Work with the vocabulary and structures of the unit, here the weather and the clothes
Introduce or revise all the weather accessories and all the other key words (i.e. umbrella, hat, warm milk etc)
Watch the video, with pauses to ask short questions about the video and the story. These will depend on the level of the children and their ability to produce. In the beginning we often talk about the emotions of the characters and about everything that we can see. As soon as students can use some elements of the Present Continuous or to evaluate the behaviour and the actions of the characters, the conversation really takes off.
We follow-up with a speaking activity. The yes / no quiz is an easy version and it is based on the students comprehension and the listening skills. They listen to the teacher and react with a simple yes or no, but, with time they will be also better able to produce simple sentences. The other activity, the reordering, was created for a more advanced pre-school student and we retold the story together, with the teacher reorganising the cards and helping the student produce the sentence. Sometimes it was a full sentence (‘It is raining”), sometimes, the teacher started a sentence and the student finished (‘Dr Brown Bear it talking…’ ‘to George’)
The activity can be repeated in the following lesson to give the students an opportunity to participate with more confidence and, hopefully, more language produced.
Why we like it
Kids already know and watch Peppa and it is fun to bring her into the English lessons, too.
The episodes are relatively short (around 5 min) and it is an amount of time that will not be a challenge for the students and it can be relatively easily included in a typical lesson for pre-schoolers
Although the language of the cartoon is not graded and it is possible to find the episodes that will be easy to understand also for the very young students who have just started to learn English as the foreign language.
The videos can be shared with parents and watched again at home.
In my classes, we use the videos in the final stages of the unit, as one more source of the target language and of the target langauge in context and to create some opportunities for production.
Usually, I don’t watch the videos twice in the same lesson. It might have been beneficial for the general comprehension but I am not sure about the effectiveness of such an approach. Ten minutes is a large chunk of a lesson with pre-schoolers and I doubt the kids would be still interested and focused. I prefer to pause and to chat getting the kids ready for a more communicative video-watching. In the beginning, our conversations are quite simple, very often limited to calling out the words we can see in the video or discussing ‘Is that a good idea?’, a phrase that we frequently use in our classes anyway but it helps kids reflect on the story and perhaps predict the events to follow.
a group of A2 or A2+ kids preparing for the Cambridge Flyers or the Cambridge KET exam
a set of the storytelling pictures from the exam writing materials
a piece of paper and a pen
Procedure
The teacher displays the visuals on the screen and tells the kids that they will be used to tell a story.
The teacher asks the kids to look at the visuals and decide what their character is going to be called. Everyone writes the name down on their piece of paper.
The teacher tells the kids to write down ten numbers, 1 – 10, and, when everyone is ready, to write ten things that they can see in all the pictures. These can be only nouns or a selection of nouns, verbs, adjectives etc.
The teacher asks the kids to decide what kind of a story they are going to tell: a happy story, a sad story or a scary story. Everyone decides and draws a relevant smiley at the bottom of their list.
The teacher divides the kids into pairs and sends them into breakout rooms to tell their stories. They have to use the name, all ten words and they have to make sure that their story has the mood they have chosen for it.
Back in the common room, the kids give the group a summary of their story (‘It is a story about a boy who…’)
Why we like it
The main aim for me in this particular lesson was to show the kids that even such uninspiring illustrations as the ones we used (and sadly, they were really boring this time) can be a start of a fun storytelling activity and that the final product’s quality depends only on the writers that is us.
We are preparing for a progress test and a mock test and I am hoping that an activity of that kind will get the students ready for the independent work during the test itself. Looking at the visuals and making the list helped the students think of the words that they see and it helped to assure that they will be closer to getting to the required wordcount (35 words). If they have ten on their list already 30% of the way there. It also gave them the time necessary to really look at the pictures and to start thinking of what might be happening.
From the word ‘Go’ the stories became personalised because the character got a name and became six different boys instantly, Fred, Bob, Tom and Vyacheslav among them. (‘Anka, but why Vyacheslav?‘ ‘I am not sure. I looked at him and I just thought he looks like a Vyacheslav‘).
Deciding how the story will end in the beginning also helped to shape it. It was the first time we did it and for that reason I only offered three options: a happy story, a sad story and a scary story but that list can be easily extended. We shared how we were planning to tell the story before we went into the breakout rooms and among our six stories there were three happy stories, one sad story, one scary story (mine) and one ‘ill story’ because one of my students decided that his character is going to catch a cold in the end. Anyway, from the very beginning the kids knew where they were taking their Fred and their Bob. They also knew that their partner’s story will be a bit different so, hopefully, they were more interested in listening to it. There was some variety in the group so I could put them up in a pair whose angle was different.
It can be easily done in the classroom but it works amazingly well in the online classes and this is how it came to be. I wanted to avoid sharing the visuals and wasting time on opening them.
It is easy and it can be a speaking activity in its own right or it can work as a story-writing preparation task as it was in our case. Consequently, a set of three pictures can be used (Flyers and KET writing tasks) or a set of five pictures (Flyers speaking tasks).
As a potential follow-up, the kids can write the story for homework.
Next time (and there will defnitely be another round of this activity), I am going to add a more communicative element that will give them a proper listening task and that will give them an opportunity to interact with their partner’s story such as retelling the story they have heard in the breakout rooms, creating a title for their partner’s story or continuing it (‘The next day…’). I know that choosing the best story is sometimes suggested with this kind of an activity but, to be honest, I am not a fan. Not everything needs to be a competition.
This is one more of those activities that is not ‘a real grammar / vocabulary topic’ that is introduced in the coursebook with all the follow-up activities. It is not. It is closer to an activitiy that helps to broaden the horizons and let the students look in a slightly different way at the language they are producing while speaking. It is not only a set of words that you blurt out because you understand the question that was asked and that you have an opinion you want to share. Instead, you take a moment (a very, very short one), one breath and organise the words that are the come out. One of the activities has already been published here on the blog, about One-minute essays. This is the second one in this mini-series.
Ingredients
A list of sentence adverbs
A story to create a context, any story will do. Once I used the short Alternative Math, once I used the stories of Tom Denniss and Helen Skelton. Once I simply referred to Harry Potter. It can also be any text or any listening that is included in the coursebooks.
Some practice exercises or simply, things to talk about. I normally use either these wordwall cards What would you rather do? or a set of opinions that I use in a variety of different activities.
Procedures
Introduce the idea: I normally use a set of sentences, related to the topic, i.e. Harry went to Hogwarts, Harry grew up in the house of his uncle Vernon, Harry was given the Marauders’ Map. Afterwards we add to these a few different sentence adverbs and we discuss how it changes the meaning of the sentence and how much more of weight they add to the original sentence. ‘Harry grew up in the house of his uncle Vernon’ is just a simple sentence, without any emotional gravity but once we start adding the adverbs, each of these sentence becomes a story, for example ‘Sadly, Harry grew up in the house of his uncle Vernon’ or ‘Fortunately, Harry grew up in the house of his uncle Vernon’ which can lead to a discussion on why Dumbledore made this kind of a decision.
We practise in the same way with all the other model sentences.
Practice activity number 1: a freer discussion, in pairs or in teams, about the context of the story in which students try to make their own sentences, with the sentence adverbs of their choice.
Practice activity number 2: a follow-up exercise. In the What would you rather do in which the students choose their own option, they provide justification for it and do a lot of speaking. However, it is necessary to start their discourse with the sentence adverb of their choice.
Later on, in all the other lessons, the students are encouraged to use these whenever appripriate and, hopefully, in a more natural way.
Why we like it
This whole idea and the series started in my teenage classroom (of course!) but I have also smuggled it into my lessons with adults. Successfully smuggled, it had to be added. It is probably more necessary with the exam classes but it can (and it should) be used in the general English classes.
Regarding the levels, as usual, I am experimenting on my teens who are now in their B2 but I have also been using it with my A2+ onwards students, even with some of my C1 adults who have been struggling with the spoken discourse organisation.
It worked well in class on the day but I have also noticed a long-term impact, like with the other activities of this kind. It has worked as a switch in the way of thinking. And now, when we are starting some other activities, in regular lessons or before the progress tests or exams, it only takes a quick reminder that these tools we already have at our disposal.
It was great to see how the students’ contributions became more beautiful and better organised. It was also great to see the change in their attitude and how, with this little and silly exercise, they becamore more aware of the opportunities that this particular tool gives them. They have become more aware and more powerful speakers. They have become more organised speakers.
6 pieces of paper, A5-size aka 3 pages of A4 cut into halves.
glue
drawing materials: crayons, markers, felt tip pens, coloured pencils
Procedures
Introduce and practise the weather vocabulary as usual. This is not our first year of English so we have been using the extended set of words and phrases. Over the series of lessons we have been describing the weather, miming riddles (and yes, I have come up with the gestures for ‘it’s foggy’ and ‘it’s cloudy’, it is not impossible:-) and we have also watched an episode of Peppa Pig, George catches a cold, because it gives us an opportunity to practise the weather, the clothes, some Present Continous and the feelings. Here you can find the set of wordwall cards that we use for the retelling exercises. As you can see, the weather topic became the opportunity to introduce and to revise a whole range of vocabulary sets and structures and it will be reflected in the Weather Book. We are also using the songs and here are our three favourite ones: How is the weather?, What’s your favourite season? and Put on your shoes.
First it is necessary to make the book itself. We study online so I asked the parents to prepare the materials before the lesson (six pages, glue, markers), in the offline classroom there is the option of making the book first or the teacher preparing the booklets before the lesson, depending on the age of the students.
Making the booklet in class is easy if you follow these few steps: check that everyone has all the necessary materials (‘Have you got the glue? Show me!’), counting all the pieces of paper together etc. Then we draw the line alongside the edge of the paper, page by page and putting the ready pages away. These lines will be help the kids to apply the glue and stick the papers together. The teacher needs to model all the stages and it is absolutely necessary to wait up for the kids, to make sure that everyone is on the same page (no pun intended:-). Afterwards, the teacher shows how to apply the glue (‘Put some glue on the line’) and how to add another page on top, repeating until all pages are glued together into a book (‘Look, we’ve got a book!’)
Kids, together with the teacher, number the pages. The numbers will help the teacher and the kids to navigate the booklet throughout the activity. We also write our names on the front page.
The next step is to start filling the booklet, one topic per lesson. When we are ready, we put the books away until the next lesson. Once there is something in the book, we start the activity with talking about what we already have got.
The topics that we have included so far include: the weather, the emotions (‘It is sunny, I am happy’), the clothes (‘It is sunny, I am wearing a dress’). In the future, I would like to add to it some basic accessories (‘It is sunny, I’ve got my sunglasses’) and some basic Present Continous (‘It is sunny, I am riding a bike’).
Why we like it?
There is a lot of potential for craft as the book activity can be extended over a series of lessons.
The book also allows for personalising the topic of the weather by associating it with emotions, clothes etc.
And, last but not least, it gives us a lot of opportunities for producing the language and, since a large part of the content is revised and repeated over and over again, the kids become a lot more confident at producing it and becoming creative with it, too. After a few lessons, we started to make up silly sentences not matching the weather for the other student(s) to correct the information that they have already heard and have become familiar with.
It can be used with a variety of topics, not only the weather, for example food (with pages devoted to fruit, vegetables, drinks, lunch and desserts) or animals (with pages devoted to big and small animals, animals which can fly, swim, run etc) although so far, I have been using the weather book only as a long-term project, with my 1-1 online student. We made the food book with my online group, as a one-off project. It was also a success.
There is more flexibility as regards the format, too. We made the booklets and starting filling them in in the same lesson because my kids were ready but it is also possible to divide it into two stages: lesson 1: making the book, lesson 2: start filling it in.
The same can be done with all the other lessons. The weather words and the emotions are quite easy to write and adding these in is feasible enough, one lesson (or a ten-minute slot) is going to be enough. The clothes or the accessories might take longer and it can be divided into two lessons to avoid the risk of the activity taking too long and the kids getting bored.
It’s been almost ten months since I took on more adult classes. I still teach my kids but the balance of adult EFL to YL EFL has definitely been tilted towards the adult classes. While I take a lot of pleasure in teaching 18+, I am hoping that this is only a temporary fixture because I miss my classroom and my carpet. At the same time, YL or not YL, I still get ideas and I want to share them. So, here we are – the first post in the Category: Adults.
Case studies in the EFL. A bite of theory
‘Case studies, a form of task based learning (TBL), allow teachers to implement the communicative approach: the central focus is on completing a task, and students use language as a tool to communicate their ideas instead of doing language exercises to practise a grammar point or lexical item’. This definition comes from Christine Roell’s 2019 article (see references) and it is a piece I’d recommend to anyone who is looking for some theoretical input and ideas on creating and using case studies in the EFL.
There are many arguments for including case studies but for me, personally, the priority has to be given to the fact that they create an opportunity for the development of a variety of skills, the language itself but also critical thinking, organising information and team work (Daly, 2002). Among the disadvantages that Roell mentions, the most important one would probably be the time and the effort that needs to be invested in finding, researching and preparing a case study for the class use.
According to Roell, a case study lesson follows the following six stages: introduction of the situation (relevant information, background, the necessary vocabulary), analysis of the additional information, discussion in small teams, presentation of ideas, teacher-led feedback session and reflection, both on the case study itself and the procedures in the lesson. In the article you can also find some valuable notes regarding the creation and implementation of a case study in the lesson.
Case studies in my classesaka the notes from a beginner case study creator’s diary
An indispensable connection to reality as all the case studies that I write and use have been taken from the real life, either from the news or from my personal experience. On the one hand that means that the case study is realistic, based on the facts and numbers. On the other hand, that automatically introduces ‘the answer’, which is not only a reward for the students but also allows for another layer of the feedback session: not only the students’ ideas, reflections and solutions but also the opportunity to analyse their ideas against the real life developments. These ‘real’ case studies were definitely a lot more popular among my students than the made-up case studies from the few coursebooks that I have used recently.
A more obvious focus on the target languageuse which I try to create, in order to give the students a chance to practise specific structures or vocabulary. Naturally, he students have a lot of freedom, however, the case studies are introduced in the freer practice part of the lesson and they come with the Structures To Use section.
The bare minimum as regards the data to analyse. This, partially at least, has been due to the implications of the lesson format (online, limited lesson time, corporate clients who very rarely have time to do the homework etc). I have been choosing only the case studies that do not require any extensive reading and that can still be effective and generative even with a small number of facts and figures.
The element of surprise as the actual details, ie names and brands are kept secret until the very end of the activity, in order to make sure that the students focus on the situation and the processes, rather than on specific names. It is also to ensure that they are motivated to discuss and debate, rather than just look up the events online.
The adaptability as an added bonus. So far, as demonstrated below, it has been possible to smuggle particular case studies into different lessons, by changing the angle and the target language to use. This means that the time invested in researching and designing the case study really pays off for the teacher.
A wider audience. It has been suggested by Daly (2002) that the most important target customer for the EFL case studies are the advanced Business English students but this has not been my experience. If adapted and staged properly, they can be used with the low B1 students and I have used them successfully with the Business English students, with the general English students with the corporate background and in general English ‘regular’ classes, too. The reason for that is that the students had a lot of background knowledge and could relate to the situation not only as the CEO of a company but also as the film audience members or the pizza restaurant customers.
5 case studies from my classes
Most of the ideas below come from my adult EFL classes in the last two months.
Case study: Kanye West and Addidas
Source: the news and especially the two posts, here and here.
Lessons: We have used it in lessons to discuss risk and risk management, brand image and reputation and general values. The main grammar structure here was the first conditional as the students discussed from the point at which no decision has been made yet.
Case study: Domino’s Pizza
Source: Domino’s Pizza Turnaround available on youtube created with the owners and Domino’s employees and the analysis of a great, albeit risky, marketing campaign in 2009.
Lessons: We have used it in lessons to discuss marketing and advertising (EAP) as well as in the BE and general English students in lessons on: risk, brand image and reputation. As regards grammar, our main focus were modal verbs for deduction, giving advice, conditionals.
Lessons: This was the main case study we used in the lessons on brand image and reputation and, as regards the language, our main focus was the language of advice.
Lessons: This is a really fascinating case because, after over thirty years after its release, it is still one of the popular films ever despite the fact that, initially, it was considered to be a flop. We used it in the lesson devoted to risk management and the focus was the first conditional (‘Imagine you are the CEO of the studio. What will you do?’) and the second conditional, with the contemporary twist (‘What would they do today, in 2022?’).
Case study: Famous people
Source: The news, unsourced, google images for the photographs of some famous representatives for the following professions: a chef, a sports coach, a ballerina, a politician, a writer, a CEO. The only trick here is to choose the names that the students in your country are less likely to be familiar with and the photographs that show them in their private life. The real names and professions of all the people involved are kept secret until the very end of the activity.
Lessons: This is one of my favourite activities that I have managed to adapt to the needs of my older YL students. It got inspired by an activity that I saw in one of the Rewards Resource Pack, only the original activity did not include the element of reality. For that reason, I have decided to use my own ‘characters’. With the teens and juniors, the main language focus is the modal verbs for deduction and the vocabulary necessary to describe the character and the personality. With the adults, we extend it towards a discussion on stereotypes and the ways of overcoming them. Here is an example of the set that I have used with my adult students in Poland.
References
Peter Daly, Methodology for using case studies in the Business English classroom, The Internet TESL Journal, III / 11, 2002, available online
Lynne Hand, Using case studies in the ESL classroom, LeoNetwork, available online.
Christine Roell, Using a case study in the EFL Classroom, English Teaching Forum, 2019, available online
In this post I would like to share a few activities that I came up with for my students that turned to be very effective as regards students’ involvement, the amount of language generated and the opportunities for the target language practice.
All of these are only samples, activities and materials to serve a very specific purpose with a very specific group of students. However, I do believe that they can serve as five case studies that help to create the framework for creation and adaptation of such materials.
#1 You today and you in 2017
This is the activity that we used with my teens, in a freer practice activity focused on comparatives on the B2 level, including simple comparatives, less, as…as and the comparatives quantifiers. The kids were working in pairs, they were answering the question: ‘You today and you in 2017. How different is your life?‘ and they used the wordwall cards to guide them in their discussions.
When I was planning this activity, I prepared 15 cue cards but we barely got through half of them in each pair because the students really wanted to share their experiences and, surprisingly, they did not need any follow-up questions, they were simply talking and talking and talking.
#2 The future us
This activity and the materials were intially created for a group of teens but later I adapted it to the needs of my junior group and to a group of ‘advanced’ primary kids, too in the lessons whose aim was to introduce and to practise ‘will’ and ‘might’ to talk about the future.
Intially, many years ago, when we were still in the classroom I created a handout with all the situations, one per each student in the group because I wanted to do it in the format of a gallery walk. The kids had to move around the room, read the situations and decide who will achieve what. In the end, the students picked up the cards with their names and told of us which of the predictions are most likely to happen in the real life.
Later on this activity had to be adapted to the format of the online classes and I decided to turn it into a simpler speaking activity, again with a set of wordwall cards. The students worked in groups three and they took turns to uncover the cards and to discuss who in the group is most likely to get a new haircut, start wearing glasses, write a book or win an Oscar. They had to justify their answers. During the feedback, we brought back some of their ideas and the students whose names were called out were to comment on these predictions.
Although this is one of the flexible activities (no specific ending, can be stopped at any given point), I abandoned the initially planned timing because the students got really involved into it and I allowed them to go through all the cards. We had a laugh and we produced a lot of language. It is worth mentioning, though, that this activity was done in group that had studied together for a few years and that knew each other very well. This meant that they had enough data in order to be able to make their prediction and, also, there was very little risk that someone will be offended with anyone else’s ideas. Perhaps this kind of an activity would not be a good choice for newly formed groups.
#3 Quiz: How well do we know each other?
I prepared this kind of an activity to practise the target langauge in a personalised way with my primary A1 students and the structure used in this particular game was the combination of ‘How often do you / does X do it?’ and the basic adverbs of frequency (always, often, sometimes, never).
The students were given a set of questions for homework about all the random habits of everyone in the group, such as ‘How often does Sasha play computer games?’. They were supposed to think about them and make their decisions. In class, I was asking the questions and everyone, apart from the student in question was sharing their answers. Afterwards, the student would tell us how often they do it (Sasha: I never play computer games) and sometimes provided some additional information.
#4 Personalised reading
This is a trick (or an activity:-) that I learnt in one of the training sessions about a million years ago (and I do not remember whose it was!) that a text (or a listening task) should be treated in a way that more resembles the real life reading (or listening). That means that we approach the text not to be able to answer all the comprehension questions in the coursebook but to take it very personally. The task is to go through the text, labeling the text with the marks: (+) for all the things that we agree with, (-) for all the things that we do not agree with, (!) for all the things that we find surprising or (?) for all the things that we would like to find out more about and so on and so forth. In the feedback session, students simply compare where they put all the specific marks and discuss why such were their choices. Simple and effective.
There are a few variations of this approach. Students can write their own questions to the text / the listening text and then deal with the text with the focus on these questions. In the feedback session, they share their answers and why they have chosen these particular questions or what their answers would be if the text does not include them, which, actually, is something that happens frequently.
Another way was letting the students decide for themselves which items / parts they want to read and talk about. While we were reading a text on ten different factors to take into consideration while choosing a job (based on Gateway B2, Macmillan). First, the students got only a list and they were asked to choose the five that are most important for them and compare their lists with their friends. Afterwards, they were asked to approach the text, comprising of ten short paragraphs, one per factor, and discuss these. They were instructed to go through all of the items, one by one but they could make decisions as regards the order so that the most important ones were dealt with in the beginning when everyone was at the peak of their focus and involvement. Interestingly enough, some students were choosing to read about the factors that were their priority whereas the others wanted to read more about the factors that they would never take into consideration because they were curious about the other people’s rationale.
#5 The Messy Choir for controlled grammar practice
This is a lovely activity that we are using, with my younger and older kids and sometimes with adults, too. I have already written about it and you can find the original post here.
Today, I would like to share the version of the activity with my B2 teens while we were learning / revising the narrative tenses and the Past Perfect among them. I wanted the students to start using the structure straightaway and in a familiar context. Since the class starts at 18:45, there are plenty of things that everyone would have already done and could talk about.
The boxes with the past participle were appearing one by one and everyone was invited to contribute their sentences, the teacher and the students. Some of the verbs generated more answers, some fewer but, overall, all the students participated and practised the new structured.
We used the same activity in the beginning of a few lessons later on, as a warmer / hello / revision activity.
I hope that you have found something useful here to use with your students or to inspire you to create. I also hope that this post will have its part two. And sooner rather than later!
A set of wordwall cards with the vocabulary such as Christmas words, fruit or animals or the physical cards such as those used here in the unit on farm animals.
Procedures
The teacher introduces and practices vocabulary first and make sure the kids are familiar with them.
The teacher shows the kids different variants, introduce the idea of ‘one’ and ‘many’ or ‘one’, ‘two’ and ‘many’.
In the offline classroom, the teacher shuffles the cards, looks at one of them in secret and says: ‘I can see some pens. One pen or many pens?’ with the gestures.
The kids are guessing and after a while the teacher shows everyone the card and asks the question again: ‘One pen or many pens?’. The kids answer and if the card shows ‘many’, they also count how many exactly.
If the game is played online, there is side A of every card that presents the word and side B with the actual visual with the answer. When the kids have shared their guesses, the teacher flips the card and asks the question again.
Why we like it?
It is a simple yet effective activity that helps to practice any vocabulary. We usually use it in the second or third lesson of the new unit.
It is a real game as it includes the element of luck and anyone can guess it as well as the element of logic if you try to remember which cards you have seen (there is only one of each).
The number of items can be adapted ie only a set of five words, with two (one pencil, many pencils) or with three (one pencil, two pencils, many pencils) variants for each word.
We use gestures to clarify the meaning, to support production or, even, to answer, as some kids use words and gestures when they guess. I have used the following gestures: one – the index finger up, two – the index and the middle finger together up, many – all the fingers of one hand, up and moving.
It is not competitive as we never count the points for the correct answers and its pace is so fast that the kids do not have the time to focus on the cards that they got wrong or didn’t guess which also helps them to learn to win and to lose.
It can help practise singluar and plural forms of all the nouns and structures. So far, I have used it to reinforce the knowledge of the vocabulary only, there is some potential for adding structure here, too, for example is / are.
This game can be used to practise the plural form but we have actually learnt and used the singular and plural forms through playing the game. This concept was not introduced separately before.
It works well with individual students as well as with groups as all the kids can guess at the same time before the teacher reveals the card. I have been using it with my pre-primary students but, I suppose, the younger primary would enjoy this activity, too.
The game is open-ended, it does not have any specific number of rounds that have to be played or a definite end. The teacher can stop it at any given point, before the kids get bored.
The physical cards can be easily produced, using the google images and clip art and copying and pasting. To make them more effective, I used to glue them on some coloured paper, in order to make them more durable and to make sure that the kids can’t see through the pictures. It is important that all the cards have the same size and that they have the same colour.
Last but not least, my students really like it and this game has become one of our Bread and Butter set. We play it in every unit, with new vocabulary)
I suppose that, on some level, the idea of including the storybook illustrations and their creators into my English through Art curriculum has always been there and it was just waiting for its turn. The first lesson devoted to that happened somewhere in December 2020 with my juniors and you can read about it here. Including it in the series of lessons with my primary kids was just a matter of time. Ed Emberly (and his bestiary of monsters)* is the first one to have a lesson dedicated to. The first of many, I hope!
The artist
The idea to base the whole lesson on Ed Emberly and his art came from the Big Green Monster storybook which has been my go-to resource in all the body parts / monsters lessons for a very long time now. The kids absolutely love the fact that they can control the monster, make it appear or disappear and this way deal with the fear. I used to have students who would sneak into the storybook room before the lesson and ‘read’ the book on their own or run a reading sessions for their friends who also wandered in, both in English and in Russian.
But then, as I started to look through everything that Ed Emberly produced, it turned out that monsters really were his favourite thing and that he wrote a few books on how to create your own illustrations using finger paints and markers. ‘I want one of those!’ was the brain’s initial reaction.
First of all, we introduced Ed as our artist of the day (name, face, country and his favourite thing) and we talked a bit about the monsters which he drew, including the Big Green. The gallery walk was a very brief one this time but that is because Ed was present throughout the lesson, with the story and the craft. It was probably the most consistent and artist-focused lesson of all of those that I have ever taught on this course.
The language
This part was very simple and very straightforward – as much of the body parts practice as possible. It was the first lesson with this topic and we did a variety of exercises related
Introduction, repeating, a bit of drilling (I do less and less of that, as a teacher and I have begun to wonder why. The post will be coming soon).
Pointing and moving of the said body parts which could perhaps go under the TPR label
And a selection of the wordwall games such as matching the human body parts and the animal body parts, pelmanism (only in zoom we write the numbers first on all the cards) and describing monsters using ‘my monster has got…’ and similar structures, also with the use of a set of wordwall cards. This last one is the most generative activity and I have high hopes for her in terms of the amount of the language produced in the long run. Usually it takes a few lessons for the kids to get used to it and to become comfortable and this time round was not an exception. With my current group, the Ed Emberly lesson was chronologically the first one and it was only in the Degas lesson, two weeks later that the kids were ready to produce lots of language.
Last but not least, we watched and participated in the storytelling and it was, of course, Ed Emberly’s ‘Go Away Big Green Monster’, this time in the video format, although, ideally, we would have used a storybook only I did not have it at home at the time.
The craft
Originally, Ed Emberly monsters (and other creatures) were done with a combination of two techniques – finger paint prints and drawing with markers. For anyone willing to use this approach, his books are full of ready made ideas. However, finger paints are a tricky resource to use in the classroom, especially if you want to finger print and draw, and I just did not want to bother with the logistics of it in the online world, especially that our group is now located in three different countries. Solutions had to be found.
It does help, I suppose, that I am a lazy teacher and I have noticed that with all the obstacles of the online Art class I am blossomig and I end up with the ideas that I like. This was the case here and that’s what we did:
The first step – produce own monsters in order to test and trial and to understand how much time is required and how many monsters can be created during the ten minutes that we hae assigned for the craft activity.
Write to the parents, to inform them what resources will be necessary: a sheet of A4 paper, a marker, glue, old newspaper and magazine pages OR coloured paper.
Show the kids the finished product and describe all the monsters (colour and body parts). I did it holding the picture in front of the camera but it was not as effective as I would have wanted it it to be. Next time, I will keep the paper on the desk and I will move the camera above it, in order to make sure that the kids see only one monster at a time and that it is clear and big enough.
The monsters are super easy to make and the one thing that is necessary is a piece of paper (the more recklessly torn off, the better). It is then glued onto the paper and the body parts are drawn. Then the kids describe their own monster, ideally using full sentences but, since it is the first lesson with the new vocabulary, I accepted simple ‘three eyes’, ‘one nose’, ‘two legs’. The number of the monsters produced in class will depend on the age and the skills of the kids.
My students are already quite ‘advanced’ when it comes to craft and after they figured out how to make the monsters, they were on producing more and more of them, focused more on the craft than on the speaking (ouch!). For that reason, when I teach this lesson again, I will want to scaffold even more carefully and introduce the following tricks a) ‘dictate’ the colour for the monster, b) promote production by guessing how many legs their monsters will have, hoping that even if I don’t guess, they will want to correct me and c) introduce a punctuation mark between the monsters ie a proper introduction (My name is Polly. I am a happy monster)
I personally adore the fact that the monsters are made from newspapers and that they have the most irregular shapes, the more reckless, the better. However, I noticed that some of my parents were reluctant to the idea of letting the kids work with old newspapers and magazings, preferring the regular and pretty craft paper. I have also noticed that some of my students did not quite like the idea of the torn paper and while I was happily tearing the resources for my monsters, they simply picked up their scissors and started to cut out square, circles and triangles. In the offline classroom, I simply wouldn’t have given out scissors, trying to encourage them to work with a new resource. In the online classroom I could not control it but the monsters turned out pretty anyway.
Edgar Degas is a perfect example of a love – hate relationship with Art. I adore his ballerinas, the beauty caught in a frame, the purposeful randomness of different set-up that make it often look like the candid camera photos, caught in the act, almost random, immortalised forever. But, at the same time, Edgar is the artist that I would never want to meet in person or talk to because of his beliefs and views.
But, it so happened that we are still doing body parts with my kids and I have only girls in the group and I really wanted to make ballerinas and so, reluctantly though it was, I chose Degas to be the artist of the day.
As usual, we introduced him by name, by country and by his favourite thing (ballerinas!!!). We looked at the paintings and talking about the colours and the actions and then, we made our own ballerinas.
Our gallery with Degas
The language
We are still practising expressing opinion using ‘I like’ and ‘I don’t like’, we include it in every lesson and at this point we are (almost) at the point when the kids talk spontaneously about the different things we are looking at
We are still practising describing monsters using the sentences such as ‘my monster has got two eyes’ as well as ‘my monster is green and yellow’, ‘my monster is happy’ and ‘I like it / I don’t like it’. Apart from the regular revision and drilling, we used the monsters from one of the wordwall sets, such as this one here. I was simply over the moon to see that at this point (and it was our lesson #3 with this topic), the kids were just producing a sequence of two or three sentences. It needs to be mentioned that we still sing the song about the teddy bear and it helps us to produce, too as the key structure ‘my teddy bear has got one nose’ can be easily transformed into a sentence about the monsters or ballerinas and that definitely helped, too.
Teacher’s ballerina
The craft
The final version of the craft is a combination of two ballerinas that I have found online, one of them from Kidspot, the other from Creative Child. Since my students are still very young and our lessons are online, I needed something that we would all be able to do without my direct assitance
As usual, I sent the information to parents with the list of all the necessary items: two sheets of white paper, safety scissors, glue and markers or crayons.
In class, we checked that everyone had all the materials (‘Have you got the paper? Show me, please’ etc).
I showed the students what we are going to need: a rectangle (for the body), a circle (for the head) and a square (for the skirt).
We prepared our shapes together: I showed the students how to cut off the rectangle (the shorter side of an A4 piece of paper, approximately 4 cm wide) and I waited for them to cut off theirs. I cut out a circle for the head and I cut of a square, too. We put the scissors away.
I did not give the students (or the parents) any details regarding the dimensions of all the shapes because, in a way, it does not really matter and we could manage with the wider or thinner rectangles or the smaller squares or circles. Whatever was too big, got trimmed later on. However, I knew that my girls would be able to handle that. With some of my other students or with much younger children, I would consider asking parents to cut out the shapes for us, before the lesson.
We proceeded to making the ballerina and here are the exact instructions. As usual, I was making my own doll and demonstrating, waiting for all the girls to catch up on with us.
Step 1: take the rectangle, fold it into half, lengthways (‘It’s a book’, said one of my kids, and a book it was, although it had a slightly weird size) and we spread some glue inside of it, to glue both sides together, in order to make it thicker.
Step 2: draw the lines at the bottom and the top of of the rectangle, to make the cutting a bit easier and to ensure that the kids don’t cut it into halves.
Step 3: cut along the line at the bottom of the rectangle, say ‘My ballerina has got two legs’
Step 4: cut along the line at the top of the rectangle, fold them to the sides, say ‘My ballerina has got two arms’
Step 5: glue the circle on, draw the eyes, the nose, the hair, we were drawing and talking about it ‘My ballerina has got…’
Step 6: fold the square into a triangle and cut the patterns, in a way in which we make paper snowflakes. Decorate the skirt with markers.
Step 7: cut off the top of the square/triangle in order to be able to put the skirt on. Put it on the doll and glue it at the top (and at the back) in order to make sure that it does not fall off.
Step 8: add all the other details: draw the hands, shoes, top of the dress etc.
Initially, I had the idea of practising some Present Continous with our ballerinas but in this particular lesson we only managed to start using it and the kids were not ready. Instead, we introduced them and sang the goodbye song together.
Marta’s ballerina
Some final notes
As I have mentioned before, the ballerina does not require any careful or detailed actions and even a messy cutting or measuring do not get in the way of finishing the task, if the kids are old enough. The most challenging part was the skirt as it involves preparing the snowflake and cutting off the tip in order to put the skirt on but once the kids were shown the final product (a circle with a slit), they were able to find their own solutions. Some of the skirts were not circles, some of them were not the most regular squares, some of them had not the prettiest slits but they could all be put on and, when, decorated, they all just look beautiful.
With the younger students, I would ask the parents to prepare the shapes and to cut the slit for the skirt, too.
I have also seen ballerinas that are even easier to make as the snowflake skirt could just be replaced with tissue paper or strips of paper glued on, or, if you have them, cupcake paper liners folded in half. This would also make this craft easier to make.
I loved the fact that when I first introduced my ballerina, the kids were slightly taken aback (and, fair enough, it is not the most graceful thing in the world, my ballerina) but as we proceeded through the craft, they grew fonder and fonder of their creations. They came up with many ideas of personalising them and of adding more detail ie a separate piece of paper for the hair. Not to mention that their dolls are simply amazing.
Another beautiful that happend during this lesson was the fact that the girls remembered the acrobats that we did in a Chagal and Circus lesson in December 2021. An eternity ago and yet, they did remember!
A beautiful train with carriages or a tractor with trailers, with one animal on each trailer.
A set of colourful cards, with a set of riddles following the same framework and the set of structures in each riddle.
Procedures
Students take turns to choose the colour of the card.
Teacher reads the description of the animal. Kids listen and guess the animal. Teacher uncovers the picture to check the answers.
Why we like it
First and foremost, this kind of an activity helps to develop listening skills in very young beginner students and focus as they need the information from all the sentences in order to guess the name of the animal.
At the same time, since all the riddles use the same framwork and the same structures, this game is an opportunity to practise all the key structures. The set of these will depend on what the students are familiar with and can be simplified or extended.
We use this kind of a game to prepare the students to produce the language, too and after playing the game for a few lessons in this very format, with the teacher reading and the kids guessing, we move on to the following stage with the students producing a set of sentences to describe an animal.
Last but not least, with time and with the development of the literacy skills, this kind of an activity can also help develop reading skills.
The game is pretty and colourful, made with colourful cards, beautiful visuals from google. The students are usually curious to find out which animals are hidding on the trailers. The format of the presentation can be adapted, too. In the past we played with huge present box (partially inspired by Rod Campbell’s Dear Zoo) and with houses in which the animals were hiding and the miraculously appearing thanks to the funcion of ‘bring to the front’ or ‘move to the back’ on Miro or any powerpoint.
It can be used with animals or with any other topic with the appropriate adaptation of the phrases ie toys (It is big. It is red, with the assumption that we refer to the visuals that the students are familiar with) or transport (It is big, it is fast, it is quiet) etc.
If you are interested in riddles, please have a look at this post, too, where I write more about riddles for the older and more advanced students.
