Crumbs: Little ideas for the classroom

Crumbs #27: A project I can be proud of

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Ingredients

  • A3 paper
  • a yellow square aka the city centre for each pair
  • pencils, rulers, crayons, markers
  • a very detailed plan and careful staging (see below)
  • post-it notes (two different colours)
  • the materials to set the context based on the material from Superminds 5 by Herbert Puchta and Gunter Gerngross from CUP

Procedures

  • The introduction to the project was based on the material in the coursebook.
  • Afterwards we made a list of places in the city (I was taking notes on the board). Then, the kids were chatting in pairs, creating questions for each other: Which one is more important in a city, X or Y? Why? This was a fun activity, the kids were coming up with sometimes impossible pairs and providing justification for their choices.
  • I divided the kids into pairs and explained that we were going to design a good city. Each pair got a set of questions about their city and they were to discuss these with their partner. The handout was cut up into three pieces and they were given out, bit by bit (or rather, that was the plan. In the end, I only gave out the first part, the other phrases and questions were simply written on the board for everyone to see). I was only monitoring and asking follow-up questions. We did not have a whole class feedback.
  • I gave out the A3 sheets and the yellow square. I explained that it is the city centre and I asked the students to decide where it is in their town and to glue it on. I did it on my model. I drew the map legend box and I drew two items on my plan. Afterwards, I gave out materials and the students started to work.
  • The negotiation language and the steps (stage 2 of the handout) was displayed on the board. I planned it differently but, in the end, I decided not to give this part of the handout out. There was no room for it on the tables anyway.
  • The kids were working on the project for about 10 – 15 minutes, until the end of the lesson.
  • At the beginning of the following lesson, the kids sat down with the same partner and each pair got a set of post-it notes, pink to write what they like about the city and green to write about the things that the city should have. We circulated the projects, kids worked in pairs, looked at the plans, talked and made their notes on the post-it notes, discussed what they liked about each city. They also made suggestions and all their ideas were written down on the post-it notes which they attached to the plans. Each pair had a chance to talk about all of the other posters.
  • In the end, the posters returned to their owners and the designers had a few minutes to look through the comments.
  • In the very last stage, each pair of designers was asked to provide feedback on the feedback they received. They did that by answering the following questions: Which are the favourite places in your city? What should your city have? Do you agree? Why? This was the only part of the project that was done in front of the whole group.
  • In the end, the posters were displayed on the walls.

Why we like it

  • I personally really liked this project because it was a diversion from a traditional approach to a project in which the students work in pairs or teams to produce something and then present it to the rest of the class and in which a creative stage is followed by a productive stage. I have decided to give up on this format almost entirely and, instead, to minimise the creative stage and to maximise the production without limiting it to the post-project phase.
  • Throughout the entire project, the kids produced lots and lots of language, they were making suggestions, expressing views and commenting on the other students’ suggestions. There were at least three layers of material created by the students, in one format or another.
  • In hindsight, I do believe that there were even more opportunities for the further extension of the project by comparing the real cities the kids know and whether they would be a good place to live, by making suggestions how the city they live in can be made better or by ‘visiting’ one of the other cities and writing letters or postcards from their visit…
  • I was glad that I decided to keep the creative part of the project, even if in a limited format. They students really did enjoy designing their cities, drawing and colouring, even though in my eyes (a boring teacher here) they should be the first to go as not very generative.
  • It looks like my kids also enjoyed the project. They were asking after the lesson whether I would put the posters up (I did!) and, a few days later, whether we are going to have any more project lessons (we will!)

Happy teaching!

Crumbs #25 One sentence grammar practice (From the lazy teacher’s diary)

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Ingredients

  • A set of sentences with the key structure. In our case these were random (as in: not a part of a story or a discourse) sentences with let and make, in the present tense and in the past. I wrote them myself (ten of each), although any set of sentences included in typical gap fill activities that often feature in our coursebooks would do.
  • The sentences were typed up, printed and cut up into strips. In order to manage them better, I printed the make sentences on the white paper and the let sentences on the yellow paper.
  • Students work in pairs or groups of three. One of the students picks up a card, reads the sentence in silence and comes up with a short story to illustrate the sentence. The student should not really use the key verb and as few of the other words from the original sentence as possible.
  • The other student(s) listen and reproduce the orignal sentence.
  • The game continues. In our case, the students played in the teams of three first with the first set of the sentences and then with the other set.

Why we like it

  • Very little preparation.
  • It can be also SS-generated, if one more stage is introduced (every student writes three sentences with ‘make’ and three senteces with ‘let’), afterwards these sentences are dealt among the teams /pairs.
  • It is easy to adapt. It can involve one, two or a selection of the target langauge structures.
  • It is an opportunity to extend the grammar practice and to make it more productive.
  • The students have a chance to practise grammar as well as develop their listening skills and their speaking skills.
  • The kids produce mini-stories which can include both narrative and dialogue. Their main aim is to convey the idea of the grammar structure to make it possible for their peers to reproduce.
  • The mini-stories help to create the context for the grammar and can make it more meaningful and memorable.
  • It is an activity that gives the teacher lots of freedom, it can be stopped at any given point, after a certain number of rounds or minutes.
  • Apart from the target langauge, the students get some practise in key word transformation and paraphrasing, without any specific exam focus.
  • I used it with my B1 teens but I am considering how it can be adapted to the needs of my primary A2 kids, too.

Happy teaching!

Crumbs #24: The sheep! A game

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Instead of an introduction

I have a small problem: my brain does not like dealing with written instructions and, really, any instructions whatsoever. I cannot make myself. What that means for my life is that I use devices instead of reading the manuals, I prefer to watch cooking videos rather than reading any recipes (and, indeed, no matter how exciting the food, if the instructions for cooking are longer than four or five lines, I immediately lose interest). In my teaching life, that means never reading any teachers’ books (if I can help it and most of the time I can). If I find an activity that I like, in a resource pack, for example, and I cannot figure out how to use it only from the game itself, well, I just never use it at all.

Or I make up my own rules. That’s exactly what happened with this game.

It actually makes me giggle. I have had this game for about three years (a lovely present from Chee-Way) and it was only this week that I noticed the name of the game. Apparently, it is called Snap. Oh, well.

This morning I was finally inspired enough to google how to play it and I found it easily enough, only to find out that I had never played it the right way. Oh, well.

Actually, I had some suspicious that what we were playing was inspired by another game, that I once heard about but when I bothered to find out, it turned out this morning that I couldn’t have been more wrong. Oh, well.

The Sheep Game (as we know it)

  • There are 12 different emotions / feelings / adjectives in the set. We started to play with those that the kids knew already and, then, we kept adding one or two with every next game. At this point, they know all of the adjectives and we play with the whole set.
  • There are 4 cards of each adjective but in any real game, we use only two of each. One is displayed on the floor in the middle of the circle. The other one we deal among the teams. Usually each team ends up with four cards.
  • The students keep their cards secret from the other teams.
  • We sit in a circle, students ask the questions to the team sitting on their left or on their right but the questions are always travelling in one direction.
  • The main question is ‘Are you happy / sad / angry?’
  • If the team have this one particular card, they have to answer ‘Yes, I am’ or ‘Yes, we are’ and give away the card.
  • If the team don’t have this particular card, they have to say ‘No, I am not’ or ‘No, we are not’ and then it is their turn to ask the team on their left / right.
  • The game can be played for a certain number of rounds or until one of the teams loses all their cards. Then the winner is announced and that is the team has the biggest number of the initial set left.
  • It is a great game to practise the key vocabulary, in a sentence and although the students play in teams, they can win the game only when they pay attention throughout the entire game, listening to all the teams and keeping track of all the cards (or words) that were mentioned and lost, too.

Variations

  • Blue, please – one of the first games that I normally play with my primary students, in the first weeks of the course, as soon as we feel comfortable with the basic colours or numbers, we play with flashcards that we usually hide inside of the book, to make sure that the cards remain a secret. As soon as the kids progress, we replace the simple ‘please’ with a full question ‘Can I have blue, please?‘ and we play it this way with any set of vocabulary
  • Do you like… – another variation of the game that we play with the beginner primary students, we normally switch into that version when we start the topic of food and drink. If the students / teams have this particular flashcard in their set, they have to answer ‘Yes, I do‘ and they have to give the card away. If not, they answer ‘No, I don’t‘ and they continue playing.
  • What’s the matter with your…– a version that we played with my teens while working on the health / medical vocabulary which turned this game into a mini dialogue with different yes and no answers (yes = I need to have it / them checked, no = nothing I am fine) or Excuse me, where is the check-in gate? while we were working on the travelling / airport vocabulary (yes = it is next to…, no = sorry, I don’t know).
  • Any other set: the vocabulary set + the structure that would be used with this set
  • Whole class vs groups of three? With the younger kids we normally play whole class, in small pairs because it helps them learn the rules of the game much faster and because the game is easy to set up and you need no other materials apart from the set of flashcards normally used in class. With the older students, I use words on small cards and we normally play it with the whole class only in the beginning, later on they play in groups of three.
  • And the winner is… Well, there are at least two options here. For a very long time we played it in such a way that the winner was the team who had the biggest number of cards left at the end. Until my kids suggested that perhaps the winner should be the team who managed to get rid of their cards first and we played it this way, too. On the one hand, it makes the game less competitive and it is not a real shame to be ‘losing’ a card but we have had a situation when a team avoided asking the right question not to help their opponents win…I suppose the game can be played as normal and it can be decided only in the end who the winner is (all the cards lost vs all the cards saved) but we haven’t really tried it in the classroom. Not yet anyway.
  • Leftovers. We normally deal out all the cards available but keeping a few cards away and keeping them secret adds up to the challenge. These leftovers are going to be automatically the incorrect questions and the players will have to figure out first which ones these are and secondly, which ones not to ask anymore.

Happy teaching!

Crumbs #23 OR 5 ways of using video in class

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These are not all the activities that you can do with a video, these might not be the best activities for your groups. These are just some approaches that we like. Maybe you will find them useful.

Prediction

Procedure: The teacher introduces the topic of the video and gives the students a set of key words that appear in the video. The students discuss why these words might appear in the video and why they might be important. After a whole class feedback, the class watch the video to check whether they predictions were correct. As a follow-up, the students discuss the most (or the least) surprising / unusual / weird facts they have found out about.

Example: We used this video to accompany a reading on extreme adventures and survival in which making a snow cave helped the people survive. We watched a real tutorial on making a snow cave and the key words we started with were: a candle, the letter T, the stick, a saw, the flat ceiling.

Back to the board

Procedure: The teacher divides the group into pairs, one student in each pair sits facing the TV, the other one sits with their back to the screen. the teacher plays the video, students work in pairs and they retell each other what is happening on the screen. Depending on the video, the students can watch the video with the sound on or with the sound muted. After a while, the students change seats and continue watching. Finally, they talk together and answer some questions related to the video. Usually it is a mix of questions, some of which check comprehension and some which help the students see the big picture or express opinion.

Example: We did this kind of an activity while discussing sports and unusual sports. The students watched the muted video on extreme extreme ironing, in two halves, about 60 seconds each and afterwards answered the following questions: What do you think is the name of this sport? How do you think Phil Shaw came up with the idea? What can be easy and difficult about this sport? Would you like to try? Which was the strangest place in which this sport was done? In the end, we watched it together, with the sound on and we compared ideas.

Pause and talk

Procedure: This is a great activity for the videos that consist of short blocks or include a set of examples of a certain item. The teacher writes the key question on the board, usually only one, and plays the video. The students watch a short clip. The teacher pauses the video and students discuss what they have just seen by answering the question. The biggest advantage of this approach is that the teacher is in charge as regards the duration, the activity can be stopped after only three items or the video can be played until the very end. As a follow-up, the students choose their favourite / their least favourite item and justify their choices. As in all of the other activities, there is also an option of the students changing partners and sharing their ideas with someone else in the group.

Example: While discussing food, we watched the video about school lunches around the world, we watched it bit by bit (after each item) and the students had to answer the following question ‘Would you like to try it? Why?’. Actually, this particular lesson included the video because we followed up with a video on American kids trying Russian food and we paused right after the food was introduced and we try to predict if the kids are going to like it or not.

Read my lips

Procedure: It is used with the video with a very clear narrative that can be interpreted without the audio version as the students watch it muted. The teacher can start with the title of the film and ask the students to predict what they think it is about. Afterwards, the students watch the film and try to figure out what is happening, who the characters are, how they are feeling. The teacher can ask them to take notes while they are watching. Afterwards, students compare their notes in pairs or in groups of three. The teacher can also ask them about the main events or to try to connect the clip to the title of the film. Afterwards, the students watch the video again and as a group discuss their guesses. The teacher clarifies the main points, without going into too many details. The final activity is predicting what happens next.

Example: One of my top ten for this kind of an approach is a video like this excerpt from Big Fish, or actually a set of clips from the same film, for example this one here or this one here. In this one case, we did not really talk about the title of the film. After watching the film, the students were discussing what they saw but I also asked them to think about the following questions: Who was the big man? Why did he look scruffy? Why did the boy throw a stone at him? Why did the boy reach out a hand and closed the eyes? Why did they shake hands in the end?

After we finished watching and discussing, we also looked at the quote from the clip ‘You are a big man. You should be in a big city.’ and we talked about what it might mean and whether it is true.

Categorise

Procedure: The students are given a list of all the items that are shown in the video ie some extreme sports, some unusual holiday destinations, exotic animals etc. The students watch the video and they take notes about all the items, ie putting (+) and (-) next to those that they like or grading them from 1 – 5, depending on how interesting they are. After watching the video, they make their own list, organising all the items from the most to the least interesting one or dividing them into categories (like – don’t like, useful – not useful, interesting – boring) and so on. They work in pairs or small teams and compare and explain their decisions.

Example: This video was used in a lesson on technology as it presents the list of 10 Coolest Gadges. Some of the gadgets in the video have unusual names so we started with looking at these, trying to figure out what these might be. We actually divided the video into two and we discussed the first five gadgets and then, after the second half, the other five and then all ten, to round up. The students were choosing the most interesting gadgets that they might want to buy and those that they would not really even consider. In the end, we choose the most and the least popular gadget as a group.

None of the videos I use as examples were graded or created with the EFL /ESL learners so they can be considered authentic materials. I found all of them on youtube while looking for videos that would match the topic we were working on. I did not introduce any vocabulary, focusing rather on listening (or watching) for gist and general understanding, rather than on any specific details. Unless, of course, the students had any questions.

If you want to find out more about using authentic materials, have a look at some of the many resources online such as these post here: how to choose and adapt them, here from the Britsh Council, and here.

I have also found out a few posts on using video in class. If you are interested, you can find them here and here and this one here, although it has a wider scope and does not really focus on videos in the EFL/ESL classroom.

Happy teaching!

Crumbs #22 The Big Story Competition

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When you suddenly notice how the everyday is beautiful. The metro station Universitet

Ingredients

  • A group of teenagers or pre-teens
  • Paper and pen
  • The theme of the story. We are preparing for the Cambridge exams and so we used pictures and the exam format of the story writing in KET (three pictures) and the exam format of the story writing in PET (the opening or the final sentence).

Procedures

  • We start with some warming-up activities and they depend mostly on the coursebook and the curriculum but they all they have one thing in common – they help the kids get ready and get in the mode for the proper writing task.
  • Some of the potential exercises include: talking about the story, generating vocabulary to support the weaker students or less creative students, see the post here (especially Sstep 2: Two crazy words) or the following two
  • One-line stories
  • Make it better: students start with a set of simple sentences and work in pairs or individually, trying to develop it in a few rounds. The students can either work on the same handout using a set of colourful pens (a different colour for each round) or a few copies of the same handout. It can be followed up with a reading session and choosing the most interesting sentences of all but it is not quite necessary to include one more competitive element. The number of rounds can be limited or extended, depending on the age and level of the students.
  • We include ‘The Thinking Time‘ to give the students a chance to imagine their story and make the necessary decisions. These are the questions which they might be asked to consider:
  • Everyone can choose their own pen name, too.
  • I make it more formal by announing that we are going to choose the best story and that I am going to ask my colleagues to help me.
  • The students start writing, the teacher monitors and I help out with vocabulary when necessary.
  • There is not one time slot or the number of words required. We are practising in the exam format but without too many limitations at this point.
  • Afterwards, we type the stories up and share them with our BKC teachers who vote for the one they like best. I don’t correct any mistakes at this point.
  • I prepare diplomas of participation for all the students and one more for the winner and there is a reward (food as this is the one hobby that we all share, me and the students). We have a ceremony that involves a speech from the teacher, applause for everyone and for the winner and eating because they all share the reward. Our winner is the master of ceremonies of the day.
  • The final stage is the error correction. In the original handwritten copies I underline a few mistakes that the kids correct later on. So far, these have been mostly in the area of spelling, tenses or the general style.

Why we like

  • The students get really involved in the writing process and looking at how they write away, it is really difficult to believe that teenagers don’t like writing, that they are not motivated or that they are not creative at all.
  • If carefully scaffolded, it is an activity that all the students can complete and it is very mixed-ability-groups-friendly. Since there is not word limit, everyone writes as much as they can and want. The last time we did it, using the PET format with 100 words as the limit, I received entries of about 70 words but also entries of 400 words.
  • It is an amazing opportunity for the students to express themselves. They can choose the storyline, the genre and the style. This year they produced a horror story, a love story, a post-modernist short story and a diary entry, among others. We have been working together for at least two years (and for about six with some of them) and yet, I was still surprised that they can write like that. Because they can and they are amazing kids although this is not some kind of a writing-obsessed and literature-obsessed group (unlike their teacher) but a bunch of typical teenagers: always tired, always under-slept, who’d always choose ‘no homework’ over ‘homework, please’ and ‘no test’ over ‘test, please’ and so on. And yet.
  • This time round I have decided to include the most beautiful comment that each story got from the readers and, in a way, it started to resemble the categories that we have at different film festivals, although, to be fair, they can be quite random as they are generated by the readers, such as ‘your dreams will come true award’, ‘I can’t believe a child has written it’ or ‘A kind heart’. And my students really liked it and were touched by that.

P.S. I would love to share these stories here but some of my students keep them secret even from their parents. Their stories and their copyrights. So be it.

Happy teaching!

Crumbs #21 ‘Write 5 words’ aka a vocabulary game for lazy teachers

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Here is a pumpkin flower: simple and unexpectedly beautiful, just like this game.

Ingredients

  • A piece of paper and something to write with
  • For younger students – somewhere to keep the paper safe and secret i.e. inside a coursebook
  • Imagination
  • The whiteboard to put the target language on

Procedures

  • Kids work individually, keeping their cards secret from their friends but if the game is played for the first time, they can work in pairs, this will be their natural support and the source of creativity because two heads are better than one.
  • Teacher ask the students to write numbers from 1 to 5, in a column. When they are ready, teacher asks the kids to write 5 words, one at number 1, one at number 2, etc. Teacher monitors and prepares her/his own set to use in modelling. It might be also a good idea to write a few examples on the board although these are just for modelling and they will not be used in the real game. The target structures should also be displayed on the board.
  • Teacher demonstrates how to play the game – she / he describes the first word on her / his list for the whole class to guess. It might be necessary to play a few rounds with the whole class, with the teacher leading the game or with one of the strongest students leading the game.
  • The game can be played until all the words are described and guess OR for as long as there is time.
  • Important: It is absolutely necessary to carefully combine the vocabulary and the target structure to make sure that the set is used naturally and that it matches the context, too. Some of the examples of the activities we used below
  • Places in the city (ie bank, post office, school) + I can see…I can hear…I can smell…Where am I?
  • Professions + I am going to work, I am going to do…Who am I?
  • Animals + It is big / small, It can run / fly / swim, It has got…
  • Body parts + I need it / them when I write, swim, play
  • Objects + passive voice ie It is made of…, It is used for…
  • Personal characteristics + Present Simple, 3rd singular, This person always does something, This person never does something

Why we like it

  • The biggest advantage of the game is that it can be adapted to almost any set of vocabulary and any structure.
  • It can be used with the lower-level and the higher-level groups, with the younger and the older students.
  • The game requires no preparation for the teacher and it is SS-generated which means that it is personalised and motivating for the kids to play.
  • It is a perfect controlled practice activity as the kids are using the target langauge and the target vocabulary.
  • It is a guessing game and because of that it is both achievable and challenging.
  • With the younger kids we play the game of 5, with the older ones we usually prepare 10 words.

Happy teaching!

Crumbs #20 Тетрадка Love*)

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Or about my favourite resource in this academic year, hands down.

Ingredients

  • A notebook for each student and a box to keep all the class notebooks. These notebooks don’t travel home, they live in the classroom.
  • Some writing materials: pencils, markers, crayons.

Why we love it

  • For all of the students in all the groups where I introduced notebooks (and that’s everybody, pre-primary, primary, juniors and teens, apart from my pre-primary level 1 and 2, who are still only 3 and 4 years old, they are going to get theirs a bit later in the year), this has become a surprisingly wonderful way to express their personality and to become even more present in the classroom. When I gave these out, many of my students of all ages were inquiring what they should write on the front page or on the cover page. I suppose it is because there might be some specific regulations at their schools regarding what needs to be and what can be written there. When I just shrugged my arms and said ‘I have no idea. It is your notebook. Write what you want‘, many of them looked at me in disbelief and then started to write some elaborate names in Russian or some made-up names and nicknames or just their names, in a variety of fonts and styles.
  • Equally, the format of the note-taking is highly personalised, too. There are certain activities that we use these notes for (see below) and sometimes they involve a structure or a format which is the same to everyone but, at the same time, the kids are in charge as regards the choice of the writing materials, colours or the ratio between text and the drawings.
  • It is the students’ personal space in the classroom, too. We share what we have written but I hardly ever look into those notes, unless they ask me to or unless they need help with some vocabulary or structures. Since this is a new project and since I am just developing it and discovering its potential and its potholes, I have just realised that I will have to include some kind of delayed error correction in the process, for instance by reading the entries and contributions to fish out some of the spelling or grammar mistakes.
  • It give the students an opportunity to write and to read more.
  • It is an opportunity to keep all the notes and all the ideas in one place and to go back to them, to review, to remember, to reminisce or to recycle.
  • Notebooks for the high level students (C1) are our way of breaking into the least favourite skills ie writing. After we have finished a receptive skill task such as exam reading and exam listening, we follow it up with a 50-word (plus) summary in the notebooks, steering away from any specific genre or format, just simple note-taking that now compliment our regular ‘What do you think?’ speaking sessions. We go back to these notes in the following lessons, to check whether our views have changed in any way, whether they have developed but also, very importantly, to edit and to improve, when possible.
  • Notebooks for juniors (B1) have been used in a variety of ways related to the vocabulary we study. First of all, they are the opportunity for the students to reflect on the vocabulary they have learnt. At the end of the unit, we look at all the phrases, structures and words and categorise them. The categorise we use change all the time and have included the following: easy words and difficult words, useful words and not-so-useful words, interesting words and not-so-interesting words and I am hoping to add more to this list. In the future I would also like the kids to use their own categories in the future. This kind of an activity also involves a discussion and sharing the rationale for our choices (and that is my favourite part of the whole activity). We use the notebooks also to work on the additional vocabulary, not included in the coursebook but still worth knowing. Sometimes we create the lists ourselves (ie while describing the objects, we also revised a list of materials) or we work on the lists that I prepare (ie a few weather idioms that we discussed while going through the topic of ‘extreme weather’). Last but not least, this is also where we take note of the emergent language, in the section at the end of the notebook called ‘Our special words’. I keep track of these on the whiteboard (the left margin) but I encourage the students to take a note of these (or some of these) in their notebooks.
  • Notebooks for primary (A2) are probably the most multi-functional among all the age groups. First of all, we use them to complete our portfolio tasks that are included in our coursebooks, one task for every two units. For these, each student gets a pre-prepared template, a notebook-page size, which they glue in and then use for whichever task we have such as the personal file (used in an interview) or the list of the adjectives to describe animals (used later in Our Big Animal Quiz) and so on. We use it also to personalise the vocabulary that we learn, for example after we have learnt the jungle vocabulary, the kids were asked to arrange all the new words in the order of their own preference, number 1 being their favourite word, number 9 being their least favourite. As with the older students, we later talked about the reasons for our arrangements. Last but not least, we use the notebooks to prepare for any student-generated games that we play. They are especially useful in all the guessing games and are much better than any small cars because the notebooks are not transparent and, because of their format, they help the kids to keep their secret words really secret. You can find out more about this game here.
  • Notebooks for pre-primary (pre-A1) is a serious step towards developing reading and writing skills. Now, I am not sure whether it is going to fit all the pre-primary classes (because some children are not ready and some programme do not even include any literacy elements) but this is what works for us. My students are 5 and 6 at this point and we have been doing a lot of literacy activities for about a year now. We started relatively early simply because the kids showed interest in the written word and I realised they were ready. We went slowly but with great results and I can safely say that now it is their favourite part of the lesson. Last year we did a lot of writing on the laminated erasable pages, with whiteboard markers, this year we moved on to notebooks. We use the notebooks to copy the words that we learn, in two or three batches, with only four or five words per lesson, not to overwhelm the kids. Kids usually choose to add little drawings to these so our notebooks are slowly becoming picture dictionaries. Our notebooks are also used in pairwork, for example in a survey on the food we like and we don’t like in which the students used a pre-prepared chart (printed, cut out and glued in by the teacher) to interview their partners and to ‘take notes’ in the form of pluses and minues. I found out that the notebooks really help to set-up and to run a pair-work activity. The notebooks are also going to help us to maintain continuity with the longer-term projects such as the reading of a phonics story such as ‘A fat cat on the mat’ by Usborne and all the related activities. They will be completed over a series of lessons but thanks to the notebooks we will be able to get back to them and to revise in a more SS-centred way. Or so I am hoping.
  • There is no other way of putting it is: it is a proper Notebook Love (or Тетрадка Love) and it is almost ridiculous that such a tiny and irrelevant thing, at RUB 40 a piece (about 50 cents) could have such an impact on our lessons with its potential for creativity, reflection, personalisation…And, mind you, it’s been only two months. Something tells me, the best is yet to come.

Happy teaching!

P.S. Of course I have forgotten to take proper photos in the classroom, of all the cool things in our notebooks. I will try to make up for it, at one point. For now, just some cool notebooks that are kicking about the house.

I did not ask them to write my name here. I feel honoured they decided to include me here))

*) Тетрадка – a dimunitive of the word тетрадь (notebook)

English, kids and Igor Stravinsky

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There are many roads that lead to Rome which here will be a synonym of a good lesson. Sometimes it is boredom, when the teacher cannot even bear to look at the coursebook and the official educational materials. Sometimes it is the students, when they bring their world with them, when they learn quickly or, why not, when they don’t behave in the way that we would dream of. Sometimes, it is a random resource, a storybook or craft materials, that you really (really!) want to use.

Sometimes, however, you also find yourself in the middle of a film, Off the Record, a documentary on Laurent Garnier, the DJ, and you gasp because you find out how among all the other things cool that he has done and does, he also takes part in music lessons in a small school, somewhere in a French village, and there, with teens, he explores the meaning of different music styles, he gives them a chance to experience different kinds of music and he guides them into translating these impressions into visual art…

I gasped because I could not decide which reaction I should go for first. Shout out loud ‘Laurent, I love you!’ (just because he finds time to do something for his community and because of all things, he chooses to teach)? Shout out ‘Laurent, me, too! We do it, too!’ (because we entertain ourselves with my students with a similar exercise, albeit on a much smaller scale, when we play the Musical Challenge)? Or shout out ‘Pause the movie, for a moment, for heavens’ sake! I am being flooded with ideas and I need time to take notes!’ Because the Musical Challenge I have put together, good as it was as a warmer or a speaking activity, turned out to have a lot more potential and it be a brand new direction and at the same time an opportunity to combine teaching English through Art that I have been toying with for years now, craft and project work that, I was sure, could help me generate lots and lots of English. What’s not to like?

Crumbs # 19: Teaching English Through Music: Igor Stravinsky

The notes below constitute the outline of a 45-minute lesson I taught during the summer to my primary students aged 8 – 9, of a strong A1 / YLE Movers level whose speaking and listening skills are closer to A2 / YLE Flyers. I had only two students on the day so we did all of the activities whole class.

Revision

  • A revision game: adjectives – opposites, with the wordwall cards and then a miming game (one of the students choosing the word to mime for the other kids to guess). Another option are the present tenses or the verbs that the kids might need for storytelling.

Russian fairytales

  • Illustrations of the four traditional stories : About the Fisherman and the Goldfish, the Three Pigs, The Hen Ryaba and The Firebird
  • Kids turn turns to retell the stories. There is no pre-teaching of any vocabulary, the teacher feeds in the words on the go.
  • Kids choose their favourite story and talk about their favourite Russian story

Listening number 1

  • Teacher shows the photograph of Igor Stravinsky, introduces him briefly
  • Teacher tells the students that he wrote music for one of the four stories
  • Teacher plays a short piece of the Firebird (for example 38’40 – 40′) and asks the students to guess which of the stories the music could illustrate
  • Feedback, teacher tells them that the music they heard is called ‘Firebird’ and that it is one of the most popular pieces of modern music.

Listening number 2 / Art

  • Teacher gives out the template and tells the students that it is a cover of a record / CD with Firebird and that they they are going to design the cover and the illustration.
  • Teacher says that they are going to listen to another piece of music and draw what they hear. Teacher tells them that perhaps it will be for people who don’t know the story of the firebird, who don’t know Russian fairytales at all and that we need to help them understand what kind of music they might hear.
  • ‘All ideas are good ideas’ is the motto of all of our creative projects, it is good to bring that up again.
  • Teacher puts the drawing materials and ideally there would be a choice of pencils, markers, crayons, finger paints, watercolours etc. Each student can choose their own.
  • Teacher plays the final piece of the Firebird (40′ – 46′) and the students are creating their piece. The length of the listening can be extended, either a longer piece can be chosen or the another excerpt can be added, depending on the group and their involvement.
  • If possible, the kids can be involved in discussing what the music might be illustrating. The Firebird is very energetic and varied, there is a lot of potential for that.
  • If there is time, kids can prepare two covers, based on two different excerpts from the suite.

Presentation

  • Kids take turn to present their album covers. They can use the following questions as framework: What is there in your picture? Why? Do you like the music? Why? What are you thinking about when you are listening to it? Kids can either ask each other these questions or use them to prepare a discourse.
  • All the album covers are displayed on the walls. If there is time, the group can listen to the chosen excerpt again.
  • Feedback and error correction.

How it went and what I learnt

  • In short: we loved it.
  • The kids produced a lot of language throughout the lesson (the teacher is happy).
  • The kids loved the fact that they could talk about the stories they knew and that they could paint (something that we rarely do). They seemed to enjoy listening to the music, too.
  • Observing how their ideas are born and shaped was a fascinating experience for the teacher, too. The first impulse was to draw a bird made of fire but, as they listened on, the other, better, more individual and special things began to appear. And they kept working on them, as the music led them.
  • Afterwards, they talked a lot about their pictures and the creative process. Normally, I ask if I can take the final product, if it is ok to photograph it or to put it on display. This time they were the ones to ask whether I was going to put them up on the noticeboard. It was a lovely moment.
  • The thing that surprised me most and that was the biggest challenge (or ‘challenge’) was the same thing that made the activity meaningful, motivating and generative, namely the fact that we used the Russian traditional stories as the basis. First of all, they had a lot to say about them and cutting corners (aka a short summary of the story) was out of the question. They wanted to tell me everything (as in: every little detail, significant or not). Second of all, because they were retelling the stories as they knew them, in Russian, they were very reluctant to give up on the beautiful, literary language for which they are not ready yet, in English and looking for those higher-shelf equivalents did get in the way and it did slow them down. Sometimes they were so unwilling to abandon the beauty that they used Russian. It was touching and it was beautiful and I still have not decided what I can do about it and how I can overcome this ‘problem‘ in the future. Because, of course, I want more!
  • What you can see in the pictures is a beautiful birch tree Daria and a tsunami, to which a sunrise was added, as an afterthought, a few notes later belongs to Antonina. Mine is the sunset which, lame as it is, I am quite happy with because only now did I make a connection between the firebird and the sun. Let it be.

Happy teaching!

P.S. Why Stravinsky? Apart from the fact that “Firebird’ is one of my favourite music pieces ever, it happened so that a few months ago, I used him as a reference with my young teens and their brains just went blank. They had never heard of him. Naturally, I decided to fix that. I rather like the idea that in about twenty years from now, my kids will hear the name Stravinsky in the conversation and their first association will be ‘Yes, we had this lesson once with our English teacher, Anka…’

Malevich and his Black Square are next in line, for the same reason.

So, Teaching English through Music anyone?

Crumbs #18: Our Solar System. A perfect group project work for early years. Perhaps)

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This started as an activity for the CLIL lesson devoted to space and Yuri Gagarin but after I published it on Instagram, one of my friends suggested that it might be a great idea for the end-of-year revision activity. And it is that, indeed. Thank you, Rory!:-) Hence this post.

Ingredients

  • An A1 piece of paper although, to be perfectly honest with you, it never is that. Every time I have made any murals (and that’s what this activity really is), the preparations started with a pile of A3 sheets of paper, a roll of scotch or a glue stick. It is easier and faster (no shopping trips) and more adaptable (because the teacher is in charge and the poster can be made bigger or smaller, depending on the size of the group or the theme of the project).
  • Creative materials of your choice – pencils, markers, finger paints or watercolours. This time we used markers, in my opinion better suited to the age of the kids and the task.
  • A place where all the students can draw simultaneously. In my classroom, we use the space in which we normally do the movement activities because we have a big carpet there and it is always a lovely variation to our everyday routine, both for the little kids or the teenagers that like visiting another classroom from time to time. A big conference table or a set of desks put together will be a great solution, too.
  • A decision as regards what language, vocabulary and structures, you are going to focus on in the task. In the original task, we created our planets with all our favourite things, our favourite number, colour, food, drink, animal, transport etc.
  • It is necessary to stage the activity carefully. The kids sit down on the floor around the poster, the teacher draws the sun in the centre and counts the kids and then draws one planet for each child around the sun. In the first step, each child chooses a marker and writes their name. Then the teacher ‘dictates’ the first topic and the kids draw it and say what they are drawing. In my classes, we use the song for that ‘What’s your favourite colour?‘ by Super Simple Songs and its variations because it offers the question – answer set (‘What’s your favourite…?’ ‘I like….‘). For some kids it is necessary to sing, some are better prepared to respond to questions without the support of the music. The teacher waits for everyone to finish each stage and the fast finishers can be encouraged to draw more than one item, to look at other students’ drawing, react to them (‘Do you like…?’) etc.
  • Round-up: If there is time, the students stand in a circle around the poster, first at their own planet and then, on ‘1..2..3! Let’s fly!‘, they move one planet to the left. Everyone reacts to what they can see on the new planet, for example ‘I like…‘ This stage can be repeated a few times, depending on the time available. Afterwards, the poster is displayed on the wall. It can also be used as part of the presentation for the parents in the following lesson.

Why we love it

  • First and foremost, it is a great project for the whole group and it really does contribute to building the community and that is because of the fact that we all sit around one big piece of paper and because of the concept of this activity – a solar system of which all the students and the teacher are a part.
  • It might be especially suited as the first project work for a pre-school group as everyone has a chance to contribute to the project but it is automatically clear that no one can take the final product home, as first of all, from the very beginning it is obvious that there is only one copy, that it is too big and that all the planets stay a part of the system and cannot be separated. Frequently, this issue can be the biggest problem with the project work for the youngest of students as they become attached to their creations and the first question they ask is ‘Anka, but can we take it home?’. Not this time.
  • The activity itself in its original version is very flexible as its timing will depend on how long the children are interested. Perhaps only three elements will be included, perhaps ten. The format of the activity also helps with staging as the children do not know what is to come and will not start going ahead of the group.
  • The song format helps to encourage the kids to actually produce the language, especially that in our case we used this question-answer set beforehand so at the time of this particular lesson, the children were already used to it and used to responding to it.
  • It can be used with all age groups and levels as the language content can easily be adapted either to more complex ways of discussing favourite things, drawing their own planets to practise the vocabulary of the natural world (with a more extensive presentation at the end of the project), creating a planet which is a symbolic representation of each student. For the older students, the planets can be filled in with words, rather than with images.

Happy teaching!

Crumbs # 17: New beginnings. Things to do before the lesson.

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They are growing up. My students are no longer the little babies they were when we said our first ‘Hello!’. Six years is a long time, after all. And because they are changing, the lesson is changing, too. I like to think that, in a way, we are growing together.

An example? For five years and five months my students would wait for me outside of the classroom, in a neat line and we would check the homework and have a little chat, 1-1, with them slowly entering the classroom (more about it here). Well, not anymore. Two months ago we stopped. For good.

Because it turned out that, all of a sudden, the kids like to be in the classroom before the lesson. The choose their seats, take out their books, draw on the board or show each what they do in Maths classes at school. They also like to hide to surprise me (if I happen to leave to get some water or flashcards), walk around to inspect what I prepared for the day or just sit down and read they books.

And because over those six years we have managed to establish what’s OK and what’s not OK in terms of behaviour and because they have grown up and become more mature, I just let them do it and take over the classroom during the break. Plus, let’s be honest, they seem to be enjoying it a lot and I just don’t have the heart to forbid them and to continue to impose lining up.

Instead, I had an idea: how about a before-the-lesson activity for the early comers? It turned to be a very good idea indeed!

Ingredients

  • A whiteboard and a set of markers.
  • An activity that can be prepared on the board before the lesson for the students to work on potentially unsupervised (although in real life it differs, depending on whether I can be in the classroom during the break or not)
  • A set of easy instructions written on the board and an example
  • A longer break before the lesson – not obligatory but highly recommended
  • It might be necessary for the teacher to hint that there is something on the board that needs dealing with, at least when this part of the routine is introduced. It is quite likely that the kids would just not approach the board if there are any notes on it.
  • Ghost letters, focus: pronunciation. Students underline the silent letters in the words written on the board
  • Letter snake, focus: reading / writing. Students divide the chain (or a snake of letters) into words. Each snake can be made as challenging as necessary ie only the words themselves, the words with letters-distractors, the words in a sentence.
  • Letter stories, focus: reading/ writing. Students divide the very long chain (or a snake of letters) into words and sentences. I used a different colour for each line of the story and neat breaks between the lines, too, not to overwhelm the kids. Forgot to take a photo:-(
  • To rhyme or not to rhyme, focus: phonemic awareness. Students put the rhyming words into pairs. Again, colour-coding is supposed to be make is a bit more achievable and visually appealing.
  • Messed-up, focus: vocabulary revision. Students put the halves of words together.
  • Angrams (and Secret Messages): These are just silly anagrams which are a nice task, more necessary for the Starters students but fun for everyone. It can be a set of random words, connected by the topic (or not) or sentences, especially if there is an especially important message that the teacher needs to pass on to the students. The message below appeared on the board before the second lesson with the mock Movers test, in an attempt to praise the kids and to motivate them. It worked!

Why we like it

  • Those who come early can wait for the lesson doing something in English.
  • They provide additional practice and revision in different areas and skills: reading, writing, vocabulary, pronunciation
  • Different kids come early on different days so they get to work in different pairs and teams which seems to strengthen the sense of community in the group
  • It seems to have become ‘fashionable’ to arrive early for class (not that it has even been a problem) but it is obvious that they have already developed the habit of walking in and checking what’s on the board
  • The teacher is applying all her creative powers to come up with more and more pre-lesson activities

Happy teaching!