#eflkids

A square, a circle and some scotch OR three amazing Christmas crafts. And a lion.

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Dedicated to Mishka and Mum @_mad_alen_

These three activities were brought about by the calendar, this title by the title of a wonderful Christmas (?) book by C.S. Lewis. The lion just found itself.

A square aka ‘The Winter Wonderland’

This is a lovely activity that was found online by one of my colleagues, Larisa. The original, created by @kardasti.saz was a lot more intricate and a lot more complex, too complex in fact for my online classes.

The activity starts with a square of regular A4 photocopying paper. It is folded diagonally, to create a triangle, twice and opened. The kids are asked to trace one of the lines, from one corner to the other. We then draw the pictures above the line: the trees, the snowman, the presents and, finally, the snowflakes. It is very important to stage the drawing carefully, element by element, modeling and pausing for the kids to follow. This way, even the younger kids will be able to create such drawings.

We trace the line along the fold, from the centre of the square to the corner, on the bottom part of the square. We cut along this line, until we reach the centre point. We put the glue on the top of one of these newly-created triangles and we put the triangles on top of each other and press.

We have done this activity online so I had to limit the materials to the simplest and basic ones but in the classroom or if the kids have it, there is more potential for the cotton snow or 3-D figures in the little yard.

A circle aka the Rocking Santa

Circle is the best shape ever and this activity has be yet another piece of evidence to prove this. I have found it online, on the Noreva Project channel but, again, because we did it online, the instructions and procedures were simplified – only the regular A4 paper, white, which, in case of the triangle, was simply coloured red in class. The parents helped with preparing the materials (a circle and a triangle) but, again, we did everything ourselves and because we went slowly, step by step and line by line, the students could follow and create their own Santa. All the instructions are in the video.

We combined this craft with the song from Super Simple Songs, Santa, where are you? and we used to practise the prepositions (in, on, under) in a guessing game in which students hide Santa somewhere in the room and we keep guessing where it is (Is it on the table? etc).

Some scotch aka the Coolest Christmas Tree There Is

This piece was a present that my niece, Mishka made for me with her mum @_mad_alen_ and I can’t repeat it enough: it is simply amazing. It would be too much to try to pull off in the online classes but it is perfectly feasible with the offline groups. I have certainly done craft that involved the same level of pre-lesson prep work.

What you need is a piece of cardboard, with the cut out shape, a few strips of scotch taped to the back of it, sticky side up and a selection of things to decorate with: sequins, buttons, pompons. I suppose there is some potential for less professional ingredients (crayons or coloured pencils shavings, sand, scraps of coloured paper) or even food (buckwheat, seeds).

The scotch here makes it a bit more manageable (no glue!) and the card can be displayed in the window to let the sun shine through it. Or simply used to check how different sources of light change the picture. And there is an opportunity (and a need) for a health and safety training on not eating craft materials and handling small objects.

Not to mention that Mishka’s Christmas Tree has been elected the Christmas Tree of the Year.

Happy teaching! Merry Christmas! Happy holidays!

Crumbs #43 Tractors and trains. Riddles for VYL

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Ingredients

  • A Miro board or a powerpoint in the editing mode.
  • A beautiful train with carriages or a tractor with trailers, with one animal on each trailer.
  • A set of colourful cards, with a set of riddles following the same framework and the set of structures in each riddle.

Procedures

  • Students take turns to choose the colour of the card.
  • Teacher reads the description of the animal. Kids listen and guess the animal. Teacher uncovers the picture to check the answers.

Why we like it

  • First and foremost, this kind of an activity helps to develop listening skills in very young beginner students and focus as they need the information from all the sentences in order to guess the name of the animal.
  • At the same time, since all the riddles use the same framwork and the same structures, this game is an opportunity to practise all the key structures. The set of these will depend on what the students are familiar with and can be simplified or extended.
  • We use this kind of a game to prepare the students to produce the language, too and after playing the game for a few lessons in this very format, with the teacher reading and the kids guessing, we move on to the following stage with the students producing a set of sentences to describe an animal.
  • Last but not least, with time and with the development of the literacy skills, this kind of an activity can also help develop reading skills.
  • The game is pretty and colourful, made with colourful cards, beautiful visuals from google. The students are usually curious to find out which animals are hidding on the trailers. The format of the presentation can be adapted, too. In the past we played with huge present box (partially inspired by Rod Campbell’s Dear Zoo) and with houses in which the animals were hiding and the miraculously appearing thanks to the funcion of ‘bring to the front’ or ‘move to the back’ on Miro or any powerpoint.
  • It can be used with animals or with any other topic with the appropriate adaptation of the phrases ie toys (It is big. It is red, with the assumption that we refer to the visuals that the students are familiar with) or transport (It is big, it is fast, it is quiet) etc.
  • If you are interested in riddles, please have a look at this post, too, where I write more about riddles for the older and more advanced students.

Happy teaching!

Yayoi Kusama and Pumpkins. Art and English in Primary

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Yes, the Halloween was approaching and my English+Art lesson was on the day. Yes, I was just googling random things hoping that if I find something interesting, I will have a Halloween-ish lesson and if I don’t find anything, well, we will go in a different direction. At this point we have done colours, we have done leaves and, ideally, I was hoping to find some cool artist, some pumpkins and some technique that we have not tried before yet. Last year, around that time, we went to Ilya Mashkov as we tried to recreate his still-life with the magnificent cucurbita pepo but it was last year (aka we have done it already) and it was offline (aka it was more manageable)…I needed something different.

Surprisingly, googling ‘pumpkin in art’ can get you when you want to be)

Yayoi Kusama – jak sztuka może być terapią przy chorobie psychicznej? (magazif.com)

The artist of the day.

Enter Yayoi Kusama. Until last Monday, I had never heard of her. Since last Monday, I have been a great fan. Her art is exploding with colour and with energy and she makes me feel like being a part of the Wonderland, Alice in the real world, easily available, at hand. And she loves dots and dots are circles aka the best shape ever that can be easily used in class (here is an earlier post about that).

We met Yayoi and found out about her favourite things and we looked at some of her paintings in our gallery as is now our habit. We also talked about the paintings we like and don’t like.

Yayoi Kusama and her favourite things
Our gallery in Miro

The language

In this particular lesson I wanted to focus on practising expressing opinion using ‘I like’ and ‘I don’t like’ and that is exactly what we did. We looked at Yayoi Kusama’s pumpkins and said what we think of them (P.S. We like them!), we looked at a range of creative pumpkin (google) said what we think of them and we enjoyed the variety in which pumpkins can appear (photos, art, real pumpkins (yes, these were present) and, finally, the Surprise Pumpkin that I have brought. See below)

The craft

The final product here was a compilation or an adaptation of two ideas from the amazing Art for Kids Hub and their pumpkin folding surprise and the most amazing mouse.

  • We looked at all the pumpkins, Kusama’s, the realia, the creative pumpkins
  • I presented the ready made product making sure that the Surprise Pumpkin is a proper surprise (‘Look, this is a pumpkin. But it is also a surprise. Are you ready? 3…2…1….’)
  • We went over the necessary materials with everyone (‘Have you got the paper? Have you got the pencils/markers/crayons?’)
  • I was making one more copy together with the kids. I am drawing on the regular paper, holding it in my hands, on a thick pad. Going step by step, slowly, pausing and waiting for the kids to complete every single step. This is absolutely crucial.
  • We folded the paper, stopping after every stage, showing the page to the camera. There are four essential stages: 1) show the A4 paper 2) fold the paper in half, widthwise 3) press at the crease / fold 4) fold the top flap outwards (show the kids how the edge of the paper touches the crease / fold in the middle 5) press at the crease / fold
  • Draw the pumpkin on the folded paper, that is at the 1/4 flap folded outwards and the 1/2 half at the bottom simultaneously, draw the stem and the leaf as well as three lines for the ribs. Don’t forget to pause at every stop, wait for the kids to complete every step and show you the result.
  • Open the paper and place it flat on the table. Draw the edge of the top half (‘Let’s draw a zigzac’)
  • Draw the edge of the bottom half (‘Let’s draw a zigzac here, too’)
  • Draw the mouse step by step: the oval for the body, two lines for the nose, the ears, the eyes, the whiskers, the tail and the hands.
  • Leave the colouring for after the lesson.
  • Play a bit with the surprise pumpkins that everyone prepared. My students simply recreated the ‘presentation’ that I gave at the beginning of the lesson, of their own accord, just like that.

Some final notes

  • Most of my students deal very well with the folding bit. Only one of us struggled a little bit and we needed mum’s help at the very beginning. It might be a good idea to let the parents know ahead of time and ask them to be at the ready, just in case.
  • As regards the materials, absolutely anything goes: coloured pencils are great, crayons are great, markers work, too. I am at my personal happiest drawing with markers and colouring with crayons or with crayons and markers, for the extra shine and glow.
  • Kids are amazing and they really can recreate the drawings or, rather, they can create their own versions of it. The only thing that is really necessary is the proper staging, going step by step, modelling and pausing, to give everyone time to complete the drawing.
  • It does not matter how big or how small the mouse is. It will all be hidden in the folds of the paper.
  • There are many variations of the craft. You can find some of them online. Below you can see what we have created ad hoc, just because we did everything that we needed and I could extend the lesson a bit. The pumpkin with a cat and the apple with a caterpillar were the result. These are only a few of the options!

Happy teaching!

Levitan and Leaves. Art in Primary

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The teacher’s version

I found the photograph first but then it turned out that it is a whole post with a video tutorial, too. Have a look at the Art Projects for Kids! Which, by the way, is a cool website that I will be visiting in the future!

The language

This is the second module of our course and I decided that I need to start introducing some of the natural world vocabulary, in order to be a little bit better prepared to talk about the artists to come. The first introductory set is rather modest and it includes: the sky, the grass, trees, mountains, houses, the river, flowers and leaves. We have also used this module as an opportunity to revise colours and numbers and to introduce the first two adjectives (big and small). Finally, we started to talk about what ‘I like’ and ‘I don’t like’.

The artist

Our artist of the day who introduced all of that to us was Isaac Illich Levitan, the love of my childhood and my first artist ever. The album of his works is one of the very few books that I remember from my early childhood (apart from the storybooks, of course). It was there, on the shelf and I did spend hours on the carpet, leafing through it, back and forth, making up stories taking place among the birch trees, by the river, in the forests and in some ‘Sokolniki park’ which I found out about long before I set my foot in it. This, by the way, was also one of my first encounters with the foreing languages as the book was in Russian, English, French and German and these were my first exercises in comparative linguistics. At the age of 5 and 6.

Leviatan’s was what you might call a cameo appearance because I did not want to overwhelm the kids. We looked at the four seasons, looked for the new words in the paintings (‘Can you see a house?) and talked about the colours. We also started to sing ‘What’s your favourite season?’. Not a lot, but Isaac is definitely coming back, with the arrival of the winter and then the spring and the summer. With him, there will be Vivaldi, which would have been a perfect companion but I simply forgot about his existence. I am already looking forward to our winter-themed lessons.

Levitan in our ‘gallery’

The craft

  • try to make the leaf at home to figure out how complex it might be and how much time we will require, think about the stages
  • use the leaves throughout the lesson ie while revising colours and numbers or practising ‘I like / I don’t like’
  • check that the kids have all the materials necessary: a piece of paper, crayons, watercolours and water
  • draw the outline of the leaf veins, and patterns with crayons. It is ok to use the same colour but the final product is more interesting if different colours are used. I was considering introducing different patterns to make it more structured but, in the end, decided not to. We will introduce them on some other occasion, with Kandinsky, for example. If possible, I would use special paper for watercolours but in the online world it is not quite possible. Regular photocopying paper works well, too.
  • colour the leaf with the watercolours. It might be a good idea to start with the brighter colours and, for the sake of staging, ‘dictate’ which colour to use, leaving the kids a decision which section of the leaf to colour. The lines drawn with crayons will not be covered by the paint and they will be still visible and it is not really necessary to be too careful with painting. Not staying within the lines or even letting the colours seep or even leak into each other create a much more interesting effect. I haven’t really encouraged my kids to create a very ‘messy-on-purpose’ picture (not yet, anyway) but I am very reckless with how I use my paints, to show the kids that it’s ok.
  • finish with showing the leaves, call out the colours, talk about whose leaves we like.
  • I have cut out my leaves to be able to use them more easily and I was planning on telling the parents that the kids can do it after the lesson, when the paints dry completely. If I still had my classroom, I would put them up on the window.

Happy teaching!

Professor Nikolov, kids’ motivation to learn English and classroom research

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Autum in Wallonia

When I look back at the two and a half years of the MA programme at the University of Leicester, I am thinking of a marathon (a prolonged period of strict routine, extensive emotional and physical expenditure and obligatory one-track-mindedness). Actually, five marathons in a row. But when I look back, it is also the time when one could revel in reading and research, having access to the treasures to the university libraries of the world.

Apart from going through piles of studies and articles to find out data for my assignments and thesis, I also started to make up a list of pieces to share with my teachers and my trainees. Jerome Bruner’s (et al) and the study of the role of tutoring aka scaffolding is already on the blog here and, I am happy to say, for a very long time, it was one of the most popular posts. It still stays somewhere in the top 15…

Today, part 2 of the same series. Enter: professor Marianne Nikolov.

A personal role model

There is something very touching about the career of professor Nikolov (PhD, Professor Emerita at the University of Pécs, Hungary), who after years and years of regular and everyday school teaching started to work as a researcher and, who, eventually, switched into the academia. This very research which is described in the article was her first long-term research, as she says herself, it is in many ways imperfect mainly due to the fact that it was carried out by someone who was, back then, an inexperienced researcher. So much more precious because of that and so much more inspiring for all of us, teachers and trainers, to get our own classroom projects started.

The presentation on the recent research into early years that professor Nikolov gave at the 1st Hellenic Conference on Early Language Learning in Greece, in 2013 is, in my humble opinion, a must for all the VYL teachers, as a crash course into the early years EFL.

‘Why do you learn English?’ ‘Because my teacher is short’

This gem, unique and unforgettable, is the title of the study that I would like to introduce you to and encourage you to read today. And, frankly, could there be a better title to an article devoted to early years and young EFL learners? I seriously doubt it.

It was published in 1999 and it is an account of a long-term study of a group of Hungarian children, aged 6 – 14 and analysing their motivation to learn English at school. Professor Nikolov gave out the questionnaire to her students, which the kids filled in (in their L1) and which was followed by a feedback session with the kids.

Without risking that I would deprive anyone of the pleasures of reading the article, I would like to share here my own main take-outs:

  • all the reasons to learn English have been divided into four groups: the classroom experience (aka the activities), the teacher (‘my teacher is short’), the external reasons (aka the parents and the grades) and the utilitarian reasons (aka the future) (p. 42)
  • all these were present in the answers given by different ages but it was possible to distinguish three sub-groups: grades 1 – 2, grades 3 – 5 and grades 6 – 8
  • the attitude to English (one of everyone’s favourite subjects) was compared with the attitude to the other subjects
  • a whole range of favourite classroom activities was revealed and a range of nobody’s favourite activities such as tests, acting out and (this one made me laugh) boring stories
  • in response to the final question (‘If you were a teacher, what would you do differently?), some kids suggested abandoning tests, some felt that the teacher should be stricter while dealing with different classroom management issues but many didn’t want to change anything at all.
  • the connection between the school grades and the motivation. On the one hand they are the extrinsic motives, on the other hand, as professor Nikolov says, ‘achievements represented by good grades, rewards and language knowledge all serve as motivating forces: children feel successful and this feeling generates the need for further success‘ (p. 46).

A source of inspiration, no metaphors

When I first found the article, I wanted to read it precisely because of the title. It made me smile because this quote is perfect and it reveals a lot of how the kids see the world. Plus it is a fantastic way of drawing the attention of the readers-researchers whose passion are YL. Then, I started to read, curious what I would find them. Finally, it struck me that I did not know what my students would say and that is because I had never asked them.

I was mortified that, in a way, I had taken my kids for granted. Yes, we had been studying together for years, their parents had been bringing them, year after year and there had been no issues, we had fun and we had made progress. But I had never actually asked them.

Naturally, I decided to change it and professor Nikolov’s research was my inspiration and my guidance.

My research took two directions:

a) I prepared a questionnaire for kids and I used exactly the same questions that professor Nikolov used with her students. I wrote them in English and in Russian and the kids were told that they were able to use whichever language they wanted. The funny and the most amazing thing is that some of my A1+ kids tried to express some of their thoughts in the target language.

b) I prepared a questionnaire for the parents, too, partially because some of my students were 4 y.o. and beginners and, partially, because I wanted to find out what kind of an impact the home environment has on the kids’ motivation. The parents were asked to answer the following questions: Do you do anything in English at home? Does anyone else speak English? Before starting to learn English, did you have a conversation with your child about it? What did you talk about? Do you know what your child likes and doesn’t like about our classes and about their English classes at school.

‘How come I never asked before?‘

…is something that I still keep asking myself. Apart from an opportunity to exercise my almost non-existant researcher skills, this questionnaire and this adventure gave me a fascinating opportunity to see the bigger picture and to become more aware of everything that might have an impact on how my students see the language learning process.

Here are are few insights:

  • most of my educational parents admitted to chatting to their kids about the reason to learn English, although sometimes the kids, due to their age, were not quite interested.
  • some of the preparation was done in a rather informal way as English as a means of communication entered their lives anyway since they had an opportunity to travel abroad, they were visited by parents’ friends from abroad. They could also see their relatives use English at work or at school.
  • some of my younger kids already expressed some of the utalitarian reasons (‘he wants to work for Lego or Hot Wheels’), this was a lot more common among the older students
  • the most interesting fact was that for many of my students English was not only a subject, something that belongs strictly in the school. Rather than that, it was a family thing, something you do with mum or dad or with the siblings, younger or older, although, none of the kids came from bilingual families.
  • as for the kids, their reasons could be divided into the four groups highlighted by professor Nikolov: the external (‘My mum told me to’), the utilitarian (‘I will travel to different countries and cities’), the teacher (‘Because of Anka’) (insert a million hearts here) and the classroom (‘Because I like it’)

The follow-up?

Raising the awareness and finding out is only the first step and it highlights the importance of a few processes. Naturally, the teacher has no influence on the background of the students or on the family social status and their ability to travel abroad for example. However, the teacher can make sure that the parents are involved in the classroom activities and classroom life, to the extent in which it is possible and, at least, those parents that wish to be involved. This can be done through helping to take English out of the classroom and extending the exposure by sharing songs, games, activities and keeping the parents informed.

There are also some opportunities to bring the world into the classroom, especially nowadays, in the post-covid, zoom world by using the real life materials, traditional stories, guests, virtual guests, pen pals etc. This way, even without travelling, kids will see the connection between the coursebooks on their desks and the world out there.

There is a lot that the teacher can do as regards including the age-appropriate activities, finding out what the favourite activities are and working on building the community even if only by learning the kids’ names, celebrating birthdays and creating the new, group-specific traditions and ‘traditions’.

The first step can be reading about professor Nikolov’s study and running your own research and finding out why your students like to learn English…

Happy teaching!

P.S.

Fun fact? This blog was created as my reward for completing the MA programme. I submitted the final version of my dissertation around midnight on the night of the 1st and 2nd of March 2020 and, on the 2nd of March, during the day, when I did catch my breath a bit, I got my funky socks and my dragons in line…

Bibliography

Marianne Nikolov, ‘Why do you learn English?’ ‘Because my teacher is short’. A study of Hungarian children’s foreign language learning motivation. Language Teaching Research, 1999:3:33, p. 33 – 56

Try something new today!* Material design for beginners**

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One of my favourite EFL quotes is what Katherine Bilsborough started her presentation at TESOL Greece in 2019 that we, the teachers, we are all material writers. Because we simply are, all of us. Even if we don’t ever produce a coursebook, even if we don’t ever get to share ideas on our Instagram or in our blogs. Even if we never get to be famous and renowned, we produce materials for our students, day in day out.

If you want to read more about creating materials, don’t forget to check Katherine’s blog on material writing here and her interview with some great advice here.

In this post here, I would like to share some ideas from a low-key but an advanced material writer, hoping that my everyday material creation, design and adaptation might help some of my fellow material writers, those with less experience.

Why do teachers adapt, supplement and design?

Methodology aside, the very subjective and personal answer to this question is very easy: the students are boread, the teacher has noticed that something does not go as well as planned, the teacher has found something that they really want to use, the teacher does not like whatever is in the coursebook, the teacher is bored…

The three concepts to take into consideration: the material, the activity, the aim

The material aka the physical resource that we have at hand, the photograph, the drawing, the poster, the puppet, the flashcards, realia, the song.

The activity aka the game, the reading task, the matching activity, the odd one out, in other words – a set of instructions of how to do something.

The aim aka why we bother and what exactly we want to achieve.

The understanding what these three are (and what they are not) is the absolute first step in starting your own blazing career in material design because at the stage of creation these three can be the source of inspiration and, at the later stage of reflection and readjustment, one or two of these three will be the elements that can be tweaked and manipulated in order to perfect the initial desing.

This is why, in this particular post, I am going to share ideas that had their starting point in the material, the activity and the aim.

Example #1: the coursbook

Using the sample of the unit 1 from Superminds 5 published by Cambridge University Press here, page 1 (which is page 10 of the students’ book).

The material here is an illustration, a scene from the Pompeii and three characters from the book, Patrick, Phoebe and Alex, a set of numbers and a set of words as well as the audio track which here is the list of words.

The activity is to listen and to repeat the words and to check with the partner.

The aim is for the students to become familiar with the key vocabulary in the unit and to be able to practise them before they move on to the following exercise which introduces the kids’ first adventure as time travellers.

When we started to use it in class, I kept all of the coursebook material but I decided to adapt and to extend the original activity for my students (A2 level, aged 7-8-9 years old) seemed to be ready for a more challenging task that would involve more communication and language production. One of our favourite activities here is to play riddles in which the kids work in pairs and describe one of the items in the picture either by giving their definition (It is big, it is made of, it is used for) or by providing their location in the picture (It is behind Patrick).

This way the material and the aim stay the same and only the activity is slightly adapted.

Example #2: Own materials on Miro

This is a task that I designed for my 1-1 online student, aged 6 y.o. who cannot read yet.

The material here, created using Miro Board, is a picture of a tractor, a set of photos of animals, and a set of colourful cards with simple descriptions of animals.

The activity is a riddles game in which the teacher reads out the definitions of the animals in the order chosen by the student. The student listens and guesses the animals which is later revealed by the teacher.

The aim is to practise listening skills, to develop the ability to focus and to practise the names of animals. In the long run, this activity is used also to prepare the student to start producing similar riddles about a chosen animal.

Now, the next step will be the three follow-up posts devoted to resources whose existance started from finding a new material, coming up with a new game or with a very specific aim for the lesson. Don’t forget to check them out!

Happy teaching!

*) This is one amazing slogan that belongs to Sainsbury’s, the chain of supermarkets in the UK.

**) The material presented here was first a webinar given for teachers from all around the globe, organised by BKC Moscow in September 2022

Crumbs #41 Let’s look for pairs! A vocabulary game for kids

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All the pairs. Somehow the penguin, the gorilla and the mouse got left out.

Ingredients

  • A set of pictures of animals, flashcards or on Miro. That’s it.

Procedures

  • Revise the vocabulary and ensure that all the cards are displayed at the same time for the kids to be aware of all the options
  • Model by choosing a pair of animals and putting these cards aside and justifying your choice. With my pre-primary kids, I like to use the first person statements (I’ve got 4 legs etc) as this is what we do with the younger kids (to enable the kids to talk about themselves and the animals without having to introduce the additional structures and to keep it coherent with the songs that we use ie Little bird or As quiet as a mouse). I also tend to vocalise the language ie I’ve got 4 legs (for the cat), I’ve got 4 legs (for the elephant).
  • Invite the kids to take turns to make their own pairs and to describe the rationale behind it.
This is what our Miro board looked like before we started

Why we like it

  • An opportunity for the kids to use and to develop the higher order thinking skills in the EFL context
  • The students are in charge of what they want to talk about and what they can talk about. It is appropriate for mixed-ability groups.
  • Little or no preparation as the flashcards are already there, the physical cards in the offline classroom or the set of pictures on Miro which, once prepared, can be doubled easily and used only for that activity.
  • A great variety of structures that can be revised and some opportunity to learn the new ones as the kids might have the ideas that they cannot express in English yet and this game can be the springboard which will help to introduce these. If the teacher speaks the kids’ L1.
  • Lots of opportunities for adaptation and using them with different sets of words such as toys, fruit, food, transport and, naturally, the relevant structures. I like to start this game with animals because of the range of easy structures that even the very young beginner students can use in order to complete task and because of the variety of topics that can be included (the colours, the number of legs, what animals can do, what they eat, where they live etc)
  • The level of challege can also be easily adapted, for example, the set of cards can include only 8 items or the teacher can focus on putting the animals into pairs basen only on the colours or the size which are probably the two most achievable categories, both cognitively and linguistically.
  • This is a neverending activity because the cards and the animals can be grouped and re-grouped over and over again to let the students create new and less obvious links between the items. Conversly, it can be shortend as needs be.
  • As regards the interaction patterns, this activity can be used with groups, with kids working together, at least in the beginning, or in pairs if we have the appropriate number of sets of cards as well as with 1-1 students, both online and offline.
  • There is also some potential for adaptation in the area of materials. The most obvious choice are the flashcards, the mini-flashcards or the Miro board. The teacher can also create a handout with the animals pictures and/or names which the students can colour-code as they are putting them in pairs. This might be a good solution for the kids to work in pairs in the offline classroom.
  • Last but not least, this activity is an opportunity for the kids to develop the listening skills (as they want to find out the justification for their peers’ choices) and the speaking skills (as they want to present their own reasoning, too). I simply love to observe how my students start with the simplest and most obvious connections and how they venture out into more and more creative ones.

Happy teaching!

Crumbs #39 A lazy role-play

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Ingredients

  • Any role-play or a dialogue i.e. a transcript of any listening task which is a dialogue (i.e. Movers listening part 2, part 3), any written dialogue (i.e. Movers reading and writing part 3), any functional langauge introduced in a dialogue or a role-play
  • A pencil or a highlighter for each child

Procedures

  • Start with the main aim of the task is, ie listening in case of task 3 of Movers or reading in case of Movers, introduction of the functional language, etc. Go through all of the stages outlined in the teacher’s book or whichever ones you see fit in your teaching context.
  • Give out highlighters or pencils, ask the kids to open the books and look at the text again.
  • Introduce the concept of a banana (or whichever random word you want to use). Explain (and demonstrate!!!) that you will read the text slowly with some bananas in it and that if the students hear the word ‘banana’ they have to highlight or underline one word that comes immediately afterwards. Model with a few words.
  • Read the text with the bananas as the kids listen, follow and underline or highlight. The words chosen to be highlighted are the key words for each specific dialogue and their number depends on the dialogue and on the age and level of the students. With the older students and the more complex texts and language, the students can highlight two or more words that constitute a phrase or a collocation. This can be signalled with a repeated number of bananas ie banana banana for a two-piece phrase or banana banana banana for a three-piece phrase.
  • Ask the students to work in pairs and read the dialogue again and to use their own words and phrases instead of every banana.
  • Afterwards the kids can change roles and read it again or change the partners.
  • If the kids are ready, in the final (and optional) stage of the activity, they can close the book and role play and recreate the dialogue and the converation based on what they remember.

Why we like it

  • It requires no preparation, unless by preparation you mean opening the coursebook and finding the role-play or finding the teacher’s book and making copies of the transcript of any listening activity
  • It offers a great opportunity for the students to practise their speaking skills in an activity that is both controlled (as we have a framework) and free (as there are quite a few options to choose from)
  • It also offers a chance to work on the grammar accuracy and the transformation skills
  • It can be done online or offline
  • It can be done with a variety of levels. The highest level I have used it with was B1 (teens), the lowest level, so far, was A2 (primary).
  • So far, I have only tried it with dialogues but now, writing that post, I started to wonder about the potential of that activity for discourse building and creation. The original text could serve as a potential framework and support for the students to use. I am yet to experiment with that option.

Happy teaching!

The one phrase to teach your students. From the series: We Want More!

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Since we are going through the quieter period of the year, there is more time for looking back and for reflection and this is how the idea for this mini-series of post came from. Just because we started to use those and each of these phrases or words was like a key that opened many, many doors in our communication and not only.

The one thing to teach your kids is ‘because‘…

…and the whole thing can* start in primary, and maybe even in pre-school. It is a powerful world that invites the kids to build a simple discourse and to go beyond one sentence or simple sentence production, even in the most everyday situations.

We start with extentending the answer to ‘How do you feel today?‘ which is a part of our class routine and the question which I ask and which the kids ask in every single lesson. As soon as they have a good number of adjectives to use in response (you can read about it here), I try to encourage them to elaborate on their answers, both modeling (I’m happy because it is sunny) and by inviting them to continue. ‘I’m happy.‘ ‘Because...’

Of course, the sentences the kids produce are quite simple, very simple, in fact, and sometimes partially in their L1 but with time, they are becoming more familiar with it and they are improving and, as a result, are able to say more and more and more. In English. Not to mention that as we go through the course, there are more and more situations in which we need because, for example to explain why we like Friday and not Monday, why we didn’t do the homework, why the kids in the pictures look happy or sad or why they did something in the story.

The same can be done with pre-schoolers, with certain adjustments to their age and the number of years that they have been studying. Thinking about my groups in the previous academic year, with the level 1 and the level 2 groups I was more focused on the full sentence production and it was too early to introduce any linkers. The level 3 children, however, were ready the unit ‘I’m scared’ (Playway to English, CUP) was a perfect opportunity to talk about the things we are scared of and to explain why. Or, more frequently, the things we are not scared of. ‘I am not scared of spiders. I like spiders because they are beautiful.’ and so on.

I often tell my students (especially those new ones, and yes, also the adult ones recently) that I will always want to know ‘Why?’ and that even if I forget to ask, they should always imagine this word written all across my forehead and answer it anyway. To help the kids in the everyday lesson and to make it easier on myself, I used the idea I got from Herbert Puchta, only mine was not any error correction technique and it stayed displayed proudly on the wall for a good few years. In the beginning, I really had to do a lot of pointing and waving at the word, later, the habit was developed and the kids (yes, as early as in year 1 of primary!) started to use the word without any reminders whatsoever. They were producing the language and lots of it!

My two favourite because-related moments from the classroom have been those:

  • when we talk about things, someone is telling us how they are and I, somehow, forget to ask ‘Why?‘ or I am just too slow with it, there is always a voice (or two or three) taking over and kindly suggesting ‘Because…‘, with this perfect rise in the intonation, the voice trailing off in an invitation to continue. I wonder where they got that from!
  • when we talk about pictures or we retell the story or we describe something that happened at school on the day and, by accident, I want to take over and move on and, in response, I get my own because back, in an interjection, and again, with the intonation perfectly matching the purpose (‘I have NOT finished yet‘) and I am thinking to myself: ‘Oh dear, I cannot shut them up!’ which is, by far, my favourite teacher’s complaint.

*) ‘Can’ or ‘must’?:-))

The one thing to teach your kids is…’I think’.

Initially, I wanted to have a pretty post, ‘one phrase per age group’ but I realised that I simply cannot NOT mention ‘I think’ and the impact it had on my primary school students.

Unlike the previous item, here I cannot even remember how it came about and how I first introduced it. It has always been in the air. I know that I use it a lot to slow the kids down and to signal to them not to rush through tasks (i.e. ‘Think and write’) or to encourage them when they are struggling (i.e. ‘Think about it’ when I know that they do know it and it is only necessary to rack through their brains). We had used it a lot in different stories (‘Elmer was thinking and thinking and then he had an idea!’) and a while ago we also introduced ‘Thinking time’ as an official preparation stage for projects and role-plays. Thinking has been with us, only it is not quite clear for how long.

For the reason, when we got to practise expressing the opinion in winter last year (around the middle of A1 / Movers), I did not even bother to check the meaning of it and the question ‘What do you think about it?’ and the answer ‘I think it is interesting / boring / exciting etc’, the adjectives were the main aim and the focus. For me, at least.

What my students took out of this lesson for the rest of the course (and life!) was the little ‘I think’, which is essentially only an introduction and which is slightly unnecessary even. An opinion can surely be expressed without it. ‘Maths is easy‘ expresses the same view as ‘I think Maths is easy.’ Or so one would think.

I noticed, in the lesson in which we used it consciously for the first time and in the lessons afterwards, last year and this year, that my students began to start adding ‘I think‘ everywhere. ‘I think it is beautiful’, ‘I think it is easy‘, ‘I think he is sad‘, ‘I think it is a cat’ ‘And I think it is a dog‘ and so on. ‘I think’ gave them an opportunity to personalise the message, to signal the autonomy of that message (since by making it subjective you kind of accept that other people will have or may have a different view) and, I suppose, by doing so, it made the message more adult and more serious. And they simply and visibly adored it. Maybe because they were only 7 or 8 or 9 at the time.

As I said, I don’t quite remember the start of that adventure and I am not quite sure when the good time to introduce really is. What I know, though, is that the next time I am starting the group, ‘I think’ will be on the list of things to think about.

The one thing to teach your teens is…’What do you think about it?’

There are many phrases that were shortlisted for this paragraph because of the difference they made to the way my teens interacted with the world in the English lesson, ‘I agree‘ and ‘I don’t agree‘ or ‘On the one hand…on the other hand‘ among them but the real deal-breaker was ‘What do you think about?‘

This phrase, especially with a special stress on ‘you’ (‘What do you think about it?’) has become the wonderful phrase that helped my teens really get engaged and communicate in a really interactive way, not only expressing their opinion, agreeing and disagreeing but also to boomerang the conversation properly by involving the other participant or participants. I mean, truth be told, I know that they did it mostly to avoid making too much effort and producing extensively and this line has become a fantastic and polite tool which they used to dodge the ball. Of course, they produced, too but I just had a lot of fun observing how by trying to be super clever they were involved in a conversation that would give them some high marks during the speaking part of the FCE exam.

The one thing to teach your adults is…’it depends‘.

Especially if your adults are shy, not naturally very talkative and a messy A2 level. Especially if they have already experienced some failures and disappoinment while learning Engllish and when they current progress is closely related to the promotion at work. Or the lack of. Especially if, due to all the factors mentioned above, they reply with single words (the teacher sighs) or when they just say, in their L1: ‘I don’t know what to say’ (the teacher sighs again).

‘It depends’ came to us by accident. It was not a part of any text, a listening task or a functional language phrases lesson. It was a part of the emergent lesson but because I take notes of that and send these back to the students, it stayed with us. And what joy!

I can say with all the confidence that my students, in this one (1) group have wholeheartedly adopted the phrase and made it theirs. First of all, it is this gold key that opens the discourse. You cannot just answer with ‘It depends’ and stop there. You have to continue and explain at least the two different ways at looking at the issue. Especially if your teacher is raising her eyebrows and nodding encouragingly. What’s more, I have noticed that they like using it consciously as a natural time-bying tool that gives them the benefit of a few precious seconds to come up with an idea and a way of formulating it in English. Oh, what a find, this phrase!

The one thing to teach your teachers to use and to remember about is…’but’

This one is here as a joke only. I don’t need to teach my teachers any English, of course, but, as a trainer, this is the one word that I would like them to remember to use whenever they consider the theory of child development and the methodology of working with young learners. Or even while going through the teacher’s book and adapting the activities. This little but powerful word is everything you need to be equipped with to ensure that they always keep thinking of all the exceptions to all the rules and that the most important point of reference are the people in the classroom, not some non-existent ideal students or typical five-year-olds and all the other YL cliches.

Happy teaching!