Malevich was the hero of the first October lesson but somehow, it landed in the wrong order on the blog. This whole month we are learning about shapes and you can read about some of the ideas for these here. Thanks to Super Simple Songs we have two cool songs about shapes, this one and this one, and they can easily be turned into a game as we go on singing and looking for shapes around the classroom, on the walls, in the alphabet and on our clothes. I don’t.
Some animals admiring the black square
The artist
There could be only one painter to be invited to this particular lesson, of course, Kasimir Malevich and the Black Square. We started with introducing him and we looked a few of his paintings. I rarely include a lot o detail from the artist’s biography but here it might be quite interesting to see how his creativity went from ‘just realistic paintings’, through many intermediary stages, casting off realism and colours, to the Square.
Because at the time, we also had the mixed age groups and levels group, we could discuss symbol in general and what symbols exist in our everyday life for example the symbols that are logos of different brands or the symbols that we have in the streets or in the public transportation. This is how we arrived at the square that could be a symbol, too. We also looked at some of the parodies of Malevich.
Black on black by one of my students
The art
The preparations for this lesson were quite limited: markers, glue and scissors and a lot of coloured paper. I had white and coloured paper for the background and some bigger and smaller black squares for the main protagonist.
I showed the students my example and the kids were asked to pick a square and the colour of the background. Then, they went on to glue, to cut and to create.
I was monitoring and discussing the choices. I also helped them translate the titles for their creations.
As can be seen, not everyone was very concerned about the perfection of their squares. It is my fault because I gave them relatively big squares and rectangles for them to make their own decisions regarding size. Some of the kids decided to glue them as they were. It is ok. i don’t think Malevich would have minded.
I loved the creative process and I was so proud of them for having created all these lovely pieces. The Camera by Nikita is just briliant and it was actually a 2D creation. The Labirynths by Kostia are out of this world and, although I don’t understand them, there is some link to some computer game. Apparently. One of my students, Sasha, kept walking around the room and trying out the square against different background and, surprise, surprise, she ended up choosing the black one, taking Malevich one step further. With the older students we also had a great discussion in which we shared why we like the square so much. ‘It is like the silence in a picture’, was one of the lines in that conversation.
A folding surprise by Kolya (Renamed as: Teachers in September)
This post, like many many others, starts in the classroom when yours truly spends countless hours every week. Some of those hours are happy hours, some are very much not. Sometimes, no matter how passionate and dedicated you are as a teacher, no matter how much time you have dedicated to preparing amazing lessons, resources and activities, it is just not coming together and it does feel like it is the absolute end of the world. But, definitely, it is not. But it feels like it.
In the sessions devoted to classroom and management behaviour, there is this one activity that we do: ‘Look at the picture of the classroom. What is wrong with it?’ My trainees usually have lots of great ideas but where I am trying to get them is the fact that, beautiful as it is, this photo, a real class and a real lesson does not really look like that 100% of the time. So google, with all its amazing visuals, this time helps us create unrealistic expectations regarding our professional life.
I am not saying that it does not happen, that kids never get fully interested and involved in the task or that the teacher never has the full attention of the group. They do and when it does, it is the best thing ever, cloud number 9 and the top of the world. But, to be perfectly honest, a day like this one in the Kindergarten Cop, this is also a part of the teacher’s life.
Those bad days are perhaps more likely to happen when you are less experienced and somewhere at the start of your teaching career but (and I am sorry to be saying that), no matter how many years you have been teaching for, bad days can still happen. Although, indeed, as experienced teachers, we are more prepared for them and better equipped to deal with them, on the spot and in the long run. That is why, in this post, I decided to share how I resuscitate myself and get myself back on my feet from having crumbled into pieces after a bad day at school.
Prevention first
Apart from lesson planning and keeping your resources organised, it is very important to remember that a teacher needs to be alive and feeling well in order to remain happy, smiling and passionate about the lesson and in order to be able to give a good lesson. That means that a teacher needs to eat and drink, breakfast and lunch and snacks, and, a teacher must find time for her / his own breaks.
I know very well how easy it is to skip breakfast, lunch or the mid-lesson snacks (or, even more impotantly, the mid-lesson toilet runs) because, well, because things just happen. Kids lose things, kids need help, kids have a bad day and a meltdown and a teacher, more often than not, just brushes off her/ his needs and does whatever is necessary to help the kid. It’s just in the blood.
Then there are the unplanned meetings with the headmaster, the admin, the parents and sometimes it is possible to put them on hold or to reschedule them and sometimes it is not. Again, the break (whatever its purpose) gets cancelled or cut short. The teacher goes on teaching without food, coffee, water or worse and, naturally, that has an impact on the level of tiredness and / or stress and on the lesson.
When the bad day has already happened…take time out.
Most of the time this will be a very short time out slot, a few minutes in the teachers’ room, or even in your classroom, looking out of the window, wasting time, listening to your favourite song, or, if you are really lucky and the breaks are long enough to allow for that, you will be able to get out of the school to pick up a coffee somewhere round the corner or simply to take a walk, somewhere in a slightly different environment.
This will help to see the world from a different perspective and, naturally, to regain the peace and quiet for the teacher.
Talk to your teaching buddies
As soon as the opportunity arises, chat to your teaching buddies. It doesn’t matter if they themselves had a good day and will be able to act as the source of the energy or if they had an equally disastrous day and there will be there for you to compare the levels of the educational catastrophy. The most important thing is that this will be a chance to talk to someone who fully understands how horrible it feels to have to walk home after a bad day at school and who can offer an ear if not a real solution, although the latter is also an option, too, because the school life is full of fiascos, tragedies and all kinds of situations and, quite likely, your friends have it already happened to them and might be able to tell you about how they sorted it out. In any case, listening to their stories will help to understand that you are not on your own and that’s a lot!
Talk to your VIP, whoever they are
For me, personally, equally important is talking to my Very Important People, not only because that is what they are, but, also, because they have absolutely nothing to do with education, teaching English and teaching children.
Getting valuable advice or even having someone to talk to, in order to relate all the horrors of the day is not the main aim of these conversations. On the contrary, these help me get a completely different perspective and go back to basics, to everything else in life that matters an that is as far as possible from the young learners EFL/ ESL. Just to check that the world outside of it still exists and that it is doing great.
I love my job and I cannot imagine not teaching kids but, on some days, I need to forget about children, parents, child development, methodology and everything related to it, specifically in order to recover and to recharge my batteries, physiological and psychological.
Get a hug (real, virtual or metaphorical)
Well, yes, just that! The hug can be real, the hug can be virtual as not everyone huggable might be available physically but it can also be any way of pampering yourself and doing somethinggood for your body. A nice meal, a pint of beer, a quiet evening, an evening with your favourite music, a piece of chocolate, a walk with a dog, a bunch of flowers, a cup of coffee, a sports game, a round of your favourite computer game, exercising, a combination of a few of those or all of them together. Whatever it is that makes you feel good and that brings a smile to your face.
For example, I am a real public transport supporter but, on those really difficult days, I like to take a taxi home and being in the backseat, driven home, with my favourite city in the world blinking on the other side of the window, it really does calm me down.
Sleep on it
Or, in other words, not being too harsh on yourself and taking time to reflect and to see the whole day and everything that happened from a different angle and from a distance.
The world looks a bit different after a proper night’s sleep and only then it is possible to reflect on the day, to connect the dots and to understand better the reason behind the kids’ behaviour or the explanation why the activities fell flat on their face. Finally, this distance will also help to see the good things that also happened because they always do, although, admittedly, they are easily overshadowed by the disasters.
Try again!
Last but not least, there is always tomorrow, another lesson and another day to have another go and see what happens. With young learners especially, the first time we play a new game or try a new activity, in a new format and with a new set of rules, the very first attempt is just a reconnaissance, for the teacher, for the resources and for the kids. It is almost bound to be a failure and it is a big mistake not to give it another shot.
This is my September and New Groups Diary. Here you can find the previous episodes: week 1, week 2, week 3.
Starting the lesson…
…stays as before, no changes.
How do you feel today?
We continue to do our little chain reaction of the question – answer, from student to student and, on top of all the phrases, a few new lines appeared, too. First of all, someone suggested ‘I am everything’, which is an interesting albeit unconventional approach, and some kids picked up on it. I will have to come up with a flashard for that.
The other thing that happened, in one of the group, was a flurry of ideas to add to our set. One of the students asked for a piece of paper before the lesson, to create a card, some others got inspired and they ended up producing four or even five during the breaks. Apparently, what we needed (and I did not know!) is:
I am feeling sick.
I was sick.
I want to stay home.
I want to go to school.
I am bad.
I don’t know how I feel.
These cards are already ready, pretty and colourful. I just need to laminate them on Monday.
Songs
This week we have only added one song to our playlist, Let’s go to the zoo! and that is because, imagine that, on Wednesday we were going to the zoo, on a school trip. Accidental though it was, it made me realise that, actually, we are in a desperate need of some ‘we want to move’ songs, for some brain breaks for the lessons themselves or the in-between the lesson time. I am planning to introduce either Move or The Dance Freeze Song next week. They are going to love these and it is about time we learnt a few new verbs.
Actually, there is a lot of verb-related material this week as we also did Milo’s I like you in our English classes and our story was also verb-related as it was ‘Don’t eat the teacher‘ (see below for details).
Rules and Classroom Language…
…has stayed the same as before. We haven’t been in need of any new rules. The kids have improved overall and they know all the rules and they help me revise them in a more efficient way right now. So far I have been giving them the first half of the sentence, together with the gesture (‘I have…’) for the kids to add the key word (‘a question’). Right now, they know all of them and can recreate them when I demonstrate the gesture. On Thursday, I also happened to forget one of the rules and one kind soul reminded me (and us) about it, too.
Rewards chartand Time..
…have seen no changes whatsoever. We are just using what we have introduced.
Story
This week is a week of verbs (see above) and since we have reached the end of the first full week of classes, I have decided to introduce a school story, one of my favourites is ‘Don’t eat the teacher’ by Nick Ward.
We have:
done the vocabulary
introduced the main character, Sammy, the shark, talked about the cover picture and the little problem that Sammy, the shark has (biting things when he gets too excited (although we used the word ‘energetic and happy’ because these are the words we know)
watched the story
done an activity with matching the sentences with symbols, ‘don’t’ with different verbs
and a similar activity on a handount
I really wanted to add the structure to our set of verbs, on top of ‘I like to do’ that we had from the song. I am also planning to reinforce the ‘let’s’ from the song and to practise both, as they will be very useful in the classroom. Overall, I am happy with the story but I don’t think I will use the video again. We have the paper storybook somewhere in the school library and this will be a much better choice as with the paper, the teacher can control the language, the pace and the audio, the emotions and the understanding.
Socialising
These are the things we did in the previous week to faciliate the community building:
We continued doing everything we have done so far: making decisions, choosing songs and activities, helping with the resources, student – student interaction.
The biggest event of this week was the trip to the zoo and, for one of the groups, a trip to the park during the science lesson to look for different types of plants. First of all, it helped us create some memories, as a group and we definitely had a chance to be a group, to listen to the rules, to remember about behaving well. Everything went well and I was very happy and proud of everyone.
This week was the first week in which we were working with our big notebooks. We have one for all the subjects and we use them to glue in all the handouts, to take notes (yes, we have started) and to work on all the tasks. I have already noticed that the kids enjoy looking back and checking what has been done so far. One or two have already decided to add some bits and pieces to the previously completed handouts and drawings. The kids who were absent were also curious to look at the work that we have done during the days they missed, in order to catch up. I decided to check all of these at the end of the week and leave little notes and comments.
We also did an interview game, to practise all the basic questions we have done so far, with all the kids interviewing ‘the new student’ and, during the Maths lesson, we were measuring ourselves and that also required a pairwork, so that the kids could easily read the measurements for their partner. Otherwise, it is very difficult to see how long your nose is or your mouth. This went really well and we had lots of fun!
Creativity
We have had some opportunities for creativity in this week, too!
We created a picture of an unusual plant and we labelled it properly with all the part plants. We watched a video from youtube and talked about the plants and their resemblance to what we know. Afterwards, we revised all the plant parts and I wrote them on the board and that helped me create my Coffee Plant, with leaves, roots and coffee cups in lieu of the fruit. Afterwards, as a group, we brainstormed some ideas for the kids’ plants and hey ho, they were on the right path. We did it in the notebooks and ‘the handout’ was only a small piece of paper glued in by me before the lesson, with the list of plant parts to use as a checklist in the end of the activity. I might actually put it all into a separate post later on. Fingers crossed!
During our zoo trip I was also the designated photographer and the photos will be used in a whole class project next week. There is more to come!
Teacher
This is only very much Anka-relevant and it might not work or be important for all the other teachers in the world. I decided to take a note here, though, to remember and to see how these things will be changing because they also affect how we work as a group and how I feel, too.
I am very happy because everyone is a tiny bit better at writing. Our handwriting booklets are filling up since we are already at T and all of my kids are better at dealing with this slot of the lesson. Something that was a huge challenge for some of my kids is not just a part of the lesson. Some of the students are working ahead of the group, since they are faster and already have a good handgrip and I am ok with that. Three have completed the whole booklet already and they get a tiny little break while we are working. I was thinking what to do about it and I decided to leave it as it is. It will be only a week more for us, to get to Zz and afterwards, we will all be on the same page again.
Even the kids who are beginners as regards English started to be more attentive and more productive, at least as regards the repeated parts of the lesson. They get a lot of langauge from the songs, too and it is really good to see. Everyone works very hard in Maths and Science and I cannot tell you how happy I was when on Thursday we did our first ‘copy and finish’ activity in English and everyone (but everyone!) took notes about themselves: I am Anka, I am 100. I am happy. I like cats. I’ve got a brother. Beyond happy, that’s what I was.
This was not a tantrum free week, far from it but I noticed that I am better at dealing with them and that also my students are making an effort to try to control their emotions, hard as it may be in some cases. There is hope, basically.
Coda
The ghastly month of September is coming to an end. ‘Wake me up when September ends’ the Greenday sings and this day is today! Hooray.
I will continue keeping notes on everything we do and I will add another post in a month, to see where we are with my kids! Until that day then! Happy October to all of you!
A set of shapes of your choice, cut out of paper before the lesson
An A4 piece of paper with the list of figures that will be included in the activity.
A glue stick for every child, a pencil to take notes
Procedures
Naturally, this project involved some pre-lesson preparation: the handout, the glue and, most of all, all the shapes which needed to be cut up and sorted out. I used 5 separate boxes to make sure that they don’t mixed and are easy to select and to abandon.
We had two lessons devoted to shapes and so we could do all of the following as a preparation for the project: introducing the shapes, looking for the shapes in the classroom, song Can you see a circle? from Super Simple Songs, looking at Shapes Monsters from Twinkl, to recognise and to count them, making shapes from pipe cleaners (the example of which you can see above), working on the sequence (‘circle, square, circle, square’) and, as a direct example for our creativity, looking at some transport made of shapes (also found on Twinkl).
The next step was a set of instructions. At the moment I work with a teacher assistant and I saw it as an opportunity to use this resource in setting up the project. I prepared my instructions to use the simplest language possible but I still asked my TA to translate sentence by sentence. The main elements were these: We are doing a project. We have five shapes (displayed on the board). You can make something for yourself. Maybe a flower, maybe a car, maybe a monster (referring to everything that we saw in class). All ideas are good ideas. You can use 10 shapes (gesture). Please sit down and think. I will call one student to come here and choose shapes. Sasha, come here, choose 10 shapes. etc.
Afterwards, with Sasha choosing her shapes, two students helped with giving out the handouts and the glue.
Everyone kept working on their shapes, I was walking among them, helping and monitoring and as soon as they were finishing, I would come up and ask them to count all the shapes they have used.
In the end, the kids were showing their projects to each other but it was not a formal stage of the lesson. Ideally, we should have finished with everyone showing their work and presenting ti with a simple ‘I’ve got…’ but, unfortunately, in our case, we ran out of time.
Why we like it
In general, it is a simple project with a lot of potential and it can be used in a variety of lessons.
In a Maths lesson, like ours, it is a an opportunity to see the practical use of shapes and to balance the serious studying with a more creative task. It also involves shapes recognition and counting. It was also an interesting follow-up and development on the previous lessons in yet another way: we looked at shapes, we counted shapes in shapes pictures, we looked for shapes in the classroom and we made shapes out of pipe cleaners. These last two activities were especially exciting for the kids and that was my cue for a more hands-on activities.
In an English lesson on shapes, this activity could also work very well, especially that there is the early literacy activity which, potentially, can be extended. The kids can be asked to copy the words from the board and, in this case, the ‘handout’ will not be necessary. The kids can also be asked to write the name of the picture they created, especially if they work within a vocabulary framework, for example toys, pets, animals or transport, although, admittedly, this would put a kind of a harness on the creative thinking here.
In an Art lesson, this activity can be connected with any artist who liked shapes for example Kandinsky, Malevich, Mondrian, El Lissitzky or even Picasso. Apart from the main art project, there would also be an input session devoted to the Artist of the Day. If you are looking for ideas, please have a look here, at Teaching English Through Art.
As a first project, this lesson was a wonder (and please forgive me blowing my own trumpet here!). The kids got the idea and they really took to it. Everyone interpreted the task in their own way and created some lovely pictures, some of which are an inspiration for me as a teacher, for example to draw the shape first and use the shapes to create a proper collage or to make a list of all the shapes necessary beforehand, in order to facilitate and to promite the Thinking Time stage of the project. Please make sure you have a look at the examples below.
The kids got involved in the project, even though there were a few who were slightly reluctant in the beginning. However, as soon as it became obvious that, really, all ideas are good ideas, they started to work on their projects.
The next time I do this project, I will make sure I prepare my own model. I was planning to do it but then the teaching day started and I simply forgot. It would have helped with the instructions and the whole project, including the counting of the numbers and the final presentation.
As regards the choice of the resources, it seems that it was also a good idea to go for a more exciting type of craft paper, as regards the gloss, the texture, the print or a mixture of these. It really adds up to the success of the project. It might be also a good idea to consider an A3 paper for the base, the A4 might be a bit limiting, although A3 is definitely a more tricky size to carry around, to take home or, even, to put up on the wall.
It really was a way for all the kids to exercise their creativity and I am very proud of my students. Some of the creations are simply brilliant and they helped me learn something new about my students. It is also a signal for me to use more of these activities.
Some noteworthy examples of creativity from my kids
This is Lena who was the student to plan her project properly, out of her own accord. She prepared a list of ingredients necessary and, as you can see it does not quite match the number of the shapes used. We fixed it later, after the photo was taken, by writing: circles: 3 + 3 etc.
This is Sergey who decided to take a completely different route and to create a proper work of art, made of hearts only and with a red pencil which is also glued to the paper.
This is Sasha, who was initially very uninspired by the task as he prefers listening. However, after a while, he figured out how to combine the two. He drew an ice-cream cone and then, once it was ready, he came to choose his shapes. This is a lovely approach and I will definitely be using it in the future!
This is a beautiful example of how creative kids can get. Sasha, whose most favourite thing in the world are horses, found a way of creating a horse with the shapes we had. It shows a high level of development of symbolic representation as well as creativity. We see a horse in it hence it is a horse.
This is a picture by Nicol, quite simple one, just a house, we might say, but it is just wonderful because of the paper used and because of the consistent use of hears as windows.
And another wonderful picture, a bear, in which Sasha, decided to use a variety of techniques, including drawing and elements of origami to create a 3D eyes and muzzle for the bear.
This example comes from Sasha, who decided to go for a seemingly simple design of a structure, made of only four shapes. However, it was nothing but simple! The big blue square is in fact glued expertly along three edges to create a pocket into which the small blue rectangle could be put in and taken out. Sasha was extremely proud of his example and I was proud of him.
Please make sure you read the previous post in the series here. Here is the week 3 post and the week 4 post here.
Starting the lesson
Nothing has changed here. We continued doing everything the way we did last week but I did notice (with joy) that this week it all went smoothly and that all the kids were answering smoothly and without my support, gestures and hints, even when it was the school admin who came in to check the attendance officially which normally takes place in lesson 1 and which sometimes overlaps with my roll call.
How do you feel today?
This stage of the lesson didn’t change at all in the previous week either. On the one hand, I was a bit guilty about not introducing any new phrases / adjectives but, only other hand, it is not bad that some elements stay exactly as they were, not to overload the kids. I am definitely planning to introduce them in the upcoming week.
Songs
As regards the new songs, yes, we do have some! First of all, Who took the cookie from the cookie jar is now officially a game and students themselves remind me of it. First we go over all the structures and gestures (the set displayed in the video) and we watch the video together and ‘rehearse’ singing. Afterwards, we play together and it is lovely to see how the kids get involved. Generally, the idea is that we play in a chain and the last student ever is the ‘kangaroo’ who took the cookie, however, it did happen a few times that the kids themselves decided to own up to having taken the cookies, in the middle of the game and we just accepted it and played on. What is more, one of my students, went out to the cloakroom and brought back his jar of cookies to be used as a prompt while his turn came. He also promised to share the cookies with the class during the break which was sweet and it made every happy. It was also great to see that the kids picked up on the melody and the structure and we made the first attempt at our own version of the chant…
I also wanted another song for numbers and I found this one, from the Singing Walrus: Count 10 – 100, in a slighlty upgraded version. ‘I can count to 20’ was a huge success, not only because of the easy lyrics but also because of a simple dance routine and that is why I decided to create a similar one for the other song. I will not dare to include a video here and the decription will be muddled, I fear. The main idea is that there is one arm movement for each number and we end up with waving our arms joyfully for ‘one hundred’. I am happy to say that it has worked very well and now we have to educational brain breaks for the Maths lesson.
A special bonus is the third song from Pete the Cat. To find out more about, please scroll down.
Another lovely realisation was the fact that my students chant and sing the songs during the breaks, out of their own accord, and even at home. As one of my education parents said ‘Who took the cookie is a very dangerous song! Sasha sings it all the time at home!’ Music to my ears!
Rules and Classroom Language
We have been revising all the classroom verbs and phrases we introduced in the previous week and we devoted one of the English lessons to introduce and to drill some more advanced classroom language that included
Can I go to the toilet, please?
Can I drink some water, please?
I sit nicely.
I listen to the teacher.
I am a good friend.
I have a question.
We have a poster for each, with the phrase and a picture and I came up with a gesture for each of them. We introduced them, we drilled them, we played a few movement games and we came up with a chant, too. There was a handout, too. The posters are on the wall and we start with reading them in the beginning of each lesson.
I wanted to introduce two more (‘I ask if I can take something’ and ‘I ask if I can write on the board’) but they turned out to be too complex for coming up with a gesture and to repeat and I need to rephrase them.
I am also compiling a list of a few more sentences for us to start using, some of them based on the classroom procedures, some of them based on the students’ behaviour that we will need to work on.
Rewards chart
As I mentioned last week, I changed the list from the board to a small whiteboard because, first of all, I need the board for other things and, second of all, it is easier to carry my mini whiteboard with me around the classroom.
Another interesting thing happened. One of my groups (9 kids) is already at the point when they don’t need a rewards’ chart. They are involved, they want to study and, although they are still kids and they have their crazies, these do not require any real intervention and it is easy to deal with them only through reminding them of the rules. So far so good.
My other group (12 kids) are a bit more rowdy and I have two troubled souls there and the rewards’ chart works really well for them as a reminder of what we want and what we don’t want, together with the rules. We had at least two very tricky situations but we are dealing with them and I am hoping that my tricks, the help from the school psychologist and the parents will help me work on all of that.
Time
We continue using the clock and I noticed that more of my students get a better understanding of the clock and the lesson time versus the break time. The only thing that I added to the lesson time is also a small box with the number that the big hand of the clock needs to reach.
The lesson plan I mentioned in the first episode of this series worked much better and more effectively this week. I used it in almost all the lessons in the previous week. It worked very well with 1A who already have their favourite Maths game and who try to include it in all the lessons as the final point. One of my students actually remembered the name and he made an effort to remember how to write it from memory in order to be able to add it to our plan.
Story
Traditionally now, Thursday (my last day of the week) is a story day in English. This week I decided to introduce the kids to Pete the Cat and specifically to ‘I am rocking in my school shoes’.
I love this story for many reasons:
Pete the Cat is cool and apart from the narrative and the dialogues, it includes songs and they are cook, rock songs, a nice addition to the very kiddie-like Super Simple, for example.
This particular story includes about seven or eight verbs in the Present Continous, related to the activities in the school (I am playing, I am reading, I am writing, I am adding, I am painting, I am sitting, I am eating, etc). I decided we really need them in order to describe what we are doing and to check that everyone is on the task (‘Sasha, are you writing?’) etc. This is a topic that is very easy to introduce, you can play Abracadabra and have a low-prep movement game and, very soon, we will be able to use it to tell stories.
The story also includes the names of the places in the school which I want to focus on in the upcoming week and have the kids use them, after I have labelled all the doors in the school in English.
So far, we introduced the game and practised the verbs in a game, we watched the story and try to sing the song and we had a small reading / drawing task (‘I am eating’ + add your own noun). As a surprise, kids also got a Pete the Cat colouring page to do at home. Naturally, Pete the Cat is coming back next week.
Socialising
These are the things we did in the previous week to faciliate the community building:
more students’ help with giving out and collecting back resources (handouts, markers, glue, notebooks) and with cleaning the board
some opportunities for making a choice: ‘Which song do you want to sing?’, ‘Which game do you want to play?’. I also tried ‘choose the next student’ but they are still too shy and it did not work very well. I nominated instead.
I kept an eye on the kids interacting with each other and I also started a journal for both groups, to keep track of these observations (related both to progress and to behaviour and socialising). I plan to add notes to it only once a week. I noticed some new friendships forming, between girls, between boys and in mixed groups, I noticed kids playing together and collaborating during the breaks and during the outdoor time. I noticed Sasha sharing his cookies with the whole group, although social skills are not his strong point yet or the kids policing each other during some lessons.
Creativity
This was only our second week but I decided to include some creative tasks in Maths or in Science and it turned out that this is exactly what the kids needed. We did three of those: a plasticine model of a plant (Science), making a book with plant types (Science) and a real project in Maths ‘Let’s make something out of shapes’ All of them were very successful. How do I know? Right after the kids saw the finished product and the resources, I got flooded with the same question coming from 12 or 9 different directions in the classroom: ‘Can we take it home?’ and although I would love to put these beautiful creations on the walls, I gave up. I collect all the other handouts and put them in their portfolios, here, I did not have a heart. Everything beautiful went home. I only took photos.
Teacher
This is only very much Anka-relevant and it might not work or be important for all the other teachers in the world. I decided to take a note here, though, to remember and to see how these things will be changing because they also affect how we work as a group and how I feel, too.
We finally have the internet connected in both classrooms so I can use a much wider variety of resources, powerpoints, videos, songs as well as all of the online resources. This has an impact on the variety and it helps to keep the kids’ attention and focus.
I am not very happy (as in: AT ALL) with the tables which are ‘the typical tables in the classroom’, in three rows of four. I hate these rows and because I share the classroom with the L1 teachers, I cannot move them freely. Not only because they are a bit on the heavy side but also because some of the breaks in-between the classes are short and there is no time to reorganise the room before I leave it. I am not sure. I am thinking.
The other issue related to the fact that I am in two classrooms is this: I am in two classrooms which means that I am in none and I am slowly turning into a Mary Poppins, only not with a bag but with a set of boxes that are my treasure chests, boxes that I carry around…Much as it is true that my arms need some toning and some workout and it might actually be beneficial for me, it is another thing that gets on my nerves. I cannot change the set-up, I will be sharing and moving around, but I think I have a solution. I just need to reserach it.
As regards, the resources, in general, I am better organised and that makes me happy.
It is funny how, sometimes, a particular topic lands on your table all of a sudden. I’d say ‘L1 made a cameo appearance’ but it would not be very accurate. It was defininitely not a cameo appearance. I am thinking more of a scene from Harry Potter, the one in which the Dursley’s living room gets flooded with the envelopes from Hogwarts after uncle Vernon tries to hide the one letter to Harry for a few days…
This was the use of L1 in the EFL classroom, especially when you are teaching kids. There were some conversations with my trainees, during the input sessions and during the private consultations, there were a few sessions at the Warm-Up Conference from Masha Elkina. Then I found the book by Shellagh Deller and Mario Rinvolucri with whom I had a pleasure to learn years ago so I automatically reach out for their books whenever I see them on any shelf. Last but not least, there was my own teaching this summer.
One conclusion: I think I know what the next post is going to be about…
As regards, the book, I need to read it first and to find a few activities that I would love to experiment with in my lessons. Luckily, the new academic year is about to start so there will be at least two groups that will help me with it. The post will come out of it, too.
In the bibliography you will also find a few of the most recent articles available online (yay to the easy access) but I have to admit – I haven’t read them yet, the bibliography today will be my ‘saved for later’ type of a list. I will be dealing with them later but maybe you will get there first.
I have written about the use of L1 on this blog:
The overheard conversations about the different angles of looking at the use of L1, from the kids, the admin, the parents and the teachers
And about two situations with my pre-school group when I managed to solve the problem without using any L1, one related to behaviour (Are you a girl or are you a lion?) and one related to language clarification (The Spiderman story).
This summer’s teaching and why it made me think about L1
This summer, apart from my regular students, I am also working at a summer camp in the city, mostly with primary students and with a few younger ones, who usually come with their older brothers and sisters. We have a programme designed specifically for the summer classes, without any coursebook and with the adjustable level of the literacy content, focusing on developing vocabulary and structures and the speaking skills, with a lot of CLIL and task-based learning activities that can be adapted to the needs of a mixed ability group. If you are curious about the actvities, I have been keeping my summer camp diary here.
The biggest issue that I have had to deal with during this summer camp was not the mix of levels and age groups but the very essence of a summer camp, its short duration or, perhaps, not only the duration on its own and the fact that we teach students for only two weeks, usually, but the fact that during this kind of a camp, some students may join the group on only some days and even only for a part of the day. I would like to stress that we all had fun and we learnt a lot but, all these factors really did get in the way of the effective establishing of the class routines and introducing and implementing the class rules.
This has become especially important because my group was made of amazing individuals, aged 6 – 9, however, these were the individuals who had absolutely no idea how to be a group and how to try to be a part of a group. This is precisely what made me think about the advantages of using my students L1.
A few case studies, to get us started…
Imagine, dear reader, that these are the things that happen while mid-air aka while in class, teaching, engaging, motivating.
Case study #1: Two brothers, Sasha and Sasha, play in pairs and they start debating the rules of the game which quickly turns into a fight. It all looks serious, especially that these are two brothers taking part and, unwillingly, they bring into this conversation everything else that has gone on between them since that very morning or week. One of the brothers wants to play the game according to the rules that we have used so far (good, he has learnt), the other one wants to play according to the new rules that we have just introduced this morning and which his brother has missed. I actually want to laugh out loud because they take it so seriously, our games rules, but it is very serious for them and it is getting even more serious by the minute. There are six other kids in the lesson.
Case study #2: One of the girls, Sasha, suddenly comes across an obstacle in the lesson, for example, one of the other students tries to help her with an answer. Or she cannot find a pencil that she wants. Or she is not the first one that the teacher asks a question. Regardless of how minor this obstacle might actually be in reality, she automatically withdraws, tears up, loses control and, if there is any paper, around, for example a drawing, she crumbles it and throws it into the bin. If she had been an oyster, she’d snap shut. Sasha attends classes only three days a week, on Wednesday, Thursday and Friday, and this kind of a reaction usually happens on her day 1, every single week. Later on, during the week, she calms down, feels a bit more comfortable until the following day 1 when the anxiety levels go up again, as if she had forgotten that she is in a safe environment.
Case study #3: We are playing a competitive game, in three teams. One of the students, Sasha, struggles with accepting the idea of a competitive game. He is over the moon when his team is winning, when they get many points, when they find a nice surprise but, at the same time, every time he is not, he starts shouting out all what he thinks about the game, ‘It’s not fair!’, ‘I never win’, ‘They only win’, ‘I always get the stupid boxes’….A very interesting case of an extremely short-term memory loss because, literally, a second ago, this student was celebrating his achievements in the game.
Case study #4: We are doing a creative task. Sasha has a great idea, she presents it and it really is great and a lot of fun. We all laugh. The following student, Sasha, also decides to include it in his contributions. Sasha girl reacts immediately with: ‘Oh, no, you are copying from me!!!’ Both Sasha are not happy.
Case study #5: Sasha is not happy with the behaviour of the group and she decides to assume to role of the teacher, or, perhaps, to help the teacher in the way she feels is appropriate and she makes a very decisive and authoritative comment, a very adult comment if you think about. She says: ‘You are very loud. Stop it. I am beginning to get a headache’. The group, naturally, does not approve and it is all obvious and written all over their faces – they are on the verge of deciding not to like Sasha at all. The funny thing is that this is just the group’s reaction to this particular song and it is within the boundaries and rules established in the summer camp group. Sasha, however, doesn’t know it because she joins the group only for an hour, in the middle of the day and, of course, she brings with her the rules that she learnt in her regular English classes at school. She is also a bit older than the group so perhaps that is why she feels she is obliged to take on the role of the ‘expert’ and to show the way.
(Here you can find a whole huge post that I am really proud of, about the competitive and non-competitive games in the YL classroom.)
The teacher sighs and makes a decision
All of the case studies described above come from the last few weeks of teaching, all of the Sashas are real people and I will have to go over the text again in a moment in order to make sure that the kids’ real names have not been typed up by mistake. Real students, real situations, real problems…
In all of these, there have been only one question that I had to ask myself, namely: What am I dealing with here and how can I sort it out in the most effective of ways? And, since you have been reading this post for a few minutes now, you can probably guess the answer already.
Having taken everything into consideration, the kids as a group, the kids as individuals, the details of the particular situation, I decided to deal with all of these in the students’ L1. Here is why:
All of these situations involved some kind of distress for my students and not dealing with them at all would be impossible as they were all very likely to snowball and to have more implications for the individual students and for the atmosphere in the group. Some action was necessary.
Because of the age and the level of the students, relying on the kids’ mother tongue gave me an opportunity to ensure that the kids will really hear me and, with using L1, I could have a real conversation. Asking questions, eliciting, asking the kids to reflect with pre-A and A1 students is only possible in their L1. Taking the kids’ real development into account and thinking of all of these situations as an opportunity to develop as a human, to develop the kids social skills and to help them notice the other children in the group, there is no doubt that L1 had to be used. As an educator, I had no doubt about that.
As a teacher of English, I did feel a tiny (tiny) bit guilty about not trying to do it in our target language but, having had enough time and plenty of those situations as I have been teaching at the camp over the entire summer this year, I know I made a good decision. The context is different in our permanent, regular classes. First of all, we develop the language in a more organised way and it is easier to smuggle the appropriate langauge to talk about emotions or rules there. Second of all, there is more time and the framework is more regular and structured. You start the year slowly, adding elements, games, interaction patterns as you go along and when the kids are ready for them. If the group returns after the summer, even if there are new students joining in, the skeleton of the rules, routines, rewards and patterns is already there, in place, and it really needs only some dusting, perhaps. Summer camp is an academic year in a nutshell, or pehaps, even better, it is like a time-lapse video of the academic year – all the stages and processes are the same only at a much faster pace. Of course, there are consequences of that.
As for the solutions and the situations described above in my five case studies, they were dealt with in a variety of ways. Sometimes, it meant putting the lesson on hold and having a short conversation with the whole group. Sometimes, it was limited to only comforting the student, offering help and giving her a moment to calm down. Sometimes it meant a quick chat with the two main participants, in private, without drawing the attention of all the other students. Sometimes, it meant a bi-lingual input, like in the case study #4: explaining that the student copied the approach and the idea only because it is a great idea in L1 and then, reinforcing it, or rather, claiming the key phrase (‘Wow, it is a very good idea!’), hoping that we will be able to add it to our set of the functional language in the classroom. Apart from that, I was working a lot on buidling the community, in the context that we were in, for example working in teams, working in pairs, working as one big team, letting the kids make decisions about the lesson and letting them lead the games. I would like to hope that all of these helped the kids develop their social skills, too.
Coda
There are no real take-outs here. This is only a description of an experience from this summer that has made me reflect on the ways of using and keeping the kids’ L1 in the classroom. And, certainly, it is not the last post in that category…
Bibliography
Sheelagh Deller and Mario Rinvolucri (2002), Using the Mother Tongue. Making the most of the learner’s langauge, Delta Publishing
The amazing staircase in the tenement house by Max Berg in Wroclaw
Looking for songs
We have lots and lots of sources of amazing songs that can be used in the YL and VYL classroom. The first and the easiest one of them is your coursebook and the main advantage of it is the availability and the close connection to the curriculum. The songs often combine the vocabulary and the structure of the unit and both the teacher and the students have an easy access to it. The songs’ lyrics are in the kids’ coursebooks, they are often built around the characters from the coursebook or the stories in the coursebook. As a teacher, I have been using the songs from Superminds and Playway to English by CUP and Discover with Dex by Macmillan and I am a huge fan to the extent that I would recommend them as a supplementary material to accompany another coursebook, too.
Another amazing resource is youtube and the brilliant channels such as Super Simple Songs, Dream English Kids, Fun Kids English or Mother Goose Club, full of amazing, kids-friendly, visually beautiful productions that can be used in our EFL classes even if the content does not match the curriculum 100% accurately. After all, this can be an opportunity to learn some more vocabulary or structures.
Sometimes, however, it happens that, no matter how hard you try and how long you look here and there, the song or the chant that you really need is nowhere to be found. There is a way out, too, because you can create your own songs! From scratch!
Max Berg Cafe, Wroclaw
Creating your own songs: Starting from the rhythm.
This is more of a jazz chant than a song and I took the general idea from Carolyn Graham. The thing you need is a set of words to practise, divided into groups based on the number of syllables: 1-syllable words (cat, dog, frog, duck), 2-syllable words (hamster, snake, lizard), 3-syllable words (elephant, guinea pig, ladybird) and 4-syllable words (chameleon). You arrange them, in any way you want, following the pattern, for example: 2, 2, 2 – 2, 2, 2 – 2, 2, 2 – 4, 1 OR 3, 3, 1 – 3, 3, 1 – 3, 1 – 3, 1 – 3, 3, 1.
Hamster, lizard, snake
Hamster, lizard, snake
Hamster, lizard, snake
Chameleon, cat!
OR
Elephant, ladybird, cat
Elephant, ladybird, cat
Elephant, cat
Ladybird, cat
Elephant, ladybird, cat.
Practically any rhythm will do, especially if you start clapping your hands and stomping your find and chanting.
A similar technique can also be applied to any repeated sentences. I really like mixing affirmative and negative sentences connected with ‘but’ and ‘and’, for example
I like cats but I don’t like dogs.
I like ducks but I don’t like frogs
I like lizards but I don’t like snakes
What about you? What about you?
Max Berg Cafe, Wroclaw
If you are looking for more ideas of this kind, please check out the book by Carolyn Graham (see below).
Creating your own songs: Starting from the melody
This, by far, is my favourite way of creating the songs I want and the songs I really really need. The only thing that it takes is a melody that the teacher is familiar with and filling it up with the lyrics that match the lesson’s theme and aim.
During the YL course sessions, I was visiting one of the breakout rooms while the trainees were discussing the ways of adapting a certain material and, together, within a couple of minutes, we came up with a simple song that could be sung in the lesson on pets, with to the melody of The London Bridge is falling down. It went more or less like that:
Little dolphins cannot dance, cannot dance, cannot dance.
Little dolphins cannot dance but they can swim!
Naturally, this little verse can be replicated with all the other animals and verbs, according to the vocabulary content of the lesson.
Max Berg Cafe, Wroclaw
Creating your own song: Starting from the language
This one is probably the most challenging one because there is no basis here, like in the previous two. However, at the same time, since you are not bound by the rhythm or the melody, you can put together any text you need. I have used this approach while creating a chant for one of the groups with whom I had a double lesson, with a break in-between. This is the song that I put together to signal the beginning and the end of the break. The melody for this song was completely made up.
Let’s take a break.
Let’s run and play.
Five minutes. Five minutes
Let’s take a break.
Let’s drink some water.
Five minutes. Five minutes.
Let’s take a break.
Let’s go to the toilet.
Five minutes. Five minutes.
In one of the Science lessons for my pre-schoolers we were doing the food chains and I really wanted to make it more interactive and fun and this is how we ended up with a play with an alge, a fish, a squid, a dolphin and a shark. The story was built around all the creatures noticing their predator in the ocean and hiding. While taking turns to sing the song
I am a little, little alge
And I am happy
At the bottom of the ocean
Where I live
Oh, no! Look! What’s that? It’s a fish!
Let’s hide.
In this particular lesson we made the finger puppets for all the characters, practised the song a few times and then we all participated in the game aka the performance. It was definitely a success.
The only trick with writing a song like that would be coming up with the message to convey, verbalising it and sticking to the appropriate number of syllables in each line. As can be seen in the examples above, the verses don’t rhyme and they don’t need to. As for the melody, it can be anything and, once you’ve got it, it is a good idea to record it, for memory, even if only on the smartphone recorder.
Max Berg Cafe, Wroclaw
Here you can find my other posts about using songs in the VYL and YL classroom
Where to start if you have never sung before (here)
The question appeared in one of the groups on the social media and I realised that a) I have something to share here and b) I haven’t got any posts on the movement games for the little people.
One: Abracadabra
Resources: only a magic wand. It can be made at home and producing magic wands is now a real hobby of mine. The easiest version (in the photo below) can be even made with kids, in class. Some shops sell magic wands, too but, really, kids will respond well to a simple pencil if it is accompanied by some ‘Abracadabra’
How to play: We have been using the same line for many years now, with many groups: ‘Abracadabra, 1,2,3. You are….’. The game might be introduced with the first topic that lends itself to miming, for example ‘pets’ or ‘toys’. We start with the simple phrase ‘Abracadabra, 1, 2, 3. You are a cat / a dog / a frog etc’ and I support the language with the visuals namely flashcards displayed on the board and my own examples. The gestures we use for each of the pets, toys, fruit, transport, jungle animals, fairy tale characters, jobs are not universal, they are only our creation for that particular group. Please remember that the ability to represent characters and words through gestures is not a skill that children are born with. They are developing their symbolic representation and they might need the teacher’s support in the beginning of this journey. That is why the teacher’s example is so important.
After the kids have learnt their first adjectives, these can be extended into ‘You are a happy cat’, ‘You are a sad princess’ and so on. Naturally, the game is led by the teacher in the first lessons but later on, the children are invited to lead the game and to cast some spells in the classroom. They start with the very simple and basic combinations but with time they start to be really creative, both with the langauge and with gestures. Think about all these gems from the classroom: ‘a sad pumpkin’, ‘a sleepy cat’, ‘an angry princess’…How would you mime these?
A classroom-made magic wand
Two: Musical flashcards
Resources: only one set of flashcards, I normally use the set from the coursebook, A5 size.
How to play: We stand in a circle and the cards are lying on the floor, in the centre. We move around, in a circle, just walking. The teacher sings a song and my choice is usually ‘Happy Birthday’. As soon as stop singing, everyone stops and picks up one card from the floor. Afterwards we show what we have by using the word in a sentence. The simplest version is ‘It’s a cat’ but the structures can vary and be more closely connected to the vocabulary for example: I like + food, I’ve got + toys, I am wearing + clothes and so on.
After each child produces the sentence, we put the cards back on the floor and continue the game. It works well with all the groups although with my bigger groups, I encourage the kids to speak together, in kind of a messy choir, in order to save time and not to risk any dead moment in the lesson.
This is not a competitive game, no one is sitting down or dropping out, we all play throughout the game. No points are awarded either.
A classroom-made magic wand
Three: Everybody is dancing
Resources: None:-)
How to play: We stand in the circle and the teacher is chanting or singing the phrase (the melody is made up), and everyone is performing the actions. I normally start with the easy verbs i.e. clap, march, walk, eat, drink, dance and swim but we keep adding through the entire year, more complex and more creative verbs so by the end of the first year we have lots of them at our disposal because kids learn all of them just from this simple game.
The teacher is the one to lead the game for quite a long time but the kids can be slowly involved, too by giving them a choice of two verbs, for example ‘Sasha, everyone is singing or dancing?’, Sasha: ‘Dancing’, after which the teacher is singing or chanting what Sasha has chosen. Eventually, the kids are ready to make their own decisions and to produce full sentences. And Present Continuous (because that’s what it is) will come in really handy with storytelling and picture description.
Oh, one important thing: don’t forget to add ‘sleep’, it will work wonders to calm the kids down.
A classroom-made magic wand
Four: Snake!
Resources: a long snake made of paper aka a necessary number of scrap A4 pieces of paper glued or stapled together with a head of a snake drawn on the first one and the tail of the snake drawn on the last one. I actually like to use the A4 sheet cut in half for a thinner snake and I cut out the head and the tail. Perhaps a set of flashcards in the first weeks of playing the game or with younger students.
How to play: The teacher puts the snake on the floor, the kids come to the snake one by one and stand in a line on one side of the snake. The game is intended to practise one particular group of words with some distractors included, distractors here being any other words, not in the category. For example, if the main aim is to practise colours, the basic distractor can be numbers or even kids’ names if that is the beginning of the year and the children do not really know anything else.
The teacher calls out the words, in a random order. If the students hear the target vocabulary, they have to jump over the snake (or to step over if the kids are young and not very good at controlling their gross motor skills) every time they hear the target word i.e. a colour. If they hear one of the distractors, they don’t move. In a way, actually, it is a movement variation of ‘Simon says’ only no one is dropping out.
When we start playing, we line up and I show the kids all the flashcards and we revise all the words. I also tell them that today we play with colours. Later on in the year, when the kids have more vocabulary at their disposal, the teacher can raise the level of challenge and play with two or even three categories.
The game mostly focuses on listening for the target vocabulary and discriminating it from the distractors but it can easily be turned into a productive game with one of the students standing at the head of the snake, facing the group and calling out the words. In the early stages of the unit, when the kids still might struggle with remembering all the new words, it makes sense to let them look at the cards displayed on the board or on the wall or to even hold all the flashcards and to call out the words they want to use.
I created this game for my group in Pamplona in which I had 12 little kids and no room in the classroom apart from the relatively narrow aisle in the middle of the classroom. This is how the snake game was born. We needed something thin to fit in the aisle and I chose a snake because I hate them personally and stepping over a snake is a good move, very conducive to survival. But the kids accepted it and we loved the game.
The snake itself needs to be made but it is easy to store it and to recycle it and if it gets destroyed during the game, it is also easy to fix. Or to be recreated. During one of my training sessions, one of my teachers suggested using a skipping rope and that, of course, is a solution. However, I still prefere the paper because in case of a mishap and a kid tripping over the snake, the paper seems a safe option. If it gets torn, we can fix it, no harm done. A child tripping over a skipping rope, however, might result in a child falling down. Typing that up here I realised that if the classroom has the appropriate floor, the snake can also be drawn on the floor, with chalk for example…
A classroom-made magic wand
Five:I like cats, I don’t like cats
Resources: one set of flashcards, the regular A5 set that normally come with the coursebook and two cards with symbols for I like / I don’t like, for example a heart for ‘I like’ and a crossed heart for ‘I don’t like’
How to play: Before the lesson the teacher puts up the I like / I don’t like symbols on two walls in the classroom, on the opposite ends. In the real life, these two simply stay there for the rest of the year as we use them all the time. The kids get up and stand in the middle of the room, half-way between these two signs. It is good to put there a small stool or a table with all the cards, for example all the toys, pets, colours etc.
The teacher picks out one card, for example ‘green’, calls it out and the students go either left or right, depending on whether they like it or not. The teacher points at one of the group and says: ‘Green!’ and the kids reply ‘I like green’ and ‘I don’t like green’ together with the rest of their group. Afterwards, they come back to the centre (aka the stool) and the game goes on with a different word.
This is another stirrer that gives the kids a chance to move around a bit and to produce the langauge, with the additional support since they have the flashcards to reinforce the meaning of the word and since they produce full sentences with approximately half of the group. The kids can also be invited to lead the game by choosing the words to use.
The game can be used throughout the year with almost any vocabulary and there are a few adaptations possible especially as regards the settting. If the group is big or if the kids are too energetic and too tricky to control, the same game can be played with the kids sitting on the carpet or even on their chairs. Instead of walking to the left and to the right, they can stand up and sit down or clap their hands and stomp their feet or raise one arm or two arms for ‘I like’ and ‘I don’t like’ respectively. This will make the classroom management a little bit less challenging for the teacher.
A classroom-made magic wand
Bonus activities: My favourite movement activies
Resources: the access to the internet and youtube
How to play: All of these songs here have been created specifically for the purpose of ensuring some movement in the classroom. The main aim here is not the langauge production although they do include some language but, of course, the movement is the star here.
Move by Super Simple Songs – a real hit, nothing more to say.
The Rolly Polly Roll by Super Simple Songs – another hit but only if you have a carpet because kids might actually try to roll or to crawl. You’ve been warned:-)
The Jellyfish Song by Super Simple Songs – I love it and it is quite a challenge to turn yourself into a jellyfish
Head, shoulders, knees and toes – this is the first song we sing in the classroom, mostly because kids can participate without any language production, just by doing what the teacher is doing. I like to sing this one myself, without the audio, in order to be able to control the speed and the activity. There is a version by Super Simple Songs, of course.
Shake your sillies out by Jose Paolo Liwag – I love to use this one with my older students, actually when they can appreciate the need to shake our sillies out and to clap our crazies out…
The Dance Freeze Song by Scratch Garden – the hit of this summer camp. There are some cool verbs and dance movements and we just LOVED to dance! You can also teach your kids the most important verb in the world: FREEZE.
Action Songs for kids by The Singing Walrus – one more fun song, with the basic verbs.
Make a Circle by Super Simple Song – it is a very popular song, I have seen it in many lessons that I observed but, somehow, I have never used it myself a lot.
A classroom-made magic wand
Some things to remember
Before you start any movement games, make sure that the kids are ready. Ideally, these games can be played in the part of the classroom where we have more room, only the carpet, no or fewer pieces of furniture. If that is not possible, please make sure that you create this space, with the kids’ help, possibly, to make sure that it is as safe as possible.
It is also a good idea to introduce some rules related specifically to this movement part of the lesson and these will depend on the classroom and on the group. In my classroom, we used to do all the movement games on the carpet by the window and for that reason our only rule was: We stay on the carpet, to ensure that the kids do not wander around, run around and leave the safe space.
Make sure that you move to this other place of the classroom in an organised manner. In the beginning it might be necessary to call the kids one by one, by the name to avoid a situation in which we have to control a stampede of five-year-olds there and back. With my groups (the maximum number of students in our pre-school groups is eight), we have our chant. I like to go to the carpet first and singing, call all the kids one by one (‘Sasha in the circle, Sasha in the circle’) and to wait, holding hands with all the kids, as they arrive. The child who is just joining is the one to choose the next child (‘Sasha, who’s next?’) and for the last one to join us we all call out loudly (‘Sasha, come here’) so that nobody feels unwelcome. Some kids actually love to be the last ones to join the circle because it is a lot of fun to be called by the whole group.
When the movement game is over, we go to our tables and desks, one by one or in pairs and the teacher is the one to make a decision about the order, at least in the beginning when the kids are still getting used to the new element of the routine.
Bigger groups can use the same pattern, but the kids move in groups of two or three so that the preparation for the activity does not last longer than the game itself.
One of the other things that I always do as the first activity on the carpet is to make a circle, holding hands and run a few rounds of ‘big circle’ (we stretch our circle), ‘small circle’ (we gather in the centre), a few times with these two adjectives and with the other ones, too for variation, for example a low circle (we bend), a high circle (hands up in the air, still holding hands), a wavy circle, a shaky circle and so on. It is an easy, risk-free activity, the kids love it (especially when everyone is present and we can really make a big circle) and, most importantly, after arriving one by one and being individuals, we can do something as a group, something super easy, before we get on to the more creative and productive things.
These games are not only about movement, although this is their reason for being in the classroom and in the lesson. However, as always, the main aim is language production and for that reason the students as the teacher, leading the activity have been included in all of the games presented above.
Can you hear some desperation, dear reader, in the title of this post? Rightly so. I started to write this post after one of the sessions of the summer camp that I took part in. My kids were amazing, of course, clever and eager to learn and, really, we did have a lot of fun. At the same time, looking at how they interact with each other, I could not believe my eyes and my ears. Despite the fact that many of them were already eight and nine, their social skills were on a disastrously low level. Practically anything that involved taking the other humans in the classroom into equation was a huge challenge for way too many of them. I did sigh with desperation, once and twice, and then I rolled up my sleeves and started to introduce pairwork, even though these were not my permanent students.
You may wonder why it shook me so much and why I decided to fix it. One reason is, naturally, my professional obsession with maximising production in kids and, really, I cannot imagine teaching a group of primary school children with the teacher at the centre, all the time. It is a waste of time and a waste of opportunities because kids of that age are capable of working in pairs without constant supervision. And if they do, they automatically produce more language.
However, there is more to it, of course because kids who work in pairs are more independent and more autonomous as learners and they have an opportunity to work with a variety of partners and to make friends and to bond with the group. This, in turns, is a better prognosis for the general classroom and behaviour management because you are less likely to get into trouble and to disrespect someone that you actually like and respect. If only you had a chance to get to know them and to like something about them.
Pairwork, yes or no? YES. One, big, decisive YES.
Where the angels don’t fear to tread. Pair-work in pre-school?
Yes, absolutely yes! I have been introducing pairwork in my pre-school groups first intuitively, simply because I had a very big group of children and we never got to produce any language apart from choral, whole class production and that simply was annoying for me, as the teacher. My students had a lot of potential and I did not want to waste an opportunity. Not quite knowing what to do and how to do it, I started to move towards working in pairs. It worked and by the end of the second year of pre-school, my group was ready and I was able to do what I do with my teens or adults: ‘Together, together, together’ while pointing at pairs of students. By the time we got to primary, this was a natural part of our lessons and some of the children were not even seven at this point. It is possible.
Then, naturally, I decided to do it again, with a new year 1 group, but this time, in a more conscious way, in order to be able to share it with my teachers. We started the course in September, we started to shape the group and the routine and we started to introduce pair-work. I kept my eyes open, I kept our class journal and we did it. It took 13 weeks of a course, with classes that took place only once a week. I presented the results of this research at our BKC Conference in 2020. and you can read more about it in a post here.
How to do it: The choice of the activity
The choice of the activity is one of the most important elements contributing to the success of the whole process. I got a heads-up here only because I have been teaching for many years and I had a chance to bump into one of the older coursebooks for kids which, although it had a few disadvantage and which does not even come close to the level of the currently used coursebooks for children, it did include a few ingenious solutions and, among them, the one I am going to describe below.
The one that featured in every unit of the coursebook was the maze the example of which you can see below. Initially, it was a simple but effective listening game, to practise the target language, especially vocabulary. Kids would listen to a robot dictating the path through the maze, for example: START: red…blue…yellow…brown…grey…etc until one of the exits, A, B or C. The words were separated by a funny sound, something that I would describe as ‘stomping by a robot, marching’ that the kids absolutely LOVED but it also gave them a great advantage of getting enough time to prepare for the following step. In every activity there were about 6 or 7 rounds of the game.
This game can be easily turned into a speaking – listening game and, eventually, into a pairwork.
It starts with the teacher NOT using the audio and dictating the route through the maze, with the kids following it and reaching the final destination. Naturally, the following step is the teacher nominating the students to decide on the following step, one word per child. This stage can go on for as long as it is necessary for the kids to become familiar with the format.
Afterwards, either still in the same unit and with the same maze or in the following unit with the new vocabulary, kids are put into small teams and they lead each other, in teams, through the maze. Eventually, they are put into pairs and they do it with only one partner, with one student speaking and the other student listening and following from the start to the exits.
In order to make it more monitorable, for the teacher and for the students and, also, to make it more achievable, we started to trace the route with coloured pencils or markers, each round with a different colour. This way, the children could always go back in case they got lost and the children can also monitor each other, the student dictating could potentially see where their friends were going.
This way, in a relatively short period of time, the kids got used to the new format, to working together, with only a partial monitoring and support from the teacher. It definitely helped that the vocabulary range in each case was quite limited, namely, only single words, from the obligatory set of words introduced and practised before. The students were not overwhelmed and could focus only on the format of the game. At the same time, however, in the later units of level 2, there were also more complex mazes, for example one in which the kids had to listen to a brief description of an animal for example: it has got stripes, it is big, it can run (zebra). Obviously, that means that the level of challenge can be raised when the children are ready for it.
Julie Ashworth and John Clarke, I Spy 1, SB, p. 23, OUP
It is very easy to recreate the idea using only the black and white clipart visuals and a grid of the required size. Here you see a maze that I created for my preschoolers (rooms).
Below you can see one more type of an activity that features almost in every unit of the coursebook and this one is specifically designed for pairwork for the young students. It was always some kind of a guessing game, with the two spies (the theme of the book, duh:-) trying to guess what the other one is thinking about. I really liked it for the visuals specifically designed for that purpose and the target langauge beautifully displayed on the page to support the students’ production. Using these was a lot of fun and it was effective but I still think that the previous one, the maze, worked better as regards the first steps in working in pairs.
Julie Ashworth and John Clarke, I Spy 1, SB, p. 45, OUP
Contributing factors
There is a whole lot of things that a teacher can do in class in order to facilitate the whole process. They can be implemented throughout the course, little by little, bit by bit.
Seating: make sure that the kids are sitting in a way that faciliates pair-work, in some sort of separation from the other pairs, for example by pairing up the tables and chairs, putting the chairs and kids facing each other.
Resources: these need to be prepared with a lot of care and attention. Apart from the example based on the activity that features in the I Spy coursebooks, described above, the teacher can also use a set of mini-flashcards, as described in my post about pair-work for preschoolers. These cards are used in a game of simple riddles but the cards themselves are small (eight or six or four that fit on an A4 piece of paper) in order for the kids to be able to manipulate them with ease. What is more, a set comprises of an envelope, too that holds all the cards. This way, there is no danger of kids dropping the cards (or if they do, these will fall back into the envelope) and the secret, very necessary in that game, is easily kept throughout the game. Even if the cards are printed on a regular photocopying paper, they are not see-through, being in the envelope.
Roles and turn-taking: Another thing is that the teacher only needs one envelope per pair. This helps a lot with assigning the role. It is crystal clear to the kids who is speaking (the child with the envelope) and who is listening (the child without the envelope). Turn-taking is also more obvious since the kids are literally passing the baton here, the envelope or whatever is the set of materials.
Signals: Introducing the pairwork is a part of the routine and, naturally, it will take some time. To facilitate it, like with the other elements of the class routine in primary and pre-primary, it would be good to include some visual representation of the pairwork, such as gestures or chants, anything that will signal to the students what is about to be the following stage of the lesson. It can be for example a simple flashcard. I love to use a flashcard with a pair of socks for the younger kids and a two pears for the older kids who can get this pronunciation joke but a picture of two kids talking will do, too. Some more modern coursebooks have started to introduce those and that is great). Another solution can be a simple chant, for example ‘Let’s play together! Let’s play in pairs! 3…2…1’. As with all the chants, this will introduce the next stage and it will give the kids a chance to get ready or maybe even to organise themselves. The same applies to the end of the pairwork stage.
Pairing-up: In the early stages, I would recommend a teacher-led pairing up. It is perfectly natural that in a group of children, there will be some students who will be better prepared to work in pairs early and some who will need to more time, even if all the students are of the same age or level. Based on the knowledge of the group and the individual children to end up with the most efficient pairing. This might be necessary to do over a few first lessons, later starting to experiment with some variations. I like to use a set of cards with all the kids’ names and we have a pairwork (or project) draft when we need it. The cards can be taken out of a box or a bag by the teacher or by students, too.
Time: Thil will of course, depend on an activity but choosing an open-ended game, without an obvious grand-finale gives the teacher more freedom and flexibility to finish the game when it is best for the class, rather than having to go until the very end when some of the kids might already be getting tired and bore and when they can start losing their focus. It might be a good idea to set a timer on the phone or to choose a song as a timing tool. It is very necessary to tell the kids how long they will play for.
The beautiful tiles shown to us by engineer-history.ru
We are approaching a new academic year, new groups, new kids, new beginnings. What a happy coincidence that it is right now that I found this particular report and got to reminisce about this particular lesson that I observed many (many) years ago. Here is my start-of-the-new-academic-year post!
A quote from the report
‘It was a pleasure to watch you with that class and you have no idea what difference it makes to have a teacher who actually feels at ease in a PW class and who wants to be there. The kids can sense it and respond to it. There were many great activities and clear evidence of routine and good classroom management. Well done!’
And it was a memorable lesson for a number of reasons…
The were two teachers working at one of the branches of my school. One of them got in touch asking for help. One of her groups was a group of pre-schoolers and it wasn’t going very well. She went through the initial orientation and lesson planning with a senior teacher but, somehow, as it sometimes happens, it was not coming together. She requested to be taken off the group. It was an option that was being considered but, we wanted to see first if there was anything to be done and I went to observe the group.
Admittedly, it was not the easiest group. It was quite big, by our standards, filled up to the maximum (we had 8 as the maximum number), the kids were beginners but as it sometimes happens in language schools there were of different ages, there was a four-year-old and two six-year-olds and one of the children was also dealing with some attention disorder (according to what I could observe in one lesson).
It was not the best lesson. The teacher was trying, doing her best but, at heart, she must have already decided that this is not something that she wants to do and it was obvious, to the observer and, apparently, to the kids, too.
Two weeks and three lessons later, this group had a different teacher…
And that’s because we were lucky. During one of our training sessions, I literally bumped into the teacher and, in the hallway, in-between the training sessions, snacks and coffee, she asked me if I know of any ‘homeless’ group of pre-schoolers because she said, she would really really start teaching one. She had never done that.
And although I try to avoid doing it, this one time, I found myself observing the teacher in her first lesson with a group. I was sitting at the back of the classroom, with a piece of paper, taking notes and I could not believe my own eyes. Literally.
There must have been some magic done, some spells cast or, during these few days between the two lessons and the two teachers, these kids were tranformed into focused, well-behaved, engaged pre-schoolers! There were a different group of kids.
Everyone came, the older and the younger and the suspected ADHD, a full house! The teacher got some information about the group and the course from the previous teacher, she had some time to prepare. The teacher did her best to follow the routine of the pre-school groups that we had at the school and to manage the class. Nonetheless, it was her first lesson ever, with this group and with this age group.
Great teachers are made, not born and it was not her best lesson and it could not have been. She was just starting with the group, she was still at the stage of memorising the kids’ names and faces and yet, it was a good lesson. Not so much because of the appropriate tasks, instructions, staging and materials but because the teacher wanted to be in the classroom and, somehow, the kids knew it and they appreciated that and, as a result, they responded well to whatever it was that she brought with her. Everything else, the great results, the pleasure and the Above Standard lessons came later.
Why it is good news for all the teachers starting with a new group / level / age group / coursebook
Great teachers are made, not born. Even if the beginnings are complicated, stressful and scary, things are going to get better and they are going to get better thanks to the number of minutes, hours, weeks, months and years clocked in in front of a group of students. These number of minutes has its beginnings in the very first lesson.
You as a teacher, you can really (really) make a difference by planning the lesson and by preparing for who and what you might encounter in the lesson. By choosing the appropriate activities, by considering the things that can go wrong, by writing the lesson plan for your primary or pre-primary students, with a lot of variety, by reading about the first primary lesson survival kit and about the first pre-primary lesson survival kit, or about all the things that I wish I had known before my first lesson in pre-primary.
You, as a teacher, you can really (really!) make a difference by preparing yourself mentally for the first lessons and by believing in yourself! The one piece of advice that I always give my teachers about to step into the pre-school or primary classrooms is this: SMILE! That is because a smile can get us far and further! It is not so much about maintaining your muscles pulled into a shape of a croissant but about remaining cheerful. Things might not go to plan in this first lesson but it is absolutely necessary to remember that they will get better in lesson 2, 3, 4 and 5. As it is necessary to remember that we are great teachers and we love what we do. And that we do our best. When we do our best, of course, although, I personally think that most of the teacher try to do their best, on daily basis.
We are all a little bit stressed and feeling uneasy before the first lessons, all of us. Even those who are experienced teachers and trainers. Sorry! It is true the levels of confidence go up and the levels of stress go down with time but it is never completely relaxed. The only difference now is that at this point I am aware of the fact that things might not be perfect but I will know how to handle it. It is not ‘Oh, no! What if…’ and more like ‘Oh, ok, bring it on.’
Power to you, dear teacher!
What other advice would you give to a teacher who is about to start teaching Young Learners? Leave a comment in the comments box!
