A set of topics. We have used a set of wordwall cards. You can find them here.
A timer, more or less formal and strict, depending on the group.
Students divided into pairs.
A list of the linking words typical for an essay, more or less extensive, depending on the group
Procedures
Teacher presents the framework of the one minute spoken essay and the four stages: introduction, arguments to support one side, arguments to support the other side, conclusion as well as the introductory phrases. The basic set of these included: Nowadays, On the one hand, On the other hand, All in all
Teacher models the activity: chosing the topic, expressing opinion following the framework and using the key structures. Students time the teacher and signal when 1 minute is up. Afterwords they react with their opinion.
Students go into the breakout rooms and continue in the same way.
Why we like it
I used this activity first with my teens, as part of the preparation for the essay writing, the first serious essay ever. I wanted them to practise expressing their opinion in a certain format and I wanted to encourage them to use a variety of appropriate cohesive devices which were introduced in the coursebook. It was a much more extensive list than the one provided here.
Later on, I used it also with my adult groups as a an opportunity and a tool to work on shaping the discourse, at this point – without the follow-up of the written essay.
The activity is generative as student A has a chance to produce a mini discourse and communicative as student B also has a chance to react and to provide additional arguments to support their partner’s ideas or disagree with them.
The main aim of the activity is the development of the speaking skills but the students are also required to listen, in order to be able to contribute their arguments in the follow-up stage. I am hoping that, in the long run, it will lead to students managing their spoken contributions much more effectively.
It is a very flexible activity. It can be used as a warmer or as an end-of-class activity. It can be also extended into a proper activity. The length of each discourse can be kept at one minute or it can be extended to two or three minutes. The topics can be varied, as in the set above, or they can be associated with one specific topic and it can be used as an opportunity to generate ideas for the essay that the students will be writing later on.
Here you can find one of similar discourse development tricks.
Yes, the Halloween was approaching and my English+Art lesson was on the day. Yes, I was just googling random things hoping that if I find something interesting, I will have a Halloween-ish lesson and if I don’t find anything, well, we will go in a different direction. At this point we have done colours, we have done leaves and, ideally, I was hoping to find some cool artist, some pumpkins and some technique that we have not tried before yet. Last year, around that time, we went to Ilya Mashkov as we tried to recreate his still-life with the magnificent cucurbita pepo but it was last year (aka we have done it already) and it was offline (aka it was more manageable)…I needed something different.
Surprisingly, googling ‘pumpkin in art’ can get you when you want to be)
Enter Yayoi Kusama. Until last Monday, I had never heard of her. Since last Monday, I have been a great fan. Her art is exploding with colour and with energy and she makes me feel like being a part of the Wonderland, Alice in the real world, easily available, at hand. And she loves dots and dots are circles aka the best shape ever that can be easily used in class (here is an earlier post about that).
We met Yayoi and found out about her favourite things and we looked at some of her paintings in our gallery as is now our habit. We also talked about the paintings we like and don’t like.
Yayoi Kusama and her favourite things
Our gallery in Miro
The language
In this particular lesson I wanted to focus on practising expressing opinion using ‘I like’ and ‘I don’t like’ and that is exactly what we did. We looked at Yayoi Kusama’s pumpkins and said what we think of them (P.S. We like them!), we looked at a range of creative pumpkins and said what we think of them and we enjoyed the variety in which pumpkins can appear (photos, art, real pumpkins (yes, these were present) and, finally, the Surprise Pumpkin that I have brought. See below)
We looked at all the pumpkins, Kusama’s, the realia, the creative pumpkins
I presented the ready made product making sure that the Surprise Pumpkin is a proper surprise (‘Look, this is a pumpkin. But it is also a surprise. Are you ready? 3…2…1….’)
We went over the necessary materials with everyone (‘Have you got the paper? Have you got the pencils/markers/crayons?’)
I was making one more copy together with the kids. I am drawing on the regular paper, holding it in my hands, on a thick pad. Going step by step, slowly, pausing and waiting for the kids to complete every single step. This is absolutely crucial.
We folded the paper, stopping after every stage, showing the page to the camera. There are four essential stages: 1) show the A4 paper 2) fold the paper in half, widthwise 3) press at the crease / fold 4) fold the top flap outwards (show the kids how the edge of the paper touches the crease / fold in the middle 5) press at the crease / fold
Draw the pumpkin on the folded paper, that is at the 1/4 flap folded outwards and the 1/2 half at the bottom simultaneously, draw the stem and the leaf as well as three lines for the ribs. Don’t forget to pause at every stop, wait for the kids to complete every step and show you the result.
Open the paper and place it flat on the table. Draw the edge of the top half (‘Let’s draw a zigzac’)
Draw the edge of the bottom half (‘Let’s draw a zigzac here, too’)
Draw the mouse step by step: the oval for the body, two lines for the nose, the ears, the eyes, the whiskers, the tail and the hands.
Leave the colouring for after the lesson.
Play a bit with the surprise pumpkins that everyone prepared. My students simply recreated the ‘presentation’ that I gave at the beginning of the lesson, of their own accord, just like that.
Some final notes
Most of my students deal very well with the folding bit. Only one of us struggled a little bit and we needed mum’s help at the very beginning. It might be a good idea to let the parents know ahead of time and ask them to be at the ready, just in case.
As regards the materials, absolutely anything goes: coloured pencils are great, crayons are great, markers work, too. I am at my personal happiest drawing with markers and colouring with crayons or with crayons and markers, for the extra shine and glow.
Kids are amazing and they really can recreate the drawings or, rather, they can create their own versions of it. The only thing that is really necessary is the proper staging, going step by step, modelling and pausing, to give everyone time to complete the drawing.
It does not matter how big or how small the mouse is. It will all be hidden in the folds of the paper.
There are many variations of the craft. You can find some of them online. Below you can see what we have created ad hoc, just because we did everything that we needed and I could extend the lesson a bit. The pumpkin with a cat and the apple with a caterpillar were the result. These are only a few of the options!
When I look back at the two and a half years of the MA programme at the University of Leicester, I am thinking of a marathon (a prolonged period of strict routine, extensive emotional and physical expenditure and obligatory one-track-mindedness). Actually, five marathons in a row. But when I look back, it is also the time when one could revel in reading and research, having access to the treasures to the university libraries of the world.
Apart from going through piles of studies and articles to find out data for my assignments and thesis, I also started to make up a list of pieces to share with my teachers and my trainees. Jerome Bruner’s (et al) and the study of the role of tutoring aka scaffolding is already on the blog here and, I am happy to say, for a very long time, it was one of the most popular posts. It still stays somewhere in the top 15…
Today, part 2 of the same series. Enter: professor Marianne Nikolov.
A personal role model
There is something very touching about the career of professor Nikolov (PhD, Professor Emerita at the University of Pécs, Hungary), who after years and years of regular and everyday school teaching started to work as a researcher and, who, eventually, switched into the academia. This very research which is described in the article was her first long-term research, as she says herself, it is in many ways imperfect mainly due to the fact that it was carried out by someone who was, back then, an inexperienced researcher. So much more precious because of that and so much more inspiring for all of us, teachers and trainers, to get our own classroom projects started.
The presentation on the recent research into early years that professor Nikolov gave at the 1st Hellenic Conference on Early Language Learning in Greece, in 2013 is, in my humble opinion, a must for all the VYL teachers, as a crash course into the early years EFL.
‘Why do you learn English?’ ‘Because my teacher is short’
This gem, unique and unforgettable, is the title of the study that I would like to introduce you to and encourage you to read today. And, frankly, could there be a better title to an article devoted to early years and young EFL learners? I seriously doubt it.
It was published in 1999 and it is an account of a long-term study of a group of Hungarian children, aged 6 – 14 and analysing their motivation to learn English at school. Professor Nikolov gave out the questionnaire to her students, which the kids filled in (in their L1) and which was followed by a feedback session with the kids.
Without risking that I would deprive anyone of the pleasures of reading the article, I would like to share here my own main take-outs:
all the reasons to learn English have been divided into four groups: the classroom experience (aka the activities), the teacher (‘my teacher is short’), the external reasons (aka the parents and the grades) and the utilitarian reasons (aka the future) (p. 42)
all these were present in the answers given by different ages but it was possible to distinguish three sub-groups: grades 1 – 2, grades 3 – 5 and grades 6 – 8
the attitude to English (one of everyone’s favourite subjects) was compared with the attitude to the other subjects
a whole range of favourite classroom activities was revealed and a range of nobody’s favourite activities such as tests, acting out and (this one made me laugh) boring stories
in response to the final question (‘If you were a teacher, what would you do differently?), some kids suggested abandoning tests, some felt that the teacher should be stricter while dealing with different classroom management issues but many didn’t want to change anything at all.
the connection between the school grades and the motivation. On the one hand they are the extrinsic motives, on the other hand, as professor Nikolov says, ‘achievements represented by good grades, rewards and language knowledge all serve as motivating forces: children feel successful and this feeling generates the need for further success‘ (p. 46).
A source of inspiration, no metaphors
When I first found the article, I wanted to read it precisely because of the title. It made me smile because this quote is perfect and it reveals a lot of how the kids see the world. Plus it is a fantastic way of drawing the attention of the readers-researchers whose passion are YL. Then, I started to read, curious what I would find them. Finally, it struck me that I did not know what my students would say and that is because I had never asked them.
I was mortified that, in a way, I had taken my kids for granted. Yes, we had been studying together for years, their parents had been bringing them, year after year and there had been no issues, we had fun and we had made progress. But I had never actually asked them.
Naturally, I decided to change it and professor Nikolov’s research was my inspiration and my guidance.
My research took two directions:
a) I prepared a questionnaire for kids and I used exactly the same questions that professor Nikolov used with her students. I wrote them in English and in Russian and the kids were told that they were able to use whichever language they wanted. The funny and the most amazing thing is that some of my A1+ kids tried to express some of their thoughts in the target language.
b) I prepared a questionnaire for the parents, too, partially because some of my students were 4 y.o. and beginners and, partially, because I wanted to find out what kind of an impact the home environment has on the kids’ motivation. The parents were asked to answer the following questions: Do you do anything in English at home? Does anyone else speak English? Before starting to learn English, did you have a conversation with your child about it? What did you talk about? Do you know what your child likes and doesn’t like about our classes and about their English classes at school.
‘How come I never asked before?‘
…is something that I still keep asking myself. Apart from an opportunity to exercise my almost non-existant researcher skills, this questionnaire and this adventure gave me a fascinating opportunity to see the bigger picture and to become more aware of everything that might have an impact on how my students see the language learning process.
Here are are few insights:
most of my educational parents admitted to chatting to their kids about the reason to learn English, although sometimes the kids, due to their age, were not quite interested.
some of the preparation was done in a rather informal way as English as a means of communication entered their lives anyway since they had an opportunity to travel abroad, they were visited by parents’ friends from abroad. They could also see their relatives use English at work or at school.
some of my younger kids already expressed some of the utalitarian reasons (‘he wants to work for Lego or Hot Wheels’), this was a lot more common among the older students
the most interesting fact was that for many of my students English was not only a subject, something that belongs strictly in the school. Rather than that, it was a family thing, something you do with mum or dad or with the siblings, younger or older, although, none of the kids came from bilingual families.
as for the kids, their reasons could be divided into the four groups highlighted by professor Nikolov: the external (‘My mum told me to’), the utilitarian (‘I will travel to different countries and cities’), the teacher (‘Because of Anka’) (insert a million hearts here) and the classroom (‘Because I like it’)
The follow-up?
Raising the awareness and finding out is only the first step and it highlights the importance of a few processes. Naturally, the teacher has no influence on the background of the students or on the family social status and their ability to travel abroad for example. However, the teacher can make sure that the parents are involved in the classroom activities and classroom life, to the extent in which it is possible and, at least, those parents that wish to be involved. This can be done through helping to take English out of the classroom and extending the exposure by sharing songs, games, activities and keeping the parents informed.
There are also some opportunities to bring the world into the classroom, especially nowadays, in the post-covid, zoom world by using the real life materials, traditional stories, guests, virtual guests, pen pals etc. This way, even without travelling, kids will see the connection between the coursebooks on their desks and the world out there.
There is a lot that the teacher can do as regards including the age-appropriate activities, finding out what the favourite activities are and working on building the community even if only by learning the kids’ names, celebrating birthdays and creating the new, group-specific traditions and ‘traditions’.
The first step can be reading about professor Nikolov’s study and running your own research and finding out why your students like to learn English…
Happy teaching!
P.S.
Fun fact? This blog was created as my reward for completing the MA programme. I submitted the final version of my dissertation around midnight on the night of the 1st and 2nd of March 2020 and, on the 2nd of March, during the day, when I did catch my breath a bit, I got my funky socks and my dragons in line…
Bibliography
Marianne Nikolov, ‘Why do you learn English?’ ‘Because my teacher is short’. A study of Hungarian children’s foreign language learning motivation. Language Teaching Research, 1999:3:33, p. 33 – 56
Welcome back to this autumn’s series and, before you go on reading this post, I would like to invite to have a look at the introduction and to the first part, the materials that were designed and came to be only because I found a new resource that I really (really) wanted to use in class.
The episode here is going to focus on the well-known activities that were too good not to be smuggled into the EFL lessons, with kids but also with adults.
Noughts and crosses
This is one of my personal favourites. Admittedly, it is used more frequently in the offline or in my 1-1 or small groups with the online groups and that is due to the way it was adapted, with the option of the points each box, revealed only at the end of the round. We also use noughts and crosses to tell stories and there is a post, too.
MadLibs
MadLibs is a great party game and if you are lucky you can find some ready made ones, appropriate for young learners (or just kids) or related to one specific topic to match the theme of the lesson or the unit. However, pretty much any text can become a MadLib (or a MadLib in reverse) since what you need is a) a text and b) some missing words which we guess and then the world really is your oyster. We use the approach with my exam preparation classes, especially with the tasks such as FCE Listening part 3 in which the exam paper is a ready-made MadLib and which you play to predict the potential answers. We use it also with my Flyers kids as a preparation for the story reading in Reading and Writing part 5. The same idea can be used with any sample writing although here the teacher has to remove some words first and then think of a category for them.
Pelmanism
First and foremost, this is probably my favourite tool to develop the early literacy skills in my primary and pre-primary kids, both online and offline. The main idea: find the two pictures that constitute a pair. With the pre-primary kids, we play to find the two identical card and to call out the word or to produce a full sentence or, similarly, in the flashcard – word card pairs.
The range is much wider and the tool much easier to prepare for the literate students as the pairs may constitute, from the easiest to the most complex: a picture and a picture, a picture and the first letter of the word, a picture and a word, a word in a simple structure and a word in a simple structure, a word in an affirmative structure and a word in a negative structure, a set of questions with various structures and a set of answers and, finally, halves of sentences. Seethe samplehere for ideas.
The activity can be used with the older and the more advanced students and it can be made a lot more generative by asking students, for example, to find the phrasal verb with the definition and the question in which it is used, which they later answer ie take up (start a hobby) and ‘Why do people take up different hobbies? Where do they find the inspiration to do that?’ or a phrasal verb and its definition with the question that they have to create themselves.
In the online classes, the cards on wordwall can be used (we add numbers using the zoom notes or we simply count the cards for the teacher to open) and recently this option has been added to the upgraded bamboozle. This game is also very easy to create on the Miro board or even in a simple powerpoint (in the design mode, without the presentation).
Go fish
This is the most ridiculous case because, up to this day, I really have no idea how to play it. I do remember reading about it, in one of the methodology books, but the instructions were a page long and I gave up after a few lines only. The only recollection that stayed was the following: you have a set of cards, you keep them secret and you have to ask for these cards. Today, we play it as ‘Can I have?’ or, with my younger kids as ‘The Sheep’.
Riddles
If we had a different set of categories, that would definitely be mine ‘something old’ that recently I have had a chance to rediscover with two amazing people and the most recent post on that topic ishere.
And there are many, many more and I am going to include the links here, just in case if you are looking for ideas: General Kutuzov, a lazy role-play and our fruit salad.
Now, off to writing the final part of the series: things that started from the most important people in the process: the kids. Soon in cinemas near you!
I went into this lesson on my toes, slowly, cautiously, almost unwillingly. On the one hand, I was curious, as with all the Art project. On the other hand, I was just not so convinced. On the one hand, there was a new group of kids, I did not know their levels and we were supposed to try doing online what we did face-to-face before. On the other hand, I started to look for all the Miró animals and, randomly, I typed in ‘Miró and a toucan’ and found just that. And it made me burst into laughter, just because it there was an occasion when Joan Miró held a hornbill (aka almost a toucan). I knew I would do it all anyway, even if only to find out whether I can, but I was a bit anxious.
Our Gallery in Miro
The Before
Introduction of colours, a variety of songs, wordwall games and Miro games
Working on building the routine and getting used to the online format
Introduce the artist of the day and his arts. We focused only on the animals and on the colours. We ‘visited’ our MiroBoard Gallery and we tried to guess the animals and match Miro with photographs
And, finally, we tell and listen to ‘Elmer’ for the first time (I have actually only used the video, muted, and I told the story myself. We also included some gestures to involve the kids).
It is necessary to add that this year, due to the fact that we meet online with my Art Explorers, our classes have a slightly different format and we work on two-lesson basis. In lesson A we introduce the vocabulary and the artist, in lesson B: we revise and focus on craft and creation. The activities mentioned above were also executed over a period of two lessons.
The photo of the materials sent before the lesson
The While
Get all the materials ready (a glue stick, a marker, a piece of white A4 paper, some coloured paper or pieces of colourful pages of newspapers and journals), send the list to parents ahead of time
Check that everyone has everything (‘Show me your paper’, ‘Show me your glue’ etc)
Show the kids your coloured paper, call out the colours.
Ask the kids to show you theirs, call out the colours.
Show the kids how you tear off a strip of each colour, show them a ready bunch. Wait for them to get theirs ready.
Draw the elephant step by step. Start with the body, then the legs, the tail, the head, the trunk and the ear (by the way, the full shape of an ear is here only to help the kids visualise the elephant, a part of it will be covered by the coloured paper). Show each step to the camera and let the kids copy. Ask them to show you the paper after they have finished each step. Put the marker away.
Open the glue, spread the glue all over the elephant, evenly, while holding the paper to the camera. Close the glue and put it away.
Tear off a piece of one of your colourful stripes, glue it on the elephant, and then a few more. Invite the kids to do the same (‘Now you’). After a while ask them to show you their copies or ask what colour they are using, only to check how they are doing.
Continue until the elephant is ready.
Take the marker again and draw the eye, a small black circle. This way the creation will be easier perceived as an elephant.
Put up your elephant for the kids to see. Ask them to show you theirs.
The drawing. In one piece and in the puzzle version
The After
Introduce your elephant and describe it: ‘This is my elephant. He is green, blue, yellow and black’.
Ask the kids to do the same.
Watch Elmer, the video again, and, as before, pause and re-enact it with your elephants.
We finished with singing ‘Walking in the jungle’, with our elephants, too.
Comments
I am really happy with how the activity went. Initially, I was worried that preparing the elephant will be too difficult for my kids (but they all could follow me in drawing the elephant, step-by-step, with pauses and modelling) and that preparing the patchwork will be very time-consuming but the magic happened here, too as the kids quickly realised that they were in charge of managing how big the pieces of our ‘patches’ were. The older ones were more dilligent and more accurate with the smaller pieces whereas the younger ones opted for bigger pieces and we all finished at the same time. The patchwork part took about 5 minutes. Only one of my students needed more time (as she does every time) and for that reason we started to watch the story without her elephant to give her a little bit more time. She was watching while finishing and she introduced her elephant and it worked very well.
Overall, the amount of language produced was not quite on the amazing side but this was only our third lesson of the course and I am happy. Last but definitely not least, my kids were happy and very proud of themselves and their patchwork, Miró elephants. There is definitely more to come.
Dedicated to Monsieur Alexander (6 y.o.) and Mademoiselle Victoria (3 y.o.) with big thanks for reminding me how important riddles are even if you speak the languagevery well.
Why? Because you simply must!
Riddles are an opportunity to develop focus and listening skills: you are required to listen until the very end as all the elements of the riddle are important and they can help you figure out what the answer is.
Riddles help to develop cognitive skills while you are guessing as you are required to put together different pieces of information, to understand, to synthesise and to analyse.
Riddles help to develop cognitive skills even more when you are creating your own riddle as you are required to apply and to evaluate the information you providing to make the riddle challenging and achievable at the same time.
Riddles are something that we use and enjoy in our L1, from the early childhoodand it is only natural that we will try to bring them into our EFL lessons, with kids and with adults.
Riddles help develop creativity.
Riddles are fun and they create plenty of opportunities for bonding, in a pair or a group.
Riddles, in L1, help the kids develop the awareness about how the language works, how the hidden meanings, the homophones, the collocations and this can also be transferred, at least partially, into the EFL or the ESL
It is obvious that the context of the EFL and the ESL does not always allow for the riddles and their benefits to be used fully and completely even if only due to the limitations of the language level which, in case of some of the young learners, might be as low as A1. This does not mean that they cannot be used. On the contrary, they can be introduced from early on.
Riddles, regardless of the context, are an opportunity for the students to speak and to produce a mini-discourse.
In the EFL/ESL classes, it is relatively easy to choose the vocabulary range and the structures for the students, depending on the level and the topic. This range can be easily extended.
How to? Riddles in the EFL classroom
The simplest version of the game can be played with preschoolers and we usually start simply with guessing ‘the secret word’ which is the card that the teacher and then the students choose and hold close to their chest and the class are guessing. This version is used to introduce the very idea of the riddles. When the kids have become more familiar with the format, the level of challange can be raised and the production maximised by asking the kids to describe the card they are holding in the simplest of way i.e. with the colour, operating within the colours of the objects on the flashcards used (‘It is green‘ or ‘It is green and red‘). With time, more adjectives can be added (‘It is big’, ‘It is small’), the categories (‘It is a toy’, ‘It is a pet’) or even opinions (‘I like it’, ‘I don’t like it’). There is a post devoted to one of the ways of dealing with riddles with the youngest learners. You can find it here.
The primary (or the more advanced pre-primary) students can start adding simple categories in their discourse (‘It’s a toy’, ‘It’s an animal’, ‘It’s in the schoolbag’) and start describing the word using the relevant structures. For example, with food, we use the following four: ‘It is cold’, ‘It is hot’, ‘You eat it’, ‘You drink it’) and these are the structures that the students know and will need anyway and these particular four can be supported by a relevant gesture. The same goes for the animal riddles set: ‘It is big’, ‘It is small’, ‘It can run’, ‘It can fly’, ‘It can swim’. I also like to add ‘I like it’ and ‘I don’t like it’ even though it does not quite provide enough information for the children to guess the object as the class may simply not know what one of us thinks about it, it gives the student making a riddle an opportunity to express opinion and to make it all more personalised. With the youngest students the teacher can assist production in the beginning by asking questions such as ‘Is it hot or cold?’ or ‘Can it swim, fly or run?’. This set of structures can be developed and extended depending on the students’ age and level.
As regards the more advanced and older students, the riddles can be made more extensive and more resembling the riddles that the adults and kids play in English as their L1 or the riddles they play with their L1 with the use of simple homonimes or homophones, a wider range of vocabulary or structures or complexity for example by making a list of words not to use when to describe a certain word, describing it with associations (i.e. kids, fun, outside to describe the word ‘playground’), with metaphors (i.e. ‘It is the brain of the computer’ for ‘hard drive’ or ‘It is the opposite of a mountain’ for ‘a cave’) or, even, by a mixture of these (‘Tell me what it is and tell me what it’s not’)
As regards the material and the support for the teacher one of the following can be used: flashcards, mini-flashcards, a page from the book with words and words and images, a poster, a set of wordwall cards, a list of words.
Today I am going to share these idea for YL lessons that started with the teacher (aka yours truly) finding a material that she really (but really) wanted to use in class.
Some of them have already been published here, on this blog, some of them are brand new, right out of the box, right off the production line.
Oh, also, please make sure you have a look at the introduction to the series here!
Oldies but goodies
Silly pictures are a perfect example here because I found them while I was looking for something else entirely and these just popped up. Until then, I hadn’t even known of their existance. Now, we love using them. Make sure you have a look at the original post)
Wordwall activities are all based on the templates provided by the website but they can be used in a variety different ways. The material is there but there is a lot that can be done with that.
Let’s look for pairs is a game that actually started with a visual that included a rather random set of jungle animals and, initially, were not an activity at all. I loved the animals, though, I started to think how I could use it in class. And an activity was created. I cannot find the original source but it was not very much different from this one here.
Dice is also a resource and a tool that was a starting point to a wide range of activities and I have been passionate about using it in the classroom for ages. Some of the ideas can be found here.
And, last but not least, songs can also become games and here some ideas how to do it.
And some latest finds
Two videos
There is very little that can be said about using videos in class because this is one of the hot topics in the EFL. Kieran Donaghy’s website is a great place to start if you are looking for inspiration and ideas. I have already committed a post on this blog here but today I would like to share one more idea and the mechanics of it and the journey that a video took to become an activity and a lesson.
I love running and over the years I have developed a passion and an obsession related to all the amazing people who managed to achieve something amazing in the area. No wonder that my superhero for many years has been Tom Denniss, the Australian who ran around the world. Literally. In 3 years and about 60 marathons. For many years, one of Tom’s photographs taken during that run, was pinned on the door of my fridge. And no metaphors here.
Naturally, that meant that I read and watched everything that was available on the subject, including this video, and from the moment I saw it, I knew that I would use it in class. I have used it many times since, on its own, in the lessons devoted to unusual journeys, special achievements and numbers as there are some impressive statistics related to Tom’s feat but this September I decided to take it to another level, paired up with that of another adventurer, Helen Skelton, who crossed the Amazon in her kayak. Here are the main stages of this lesson:
photographs of both heroes and their adventures
a discussion on the challenges and dangers of both achievements, choosing the more difficult one
a discussion on the first impressions, whether they are important or not, about our personal experience in that area, the misleading first impressions, the correct ones
watching the first minute of the interview with Tom and the first minute of the interview with Helen and discussing the impression they made on us
watching the rest of both videos to find out more about their adventures and to decide whose was the more impressive and the more dangerous one
a comprehension debate together
a discussion in groups to compare opinions regarding the challenges
the final debate regarding the first impression and the second impression, a discussion on whether the professions of the interviewees (Tom – a scientist and an entrepreneur, Helen – a TV journalist) might have had an impact on the impressions they made on us
feedback, error correction and round-up
Speaking YLE
Cambridge Young Learners Exams is definitely one of those topics that have been waiting for its own post here simply forever and I know that its day will eventually come.
Today I would only like to focus on the Movers speaking part 1 and Flyers speaking part 2 resources that have inspired me to come up with an idea for an acitivty for my primary and pre-primary kids.
The resource here is a set of two pictures which have some small differences between them. You can find the samples in the Sample Tests published by Cambridge. I had been preparing my students for YLE for a few years and I had known the visuals very well and there is no other way of putting me: it was bugging me that I could not use these beautiful visuals with my pre-schoolers because this was the material produced for A2 speakers and my students were only pre-A1 and five. Or so I thought until I realised that I can still keep the resource and keep the general idea of the activity (‘looking for differences’) but the thing that needed adaptation was the aim, especially the linguistic one. The set of complex structures had to be replaced with a simple ‘I can see…’. In order to make the task more achievable for my youngest students, I also decided to change the resources, too and to replace them, initially at least, with a much simpler set, limiting the set of vocabulary items to only one topic (ie only toys, only farm animals) and lowering the level of complexity but abandoning, for a while, the almost identical visuals and choosing simpler two pictures of a farm.
These are the two images that were used in a YLE-inpsired ‘Find the difference’ task with a 6 y.o. primary student, in the lesson on toys and with a group of 5-6 y.o. level 3 pre-primary students. The teacher and the students took turns to compare the two pictures using a simple structure (I can see…). The teacher was initially describing the toys in picture 1, the students – in picture 2.
But this idea was developed further by adding two more visuals, a toy room in the kindergarten, and the activity was adapted too. Using the four pictures, the students were looking for the same toys featuring in one, two, three or perhaps even all four rooms, for example: I can see a teddy in picture 1, picture 2 and picture 4. The most fascinating thing about it was that after a very short while we had one student describing the pictures and producing the language but the whole group were listening in order to check that no pictures were ommitted by mistake. And to support their friend, too.
One-sentence phonics stories
This particular one was created on the basis of the short phonics stories that feature in our coursebooks for primary, in this case the Superminds series by Herbert Puchta and Gunter Gerngross published by CUP.
The original material consisted of an illustration, a one-sentence story and an audio track, like the one in unit 1 of level one, focusing on the /a/ phoneme and practising in a story ‘A fat rat in a black back’ (SB p. 15, sample page 6).
Together with the PostIt notes on the MiroBoard, it gave me the idea to put together a game in which the kids could really practise reading the story in a fun way and to practise the key phonics words as well as all the words the kids have learnt so far.
This is a very simple game in which the kids have to read the original sentence, close their eyes and during that time, the teacher replaces one of the cards. The kids open the eyes and read the slightly adapted sentence. Then, step by step, during the following rounds, the original sentence keeps changing and the kids continue reading it out loud. The number of rounds can be adapted to the needs and abilities of the group and the kids can also be involved in adding the words. In the regular classroom, the same game can be played with even less preparation as the only thing you need is a whiteboard and a marker.
The original sentence, based on the task from Superminds 1
One new element
All the variants in this game
I hope you have found something useful here. If so, please come back. There will be two more episodes in this series.
One of my favourite EFL quotes is what Katherine Bilsborough started her presentation at TESOL Greece in 2019 that we, the teachers, we are all material writers. Because we simply are, all of us. Even if we don’t ever produce a coursebook, even if we don’t ever get to share ideas on our Instagram or in our blogs. Even if we never get to be famous and renowned, we produce materials for our students, day in day out.
If you want to read more about creating materials, don’t forget to check Katherine’s blog on material writing here and her interview with some great advice here.
In this post here, I would like to share some ideas from a low-key but an advanced material writer, hoping that my everyday material creation, design and adaptation might help some of my fellow material writers, those with less experience.
Why do teachers adapt, supplement and design?
Methodology aside, the very subjective and personal answer to this question is very easy: the students are boread, the teacher has noticed that something does not go as well as planned, the teacher has found something that they really want to use, the teacher does not like whatever is in the coursebook, the teacher is bored…
The three concepts to take into consideration: the material, the activity, the aim
The material aka the physical resource that we have at hand, the photograph, the drawing, the poster, the puppet, the flashcards, realia, the song.
The activity aka the game, the reading task, the matching activity, the odd one out, in other words – a set of instructions of how to do something.
The aim aka why we bother and what exactly we want to achieve.
The understanding what these three are (and what they are not) is the absolute first step in starting your own blazing career in material design because at the stage of creation these three can be the source of inspiration and, at the later stage of reflection and readjustment, one or two of these three will be the elements that can be tweaked and manipulated in order to perfect the initial desing.
This is why, in this particular post, I am going to share ideas that had their starting point in the material, the activity and the aim.
Example #1: the coursbook
Using the sample of the unit 1 from Superminds 5 published by Cambridge University Press here, page 1 (which is page 10 of the students’ book).
The material here is an illustration, a scene from the Pompeii and three characters from the book, Patrick, Phoebe and Alex, a set of numbers and a set of words as well as the audio track which here is the list of words.
The activity is to listen and to repeat the words and to check with the partner.
The aim is for the students to become familiar with the key vocabulary in the unit and to be able to practise them before they move on to the following exercise which introduces the kids’ first adventure as time travellers.
When we started to use it in class, I kept all of the coursebook material but I decided to adapt and to extend the original activity for my students (A2 level, aged 7-8-9 years old) seemed to be ready for a more challenging task that would involve more communication and language production. One of our favourite activities here is to play riddles in which the kids work in pairs and describe one of the items in the picture either by giving their definition (It is big, it is made of, it is used for) or by providing their location in the picture (It is behind Patrick).
This way the material and the aim stay the same and only the activity is slightly adapted.
Example #2: Own materials on Miro
This is a task that I designed for my 1-1 online student, aged 6 y.o. who cannot read yet.
The material here, created using Miro Board, is a picture of a tractor, a set of photos of animals, and a set of colourful cards with simple descriptions of animals.
The activity is a riddles game in which the teacher reads out the definitions of the animals in the order chosen by the student. The student listens and guesses the animals which is later revealed by the teacher.
The aim is to practise listening skills, to develop the ability to focus and to practise the names of animals. In the long run, this activity is used also to prepare the student to start producing similar riddles about a chosen animal.
Now, the next step will be the three follow-up posts devoted to resources whose existance started from finding a new material, coming up with a new game or with a very specific aim for the lesson. Don’t forget to check them out!
Happy teaching!
*) This is one amazing slogan that belongs to Sainsbury’s, the chain of supermarkets in the UK.
**) The material presented here was first a webinar given for teachers from all around the globe, organised by BKC Moscow in September 2022
I have decided to put all my recordings in one place, mostly for myself, so that I could easily find all of them and access all of them. But, I am also hoping that they might come in handy for some of you so here we go:
Do you remember? Long-term impact of the YL teacher training course, a presentation that I gave at the Teacher Training Conference organised by IH London in autumn 2021 which was devoted to a small scale research I ran among the trainees on my courses, a long-term post-course reflection and what it taught me about teacher training.
Teens and Shakespeare or one of the coolest lessons I have ever taught in my entire life, recorded for the British Council Russia in 2016, in which I managed to include Romeo and Juliet, idioms that we all owe to Shakespeare and some FCE practice. Shame the BC people decided to include only 20 minutes of it.
And an interview I gave to Anita Modestova before the BKC Conference in 2019, basically my video business card)))
Another interview for the BKC Conference in 2020 about my research and my presentation devoted to communication strategies that the pre-schoolers can use. I watched again today, in 2023, and I was laughing out loud listening to myself talking about all the disadvantages of teaching young kids online…’I cannot imagine teaching VYLs via Skype’…Well, famous last words?
The second part of the same series, only this time we focused on the mistakes that parents sometimes make. We called it: Как не мешать ребенку изучать язык?
All the pairs. Somehow the penguin, the gorilla and the mouse got left out.
Ingredients
A set of pictures of animals, flashcards or on Miro. That’s it.
Procedures
Revise the vocabulary and ensure that all the cards are displayed at the same time for the kids to be aware of all the options
Model by choosing a pair of animals and putting these cards aside and justifying your choice. With my pre-primary kids, I like to use the first person statements (I’ve got 4 legs etc) as this is what we do with the younger kids (to enable the kids to talk about themselves and the animals without having to introduce the additional structures and to keep it coherent with the songs that we use ie Little bird or As quiet as a mouse). I also tend to vocalise the language ie I’ve got 4 legs (for the cat), I’ve got 4 legs (for the elephant).
Invite the kids to take turns to make their own pairs and to describe the rationale behind it.
This is what our Miro board looked like before we started
Why we like it
An opportunity for the kids to use and to develop the higher order thinking skills in the EFL context
The students are in charge of what they want to talk about and what they can talk about. It is appropriate for mixed-ability groups.
Little or no preparation as the flashcards are already there, the physical cards in the offline classroom or the set of pictures on Miro which, once prepared, can be doubled easily and used only for that activity.
A great variety of structures that can be revised and some opportunity to learn the new ones as the kids might have the ideas that they cannot express in English yet and this game can be the springboard which will help to introduce these. If the teacher speaks the kids’ L1.
Lots of opportunities for adaptation and using them with different sets of words such as toys, fruit, food, transport and, naturally, the relevant structures. I like to start this game with animals because of the range of easy structures that even the very young beginner students can use in order to complete task and because of the variety of topics that can be included (the colours, the number of legs, what animals can do, what they eat, where they live etc)
The level of challege can also be easily adapted, for example, the set of cards can include only 8 items or the teacher can focus on putting the animals into pairs basen only on the colours or the size which are probably the two most achievable categories, both cognitively and linguistically.
This is a neverending activity because the cards and the animals can be grouped and re-grouped over and over again to let the students create new and less obvious links between the items. Conversly, it can be shortend as needs be.
As regards the interaction patterns, this activity can be used with groups, with kids working together, at least in the beginning, or in pairs if we have the appropriate number of sets of cards as well as with 1-1 students, both online and offline.
There is also some potential for adaptation in the area of materials. The most obvious choice are the flashcards, the mini-flashcards or the Miro board. The teacher can also create a handout with the animals pictures and/or names which the students can colour-code as they are putting them in pairs. This might be a good solution for the kids to work in pairs in the offline classroom.
Last but not least, this activity is an opportunity for the kids to develop the listening skills (as they want to find out the justification for their peers’ choices) and the speaking skills (as they want to present their own reasoning, too). I simply love to observe how my students start with the simplest and most obvious connections and how they venture out into more and more creative ones.
