) are our way of breaking into the least favourite skills ie writing. After we have finished a receptive skill task such as exam reading and exam listening, we follow it up with a 50-word (plus) summary in the notebooks, steering away from any specific genre or format, just simple note-taking that now compliment our regular ‘What do you think?’ speaking sessions. We go back to these notes in the following lessons, to check whether our views have changed in any way, whether they have developed but also, very importantly, to edit and to improve, when possible.
Notebooks for juniors (B1) have been used in a variety of ways related to the vocabulary we study. First of all, they are the opportunity for the students to reflect on the vocabulary they have learnt. At the end of the unit, we look at all the phrases, structures and words and categorise them. The categorise we use change all the time and have included the following: easy words and difficult words, useful words and not-so-useful words, interesting words and not-so-interesting words and I am hoping to add more to this list. In the future I would also like the kids to use their own categories in the future. This kind of an activity also involves a discussion and sharing the rationale for our choices (and that is my favourite part of the whole activity). We use the notebooks also to work on the additional vocabulary, not included in the coursebook but still worth knowing. Sometimes we create the lists ourselves (ie while describing the objects, we also revised a list of materials) or we work on the lists that I prepare (ie a few weather idioms that we discussed while going through the topic of ‘extreme weather’). Last but not least, this is also where we take note of the emergent language, in the section at the end of the notebook called ‘Our special words’. I keep track of these on the whiteboard (the left margin) but I encourage the students to take a note of these (or some of these) in their notebooks.

Notebooks for primary (A2) are probably the most multi-functional among all the age groups. First of all, we use them to complete our portfolio tasks that are included in our coursebooks, one task for every two units. For these, each student gets a pre-prepared template, a notebook-page size, which they glue in and then use for whichever task we have such as the personal file (used in an interview) or the list of the adjectives to describe animals (used later in Our Big Animal Quiz) and so on. We use it also to personalise the vocabulary that we learn, for example after we have learnt the jungle vocabulary, the kids were asked to arrange all the new words in the order of their own preference, number 1 being their favourite word, number 9 being their least favourite. As with the older students, we later talked about the reasons for our arrangements. Last but not least, we use the notebooks to prepare for any student-generated games that we play. They are especially useful in all the guessing games and are much better than any small cars because the notebooks are not transparent and, because of their format, they help the kids to keep their secret words really secret. You can find out more about this game here.

Notebooks for pre-primary (pre-A1) is a serious step towards developing reading and writing skills. Now, I am not sure whether it is going to fit all the pre-primary classes (because some children are not ready and some programme do not even include any literacy elements) but this is what works for us. My students are 5 and 6 at this point and we have been doing a lot of literacy activities for about a year now. We started relatively early simply because the kids showed interest in the written word and I realised they were ready. We went slowly but with great results and I can safely say that now it is their favourite part of the lesson. Last year we did a lot of writing on the laminated erasable pages, with whiteboard markers, this year we moved on to notebooks. We use the notebooks to copy the words that we learn, in two or three batches, with only four or five words per lesson, not to overwhelm the kids. Kids usually choose to add little drawings to these so our notebooks are slowly becoming picture dictionaries. Our notebooks are also used in pairwork, for example in a survey on the food we like and we don’t like in which the students used a pre-prepared chart (printed, cut out and glued in by the teacher) to interview their partners and to ‘take notes’ in the form of pluses and minues. I found out that the notebooks really help to set-up and to run a pair-work activity. The notebooks are also going to help us to maintain continuity with the longer-term projects such as the reading of a phonics story such as ‘A fat cat on the mat’ by Usborne and all the related activities. They will be completed over a series of lessons but thanks to the notebooks we will be able to get back to them and to revise in a more SS-centred way. Or so I am hoping.

There is no other way of putting it is: it is a proper Notebook Love (or Тетрадка Love) and it is almost ridiculous that such a tiny and irrelevant thing, at RUB 40 a piece (about 50 cents) could have such an impact on our lessons with its potential for creativity, reflection, personalisation…And, mind you, it’s been only two months. Something tells me, the best is yet to come.

Happy teaching!

P.S. Of course I have forgotten to take proper photos in the classroom, of all the cool things in our notebooks. I will try to make up for it, at one point. For now, just some cool notebooks that are kicking about the house.

I did not ask them to write my name here. I feel honoured they decided to include me here))

*) Тетрадка – a dimunitive of the word тетрадь (notebook)

A group = a community. Extra work or a worthwhile time investment?

October 31, 2021 by Anka Zapart

If you don’t have a lot of time, I will give you the answer straight away: the latter.

If you are a teacher who thinks that on entering the classroom, you are going to focus only on teaching a foreign language, then I have to warn you – if you proceed, you might put yourself in danger of getting inspired or getting terribly annoyed because I will do my best to convince you that a teacher of English is also a community leader, and not only in case of the Young Learners groups.

Where this post started: Story #1

My pre-school museum group, a lesson on Henri Rousseau and tigers coming out of the shadows, the main craft activity: an orange finger paint handprint and a black marker to help make this handprint look like a tiger. Plus the jungle, the way the kids see it.

When I demonstrate, the kids are curious and, at the same time, disbelieving that I would do just that: splash the orange blob, smear it on the page, dip my hand it in and then press it onto a pristine A4 piece of paper. With a smile.

As soon as they confirm that I want them to do exactly THAT, a little voice on my left says ‘I am not gonna do that‘ (‘Я не буду‘) but, simultaneously, there is a little hand, in front of me, reaching out, to get to be the first one to get dirty. We go one by one, ‘In the paint. Up. Press. Up. Clean’ and all the girls, cautiously get involved. The Я-не-буду is the last one to go but when it is finally her turn and when she has to make a decision (because participation is optional and I have already decided that if the finger paints are a no-go, there are crayons as the plan B), she is still thinking but she is also pulling up her sleve and reaching out.

Why? Because by now, she has seen it happen five times (one teacher and four friends, because at this point, they are already friends, although it is only the sixth lesson together) and this gave her the courage she needed and the courage she could not find in herself. ‘In the paint. Up. Press. Up. Clean!’

Where this post started: Story #2

My primary kids, a week when we have a trial student in two lessons. The new student is a perfect example of a square peg in a round hole – younger, quieter, not confirmed level of English yet (sigh) and, of course, not familiar with the kids, the teacher or the routine. Or our silly jokes. He stands out, this boy. I support him, of course, and lead him through the lesson but I also am totally engrossed in observing the group. Because, oh my god, it is a show.

Or maybe it is not a show at all. Or the most boring kind of a show. Because nothing happens, the group just accepts him. If you watch closely enough, you can spot an eyebrow raised, here and there (he really does stand out), but other than that – nothing.

My group, they are just regular kids. I mean, they are amazing, every single one of them but not your typical ‘little angels’. These are creative, very loud, with their own opinions and ideas (which they absolutely MUST share) and, as it turns out, they are also very open-minded. Each of them individually and as a group.

Open-minded to decide, without any negotiations or prompts from the teacher, that this new student (even though he is as if from another story) is there for a reason (although they don’t know it) and since he is, he will be included and taken for ‘one of us’ as much as it is possible. I am proud of them.

Where this post started: Story #3

My teens and just a regular lesson but because the other two stories happened in the same week, I am observing these ones, too, with more attention to the group vibe. They are great, too! In a teen way.

Simultaneously, they support each other and they mock each other. They applaud when someone does something special or when someone does ‘something special’, genuine praise and gentle mockery. It is a lovely moment, every single time. They do not forget to roll their eyes every time I ask them to move around and to regroup and sit with someone who is not their bestie but they do it, and they do work together, in any random set-up. They pick up different phrases from each other so now everyone says ‘Вкусняшка‘ (‘Yummy’) in the most sarcastic of ways when I announce a test or a serious task for homework. And they, too, feel comfortable enough to share ideas and stories about a good day at school or about a bad day at school.

A new approach to the final activity: ‘Let’s create’

How to build a group? Or about the effective EFL group leadership.

Whether it is a brand new group or ‘an old group’ but with a few new members, make sure you create opportunities for them to mingle and work in different combinations, pairs, teams, mini-groups. This will not only create an opportunity for you to observe how they work with different partners (also good: you can find the optimal set-up) but they will be given a chance to work together and make friends or, at least, break the ice and find out that the other person is cool / normal and / or ‘someone like you’ in one way or another.
Think of the class rules. The older students can be involved in creating the class contract, the younger ones get their first set from the teacher since usually their level is too low (unless you want to do it in their L1, which can also be an option). In my classroom (or classrooms), we have had the same set of rules for a few years now, those introduced when the kids were still in the first year of pimary or even in pre-primary: ‘I listen to the teacher’, ‘I sit nicely’, ‘I raise my hand’, ‘Russian is beautiful but I speak English here’, all accompanied by visuals and gestures. Last year, when I primary grew up and became way too talkative, we had to add one more ‘When I speak, people listen. When people speak, I listen’. Again, it is a rule applicable in all the age groups. We only needed to specify that ‘people’ applies to the teacher and the kids (yes, it was all on the first poster, a list of the names of those who match the definition of ‘people’ here:-)
Play games. Again, these are great for many different linguistic reasons (language practice, introduction, revision etc) but it is also one of the elements that helps the group gel. First of all, on a large scale, because these games will be a part of our pool of games and they will contribute to creating the traditions of our community (see below). Second of all, because they will give the teams a common goal for a part of a lesson and the battle to win it will be another unifying element
Make sure you include something to balance the competitive element. A huge part of the games that we play in class promote competition. While this is good, because it motivates the students to participate and, it helps them learn to win and to lose, it is also good to remember that the kids will need an opportunity to be involved in activities that promote cooperation and collaboration. We don’t always need to split into winners and losers (especially not when pre-schoolers are involved). Some games can be played over a series of lessons, in the same teams, accumulating the points over the entire month. Plus, even if the game is competitive and we have a winner (or winners) and non-winners, the easiest thing to do is to encourage the kids to shake hands and congratulate each other. ‘Good game!’
Celebrate. Sure, we are going to have a Halloween Lesson or a Christmas Lesson because these are the part of the culture that we expose our students, too, but again, they will go towards the things we do together. We have the tradition of ‘the food for the brain’ aka something sweet on the test day, ‘the pizza day’ at the end of the academic year and random ‘eating together’ with my youngest students, on random days when fancy takes us, celebrating nothing special. So that takes us to the other point, closely connected with celebrations and that is Food. (Caution: there are a few ground rules here, though: parents pre-approved food, paper plates, tissues and hands washed).
Create and cherish the group’s traditions, the official ones like the tests and the follow-up reports, the serious ones like ‘the pizza day’ or the silly and the seemingly insignificant ones, like the first activity of the lesson and the last activity of the lesson, keeping the notebooks, a lesson with parents once in a while, a long-term craft project…It might be easier with the younger kids because we are more used to the idea of a routine framework that we follow from lesson to lesson but it is something that is worth keeping an eye on, developing and celebrating with primary and teenagers.
Be fair. It is quite likely that a teacher will have her/his favourite and her / his less favourite students. That’s life but it can never show. Everyone is treated in the same way, with the same level of kindness, with the same amount of individual attention and praise.
Be the model of behaviour, not only the model of English because the students pick up on that, without us realising that it is happening. I had my own moment of revelation when I started asking the kids to take turns in being the teacher in the homework check. ‘I don’t know. I didn’t do my homework’, said one of the students. ‘It’s ok. We can do it together now. Exercise 2, number 3? Can you try?’, said the student-teacher on the day. ‘Wow!’, I thought, ‘Where did they get that….Oh.’
Let them take over, in some areas at least, from time to time. That will be beneficial for the language production (We want more!:-) but it will also help them become responsible for the lesson as they participate in the decision making process and for the classroom, too. A few years ago I had a pleasure of taking part in a wonderful session by Katherine Bilsborough ‘More Democracy in the Classroom’ which highlighted ten areas in which students can be given the opportunity to have a say and since then I have been incorportating them in my lessons, with all age groups. One day, I will get down to writing a post on that, too.
Befriend the parents because they are a very important element of the YL group. ‘Befriend’ here translates as: keep them on the loop, inform, explain, give feedback, ask for feedback, share the aims…
Ask for the kids’ opinion, not only about the content of the lesson but also about the lesson, the coursebook, the activities, the test…This will be the valuable feedback that will help you improve the experience for everyone but you will also show the students that their views matter.
Breathe! Rome was not built in a day and creating a community will also take time. But it is definitely worth it!

Happy teaching!