Teaching English to Kids
I have enjoyed writing this one as it is a combination of all my professional passions: young learners, speaking, maximising production and writing. You can find it in the autumn issue of the Modern English Teacher, Vol 31 (5), pp. 61 – 63.
Happy teaching!
Ingredients
Procedures
Why we like it
Happy teaching!
Ingredients
Procedures
Why we like it
Happy teaching!
Ingredients
Procedures
Why we like it
Happy teaching!
Ingredients
Procedures
Why we like it
Happy teaching!
Context: it is a new place, a new group of kids. In lieu of an induction, one line only and it goes: ‘You will be in room 5, miss Anka. Don’t forget to fill in the electronic register after the lesson.’
Lesson aims
It is all very simple: this particular lesson happens to give the kids a chance to meet the teacher and to give the teacher an opportunity to see the kids in their natural habitat. Since there will be quite a few new things for the children to deal with such as the class, the teacher, the first lesson in a foreign language, the coursebook, the classroom, the songs, games and the content, it might be best to keep the expectations on a reasonable level. It is a lot more important to focus on the child, on the student and on the routine, rather than on some ambitious linguistic aims. After all, there is going to be a whole year for the latter.
Before the lesson
In a perfect world, it would be possible for the teacher to see the classroom before the lesson, to take stock of the environment and all it can offer and to plan building the routine around the actual classroom. Is there any area without too many pieces of furniture which can be used for the movement games or for the start or the ending of the lesson? Is it possible to move the furniture to create a circle or are the desks to heavy for that and you will have to sit in rows as they do in their regular classes?
In a perfect world, it would also be possible to get the register of all the kids to figure out how many we are to expect and, last but not least, to talk to their class teacher to get to know them a bit before the lesson or, in a super-perfect-ideal-over-the-rainbow world to find out what they did in the previous academic year (if we are talking about year II and year III kids).
Alas. More often than not this is not going to be possible so I will base this lesson on the worst-case scenario: there is no chance to see the classroom, there is nobody who knows anything about the kids or the English they might or might not have had.
This is the worst-case scenario but it is not the end of the world, surely.
The overall structure of all these lessons will be the same but I will include some ideas for the year 1 and year 2/3 kids which might have had some English.
Entering the room
If the lesson takes place in a new classroom which you are entering together, line the kids up in front of the room. If they are entering with you or if they are already in the room, come in, say hello and do the roll call. It will help you remember their names and associate them with the place where they are sitting. It might be a good idea to write them all up on the board, in the order in which the kids are sitting. However, if there are more than eight or ten, this will take forever and will be counterproductive.
The official start of the lesson
It is great if this part of the lesson is marked in a special way.
You can:
Even if you donβt know or can’t remember the kidsβ names, the students will help you. These types of activities are great because they mark the start of the real lesson and of communicating in English, they involve everyone in an easy way (clapping, touching, saying Hello) and there are a bit out of the ordinary hence fun.
Hello song
I would say it is a definite must, even in the very first lesson. First and foremost, it is something that the whole class can participate in, even if they donβt speak too much English because there will be gestures, rhythm and music involved. Second of all, it is great to start building the routine from the very first lesson and a routine or the lesson framework for primary school children must involve a song.
If possible, take your students to a safe corner (at the back or in the front of the room), go there yourself and call your students, one by one, to join you. Use their names. As soon as they get there, use one of the punctuation marks to signal the start of a new activity. It can be clapping, counting from 10 to 1 or just asking the kids (‘Are you ready?’ ‘Yes, we are’). This will help the kids navigate around the lesson and to get ready and to focus for whatever is to come next and it is especially useful in the beginng of the course. As the course progresses, it can be used less and less frequently because the kids develop the habit of tuning in.
Show the gestures for the song and go through a few dry runs, with you modelling and the kids repeating, in the correct order and in a random order. One of my greatest hits is Hello Song from Super Simple Songs. It is fast and cheerful and it includes 6 different, easy to mime emotions (if you need ideas for the gestures, have a look at the song video). There is an easier song, also by Super Simple Songs, Hello Hello, Can you clap your hands? This one includes some few verbs that will get the kids moving (clap, stomp, turn around).
After the presentation and the mini-rehersal, we listen to the song and try to take part as much as possible. It doesn’t matter if all your kids are not one amazingly coordinated choir. After all, it is the first time they hear the song. Things will get better in lesson 2, 3 and 15.
Both songs are accompanied by videos, of course, but I tend to skip those in the first few lessons, focusing instead on audio only, not to overload the kids as there are too many things in the first lesson anyway. Afterwards, we clap to thank each other and we sit down. Again, the teacher calls our students, one by one (or in twos in really big groups) to invite them to sit. This might take some time if the group is really big but it is the time well-invested (building the routine!) and it helps to avoid the chaos and the noise. As soon as the kids get back to their seats, use your punctuation mark again.
If there is no space that can be used as the dancefloor, these can be done while sitting or standing by the table, although then I would use the first song, the emotions can be easily demonstrated with everyone sitting at their tables.
New material: Class I
These kids will be brand new, straight out of the box, with no English whatsoever, although, of course, you might get a few that attended some classes in pre-school. For that reason, revision as the next stage of the lesson will not really work as there is nothing to revise.
In such a case there are a few options to go for
Regardless of which topic is chosen, one of more of the following activities can be used:
‘Yellow, yellow, blue. Yellow, yellow, blue. Red and green, red and green. Yellow, yellow, blue.’
‘Pencil, book and ruler. Pencil, book and ruler. School, pen, schoolbag, pen. Pencil, book and ruler.’
New material: Class II and III
Essentially, all the activities mentioned above can be simply used with the older kids, too. Any of the topics will be a revision for kids and if the youngest of them can deal with that, so can the older ones. It might also be an interesting activity for the teacher to evaluate the abilities and skills of the kids against each other as, most likely, the year III kids will be able to participate more freely and in a bigger number of games mentioned above and with a bigger number of key words.
If the teacher is more adventurous it would be a good idea to involve the kids in an activity that will help them show off as regards the vocabulary (or structures) they have learnt so far and those that they remember. This can be done in the form of the alphabet game.
There are practically no resources necessary, apart from the alphabet, as a poster and small cards any picture scene, either a paper poster or one of the beautiful illustrations in the YLE Starters Picture Wordlist which can be displayed on the electronic whiteboard or printed and displayed on the noticeboard.
The teacher demonstrates by choosing one of the letters of the alphabet and calls out all the words in the picture begining with that letter. The kids join in, too.
The game can be played in teams, with the class divided into smaller groups, with each team working on one of the letters. It would be good to avoid scoring the kids as some of the letters are more friendly or generative and it would simply be unfair. It is also not necessary to introduce a lot of competition in the very first lesson. The teams can be awarded a point for completing the task, regardless of how many words they produce or remember. It might be also a good idea to remove all the unfriendly and rare letters from the set (ie x, v, w, y).
One more advantage of this game, especially for the first lesson, is that it can be played for as many rounds as there is time for. It can be stopped at any time.
Music and movement
Depending on the classroom, this stage of the lesson can be done in the back of the room or at the desks. Again, the kids are called out, and they join the teacher, one by one. Again, the punctuation mark is used to mark the start of a new stage.
It can take a form of a gym break (see above) or it can be another song. One of my favourites for the first lessons is βHead and shouldersβ or βOpen Shut Themβ, both for the same reason: they involve lots and lots of movement and are easy to mime and all the kids can be involved in taking part. As in the case of the first song, gestures go first, then the music and the song itself, also without any video.
Table time
Ideally, this element would be included in the lesson, too. In my primary groups I like to give them a chance to produce something, with class I or II to check whether they can write their names and in case of class I β how well they hold the pencil.
At the same time, it has to be something simple and perhaps the simple handprints aka autumn leaves might be a good choice here. This kind of an activity will only involve minimal resources (paper, pencils, crayons or coloured pencils), it does not take a long time and it can be made more or less complex ie only the handprint, the stem and the veins or the leaf, the veins and the colouring, the name written by the teacher, for class I students or the kids decorating their leaves in the way they choose and writing their own name. The leaves in class I can simply be displayed on the noticeboard at the end of the lesson, the older kids from class II and III can also be encouraged to describe their leaves and to compare (ie Sasha: My leaf is green) with the other kids raising hands if theirs are, too. The older kids’ leaves end up on the noticeboard (or the door or the wall), too.
There is one great activity perfect for this age and level that we used to on every first day of the summer camp: a folder, homemade and highly personalised. In class, the kids would get an A3 piece of paper and they would decorate it following teacher’s instructions (first write your name in big letters, draw your favourite fruit, draw your favourite drink, draw your favourite sport etc). After the lesson, the teacher would add another piece of A3 and staple each of these into an envelope. We used to keep those in class, on the shelf or on the window-sill and everything we produced during the sessions would be nicely collected in these folders at the end of each day. This activity takes a bit more time and might not be appropriate for all the context but it can also be used in its basic form: a personalised name poster.
At the end of the stage, the kids help up with cleaning up by putting away their pencils, crayons and handing the posters to the teacher. The teacher uses the punctuation mark again.
Goodbye
Since the kids will be still at their tables, it might be best to say goodbye just there. The teacher says ‘Thank you everyone’ and to all the kids individually. If the group is very big, it might be a good idea to do it super fast and in twos (Thank you, Masha and Sasha) but it is a nice touch and going over all the kids’ names, once more, really helps to remember them better)
I personally like to include a goodbye song also with primary, at least in the beginning of a new course to help create a framework for the lesson, for example Bye, bye, goodbye or See you later, alligator but later on, with the limited lesson time, we replace it the final game.
As regards homework, it might be a good idea to skip it during the first lesson. This element of the everyday routine can also be added later.
Instead of a coda
Here you can find some tried and tested activities for primary school kids (although perhaps not necessarily all of them for the very first lesson!)
If you are also about to start teaching your pre-primary, you will find some ideas here.
Here you can find my first VYL lesson survival kit and a post about what I wished I had known before my first VYL lesson.
And here the series of the unexpected in the classroom aka landing on Mars, with the pre-school group.
Here you have a set of great posts from Sandy Millin devoted to all three age groups and everything that you might want to know before you start.
Happy teaching!
This is the second part of the Craft ABC series. You can find the first part here.
The main activity and the target language practice
This is a craft activity that features in the lesson to provide opportunities for the target langauge practice. As an example I have decided to choose our beloved jellyfish that is the first craft activity that I do with my first-year students, in one of the first weeks of the course. This is the time when we learn and practise colours with flashcards, colourful blocks and realia in general, with simple stories, videos, wordwall games and songs. A craft activity is yet another way of ‘recycling’ the target vocabulary and of giving the students an opportunity to be exposed to it and to use it.
The jellyfish is a super simple craft and even the youngest kids can draw the eyes and the smile on the head (which can be a semi-circle cut out by the teacher or a half of a paper plate) and then to attach the tentacles to the back of it. Kids are really motivated to make their own jellyfish and to drill and call out the colours and to ask for the following one, in a very simple way (‘Blue, please’). As a result, lots and lots of language is produced and everyone leaves the classroom with a creature they made herself. What’s most important, the jellyfish looks good even with the most crooked smile and the most inexpertly glued tentacles. And even if there are only three or four colours used, with the youngest kids.
The follow-up of a story or a song
Craft in this case is an opportunity to reinforce the ideas, concepts, vocabulary and structures introduced in a song or in a story. Or, to put it differently, a story or a song is not introduced only as a starter or a side dish but it becomes the topic for the entire lesson.
The three examples in the photos come from the lessons taught based on the Playway to English 1 by Cambridge University Press. The first one is a flower we made together while retelling the story from unit 7 (The Little Seed which you can also find here) and although we were not able to use all the original story lines, the kids could use the basic ones such as It’s sunny, It’s raining. The little seed is sleeping (at the beginning), The flower is growing (while making the stem) and so on.
The second example is everyone’s favourite Very Hungry Caterpillar which is a storybook we use in year, to accompany either unit 7 (Weather / Spring) or unit 9 (Food). You can find more information on this version of the caterpillar here.
Last, but definitely not least, is a simple craft that was a follow-up of the amazing Super Simple Song called ‘Are you hungry?‘ and it can be used either with the topic of fruit (Playway to English 1, unit 3) as it goes nicely with the theme of the song of monsters sharing fruit with their hungry friends or, in a wider context, with food in general (Playway to English, unit 9). The craft activity becomes the more palpable and 2-D version of a song and it can be used in a mini-role play, sung or spoken, depending on what the kids are ready for.
Props preparation
This type of a craft activity does not have a lot of potential as regards maximising production although the kids are quite likely to use some functional language, the staples of craft (Are you ready? Let’s sit down, Blue, please etc). This type of a craft activity is also quite short, compared with the ones mentioned so far but that is exactly the point. The craft activity is only a prelude. Everything important is to happen later with the finished product used as a tool.
The best example here will be our magic wand. It is simple and easy to make and can be used as a part of a shapes lesson (though, really, there is only one shape involved). The abracadabra TPR activity (Abracadabra, 123, you are…) is a game we play from the very beginning of the course. When the kids are ready to take over, we make a wand for each other and use it in a game and at this point, the kids get to lead the game for real, waving their own, freshly-produced wands and we all mime whatever there is to mime. The langauge is produced and lots of it (Abracadabra, 123, you are…swimming, dancing, flying…OR you are a cat, a happy cat, a hungry dinosaur…) but it is not directly related to the making of the wand.
A part of a Science, Maths or Art lesson
Craft can be also a part of a CLIL lesson or a Maths, Science or Art lesson, depending on whether we are dealing with the EFL or the ESL or bilingual programmes. In this case, the craft activity will create an opportunity for the students to put into practice or to reinforce the real knowledge or skills they have acquired in class, making it more practical, kinesthetic and hands-on.
Below, three examples of such craft activities.
The first one is a Maths lesson in which we were learning about and practising measuring. Apart from working with the rulers and measuring tapes and checking how long our cars, teddy bears, desks, noses and fingers were, the kids also got a simple handout with a section of a certain length and it was their task to measure the strips of paper with rulers, cut of the appropriate piece and glue it underneath.
The second one is one of the lessons devoted to animal habitats which we studied in our Science class. Apart from categorising animals and talking about the habitat, we also did a craft activity in which we created the habitat (here the polar region made of a sheet of blue paper, waves drawn, ice made of cotton pats and the animals glued on). After a series of lessons we had a set of habitats.
The third piece here is one of the activities we made as part of the Kids in the Avangard. In this lesson Paul Klee was our artist of the day and we created our own version of his Cat and Bird.
The non-linguistic aims
Sometimes craft activities have a non-linguistic main aims. Because of their obvious relevance to kids’ lives and the excitement that they generate, they can be used to help kids develop as humans and this can be the reason for their inclusion in a language lesson.
The first activity here is one of my favourite craft activities ever. It can be used in many different thematic lessons but its main advantage is that because, due to its design, it requires a detailed micro-staging and, on the one hand, it can help kids work on their ability to focus and to follow teacher’s instructions in order to be able to turn their circles into cats, dogs, frogs and bees. On the other hand (and it has worked absolutely every single time), it brings an immense sense of achievement and confidence in kids’ own skills since a random circle can become so many things.
The other activity presented here is an example of a festive craft that finds its place in the classroom as part of the seasonal celebrations. Despite the fact that sometimes this vocabulary will be used in class only in a year, when the holiday comes up again, it connects the lesson to the celebrations at home and in kindergarten and it is the easiest way of bringing these festivities into the EFL classroom.
The final activity, our solar system was a wonderful activity that we all enjoyed and one that helped us produce lots and lots of language. However, believe it or not, that was not the reason why we did it. This was our first real whole class project because the kids got an opportunity to work on something together, sharing resources and sharing the space and we produced one huge poster that nobody would be taking home in the end.
Happy teaching!
Craft has been present in my classroom life for as long as I can remember. Looking back, I can see all the pieces I made with my superstars in Moscow over the last thirteen years, the robots we constructed at the summer camp in Tuscany in 2009, some 3-D houses we made with my Navarran babies in 2008, or the magazines I put together with my cousin, my first student ever, somewhere in 2000…What’s more, craft has been present in my life since my own primary school. I loved the Art lessons, I loved the Craft lessons. I even loved the Technology classes, although craft then involved: weaving a mini rug, building a birdfeeder and making a chair for a doll.
You could say that the foundations for my future career have been built pretty early and that I have had a lot of opportunities to perfect my fine motor skills and to fall in love with craft (truly, madly, deeply). No wonder that I would try to smuggle it into my lessons.
It was only a week ago, actually, while preparing yet another session for a teacher training course, that I saw craft with a fresh pair of eyes and I saw it for what it really is: the VYL world (or the pre-school world) in a nutshell, everything that is beautiful about it, everything that can be enjoyable about it and, inevitably, everything that can go wrong with it, too.
The simple truth is that: kids love craft
Craft lessons and craft activities are these parts of the lesson when kids can do something for real, not the coursebooks, not the handouts or worksheets, not the time when you need to stay focused but the creative, the beautiful, the fun part. And, one more important factor – something that is different every single time!
If you add to it the variety of materials that are included, the variety of techniques and that, more often than not, you end up with a real product, a book, a house, a puppet or a collage, which you have created yourself and which you are allowed to take home, it is not a surprise that kids love it.
‘Ah, we haven’t done anything for such a long time‘ was something that I heard one of my students mumble to herself when she saw me reach out for the coursebook as soon as we sat down at the tables. As a teacher, I was taken aback. Because we did DO things! We sang songs, we read stories, played with flashcards and we did have good lessons. In my student’s eyes, however, all that meant nothing at all, because, indeed, somehow a long time had passed since the previous craft lesson and that, at least for this one student, was the real thing, the something!
If you want to read more on why kids need craft activities, have a look here.
The simple truth is: many teachers don’t like craft
Craft is what the VYL world is about
Teaching pre-schoolers, compared with the other age groups, will require more of your time in the preparation stage and it will be more demanding as regards the class time. It might require you to include the things that teachers, as adults, have no interest in and which they will still include because that is what can be beneficial and effective with students of that age. In the same vein, some things will have to be excluded even if teachers love them, also because of the age of the students, they will simply not work.
There is only one thing to be done…
…and that is: careful planning and Carol Read’s MADFOX (Management, Appropriacy, Design, Flexibility, Outcomes, Excitement) which you can read about in the ‘500 Activities for the Primary Classroom‘. It is a wonderful tool that will help prepare for a craft activity in the EFL or ESL lesson, primary and pre-primary. Actually, this framework will work well with any type of an activity or a set of materials, stories, songs and games.
One of my earlier posts (and my first acronym W.O.R.L.Dπ might also come in handy while choosing a craft activity for the pre-primary EFL /ESL lesson.
The most important thing to remember everything gets better with time. The lesson planning become easier and less time-consuming. The kids know the teacher, the lesson format and their peers better and that is an important factor contributing to the success of the activities and, last but not least, if you decide to reuse a particular type of a craft activity for the second or third time, the students will also be able to deal with it better as they will have done it before.
There is hope))
This post is only the first part of the Craft ABC series. You can find the second part here. Don’t forget to also have a look at all the posts in the craft section on this blog.
Happy teaching!
Let me tell you first what this post is NOT about:
It is not a post about any specific activity, resource or solution for the classroom.
It is not a report of a classroom research task or an experiment.
It is not a compendium of useful links. Or stories from a trainer’s life.
Not today. Today I want to write about the classroom magic and, in all honesty, I doubt anyone can find it of any use. Really. This is solely for my writer’s and teacher’s well-being.
When the magic happens OR When kids become communicators in L2
Maximising production is definitely a professional obsession.
Although a) it is probably better to call it ‘my professional interest’ and b) you have probably noticed, if you have been reading my posts (It not, you can find the chapter here). This is what I have on my mind while planning my lessons. This is what I think about while looking at the coursebooks, illustrations, stories and games. ‘How do I get my kids to speak?’
If you are a teacher of young children, you are a bit like a gardener.
There is a lot of digging, a lot of watering, some weeding, and, above all, lots and lots (and lots) of waiting before you get a chance to even hope about any real fruit or flowers. Or any real communication, in our case. Which does not mean that it is boring or uneventful! Quite the contrary!
It is a wonderful journey, filled with treasured moments, from the very first steps into the classroom and any signals that we have exchanged ideas and understood each other. Cautiously walking in, on day 1, a bit uncertain but also very curious what this new auntie (that’s what I have been referred to, in Russian, in Spanish and in Portugues) has to offer. Pointing at the right flashcards, nodding in lieu of a yes, lining up because the teacher asked for it, picking out for the red crayon in a colouring dication or replying ‘Hello’ to your ‘Hello’ Drilling and reciting all the colours and so is confidently shouting out ‘Cat!’ to correct the teacher when she shows you a picture of a cat but, somehow, she says ‘It’s a dog!’ (though with this special elfin smile and a spark in her eye)… All of this is priceless, amazing, magical. And necessary.
Then comes the plateu.
Yes, a language learning plateu. In case of the primary or the pre-primary language learners it has got nothing to do with reaching the intermediate level (quite often the level associated with the concept of plateau), quite the contrary, but, it does happen with the little kids, too (and yes, this is just the idea that I got right now and decided to use it in this post).
So, taking the level aside, what do I (very subjectively) see as the language learning plateu in early L2 learning?
The first two points here are not directly related to the actual language production but due to the age of children, they are of the utmost importance and for that reason they have found their place here. This is the point in the course when the age-related characteristics stop being an issue and teacher and children can focus more on the language learning itself.
Finally, the learning happens, we move from unit to unit to unit. We go from unit 1 (colours), to unit 2 (school), to unit 3 (fruit), from level 1 to level 2, the kids are growing, the kids know more, they are under control. The kids are happy and the teacher is happy. The only thing missing is ‘They lived happily ever after’…
Don’t get me wrong. I am not UN-happy with the classes going beautifully well. I am not picking at the seams here. This is the state that we, as teachers, dream about. However, this is also the dangrous plateau because we may want to stay there forever. And we should not. Not moving forward equals staying in the same place equals regression. Things going well is a signal that the time has come to do something new, look for new challenges or think of ways of extending the Zone of Proximal Development.
In the very specific context of maximising language production in the VYL world it might mean helping the kids move from ‘the action – reaction’, ‘teacher – student’ and ‘teacher – students’, one word or one sentence production to the next level: a discourse (or a mini-discourse), student – student, student – teacher and spontaneous production aka I say things when I have things to say (and ‘Not because my teacher, the adult asked me’).
The most beautiful day is when the magic happens
There is no way of getting ready for this day, marking it in your calendar and making it your aim. It is when, all of a sudden, it happens – kids say things outside of the framework that you have prepared for the day, outside of the pattern they ‘should‘ be using according to the book. Or when they try to say things that are, clearly, out of their range (yet) but which they need to say. Sometimes it is fully expressed in L1, sometimes partially.
Examples? Yes, sure! Let’s go.
Case study #1
One of my 6 y.o. students, still in pre-school, about to go to school in a few week but have have been using the primary level books since January. She has always been a very active child and an eager students but recently, over the past few weeks, she has just skyrocketed. The magic happened!
We are studying online, she is in her natural habitat, at home where she communicates in Russian. However, during the lesson time, she started to use more English while talking to her brothers. Sometimes, it is fully in English, for example calling him from another room, to join us in a game (‘We are playing! Come!’), sometimes it is a mix of Russian and English (‘Sasha, go, do your thing!’). Sometimes, the baby brother wanders in, during our lesson and he also gets his portion of English, because I welcome him in English and his sisters babbles to him in English, too. Sometimes. We are in our little English bubble while in class and she is really making an effort to communicate in the target language then. Although, not only then, actually! I know it from her mum, that she sometimes plays with her teddies and that some English happens, then, too! Some of them must be English-speaking teddies.
I also noticed that when we play together with the older brother, she really listens to what he is saying and she picks out the useful words and then tries to use them, like, in the same lessons the phrase ‘everyday’ or ‘every day’ and, almost immediately, enjoying the variations such as ‘every minute’ and ‘every second’…
This ‘magic’ goes beyond the immersion in the context and the language creativity and experimentation. My student also started to attempt to maximise the amount of language produced.
Last week we started to practice Present Simple (Do you go swimming?) as a follow-up on the simple ‘Do you like?’ which we have known for quite some time and we were interviewing each other, not as ourselves but as the chosen characters. The main aim was to practise ‘Do you do something?’ and I did not even plan to insist on using ‘at the weekend’ or any other day of the week, leaving it for later. However, in class, my student just started to speak and it was a wonderful experience for me to see how far she would go. First, she’d say ‘do you’, then pause, choose the verb, pause again, choose the object, pause again, choose the preposition of place, pause again and, finally, add the day of the week…
Do you draw on your homework every day? Do you dance in your classes on Fridays? Do you sleep in the school?
I could not keep up with her in my note-taking, because there was so much language and, yes, because I was laughing out loud. Not only because her sentences were great but also because I realised that, this time round, I managed to notice, to seize the moment, in a way.
How to make sure that the magic does happen?
And wait. Stretch out and wait. Like in a song by The Smiths…The magic is bound to happen, eventually.
Happy teaching!
During our teacher training courses, I try to invite teachers to my classroom, for an observation. However, even in the online / offline / hybrid era it is not always possible. For that reason, to balance the theoretical and the practical we watch a lot of videoed lessons. Over the years, the teacher training department at my school has managed to compile a whole library of those, for different age groups and levels and now we have a lovely resource to use in our training sessions and workshops. I do recommend setting up this kind of a library at your school!
However, while making these videos, we received the parents’ permission for the internal use. The videos are not on youtube and we cannot make them public. For that reason I can never share any of them with my trainees or readers. Instead, I decided to put together a list of those youtube clips that we often use in our sessions hoping that you find them useful, too.
A few tips from a trainer
Now the videos
If there are any other videos that you know of and which you could share, please leave the link in the comments below!
Happy teaching!