Anka Zapart

Breathe! From the series: One-word advice from a trainer.

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I am a trainer and an assistant director of studies. I spend a relatively large part of my professional life sitting in the back of classrooms, observing. I love it.

Not that anyone asked (hahaha, here is one clumsy blogger, at your service. After all, one should start with ‘Many of you have been asking me…’ or ‘I’ve received many questions about…’ I DID NOT) but if I were to give one piece of advice to all the YL and VYL teachers (or maybe not only to them), it would be this: BREATHE.

If I were given a chance to use more words, I would say:

‘Breathe! Pause! Calm down! We care about the efficient use of the lesson time but nobody is in a hurry, nobody is rushing to catch a train. There is time. You will be doing a great service to yourself and to your kids. I promise. Inhale. Exhale. Repeat!’

What do I mean? Here are five ideas.

Instructions

Going slow is absolutely crucial while giving instructions.

Not always but frequently enough our primary and pre-primary students will be doing something in class for the first time in their lives, without any metaphors whatsoever. It is quite likely that we, the teachers are the first ones to introduce a boardgame to them, a role-play, a game with a dice, a pair-work activity, a mingle, the game of pelmanism or a project. Our students might behave like they have never done it before because, very often, they really haven’t. Or they haven’t done it in a foreign language to practise vocabulary or grammar. It really IS their first time! Our classroom IS full of Gagarins, Columbuses or Cabrals (or whoever is your favourite First-Timer Metaphor).

That is why the instructions we give have to be not only graded and accompanied by gestures and (ideally) by modelling but also paced. With the teacher taking baby steps, pausing (and breathing) for all the students to catch up. Before anyone is allowed to take the next step forward.

Taking this one breath in-between the sentences will really make a huge difference. Let’s breathe then!

A listening task, as in: any listening task

Listening tasks for young learners are another example how pausing can make the world go round and in the right way, too. This tiny (and, really, the most insignificant) movement of the teacher’s finger pressing PAUSE on the CD player / the telephone / the computer can be the factor that decides about the activity becoming a success or a failure. Something that amazes me every single time I see it in action.

PAUSE and the kids have a chance to hear what they are supposed to hear, circle what they are supposed to circle and get ready for the next bit. PAUSE and the teacher has a real chance to monitor while in-task. PAUSE and if there have been any glitches, now is the time to fix things and to save the rest of the activity.

DON’T and they miss the first example because they are still not quite sure what they are doing. Then they miss the second example because the breaks between the pieces of the recording are too short and there are no numbers or beeps to help their focus. DON’T and, inevitably, they miss the third one, too, because they missed the previous two and everything becomes just a mesh of sounds. DON’T and you have no chance to monitor or to give feedback, Although, really, it is NOT a mini-test that the kids should pass. It is only an opportunity to develop their listening comprehension skills. It is ok to help, to support and to guide. Unless it is a real test.

So maybe it is a good idea, to pause and to breathe?

Questions and answers

Here is a question: Do you know how long is the average ‘wait time’ aka the time that elapses between the moment a teacher asks a question and the moment a student is expected to answer it?

Well, fasten your seatbelts because it is quite likely that what I am about to tell you will be a bit of a shock.

Apparently, we, teachers wait as long as long as 1.5 seconds at maximum and most of the time even less than that. One second and a half. Which means that we don’t really wait at all. Either student A knows that answer that we want to get and they provide it or they don’t (more likely) and we move on to student B or C until we find what we want or we just answer the question ourselves.

Extending that wait time can have a huge impact on students’ learning, engagement and, possibly, also on their confidence because they will be given a chance and time to rise and shine. And don’t worry. By extending here I mean ‘waiting three (3) seconds‘, not the whole eternity. 3 seconds aka one inhale – exhale set. Breathe!

Just look at the picture first

This particular issue is going to make an entry here for one and very specific reason: our coursebooks and all the materials for YL are full of great visual material which, sadly, is not given all the attention it deserves.

The first question that I often I ask my trainees during the post-observation feedback session while discussing visuals, photographs, cartoons and drawings is: Why not spend more time on talking about the picture? There are so many things that you can do with a picture! (If you are not sure what these are, have a look at the earlier posts, here and here).

Once we establish that these do indeed have a lot of potential that needs to be tapped into, the question arises of how to do it. And this is how we get back to breathing.

Whenever students are shown a new picture, one that they have never seen before, they need to be given time to take it in, with its narration and all the details. It is more important for the younger learners, since their cognitive skills are still developing but it can be beneficial for the learners of all age groups and levels. If you are in doubt, just have a look at how visuals are dealt with during the speaking part of different Cambridge exams, from Movers, through PET to CAE, although with the higher levels it is hidden under the lengthy instructions from the interlocutor during which the candidates are allowed to look at the photographs they are to describe.

Step 1: instructions, Step 2: one deep breath while the kids are getting ready. Thinking time is precious and it extends on all the activities, picture-related or not.

Classroom management

Last but not least, the main destroyer of the peaceful flow of a VYL and YL lesson makes an appearance, too – the unwanted behaviour, in all its shapes and sizes.

The option of ‘doing nothing’ is out of the question, it is the teacher’s job to react but perhaps it is worth considering whether the immediate reaction is the best solution. After all, there might be some situations in which everyone would benefit from the teacher taking a deep breath and using this second or two to calm down, to consider the options and to see the situation from the little people’s point of view? Maybe the situation was not that serious? Maybe it was just a silly joke? Maybe just an unfortunate mistake? Maybe the reaction does not need to involve the headmaster, the parents and the armoured infantry? At least in some cases. This tiny little pause might help establish that. The thinking time for the teacher. And then – back to action!

Happy teaching!

100 names aka The tutor sighs

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The tutor sighs, the manager sighs, the teacher sighs. She wonders, too, whether two cases in the last two months already constitute a tendency. Or not yet. And whether she should be so bothered by all that. Or not. The tutor (aka the manager aka the teacher) does not know. She knows that it has been a good few weeks since the most recent incident and so she is writing all these words with a cool head. None of these silly on-the-spot, emotional reactions. At the same time, somehow, it has been impossible to stop thinking about it since.

And so the tutor / the manager / the teacher is here, typing up.

The statement

‘A teacher working with very young learners must have her/his own children.’ (actually, extends to: all the teachers working with children…)

The teacher sighs

I do. Because first and foremost, I am and I have been a teacher. Whenever faced with a comment like the one above, I look very much like this amazing creature in the photo, spotted in the Louisiana swamps: I freeze, waiting to see what happens next. I freeze, trying to remain a professional, an adult and a kind human being. Whilst hoping that all these thoughts forming in my brain never get verbalised.

If I had been a bit braver (or a bit more carefree), I would have asked: ‘Excuse me, have you just told me that I do not have the right to do my job? Don’t. Mostly because it is too late. I already do it. And I do it well, too. Thank you.’

The tutor sighs, too

I do, deeply and gloomily. As a tutor, I would like to ask the world to be a little kinder. To all those newly qualified very young learners teachers and young learners teachers and to all these teachers who are novice in the world of the pre-school and primary EFL. Or to all of these teachers who are only thinking of taking their first steps in the area. It seems that they have a lot on their plate anyway, dealing with the methodology, the materials, the resources, the real children in the classroom and their parents outside the classroom as well as the school admin. They really do not need any more of that ‘entertainment‘ and of wondering they are good enough or not to do the job. Especially before they have had a chance to try and to check.

Some of them might decide that the early years EFL or ESL is not for them and it might be because they do not have children or it maybe because they discover that their vocation lies in one of the other areas. Some of them, however, might grow up to be the next VYL Superhero, the next Sandie Mourao. Or the next Leo Vygotsky. And while they are getting there, they might appreciate a tiny little bit of support. Especially from their more experienced peers. Dear world, please be nice!

The manager sighs, too. But then she gets down to business…

…and she starts digging through the files in her head and on her computer. This particular exercise starts when I am still a bit emotional and so, with a pinch of certain vindictiveness, I take out a piece of paper and I start writing the names down.

Changing anyone’s beliefs is not an easy task and it involves a serious time investment and a lot of effort. What’s more, the satisfactory outcomes cannot always be guaranteed. Some people are simply happier in the box. Their choice, I suppose.

But, if anyone is interested, I am going to share my experience as a manager, someone who for the past nine years has supervised, mentored, trained up, lesson-planned, observed and given feedback, praised and supported teachers of early years, primary and pre-primary. Nine years of that. And counting.

Since this ‘incident’ I have been bombarded by the names of all these amazing professionals, that I have had a chance work with. Some of them were young, some of them were not. Some of them were experienced, some of them were not. Some of them were women, some of them were men. Some of them were mums and dads, many were not.

What they all had in common was the willingness to sit down on the carpet and look at the world from the point of view of a five-year-old (no metaphors here!). What they all had in common was kindness and patience and dedication to their job.

Did I really sit down to write the names of all these mentees and colleagues who taught children and who were great at that despite the fact that at the time they were not parents in their private life?

Yes, I did.

Scribbling on a piece of paper and going back in time, to 2020, 2019, 2018…I stopped at the beginnig of 2016 because I got to the magic number of 100.

And then I smiled.

One hundred fantastic people. One hundred great VYL and YL teachers. One hundred case studies that, perhaps (just perhaps) will turn ‘the statement‘ above into a question, even if a very cautious one. One hundred names that immediately put me in a good mood because they came back and they all brought beautiful memories. For that I am beyond grateful. The end.

Happy teaching!

P.S. Lots and lots and lots of virtual hugs and happy thoughts to all the teachers that I have had a chance to work with over those nine years.

P.P.S. I have also had a chance to work with many teachers who were both: great parents and great teachers of early years. Lots of virtual hugs and happy thoughts to them.

P.P.P.S. I have also had a chance to work with many teachers who were great parents but who would never agree to teach pre-schoolers or primary. Just because they have other intrests in their professional life. Their virtual hugs and happy thoughts are HERE.

Much Ado About Nothing: realistic flashcards vs illustrations and the EFL world.

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Realistic vs non-realistic? Am I am really inside of a huge glass piano?

Preface

A while ago I got into a discussion on why the realistic flashcards aka photographs are much better for YL than the cartoon flashcards.

Oh wait, not quite this way. First (and foremost), as I am typing up this post, I am glancing left and right, for support. To the right, towards the shelf with my storybooks and all the ‘unrealistic’ illustrations and all the imaginary characters and to the left, where the materials for the next Lesson at the Museum are lying (this week: Natalia Goncharova, more of that – soon!). At this point, I still cannot formulate it very well but my guts (and a few years in the classroom and around kids) are telling me that realistic and photographic IS NOT the only way. I object.

Second of all, this discussion, it just was not a discussion at all. I must admit, I am a bit naive when it comes to the social media and I would like to believe that teacher meet there to exchange ideas, to learn from each other, not to preach, making it look like theirs is the only way to do things and recommending that I should do my homework and read first before I voice an opinion (as if the empirical evidence did not matter at all).

Enough of this bitterness, though. Here I am after all, doing my own reading and research, with mixed feelings, if I am to be perfectly honest. A little bit anxious (because what if the research proves that I was wrong, eh? What then? (I am laughing here) and a little bit excited (because what if the research proves that I was right? (still laughing).

This introduction was planned and written before the actual reading did happen but you, dear reader, looking at the title (courtesy of Mr W. Shakespeare of Stratford-upon-Avon), you can guess now where it is all going (based on the research that I have managed to do so far) so if you have very little time on your hands, I will make it easier for you, here is a summary of the whole post:

When it comes to choosing between the visuals with a high degree of iconicity (aka the resemblance between the picture and the object) such as photographs and the visuals with a low degree of iconicity such as cartoons, storybooks illustrations, there isn’t only one answer, one way out, one approach. It is not a case of black and white, good and bad, left or right. It is a beautiful case of ‘well, it all depends’. Done.

Now, if you have more time, follow me. There is more to come.

Realistic vs imaginary: My teacher is a cat.

Act I: Why choose the real photos

The first (and the most important question) to ask here is: How old is the child? A picture is a symbol, a representation of the real object and children will require a certain level of cognitive skills development (such as symbolic development, analogical reasoning, reasoning about fantasy and reality) in order to be able to process that image and to relate it to something that they know from real life.

For example, newborns, who have not become symbols users, when presented with a photographic image and a real object, would always choose the real object over the visuals but, at the same time, if the real object was not present, they would interact with its image in exactly the same way as they would with the real object. These examples come for a truly fascinating article by Gabrielle A. Strouse, Angela Nyhout and Patricia A. Ganea which you can find here.

As shown in other studies they mention, too, it seems that although these young children can transfer the concepts both from cartoons and photographs or realistic drawings to the real world, the more realistic the image the easier the transfer. And for that reason, we find plenty of recommendations for such books to be used with the younger pre-schoolers. This attitude seems to be especially popular according to the Montessori method (although to be honest, I am not very familiar with it, I know it only from reading, not from the classroom, so forgive me for any inaccuracies or faux-pas that I might commit here).

Another interesting argument, and this time applying to not only the youngest children, is how the information presented in the picturebooks might have an impact on children learning about the world. As Strouse (et al) claim, it seems that ‘Fantastical context used in stories may cue children that information presented in books is not transferable to real-world contexts’, especially when the children do not really have any opportunities to connect the book world with the real world because, for example they live in the city and have never been on a farm, or are not supported by adults in their journey through books. The authors claim that it might impact the learning of physics and biology or moral learning. All these arguments would support the use of photographs and realistic cartoons.

Apart from that, there is the obvious argument, applicable both to children, teenagers and adults, alike – we like photographs. According to the professionals such as graphic designers (because this is where this reasearch has taken me, too), photography is used when we strive for accuracy, professionalism and when promoting the object is the real aim. The latter two might not really be relevant to the world of EFL and ESL but the first of them, accuracy is going to be our key word. When presenting vocabulary to children we want them to understand clearly what we mean and a photograph of an elephant will illustrate it better than a drawing of an elephant. We might not only see the tiny little details such as the shade and the texture of the skin but, quite likely, the elephant will be photographed in a natural environment so we will be also able to notice how big it is and what kind of a habitat it lives in. The elephant will most likely be doing something, walking, running, eating or sleeping and this will help us understand a bit more about it. Not to mention that it will also help us produce more language (the secret aim for anything that the English teachers do).

It seems to be especially important in the English lessons while teaching the concepts that students are not familiar with and which they do not encounter in their real life such as the jungle animals (while teaching in Russia), snow (while teaching in Brazil) or Polish pierogi (while teaching outside of Poland). The photographs will help the children understand these concepts better than drawing, although, it has be said that no photographs of snowy landscapes will help you get the real idea of what winter is like unless you have rolled in snow yourself and unless you have actually tried to catch the snowflakes on your tongue. As regards preschoolers, there arises one more question, too – Should we even introduce the concepts, ideas and vocabulary that they are not familiar with in their L1 and in their lives? My personal (and very subjective) answer would be: ‘no’, not in the EFL context, with a limited language exposure and the limited lesson time available. With a very few exceptions, of some cool animals. Perhaps.

Realistic vs illustrations: Two Cookie Monsters

Act II: Why choose illustrations

First and foremost, as children are growing, they develop their cognitive skills and they become better at recognising symbols, using symbols and, last but definitely not least, at creating symbols (here you will find my earlier post devoted to symbolic representation and the EFL with your starter kit). Using illustrations, cartoons and drawing is necessary!

Children are progressively better able not only to distinguish between these and label them as more realistic and a less realistic representations of an animal…

…they might also appreciate the cat on the far right as it is most likely to resemble the cats that they draw in their pictures. And as they are learning to hold a pencil and to produce marks, scribbles, lines and circles, it will be quite a long time before their drawings look like the cat in the middle or anywhere near the cat on the far left. As Bernadette Duffy (see bibliography) says ‘If we intervene with a view that the purpose of art (or, in this case anything that children create (own comments) is to produce an image that is as realistic as possible and therefore think of children as failed artists we may do great harm by imposing inappropriate expectations that do not match children’s developmental stage‘.

Then there are the visual arts and these are full of ‘hurdles’ for a rational mind. Picasso’s faces are far (far far) from realistic. Chagal makes his characters float in the air, as if they were kites (sometimes accompanied by goats). Warhol stubbornly chooses the ‘wrong’ colours and Malevich replaces the whole world with one (amazing) square. And then there is Miro, Bosch, Rothko and many, many, many more. It is, of course, possible to give up on teaching art to such young children, but, before you do, please read why it is a good idea and how it benefits them. For that very reason, all the major galleries and museums include programmes for kids.

As for the graphic designers, among the advantages of the illustrations is the fact that they can be used whenever it is necessary to show the unique features and to stand out, since all the photos of the cat might look the same and the drawings will differ as they will depend more on the artist style, abilities and techniques, when a simple design is needed (for example an icon) and to depict the imaginary.

The last argument seems especially fitting in the world of the early years. Or in the classroom. Children love stories and these feature real children, talking animals and a whole array of imaginary characters such as mermaids, fairies, dragons, dwarves, fish with fingers and children who are going on a bear hunt (something that you should not really be doing in real life, not when you are five and, actually, although this is yet a very personal opinion, never ever ever). This imaginary world is a part of being a child and children do grow out of it, eventually and naturally. Although, still, some of us, even at 40, we like to revisit this world, accompanying Harry Potter to Hogwarts, Frodo to Mordor and Zima Blue in his search of the meaning of life.

Another thing is that, as a material designer for preschoolers (and I am that, too, as all teachers are), I sometimes tend to choose illustrations over photographs specifically because they are simple and easier to colour for my 3- and 4-year-olds and because I want to convey the general meaning of the word ‘bird’, rather than anything specific, for instance ‘a sparrow’

Another reason for choosing the illustrations over more realistic drawings or photographs is that some animals look too realistic and scary. I am one who does not really like touching the spider flashcard (cartoon, but too real and disgustic) and some of my students feel the same way. So, in case of a crocodile, for instance, I might opt for the one on the far right.

Realistic vs imaginary: a class portrait and a teacher of seven fingers (but with amazing eyelashes:-)

Act III: Why do we have to choose? Variety is the answer!

That’s it. A ridiculously short Act III. Nothing more to add. We can and we should use both. Also because the realistic is not always true, either. Have a look at the photo that introduces this post once more: Am I or am I NOT sitting inside of a huge glass piano?

I hope you have enjoyed reading this article as much as I have enjoyed researching for it and that this is definitely not the end.

And a request to you, dear read. All of the sources that I have used directly have been referenced throughout the post. Below you will see some other treasures that you might find interesting. If you have anything else to add to this list – please, let me know in the comments sections.

Two requests, actually – if you have any stories related to children’s reactions to the photographs and visuals used in class, more or less realistic, please share these, too!

Happy teaching!

Bonus: One of my favourite film adaptations
Много шума из ничего (1993) – IMDb

Bibliography and further reading

All the sources that I have quoted have been referenced throughout the post.

Here are some more things that you might want to read

Why children need real images – how we montessori

Drawings – stages, meaning, Definition, Description, Common problems (healthofchildren.com)

An introduction to the visual arts in early childhood education – THE EDUCATION HUB

Teaching Preschool Art Lessons — KinderArt

Around the world: Art allows all children the freedom to explore (pearsoninternationalschools.com)

Why Real Photos? What about Cartoons? (stageslearning.com)

Picture This! Why Books with Real Photos Help Kids Discover the Big, Wide World (kindercare.com)
Pictures and Images in Flashcards – Are They Even Useful? (universeofmemory.com)

The Truth about Flashcards for Toddlers Who Don’t Yet Talk – teachmetotalk.com

The Pictorial World of the Child (nih.gov) (a review of a wonderful book that I am getting as soon as I can come up with a reason to treat myself)

How to Introduce Toddlers and Babies to Books • ZERO TO THREE

Which Works Better: Illustrations or Photographs? – Ecommerce Platforms (ecommerce-platforms.com)

5 Reasons To Choose An Illustration | Holywell Press

Bernadette Duffy, Supporting Creativity and Imagination in the Early Years, Open University Press, Maidenhead

P.S. A request!

It is very simple.

I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.

Hence the survey.

The Storytelling Campaign: Activities

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If you are here, dear read, you have probably already read the first part of this post. If not – here it is.

In this part, I would like to share some practical activities to be used in the VYL and YL lessons to practise adjectives, verbs and Present Continous and to get closer to storytelling, even with the very young or the beginner students.

First steps

Tell me about this picture has quickly become one of our favourite games. We use wordwall Boxes for that. Players take turns to open the box and to describe the picture hidden there. If they complete the task successfully, they get the number of points also hidden in the box. The game can be used to practise both adjectives and Present Continous (or any other language) and the students can be asked to produce one, two or three sentences, depending on their skills and the teacher can keep count of the sentences produced using fingers. The best thing about the game is that the children choose themselves what they want to talk about, much as in the YLE Starters, Flyers and Movers.

Here are some of the sets we have used

  • Animals: I can see a lion. It is big. It is brown. It is beautiful.
  • Present Continous: It is a girl. She is drinking coffee. She is happy.
  • Bedrooms: It is a bedroom. It is big. It is beautiful. I like it.

So far, I have only played it with my 1-1 students (player 1: the student, player 2: the teacher) but I am about to start using it with my groups, too (player 1: the class, player 2: the teacher).

Oups is a game in which students look at the picture (any picture) and listen to the sentences produced by the teacher. When they hear a sentence with a mistake, they should say ‘oups!’ and correct the sentence. In the beginning, they normally react only by producing a single word, replacing the incorrect one but later on, when they get used to it, they can produce full sentences. Even later, it is also possible for the students to lead the game and to produce correct or incorrect sentences for everyone else to listen and to react to.

With the youngest students it is better to limit the range of structures used to something super simple, for example ‘I can see…’, with the older (and more advanced ones), the structures can vary.

This activity can be used in class but it is also a great homework task, as long as you share the picture and record a few sentences and share it with parents.

An example can be found below. The picture was generated using makebeliefscomix.com and the recording can be found here.

makebeliefscomix.com

In my picture…: This is a natural follow-up activity, a little bit more complex and a little bit more challenging. It is based on two pictures that are to be compared. They are not quite the actual YLE Movers or Flyers speaking tasks because these are too detailed and they contain the vocabulary that might be beyond the pre-A student’s level.

What you need is basically two pictures that are connected by the theme i.e. farm, kids in the park, in my bedroom etc and a very simple starter phrase, a proper all-rounder such as ‘I can see’. With 1-1 students, it is very straightforward – one picture for the teacher, the other for the student. With groups, the kids will be working as a group, comparing their picture with the teacher’s. At least in the beginning, before they are ready to work in pairs.

Some examples of pictures that can be used:

These are the pictures I ‘created’ using the tools on the Miro board
www.clipart-library.com and www.clipartpanda.com

The next step will be telling stories using a set of pictures…(Please continue reading:-)

One story, many ideas.

Here is one of the YLE Flyers stories (Flyers TESTS REFERECE), called ‘Charlie and the elephant‘ and some of the ways in which it can be used with pre-school and primary students.

‘Advanced’ preschool students

Step 1: look at the pictures and say what you can see. The kids can use very simple structures, for example ‘I can see…’ or some more complex structures, for example ‘It is a…’, ‘She’s got…’, ‘He’s got…’, ‘She is…’, ‘He is…’.

With 1-1 students, the teacher and the child take turns to describe pictures, with groups we all talk each picture, one by one. It might be a good idea to cover up all the pictures and uncover them progressively, to help the children focus only on one of them at a time.

Step 2: look at the pictures, listen and help me. This is basically an advanced version of Oups, the game I described above, only here a series of pictures is used. Here you can find a recording I created for my students.

Step 3: look at the pictures and help me tell the story, Similar but Different. The teacher first models, telling a story that has a similar framework (a woman, a boy, an animal, some fruit, going away, a show at the end) but which uses different details. Later on, the students tell their own version of the story, with the necessary amount of support from the teacher. The teacher can only start the senteces (‘A woman….’) or create almost an entire sentence with the students filling in only the essential details (‘A boy is eating a….’).

These steps were introduced in three consecutive lessons.

Primary beginner Flyers students

Step 1: Two words: students work in pairs. Each pair gets a copy of the story. Kids look at pictures and together write two things they can see in each of them. The teacher also participates in order to be able to model at each stage of the activity. Students exchange the handouts, in a circle. Each pair gets a new handout and the procedure is repeated: each pair writes two words next to each picture but these have to be two new words. The procedure is repeated until each pair writes their words on every handout.

By that point, each picture is accompanied by a set of words (2 words x the number of pairs). Kids look at the pictures and tell the story using the words they can see. They can be encouraged to cross out the words they have used to make sure that all the words have been used.

Step 2: Two crazy words: we start with retelling the story from the previous lesson, as a class. Then, the teacher shows the students the new handout – the familiar pictures but with two strange words next to each of them. The teacher tells them that these are the words you cannot see in any of the pictures and that now the students will tell the story again but including these words.

It is absolutely necessary to generate some ideas, for the first two pictures, for example. I have added ‘a teacher’ and ‘a monster’ for picture 1 and it went more or less like this: ‘Mmmm, a teacher. Maybe mum is a teacher. Maybe the book is about a teacher. Maybe the book is about a monster. Maybe…’ and I let the kids give some more ideas about these two words.

Afterwards, the students work in pairs, taking turns to retell the story with the new words.

If you are interested and if you would like to see the handouts that we used, you can find them here.

Step 3: Our own story: again, we start with retelling a story, together, as a group. Afterwards the teacher goes through the framework of the story, using a powerpoint presentation, highlightling the main ‘events’ of the story, at the same time eliciting ideas from the class. Then the students are given some silent ‘Thinking Time’ (something that we tried for the very first time and that worked like a dream) during which they prepare their story. Afterwards, they are telling their stories to their partners.

Action stories

One of the tools that will come in handy in and that can be used to accompany the activities mentioned above is the action story or the TPR stories promoted by Herbert Puchta (and Gunther Gerngross) in pretty much all of his coursebooks. They have been included in Playway to English, both editions and in Superminds 1 and 2. I have some vague recollections about the old Join Us series, too. There is a separate publication, Do and Understand: 50 Action Stories for Young Learners which they wrote together and which was published in 1996 (wow!) but which still can be found in libraries and on amazon.co.uk.

The idea behind those is that children, even the youngest ones, can be encouraged to listen to a story and to tell a story, using a multi-channel approach: there is a set of pictures to illustrate the main events and each of these comes with a sentence and a gesture.

Students listen to the story, retell the story using the gestures and, later on, also the sentences and they work with the visuals in the coursebook completing such exercises as listen and order the pictures and, in case of the primary students, read and number the sentences.

More ideas to work with pictures and stories on this blog

Happy teaching!

The Storytelling Campaign

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makebeliefscomix.com

Forgive the grand name, I must have been in the mood for something like that, now I feel like the general Kutuzov himself.

Initially, I was planning to write a post on all the reasons of using stories in class and perhaps I am going to get down to it, eventually but I want to reasearch it properly so bear with me. It will take some time.

If you have not worked with stories much you can have a look at this post here, to look at the basics of using storybooks in the EFL classroom and here at one of the ways of building a lesson around a coursebook story.

Today, however, I would like to tell you about the behind the scenes work – everything that takes place in my VYL and YL classes to ensure that my kids are ready to tell stories.

makebeliefscomix.com

Why bother?

  • To take my students from the receptive skills of storytelling towards the productive storytelling skills and in a more extensive way than just listening to the stories we read and which they help to retell
  • To give them the appropriate tools to enable production (We Want More! (remember?)
  • To unleash their imagination and creativity, step by step, even in pre-school.
makebeliefscomix.com

Step 1: Teaching adjectives

I wouldn’t want to say that the curriculum and the coursebooks we use with VYL or YL do not contain any adjectives at all. Yes, some of them are included but, in my opinion, there is a lot more potential than just the basic ‘happy, sad, angry’ and ‘big and small’. If you think about it, many coursebooks introduce adjectives only when they deal with comparatives and superlatives and, in my humble opionion, even the very young kids understand at least some of the opposites and they can use them to describe things.

For that very reason, the curriculum can be upgraded by adding:

  • more emotions: happy, sad, angry, hungry, thirsty, tired, sleepy, not so good, great, good, OK.
  • more adjectives to describe characters: brave, strong, clever, beautiful, ugly, scared and not scared, fast, slow.
  • adjectives to describe objects and animals: funny, scary, long, short, old, new, clean and dirty.

It is true that it might not always be easy to depict these accurately but we can easily use the children’s growing ability to deal with symbols and all these concepts can be associated and explained with carefully chosen images.

Here you can find some of the vocabulary sets that I use with my pre-school and primary strudents. A very important note: children are not necessarily expected to memorise all of these and to be able to remember both the word and its written form. We stick to the curriculum as regards the tests and assessment but in our classes we use a lot wider vocabulary range than the coursebook suggests.

makebeliefscomix.com

Step 2: Teaching verbs and teaching Present Continous

That is another topic or area which, in my opinion, can significantly contribute to the development of our little students’ storytelling skills but, at the same time, the area that has not really been reflected in the coursebooks. Fair enough, the Present Simple might not be the most essential structure to know. It not introduced explicitly in the pre-school coursebooks (to the best of my knowledge) and in primary it is a structure on the YLE Starters list but in the classroom, this one is introduced in year 2 of primary.

At the same time, this is the structure that can be easily introduced and clarified with gestures, a structure that can be used in the classroom, to clarify instructions or to manage the group and a structure that is very (very, very) useful while describing pictures and, later on, describing pictures which form a story, like in the YLE Movers and Flyers.

As for the content, these are some of the verbs that can be added to the curriculum

  • everyday verbs: get up, eat, drink, brush your teeth, wash your face, get dressed, go to school, go to sleep, play, cook, watch TV, sleep.
  • hobbies and free-time activities: dance, sing, draw, read, write, ride a bike, listen to music, jump, run, swim.
makebeliefscomix.com

Step 3: Teaching the basic linking words

This is probably the most challenging step as it is the most abstract one and cannot be easily represented with flashcards. At the same time, the three basic linking words: and, but and because can be taught in the context.

These are the ideas that I tend to use with my students

  • and: introduced as a follow-up of ‘I like / I don’t like’ to talk about our preferences ie ‘I like apples and bananas and cookies’ and it can be used with quite a few sets of vocabulary such as colours, toys, food, animals, pets, etc.
  • but: introduced through the song ‘What do you like to do‘ by Super Simple Songs
  • because: introduced when we talk about how we feel. We start with a simple ‘I’m good’, ‘I’m happy’ and then we slowly introduce the linking word ‘I’m happy because it is sunny’. The same applies to all the pictures and photographs we discuss.

In all three cases, the introduction starts with the children being exposed to complex sentences linked with three words and getting used to hearing them. Production comes later on, when they are ready.

makebeliefscomix.com

This is the first part of the post.

In part two I am going to share some of the activites we use in class. It’s half-ready)))

Happy teaching!

Behaviour management in the VYL classroom. When the world begins to fall apart…

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London

I would like to dedicate this post to my trainees on the IH VYL course because it was during the coversations with them, during the session and after the session, during the tutorials and the informal chats on Whatsapp that this article took shape.

The set-up

Imagine: you plan your class, you get the materials ready, you enter your little kingdom and then things happen. They are the things you do not approve of, things you don’t like, things that should not be happening, things that get in the way of learning English. Or, in other words, as Harold Macmillan said ‘Events, my boy, events’, my favourite line of this week or even this whole month (courtesy to Edward).

The number of things that can happen is somewhere around… a few hundred and, naturally, it is simply impossible to put them all into a manual for teacher, with all ‘what to do’s and what not to do’s’. There are too many of these and there are too many variables that will be playing a part and adding the local colouring. Here, it is not the case of ‘one fits all’. Oups.

One thing is certain, the problem is not just going to go away, it is not going sort itself out. Whatever ‘unwanted behaviour’ is taking your lesson apart, it needs to be dealt with.

Here are a few roads to take.

Spinetto, Italy

The worst solution ever? Doing nothing.

Simply because it not a solution at all. The problem (whatever it is) is not going to simply go away, disappear or un-happen. Pretending that it hasn’t happened and moving on, in an attempt to save the activity, the game or the entire lesson, can only lead to even more serious consequences.

The unwanted behaviour needs to be acknowledged and stopped because it can escalate and compromise the well-being and safety of all the people present. So, do something! Perhaps one of these things that you can find below.

Moscow

Signal

The simplest way of doing it will be calling the student’s name but using a voice that is appropriate to signal the unwanted behaviour. The tone of the voice on its own should convey the message that something undesirable is taking place and that it needs to stop. This, of course, does not mean raising the voice or shouting but if the teacher uses the same ‘happy’ voice for praising and for disciplining (or ‘disciplining’), the message will be much more confusing for the kids. Instead of ‘Oups, I’d better stop‘, the child will think ‘Oh, look, my teacher is saying my name in such a nice way. She must really like me‘.

In the same vein, long speeches, in L1 or L2, will be counter-productive in such a situation. It is much better to keep it short, for example ‘No!’ or ‘Stop, please!’, used together with the child’s name and a gesture. And, as soon as the unwanted behaviour finishes, also acknoledge it, perhaps with a smile and a ‘Thank you’.

Very often and with a majority of things that can happen in the VYL classroom, this approach should do, if applied consistently. After all, kids know that we don’t run, we do not push the others, we do not take their toys and so on. In most cases, such a gentle reminder, a speed limiter of sorts, will do the job.

Saint Petersburg

Pause

Sometimes, these kinds of signals are not enough, however and it might be necessary to pause the lesson and deal with the problem in the open, either because more than one student is involved and / or because everyone can learn from it. This might be a situation when more than one child has done something to upset another (ie draw on their work, take their toy, say something) or when there is more than one child involved in any unwanted activity (hiding under the table, pretending to be a very angry dinosaur, hitting the class puppet, drumming with the markers on the table). All these situations do affect everyone present, not only the two students actively involved, and they need to be dealt with in the open.

‘Stop’ is still going to be necessary but it is going to work only as the first step. If there are any resources that contribute to the mayhem, they need to be taken away, for example these markers used to drum on the table. Then, a conversation.

It is very difficult to recommend something that will work in all the situations and all the contexts. Ideally, this part would be done in the children’s L1, but not all the teachers out there speak their little students’ language and not all the schools out there approve of the teachers using the L1 in the classroom.

Now, in Russia, I have the advantage of being able to understand the L1 of my students and what normally happens is we have these conversations in two languages: I speak English and my kids react in Russian, but it was not always the case. Like many of my colleagues in the VYL classrooms around the world, I had to do my magic only in English.

To be perfectly honest, it is not easy to grade the language to the level of pre-A1 and, at the same time, to convey the message in a delicate and sensitive way, but it is not impossible. You can use simple sentences and draw the children’s attention to the fact that their behaviour may make other students unhappy (‘Look, Sasha is sad now’) or that their behaviour is not appropriate (‘Is it a good idea?’). There are some advantages here, as it is almost guaranteed that these conversations will be short and concise and this is how I have dealt with all the issues in my classroom in the past couple of years. Although, to be perfectly honest, sometimes I am sorry that I cannot just sit down and have a real conversation in my students’ L1.

Moscow

Be clever

There are many tricks that the teacher can use in order to manage the behaviour of the group and of the individual students, without interupting the lesson too much but dealing with the problem effectively. Here are some of mine

  • Almost magically remove or stop the catalyst or the distractor, for example, put the hand at the back of the stool to block it and to stop the child from rocking, put the marker on the top of the board or on the top shelf
  • Use the command ‘Freeze’ to physically pause all the class proceedings and in a game-like way stop the unwanted behaviour. Although, of course, the teacher needs to introduce the game first. Once the kids got involved in something else, the disaster has been averted and the teacher is again in charge, the lesson goes on, according to plan. It might be the best solution for all the difficult situations when the world really does begin to fall apart and a quick fix is necessary. Instead of a conversation with the kids, a thorough analysis of the situation and looking for answers and the steps that need to be taken in the future.
  • Create a diversion and draw the kids’ attention to something else – a song (the easiest one to implement), a video, a favourite puppet. Again, as soon as the kids have calmed down, proceed with the lesson. And then take a moment to reflect on what led to the difficult situation.
  • Become the class clown and joke your way out of it. A funny face will do, a silly, clumsy gesture and a well-faked horror at the crayons that spilled out of the box. Then, like in most of the situations above – proceed, reflect and change.
  • Depending on the situation, it might be a good idea to whisper some encouraging message into the student’s ear. It can be in English, it can be in the child’s L1, it might a real whisper or a 5-year-old whisper (a good attempt that everyone present hears anyway). It will help to redirect the emotions, break the spell of sadness or anger, and it will help them to focus on something else and it works really well with the situations in which a child is upset or sad or just withdrawn, for whatever the reason there might be. It might be also a good idea to play a quick round of Broken Telephone with everyone, to involve the whole group in the same activity but it will work only if the kids already know the game.
Vyborg

Praise

There are situations when the best way of dealing with the unwanted behaviour is a complete diversion when instead of addressing the offender (apart from the basic signal and calling to attention), the teacher can choose highlighting the fact that the other children behave well.

Not only will it work well for the behaviour that is aimed at drawing the teacher’s attention (since the teacher is withdrawing this attention) but it will also acknowledge and applaud the behaviour of the class which is something that we often forget to do, taking those ‘angels’ for granted. Although, truth be told, they deserve our recognition.

Praising the students and reinforcing their behaviour will be also a clear message and, short-term, it will create a situation when the ‘offenders’ get a chance to reflect on their actions and to calm down and by the time everyone else has already been praised, they will also be closer to the desired behaviour and the teacher will be able to high-five them, too.

Baikal

Ignore (only not really)

Some disasters are better to be ignored entirely.

Of course, by ‘ignore’ I do not mean here the official Cambridge Dictionary definition of the verb because that is going to get us nowhere good (see above). What I have in mind is a VYL teacher’s (a pre-school teacher’s, a parent’s, a carer’s) definition of ‘ignore’ which, more or less, goes like that: acknowledge that a situation has occurred and, instead of drawing more attention to it, let it sizzle out, while, of course, keeping an eye on the child, paying even more attention than usual, only not openly this time.

Sometimes this will work better than any whole-class conversations or ‘lectures’, especially when we are dealing with a tantrum directed at getting the teacher’s attention hoping for an outcome that will be more favourable (ie we will not sing the song I don’t like, I will get the best sticker, I will be the first one to join the circle) or when two students have had a disagreement (and there are no obvious roles of the offender and the victim or when it is impossible to tell who is who) or when there is obvious resistance from the student and taking the matter further is dragging it into a dead-end street, like in the story here.

It has to be said out loud, it will not always be easy to label a classroom situation as ‘Ignore (only not really)’ because, of course, tens and tens of factors will have to be taken into consideration. Nonetheless, I believe, it is good to remember that this option also exists.

Rybinsk

Ask yourself it is a one-off or a regular feature

Or about working with the events long-term.

It is perfectly natural that all, even the most angelic and most well-behaved children, have a worse day, a crazy day, a tired day or a not-such-a-good day. This is the day when their behaviour might surprise their teacher (or, let’s be honest, completely ruin their teacher’s plans for the lesson). But these are the one-off events and it is not even necessary to analyse them in detail.

If, however, such unwanted behaviour happens regularly and repeatedly, it will be necessary to look into it. Is there a pattern? Is there anything specific that triggers that behaviour, an activity, a person, a stage of the lesson? Analysing all these details will help to choose the right solutions to the problem.

Perhaps it is the time to change the routine? Perhaps some games or activities have to be put on hold for the time being? Perhaps the group needs more settlers? Perhaps they need more stirrers? Perhaps it is time to reconsider the seating arrangement? Perhaps it is the time to talk to the parents?

Find out more

It might happen, too, that the self-reflection of the classroom adventures is not enough and that the teacher will have to reach out to the parents because this background information might help to understand what is happening in the classroom and why and, in turn, lead to finding a solution.

New York

Post-post reflections

Classroom and behaviour management is the theme and the focus of session 3 of the IH VYL course on which I have been a tutor for four years now and that is always the session that, according to our trainees, ‘could last twice as long’, because there are so many issues, so many problems, so many tricky situations that the debate could go on forever…

Unfortunately, that is simply impossible. Fortunately, as another trainee commented, to some extent, we deal with the classroom and behaviour management in every session, while discussing craft, songs, stories and literacy so at the end of the course, our trainees are better prepared to manage a group of the little people. Here is one hoping that this post will be helpful, too!

It is my deeply-held belief that by gaining understanding of all the pre-school brain and heart and by trying to see the world from their perspective, we get better prepared to teach and to bring up very young learners and to deal with the classroom and behaviour management issues that might arise.

For that reason I started a series of posts on the blog, in which I describe the real situations from the classroom and how I dealt with them. The series is called ‘Child development stories’ and you can find it here. While a manual with all the potential situations and all the right answers is never going to happen, we can definitely learn from observing our students and from analysing what happened and get better at managing the pre-primary kingdom, on the good days and on the worse ones.

Happy teaching!

I am a teacher. Reflections from the rocking chair by the fire.

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All photos dedicated to the city. Happy Birthday, Moscow!

Everyone gets to answer the question, at one point in one’s life, at least once. ‘What do you want to be when you grow up?’ On my personal wishlist, over the years, there were the following: a ballerina, a doctor, a woman (the first one), a plumber (that is the latest, my plan for the retirement years) and…a teacher. No idea if that means ‘no ambition whatsoever’ or ‘achievable aims’ but nevermind that. I am a teacher. Yay to these dreams that come true, tick!

I have been planning to write this post for a while but I’ve been struggling and what I ended up with was either a lot of sentimental waffle or some lofty speeches worthy of an educational Thomas Moore. No, thank you. Instead, I am going to hide behind a few stories, hoping that they will collectively illustrate why one might want to become a teacher.

There is a boy in this story, a local troublemaker, who actively spent his school time making his teachers’ life ‘interesting‘ for three years straight. There is always one of these in every class and someone has to be their teacher. The teacher and everyone else survived.

The same boy, fifteen years on (15!), meets the teacher’s brother at some kind of a social do in the hometown. ‘I was a nightmare at school‘, says the boy, already an adult, ‘Say hello to your sister and pass on my apologies‘.

There is another student, a girl this time, that the same brother meets at another do in the hometown. This student, years on, also asks the brother to pass her regards. ‘I don’t remember many teachers from the school.’, she says, ‘I do remember her. She was cool.’

There is an adult student, Olga, who gets in touch via Instagram and it turns out that she is also a teacher now and that seems to be inspired to become a teacher of English in the teacher’s classroom, about ten years earlier. And it nothing short of touching…

There is the first student ever, her own cousin, Magda, and the lessons which were based on pure enthusiasm and on intuition because the teacher was more of an ugly duckling and not yet a real professional. Now, imagine this teacher’s emotions when, a few years later, she was sitting in the hallways of the university, waiting for Magda to pass her final exams and to be awarded an MA in English and Translation.

There is a teenager, only a year ago, at the summer camp. This teenager fills in an anonymous feedback form and in her commentaries on the English lessons writes ‘I’m not scared anymore‘. To be honest, that reduces the teacher to tears because, really, although the lessons were good, she thinks ‘I have not done anything special‘, and yet, that seems to have made a difference.

There is the little girl, Sasha. After one of the lessons, this little girl comes up to her teacher, looks at her with a very serious face and says: ‘Anka, thank you very much for preparing such interesting activities for us‘.

It’s been a good few years already but the teacher still hasn’t recovered from the happy shock that this conversation was. The little people hardly ever do that. They will go for it, they will take part and leave the classroom happy. Sometimes, they might bring you a dead ladybird or donate the only balloon they have. Sometimes they may actually confess ‘Я Вас люблю‘.

Very often, though, as soon as they leave the group or change the school, they simply forget. Just forget. I like to think that they make room for new memories and new information. Out of sight, out of heart, without any metaphors. And no honourable mentions on the social media. But that’s ok, that’s simply how it is and it doesn’t matter. The teacher knows anyway that maybe she will not be remembered, but she did make a tiny little bit of a difference.

But there is more than just the blast from the past, more than just memories. There are the kids in the classroom, here and now. It is a good feeling to be looking at their progress test results. It feels great when they come back in September and proudly show the certificates they got from Cambridge.

It is even more beautiful when during the most regular lesson, you realise that the shiest and the quietest teenager in the world now leads the debate and presents winning arguments, with the confidence that could move the mountains. Or, that the student who entered the classroom five years ago to learn her first words, now is telling everyone about something that happened at school that morning, a hilarious story from the cafeteria, with the narration and the dialogue, with only a few grammar hiccups which are still to be expected since it is only A1 and she is only 9.

So, for a moment like one of these, the teacher is still a teacher.

And, now, as a reward, since you have lasted until the end of this post, here are all the articles that might come in handy in September.

Classroom management

Activities for the first lessons

Happy teaching!

My favourite songs aka Where to start if you have never sung before

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This post is dedicated to all the teachers who soon are going to be entering the VYL or YL classrooms for the first time ever and are now wondering how to prepare for that.

Why?

Songs are definitely the resource that a teacher should use while teaching primary or pre-primary. A while ago I have tried to collect all the reasons to sing a song in one post (the full list here) but if you have never sung before in the classroom, here are the five most important reasons

  • songs will help you create a framework for the lesson, something to begin with, something to finish with, some nice punctuation marks in the lesson
  • they will be the easiest way of changing the pace of the lesson. Even if the kids don’t participate fully from the very beginning by singing, the song itself will work as a stirrer (or a settler, if you choose a very calm and peaceful one)
  • they will create an opportunity for the children to participate, at least with movement and gestures and, depending on the song, even with a few words or structures
  • songs are something that we all do together so they will help you ‘unite’ the group after the tasks on which the kids work individually and they will help to create a community
  • you can share them with the parents, to listen at home, this way taking English out of the classroom

Some do’s and don’t’s

Staging a song lesson for pre-primary or primary should, in fact, be a separate post, because there is a great variety of techniques and activties that can be used. For now, I can recommend having a look at this post here as well as the five tips.

  • Listen to the song before the lesson and get ready. Plan how you are going to introduce it. Simply pressing the PLAY button and saying ‘Let’s sing’ is not going to do the job with songs in the EFL / ESL classroom.
  • Play the video. It will really help the kids understand what the song is about.
  • Sometimes they are already in the song and in the video, sometimes not and we have to come up with a set to use with each song. It is something worth investing your time in because the gestures will help the kids understand and remember the lyrics. What’s even more important, especially in the first lesson with a new song – gestures will give the children a real opportunity to participate.
  • Sing yourself, do all the gestures yourself. And with a smile, too! Even if you are the only one and even if the students don’t join you straight away. It is perfectly natural, they need time to get used to the music, the lyrics, the gestures, the rhythm. Plus, you are the leader! If you don’t get involved, why would your students?
  • Share the song with the parents and use it again. A song is never just for one lesson.

My favourite hello songs

Hello. Super Simple Songs – a real hit and a good start, with 6 emotions, including ‘not so good’, to show the kids that it is ok to feel not happy, sometimes.

Hello Song. Fun Kids English – another good one, with monsters, there are actually two parts of it, each with 4 emotions. It is good to have a new version when the kids get bored with the first one.

Hello Song For Kids, The Singing Walrus – I love it because it includes not only the hello questions but also some Present Simple sentences and questions about the everyday school routine (‘Everyday I go to school) and each of them is repeated twice, in the classroom it can be T and then kids. Lots of potential.

Hello Song for Kids, EFL Kids Videos – very simple but very energetic, lots of repetition but also a nice variation of verses sung loudly and quietly. We loved it.

Hello Hello! Can you clap your hands. Super Simple Songs – another simple one with a few movements, perfect if you want to get up and move a bit

My favourite goodbye songs

Goodbye to you! EFL Kids Videos – using the same melody and the same pattern as the hello song from EFL Kids Videos, helps to save the time and works both as ‘something old’ and ‘something new’

Bye Bye Goodbye Super Simple Songs – a kind of a follow-up to the Hello Hello Can you clap your hands, the music is different but the song uses some of the verbs.

Goodbye Song for Kids, The Singing Walrus – this one is a bit more complex, but again, as their hello song, it uses full sentences. Lots of potential.

See you later, aligator, Super Simple Songs – a very short one, includes gestures for alligator and butterfuly and if you want, it can go on forever.

My favourite movement songs

Head, shoulders, knees and toes, Super Simple Songs – everything you may need in your first lessons, just getting up and moving a bit, even if the topic of body parts is scheduled for some other day

Move. Dance Song For Kids. Super Simple Songs – my latest discovery, lots of movement (verbs), a great melody. It can be used partially ie the first three parts of as a whole. It can be also extended if kids have their own ideas.

Jump, Run and Shout. The Singing Walrus – another energetic, rock song with movement. Just like Move, we like to sing it in the beginning of the lesson. It helps to get rid of lots of energy.

The Jellyfish Song. Super Simple Songs – a simple but effective song, very little langauge here, you are going to be pretending that you are jellyfish. Somehow, the kids get a chance to move but also to calm down.

Shake Your Sillies Out. Brain Breaks For Kids. – this is one is for older kids, lots of great ideas here and quite tiring, when used from the beginning until the end, but my kids loved the idea of ‘shaking the sillies out’ or ‘clapping our crazies out’ (very necessary on some days) so we only used the movements, not the song.

My favourite randomness

Open Shut Them, Super Simple Songs – one of my favourite songs ever because it teaches adjectives and opposites (somehow neglected by many of the coursebooks and programmes) and you can easily include gestures. Plus there are four parts of it which means that a new one can be added as soon as necessary. Open Shut Them can almost become a part of the classroom routine for the whole year and later on, the teacher can even extend it by creating own versions.

Hickory Dickory Dock, Super Simple Songs – some counting, some animals and an unexpected ending.

What’s your favourite colour? Super Simple Songs – first of all, it can be inroduced from the beginning of the course (colours), it can be used as a game (to point at different colours in the room as the come up in the song) and, last but not least, it contains a great Q&A set (‘What’s your favourite…?’ ‘I like…’) and it can be turned into a real conversation and easily extended into other topics, as they come up i.e. toys, numbers, pets, letters.

Happy teaching!

Don’t Box Me In! Teachers Who ‘Bent’ the Zoom Square…

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Just a lesson…

…is the name of the series of great posts collected by Naomi Epstein in her blog. Naomi asked a great bunch of people about their Teaching During the Pandemic Experience and I had the pleasure of being one of these teachers. You can find my post here.

Don’t forget to check out her other posts, too! Highly recommended!

When you suddenly land on Mars with a pre-school group

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How the lesson planning starts…

Well, hello! Welcome to Mars!

This is the second post in the series devoted to no/little prep activities that might save your teaching skin (and sanity) when unexpectedly you find yourself in the classroom and no Earthly rules apply, due to the unfortunate combination of factors. Today, a lesson for the little people.

Pre-scriptum #1 Don’t forget to check out the introduction to the series, here and the first episode, here.

Pre-scriptum #2 All the photos in this post are the memories of all these blissful days when there WAS time to prepare…

Pre-scriptum # 3 Just as a reminder, these are the rules of the game: due to some combination of factors, regardless of who might be to blame, a teacher unexpectedly finds herself (himself) in a situation when there is no lesson plan, very few resources (perhaps nothing or almost nothing from The List) and you still have to survive a lesson with an age group. Here are some ideas on how to survive that. And the kids are about to enter the room in 3…2…1…

Before a two-hour summer camp lesson for VYL. You need to prepare just a few things)))

First things first

No matter how little time you have and whether you have been to this particular Mars before (I mean the school), do not let the kids into the classroom before the lesson. If you want to read more about why not, you can find my earlier post here.

If it so happens that your students are already in the classroom, don’t worry, nothing is lost. You can just take all the kids out first, line them up, count them and take them into the classroom, one by one. You are not going to do it in order to kill the lesson time, quite the contrary, it is going to help to re-introduce the order and to show the children who is in charge. Even if they don’t know you or, especially if they don’t know you. They will be curious and it will be easier to manage them.

If you really don’t want to take them out or if it is impossible, you can move to step two: try to include an activity that the whole group is going to be involved in. Get everyone to sit in a circle (on the stools or on the carpet) or to stand in a circle, wait for the kids to calm down (counting from 10 to 0 showing your fingers might help) and the proceed with a few miming activities. There is no need to give very specific instructions or to explain what you are going to do, use ‘a punctuation mark’, for instance (3,2,1 everybody is…) and add an activity. ‘Everybody is clapping’, ‘Everybody is marching’, ‘Everybody is waving’, ‘Everybody is dancing’, etc. For the kids it will be an opportunity to be involved in some movement and it will help them to focus in the following activities. It will be also a chance to do something together, as a group. For the teacher it will be a chance to show authority and to see how follows the rules.

Say hello and get the kids’ names will be the next step. The kids will have already listened to you, they have started the lesson in a fun way and that is the best time to find out their names. If the group is a new one, I like to put their names on the board (ideally using different colour markers so that the kids can recognise their names, too, or by adding a different symbol for each child, something that is easy to draw i.e. a flower, a car, a star etc) .

Revision might not be applicable but regardless of the kids’ level, I would like to go back to something that they are likely to know and respond to well, and one of such topics are colours and numbers. Some of the activities that are easily implemented can include:

  • counting a few times, first chorally, then individually, using different voices (happy, sad, angry, sleepy) and pace (very fast, very slow)
  • counting forward and counting backwards or counting with skipping one of the numbers or by skipping every other number and replacing it with a random word. Here, I would use ‘a banana’ or ‘a zebra’ because they are the same in Russian and they are definitely not a number so they will be easy to use in this activity. You can count again but in a crazy way, for instance ‘One, zebra, three, zebra, five, zebra, seven, zebra, nine, zebra’ etc.
  • counting things in the classroom ie boys and girls present, all the hands, legs and noses present, lamps, windows, pictures. It is not a given that the children will know all these words but they can still count them with the teacher.
  • colours: first revise the colours with all the objects that are available in the classroom. Kids usually wear colourful clothes so your students alone are quite likely to have all the colours on them already.
  • I can see, I can see, I can see something….blue, which is a version of ‘I spy with my little eye’ but with a slightly easier rhyme and much easier to show (I tap my chest twice for ‘I’ and ‘can’ and then I point to my eyes). When the kids hear the colour, they point at something of that colour. If the group is strong, the students can take turns and be the teacher. It might be also possible to add two adjectives here ‘big’ and ‘small’ and then it turns into a real game, with the entire classroom.

Before an online fruit lesson (Carrot in the role of ‘Surprise, Surprise!’)

Option 1: there are flashcards on Mars and, if so, I pick up the folder with animals.

  • Why? Because animals are one of the coolest topics that most kids can relate to, a generative topic appropriate for the more or less ‘advanced’, a topic that can be made digestible because at least some of the animals can be chosen based on principle ‘the same / similar as in L1’, this topic lends itself to a great variety of activities.
  • new vocabulary: introduction using voices, drilling, riddles (What’s this?), missing cards
  • miming: first the teacher mimes the animals for the kids, then the kids mime for each other
  • new structures: a variety of structures can be used here ie I am green / yellow / blue, I am big / small / happy / sad / angry, I can run / fly / swim, I like grass / meat / fish / fruit
  • focused task: based on my craft activity ‘don’t you just love a circle’. The original activity involves some additional resources (coloured paper and glue for kids) and preparation (pre-cutting the circles for each child, had to be done before the lesson) but it can be skipped, too as all the circles that are used for the basis of all the animals can be drawn by the kids. You can start with drawing circles in the air and drawing circles with a finger on the desk. Only afterwards the teacher gives out a piece of paper and a simple pencil per student. The teacher asks the kids to draw five circles on the paper and, step by step, the kids transform all the circles into animals. The cat, the frog, the bird and the fish are among the easier ones. The kids are able to draw their own as long as the teacher leads them through the activity and transforms the circles into animals, step by step, drawing on the board for the kids to copy. Afterwards, if there are crayons or markers, the kids can colour the animals. If not, they can do it at home.
  • focused task production: once the circle animals are ready, they can be used in a listening / speaking game. The teacher makes sentences about animals, using the first singular and the structures that the students have practised ie I am big. The kids listen and point at one of the animals. Afterwards the kids take turns to produce sentences.
  • songs: I would probably go for ‘Old McDonald’s’ because this is a song that can be sung from memory, almost forever, with different animal voices that the kids will be able to join and I am sure that nobody will mind if our farm of Mr McDonald also houses tigers, elephants and seals…
Before a craft lesson with fingerpaints. Rehearsals

Option 2: there are no flashcards on Mars and, if so, I choose the topic: shapes

  • Why? Because shapes are one of the topics that is definitely under-loved and under-appreciated in all the coursebooks, despite the fact that shapes are everywhere around us and that shapes is teaching logic, maths and developing cognitive skills. Children are familiar with them and they can be used in a variety of ways.
  • new vocabulary: shapes flashcards are very easy to produce, even if there is no coloured paper or no time to colour, they can be easily cut out of white paper, in the worst case scenario. I would use these to introduce and practise vocabulary. If there was no time to cut things out, I would draw them on the board or on a piece of paper, while already in class, and this would be my main tool to work with the new vocabulary.
  • practice: drill the new words using different voices, point at the shape, draw the shape in the air / on the floor
  • movement: make the shape with your hands, make the shape with your friends with kids holding hands, standing on the carpet, the circle will be the easiest to do and to start with, all the other ones can be started with the kids standing as the tops of the angles in each shapes
  • Can you see a circle?: the teacher draws one of the shapes on the board and asks the kids to look for circles in the classroom and pointing at them (‘I can see a circle’). These circles can also be counted.
  • focused task / production (1): the kids practise drawing in the air and on the desk with their fingers. The teacher gives out paper and pencils. The teacher draws a circle on the board and the kids on their papers. The teacher draws the eyes and the smile, the students choose the emotions for their shapes. They proceed with the other shapes. Apart from the circle, the other shapes might be challenging for some children and they need to be taught how to draw these. The teacher can start with marking three dots for the triangle first and then connecting them with lines and the same for the other shapes. If time, the kids can turn their shapes into characters by adding legs and arms. The teacher and the students describe their shapes ie My circle is happy.
  • focused task / production (2): the kids practise drawing in the air and on the desk with their fingers. The teacher gives out paper and pencils. The teacher dictates and models, the students draw the shapes, one by one. The teacher says ‘It’s a circle’, then she covers the circle and turns into something else ie a ball, a clock, a flower, a balloon, etc. The teacher says ‘Abracadabra, it’s a clock’. The kids turn their circles into a clock. The teacher says ‘It’s a clock’, the kids repeat. Then the same procedure with the other shapes: the square (a house, a picture, a book, a present), the rectangle (a robot, a car, a tower), the rhombus (a kite, a flower), the triangle (a boat, a house, a volcano).
Before a craft lesson and making cards…lots and lots of pre-cutting

Coda

I wouldn’t like you to think, dear reader, that I do not care about the standards and that, as a teacher or as a mentor, I might accept the approach in which the teacher enters the classroom ‘just to hang out’ or ‘to babysit’ perhaps following what Reilly and Ward (1997) have been promoting in their book (the two quotes that I still haven’t forgiven them for and I doubt I ever will)*. That is definitely NOT the case.

We are teachers and we are professionals, we enter the classroom to impart knowledge, not to kill the time. However, there might be situations in which you actually are as if on another planet and you want to use the lesson time as well as it is only possibly, albeit with very limited resources and no time to prepare. I hope that never happens to you in real life but if it does, now you are better prepared for that. Hopefully.

Happy teaching!

Sorting out the pencils in August…

P.S.

Here is a real life account of a first lesson with VYL from Sandy Millin, with some more ideas.

P.P.S. The unforgiven

Quote 1: ‘There are certain advantages in teaching the pre-school age group. One of the main bonuses for the teacher is that there are usually no strict syllabuses to follow, no tests, and no performance objectives to be met’ (Reilly and Ward, 1997: 7)

Quote 2: ‘However, if you have been using English, they will have been learning even if you have not done a single thing on your lesson plan’ (Reilly and Ward, 1997: 8).

Both quotes come from the book by Vanessa Reilly and Sheila M. Ward, Very Young Learners, published by OUP in 1997. I do appreciate the authors as for a very (very, very, very) long time (20 years!!!!), this was the only book that teachers could use to get any idea about the age group and the activities that might be used in the classroom. I will be eternally grateful to the authors for being there to support many generations of VYL teachers. BUT at the same time it makes me very unhappy that these two quotes found their way into the book (even in my 2011 edition) and that for two decades these VYL teachers were learning that, essentially, it does not matter what you do with your pre-schoolers as long as you do it in L2. It does not matter whether they speak, it does not matter what they take out anything of the lesson and whether there is any progress at all.

That is, of course, not true. I doubt it was true in 1997 and it definitely is not true in 2021. So there.