#eflideas Archives - Page 13 of 14 - Funky Socks & Dragons

Summertime, party time! End-of-course activities with young learners.

May 8, 2021May 8, 2021 by Anka Zapart

Today is the 8th of May and, at least in Russia, we have about three weeks left until the final lesson with our young learners before they say their good-byes and rush to enjoy the summer. I don’t know about your students but mine have already started counting down the days.

As for us, the teachers, it is the high time to start thinking about the ways of finishing the course. I know, I know, we can just write the final tests, prepare the reports and diplomas, give them out and wave ‘good-bye’, to go for the minimum because it has been a long year and we are tired but I would like to encourage you to go one step further because this is how you build a community and how you create beautiful memories.

Here are my eight favourite activities for the final lessons of the course.

Main aims? To acknowledge the hard work throughout the course, to reflect, to praise, to celebrate the end of the year and the beginning of the summer.

Good-bye letters

This is an activity that I have always done at the end of my summer camp sessions and I wrote a post about it a while ago and you can find all the details here.

Storybird.com

This is the only tool that involves a website and, apart from the first stage of the pandemic and in a limited version, is a tool that has to be paid for. I would not recommend purchasing the subscription only for the purpose of the graduation party but the website periodically offers a free trial so the end of the year might be a perfect opportunity to have a look and see how it works and then, perhaps fall in love with it and decide to use it more extensively in your lesson just like I did last year.

Storybird is a website where aspiring illustrators’ works can be assembled in a book, the text added and the whole thing can be downloaded and printed or accessed in the pdf version. The stories can be published on the website or kept in a private library. Naturally, as the user, you also get access to everything that has been published and these stories can be used in class.

We have written a few stories with my primary groups already. Usually it means that before the lesson I prepare the illustrations by choosing the artist and selecting the images that might be appealing to my students (plus a few extra so that everyone has a chance to pick something they like). In class, we look at all of these and I ask the students to choose one image for themselves. Later on, the class is divided into two, the group works on a task in the book or the exercise book and students take turns to dictate what they want to say. I type up.

The end-of-the year contributions might include the following:

What are you going to do in the summer?
About you
Tell me about this picture

When everyone has finished, we delete the unnecessary pages, we save the story and read it together, with each child presenting their page. After the lesson I proofread it, save it and pdf it to send it to all the parents. They can print it or just keep it in the electronic from.

Anyway, it is a great souvenir and there is a chance that kids will read the whole book and a few times, too.

The Oscars or The Best Toilet Paper Dress Designer

This is the activity that we prepared first with my friend Stephanie at the end of the summer camp in the UK. We had an amazing group of teens that we used to teach in a team and we wanted some great ceremony at the end of the session. This is how we came up with the Oscars. It takes some work but it is definitely worth it. I used it with some of my teens’ groups later on as well as with my trainees on the IH CYLT course.

The idea was inspired by the Oscars ceremony and all the different categories in which the winners are announced, the Oscar figures (papers ones) and diplomas are awarded and a round of applause is given. There is also an option of including a thank you speech, you know the drill.

The only difference is that in the group absolutely every student (or trainee) has to end up with an award and so the teacher (or the trainer) makes up new (and amazing) categories to highlight everyone’s achievements and contributions throughout the year (or the course). They can include some real achievements like the best test results, the funniest story, the most creative role-play or the most interesting project but they can also draw on the students’ personalities and their roles in the group.

During the final lesson can announce the category and have the group guess the potential winner before they are officially announced. When we organised the ceremony the first time, at the camp, all these years ago, we also included a bag with trinkets – a set of most random items that we gave out as awards such as a pencil, a rubber, a plastic glove, etc. The kids would accept the award and then fish out their ‘amazing’ prize. It was a lot of fun.

Self-evaluation

I found the idea for this activity in Carol Read and her ‘500 Activities…‘ and, so far, I have only used it only once with my teenagers. Only once it this was a great lesson and I will definitely will be going back to it this year.

The idea is that the feedback and the evaluation of progress is put in the hands of the students, the teacher is only the faciliator here.

The end-of-course self-evaluation could be staged in the following way

speaking: discussion in groups or pairs, monitored by the teachers, the students are encouraged to talk about their favourite and least favourite lessons during the year, favourite and least favourite activities, most difficult and easiest topics and tasks.
writing A: students are given the report form to fill in for themselves, writing about their achievements and potential areas to improve
writing B: the teacher adds his/her comments to the report, when applicable.

All these should be done in the last-but-one lesson so that the reports are ready to be handed out in the final lesson of the course.

When I did it with my teens a while ago, I was a little bit apprehensive, not quite sure how my students will take the task but, as it turned out, they were heart-breakingly honest and serious about it and I really did not need to add anything to their self-evaluation. It was all to the point, very much I would have wanted to write myself. But before we started, they did ask ‘Are the parents going to see it?’ so perhaps this is an issue that should be taken into consideration and, perhaps, the end-of-year evaluation should be done two-ways, the internal students’ self-evaluation and the official report for the parents and carers. A question without the answer yet.

Medals

Medals are an obvious symbol that even the youngest students understand.

The teacher can purchase chocolate medals (like the one in the photograph which my educational parents bought for the end-of-year celebrations) which will be exciting, for sure, but feeding kids chocolate is not absolutely necessary. Handmade paper medals work equally well. They can be made by the teacher and given out at the end of the final lesson but it is even better if the students are involved in creating them.

Here you can find some of the websites with the ideas and templates from notimeforflashcards.com, artfulparent.com, redtedart.com. You can also get inpired by the one I put together while experimenting with the format for this year’s end-of-course with my youngest group.

Our Solar System 7

This is an activity that, initially, came to be as a part of our pre-primary space and Yuri Gagarin-themed lessons but there is a lot more potential here. Thanks, Rory, for pointing it out! Here you can find the post on how to do it.

A tea-party

Well, there is never any tea, the name comes from one of my students чайпите which translates as ‘tea-drinking’ and which, in real life, involves having a cup of tea and eating something with it, sweet or savoury. In our classroom life, it is the term for when we sit down and eat together, essentially.

The first question to always ask is to find out what the parents think about it and to present what food items you have in mind. In the last few years, even pre-pandemic, I have limited the food to separately packed juice, biscuits, mandarins and the occasional child-friendly chocolates. It is not about the exquisite food or drink but an opportunity to share food together.

The parents can be asked to buy the food and split the costs or it can be funded by the school.

Such a lesson is a wonderful opportunity to build a community and to practise the language that we do not normally have a chance to use related to lining up, going to the bathroom to wash hands, sitting down, serving food, asking for food, etc. After we have eaten, there can be a small dancing party, with a song or two and dancing. With my older students, juniors and teens, we always have a pizza in the last class. Now, it is almost a tradition.

Now, there are a few disclaimers and points on the obligatory check-list. First of all, the full list of items that will be served has to be run by and agreed with the parents. The children might be suffering from allergies, the parents might have the food items that are a no-go in their families and, in the times of covid or in any other year, some parents might not be happy with ‘strangers’ feeding their children anything. This has to be respected.

Open lessons for parents

This is something that I have been doing with my younger students since I started to work at BKC IH Moscow because this is the tradition of the school.

It is something that can be quite stressful for the teacher (yes, even for an experienced teacher who has well-behaved groups) but the benefits definitely outweigh the challenges and the potential difficulties. The parents have a chance to see the kids in action, in their ‘natural English environment’, with the teacher and, at the end of the year, they can see how much the kids have learnt and how they interact in a foreign language.

There are different approaches to organising open lesson but I have to admit that, personally, I am not a fan of any kind of performances. One reason for that is definitely the fact that, as a child, I was forced to sing, dance and recite at school and I hated it, from the bottom of my heart. The other reason, the more important one, though, is that I believe that an opportunity to participate and to observe a typical lesson, ‘just a lesson’, as some might say, is a lot more beneficial and representative of what we do, how we play, how we interact. Not to mention that this is the routine that the children are most familiar with.

Before the lesson, we prepare the invitation for the parents which can be themed according to the final units of the coursebook, for example jungle animals in Playway 1, holidays in Superminds 1 and 2. This way the craft activity can be also a revision lesson.

In real life…

…we never just do one of these things and in case of my classes, we mix and match, depending on the day, on the group and on the mood on the day.

Happy teaching!

Crumbs #15: Our new favourite vocabulary game aka General Kutuzov

February 23, 2021February 21, 2021 by Anka Zapart

As soon as I said it out loud, it turned out that in my classroom is a crowded place. Apart from the teacher (that would be me), my students (older and younger), there is a whole bunch of characters who simply are there.

There is Pasha (the invisible student), there is Angelina (our class puppet), there is Mr Milk (the little-known-superhero), there is the Flying Cow…And there is also general Kutuzov. To whom this game is dedicated.

The thing is, general Kutuzov is a personal hero of mine. Every time I find myself in the middle of a big project, with one million areas to oversee and to manage, while on the verge of going crazy (because I multi-task well only in the classroom and in the kitchen), I think of general Mikhail Illarionovich Kutuzov, one man managing troops, camps, provisions, civilians, and all that in the face of the approaching enemy (aka Napoleon). This thought calms me down.

But not only that.

We sometimes play games with my kids (duh!) and sometimes they get very competitive (duh!) and sometimes, instead of ‘just playing’, some of them take time to think, to ponder, to come up with some very clever strategies in order to win…Which, on one occasion, resulted in me saying ‘Oh, look, here is general Kutuzov, planning something’ and ‘General, Kutuzov, please, can you make a decision? Today?’

They giggled. They are eight but they got the reference. And general Kutuzov stayed with us. So now, when they want to comment on someone taking their time to think or someone coming up with a strategy, they call him or her ‘general Kutuzov’ which, to be honest, I am rather proud of.

And that’s what I called that game:-)

How to play?

The main aim of the game is to get from the START to FINISH, choosing your own route on the board.
Players move across the board and as they do, they have to explain the word in each box. They answer the question ‘What’s…?’ or ‘Tell me about ….’
It’s always good to put the key structures on the board, to support the production. In the animals game, with my A1 students, we used ‘It has got…(body parts)‘, ‘It can…(verbs)’, ‘It likes to eat…(food)‘ and ‘It lives in… (habitats)’.
Students play in pairs or groups of three per board.
Players move one box at a time, to the left, to the right, up, down or diagonally up or down.
Each box has a number of points assigned and the students collect the points throughout the game.
I give the kids small cards, folded, on which they are to write their points and to keep them secret until the end of the game.
In the end, each player adds the points and we announce who the winners are, in each pair and in the class.

Why we love it

The game generates a lot of language and it keeps the students motivated and involved.
It is a competitive game but you can win it not because of good or bad luck but because you plan your movements well.
It is suitable for mixed ability groups as the students choose their route themselves and can, if necessary, avoid using the words they don’t know.
We played it in our offline lessons but it can be also used online, with the kids annotating on the screen. It would work best with individual students, small groups or big groups playing in teams.
It depends only on the players (or their teacher) how long the game is going to last. Naturally, the kids will try to get from start to finish and as soon as one player does it, the game is stopped and the points counted. At the same time, the teacher can set the timer at ‘ten moves per player’ or, simply, stop it at any given point in the game (with the same number of moves per player, of course), announce the end and count the points.
It takes a few minutes to prepare and it can be used with any kind of vocabulary, a thematic set (lower levels) or any random set of vocabulary taken from a story or a listening task.
The first time we play it, the game is teacher-led and we play with teams of students, on the board but once they get the idea, they can play in pairs.
No dice is necessary. Kids can either use checkers or colourful markers to draw their route across the board.
I have played it with primary school students (A1) and with my B1 teens, too.
The game can easily be made more or less challenging by keeping only two types of boxes (1 and 5 points, for example) or by adding more of those (1, 3, 5 and 10 points) and the number of points can reflect the level of difficulty of the word or phrase.
Players can move in any way they choose, one box at a time, but to make it more challenging, the teacher can exclude moving diagonally or any other of the movements.
The same can be applied to the rule of using the same box twice. It can be allowed or not.
I have thrown my kids at the deep end but I think that if I were to introduce the game again, in a new group, I would probably create a board of boxes worth only 1 point to highlight the importance of strategic thinking here. The kids figured it out themselves, though: the longer the route, the more points (the kids’ aim) and the more language produced (the teacher’s secret objective:-)
The board can be colour-coded. It will make it more attractive visually and it will help the kids understand where to move next, for example: a green box = 1 point, a blue box – 3 points and a yellow box = 10 points. Having said that, the black and white simple chart with points works equally well.
You can get my animals boards here: the colour-coded board and the points board.

Happy teaching!

P.S. The inspiration for the game might have been a listening activity in one of the old coursebooks by OUP called ‘I Spy’ which had a listening activity in each unit called ‘the maze’. Maybe or maybe not))

New kids on the block. Teens joining a group mid-year.

February 7, 2021February 7, 2021 by Anka Zapart

A post inspired by a reader. Thank you @kids.in.english.

Where the inspiration came from

It was ten years ago. I was standing at the board, looking at my students working on a task,all of them, working hard, involved, a teacher’s dream, and yet…To my right – the bunch that had been in my group for the past two or three years, to my left – the three new students who had just joined us and in the middle – a beautiful wall, invisible but sturdy and getting thicker by the minute. They were not aggressive verbally or otherwise, they did not do anything mean, there was no bullying. They simply decided that they do not like each other. The ‘old’ kids – because they did not want any invaders, they ‘new’ kids – because they did not feel welcome.

I did not like it at all. I was looking at them (yes, a little bit annoyed because we had everything figured out) thinking ‘Not on my shift, people. Na-ah’. Today I would like to share some of the tricks that I applied and have been applying since then in the new-teen-in-the-group scenario.

Ideas for building and re-building a group

Change the seating arrangements during the first month or the first six – eight lessons with the new students. The main aim here is to enable everyone in the group to work with everyone else. It has to be initiated (or ‘forced’ if you prefer) by the teacher because the students will be acting as a group and might not have enough courage to break ranks in order to befriend the new students or to venture out and try to join the cool kids. It is a good idea to explain to students why this is done (‘we need to get to know each other’) and give them a specific time limit so that they know when they will be able to go back to sitting with whom they want. Even if, initially, the students do not like the hassle and the uncertainty that it introduces, they have a deadline and they know when things go ‘back to normal’. The burden is easier to bear.
Frequently group and regroup the students for activities and use a tool that will be completely arbitrary. These can be for example re-usable cards with the students’ names that are kept in a box or in a bag. Before the activity, the teacher (or even better – one of the students) simply picks out cards randomly and this is how pairs and teams are formed. This way, it is simply fair, impersonal and, every single time, there is a high probability that student A might end up working with their best friend. If they are lucky. Again, the burden is easier to bear. Both of these tactics will also help the teacher establish how the students work in different set-ups. It will be more important in case of the new students

It is a good always but especially during those ‘first’ days or weeks to include activities which promote team-work and cooperation, such as smaller or larger scale projects, ideally in every lesson. The students will be already mixed, the new with the old and it is quite likely that they will want to share the responsibility for the task and they will want to complete it. This will be their excuse, the teacher asked them and they are just completing the task, without losing the face since working with the new partner is not their own choice.
While cooperation works well, competitive games are even more effective. If the students have their favourite games, they obviously like to play and win. Since they will be put in mixed groups, the ‘old’ and the ‘new’ students together, they will be put in a situation in which they might have to cooperate with ‘a new friend’ to compete against ‘an old friend’. Of course, these two elements, the competitive and the cooperative, should complement each other and balance each other. Some of my favourite games include ‘the game of five’ and ‘stop!’

When we start working with a new group, some getting to know each other activities are in order. Here, however, the situation is a bit tricky. If there are three or four new students in the group, then we can easily use some of those. When only one student joins the existing group, it might not work that well. The majority of the group already know each other very well so they will not be motivated in taking part in it. What’s more, it will be rather obvious why it is added to the lesson and the new student might be accidentally put in the spotlight. Not to mention that if a few students join the group, separately, it would mean including these activities in a few lessons in a row and the students might be even less motivated to take part in them.
Instead, an activity in which the students can express themselves and share personal information is a much better solution. It can be, for example, ‘Who is X?‘, a task in which students would have to match the names of all the students in the group to a set of sentences (in any structure that is the topic of the lesson). If it is the Present Simple then the sentences describe daily routines ( X never does homework, X always wakes up early on Saturday), if it is the future then the sentences describe future predictions (X will live abroad, X will become famous, X will travel to Spain) etc. During the feedback, students will be mingling and confirming and justifying the sentences about themselves. The task that I really like to use for that is the United Buddy Bears art project but this one is a bit more difficult to add to any lesson in any level at any point when the new student joins the group. But not impossible))

If you have been in a similar situation and you have some great tips and tricks up your sleeve, please share them with the rest of us in the comments box! Thank you!

Happy teaching!

In defense of paper, In defense of magic. Storybooks in the EFL classroom.

January 6, 2021November 8, 2020 by Anka Zapart

Once upon a time, there was a world in which children were developing their reading skills, imagination and creativity with storybooks read by mum at bedtime.

Then, the Wicked Witch of the West came and replaced all the books with apps, tablets and games. The Wicked Witch of the West said that it is all easy, available, accessible. All the parents and all the teachers applauded. The books lay forgotten and deteriorating, and a few years later, the time came when one of the dinosaur teachers by accident said ‘open your books’ in class and a little Masha raised her hand in the first row to ask ‘What is a book, Miss?’

Luckily, we are not there yet and, hopefully, we will never be. Of course, the pandemic was / is / has been a huge challenge for us in that department but, nonetheless, I do continue to stand proud in defence of paper and in defence of magic.

May this very post to be the introduction and the directory to everything that using storybooks in the classroom can be.

One thing that it definitely is not, is just opening the storybook and reading it out loud. This is what it can be.

One. Baby steps

At the start of the level 1 of any pre-primary or primary course, the kids are real beginners, they have no language, no structures and no vocabulary. It would be rather optimistic to hope that a teacher is going to be able to use a story with all its richness. However, that is also not a reason NOT to include them in your lesson plans. After all, storybooks are something that the little kids are familiar with, they know what dealing with them involves and that they are part of life. For that reason, they can and they should be used with children.

Simple vocabulary revision with a different tool: the teacher points out at pictures in the book and calls out the colours, counts them, asks if they are big or small, if the children are happy or sad, if the students already know this vocabulary. This might happen only at the level of the colour (It’s green) and not necessarily with the actual noun (It’s a green fish), although, admittedly, there is some potential here, too, to learn the new vocabulary through storybooks
Simple functional language practice: Hello Pete, Goodbye Pete in the first lessons with the book and then according to what the students know.
Storybook reading-related language: something that will be introduced gradually but that will come in handy throughout the course, for example ‘It’s story time!’, ‘Sit down’ ‘Are you ready?’ ‘Turn the page’ ‘Do you like the story?’

Two. Role-play

This way of using a storybook will involve the students a little bit more as they will be retelling the story together with the teacher, as soon as they become more familiar with it. Naturally, not all the stories will lend themselves to this activity, only those that include some repetitive language, even if it is only one phrase. Stories that can be used here can involve

Dear Zoo (‘I wrote to the zoo to send me a pet’)
Where’s my baby? (‘Is this your baby, Mrs Monster?’)
We’re going on the bear hunt (‘We’re going on a bear hunt, we’re gonna catch a big one. Oh, what a beautiful day. We’re not scared’)
Any other story in which you might want to implement a structure that the kids might already know or that they might benefit from knowing, even if, originally, it is not in the story. For example, ‘…., Senor Croc’ is a storybook for kids in Spanish about the birthday party of the main character Mr Croc, by introducing the following ‘Let’s’ (Let’s open the presents, Let’s dance, Let’s eat the cake)

Three. Vocabulary practice

The storybooks are there and we can use them and the beautiful story and illustrations in any way we want. The story is not really read but told, with the language graded to the level and needs of the particular group.

Most frequently I choose the storybooks to go with the vocabulary that study in the unit. This way, the children can participate in telling the story and continue working on the vocabulary that they are learning. It will start with producing single words but it can lead to producing

How to lose a lemur – to teach and revise transport
Dear Zoo – to teach and revise animals
Julia Donaldson’s The Smartest Giant in Town – to teach and practise clothes
Go Away Big Green Monster – to teach and revise body parts
Marvin Gets Mad – to teach and revise emotions and verbs

Four. More vocabulary practice

Taking one more step in that direction, any storybook can be used to teach, to revise and to practise any vocabulary, even if it does not feature explicitly in the storybook.

The first storybook that I have used in that way was the traditional story ‘The Three Goats Gruff’. The story is lovely all by itself but I have been using it to practise and to revise the food vocabulary. Only in my version of the story, every time one of the goats tries to cross the bridge and the troll attempts to eat it, they always have some food on them and they try to buy themselves out by asking ‘Troll, do you like bananas?’, which, of course, the troll never accepts.

Five. Storytelling without storybooks?

Absolutely! For example, because you realise that your own precious copy of Dear Zoo has been misplaced / lost / stolen only a few minutes before the lesson in which you want to use it…You do not give up, naturally, you only wander around the school, find a few flashcards and a box. As an experience it is unpleasant and stressful but, in the end, you realise that, hey, a storybook itself is just a tool and a story can be told without it. And it is lots of fun.

Another sources of inspiration for that kind of approach to storytelling, can be a series of storytelling videos produced in the 90s by the Brazilian TV Cultura. This example here is in Portuguese is a story about a crocodile, a grasshopper and a spider, with a scotch dispenser starring as the spider, a pair of scissors as the crocodile and a table tennis ball as grasshopper.

This kind of pretend-play with the use of the everyday objects or toys is something that children do in L1 as well and it can easily be implemented in our EFL lessons, too.

Six. I can read!

This is a big moment for the teacher and the student when they can finally take an active part in the proper reading of the story. For that reason, the storybook should be carefully chosen.

‘Bear on a bike’ is easy enough because the whole story is told through illustrations and single words or short phrases, some of which are also repeated. ‘Apple, pear, orange, bear’ follows a similar pattern
‘Llama, llama, red pajama’ includes rhymes and some parts of it are easy enough for the primary beginner students to deal with
Graded readers and phonics stories that were specifically created for beginner readers

Seven. Storybooks for everyone!

A few years ago, at the IH YL Conference in Rome, Beverly Whithall from IH Braga gave a fantastic seminar on using storybooks with teenagers and adults. The older students, because of their maturity and the level English, can properly appreciate the story, its language, plot and illustrations and every story can be a starting point to a discussion. Just imagine a typical literature lesson that you had in school, when you are looking not only at the story itself but also at the bigger picture. Seen from that angle

Rhinos Don’t Eat Pancakes is really a story about a family and about loneliness
Elmer is a one big question of whether one should be like the everyone else
Giraffes Can’t Dance is about bullying
Up and Down is whether we should always follow our dreams

Questions

How to choose a storybook? It might be a good idea to start with the classics but also to keep your eyes open while visiting bookshops and browsing, to find out more about the beautiful world of the storybooks and to learn more about how they can be used in the lesson.
How long can I use the same storybook? Well, definitely more than once and as long as the students are interested. It might be a good idea to put the book away for some time and then return to it, letting the students choose which book they want to read or ‘read’
How do I adapt the language? Like with all the lesson planning, for any kind of an activity, choose the aim first (functional language, structures, vocabulary practice, revision or introduction) and them adapt the book to help you meet that aim. The gestures, the visuals, the voice and the universal story magic will help children to understand. Translation will not be necessary.
Do I need to include storybooks in every lesson? It is not absolutely necessary, it is like the other tools and techniques, they are definitely beneficial for the children but there is no absolute must to have them in every lesson. More likely than not, with time, you will see the positive impact of storytelling on the students, on the classroom management and on yourself and it is for that reason that you will want to include them in every lesson or almost in every lesson.
How do I start? Slowly! Practice makes perfect.

Tips and techniques

Let the children look at the story, all or some of the pictures, before you start telling the story, unless, of course, there is some big surprise in the end which should not be revealed too soon.
This demonstration can be done in silence or the teacher can point at certain pictures and elicit the words from the students.
While telling the story, point at the crucial elements in the illustration and pause to elicit the language from the children.
If the kids are already familiar with the story, start telling it with mistakes and wait for the children to correct you. They are going to love it.
Include gestures and physical actions that will accompany your story. This will help children first to understand the story and then to retell it and to really remember the language.
If possible, use some prompts such as realia (toys, plastic food, clothes), flashcards or mini-flashcards.
If possible, try to recreate the atmosphere of the story by preparing a soundtrack i.e. the jungle sounds for story set in the jungle, the beach sounds for the stories set by the sea etc.
Don’t forget to use your voice, this is the teacher’s most important and powerful tool.
Get ready and rehearse, think how you are going to position yourself, how you are going to hold the book, where the children are going to say.
If you are not using the original story, try to remember what changes you have introduced in order to be able to retell the story in more or less the same way every time you are using it
The storybook is never used in one lesson only. It is only in lesson two or three, when the students are already familiar with the story and with the language, that they can really enjoy it and participate in it fully.

Happy teaching!

Crumbs #7: Line up, everybody!

January 6, 2021October 10, 2020 by Anka Zapart

Today about a little and very un-revolutionary change in the routine that has, nonetheless, made a huge difference to my VYL and YL classes.

Instructions

Make sure the door to your classroom is closed and that the children wait for the lesson outside.
When it is the time to start, come out and line them up, perhaps with the parents’ help in the beginning, until they get used to the new routine
Wait for them to be ready, say hello to everyone and count together how many students are present
Say hello to the first student, ask how they are, let them into the classroom, wait until they book the books and bags away, choose their seat and sit down.
Let the second student in.
If setting homework is a part of your routine and programme, this is when you can check the homework, asking each student a few questions about it.
If there is no homework, this time can be devoted to a short individual conversation with each student. It can be a short revision of the vocabulary, talking about a picture or, if the students are already in one of the primary levels – some reading practice with flashcards or a few questions about any material covered in class. We often use it for practice with ‘Tell me about…’ with the use of a picture.
When the students get used to the first part (entering the room), you can add the second element and make sure that the students already sitting in the classroom are occupied, too. They can either play a simple guessing game if this game has been practised in class and if they have been given a set of flashcards. They can also play some games on the phone or the tablet, for example to practise reading with phonics. Again, they have to first to try it under your close supervision, to get used to taking turns etc.

Why we love it

It helps to introduce the order from the very start of the lesson since the kids are not waiting in the classroom and the teacher’s arrival is not an interruption of something that they are doing.
It is obvious who is responsible for the students during that time, the teacher’s take-over is clearly marked. It might not be as obvious if the kids enter the room during the break or before the teacher, especially if the teacher wants or has to spend the break time outside of the classroom, for whatever the reason.
The parents are of a great help in the beginning of the course, they can help explain what the kids are supposed to do, they can help with the name etc.
This part of the lesson is a fantastic opportunity for the 1-1 conversation with each child. Regardless of whether the teacher uses this time to check the homework or to ask and answer questions or to read, they are giving each child all their attention (almost all, the eyes at the back of the teacher’s head are watching the kids already in the room, of course:-) and they can check the progress and language use.
For the parents, this is a wonderful opportunity to find out how their children are interacting in English, without the parents’ supervision and this is how they can, indirectly find out about their child’s progress, before every single lesson if they wish to do so.
For the parents, this is also a chance to find out how the homework handouts or materials are used, what questions the teacher asks and how much language can be generated out of a page that, to the untrained eye, looks like a simple colouring page. If they want to and they have have the time, they can later use this knowledge to practise English at home.
In the beginning, when the children are just getting used to the new routine or if they are really young, this part of the lesson can be kept short, later it can be made longer. Similarly, in the begining, the T leads the activity but, later on, the kids can ask each other at least some of the questions, too.
I have been using this technique for about six years now. My first ever group for which this has been created (because there were ten of them and we hardly ever got to talk 1-1 in class), now in the third year of primary, still line up to chat with me on entering the room. I have been using it with my pre-primary students, too, groups and individuals, too. The parents always wait in the hallway, at the back of the line and they always wait to hear how their children talk to me. If they leave the school, it is only after their kids have walked into the classroom. They always wait and not because they don’t trust us/me but because they are curious and want to know how it goes.

Happy teaching!

A Brand New Class. Volume 1: Teenagers

August 27, 2024August 28, 2020 by Anka Zapart

September is upon us. It is a joyful month, what with all the new books, freshly sharpened pencils, markers that have not lost 50% of the caps yet, storybooks and flashcards that are still as God intended (in order!) and all the new adventures because ‘The kids are back!!!!‘. At the same time, my favourite tune of the month is …Green Day and when they sing ‘Wake me up when September ends…‘ Every single year. And this year more than ever.

Until we have all survived yet another autumn rollercoaster, spiced-up by the pandemic-related uncertainty, here is a tiny little something: activities for the first lesson of the course, today something for teenagers: 5 ‘sandwich fillers’ and 5 activities in their own right.

All of them are and have been my favourite start-of-the-course activities but they can be adapted to different topics and used throughout the year.

Most of them require only the basic resources and little preparation.

Some, although admittedly not all, will also work in our online classrooms.

None of them are how-did-you-spend-your-summer-themed because I never do it in my first lessons (and definitely won’t do this year since a) we did spend the summer together studying English and b) other than that we were stuck at home or at the dacha, growing cucumbers and carrots and feeding birds…) but they can be made so, if needs be.

You can find them: HERE!!!!

Ideas for the first lesson with primary can be found here

I hope you have fun using them. Looking forward to your feedback, too!

Happy New Academic Year!

Happy teaching!

P.S. Activities for Pre-primary coming soon!

Crumbs #5 End-of-course Goodbye-Letter

January 6, 2021August 22, 2020 by Anka Zapart

This is one of my favourite end-of-course activities for all young learners.

Instructions

You need a piece of A4 paper per student. You can use regular white or colourful photocopying paper.

Write the names of the students on the sheets, one per student, and put them up in the hallway, ideally at a distance from each other. Have a card with your name, too but keep it in the classroom. It will be used for demonstration.

Show your card and tell the students that everyone has a card like that in the hallway. Explain that they are going to walk around and write something for everyone.

If necessary, pre-teach or revise some language, for instance ‘You are…’ and adjectives or ‘Thank you for…’.

Clarify the rules: a) we don’t come up to the card with our name, b) we write something for everyone, c) we can leave anonymous notes or we can write our names, d) we only write nice things, e) if we have nothing nice to write, we only leave a smiley

Give our markers, line up and go out. Monitor and keep an eye on the clock. This part of the task takes about 15 minutes with a group of twelve.

Ask the students to go back into the classroom and quickly collect the letters. Give them out in the final lesson.

Why we love it

It is a great opportunity for the students to read and to write something that they really care about and it is a great souvenir from the course, handmade and personalised.
The students have a lot of freedom and can write as much as they want or only leave a smiley in case they really have nothing to say.
This activity can be adapted to the level and age of the students. It can be done in the classroom, with the papers being passed from student to student, until they make a full circle and return to the owner and the youngest kids can only draw some simple shapes for example a smiley, a heart, a sun, a star and their name.
The first time I did this activity, I planned for the kids to re-write the letters before handing them out to the addressee but they stopped me (‘But Anka, this is much cooler and more beautiful!!!!”) and they were right!
I keep my card on the board but I don’t actively encourage the students to write something for me, too. Somehow they always do anyway))

Happy teaching!

The W.O.R.L.D. or What is an ideal craft activity for the EFL classroom?

January 6, 2021July 11, 2020 by Anka Zapart

A post for those who have been contemplating using craft activities in their pre-primary lessons, especially for those who have not started yet or those who have tried but have not really been quite successful with it.

First of all, let’s get started from the facts.

Fact number 1: kids love craft and no wonder they do – you get to creat; you produce something real and you can take it home. Even if your creation has a limited durability and appeal and after some time (a day in the playroom and a week on the fridge door) it gets destroyed and lands in the bin or it gets folded carefully and is stored in the ‘Ania/kindergarten’ box.

Fact number 2: teachers are a little bit more cautious with expressing their love for the craft activities. Some of them do, of course, but there are still quite a few who don’t really appreciate all the hurdles you are required to jump over in order to get to the finish line called ‘A great craft EFL lesson’. Because it can get messy, because it requires more preparation than other acitivities and because it needs to be planned properly to ensure that you don’t spend the lesson colouring and cutting and NOT using the target langauge.

Perhaps that is also the reason why even the most recent coursebooks for primary and pre-primary (which shall not be named here) do not really seem to promote craft activities as much as they should in my humble and very subjective opinion. Alas.

Why craft?

There are many great blog posts and articles on the advantages of using craft, I am not going to be attempting to reinvent the wheel here. Here are those that I have found useful. Have a look yourself.

Kids and Arts and Crafts https://www.teachingenglish.org.uk/article/kids-arts-crafts
Arts and Crafts with Young Learners https://www.teachingenglish.org.uk/article/arts-crafts-young-learners
Using Arts and Crafts to teaching languages to young children https://www.teatimemonkeys.com/using-arts-and-crafts-to-teach-languages-to-young-children/
Adding Language to Crafts https://www.englishclub.com/efl/tefl-articles/adding-language-to-crafts/
R. Bastianoni, The Linguistic Benefits of Using Crafts in TEYL http://www.teyl.org/article16.html

Planning a lesson with a craft activity

If you are looking for a manual how to set up a craft activity and what to think about while planning it, then you should definitely start from reading the introduction to the craft chapter in Carol Read’s 500 Activities for the Primary Classroom where she outlines the principles of the MAD FOX (which, by the way can be used as a framework for all of the VYL and YL activities). Strongly recommended!

Where to find a craft activity?

Well, this is the best news ever: nowadays, finding out about available craft activities is really a piece of cake. There are plenty of websites, blogs, Instagram accounts written by and for:

The teachers of English as a foreign language
The parents of young children
The teachers of kindergarten

There are also multiple groups on facebook, vkontatke (or whatever is your local equivalent), pintrest and just the good old google or Yandex search enginge.

How to choose a craft activity for the EFL lesson?

Well, this is where the W.O.R.L.D. might come in handy. This is an acronym that I made up for myself and for one of the workshops that I was giving a few years ago. Also, because I really wanted to have an acronym:-)

Here it is!

W is for ‘WHY?‘

Probably the most important question a teacher can ask while planning a lesson with a craft activity: why am I even doing it? It is great to include craft only for the sake of ‘the variety in the classroom’, but I strongly believe that a craft activity must have a follow-up, that it cannot be an end in itself. After all, we are language teachers and not art teachers.

An ideal craft activity is only the preparation for the proper language exercise, it is our way of getting the kids interested in what we are doing and using the finished product to encourage them to engage in a language activity. If this element is missing, there should be a really good reason for including it in your lesson. Is there?

O is for ‘On their own‘

No matter how amazing an activity looks in the photograph or the video, no matter how beautiful and colourful it is, no matter how strong its ‘wow’ effect might be, there is no point of bringing it into the EFL classroom if your students cannot complete it on their own.

Perhaps, the assembling process is too long and too complex and the materials too small and too flimsy and your students will not be able to complete it all by themselves. If it is a 1-1 lesson, sure, you can help but let’s take ‘the worst case’ scenario, a lesson with a group of 8 students, each of whom gets stuck at precisely the same moment in the activity and the teacher having to help every single one of the 8 students at 17:25:04…No. Not worth it.

R is for ‘Recycle‘

It will not always be possible but in order to justify the time and work invested in preparing and carrying out a craft activity, it should be possible to recycle ‘the product’ in one of the following ways:

The same product is used throughout the course to recycle the particular vocabulary set, story or functional language phrases
The same product is used throughout the course with different vocabulary sets, for example the boardgame the children made is used to practise vegetables, then fruit, then transport
The same type of product can be made again, with different vocabulary or structures, for example mini-flashcards booklets, flapbooks, window decorations. If the format of the activity is used later on in the year, setting it up and executing it will be much easier because both the teacher and the students will be familiar with it.

L for ‘Language‘

First and foremost, we are the teachers of English and our main aim and priority should be the development of the linguistic skills in our students, regardless of how old there are. In the same vein, the main advantage of a craft activity is how it contributes to generating language.

Level A: the exposure. This is of course, always there, teachers speak, students listen. No matter what they do, they are also develop their listening skills and the ability to focus. So, technically, any craft activity will score high in that area as the teacher gives instructions and students follow them. What’s more, it is instantly obvious – the kids are leaving the room with a card, a puppet or a mask hence they have understoon the instructions. Good but not good enough.

Level B: the functional language. All craft activities have their stages, the students are encouraged to ask for the coloured pencils, glue, scissors, react to the teacher’s praise, sometimes praise their friends’ work and this is how some functional language comes into the picture and students are given an opportunity to practise it in context. Better but not good enough still.

Level C: the production. In an ideal craft activity, the making of is only the first step towards the follow-up stage in which the finished product will encourage them and will give them a chance to speak English.

D is for ‘Duration‘

Realistically speaking, how much time of the lesson time is the activity going to take, from the moment it is presented to the moment the last scraps of paper end up in the bin and the crayons, scissors and glue back in the box where they live? 5 mintes? 10 minutes? 15? 20? More than 20?

I am not going to try to discourage anyone from those longer craft activities because they need to be seen in perspective, together with all the other pieces of the puzzle, but it needs to be remembered that the longer the activity lasts, the higher the chances that kids will lose interest, that they will find alternative things to do, start chatting in their L1, get bored and tired and that, basically, it will be increasingly difficult to manage them and to get something out of the activity.

The potential time contraints apply to teachers’ too, actually. How much time and effort does the teacher want to spend on preparing the activity? Will they inolve the whole family into pre-cutting and pre-folding the night before? Will it be really worth it?

What is the ratio between the before-the-lesson preparation time, the activity-in-class time and the follow-up production stage time?

For that reason…

Cutting out a bunch of grapes that takes twenty minutes to complete: no
Making a complex puppet that takes half of your lesson so that you could use to say ‘hello, my name is Mitya’: no
A set of tiny little bits that have to be carefully glued onto the piece of paper: no
A picture to colour: no (not when it is just that ‘a picture to colour’)
Goggly eyes: no
Food craft without consulting parents first: no
Draw your…: no
Glittter: no (but that’s just me) and any ultra fancy materials that teachers would have to purchase themselves in specialised shops: also no

Anything else you would like to add? Anything that you don’t agree with? Please, let me know!

And don’t forget to pop in here to read about one ideal (and tried and tested) craft activity for the EFL preschoolers.

DIY Rulez! Listening homework tasks.

January 6, 2021July 2, 2020 by Anka Zapart

DIY is the answer, in most cases. Especially in the VYL world.

All those missing, lost or non-existent flashcards, magic wands, puppets, handouts, balls, hats, masks, storybooks that we just nevermind-gonna-make-my-own-then (it really should be a verb).

DIY was the answer, an obvious answer and, yet, an answer that, on this particular occasion, took quite ages to land on the table and to become obvious.

The equation? A group of very young learners, studying online, helpful parents (but no printers at home so no customized handouts), a coursebook (but with tasks that I could make work only in the classroom), no ready-made material (and two steps away from regretting the decision to use the book altogether).

The first fifteen minutes went by peacefully, filled with sighing and staring blankly at the page in the coursebook. The next fifteen minutes were similar, only the sighs became more desperate and angrier.

Not happy at all. Until…Nevermind, gonna make my own then.

This time: Listening homework tasks! It’s been only a month but I am absolutely loving it!

How to?

Minimal requirements, your phone recording app will do.
Usually two takes are enough to record (although, suspiciously enough, as soon as I start, there is always a police car or a fire engine whee-yoo-ing just outside my window)
After a first few exercises, I started to type up ‘the script’ and it made everything much smoother.

Why?

An opportunity to take English out of the classroom and a recording that the kids can listen to as many times as they want to
Extended exposure to English, especially in the area of the functional language that the teacher can create, shape and enlarge as the course progresses
A great support for the parents, to help them work at home with the child and to structure it properly
Any picture, any illustration or any photograph in the coursebook (or online) can be used as the basis for it.
Widens the range of homework activities (see the ideas below)
Amazingly, it is also a great tool to practise scaffolding for teachers because you have to dissect an activity and verbalize all the procedures in simple English and only then you start think of all the micro-stages and you can hear what your students might hear.

Some of the activities we have done so far

Identifying pictures (pre-primary): It is a simple riddles game, based on an illustration with the key vocabulary. Most coursebooks for pre-primary include a page which introduces all the new words. In the example that I am sharing with you, I also managed to incorporate a verse from song ‘Are you hungry?’ by Super Simple Songs.
https://www.youtube.com/watch?v=onlENphATDQ

Dictation (pre-primary) It is better to use a black and white picture, perhaps from the workbook
Any illustration can be used for this kind of an activity. A chapter usually starts with an illustration of all the key woIt’s a teddy. Brown (children circle the bear brown)

Identifying differences (primary). Additional listening and speaking practice in the format inspired by the YLE. You can use set of pictures from Movers or Flyers, a set of illustrations for Movers or Flyers story or your own set prepared using the miro board (my example uses a picture from classroomclipart.com and the miro icons). Students listen and describe how their picture is different. The same activity can be prepared using only one picture. In that case, the students are listen to the sentences about the picture and correct the mistakes, for example: In my picture, the white cat is sitting on the chair.https://www.youtube.com/watch?v=wTBhq4TkE_M

Find a mistake (primary). The audio is a follow-up to the story / text done in class, record a summary of the story with some mistakes (and with pauses between sentences). Children listen and correct the mistakes. This is also an opportunity to expose them to a lot of past tense.The following task was prepared to follow-up a cartoon lesson from Superminds 1 by Cambridge University Press. https://www.youtube.com/watch?v=DbwiidV_i7Y

Ask your mum! (pre-primary) Here, the audio is only used to set up a conversation between the child and the mum. A set of pictures (for example a picture dictionary at the back of the book) can be used as the worksheet for the kids to mark the answers they get from the parents, for example: ask ‘Mummy, do you like carrot?’ (and circle / cross the fruit that mum likes and doesn’t like, these symbols have been used in class before, the kids are familiar with them). https://www.youtube.com/watch?v=onlENphATDQ

Happy teaching!

How to see a city. From the series: Teaching English through Art

November 18, 2023June 7, 2020 by Anka Zapart

A while ago, I was teaching my first teens group in Moscow, an amazing bunch of students that I had a privilege to take from A2 to FCE and that I referred to as ‘my monsters’, though never to their face. And this is how this project came to be.

It could be called an attempt at a CLIL lesson. It could be said that the not-yet-dead-historian in me was behind that project but the truth is that, at the time, I was simply bored out of my wits the coursebook we were ploughing through and I wanted something else.

And, inspired by Kenneth McHoan, a character from the Crow Road by Ian Banks and one of his lines (‘He is my son. I’ll fill his head with anything I like’), I decided to teach Art.

The lesson that I am sharing today is the first in the series of ten lessons ‘How to see…’ that I taught as part of our general English course. The group that I trialled it with were B2 young teens but, since then I had a chance to teach it both to adults and pre-teens, C1 and end of A2 levels.

Why we liked it:

I had lots of fun, accompanied in the classroom by my favourite artists.
I did enjoy the change, in the curriculum and the pace, and it did feel great to be teaching a subject, in English, not just the language.
The students did enjoy it, too, being given a chance to have an opinion and to express it, freely and the fact that one painting could generate so many different views.
Last but not least: although it did not happen overnight, I did realise that when my students were given a chance to talk about Art, all of a sudden, they were using the vocabulary from a higher shelf and really working hard on communicating what they thought in a beautiful way.

Lesson 1: How to see a city

Language focus

Aim: to introduce the language and the approach the students will need to be able to deal with the task. Normally introduced in the lesson beforehand, to allow sufficient time for practice and to make sure the students feel relatively confident using in the Art lesson itself.

language to express opinion / to agree / to disagree

expressing opinion: I think, In my opinion. The way I see it.
agreeing: I think so. I agree. Exactly. That’s true.
disagreeing: I don’t think so, I don’t agree. I am not sure.

Three sheep: the name I gave to a trick I learnt from Rafael, to teach your students how to construct their discourse, how to express and justify opinions, even for the lower level

Sheep 1: the opinion itself (I think)
Sheep 2: reasons etc (because, so, and, but)
Sheep 3: an example from the real life

Setting the context

Aim: to help set the context for the Art lesson

T shows the students a few photographs from New York
Questions to discuss

What can you see in these photographs? Do you know the city?
What is New York famous for?
Have you ever been there? Have you seen any films set in New York? Have you read any books set in New York?
Is New York similar to or different from Moscow? Is it similar to or different from any other cities you know?

Interacting with the artwork: stage A

Aim: to provide an opportunity for the students to interact with the painting in a freer way, to provide opportunities for speaking

T divides the students into two groups and assigns a painting, group A to work on Frida Kalho’s painting, group B to work on Georgia O’Keefee’s painting
Each group can be divided into pairs, depending on the group dynamics
The students are discussing their painting, answering the following questions:

What can you see in the painting?
Is it a happy / sad / angry / depressing / scary painting? Why?
In your opinion, how did the artist feel about New York? Did they like the city they lived in? What makes you think that?
Could this image be used in tourist brochures to promote the city? Would it make a good postcard or a souvenir?
How does the painting make you feel? Would you like to have it on the wall in your room? Where could it hang, in an office, in a hospital, in a shop or in a museum?

Interacting with the artwork: stage B

Aim: to provide an opportunity for the students to interact with both paintings

T mixes the students so that students from group A can work with students from group B, in groups or new pairs
Students show each other their painting and report their personal and their group’s opinions
T gives out new questions for the students to discuss
Which of these two paintings do you like more? Why?
Both of these paintings show New York in a very different way. Why do you think these artists had such a different view of the same city?

Open class feedback

Aim: to report back to class, to compare views

T leads the open class discussion, all the groups present their views, focusing on the two different ways to portray the same city. The teacher reveals that both paintings were painted at approximate the same time (1933 and 1925)
Error correction

The mini-lecture

Aim: to present the background information to provide the background for both paintings

T gives a short lecture, adapting it to the level and the age of the students, highlighting the main points
Both painters were not New Yorkers by birth, they came to the city with their husbands, one from exotic Mexico, the other from a small town in the prairies in Wisconsin.
Frieda felt alienated in the city, she didn’t like it, she missed home, she stayed only to accompany her husband
Georgia lived with her husband, in Manhattan, on the 30^th floor, in Hotel Shelton and painted and sketched what she saw from her window.
Perhaps these are the factors that influenced both artists.
Questions from students
Error correction

The follow-up

Aim: to give the students an opportunity to look at their own city and reflect on how their feelings might influence the way they see the city

Part A

T divides the students into new teams / groups of 3
Students discuss the following questions about Moscow / own city:

Do you like Moscow? Is it a good city? Would you like to live here in the future?
What are the main tourists’ attractions?
What are your favourite places in the city?
If you could change something in the city, what would it be?

Open class feedback

Part B

T gives out different paintings / photographs of Moscow / own city
Students discuss the following questions

Look at these three different ways of showing your city in a painting/photograph. Which one is the best? Why? Which one is your least favourite?
If you painted a picture of the city or if you were to take a photo to represent it, what would you include?

Open class feedback
Error correction

The follow-up: homework

Aim: to present an alternative way of looking at a city: through its inhabitants

Option A: Based on the photographs by Stan Raucher who photographs people on the metro in different cities

T selects the photographs / a photograph, appropriate for the age/ level of the students, hands out
SS at home prepare to talk about the photograph

Who are the people in the photograph?
What are they doing?
What are they wearing?
How are they feeling?
Where are they going?
Which city are they from? Why do you think so?

Option B: Based on the stories from Humans of New York, a project that interviews the people in the streets of New York and retells their storiesT selects the story/stories, appropriates for the age/level of the students, grades the language, if necessary, hands out to students

SS at home read the story and prepare to talk about their character: