Here is a pumpkin flower: simple and unexpectedly beautiful, just like this game.
Ingredients
A piece of paper and something to write with
For younger students – somewhere to keep the paper safe and secret i.e. inside a coursebook
Imagination
The whiteboard to put the target language on
Procedures
Kids work individually, keeping their cards secret from their friends but if the game is played for the first time, they can work in pairs, this will be their natural support and the source of creativity because two heads are better than one.
Teacher ask the students to write numbers from 1 to 5, in a column. When they are ready, teacher asks the kids to write 5 words, one at number 1, one at number 2, etc. Teacher monitors and prepares her/his own set to use in modelling. It might be also a good idea to write a few examples on the board although these are just for modelling and they will not be used in the real game. The target structures should also be displayed on the board.
Teacher demonstrates how to play the game – she / he describes the first word on her / his list for the whole class to guess. It might be necessary to play a few rounds with the whole class, with the teacher leading the game or with one of the strongest students leading the game.
The game can be played until all the words are described and guess OR for as long as there is time.
Important: It is absolutely necessary to carefully combine the vocabulary and the target structure to make sure that the set is used naturally and that it matches the context, too. Some of the examples of the activities we used below
Places in the city (ie bank, post office, school) + I can see…I can hear…I can smell…Where am I?
Professions + I am going to work, I am going to do…Who am I?
Animals + It is big / small, It can run / fly / swim, It has got…
Body parts + I need it / them when I write, swim, play
Objects + passive voice ie It is made of…, It is used for…
Personal characteristics + Present Simple, 3rd singular, This person always does something, This person never does something
Why we like it
The biggest advantage of the game is that it can be adapted to almost any set of vocabulary and any structure.
It can be used with the lower-level and the higher-level groups, with the younger and the older students.
The game requires no preparation for the teacher and it is SS-generated which means that it is personalised and motivating for the kids to play.
It is a perfect controlled practice activity as the kids are using the target langauge and the target vocabulary.
It is a guessing game and because of that it is both achievable and challenging.
With the younger kids we play the game of 5, with the older ones we usually prepare 10 words.
If you are here, dear read, you have probably already read the first part of this post. If not – here it is.
In this part, I would like to share some practical activities to be used in the VYL and YL lessons to practise adjectives, verbs and Present Continous and to get closer to storytelling, even with the very young or the beginner students.
First steps
Tell me about this picture has quickly become one of our favourite games. We use wordwall Boxes for that. Players take turns to open the box and to describe the picture hidden there. If they complete the task successfully, they get the number of points also hidden in the box. The game can be used to practise both adjectives and Present Continous (or any other language) and the students can be asked to produce one, two or three sentences, depending on their skills and the teacher can keep count of the sentences produced using fingers. The best thing about the game is that the children choose themselves what they want to talk about, much as in the YLE Starters, Flyers and Movers.
Here are some of the sets we have used
Animals: I can see a lion. It is big. It is brown. It is beautiful.
Present Continous: It is a girl. She is drinking coffee. She is happy.
Bedrooms: It is a bedroom. It is big. It is beautiful. I like it.
So far, I have only played it with my 1-1 students (player 1: the student, player 2: the teacher) but I am about to start using it with my groups, too (player 1: the class, player 2: the teacher).
Oups is a game in which students look at the picture (any picture) and listen to the sentences produced by the teacher. When they hear a sentence with a mistake, they should say ‘oups!’ and correct the sentence. In the beginning, they normally react only by producing a single word, replacing the incorrect one but later on, when they get used to it, they can produce full sentences. Even later, it is also possible for the students to lead the game and to produce correct or incorrect sentences for everyone else to listen and to react to.
With the youngest students it is better to limit the range of structures used to something super simple, for example ‘I can see…’, with the older (and more advanced ones), the structures can vary.
This activity can be used in class but it is also a great homework task, as long as you share the picture and record a few sentences and share it with parents.
An example can be found below. The picture was generated using makebeliefscomix.com and the recording can be found here.
makebeliefscomix.com
In my picture…: This is a natural follow-up activity, a little bit more complex and a little bit more challenging. It is based on two pictures that are to be compared. They are not quite the actual YLE Movers or Flyers speaking tasks because these are too detailed and they contain the vocabulary that might be beyond the pre-A student’s level.
What you need is basically two pictures that are connected by the theme i.e. farm, kids in the park, in my bedroom etc and a very simple starter phrase, a proper all-rounder such as ‘I can see’. With 1-1 students, it is very straightforward – one picture for the teacher, the other for the student. With groups, the kids will be working as a group, comparing their picture with the teacher’s. At least in the beginning, before they are ready to work in pairs.
Some examples of pictures that can be used:
These are the pictures I ‘created’ using the tools on the Miro board
www.clipart-library.com and www.clipartpanda.com
The next step will be telling stories using a set of pictures…(Please continue reading:-)
One story, many ideas.
Here is one of the YLE Flyers stories (Flyers TESTS REFERECE), called ‘Charlie and the elephant‘ and some of the ways in which it can be used with pre-school and primary students.
‘Advanced’ preschool students
Step 1: look at the pictures and say what you can see. The kids can use very simple structures, for example ‘I can see…’ or some more complex structures, for example ‘It is a…’, ‘She’s got…’, ‘He’s got…’, ‘She is…’, ‘He is…’.
With 1-1 students, the teacher and the child take turns to describe pictures, with groups we all talk each picture, one by one. It might be a good idea to cover up all the pictures and uncover them progressively, to help the children focus only on one of them at a time.
Step 2: look at the pictures, listen and help me. This is basically an advanced version of Oups, the game I described above, only here a series of pictures is used. Here you can find a recording I created for my students.
Step 3: look at the pictures and help me tell the story, Similar but Different. The teacher first models, telling a story that has a similar framework (a woman, a boy, an animal, some fruit, going away, a show at the end) but which uses different details. Later on, the students tell their own version of the story, with the necessary amount of support from the teacher. The teacher can only start the senteces (‘A woman….’) or create almost an entire sentence with the students filling in only the essential details (‘A boy is eating a….’).
These steps were introduced in three consecutive lessons.
Primary beginner Flyers students
Step 1: Two words: students work in pairs. Each pair gets a copy of the story. Kids look at pictures and together write two things they can see in each of them. The teacher also participates in order to be able to model at each stage of the activity. Students exchange the handouts, in a circle. Each pair gets a new handout and the procedure is repeated: each pair writes two words next to each picture but these have to be two new words. The procedure is repeated until each pair writes their words on every handout.
By that point, each picture is accompanied by a set of words (2 words x the number of pairs). Kids look at the pictures and tell the story using the words they can see. They can be encouraged to cross out the words they have used to make sure that all the words have been used.
Step 2: Two crazy words: we start with retelling the story from the previous lesson, as a class. Then, the teacher shows the students the new handout – the familiar pictures but with two strange words next to each of them. The teacher tells them that these are the words you cannot see in any of the pictures and that now the students will tell the story again but including these words.
It is absolutely necessary to generate some ideas, for the first two pictures, for example. I have added ‘a teacher’ and ‘a monster’ for picture 1 and it went more or less like this: ‘Mmmm, a teacher. Maybe mum is a teacher. Maybe the book is about a teacher. Maybe the book is about a monster. Maybe…’ and I let the kids give some more ideas about these two words.
Afterwards, the students work in pairs, taking turns to retell the story with the new words.
If you are interested and if you would like to see the handouts that we used, you can find them here.
Step 3: Our own story: again, we start with retelling a story, together, as a group. Afterwards the teacher goes through the framework of the story, using a powerpoint presentation, highlightling the main ‘events’ of the story, at the same time eliciting ideas from the class. Then the students are given some silent ‘Thinking Time’ (something that we tried for the very first time and that worked like a dream) during which they prepare their story. Afterwards, they are telling their stories to their partners.
Action stories
One of the tools that will come in handy in and that can be used to accompany the activities mentioned above is the action story or the TPR stories promoted by Herbert Puchta (and Gunther Gerngross) in pretty much all of his coursebooks. They have been included in Playway to English, both editions and in Superminds 1 and 2. I have some vague recollections about the old Join Us series, too. There is a separate publication, Do and Understand: 50 Action Stories for Young Learners which they wrote together and which was published in 1996 (wow!) but which still can be found in libraries and on amazon.co.uk.
The idea behind those is that children, even the youngest ones, can be encouraged to listen to a story and to tell a story, using a multi-channel approach: there is a set of pictures to illustrate the main events and each of these comes with a sentence and a gesture.
Students listen to the story, retell the story using the gestures and, later on, also the sentences and they work with the visuals in the coursebook completing such exercises as listen and order the pictures and, in case of the primary students, read and number the sentences.
More ideas to work with pictures and stories on this blog
Forgive the grand name, I must have been in the mood for something like that, now I feel like the general Kutuzov himself.
Initially, I was planning to write a post on all the reasons of using stories in class and perhaps I am going to get down to it, eventually but I want to reasearch it properly so bear with me. It will take some time.
If you have not worked with stories much you can have a look at this post here, to look at the basics of using storybooks in the EFL classroom and here at one of the ways of building a lesson around a coursebook story.
Today, however, I would like to tell you about the behind the scenes work – everything that takes place in my VYL and YL classes to ensure that my kids are ready to tell stories.
makebeliefscomix.com
Why bother?
To take my students from the receptive skills of storytelling towards the productive storytelling skills and in a more extensive way than just listening to the stories we read and which they help to retell
To give them the appropriate tools to enable production (We Want More! (remember?)
To unleash their imagination and creativity, step by step, even in pre-school.
makebeliefscomix.com
Step 1: Teaching adjectives
I wouldn’t want to say that the curriculum and the coursebooks we use with VYL or YL do not contain any adjectives at all. Yes, some of them are included but, in my opinion, there is a lot more potential than just the basic ‘happy, sad, angry’ and ‘big and small’. If you think about it, many coursebooks introduce adjectives only when they deal with comparatives and superlatives and, in my humble opionion, even the very young kids understand at least some of the opposites and they can use them to describe things.
For that very reason, the curriculum can be upgraded by adding:
more emotions: happy, sad, angry, hungry, thirsty, tired, sleepy, not so good, great, good, OK.
more adjectives to describe characters: brave, strong, clever, beautiful, ugly, scared and not scared, fast, slow.
adjectives to describe objects and animals: funny, scary, long, short, old, new, clean and dirty.
It is true that it might not always be easy to depict these accurately but we can easily use the children’s growing ability to deal with symbols and all these concepts can be associated and explained with carefully chosen images.
Here you can find some of the vocabulary sets that I use with my pre-school and primary strudents. A very important note: children are not necessarily expected to memorise all of these and to be able to remember both the word and its written form. We stick to the curriculum as regards the tests and assessment but in our classes we use a lot wider vocabulary range than the coursebook suggests.
Step 2: Teaching verbs and teaching Present Continous
That is another topic or area which, in my opinion, can significantly contribute to the development of our little students’ storytelling skills but, at the same time, the area that has not really been reflected in the coursebooks. Fair enough, the Present Simple might not be the most essential structure to know. It not introduced explicitly in the pre-school coursebooks (to the best of my knowledge) and in primary it is a structure on the YLE Starters list but in the classroom, this one is introduced in year 2 of primary.
At the same time, this is the structure that can be easily introduced and clarified with gestures, a structure that can be used in the classroom, to clarify instructions or to manage the group and a structure that is very (very, very) useful while describing pictures and, later on, describing pictures which form a story, like in the YLE Movers and Flyers.
As for the content, these are some of the verbs that can be added to the curriculum
everyday verbs: get up, eat, drink, brush your teeth, wash your face, get dressed, go to school, go to sleep, play, cook, watch TV, sleep.
hobbies and free-time activities: dance, sing, draw, read, write, ride a bike, listen to music, jump, run, swim.
makebeliefscomix.com
Step 3: Teaching the basic linking words
This is probably the most challenging step as it is the most abstract one and cannot be easily represented with flashcards. At the same time, the three basic linking words: and, but and because can be taught in the context.
These are the ideas that I tend to use with my students
and: introduced as a follow-up of ‘I like / I don’t like’ to talk about our preferences ie ‘I like apples and bananas and cookies’ and it can be used with quite a few sets of vocabulary such as colours, toys, food, animals, pets, etc.
because: introduced when we talk about how we feel. We start with a simple ‘I’m good’, ‘I’m happy’ and then we slowly introduce the linking word ‘I’m happy because it is sunny’. The same applies to all the pictures and photographs we discuss.
In all three cases, the introduction starts with the children being exposed to complex sentences linked with three words and getting used to hearing them. Production comes later on, when they are ready.
makebeliefscomix.com
This is the first part of the post.
In part two I am going to share some of the activites we use in class. It’s half-ready)))
‘Symbolic representation – making something stand for something else’*
Symbolic representation, its importance and development in children are a truly fascinating topic and one of the crucial ones to anyone who works with the little children.
Tina Bruce’s definition of symbolic representation has become the title for this paragraph and that means that absolutely anything can become a symbol of something else and being able to read these symbols is an important step in child development.
Symbols are everyone around us. Some of them are universally recognised such as mathematical symbols, musical notation or the letters of the alphabet, some are personal. While growing up, children are learning to differentiate between the symbol and the real object, they learn to recognise, learn and, eventually, to create symbols.
Examples? Imagine a cat, a black beautiful and soft murmuring creature. Now, imagine a flashcard of a cat. Obviously, as adults we have no problems differentiating between these two and understanding that the flashcard, no matter how realistic, is not a cat and that it only represents it. We can even take one step further and look at ‘CAT’ written on the board also understand that it is not the cat itself, only its symbol. Or that when we move one of our hands in the air (with the fingers spread apart and crooked a bit), while saying ‘meow’, we also want it to represent a cat. Although we are not the cat ourselves. One more step would be going in the direction of what the cat or the black cat itself might represent…
It is basically the development of abstract thinking. Why does it matter to us, the teachers of English? Well, there are a few reasons and a few immediate uses in the classroom.
Flashcards…
This is probably the easiest to highlight and, at the same time, the most obvious way in which the symbolic representation and its development influences our daily life in the classroom.
Flashcards are the staple resource of a VYL and YL teacher. We can bring toys into the classroom or plastic fruit to introduce and practice vocabulary with them but it is not possible with all the topics. Sadly, we can never have a real elephant or a real princess in the classroom, sadly, and for that reason we have flashcards. They help us work with the language as they are not only easy (or relatively easy) to obtain but they also help use the language and the variety of channels: visual (as they are colourful and pretty), kinesthetic (because we can manipulate them) and auditory (with the language produced by the teacher and the students).
However, there is the question of what exactly we want from the flashcards. They should be colourful and durable and visually appealing but they should also clearly convey the concept, not to confuse the children. The situation is much better nowadays, the materials that we work with are of a much better quality but you can still find a few ‘gems’ that should have never seen the daylight. I am collecting those and perhaps I am going to share with you my most precious finds (or rather ‘finds’).
It is a fascinating thing to be producing the flashcards to represent a less obvious concepts for example adjectives.
These first two are very straightforward, a frown is easily associated with ‘I’m sad’ or ‘sad’ and thinking of food with ‘I’m hungry’ or ‘hungry’.
The other two were a bit more challenging but I did assume that an owl is considered to be a very wise animal and it is often used in such a way. That is why we have also adopted it in our class. The other was even more challenging but I assumed that kids (or not only kids) often cover their eyes when they are scared and don’t want to look at what frightens them (although they sometimes peek through the fingers nonetheless:-). This is how we have ended up with these two symbols for ‘I’m clever’ and ‘I’m scared’ (or ‘clever’ and ‘scared’).
But things got really interesting and challenging recently. I needed a flashcard for ‘It’s scary’ (or ‘scary’) because we are in the unit of pets and animals and we learn to describe them, including what they like to eat, what they can do and what we think of them.
I already had a flashcards for ‘I’m scared’. For a moment I was considering using an image of a monster but those nice ones were sweet and funny and those that were really scary and illustrating the concept well, they were just too scary, even for me. In the end, I decided to go for a spider (as most kids don’t like them and I hate them so my reaction to them is always very real) but I covered it with a flap. My reasoning was that if something is scary, we don’t really want to look at it. So far it works well. And my kids love to pull off the flap while telling me that it is NOT scary.
Gestures
The gesture is king! By adding gestures while teaching kids vocabulary or structures, we multiply the number of channels through which the kids are operating (visual – with flashcards, auditory – the words spoken and kinesthetic – through gestures) and we help them remember and recall the language with more ease.
It does not really matter if we use gestures (or symbols) that are universally recognised. It is an advantage if we can, of course, but I doubt that any culture has a gesture ready for the vocabulary that you are studying at the moment, for example ‘It is snowing’, ‘it is windy’ or ‘a clown’, ‘a doctor’, ‘a princess’. It does not really matter, though. The English classroom is a sort of a bubble, a mini-universe where its own rules apply. It is almost natural that this world will have its own set of symbols or gestures.
I have already committed a separate post on different ways of using it with preschoolers learning English as a foreign language. You can find it here.
Vocabulary and structure or How to teach grammar to preschoolers
Symbols and their application can be especially useful while teaching grammar to preschoolers. First of all, taking the students out of the one word production world and into the phrase- and the sentence- or perhaps even the discourse-level is a challenge all by itself. Our EFL students have a limited class time (unlike the bilingual or the ESL children) and a limited exposure outside of the classroom. Second of all, pre-schoolers are indeed very young and their cognitive skills and the ability to deal with abstract concepts (such as grammar) are limited. Last but definitely not least, they are pre-literate in English and the structure cannot be just presented to them using the written word. Primary children, who learn grammar but depend heavily on the context (which is an advantage and a source of support), still receive the basic form of the target langauge on the board or in the coursebook for example ‘I like…’ which helps them remember the key structure and which supports production.
For that reason some other solutions have to be found and, at least, for me and my students relying on symbolic representation has been a life saver.
It started with a heart, you could say. I needed a symbol to stand for ‘I like’ and ‘I don’t like’ and at first I went for something resembling a face of a child that might be saying ‘Yummy’ but when I brought them to school, my students looked and said ‘happy’. Not good at all. The distance between the symbol and the real thing was too long and our new symbol resembled another symbol too closely. This is how we ended up with a heart – a coloured-in heart and a crossed heart to stand for ‘I like’ and ‘I don’t like’ respectively.
We use them together with the food, pets or colours flashcards and they simply work wonders. Both main components of the sentence are represented here visually, it is easier to remember them, to produce and reproduce them and they can be manipulated physically, too, as each of the students can have their own heart, double-sided. The heart can be put on the flashcard face up or face down depending on how the kids feel about it. It can be also held up, show the other students ‘the right side’.
It is amazing to see how quickly students accept this particular symbol and how effectively they use it. It is even more amazing to witness how they try to adapt it to the situation to make sure that they express their opinion and that this opinion is also reflected in how the symbol is used. In one of my groups we were using it with more complex food items and one of students said that she didn’t know whether she liked steak or not because shed had never tried. After a brief moment of hesitation, she decided to hold the little cardboard heart side-ways (or edge-ways) so that it expresses neither ‘I like’ or ‘I don’t like’.
Another way of applying symbolic representation are the mini-emotion flashcards which we use to describe the feelings of others. These are quite small, small enough to fit on the character or family flashcards and to make it for almost ‘real’ experience when ‘mum’ looks really happy or sleepy or hungry.
These mini-cards can be used in phrases ‘a happy princess’ or in sentences ‘The princess is happy’ and the position of the card will reflect the change in the phrase ie if the card is on the left of the flashcards it reflects the position of both words in the phrase in which the adjective comes first. If the mini-card is on the flashcard (for the purpose of realism and fun) or on the right we produce a full sentence in which the noun comes first, followed by the verb ‘is’ (the only part that needs to be remembered and which can be represented by a gesture) and by the emotion.
Unfortunately, it is not always easy to find a suitable visual symbol for each structure we teach but it does not necessarily have to be a picture, gestures will work equally well. For example for ‘I’m wearing’ I motion my hand from my neck down to point at the clothes and for ‘I can see’ I tap my finger twice on my chest (for ‘I’ and ‘can’) and then point at my eyes ‘(‘see’).
I think it can be safely said that I am (slowly?) adding symbols to my collection. Plus, it is fun to make the ghost scared, for once and this lesson always puts me in a better mood.
And then there are letters, too!
Letters and alphabets or any writing systems are a fascinating set of symbols and, eventually, children get to know them, in their L1 and in English, too. When they are ready. This is an adventure that deserves its own post (or, indeed, a series of posts), soon, especially that when we take the first steps in the world of the written word, it is with a background in another alphabet and another set of symbols, some of which are the same, some of which are different and some of which are false friends because they look the same but they represent different sounds.
Developing literacy skills is as much a challenge as it is fun. Especially that children as young as four and five comment on the fact the English ‘Pp’ looks exactly like the Russian ‘Rr’ and that ‘Ww’ turned upside down turns into ‘Mm’ (well, at least the capital one). Or that ‘Xx’ is a Russian ‘Hh’ or ‘A cross, Anka! It looks like a cross!‘
More on that later.
Kids grow up…
Of course the use of the symbol in the EFL classroom is not limited to pre-school, only later on the symbol is not an essential component (at least in my head) but a pleasant supplement that makes things fun, colourful and a bit easier. Examples? The ghost in the cover photo which we use with my primary kids to stand for the silent letters that started to appear everywhere in our A1 materials or the gestures that we used while learning and practising some basic adverbs of frequence: always (5 fingers – 5 days a week), usually, sometimes and never.
Happy teaching!
*****
If you are interested, make sure you have a look at these:
Symbolic Understanding in Infants and Young Children, a lecture by Dr Judy DeLoache (2013)
Symbolic Understanding in Infants and Young Children, a lecture by Dr Stephanie Carlson (2013)
Tina Bruce (2005) Early Childhood Education, pp 105 – 125
What can you see in the photograph? Oh how I wish I could hear your thoughts and all your ideas, dear reader!
It does look pretty messy, doesn’t it? This is what I call ‘real life’.
Imagine this, I have just come into the office on the day of the training (which is not quite ready yet, not this one, the week must have been a real hell so although the ideas are there, the presentation itself is NOT, not panicking yet, but the adrenaline levels are already up) and I have just taken ‘everything I need’ out of the bag: books, notes, some copies and A LOT OF FOOD (typical). I am about to start planning. Having looked at what my desk has become, I decide to take a photo of this beautiful mess that soon will (I know it now) turn into a great seminar session.
I have decided to use this photo because it is a pretty accurate visualisation of what happens on some days when I plan my classes and to follow it up with a few words on what happens next and how I get from this havoc to the end-of-the-lesson happiness.
Based on the lesson with my ‘adult’ preschoolers a week ago.
The ‘theory’*)…
Step 1: Make a decision what your main aim is. Try to verbalise it and even write it. It really does wonders for the awareness of what you, as a teacher want from the lesson.
Step 2: Make a decision what your focused task is. ‘Focused task’ is the concept that we use at my school (and have used for at least 15 years) and it refers to the main activity of the lesson in which the students get to produce the language and the activity which is the culmination of the entire lesson. All the activities in the lesson lead to it, to some extent, just like all the roads lead to Rome.
A while ago I realised that this is the approach that I am using in all my lesson planning, for all the age groups, levels, for teaching and for teacher training, too.
Step 3: Consider the materials available (mostly by looking at what the coursebook has to offer) and whether they contribute to your aims and your focused task. If not, you will need to adapt them or design new materials.
Step 4: Think of the activity that is going to be most suitable for your materials. It is like differentiating between a tool and how you are going to use it.
After all, there are plenty things that can be done with a hammer (materials), such as putting in a nail to hang a picture, breaking a window, smashing a walnut open, stirring soup (activities) and so on. Some of them are more or less appropriate, of course. The same applies to the flashcards, boardgames, handouts and what we are going to do with them.
Step 5: Take a moment and go over the activity in order to make decisions about staging. What are going to be your baby steps within the activity? whenever we do something for the first time (regardless of whether it is the first time for me or the students), I like to make an effort to actually write the main stages, even if in a very simple form, a sequence of infinitives.
Step 6: An additional step: a homework task. It might not be always possible or, rather, sometimes it might involve a lot of work as regards material design or adaptation. To put it simply, not every teacher will have enough time or energy every single time, with all the lessons taught in a week but a homework task that is an extension of exactly what happens in the lesson and creates an opportunity to continue practising the same language or structures at home, with parents.
….and the practice. Our lesson last week.
Aim: For the kids to start describing school objects and the objects in the classroom, using full sentences such as ‘It is a blue pencil’, with the focus on colours and some simple adjectives. The kids are 5 and 6 and in the beginning of their third year of EFL.
Focused task: A game in which the kids will be guessing the secret word depicted in the cards, producing full sentences instead of questions as we have done so far. The kids will be saying ‘It is a blue pencil‘, ‘It is a red pencil‘, etc until they produce an accurate description of what is shown in the picture which they cannot see.
Materials: There is nothing in the book that could help to achieve the aim. There is one practice activity but it focuses on reading and the students are only taking their first steps in the world of the early literacy. A decision is made to design the materials. Yay.
The materials are a set of cards, 7×7 cm, with clip art pictures on them, coloured-in by hand. There are three types of cards (a pencil, a schoolbag and a rules) and six variations of each, in six different colours.
The cards must have a specific size for the kids to be able to manipulate them easily. They cannot be too big (the ‘secret’ will be difficult to keep and the regular A5 flashcards might be not comfortable enough for the little hands) and not too small (as they will be too flimsy and are likely to be ‘spilled’). It might be a good idea to keep the cards in an envelope to add one more layer of guarantee that the technical bits don’t get in the way of the successful playing of the game.
There are only three types of cards in order to make it achievable, at least when the game is first introduced. Later on, when the kids feel familiar with the concept of the game, more objects or more colours can be added.
Activity: The activity itself is a simple guessing game of two stages. The teacher chooses one of the cards, keep it secret, say ‘What’s my secret?‘ Stage 1: students guess which of the three objects is depicted on the card. They say ‘It is a ruler’ and so on, until they guess.
Once they do, the teacher confirms and asks the following question ‘What colour is it?‘. Students continue guessing. They produce the sentences such as ‘It’s a blue pencil‘, ‘It’s a green pencil‘, until they guess. To help them remember the full structure, teacher counts the parts of the sentence on her finger.
Staging
revise the vocabulary with the regular flashcards
show the kids the game cards
elicit the full sentences (signal withe the fingers), while flipping through the cards: ‘It is a green schoolbag’, ‘It is a yellow schoolbag’ etc.
mix the cards, to choose one and keep it close to the chest
say ‘What is it?‘ and peek at the cards, secretly and suggest a possible (wrong) answer.
wait for the kids to start guessing.
keep showing the fingers and counting parts of the sentence as the students are producing the language, developing the habit of answering in full sentences.
confirm when the kids guess the object in the picture, praise the student who guess and all the students
say ‘What colour is it?‘, peek at the cards, secretly and suggest a possible (wrong) answer
wait for the kids to start guessing.
after a round of two, the kids take over – call one of them out and ask them to sit on the teacher’s chair, choose the picture for them (to save time, especially in the first lesson) or let them choose the picture they want to play with but operating the cards yourself. The kids might be able to take over in the first lesson, they might be able to take over only in the following lesson, when the game is played for the second time.
encourage the group to make sentences, counting on your fingers, praising the kids, encouraging them to produce full sentences.
Homework
The homework task in this lesson was a simple handout, ‘a sentence maker’ in which the students have to complete the missing parts of the sentences, either by adding the colour (by colouring the box) or the adding the school object (by drawing it). The kids choose their own words. Later on, they ‘read’ their sentences. You can find the basic handout here.
The teacher makes one copy per child and one more to demonstrate the instructions in class. When we did this kind of an activity for the first time, I added the colours myself in line 4 and 5 to make the task straightforward. In the future, they will be given more freedom when they are more familiar with the format and the idea that each part of the sentence is represented by a visual or a symbol.
Did it work? aka ‘Happiness’
You know this moment when you are teaching and you literally want to get up and pat yourself on the shoulder with ‘OMG, you rock’? because you are allowing yourself, simultaneously, to teach and be fully in the lesson but also to be evaluating this lesson as if you had been the observer in the room. And it is actually going on very well?
This was one of these lessons.
The kids loved the guessing game, especially that they were given a chance to lead. The cards and the handout did help me achieve my aims and by the end of the focused task, the kids were producing full sentences, although I had to remind them a lot to use full sentences. It was much better in the second lesson with the same game. The kids were eager to start playing the game and I only had to model once. They were ready to take over and they produced a lot of language.
If you want to read more on the subject, have a look at this post where I share how I approach the everyday lesson planning for preschoolers.
Happy teaching!
*) Inverted commas because it is not a real theory, only a set of daily procedures, verbalised.
Today about an activity that requires almost no preparation and is a nice break from the coursebook and from the everyday. Plus – you can draw. Ready? Let’s start the Musical Challenge!
Ingredients
A piece of paper, some drawing tool and a few tracks.
The choice of the tracks will depend on the teacher but it is good to include a variety of genres, songs or music with different tempo and instruments. I like to pick songs with a long intro and in a language that the students do not speak, not to let them be influenced by the lyrics.
Tell the students that you are going to play a short piece of music and they have to draw what they are thinking about when they hear this music. Highlight that all ideas are good ideas. Give the students an opportunity to include words, for example is some concept are difficult to draw.
Model, with a sample track.
Play about 30 – 60 seconds of a track and give the students up to a minute to finish drawing after the track stops. However, this is a fast-paced activity and its main aim is to provide material for speaking, not the drawing itself. Some students might want to make their drawings too pretty and too detailed and that will take time.
Put the students in pairs, let them discuss the songs. If possible, it might be a good idea to play the track they are discussing in the background to create the appropriate atmosphere.
Remember to put the questions / structures you want the students to answer / to use on the board. It will help them produce and stay on the ball.
Final feeback can include choosing the favourite and least favourite song.
Why we like it
It is very easy for the teacher to set up. It is enough to play the audio from the phone or even from youtube, pratically no preparation is necessary. It is possible to prepare a grid with numbers but it is much easier to give out an A4 or an A5 piece of paper that the students are asked to fold into halves until you get eight or six boxes. It works well, too. Because of that, it can easily become your go-to last minute, no-prep activity that can be added to any lesson.
It works well with different ages, not only with higher-level students, although, obiously, they will be able to produce more langauge and to discuss their own associations, metaphors, using more advanced language such as modal verbs for deduction. At the same time, even the younger and lower level students can describe their illustrations using simpler structures (I can see, he is wearing, he is happy) and to express their views (I like this song, I don’t like this song because…). The youngest students that I have done this activity with were about eight years old and studying in the A1 level.
The teacher has a lot of flexibility, this activity can be stopped whenever it is necessary, after four, five or eight tracks. The activity does not really have an end so it does not matter when it is stopped, for example when the students are not quite interested.
It can be further extended into a homework task. The students can be asked to choose a song, prepare their drawing at home and then play the song for everyone in class and either draw or just talk about their associations before presenting their original picture. If the songs are played in other than L1 or English (or if the beginning of the song does not include any text), the discussion can go in the direction of the story that the song is telling, based on the title, the summary or the single quotes.
It gives the students a chance to express themselves through drawing. We do a lot of that with the younger students but as we go, higher (level) and older (age), drawing and colours do disappear from our lessons, sadly. It is good to bring these moments back. They students do enjoy these.
It is a fascinating opportunity to see how music can be seen by a group of people and how different these associations can be.
It is highly personalised and open-ended, all ideas are good ideas
As a result, that kind of an activity generates a lot language.
The last time we did it a few week ago, we used the following tracks (we also read a text in our coursebook on music and fashion in the last 70 years, this is how all of the songs appeared here and how I listened to Ed Sheeran for the first time in my life:). Now, have a look at the pictures illustrating this post and have fun guessing which song inspired them. The Joni Mitchell, River
I still remember my first ever lesson with pre-schoolers in Moscow. I went in prepared, a whole pile of flashcards, crayons, books, mini-cards at the ready. I wasn’t scared or panicky and the thought that we had to occupy ourselves for only 45 minutes was rather soothing. After all, I did teach in Spain, the group was much bigger and the lessons much longer and yet I survived. In a rather victorious manner.
But then the kids came in, only five of them, they sat down nicely and we started the lesson. And by that I mean ‘I’ started the lesson. They did not give me the register before the lesson, the admin left quickly, the door was closed and the parents were somewhere else. I was on my own.
The kids were sitting nicely, very nicely, just looking at me and absolutely not reacting to my smiles, hellos and communication attempts. They did not respond at all to my ‘silly teacher guessing game’ that I normally (and successfully) use to get the kids to introduce themselves at the beginning of the first lesson. I say my name, pointing at myself and then start with one of the kids (the brave-looking one) and start bombarding them with all the boy’s or girl’s names typical of the country that I can think of until I bump into the right one or until the child reacts to the silliness and introduces themselves.
Only this time, I was getting nowhere. Five pairs of eyes were looking at me, just looking at me and waiting for something else. Something else which I did not have. It did last only a minute or even less, in real life, but it felt like a whole eternity. And I did start to panic.
Luckily, among the rubbish that I did bring to class that day, I had a puppet, Max from Playway to English. And guess what, the kids did not want to talk to me but they were more than happy to converse in Max. In English, straight away, even without any special introductions in L1 and explanations that Max is from England does not speak Russian and so we have to make an effort. That was not necessary, they just wanted to talk to him. We did talk. Yay!
I don’t really like puppets, to be honest.
I don’t and I cannot even explain why.
I am actually good at all the puppet-related skils. I don’t have a problem with putting on voices, making faces and role-playing things with myself for the benefit of the 5-year-old audience. And anything in the classroom can find its own soul and voice, flashcards, masks, pencils.
But, really, I use puppets only in the beginning of the course, with new groups, when we have new students joining an already established group or when we were forced to move our pre-primary classes online.
Dex is then ready to help and Teddy sorts out most of the issues. Children feel more comfortable with something that is soft and pretty and right out of the world that they are familiar with and someone who does silly things and who can make them happy. Teddy and Dex are always at the ready.
However, as soon as we done with the first weeks of the course and we feel comfortable in the classroom, they visit less and less frequently. I don’t miss them but perhaps this is something that I should actually reflect on why we are not using puppets more. But there are exceptions, of course.
Angelina, my superhero
It all started in 2017 because this was the Year of the Rooster and, traditionally, the world filled up with toys, figurines, puppets representing this very animal. One of my friends landed one as a present and decided that my classroom will be the best permanent home for it or, actually, her, because, regardless of the Chinese horoscope, it is a she, a hen, Angelina.
At the time, my youngest group were already very big, already five years old, well-accommodated in the school and in the classroom and definitely beyond the stage when they needed a puppet to ‘feel better’ or ‘to break the ice’.
But I had Angelina and I really wanted to use it and, of course, I did. It was not one of the projects that you start with research and reading that lead to implementing an idea in the classoom to meet some specific aims. Here, we went topsy-turvy. I had a resource, I jumped in at the deep end, without any specific aims, observing, taking notes and reflecting. And learning a lot about working with preschoolers. Here is how Angelina changed my teaching life.
Angelina 1: When puppets listen, kids talk.
Instructions
Get a puppet, think of the name, the background, the voice and the movements. Our Angelina, for example, is not quite a puppet, rather ‘a fancy sweets container‘ as she has a big zipped pocket, in her bum (sorry) which I decided not to use it. I do not to put it on my hand. She normally sits in my lap and I hold her by the back, letting her express herself mostly through the head movements. Sometimes, with the use of my other hand, I use Angelina’s wings or wings which are quite dangly. She is, overall, quite expressive for a puppet))
Make the puppet a part of the classroom routine. Our Angelina sleeps in her house (this being a rather unappealing plastic bag hanging on the bookshelf). Right after the hello song and hello routine, we wake her up and invite her to join us in the circle. Afterwards, she says goodbye and returns to her house, to continue sleeping.
The main aim of Angelina’s visits is to provide an opportunity for freer speaking practice and to encourage the kids to produce the language spontaneously.
In practice that means that we ask lots and lots of questions and Angelina is telling us about herself. We start with ‘What’s your name?’, ‘How are you today?’ and ‘What’s your favourite….?’, later moving on to ‘Do you like…?’, ‘Have you got…?’ and ‘Can you…?’, although these are always only ideas and I make sure that all the contributions are welcome. I have not tried telling and retelling stories yet but that might be another option.
Why we love it
Angelina (or ‘a puppet’) is a fascinating way of getting the language out of the kids. They start producing the questions because they are really curious about the class puppet’s life and these questions start from the ‘traditional’ questions, often used and heard in class but they quickly become very creative and unexpected.
Kids naturally react to what Angelina says and we can use this opportunity to teach them and them a chance to express surprise (‘Wow’), disbelief (‘Really?’) or shock (‘Oh no!’).
There is some opportunity for emerging langauge learning, for example ‘wolf’ (things that Angelina is scared of), ‘corn’ (things that Angelina eats) and ‘planet’ (things that Angelina likes) that we might not have learnt otherwise because they do not really feature in our coursebook.
It is a woderful opportunity for spontaneous production since with this kind of activities the students are in charge of the content. Naturally, they will not be able to chat freely in English about Angelina (what with being 5, pre-A learners of English, with a limited exposure to L2) but from my perspective (I still teach these same, first Angelina, children, now we are seven and eight and A1 level), this was an important first step that has definitely contributed to my students’ current level of fluency and communicative skills.
Angelina 2: Our class puppet and her diary
Instructions
First you need to have had a class puppet for some time for the kids to become familiar with the puppets, their habits and interests. I introduced Angeling in year two and the diary in year three, but it will depend on the group and the children.
The teacher starts the journal. I used a sketchbook and filled in the first few pages with Angelina’s adventures. Each of them was a drawing and a sentence.
The teacher brings the journal to class. The group look at it together and talk about what they can see in the pictures.
After a few weeks, the teacher first explains the whole idea and the logictics to the parents: the kids, in turns, will be taking Angelina and the album home for the weekend and then, when they are ready, they will bring them back, with one more drawing added. In class, we are all going to look at it and talk about it.
To lessen the stress of having to draw in the official diary, I have used a template for the main character, an drawing from clip art library that I printer, cut out and glued to a few empty pages. This way we would always create a collage, the drawing of Angelina would be consistent and of a good quality and the students would only work on the scene itself.
The kids were only suppsed to write but some of the parents helped and wrote the key sentences.
When I introduced the idea, one of my eductional mums said ‘Youa are brave!’ and, I guess, by that she meant that I was risking Angelina getting destoryed, lost, stained or loved so much that she would never want to go back to school…Yes, that is something to take into consideration. The younger students might get too emotionally attached and we would be in trouble. Plus, there are the accidents of the everyday that we cannot predict or prevent. I did think about it and I still wanted to risk. Plus, I had located another copy of Angelina in our accountants’ room and I was ready to ask, bribe or steal, should anything really bad happen to our original SuperHen.
‘Angelina is making cookies’
‘Angelina is having cookies and tea.’
Why we love it
The kids loved taking Angelina home to play. Once she came back to school with a boyfriend (who stayed only for a day) but she also encouraged other kids to bring her toys. A parrot called Pepsi attended our lessons regularly, participated eagerly and sometimes asked for her own handout in order to be able to do her own homework. Which, accidentally, was always different from her human’s homework.
The project gives the kids a chance to be creative as Angelina can do absolutely anything while visiting. She can go to the park and she can fly to the moon, too.
It provides the entire group with a picture to talk about, to discuss and to ask questions about and the best bit is – we never know what it is going to be. As a result, we get yet another chance to use the language tools we have to talk and to learn new vocabulary, too.
No Angelina was harmed during the entire project. The kids took this responsibility very seriously and I was really proud of them.
‘Angelina is making a cake’
‘Angelina is on the beach’
‘Angelina is jumping into the swimming pool’
Instead of a coda, another puppet story.
If you think that puppets and class puppets work only with the little kids, I would like you to reconsider.
In the classroom where we study with my older kids, we don’t have any balls and whenever we need to throw things (while playing games) we use soft toys. For that reason, we have a creature called ‘Flying Cow’, which lives on the top shelf, is a very sphere-like toy cow and, yes, it frequently flies.
Despite the fact that the students are well-past the primary age, Flying Cow always gets stroked, squeezed, hugged, patted, or, in other words ‘is shown affection’. Last year, while we were playing, the cow got thrown or caught rather too energetically and, as a result, suffered a tail injury (reads: it just got ripped off).
It was an interesting thing to see that all my seemingly teenage students gasped in horror at the damage done. As if Flying Cow would really be in pain. I did keep a straight face and acted like a good doctor ‘Don’t worry, everything is going to be alright. I’ll take her home and fix it.’ Which was met with relief.
Maybe not only the little kids?:-)
Now, dear teacher, take a careful look around. Is there anyone that could become your Angelina?
Set-up: a set of small chairs in a circle, in one super cozy corner of the classroom. This is where always start the lesson before we move to the serious part of the classroom and the lesson, with big tables, big chairs and coursebooks.
Time: 5 – 10 minutes in the beginning of each lesson
Materials: Angelina, dice and any visuals, especially flashcards, EFL posters (and at the school we do have a big and the most random collection of these from long-forgotten publishers and coursebooks), Starters, Movers and Flyers wordlist picturebooks which you can be easily downloaded (although we are lucky to have a few paper copies, too) and sometimes a whiteboard or a set of mini-whiteboards
Interaction patterns: all the new activities are first tried and tested with the whole group, to support production and to make sure that all students feel comfortable to be creative and to share their ideas. Later on, we split and continue in pairs or in teams.
Here a confession: ideally, of course, all of the interaction should be taking place in pairs to ensure that everyone has a go and produces as much language as possible but it is not what we always do. I have noticed that first of all, the children really do enjoy the whole group discussion, when everyone can contribute and when we do something together. I cannot quite describe it but it is almost palpable, this ‘team spirit’ and it does have a positive impact on them and on the atmosphere in the group. Plus, they are always curious about everyone else’s creative (aka crazy) ideas so they pause to eavesdrop, especially when there are giggles coming up from different parts of the circle. Because of that, we do both, a lot of whole class and a lot of pairwork.
Some of the activities to use in the Speaking Circle:
Tell me about that boy: the kids choose a person, an animal, a character or an object in the picture. The kids choose themselves what they want to conversation to be about and what information to include. The basic information usually includes emotions, clothes, activities or location.
Yes or no: the kids use the picture as the basis to make true or false sentences about the picture. The other students listen and correct the sentences when necessary.
Riddles: the kids describe something in the picture (the colour, the size, the location and the activities) for the others to guess
Which one is better?: the kids draw two cards out of the pile (animals, gadgets, food or anything else that we are studying) and they choose which one is better.
It’s a pair: the kids look for associations among different objects, people, animals in the set and they have to explain why they have put them together
Silly pictures: the kids talk about different silly things they see in the pictures
Silly stories: the kids come up with a character and they take turns in coming up with the adventures based on the set of verbs and / or other words that the teacher prepares in advance (displayed on the whiteboard or on the mini-whiteboards).
Angelina: the kids chat with the class puppet, ask and answer questions (pre-primary groups)
Hello dice: a new variation of the hello circle that can be introduced long before the kids actually study the Past Simple. They roll the dice, once, in turns and talk about their day, starting with the key phrase and we try to encourage including justification (‘School was easy because I have only 4 lessons on Tuesday’) or evaluation (‘I ate soup and it was very yummy’) etc. Sometimes we also play with the imaginary dice which basically means that everyone can choose what they want to talk about. Somehow, then number 6 is the most common choice. Perhaps because it is most generative of all of them and it is fun to say that ‘I didn’t go to Mars’, ‘I didn’t eat a fox’, ‘I didn’t dance in the park’ and what not. Not to mention that they just LOVE rolling the imaginary dice.
I kept it colour-coded to help them navigate among the verbs in the early days of this game.
Why we like it
The kids love it
They are very creative, they have great ideas and they want to share them
By being creative, they also develop their creativity, there are new ideas, new approaches and even more fun
Endless opportunities for revising without focusing too much on any specific vocabulary or structures.
Some potential for accidental learning and emerging vocabulary (although to make it work properly, I should start keeping track of it)
The activities do provide lots of opportunities for spontaneous (or almost spontaneous) language production where the only scaffolding devices are just the resources prepared by the teacher for the day and the langauge that the kids have at their disposal and, in many ways, we are just having a chat, despite being only A1 level.
Really, the part of the lesson that I really look forward to, every Tuesday and every Thursday.
Even only looking at the blog here, it is easy to figure out that I am passionate (or, well, let’s be honest: ‘obsessed’) about maximising production in young and very young children and I am constantly on the look-out for new techqniues, resources and activities that can help the youngest of my students produce more and more language.
This is how a few months ago I found Saffira Mattfield, who is a speech therapist from Australia (@onlinespeechie) and who uses colourful semanticswith her students to encourage them to produce more language, in full sentences. I have started using it and promoting it here on the blog, too.
Then, a few days ago, while searching for silly pictures that I could include in my lessons, I have found Allison Fors and her blog. Allison (@speech.allisonfos) is a speech therapist from California who creates resources for speech therapy (some are free, some can be purchased at a small fee) and who writes a lot about different techqniues used by therapists, parents and teachers that lead to enabling the little children to speak more and speak better.
If you think about it, EFL teachers and speech therapists have a lot in common. The context is different but the age group is the same: preschoolers and the aim is the same: get them to talk.
For example, when it comes to picture scenes, Allison suggests using them:
to have a conversation about the picture
to work on vocabulary sets as all the picture scenes have a theme ie the beach, in the kitchen, etc.
to work on verbs and Present Continuous as all the picture scenes usually involve a group of characters involved in different activities
to practise asking and answering Wh-questions
to practise prepositions, nouns and pronouns, directions and inferences.
Among some other ideas that I have found on her blog are using blank comics in speech therapy, using short videos or sensory play. Of course, the very young beginner learners of English as a foreign language, will not be able to produce as much language as the L1 speakers but lots of ideas that could be adapted to our needs.
Another source of inspiration can be Carmen Perez and her blog, although it is in Spanish so a little bit more difficult to access.
Perhaps this ia a new area to research and to be inspired by for us, too? What do you think? Let me know in the comments!
www.seanparks.net, also reproduced by allisonfors.com and aulap.org
Can you see what I see? Are you thinking what I am thinking?
This adventure started like many others, really, with google and one of those straightforwardly mindless searches and a hope that the engine can actually pleasantly surprise you once more. this time it was ‘silly pictures for kids, clip art’ or something similar.
When I came up, I tried to take in all the absurdities all at once but at the same time, my teaching brain was firing at me with the many ideas of how I could use it in class. If I had been an ancient Greek philospher, most likely, I would be running around shouting ‘Eureka’ but since I am only a humble teacher, the only reaction was a rather excited mumble ‘THIS is going to be SO good!’
Now, this Crumbs post is going to be slightly different. We are still in the middle of winter holidays so there hasn’t been a chance to properly trial and test it with mu kids. but I am going to share it anyway, now, and the real classroom experience is going to be added in a week.
Here are the activities I am planning for next week
Preschoolers: Yes and No.
With my second year preschoolers, we are going to use the winter scene as this one is most relevant due to the what’s happening in the world outside of our windows and because the vocabulary and structures that we are already familiar and this picture has a chance of being most productive.
Yes and No is a game that my kids are familiar with. The teacher makes a sentence about the picture, which can be true or false and the kids have to react to it and correct it, using either a full sentence or only a phrase, depending on their abilities.
For example:
T: I can see a girl. She is sliding on a doughnut.
SS or S 1: Yes / Yes, it’s true.
T: I can see a girl. She is wearing one yellow hat.
SS or S: No. She is wearing 5 hats.
https://www.pinterest.ru/pin/96686723224800785/
Primary: Can you see something really silly?
Step 1: Prediction
T tells the kids that they are going to see a picture of a campsite. T asks the whole class to guess what might be in the picture. To make it even more dramatic, T can ask the kids to close their eyes, imagine that they are in the forest and say what is happening. T may preteach some of the campsite-related words that kids might not be familiar with yet.
Step 2: Silly campsite
T tells the students that the campsite that they are going to see is a little silly. Kids work in pairs. T gives out a copy of the picture per pair. Kids circle and describe all the silly things they can see.
Step 3: What’s the silliest thing in the picture?
To round up, each student chooses one thing in the picture that they think is the silliest one.
www.seanparks.net, also reproduced by allisonfors.com and aulap.org
Primary: Silly pictures reading practice
This one was inspired by an activity I found on aulapt.org and, automatically, I wanted to have my own. Here is it, created on wordwall and it will be shared as an additional homework task.
Primary: Tell me about this boy…Because
All these silly picture scenes are going to be the main character in our free speaking activities that has become a regular feature in our lessons recently.
One of the easiest activities to apply here is ‘Tell me about this boy‘. In the beginning, the teacher is leading the activity, chosing the people, animals or objects to describe and the students, in turns, decide what information they want to share. Now we have reached the stage when the kids are comfortable enough with working in pairs and taking turns in choosing the parts of the illustration for their partners and describing what was selected for them.
Now, with this new resources and all the absurdity, I would like to go in the direction of looking for rationale for their actions. We will try to play ‘Because‘. It might not always be easy but since the students are in charge of their discourse (well, ok, their mini-discourse), they can focus on how the people are feeling, what they like or don’t like or what they did before that might have had an impact on their non-standard behaviour now. Especially that we have just started talking about the past, using was/were and the affirmative forms of the regular and irregular verbs so that might be just a perfect opportunity to practise these.
Stage 1: Extended modelling
T: Tell me about this animal.
S1: It is a bull. It is swimming.
T: Because he likes water.
T: Tell me about this man.
S2: He is sitting. He’s got a big fork.
T: Because he is very hungry.
Stage 2: Because
Since this is a new kind of an activity and it might quite challenging to find the rationale for all the actions, we will play it together, to ensure a good brainstorming session. Kids will be choosing what they want to talk about and the whole class will try to say what everyone is doing and why.
In the worst case scenario, we might resort to our ‘Because because’ answer which they sometimes use or we might just go for a simple ‘Because it’s fun’.
This ia brand new adventure for us. I will be back in a few weeks to let you know whether it was a story of success or yet another epic fail story to post on this blog, too.
If you are interested in our free speaking practice circle, have a look at this post and if you would like to know more about what EFL teachers can learn from speech therapists – here is another post to check out!
If you are looking for more ideas on using pictures in speaking activities, here are two posts from the series of ‘All you need is…a picture’ and, its Volume 2 (because activities are accumulating:-)
PS A word of confession: it was very difficult to resource these illustrations. They have been posted, reposted and shared a million times, sometimes losing the artist on the way. I did my best!
Happy teaching!
P.S. A request!
It is very simple.
I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.
