Any set of new vocabulary, at the stage when it is introduced or when it is practised.
A set of flashcards, electronic or paper, to support the clarification and building the connection between the word, its visual representation, its meaning and the gestures and phrases chosen to represent it
The teachers and their face, hands and voice
Procedures
The teacher introduces the vocabulary, as usual, with a set of flashcards or realia
What follows is a set of practice activities appropriate for the students’ level, age and interests
The teachers add miming but apart from gestures accompanying the key words, there are also simple phrases for each of those i.e. ‘a doctor’ represented by a flashcard, a gesture (for example, putting on the stetoscope) and a phrase (‘Open your mouth and say ‘aaaa’).
Students look, listen and say the words.
In the later stages, students also mime and produce the language for the teacher or the other students to guess.
Why we like it
First of all, this particular trick (I would not dare to use the term ‘an activity’ here) was simply a coincidence. We were practising the vocabulary in the unit of professions and, as part of the revision stage of the lesson, I was miming jobs for my student to guess, just like we had done many times before, with other sets of vocabulary. It was then that I realised that there are certain limitations and that miming some of the jobs might be confusing for the students. ‘A ballerina’, ‘a singer’, ‘a photographer’ were easy enough but I got stuck with ‘a firefighter’, ‘a doctor’ and ‘a teacher’. Until I realised that to my miming and gestures, I can add a word or two.
The main aim here is still the same – the gestures, the TPR, the miming are supposed to help the children understand the target vocabulary better and remember it better, for example, while miming the word ‘firefighter’ the teacher can pretend to be directing the hose and the stream of water at the invisible fire but, to make it more obvious and visual and rich, the teacher can also say a simple phrase, for example ‘Look! A fire!’, to illustrate the word and to create associations with it. All in all, the combination of different learning channels is beneficial for the language learning.
This added linguistic element to our TPR means an extended exposure to the target language and an opportunity for more listening practice.
The set of phrases used with the specific vocabulary should be kept the same in the beginning, not to overcomplicate and to overburden the children, but, naturally, there is a lot of potential here for a wider range of the structures later on.
Initially, it is the teacher who is going to be producing the language here, however, with time, the students can also be encouraged to take over. We have only been doing it for about two weeks at this point but I have already noticed that my students started to pick on the language and start using it. And that means a lot more potential for maximising language production.
So far we have been using this approach in two different activities: Guess my word (miming, as a revision of the target language in the beginning of the lesson) and Abracadabra (setting a word for the other students / teacher to mime, with a wider range of vocabulary).
This episode is going to be devoted to the older students, juniors, teenagers and adults and those of the higher levels, from B1 upwards.
All of these activities were inspired by the approach in the visual based speaking tasks of the Cambridge exams. I use these activities frequently at the beginning of the ‘unit’, to introduce a new theme, to ease us into it and to start with some freer speaking activity, that, really, does not have any specific linguistic requirements or a very formal framework. Not to mention that by the way, my students get an opportunity to practise and develop their exam skills, in a slightly more relaxed way.
All of these activites are deeply rooted in my professional laziness because even though I have to devote some time to the picture selection, that is, really, the only time investment beacause the task is usually a one sentence instruction and, to be perfectly honest, most of the ideas listed below were created during the lesson, as a follow-up and an extension of the regular Cambridge ‘similar or different’ task.
Usually, my greatest helper while preparing these activities is google search engine. I type in the key words and I look through the images until I find these four, six or eight that match the idea that I have in mind. They can be saved in a document or displayed on the screen (powerpoint or Miro). I save them and keep them for later because they are always recycled.
Frequently, I start the cycle with the simplest of the activities (‘Choose two to compare’) and I follow-up with a wider discussion (‘Have you ever…?’) or any other combination but, naturally, these can be used on their own. All of the activities can be done with the whole class or in pairs.
Talk about your favourite photograph: students choose the photograph that they really like, they describe it and justify their choice
Talk about your least favourite photograph: students choose the photograhp that they like the least, they describe it and explain why they don’t like it
Choose two pictures for your friend to compare: students choose two of the pictures to compare them, to look for similarities and differences, very much like in the B2 speaking part of the Cambridge exams. The fact that there are more than two pictures allows for the activity to be repeated a few times, over and over, in pairs or with different partners. The longer the activity takes, the more interesting arguments appear and the more creative the answers.
Choose two pictures for your friend: students work in pairs but in this case they choose two pictures for their partner to compare. It makes the activity more interesting as it is easier to avoid all the obvious choices and this way more interesting contributions are generated.
Have you ever done that? This is the activity in which we use all the pictures at the same time. Students ask each other the question about all pictures, one by one.
Would you like to? This is another activity that can be used with all the pictures. Students ask each other questions related to the situations in the pictures, but more focused on the future.
The comparatives: Another activity in which students discuss all the pictures, going over the list of questions and choosing the pictures that somehow stand out. The set is closely related to the theme of the photographs. For example, in a lesson devoted to health and health problems we looked at these four pictures and we answered the questions: Choose the most serious problem, the least serious problem, the most common problem, the easiest to deal with, the least unpleasant for the doctor, the least unpleasant for the patient, the most expensive to treat, the least expensive to treat, etc.
What happened before? What will happen afterwards? This is a cool actvity that I adapted from the latest editions of New Cutting Edge Advanced. Students choose their favourite pictures and discuss the before and after, almost telling a story.
Ask a question: students work in pairs, they ask their friends questions related to the pictures, they have to use different pictures and different question words and they need to a different word each time: What? Why? Who? Where? How many? How much? What kind of? When? How often?
It reminds me of: students work in pairs, they talk about all the pictures. The talk about their associations, memories or references. It can be a free activity or it can have a theme of: books, films, songs and personal memories.
Make sure you also have a look at the first two parts of this series. You can find them here and here.
This is one more of those activities that is not ‘a real grammar / vocabulary topic’ that is introduced in the coursebook with all the follow-up activities. It is not. It is closer to an activitiy that helps to broaden the horizons and let the students look in a slightly different way at the language they are producing while speaking. It is not only a set of words that you blurt out because you understand the question that was asked and that you have an opinion you want to share. Instead, you take a moment (a very, very short one), one breath and organise the words that are the come out. One of the activities has already been published here on the blog, about One-minute essays. This is the second one in this mini-series.
Ingredients
A list of sentence adverbs
A story to create a context, any story will do. Once I used the short Alternative Math, once I used the stories of Tom Denniss and Helen Skelton. Once I simply referred to Harry Potter. It can also be any text or any listening that is included in the coursebooks.
Some practice exercises or simply, things to talk about. I normally use either these wordwall cards What would you rather do? or a set of opinions that I use in a variety of different activities.
Procedures
Introduce the idea: I normally use a set of sentences, related to the topic, i.e. Harry went to Hogwarts, Harry grew up in the house of his uncle Vernon, Harry was given the Marauders’ Map. Afterwards we add to these a few different sentence adverbs and we discuss how it changes the meaning of the sentence and how much more of weight they add to the original sentence. ‘Harry grew up in the house of his uncle Vernon’ is just a simple sentence, without any emotional gravity but once we start adding the adverbs, each of these sentence becomes a story, for example ‘Sadly, Harry grew up in the house of his uncle Vernon’ or ‘Fortunately, Harry grew up in the house of his uncle Vernon’ which can lead to a discussion on why Dumbledore made this kind of a decision.
We practise in the same way with all the other model sentences.
Practice activity number 1: a freer discussion, in pairs or in teams, about the context of the story in which students try to make their own sentences, with the sentence adverbs of their choice.
Practice activity number 2: a follow-up exercise. In the What would you rather do in which the students choose their own option, they provide justification for it and do a lot of speaking. However, it is necessary to start their discourse with the sentence adverb of their choice.
Later on, in all the other lessons, the students are encouraged to use these whenever appripriate and, hopefully, in a more natural way.
Why we like it
This whole idea and the series started in my teenage classroom (of course!) but I have also smuggled it into my lessons with adults. Successfully smuggled, it had to be added. It is probably more necessary with the exam classes but it can (and it should) be used in the general English classes.
Regarding the levels, as usual, I am experimenting on my teens who are now in their B2 but I have also been using it with my A2+ onwards students, even with some of my C1 adults who have been struggling with the spoken discourse organisation.
It worked well in class on the day but I have also noticed a long-term impact, like with the other activities of this kind. It has worked as a switch in the way of thinking. And now, when we are starting some other activities, in regular lessons or before the progress tests or exams, it only takes a quick reminder that these tools we already have at our disposal.
It was great to see how the students’ contributions became more beautiful and better organised. It was also great to see the change in their attitude and how, with this little and silly exercise, they becamore more aware of the opportunities that this particular tool gives them. They have become more aware and more powerful speakers. They have become more organised speakers.
6 pieces of paper, A5-size aka 3 pages of A4 cut into halves.
glue
drawing materials: crayons, markers, felt tip pens, coloured pencils
Procedures
Introduce and practise the weather vocabulary as usual. This is not our first year of English so we have been using the extended set of words and phrases. Over the series of lessons we have been describing the weather, miming riddles (and yes, I have come up with the gestures for ‘it’s foggy’ and ‘it’s cloudy’, it is not impossible:-) and we have also watched an episode of Peppa Pig, George catches a cold, because it gives us an opportunity to practise the weather, the clothes, some Present Continous and the feelings. Here you can find the set of wordwall cards that we use for the retelling exercises. As you can see, the weather topic became the opportunity to introduce and to revise a whole range of vocabulary sets and structures and it will be reflected in the Weather Book. We are also using the songs and here are our three favourite ones: How is the weather?, What’s your favourite season? and Put on your shoes.
First it is necessary to make the book itself. We study online so I asked the parents to prepare the materials before the lesson (six pages, glue, markers), in the offline classroom there is the option of making the book first or the teacher preparing the booklets before the lesson, depending on the age of the students.
Making the booklet in class is easy if you follow these few steps: check that everyone has all the necessary materials (‘Have you got the glue? Show me!’), counting all the pieces of paper together etc. Then we draw the line alongside the edge of the paper, page by page and putting the ready pages away. These lines will be help the kids to apply the glue and stick the papers together. The teacher needs to model all the stages and it is absolutely necessary to wait up for the kids, to make sure that everyone is on the same page (no pun intended:-). Afterwards, the teacher shows how to apply the glue (‘Put some glue on the line’) and how to add another page on top, repeating until all pages are glued together into a book (‘Look, we’ve got a book!’)
Kids, together with the teacher, number the pages. The numbers will help the teacher and the kids to navigate the booklet throughout the activity. We also write our names on the front page.
The next step is to start filling the booklet, one topic per lesson. When we are ready, we put the books away until the next lesson. Once there is something in the book, we start the activity with talking about what we already have got.
The topics that we have included so far include: the weather, the emotions (‘It is sunny, I am happy’), the clothes (‘It is sunny, I am wearing a dress’). In the future, I would like to add to it some basic accessories (‘It is sunny, I’ve got my sunglasses’) and some basic Present Continous (‘It is sunny, I am riding a bike’).
Why we like it?
There is a lot of potential for craft as the book activity can be extended over a series of lessons.
The book also allows for personalising the topic of the weather by associating it with emotions, clothes etc.
And, last but not least, it gives us a lot of opportunities for producing the language and, since a large part of the content is revised and repeated over and over again, the kids become a lot more confident at producing it and becoming creative with it, too. After a few lessons, we started to make up silly sentences not matching the weather for the other student(s) to correct the information that they have already heard and have become familiar with.
It can be used with a variety of topics, not only the weather, for example food (with pages devoted to fruit, vegetables, drinks, lunch and desserts) or animals (with pages devoted to big and small animals, animals which can fly, swim, run etc) although so far, I have been using the weather book only as a long-term project, with my 1-1 online student. We made the food book with my online group, as a one-off project. It was also a success.
There is more flexibility as regards the format, too. We made the booklets and starting filling them in in the same lesson because my kids were ready but it is also possible to divide it into two stages: lesson 1: making the book, lesson 2: start filling it in.
The same can be done with all the other lessons. The weather words and the emotions are quite easy to write and adding these in is feasible enough, one lesson (or a ten-minute slot) is going to be enough. The clothes or the accessories might take longer and it can be divided into two lessons to avoid the risk of the activity taking too long and the kids getting bored.
This is the second part of the post first published in November 2021 with my Top 10 Favourite Wordwall activities. Don’t forget to check it out here! Lots of ideas there!
One or many?
Materials: A set of cards, specifically prepared for this game. This is the one we were using in our Christmas lessons.
Activities: You can read more about it in one of the earlier posts.
Works well with: pre-primary, online and offline, individuals and groups
Song follow-up exercises
Materials: As part of our Christmas lessons, we were practising the basic prepositions and singing Santa, Where are you? from Super Simple Songs. The following set of cards was used in a follow-up activity.
Activities: Teacher sings or asks the question ‘Santa, Santa, where are you?’, with every card. The kids answer, either chorally or individually, taking turns. There is also an option of extending it further, by adding how Santa is feeling or what exactly he is doing.
Works well with: pre-primary, online and offline, individual and groups
Story follow-up exercises
Materials: This particular set of cards was used as a follow-up activity to a video lesson with Peppa Pig in which George catches a cold. It is a great episode to practise the weather words, the emotions and some present continuous, if the kids are familiar with it. I have used the ‘rank the order’ template, with very simple sentences to describe the actions of the story. Here you can find the final version and another one with ‘answers’.
Activities: In lesson 1, the kids watch the video with the pauses, and the teacher encourages them to produce simple sentences about the story. In lesson 2, the student watch the video again and try to retell it by choosing the order of the pictures and describing them. If the kids are not ready, the teacher can support them by choosing the pictures and giving the students all the sentence starters.
Works well with: pre-primary and primary, online and offline, probably easier with individual students or with students taking turns, in a group.
Early reading exercises
Materials: A variety of cards for different activities. The first one was used as a part of the Christmas lessons with my ‘advanced’ pre-primary. The other two, Yes or No and Usborne rhymes were used as part of a series of lessons with Usborne’s Ted in a Red Bed and Fox on a Box.
Activities: In the first activity, the teacher is introducing the kids to the written form of the words. The teacher reads the first sound or the first syllable and asks the kids to continue. Afterwards, the card is flipped. The other two activiites use the target language and the rhymes from the two Usborne stories. The kids are encouraged to see the sentences themselves and say whether they match the illustrations (Yes or No). The other activity is a revision game for the main rhymes from both stories.
Works well with: primary and some of the older pre-primary students who are learning to read.
Draw it!
Materials: This particular set here was used as a follow up of the Usborne Phonics Story mentioned above, Ted in a Red Bed. We were also practising furniture and colours.
Activities: The students need a piece of paper, A4 or A5 and a set of pencils or markers. The teacher demonstrates the cards on the screen, starting from the first one (START: I can see a room, which unfortunately is not always the first one in the deck, I set it up before the lesson and then we go through all the cards anyway, to check that we have included everything). The kids take turns to read the simple sentences and to draw elements of their room. In the online lessons, it is a good idea to ask them to show the card to the camera after each step. It is a great activity that encourages the kids to read and to create. It can be made more complex for those of the students who know prepositions (The lamp is on the table). The same kind of a game was used to practise the school vocabulary, toys and colours (starting with a shelf), things in the park etc. The activity can be stopped whenever necessary, after 5 or 8 cards, depending on how focused and interested the kids are.
Works well with: primary, online or offline, I have only done it with individual students but I suppose that it could be adapted to the needs of a group of primary kids, too. I would start with cutting down on the number of pictures, during the first few games.
Teaching English through Art
Materials: I have found wordwall extremely useful in creating materials for my Art Explorers lessons. They can be simple flashards that use traditional photographs and paintings to introduce a new set of vocabulary for example Animals in Art. It is also easy to find beautiful materials such as these Pumpkins which we use to express opinion.
Activities: Pumpkins are displayed on the screen, one by one, with the teacher or one of the students asking ‘Do you like this pumpkin?’ and the group answering. It is also possible to include some other elements ie the colours, the basic adjectives, the numbers to encourage kids to produce even more language. I would like to encourage everyone to use paintings to introduce and practise vocabulary even if you are not teaching English through Art. And not only paintings! There is such a beautiful variety of visuals that can be used – photographs, drawings, clip art, paintings, symbols and so on. This will help develop symbolic representation and the general visual intelligence. And it is fun!
Works well with: pre-primary and primary, both online and offline, individual students and groups.
Pairs
Materials: We used this set in the unit devoted to weather, with the aim to extend it beyond the single words or even simple sentences, for example to talk about the things we do when it is sunny, when it is raining etc.
Activities:
Works well with: pre-primary, online or offline, individual and groups.
Only 7 new entries here but worry not! I am still working, I am still creating and I will be adding things here. I am sure. Until then!
In this post I would like to share a few activities that I came up with for my students that turned to be very effective as regards students’ involvement, the amount of language generated and the opportunities for the target language practice.
All of these are only samples, activities and materials to serve a very specific purpose with a very specific group of students. However, I do believe that they can serve as five case studies that help to create the framework for creation and adaptation of such materials.
#1 You today and you in 2017
This is the activity that we used with my teens, in a freer practice activity focused on comparatives on the B2 level, including simple comparatives, less, as…as and the comparatives quantifiers. The kids were working in pairs, they were answering the question: ‘You today and you in 2017. How different is your life?‘ and they used the wordwall cards to guide them in their discussions.
When I was planning this activity, I prepared 15 cue cards but we barely got through half of them in each pair because the students really wanted to share their experiences and, surprisingly, they did not need any follow-up questions, they were simply talking and talking and talking.
#2 The future us
This activity and the materials were intially created for a group of teens but later I adapted it to the needs of my junior group and to a group of ‘advanced’ primary kids, too in the lessons whose aim was to introduce and to practise ‘will’ and ‘might’ to talk about the future.
Intially, many years ago, when we were still in the classroom I created a handout with all the situations, one per each student in the group because I wanted to do it in the format of a gallery walk. The kids had to move around the room, read the situations and decide who will achieve what. In the end, the students picked up the cards with their names and told of us which of the predictions are most likely to happen in the real life.
Later on this activity had to be adapted to the format of the online classes and I decided to turn it into a simpler speaking activity, again with a set of wordwall cards. The students worked in groups three and they took turns to uncover the cards and to discuss who in the group is most likely to get a new haircut, start wearing glasses, write a book or win an Oscar. They had to justify their answers. During the feedback, we brought back some of their ideas and the students whose names were called out were to comment on these predictions.
Although this is one of the flexible activities (no specific ending, can be stopped at any given point), I abandoned the initially planned timing because the students got really involved into it and I allowed them to go through all the cards. We had a laugh and we produced a lot of language. It is worth mentioning, though, that this activity was done in group that had studied together for a few years and that knew each other very well. This meant that they had enough data in order to be able to make their prediction and, also, there was very little risk that someone will be offended with anyone else’s ideas. Perhaps this kind of an activity would not be a good choice for newly formed groups.
#3 Quiz: How well do we know each other?
I prepared this kind of an activity to practise the target langauge in a personalised way with my primary A1 students and the structure used in this particular game was the combination of ‘How often do you / does X do it?’ and the basic adverbs of frequency (always, often, sometimes, never).
The students were given a set of questions for homework about all the random habits of everyone in the group, such as ‘How often does Sasha play computer games?’. They were supposed to think about them and make their decisions. In class, I was asking the questions and everyone, apart from the student in question was sharing their answers. Afterwards, the student would tell us how often they do it (Sasha: I never play computer games) and sometimes provided some additional information.
#4 Personalised reading
This is a trick (or an activity:-) that I learnt in one of the training sessions about a million years ago (and I do not remember whose it was!) that a text (or a listening task) should be treated in a way that more resembles the real life reading (or listening). That means that we approach the text not to be able to answer all the comprehension questions in the coursebook but to take it very personally. The task is to go through the text, labeling the text with the marks: (+) for all the things that we agree with, (-) for all the things that we do not agree with, (!) for all the things that we find surprising or (?) for all the things that we would like to find out more about and so on and so forth. In the feedback session, students simply compare where they put all the specific marks and discuss why such were their choices. Simple and effective.
There are a few variations of this approach. Students can write their own questions to the text / the listening text and then deal with the text with the focus on these questions. In the feedback session, they share their answers and why they have chosen these particular questions or what their answers would be if the text does not include them, which, actually, is something that happens frequently.
Another way was letting the students decide for themselves which items / parts they want to read and talk about. While we were reading a text on ten different factors to take into consideration while choosing a job (based on Gateway B2, Macmillan). First, the students got only a list and they were asked to choose the five that are most important for them and compare their lists with their friends. Afterwards, they were asked to approach the text, comprising of ten short paragraphs, one per factor, and discuss these. They were instructed to go through all of the items, one by one but they could make decisions as regards the order so that the most important ones were dealt with in the beginning when everyone was at the peak of their focus and involvement. Interestingly enough, some students were choosing to read about the factors that were their priority whereas the others wanted to read more about the factors that they would never take into consideration because they were curious about the other people’s rationale.
#5 The Messy Choir for controlled grammar practice
This is a lovely activity that we are using, with my younger and older kids and sometimes with adults, too. I have already written about it and you can find the original post here.
Today, I would like to share the version of the activity with my B2 teens while we were learning / revising the narrative tenses and the Past Perfect among them. I wanted the students to start using the structure straightaway and in a familiar context. Since the class starts at 18:45, there are plenty of things that everyone would have already done and could talk about.
The boxes with the past participle were appearing one by one and everyone was invited to contribute their sentences, the teacher and the students. Some of the verbs generated more answers, some fewer but, overall, all the students participated and practised the new structured.
We used the same activity in the beginning of a few lessons later on, as a warmer / hello / revision activity.
I hope that you have found something useful here to use with your students or to inspire you to create. I also hope that this post will have its part two. And sooner rather than later!
A beautiful train with carriages or a tractor with trailers, with one animal on each trailer.
A set of colourful cards, with a set of riddles following the same framework and the set of structures in each riddle.
Procedures
Students take turns to choose the colour of the card.
Teacher reads the description of the animal. Kids listen and guess the animal. Teacher uncovers the picture to check the answers.
Why we like it
First and foremost, this kind of an activity helps to develop listening skills in very young beginner students and focus as they need the information from all the sentences in order to guess the name of the animal.
At the same time, since all the riddles use the same framwork and the same structures, this game is an opportunity to practise all the key structures. The set of these will depend on what the students are familiar with and can be simplified or extended.
We use this kind of a game to prepare the students to produce the language, too and after playing the game for a few lessons in this very format, with the teacher reading and the kids guessing, we move on to the following stage with the students producing a set of sentences to describe an animal.
Last but not least, with time and with the development of the literacy skills, this kind of an activity can also help develop reading skills.
The game is pretty and colourful, made with colourful cards, beautiful visuals from google. The students are usually curious to find out which animals are hidding on the trailers. The format of the presentation can be adapted, too. In the past we played with huge present box (partially inspired by Rod Campbell’s Dear Zoo) and with houses in which the animals were hiding and the miraculously appearing thanks to the funcion of ‘bring to the front’ or ‘move to the back’ on Miro or any powerpoint.
It can be used with animals or with any other topic with the appropriate adaptation of the phrases ie toys (It is big. It is red, with the assumption that we refer to the visuals that the students are familiar with) or transport (It is big, it is fast, it is quiet) etc.
If you are interested in riddles, please have a look at this post, too, where I write more about riddles for the older and more advanced students.
A set of topics. We have used a set of wordwall cards. You can find them here.
A timer, more or less formal and strict, depending on the group.
Students divided into pairs.
A list of the linking words typical for an essay, more or less extensive, depending on the group
Procedures
Teacher presents the framework of the one minute spoken essay and the four stages: introduction, arguments to support one side, arguments to support the other side, conclusion as well as the introductory phrases. The basic set of these included: Nowadays, On the one hand, On the other hand, All in all
Teacher models the activity: chosing the topic, expressing opinion following the framework and using the key structures. Students time the teacher and signal when 1 minute is up. Afterwords they react with their opinion.
Students go into the breakout rooms and continue in the same way.
Why we like it
I used this activity first with my teens, as part of the preparation for the essay writing, the first serious essay ever. I wanted them to practise expressing their opinion in a certain format and I wanted to encourage them to use a variety of appropriate cohesive devices which were introduced in the coursebook. It was a much more extensive list than the one provided here.
Later on, I used it also with my adult groups as a an opportunity and a tool to work on shaping the discourse, at this point – without the follow-up of the written essay.
The activity is generative as student A has a chance to produce a mini discourse and communicative as student B also has a chance to react and to provide additional arguments to support their partner’s ideas or disagree with them.
The main aim of the activity is the development of the speaking skills but the students are also required to listen, in order to be able to contribute their arguments in the follow-up stage. I am hoping that, in the long run, it will lead to students managing their spoken contributions much more effectively.
It is a very flexible activity. It can be used as a warmer or as an end-of-class activity. It can be also extended into a proper activity. The length of each discourse can be kept at one minute or it can be extended to two or three minutes. The topics can be varied, as in the set above, or they can be associated with one specific topic and it can be used as an opportunity to generate ideas for the essay that the students will be writing later on.
Here you can find one of similar discourse development tricks.
Dedicated to Monsieur Alexander (6 y.o.) and Mademoiselle Victoria (3 y.o.) with big thanks for reminding me how important riddles are even if you speak the languagevery well.
Why? Because you simply must!
Riddles are an opportunity to develop focus and listening skills: you are required to listen until the very end as all the elements of the riddle are important and they can help you figure out what the answer is.
Riddles help to develop cognitive skills while you are guessing as you are required to put together different pieces of information, to understand, to synthesise and to analyse.
Riddles help to develop cognitive skills even more when you are creating your own riddle as you are required to apply and to evaluate the information you providing to make the riddle challenging and achievable at the same time.
Riddles are something that we use and enjoy in our L1, from the early childhoodand it is only natural that we will try to bring them into our EFL lessons, with kids and with adults.
Riddles help develop creativity.
Riddles are fun and they create plenty of opportunities for bonding, in a pair or a group.
Riddles, in L1, help the kids develop the awareness about how the language works, how the hidden meanings, the homophones, the collocations and this can also be transferred, at least partially, into the EFL or the ESL
It is obvious that the context of the EFL and the ESL does not always allow for the riddles and their benefits to be used fully and completely even if only due to the limitations of the language level which, in case of some of the young learners, might be as low as A1. This does not mean that they cannot be used. On the contrary, they can be introduced from early on.
Riddles, regardless of the context, are an opportunity for the students to speak and to produce a mini-discourse.
In the EFL/ESL classes, it is relatively easy to choose the vocabulary range and the structures for the students, depending on the level and the topic. This range can be easily extended.
How to? Riddles in the EFL classroom
The simplest version of the game can be played with preschoolers and we usually start simply with guessing ‘the secret word’ which is the card that the teacher and then the students choose and hold close to their chest and the class are guessing. This version is used to introduce the very idea of the riddles. When the kids have become more familiar with the format, the level of challange can be raised and the production maximised by asking the kids to describe the card they are holding in the simplest of way i.e. with the colour, operating within the colours of the objects on the flashcards used (‘It is green‘ or ‘It is green and red‘). With time, more adjectives can be added (‘It is big’, ‘It is small’), the categories (‘It is a toy’, ‘It is a pet’) or even opinions (‘I like it’, ‘I don’t like it’). There is a post devoted to one of the ways of dealing with riddles with the youngest learners. You can find it here.
The primary (or the more advanced pre-primary) students can start adding simple categories in their discourse (‘It’s a toy’, ‘It’s an animal’, ‘It’s in the schoolbag’) and start describing the word using the relevant structures. For example, with food, we use the following four: ‘It is cold’, ‘It is hot’, ‘You eat it’, ‘You drink it’) and these are the structures that the students know and will need anyway and these particular four can be supported by a relevant gesture. The same goes for the animal riddles set: ‘It is big’, ‘It is small’, ‘It can run’, ‘It can fly’, ‘It can swim’. I also like to add ‘I like it’ and ‘I don’t like it’ even though it does not quite provide enough information for the children to guess the object as the class may simply not know what one of us thinks about it, it gives the student making a riddle an opportunity to express opinion and to make it all more personalised. With the youngest students the teacher can assist production in the beginning by asking questions such as ‘Is it hot or cold?’ or ‘Can it swim, fly or run?’. This set of structures can be developed and extended depending on the students’ age and level.
As regards the more advanced and older students, the riddles can be made more extensive and more resembling the riddles that the adults and kids play in English as their L1 or the riddles they play with their L1 with the use of simple homonimes or homophones, a wider range of vocabulary or structures or complexity for example by making a list of words not to use when to describe a certain word, describing it with associations (i.e. kids, fun, outside to describe the word ‘playground’), with metaphors (i.e. ‘It is the brain of the computer’ for ‘hard drive’ or ‘It is the opposite of a mountain’ for ‘a cave’) or, even, by a mixture of these (‘Tell me what it is and tell me what it’s not’)
As regards the material and the support for the teacher one of the following can be used: flashcards, mini-flashcards, a page from the book with words and words and images, a poster, a set of wordwall cards, a list of words.
Any role-play or a dialogue i.e. a transcript of any listening task which is a dialogue (i.e. Movers listening part 2, part 3), any written dialogue (i.e. Movers reading and writing part 3), any functional langauge introduced in a dialogue or a role-play
A pencil or a highlighter for each child
Procedures
Start with the main aim of the task is, ie listening in case of task 3 of Movers or reading in case of Movers, introduction of the functional language, etc. Go through all of the stages outlined in the teacher’s book or whichever ones you see fit in your teaching context.
Give out highlighters or pencils, ask the kids to open the books and look at the text again.
Introduce the concept of a banana (or whichever random word you want to use). Explain (and demonstrate!!!) that you will read the text slowly with some bananas in it and that if the students hear the word ‘banana’ they have to highlight or underline one word that comes immediately afterwards. Model with a few words.
Read the text with the bananas as the kids listen, follow and underline or highlight. The words chosen to be highlighted are the key words for each specific dialogue and their number depends on the dialogue and on the age and level of the students. With the older students and the more complex texts and language, the students can highlight two or more words that constitute a phrase or a collocation. This can be signalled with a repeated number of bananas ie banana banana for a two-piece phrase or banana banana banana for a three-piece phrase.
Ask the students to work in pairs and read the dialogue again and to use their own words and phrases instead of every banana.
Afterwards the kids can change roles and read it again or change the partners.
If the kids are ready, in the final (and optional) stage of the activity, they can close the book and role play and recreate the dialogue and the converation based on what they remember.
Why we like it
It requires no preparation, unless by preparation you mean opening the coursebook and finding the role-play or finding the teacher’s book and making copies of the transcript of any listening activity
It offers a great opportunity for the students to practise their speaking skills in an activity that is both controlled (as we have a framework) and free (as there are quite a few options to choose from)
It also offers a chance to work on the grammar accuracy and the transformation skills
It can be done online or offline
It can be done with a variety of levels. The highest level I have used it with was B1 (teens), the lowest level, so far, was A2 (primary).
So far, I have only tried it with dialogues but now, writing that post, I started to wonder about the potential of that activity for discourse building and creation. The original text could serve as a potential framework and support for the students to use. I am yet to experiment with that option.
