#eflkids

Crumbs # 30: Circle IS the best shape in the world aka About chicks

by
@ Magdalena

It was a typical day in the life of a small scale Mary Poppins. I set out for a shift at the volunteering centre and, as an experienced one, I could not imagine to go unprepared, even if minimally. I thought that, at the very least, we can do some circle magic. I could not take everything but I had a big pocket and so it got filled in with three glue sticks, an envelope full of circles, a small packet of colourful feathers (that was a nice coincidence that I had it). A4 paper and a box of markers did not fit in one hoodie pocket.

When I arrived and started the shift, it became obvious very very quickly that the place is not ready for any craft activities because, apart from one small table and a few little stools and a box of coloured pencils, there was nothing. Or, rather, there was only me and my pocket.

There is some beauty in that, really, when you get to see how your brain starts to get involved in order to think of a solution. Sure, THAT was not about sending a man to the moon or putting together a new recipe, but, still. I was building a grid for our version of hop-scotch and sorting out toys, and the brain was trying to imagine what I can make out of the contents of my pocket. A little chick, that’s what.

Ingredients

  • lots of circles, cut out before the lesson out of colour paper, regular type, cardboard might be too thick. As for the size, this time it is officially: the Size of the Bottom of a Mug, colourful, for the kids to choose from, two pieces per child
  • glue
  • something to draw (markers, pencils, crayons)
  • colourful feathers (I got them in the stationery section of a regular supermarket, you can buy them in any craft activities), but they can be replaced by strips of colorful tissue paper (also those unevenly torn), three per child, if you use the feathers or as many as you want, if you use the strips of the tissue paper

Procedure

  • ideally, for the smaller children especially, it would be a good idea to put a cross on one side of each circle, so that it is absolutely clear on which side children should put the glue
  • each child chooses two circles
  • choose the circle that will be your front, draw the eyes (two small circles in the most basic version), and a beak (a small triangle)
  • take the other circle, cover the cross side with the glue
  • place one of the feathers on the top, for the little ‘fringe’, on top of the glue, so that a part of it is on the cirlce and a part of it stands out of it
  • repeat the same with the other feathers, by putting each of them on two sides, for the wings
  • take the front circle, put it face down, cover the cross side with a lot of glue
  • place it (more or less carefully), on the top of the back circle and the feathers, press
  • use the birdies to play, the kids can use them as puppets, say hello, introduce themselves, ask how they are, and use any other structures that they already know

Why we like it

  • is very, very easy, I have done it with two-year-olds (with a tiny bit of help) and with eight-year-olds
  • there is more potential for decoration (a more complex bird’s face, legs, tail etc)
  • the main focus of this lesson (or activity) can be playing with the chicks as making them will take only a few minutes
  • despite being very easy to produce, this craft has a lovely ‘wow’ moment and it lies in the fact that such simple elements put together can gives a lovely little bird.
  • below, you can also see the ‘proper Easter, made with mum and aunt’ version, with professional wings, made of felt. They look pretty and we made them only because I found this set in a shop. Here, it might be a good idea to let the chicks spend the night in the middle of the book, to make sure that they stick properly (felt is a bit thicker and it will need more encouragement, especially if you are using just the regular glue)

Here are some other circle-based craft ideas

Here are my own Frogs Etc, my snowman, and all the circle ideas.

Here is a lovely bear craft, here a ladybird craft, and here a caterpillar, too and here, a bunch of other activities, probably too complex for the EFL classroom but definitely worth looking at.

Crumbs #29 How do you feel today? The alternatives

by
From the series: The Beautiful Life

Ingredients

  • None, almost. In some cases, it might be necessary to write some of the ideas on the board, to serve as an inspiration. See procedures

Procedures

  • Students work in pairs. They share their ideas. If there is time, the students can change partners and repeat the activity. To round up, students share some of the information they have found out about.
  • This stage is always present, in each lesson, and it takes about 10 minutes. We keep the same variant for about a month and then we choose a new one.

All the variants (so far)

  • Verbs: the teacher writes on the board all the basic verbs in the past tense: I went to, I saw, I ate, I drank, I talked to…about…, I watched, I played, I bought, I wrote, I didn’t…The kids choose 5 and they build simple sentences about their day, week or weekend. I like to start it with my students even before we officially cover the Past Tense (as soon as they are ready to differentiate between the present / the past form of the verbs) and it really does help the kids to practise and to remember the verb forms.
  • Did you go…: a variation of the activity described above. The teacher puts the question form and the short answers on the board. The kids work in pairs and ask each other questions. The student who provides answers uses ‘I did’ and ‘I didn’t’ but they are also requested to give a brief explanation (because…)
  • Tell me about your day: the teacher writes the name of the activity and a list of topics which can be also elicited from the students. The regular set might include: the weather, the school, the teachers, my best friend, lunch, getting around, marks, tests, pets, brothers and sisters, homework etc. The students work in pairs and they have to choose three topics to talk about. They take turns to share stories about their day and they follow-up each story with a question.
  • The B-words: this one is a slight variation of the above, only here the teacher writes a selection of words starting with a certain letter as the list for the students to choose from and to be inspired by. Some of the words might be completely random but they also encourage the kids to produce the language. Later on, the students can choose the letter of the day and then can also help make the list of the words, too.
  • This is how I felt today: in this variation the teacher puts up the words to describe emotions and feelings. The list can be a simple one (happy, sad, angry, sleepy, hungry, tired, bored) and then it can be extended to include more interesting ones, too (confused, excited, chatty, exhausted). Again, the students choose 3 or 5 of them to describe their day.
  • Superheroes: this time the list on the board is made of names of superheroes, famous people as well as characters from books and films, for example Superman, Spiderman, Wonder Woman, Chebourashka, Winnie-the-Pooh, Santa etc. The students are supposed to think of their day from the point of view of these characters and describe it talking about how they felt. ‘I felt like Superman because I got three good marks today’*)
  • The superlatives: the teacher writes on the board a list of superlatives (the best, the worst, the funniest, the tasties, the most difficult, the easiest). The students choose 3 or 5 of them and use them to describe their day, for example: The best thing was that I had only three lessons etc.

Why we like it

  • A stage of that kind is absolutely necessary as the time for the students to settle in
  • This is also when they learn how to communicate without any preparation and outside of any set-up frameworks since each day might be different and each day may involve a different set of verbs and nouns
  • At the same time, it is an opportunity to practice the past tenses or the perfect tenses as for many of the students, many events repeat themselves (going to school, writing tests, having a good day or a bad day etc)
  • It is a fantasic opportunity for the group to bond, to share the great things that happened during the day or to vent about all the disasters that they had to deal with, the tests, the teachers, the piles of homework

To be continued. Soon. We are quite likely to get very bored with what we are doing at the moment…

Happy teaching!

*) My favourite so far! It is amazing how my students come up with their own metaphors and associations, both the teenage group and the kids. Here are a few quotes: ‘I felt like Chebourashka because I was a bit confused’, ‘I feel like Robinson Cruzoe because I am locked up at home now’, ‘I feel like Masha from Masha and Medved because I am a bit crazy today’, ‘I felt like Santa because it was my friend’s birthday and I had a present for him’, ‘I feel like Superman because I did all my homework really fast’…

Staging for VYL teachers. A crash course

by

Disclaimers: I have chosen to use Discover with Dex by Macmillan in this exercise here due to a few reasons: I have had a chance to work with it, it is one of the recently published coursebooks and there are some sample pages available online on the CUP website and so I am not at risk of any copyright infrigements here. This is not in any way a criticism of the activities and instructions included in the original material. I just wanted to recreate what I would normally do in this lesson. For that reason, I have decided to do one more thing that I never do and that is plan the entire lesson without consulting the teachers’ book or checking what is there (I really struggle with reading all types of manuals). I left it until after I was done with the whole post. See the last paragraph. It was my conscious decision not to supplement the coursebook activities with any songs, stories or videos or even electronic games such as wordwall, although, of course, I do that in my lessons. I wanted to keep the most basic version of the lesson.

Details: Discover with Dex, Macmillan, level 1, unit 1, page 7.

The original activities can be found in the sample on page 8 as well as in the TB, on the same website, page 11.

Ready? Steady? Go!

Pre-book

  • Introduction and revision of the vocabulary: simple flashcard games, realia (ie putting post-it notes with numbers on the realia, T: calls out the numbers, Kids: name the item), or realia and flashcards (ie matching the relevant flashcard with the item in the classroom by putting the flashcard on the relevant object) Why? Because students need enough exposure to the target language and enough practice, controlled or freer, so that they are ready to complete the task in the coursebook.
  • Movement games: using gestures at least for some of the objects (chair – sitting down, table – putting arms on the table, sticker – peeling off and sticking, book – opening the book and reading, pencil – a gesture for writing something carefully, crayon – a gesture for colouring in), puzzle, Puzzle Run – copy the flashcards and cut them up into the jigsaw puzzles (ie two pieces, perhaps three if the kids are older), keep one piece of each in the classroom, leave the rest out and place them around the classroom or the hallway, depending on the location. Pick out one piece, say ‘What is it? It’s a….’ and elicit the rest from the kids (‘a pencil’), ask one of the kids to look around the classroom and look for the missing piece of the puzzle. When they bring it, put the pieces together, elicit the question and the answer, drill. The question and answer can be easily turned into a chant, by adding rhythmical clapping. The roles can be nicely divided, too, with the teacher asking the question and the children replying or the other way round. For instance, if that is the first lesson with this structure, the kids can only repeat the question, it will be the same line over and over again. Why? Becuase the kids have been sitting for quite some time and they will need a stirrer to get rid of the energy that has accumulated so far and to prepare them for a serious settler aka the focused task.

While-book

  • Funky envelope: this is one of my favourite tools ever and it seems perfect for this activity. It will keep the kids curious, it will create an opportunity to practise the target language and it will create a link between the flascard games and the activity in the coursebook. The teacher continues using the same structure, What is it? It’s a… Why? Because this kind of an activity will prepare the students for the format of the task they are going to be asked to complete as part of the focused task.
  • Open the book (teacher only): the teacher opens the coursebook (or displays it on the screen / the interactive whiteboard) and calls out the names of the objects in the top row, using the key structure again. Why? Because this way the chances are that the students will remain focused on the task and on the instructions. There is only one thing to look at (the book that the teacher is holding or demonstrating), no other books, no other pages in the students’ books etc.
  • Model: still with only the teacher’s book open, the teacher completes the first part of the activity. The teacher points at the first circle and asks ‘What is it?’, students answer ‘It’s a chair’. The teacher says: ‘Let’s take a red pencil’ and colours the chair in the circle and draws the line. The teacher repeats the question – answer again, pointing at the pictures ‘What is it?’ ‘It’s a chair’. Why? Because the kids need to see how to complete the task, step by step. Verbal instructions only are not going to be as effective and through looking at the task is completed, the children will understand better what they are to do in the following stage.
  • Open the books (students): the kids open their books. The teacher asks again, give out the red pencils / crayons to all the students, monitors. When the kids are ready, the teacher collects all the pencils and they all repeat the exchange again: point to the circle – What’s this? – It’s table – trace the line – point to the picture of the table. Why? This is for everyone the controlled practice task, repeating the teacher’s actions in their own coursebooks.
  • What’s this? It’s a crayon: repeat the procedure with the crayon and a new colour. The teacher gives out and collects the pencils or crayons after each round and elicits the question – answer. It might be a good idea to let the kids choose the colour of the pencil / crayon for each round. Why? By adding the element of the different colours and by pencils being given out and collected by the teacher in each round, the teacher ensures that the task is paced properly, that all the students complete the task and that everyone stays on the ball throughout that stage of the lesson.
  • Done! the teacher draws a star or a smile to signal that the task has been completed successfully. The kids close their books. Why? Because it helps the kids to understand that the task has been finished.

Post-book

  • Riddles: it will be a bit of a stretch from the original context but the structure can be used to play riddles, too. The teacher chooses a flashcard, keeps it hidden and asks ‘What is it?’, the kids make their sentences trying to guess the card. It might be necessary for the teacher to model first and provide the first few incorrect guesses to give the children an idea, for example ‘It’s a pencil’ – ‘No’, ‘It’s a sticker’ – ‘No’, ‘It’s a table’ – ‘Yes!’. Naturally, after a few rounds led by the teacher, the kids take turns to lead the game. Why? At this point, with a lot of exposure and practice, the kids should be able to take part in a game when they have to produce the langauge freely.
  • Pelmanism: in order to play this game, the teacher needs to prepare a set of flashcards, set A: the regular flashcards, with the objects fully seen and set B: either stencils of the objects or parts of the objects (like in the coursebook), matching or, the simplest set and the easiest to prepare: two sets of the regular flashcards printed in two different colours. Actually, with pre-school or primary students, I always use colour-coded sets as it makes it easier to set the game and to handle the materials. The students play together, led by the teacher. The kids take turns to uncover the cards and to find a match. Every single time they ask the question and answer it (What’s this? It’s a pencil). If they have a pair, they put it away. Why? This is another game that creates an appropriate setting for the use of the key question and answer. If the game is played together, without counting points, it is appropriate also for the youngest students.
  • Happy birthday to you: it is a silly game that we sometimes play as part of the new vocabulary practice and here it would be yet another way of providing another opportunity to practice the key structure within the appropriate context. The kids have to sit in a circle and you need to have a set of flashcards. First, to model the activity, the teacher chooses one card, keeps it secret, face down and gives it to the student on the left. This student passes it to their friend and so on until the card makes it back to the teacher. Then, the teacher takes another card and yet another one and the cards start circulating, all of them face down. The teacher start singing ‘Happy Birthday’ and at one point, the teacher stops abruptly. The teacher then asks ‘What’s this?’ and all the kids turn their cards over and tell everyone what they’ve got ‘It’s a sticker’, ‘It’s a pencil’ etc. Then, they play another round. If there are enough flashcards for all the kids, then, naturally, all the students will describe their flashcard. If, however, there are fewer, then the activity is easier to manage and the kids who end up without a flashcard, they can say ‘Oups’ and it is fun, too as the teacher is the one to manage the song and to make sure that different children get a chance to say ‘Oups’ during the game. Why? There are opportunities for the natural use of the key structure as it is a mystery and the game can be stopped at any moment which will be quite a useful feature at the end of the lesson, when the kids are naturally more tired and less likely to remain focused for a longer period of time.

Question to ask yourself while planning:

  • What is the aim of the lesson? Even if it is not a formally assessed lesson, it is a good idea to formulate it for yourself, even if only verbally. Why are you and the kids entering the classroom on the day? What would you like them to achieve as regards the language, the social skills, the motor skills or any other area?
  • How does the coursebook material help you meet these aims? What would you have to add or to adapt?
  • How much language are the students going to produce? Are there any ways of maximising production?
  • Will your students (those who are in your group, your student Misha, Peter, Tommy and Andy) be able to complete these tasks? Will they like them? Apart from the fact that you are the teacher (the one asking them to do things) and they are the students (they listen and follow), is there anything in the task and the materials that will get them involved?
  • How are you going to prepare the students for the task? What activities will you prepare to introduce and to revise the vocabulary and the structure? Is there anything that you can do to prepare them for the format of the task, too?

And now I am actually going to read the teacher’s book…

  • There is a different TL (Can you see? Yes, I can) which could be used very naturally in the classroom. At the same time, this is not the TL that is introduced and practised in the unit (Have you got? Yes, I have. No, I haven’t). We might argue which structure would be more useful for the students (Can you see? or ‘What is it?’) and both have got their benefits and it is up to the teacher whether to follow the book and what to supplement it with.
  • The teacher’s book suggest a slightly different procedure and there is a nice variety of structures introduced and practised (Can you see? What is it? What’s missing? Is it a…? Where is the other chair?). It is great to see a lot of natural language used during the lesson but since all of my students are EFL learners with a limited exposure of one or two real hours per week, I would want to focus the language practise and production and work on one structure at a time. Although, of course, the teacher would be creating a proper language environment, without limiting their own production to this one specific structure only.
  • I am afraid I would not use the original task with colouring the magnified objects to match the real objects. The chair and the crayon are easy but the book and the pencil would involve more than one colour and would take a bit longer than I would like to spend on that activity.
  • The same goes for the personalisation task. Most of my students are too young to draw such complicated pictures so I would be skipping that one, too. With the older children, I might use it for homework perhaps.
  • There is a great set of the digital resources to accompany the coursebook as well as the wall hanging to go with the flashcards and these could be a lovely addition to the lesson.

Happy teaching!

P.S. Don’t forget to check out the wonderful directory of all the useful things in the VYL world created by Sandy Millin. You can find it here.

Teaching English through Art: a palette of ideas for pre-school

by
Hopper

The aim of this post is the following: by the end of the post, the readers will be more familiar with the concept of connecting the EFL with the elements of Art Exploration and the appropriate craft activities.

As a source of potential inspiration for anyone who might want to try it.

The group

The kids for whom this course has been designed were a group of preschoolers, aged 4 – 6, who are and were part of a greater project at MAMM with Fun Art Kids and I was responsible for the English language slot. I taught them from October 2021 until February 2022 and we had lots of creative fun in English. I used to joke that these classes were the reason for me to wake up on Tuesdays.

My students were beginners and for many of them, if not for all, those sixty minutes of English were the only real exposure and the only real lesson and, despite the fact that it is not a lot of time (at all) we made progress that I was really happy with.

The format

The whole idea behind the Kids in the Avangard programme was that children should be given an opportunity to experience art and all the many ways of creative communication, through music, through dance and movement, through theatre, through visual arts and through English. The programme was run in module, each with their own theme (colour, shape, line etc) and within those modules the kids would participate in lessons that were separate entities devoted to an artist, an artistic movement etc. At the same time, kids work on a performance which takes place at the end of the ‘term’.

It was not easy to nest the English classes in that format but it was not possible. The main idea is that the English classes in which we deal with the beginner students (or a mixed ability group), it was impossible to aim for a very content-rich input and some adaptations had to be made for that. What I decided to do is to focus on giving the kids a good basis of English, including the vocabulary and structure from the pre-A level (although not necessarily not synonymous with and not in the order of the ‘typical pre-school curriculum’) and to combine it with the introduction to the world of the world Art and related craft activities. Just like in the case of all the other classes of the programme, our lessons were connected but each of them was a separate module, too.

The format of the lessons followed a typical EFL pre-school lesson with the hello circle, revision, new material introduction, movement and table time and it was supplemented with and built on songs and stories, too.

The palette of ideas

In the chart below you can see the content and the ideas for some of the lessons I ran as part of the course. In many ways it was an experiment, this whole course and, overall, it was a very successful experiment, the kind that makes you shout out ‘I want more of that!”. However, it was an experiement and, naturally, some lessons were more effective than others, and some ideas better than others.

In the chart below, I have decided to include those that I have tried and tested and loved, as those that I can strongly recommend, ready to use almost. All the misshaped ones will be worked on and developed and presented at a later date, when I have improved them a tiny little bit at least. But, in order to be honest and to share the experience as it was, I have also decided to include some of the things I have learnt by making the mistakes I did make. All of those you will find in the final section of this post aka What not to do.

The gallery

Klee
Goncharova

Kandinsky, Malevich, El Lissitzky
van Gogh
Warhol

De Coster
Mashkov
Monet

The not-so-successful side of the experiment

  • The time allowances: either because it is a brand new thing for the kids (aka the entire course) or because it is a new element to the everyday class routine, the students need time to figure things out, to learn how to navigate around it and to make it familiar. Once they do, the whole programme will be a lot more effective and enjoyable. Don’t be upset if it is not an instant success.
  • The high expectations regarding the content and the input: the main aim of this programme is not to provide the kids with any substantial input on the artist’s life and career. Instead, they are supposed to be given an opportunity to be exposed to the world art and to interact with it.
  • Kids will produce the language, however, it is most likely to happen during the English language part of the lesson (introduction of the new vocabulary, practice, language games)
  • Each lesson has three separate objectives (language, Art and craft) and it is perfectly natural that only one of them will be given priority in a lesson and that English and the language production will not always be the main focus. If these classes are taught as a part of the general English course, then it is assumed that they will be balanced with the regular, more productive English lessons. In case of a separate course, this aspect (and potential parents’ expectations) are even easier to manage by outlining the course objectives beforehand.
  • Many craft activities look good on paper but they might not be easy to implement and to manage in a group of pre-schoolers. Trying, trialling and testing (aka making it first at home, before the lesson) is the best way to avoid and to get ready for at least some of the potential problems.
  • Time is on your side. Fnding a strong link between the three elements and preparing a coherent lesson gets easier with time. And more and more enjoyable.
  • There are plenty of things that can be done just with the simple resources such as markers, crayons or watercolours and paper but don’t forget that there is a lot more that can be done! Experimenting is fun!

Why?

If you are still wondering whether to start including art in your EFL lessons, please have a look at this earlier post and here you can find a great website with lots and lots ideas for art activities.

Happy teaching!

Crumbs #27: A project I can be proud of

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Ingredients

  • A3 paper
  • a yellow square aka the city centre for each pair
  • pencils, rulers, crayons, markers
  • a very detailed plan and careful staging (see below)
  • post-it notes (two different colours)
  • the materials to set the context based on the material from Superminds 5 by Herbert Puchta and Gunter Gerngross from CUP

Procedures

  • The introduction to the project was based on the material in the coursebook.
  • Afterwards we made a list of places in the city (I was taking notes on the board). Then, the kids were chatting in pairs, creating questions for each other: Which one is more important in a city, X or Y? Why? This was a fun activity, the kids were coming up with sometimes impossible pairs and providing justification for their choices.
  • I divided the kids into pairs and explained that we were going to design a good city. Each pair got a set of questions about their city and they were to discuss these with their partner. The handout was cut up into three pieces and they were given out, bit by bit (or rather, that was the plan. In the end, I only gave out the first part, the other phrases and questions were simply written on the board for everyone to see). I was only monitoring and asking follow-up questions. We did not have a whole class feedback.
  • I gave out the A3 sheets and the yellow square. I explained that it is the city centre and I asked the students to decide where it is in their town and to glue it on. I did it on my model. I drew the map legend box and I drew two items on my plan. Afterwards, I gave out materials and the students started to work.
  • The negotiation language and the steps (stage 2 of the handout) was displayed on the board. I planned it differently but, in the end, I decided not to give this part of the handout out. There was no room for it on the tables anyway.
  • The kids were working on the project for about 10 – 15 minutes, until the end of the lesson.
  • At the beginning of the following lesson, the kids sat down with the same partner and each pair got a set of post-it notes, pink to write what they like about the city and green to write about the things that the city should have. We circulated the projects, kids worked in pairs, looked at the plans, talked and made their notes on the post-it notes, discussed what they liked about each city. They also made suggestions and all their ideas were written down on the post-it notes which they attached to the plans. Each pair had a chance to talk about all of the other posters.
  • In the end, the posters returned to their owners and the designers had a few minutes to look through the comments.
  • In the very last stage, each pair of designers was asked to provide feedback on the feedback they received. They did that by answering the following questions: Which are the favourite places in your city? What should your city have? Do you agree? Why? This was the only part of the project that was done in front of the whole group.
  • In the end, the posters were displayed on the walls.

Why we like it

  • I personally really liked this project because it was a diversion from a traditional approach to a project in which the students work in pairs or teams to produce something and then present it to the rest of the class and in which a creative stage is followed by a productive stage. I have decided to give up on this format almost entirely and, instead, to minimise the creative stage and to maximise the production without limiting it to the post-project phase.
  • Throughout the entire project, the kids produced lots and lots of language, they were making suggestions, expressing views and commenting on the other students’ suggestions. There were at least three layers of material created by the students, in one format or another.
  • In hindsight, I do believe that there were even more opportunities for the further extension of the project by comparing the real cities the kids know and whether they would be a good place to live, by making suggestions how the city they live in can be made better or by ‘visiting’ one of the other cities and writing letters or postcards from their visit…
  • I was glad that I decided to keep the creative part of the project, even if in a limited format. They students really did enjoy designing their cities, drawing and colouring, even though in my eyes (a boring teacher here) they should be the first to go as not very generative.
  • It looks like my kids also enjoyed the project. They were asking after the lesson whether I would put the posters up (I did!) and, a few days later, whether we are going to have any more project lessons (we will!)

Happy teaching!

Teaching English through Art: Andy Warhol

by

Dear reader! I hope you are here because you have been in search of ideas for a lesson on Art and English for primary school children. If so, you are in the right place! I would like to share with you a lesson that I taught a few months ago as a part of my Art Explorers programme. I would like to start with some blowing my own trumpet in an attempt to inspire you and to think ‘I want one of those!‘

Andy Warhol Marilyn Monroe (masterworksfineart.com)

It was a great lesson because…

  • our group of Art Explorers was a mixed-age, a mixed-level and a mixed-ability group, with some pre-A, some A1 and some A2 children and we were all united in art. Everyone was involved, everyone was producing as much as they could and everyone had fun.
  • the kids who took part were the members of five different groups at the school and it was the first time they had a chance to interact with each other, in English.
  • the children had a chance to revise and practise English, to find out about Andy Warhol, to talk about feelings, emotions and associations and to exercise their creativity in the craft task.
  • it worked very well as an introduction to our Art Explorers programme
  • it was relatively low-key as regards the preparation and craft materials as we used the simplest things available: a powerpoint, a handout, a few sets of vocabulary flashcards, a few sets of watercolours, paintbrushes and cups.
  • it lasted 60 minutes but it could easily be adapted to 45 or 90 minutes, depending on the needs of the group and the age of the students.
Andy Warhol – Double Mickey Mouse – Catawiki

The lesson, stage by stage

Stage 1: Introduction

We said hello, introduced ourselves and we had a small ‘get to know each other’. Each pair of students got a pile of flashcards (food, toys, sports, colours, animals etc). The students were supposed to pick out one card and to ask each: Do you like…. There was a model question and answers on the board, together with ‘because’ which the older students were already familiar with in order to encourage more developed answers.

Stage 2: Colours and emotions

We revised the emotions and a set of the basic adjectives was displayed on the board as a point of reference. Afterwards, we revised the colours and I introduced the idea of associations. The key word here (‘associations’) is actually quite similar to its counterpart in the kids’ L1 but I decided to use even a simpler structure ‘Green is a happy colour because…’

The kids were put into pairs, for another speaking activity and they were comparing their own associations related to each of the colours. At this point we did not use the flashcards. Instead, eaach pair got a set of markers and they were asked to discuss all the colours in the set. Afterwards we compared our ideas.

Stage 3: The artist of the day

We moved to the TV room to meet the artist of the day. At this point I was using the powerpoint which you can find in the attachments.

First of all we looked at the photo of Andy and the kids said as much as they could, about his appearance and character. Only later did I introduce him properly, albeit briefly – as artist, from the US, a very creative person.

I showed the kids a few paintings and asked what they thought of them. They were using the simplest structures of ‘I like’ and ‘I don’t like’ and, in the case of the older and more advanced students, to provide a rationale for their views.

The Campbell soup was especially interesting. First of all, because we compared it to the local brand of ready made food that the kids could relate to and it was a huge surprise that such a usual item can become an artifact. Second of all, this particular painting was how we transitioned into the theme of the day: how the same item, represented in different colours can create different associations.

Stage: The colours and the emotions

We looked at the photograph of Marilyn Monroe and one of the most famous paintings by Andy Warhol and at the similar painting of Mickey Mouse. We worked as a group and we talked about the different emotions related to different versions of Marilyn and Mickey Mouse and how they made us feel. I wanted to keep it open class in order to give the students a chance to hear as many different versions and ideas as possible to show them that the same painting can generate a great variety of emotions.

Stage: Let’s create

I told the kids that we are going to try to express our emotions and that we are going to be like Andy Warhol. I added that to Andy, Marilyn and Mickey were important symbols because he was American and that we would use some other symbols. At this point, the kids were already shouting out the name ‘Chebourashka’:-)

We went back to the other classroom. Everyone got a handout (see below) and a pencil or a marker. First, we all decided what feelings and emotions we wanted to represent and we labelled all the sections of the handout.

Afterwards, I gave out the painting materials and we sat down to work. The kids were given time to paint and I was painting my own and monitoring and chatting to the kids and asking the follow-up questions.

Stage: Tell me about your Chebourashka

The kids worked in pairs and told their partner about their pictures and the emotions they represented and, whenver possible, provided rationale for that. In that particular lesson, we only had enough time to talk to one partner but, in theory, there is a lot more potential and it is more than recommended for the kids to swap pairs and to talk to as many peers as possible.

Stage: Goodbye

We finished the lesson with cleaning up, with a round of stickers and with a song.

@funkysocksanddragons

Materials

A VYL classroom. Part 2: Just a regular classroom

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Our hello circle in a big classroom

Case B: Just a regular classroom

The EFL settings, a private language school, a regular classroom adapted to the needs of a group of pre-school children. There are usually big tables and chairs or the foldable desks and materials such as posters that are not necessarily child-friendly.

Advantages

  • The classroom is quite likely to be big and that means that the adult furniture ( frequently the foldable tables) can be moved around to create the space for the hello circle, the kids tables, the story corner etc.
  • Using the big chairs and tables can be an advantage, actually, as the children are sitting far apart and they are not invading each other’s space which might happen when you use a small table. Plus, sitting at the big table is a clear sign that the serious work is about to begin.
  • You can involve the kids in arranging the classroom, that will make them feel responsible for it and it will help the teacher, too.
  • The children might feel ‘honoured’ to be studying in an adult classroom as this way they will become ‘real students’, especially if they are already 5 or 6 and start dreaming of starting school.

Disadvantages

  • The likelihood of sharp corners and not very child-friendly items is much higher.
  • The teacher has to unfold the VYL kingdom before each lesson and fold it back at the end of the lesson because there might be older children or adults coming. And all of that eats up the teacher’s precious break time.
  • The board might be too high up and the only person who can reach it is the teacher (but it is not the worst thing in the world, you can put up things in places where the kids cannot reach them)

Solutions

  • Have a look at the classroom before the lesson and figure out how you can make it fit your aims and ideas. Talk to the admin of the school (and the other teacher using the room) and request permission to move the things around and to rearrange things. It is always worth checking the other rooms in the school. Perhaps one of them is more suited to the needs of the little children and perhaps swapping rooms or furniture is possible. It is always worth asking.
  • Make sure that the classroom is safe. Look out for the sockets, sharp edges, anything that is not stable or sticking out. There are easy ways of making the place child-proof ie moving out the furniture, swapping the classroom, getting the socket plugs etc.
  • Decide where you want to start the lesson. I am a huge fan of lining up outside of the classroom but it might not be always possible.
  • The photo that you can see as the cover photo above is our hello circle that I created in one of the corners of our very adult classroom. In a regular lesson with my pre-schoolers, we would spend here about half or even two-thirds of our lesson. A regular lesson started here with a hello circle, songs, revision and the new langauge introduction. Later on, we would move to the big tables for the more serious work with the coursebook and handouts and we would go back to the small circle for the final game, story and song. This lasted a good few years, even after we moved to the primary and we stopped here only when my students, already A2 and as ‘mature’ as 8 and 9 y.o.
  • Think of the routine that you are planning to have and build it with your specific classroom in mind. Decide where you are going to do the hello circle, where you are going to have your storytelling, where you are going to sit during the focused task. After you have built it, stick to your routine.
  • Assign a corner or the area for the movement games. Perhaps the classroom is big enough and one of the corners can be kept empty. Perhaps it is not very big and you will have to move the small stools or the carpet out of the way to make room for the movement games.
  • The same applies to the storytelling corner. If the classroom allows for that, it would be great to have the space dedicated only to the storytelling activities. Ideally, that would be a carpet for the kids to sit on and a chair for the teacher, to sit slightly above the students’ level. If there is no carpet, the kids can also sit on cushions or on small mats or even the foam puzzle pieces which are easily stored and can be dealt with by the children themselves. Having said that, I have also been teaching in the classrooms where the only option was for us to be either sitting straight on the floor, under the board or sitting on the big chairs in a semi-circle around the teacher.
  • As regards the focused task, it is normally done at the big desks / foldable tables or at a small table that the teacher puts out in the centre. The small table means that we have all the students around us but it is not going to work for groups bigger than six. Everthing becomes very crowded all of a sudden, as soon as the sixth student comes. Using two small tables mean more work and time invested in setting them up and if they are round tables the teacher spends the entire focused task looking to the left and to the right, back and forth. With larger groups, it is almost better to use the adult seats.
  • Think how you are going to store your resources and your materials. Sometimes scissors and crayons will have to be shared with the other teachers at the school (and hence stored in the teacher’s room), sometimes you will be able to keep them in your classroom. Think of a safe space that is not within the children’s reach ie the higher shelves of the cupboard, a locked-up cupboard etc.
  • Decide where you are going to keep your things and resources for the lesson such as crayons or markers, handouts, flashcards for the lesson. Please use the same place and make sure you establish with the children that they are not allowed to touch anything that is on the table. It might help to keep everything in a box (as it can be easily lifted to keep it away from the children), it is easy to store and it makes cleaning easy. What is more, if you keep all your resources in one container, you gain a lot of flexibility as all your toys are there, in case you need to change your lesson plan. I have had groups with whom I had to keep all my resources in my rucksack, zipped shut in the begining of the course.
  • Decide where you are going to put all the kids’ stuff such as their bags and books (which you are not going to use at all times during the lesson and for that reason it is better to keep them in a special place ie on the window-sill, on a special table etc) or even the kids’ jackets and boots. Sometimes it is possible to hang them outside, sometimes they will be hanging in the corner of the classroom. Make sure you keep your activities away from that corner
  • It is good to have at least one noticeboard where you can display your students’ work. It can be a noticeboard in the classroom but it can be a noticeboard in the hallway, too. I have had classrooms in which the door was the only available space and we used to put up pictures there using blutack.
  • Try to make the classroom child-friendly. Perhaps it is possible to decorate one of the corners of the room with the colourful kids’ posters or to decorate the windows with snowflakes or colourful leaves in winter and in autumn. Even if there is cupboard or boxes with toys, by bringing just one puppet, your class assistant, you can create great atmosphere in the room and make a huge difference. If there are more toys, it is a good idea to have a container for them, a basket or a box, in order to be able to keep them stored (and out of sight) when you don’t need them.

Here you can find the other two posts in this mini-series: on the classroom that is used only by the VYL students and their teachers and about the classrooms in kindergartens. This last post also includes some bibliography, if you would like to read more.

Happy teaching!

All you need is…a picture. Vol. 2

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This is still one of the top 5 among the most popular posts on this blog. But it was written about a year and a half ago. It looks like the high time for part 2. Here it is.

There is only one picture…

A to Z picture: teacher writes the alphabet on the board, students work in pairs or in teams, they talk about the picture by naming the word or words beginning with each letter of the alpahbet. Younger (or lower level) kids can use only single words, older students (or higher levels) can produce relevant sentences. Thank you, Polina Smirnova, for this activity.

Dice points: kids work in pairs. They describe the elements of the picture (ie one person, animal, element of their choice or assigned by their partner (Tell me about this…). They use the structures and vocabulary that they are familiar with, depending on the level. After each round, they roll the dice to find out how many points they get. They take a note of the points and add them up at the end of the game.

I spy with my little eye: teacher demonstrates the game by describing one of the elements of the picture ‘I spy with my little eye something big and red’. It works even with the youngest children as they are not even required to name the item in the picture, they only need to point at it. When the kids are ready, they take turns to describe something to the rest of the group or to their partner. The language can be made more complex by focusing on prepositions, adding more adjectives or details. It is a great speaking and listening activity.

Yes or No? Teacher makes sentences about the picture, children listen to check if these are correct. If they are, they confirm ‘Yes’ or ‘Yes, that’s true’. If they are not, they say ‘No’ or ‘No, it is not true’ and they correct the sentence. Afterwards, they can take turns and talk about the picture for the group or their team to listen. Again, this is one of the activities that I use with my pre-schoolers and it is lovely to see how they move on from one-word utterances (correcting only the key item) to full sentences. The complexity of these sentences or their number can be adjusted to the level and age of the students.

Travelling sentences: It is a version of the Yes or No activity. The teacher displays the picture for all the students to see and gives out small cards, one per student. Each student writes a true or false sentence about the picture, the teacher can support this with providing sentence starters. When the kids are ready, the sentences start travelling, with each student passing their sentence to the student on the left or on the right. They read the sentence on the card, say if it is true or false (and correct it) and the game goes on. This stage can be done in pairs or in groups of three.

Travelling questions: the teacher prepares a set of questions about a picture. These can be reused in many different lessons so it might be a good idea to laminate them. Students work in pairs or in groups of three. Each pair picks out one of the questions, they look at the picture, read out a question and answer it. The teacher monitors and when the time is up, the students exchange the questions by passing their question to the group on the left and they continue the game. The set of questions might include: Where are the people? What are they doing? What clothes are they wearing? How are they feeling? What’s the weather like? Can you see any animals? Do you like this picture? What’s your favourite thing about this picture? What’s your least favourite thing about this picture? Is there anything strange about this picture? If it happens, that the question is not relevant to a specific illustration, this particular question can be left out or the teacher can introduce a way for the students to get out of the situation, for example: ‘I don’t know’ or ‘I don’t know. Maybe…’

Picture boardgame: It is a version of the Travelling Questions and it was created based on the same principle: there is a set of topics, themes and items that are involved in most of the illustrations that kids can talk about. The board, such as this one here (created with toolsforeducators.com) can be reused with pretty much any visual. The students play in pairs, move their checkers on the board and describe the picture according to the suggestions from the board.

Draw the picture: this is an activity that I used to use a lot with the first years of primary in order to practise reading and, obviously, with students who like drawing. We use a set of specifically prepared cards on worwall, like this one here. We get the pencils and the paper ready and I set the first card ready (‘We are in the park’). Afterwards, we read the cards, one by one, in any order (if something does not match, I skip the card to get back to it later), the students take turns to read the sentence and we all draw a picture according to these instructions. At the end, we compare our pictures and talk about some potential differences. It is a good activity to practise simple words, prepositions, colours and verbs.

Half the picture: Students work in pairs. Each pair receives only a half (or rather a part of the picture, depending on the particular photograph or illustration). First, they describe together what they can see and, as the second step, they try to guess and predict what can be seen in the part which they cannot see. Ideally, all the kids should be working with the same visual and then, in the feedback stage, the class share and compare their ideas before the teacher reveals the missing part of the picture. The materials can be easily created by cropping visuals but it is even easier with the electronic resources when a part of the photograph (or parts) can be easily covered and uncovered on the screen.

There are two pictures (or more)

Compare these two: students compare two pictures, they talk about the similarities and differences, very much like in the PET exam or like in the FCE exam, if there is a follow-up question, only without the time limits and without any B1 or B2+ language expectations as this activity can be done also with A2 or even A1 students.

Compare the two boardgame: there is a selection of pictures from the same topic ie school, sport, hobbies. They are numbered and displayed on the screen or on the page. Students play the boardgame and whenever it is their turn, they choose two of the pictures and compare them briefly. The pictures can be used many times in different combinations and students speak for about a minute.

Choose two to compare: students are given a set of picturse, for example 4. They are asked to choose any two to compare them and to explain why they have chosen these two pictures. The most interesting part of this activity is the follow up question which can be one or more of the following: Which one is your favourite? Which one is your least favourite? Which one is the happiest / saddest / funniest / most challenging / most unpleasant / strangest? Is there a picture that nobody has chosen to discuss? Why do you think you’ve never chosen this one?

Tell me about this picture: this game requires a set of pictures whose theme and level of complexity can be easily adjusted to the age and level of students. We normally use the wordwall which we play on the big screen. The kids play in teams and they take turns to open one of the boxes. They take a minute to talk about the picture they find there and they get the number of points for that. The teacher keeps track of that and announces the winner in the end. This game can be played with the lower level kids, like this one here, with pre-primary students on the topic of animals (here we play the group vs the teacher), with the level 1 primary school students on the topic of rooms, the level 5 primary school students on the topic of souvenirs (What is it? Who would like this present?) or even with B1 teenagers on the topic of travelling (What’s this place? What can be easy or difficult about travelling to this place?)

Two versions: this one is a bit more complex in terms of preparation as it involves some searching and researching. The idea behind this picture is to compare and contrast two interpretations of the same topic. Our photographs usually focus on the photographs and it would be the teacher’s job to find the other matching (or ‘matching’) item for example a painting, a sketch, a cartoon, a poster, an advertisement, a wordcloud and so on. The students discuss the visuals, compare them and choose the visual which they prefer and which better illustrates the idea.

Happy teaching!

Crumbs #25 One sentence grammar practice (From the lazy teacher’s diary)

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Ingredients

  • A set of sentences with the key structure. In our case these were random (as in: not a part of a story or a discourse) sentences with let and make, in the present tense and in the past. I wrote them myself (ten of each), although any set of sentences included in typical gap fill activities that often feature in our coursebooks would do.
  • The sentences were typed up, printed and cut up into strips. In order to manage them better, I printed the make sentences on the white paper and the let sentences on the yellow paper.
  • Students work in pairs or groups of three. One of the students picks up a card, reads the sentence in silence and comes up with a short story to illustrate the sentence. The student should not really use the key verb and as few of the other words from the original sentence as possible.
  • The other student(s) listen and reproduce the orignal sentence.
  • The game continues. In our case, the students played in the teams of three first with the first set of the sentences and then with the other set.

Why we like it

  • Very little preparation.
  • It can be also SS-generated, if one more stage is introduced (every student writes three sentences with ‘make’ and three senteces with ‘let’), afterwards these sentences are dealt among the teams /pairs.
  • It is easy to adapt. It can involve one, two or a selection of the target langauge structures.
  • It is an opportunity to extend the grammar practice and to make it more productive.
  • The students have a chance to practise grammar as well as develop their listening skills and their speaking skills.
  • The kids produce mini-stories which can include both narrative and dialogue. Their main aim is to convey the idea of the grammar structure to make it possible for their peers to reproduce.
  • The mini-stories help to create the context for the grammar and can make it more meaningful and memorable.
  • It is an activity that gives the teacher lots of freedom, it can be stopped at any given point, after a certain number of rounds or minutes.
  • Apart from the target langauge, the students get some practise in key word transformation and paraphrasing, without any specific exam focus.
  • I used it with my B1 teens but I am considering how it can be adapted to the needs of my primary A2 kids, too.

Happy teaching!

Crumbs #24: The sheep! A game

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Instead of an introduction

I have a small problem: my brain does not like dealing with written instructions and, really, any instructions whatsoever. I cannot make myself. What that means for my life is that I use devices instead of reading the manuals, I prefer to watch cooking videos rather than reading any recipes (and, indeed, no matter how exciting the food, if the instructions for cooking are longer than four or five lines, I immediately lose interest). In my teaching life, that means never reading any teachers’ books (if I can help it and most of the time I can). If I find an activity that I like, in a resource pack, for example, and I cannot figure out how to use it only from the game itself, well, I just never use it at all.

Or I make up my own rules. That’s exactly what happened with this game.

It actually makes me giggle. I have had this game for about three years (a lovely present from Chee-Way) and it was only this week that I noticed the name of the game. Apparently, it is called Snap. Oh, well.

This morning I was finally inspired enough to google how to play it and I found it easily enough, only to find out that I had never played it the right way. Oh, well.

Actually, I had some suspicious that what we were playing was inspired by another game, that I once heard about but when I bothered to find out, it turned out this morning that I couldn’t have been more wrong. Oh, well.

The Sheep Game (as we know it)

  • There are 12 different emotions / feelings / adjectives in the set. We started to play with those that the kids knew already and, then, we kept adding one or two with every next game. At this point, they know all of the adjectives and we play with the whole set.
  • There are 4 cards of each adjective but in any real game, we use only two of each. One is displayed on the floor in the middle of the circle. The other one we deal among the teams. Usually each team ends up with four cards.
  • The students keep their cards secret from the other teams.
  • We sit in a circle, students ask the questions to the team sitting on their left or on their right but the questions are always travelling in one direction.
  • The main question is ‘Are you happy / sad / angry?’
  • If the team have this one particular card, they have to answer ‘Yes, I am’ or ‘Yes, we are’ and give away the card.
  • If the team don’t have this particular card, they have to say ‘No, I am not’ or ‘No, we are not’ and then it is their turn to ask the team on their left / right.
  • The game can be played for a certain number of rounds or until one of the teams loses all their cards. Then the winner is announced and that is the team has the biggest number of the initial set left.
  • It is a great game to practise the key vocabulary, in a sentence and although the students play in teams, they can win the game only when they pay attention throughout the entire game, listening to all the teams and keeping track of all the cards (or words) that were mentioned and lost, too.

Variations

  • Blue, please – one of the first games that I normally play with my primary students, in the first weeks of the course, as soon as we feel comfortable with the basic colours or numbers, we play with flashcards that we usually hide inside of the book, to make sure that the cards remain a secret. As soon as the kids progress, we replace the simple ‘please’ with a full question ‘Can I have blue, please?‘ and we play it this way with any set of vocabulary
  • Do you like… – another variation of the game that we play with the beginner primary students, we normally switch into that version when we start the topic of food and drink. If the students / teams have this particular flashcard in their set, they have to answer ‘Yes, I do‘ and they have to give the card away. If not, they answer ‘No, I don’t‘ and they continue playing.
  • What’s the matter with your…– a version that we played with my teens while working on the health / medical vocabulary which turned this game into a mini dialogue with different yes and no answers (yes = I need to have it / them checked, no = nothing I am fine) or Excuse me, where is the check-in gate? while we were working on the travelling / airport vocabulary (yes = it is next to…, no = sorry, I don’t know).
  • Any other set: the vocabulary set + the structure that would be used with this set
  • Whole class vs groups of three? With the younger kids we normally play whole class, in small pairs because it helps them learn the rules of the game much faster and because the game is easy to set up and you need no other materials apart from the set of flashcards normally used in class. With the older students, I use words on small cards and we normally play it with the whole class only in the beginning, later on they play in groups of three.
  • And the winner is… Well, there are at least two options here. For a very long time we played it in such a way that the winner was the team who had the biggest number of cards left at the end. Until my kids suggested that perhaps the winner should be the team who managed to get rid of their cards first and we played it this way, too. On the one hand, it makes the game less competitive and it is not a real shame to be ‘losing’ a card but we have had a situation when a team avoided asking the right question not to help their opponents win…I suppose the game can be played as normal and it can be decided only in the end who the winner is (all the cards lost vs all the cards saved) but we haven’t really tried it in the classroom. Not yet anyway.
  • Leftovers. We normally deal out all the cards available but keeping a few cards away and keeping them secret adds up to the challenge. These leftovers are going to be automatically the incorrect questions and the players will have to figure out first which ones these are and secondly, which ones not to ask anymore.

Happy teaching!