Dilemmas of an Art teacher. Choosing the task

I was typing of my latest posts, devoted to Katsushika Hokusai and it must have been a real inspiration blast, not only for my kids and not only for me as a teacher but also as a trainer or a blog author because it was exactly when I got an idea for this particular post.

I thought it might be a good idea to share how I make decisions about the artist, the materials, the language and the resources, with the hope that it might be useful for those of my readers and colleagues who are only taking their first steps in the area of Art (or teaching English through Art). This way this particular post will be a kind of a directory for anyone who might need one.

First of all, here are the starter kit posts that I have already posted here:

Starting with a new group

What you need is a simple task with very basic resources and, if possible, a tiny wow effect.Here are the topics that I like to use:

  • Claude Monet and the lillies garden, because of the little magic that the painting with watercolours over crayons without destroying the drawing does. Funnily enough, this lesson has never been described and added here, on the blog, although this is my first favourite lesson. For now you can read about it here but I promise to add it as soon as September comes and we do it again.
  • Hokusai and the wave, because the students draw something easy (a wave) three times and three different but simple techniques are used, too
  • Upgraded Picasso (if the template is used, in the offline classes) and it salty water with watercolour does its magic, too
  • Andy Warhol and Mickey Mouse or learning about the associations we have with different colours and emotions. It is based on a template and basically involves colouring but that is why it is an achievable task for everyone, the younger and the older students.
  • Joan Miro and the elephant collage (with a template) because it is a great opportunity to connect literature (Elmer! by David McKee) and the technique itself is very easy and achievable both for younger and older children

Step by step aka learning to listen

Getting the group to listen and to follow the teacher’s instructions, staying on the ball, pausing when necessary, waiting and managing your time, skills and materials is absolutely crucial for Art classes (although not only) and, of course, with a new group, this is also something that cannot be taken for granted and something that will have to be introduced, practised and worked on. Here are some activities that might be helpful with a new group:

  • Turner and the sky, the sea and the sun: this lesson has three main stages: talking about the paintings, mixing the colours to obtain 10 shades of blue and, finally, painting a landscape and because all three are relatively easy and achievable and require different types of materials, the teacher can give them out step-by-step and this way control the flow of the lesson.
  • Bubble painting because the art is abstract and everyone can accomplish it and it definitely has the wow factor and we had a very specific list of step-by-step instructions for us and it was a perfect example for the process painting.
  • Hokusai and the waves, mentioned above is also an activity that helps the children focus on the particular stages of the lesson
  • Salt dough because it is one more activity with obvious and easy to manage stages: looking at examples, creating, painting, decorating and cleaning up.
  • A heart and one hundred different watercolour techniques is easy and manageable because the number of the techniques can be adapted to the age of the students and the length of the lesson. The whole lesson is built around the teacher demonstrating a technique and the children trying it out themselves.

Bringing up little artists

Teaching Art is also about showing children the new opportunities and the new ways of doing things. Here are five beginner lessons that would help achieve that:

  • Salt dough is easy to make and easy to work with and it opens up the door to a brand new world of 3-D creations.
  • Tiny pictures was one of the real eye-openers of the previous academic year, for me and for the children.
  • White on black is another easy flip and doing something different. The resources might not be those that are always lying around (black paper and white marker) but they are not very hard to find.
  • Yayoi Kusama and the pumpkin because even though the first pumpkin is created exactly like the teacher’s, anything can be sitting inside and after the initial T-focused part, the kids can go on recreating the pumpkin and filling it with whatever they want. ‘You are the artist. You make a decision!’
  • Eric Bulatov and a word that is also a picture, one of my favourite lessons in the previous academic year and the one that I taught to a beginner artists group and that was effective aka it is appropriate.

DIY peer observations aka Where to find videos to observe YL teachers in action

This is part II of the series, devoted to lessons with Young Learners aka Kids aka younger primary classes aka children aged 7 – 9 years old.

First part of the series, DIY observations with pre-schoolers, can be found here.

A few tips from the trainer

  • Choose the focus for the observation: classroom management, behaviour, staging, storytellings, songs, chants, literacy, working with big groups, students’ production, spontaneous production, interaction patterns, routine, variety, gestures, classroom management, timing and many many more.
  • Think of yourself as an observer, look for the strong points and the areas to improve. There is always something!
  • Be a kind observer! Remember that no matter what you are watching, the teacher WAS on tenterhooks because the lesson was filmed and that the whole filming adventure might have affected the teacher’s and the kids’ behaviour.
  • But don’t forget about your standards. I would not want to imply that all of these are great lessons that would get Above Standard if the lesson was assessed. They are not. In some cases, I have highlighted some of the strong points that got me especially interested. Everything else is up to you.
  • More than anything else, please remember that whatever was filmed, it is only a part of a lesson and we have no chance of finding out what happened before and after.
  • Think about your particular context (your institution, your group, your classroom, your country and your culture), would this activity and this approach work? Why? Why not? Can it be adapted?
  • If possible, watch the video again, after some time has passed or after you have had a chance to use some of the activities or approaches in practice. Are your impressions the same?
  • If possible, watch it with some other teachers, too! It is fun to find out what others think about it and sometimes we learn more from people that we disagree with!
  • I have tried to include a variety of contexts and countries of origin and I am hoping to be adding to this list when I find some more videos.

The videos

  1. A lesson from a Polish primary school in Gosciejow, year I, 24 minutes, about 20 kids. It looks like a typical lesson for year 1 beginners. It includes hello, revision, some movement, new vocabulary presentation and practice, and a focused task. The teacher provided a lot of exposure and controlled practice of the target language in this lesson.
  2. A lesson from a Polish school in Dabrowka, year II (recorded in September at the start of the academic year), 34 minutes. It looks like a typical lesson with that group, with their own routine. About 20 kids. It seems to be an open lesson, there are some parents in the classroom. There is some evidence of the class routine (hello, table time, movement, storytelling).
  3. A lesson from a Polish school in Tarnowo, year III (presumably), 34 minutes, about 20 kids. It is a revision lesson, with some favourite activities that the kids are already familiar with which can be used with different sets of vocabulary.
  4. A year 1 lesson from Almaty, Kazakhstan, 15 kids, 27 minutes. The lesson includes the following stages: Hello song, new vocabulary introduction and practice, reading and writing, , a video story, coursebook work, evaluation, feedback and the theatre based on the story, the final song. The video finishes with the commentary from the teacher, very interesting but in Russian only. According to the teacher, the main aim was to reinforce the new vocabulary, skills development and teaching values (work and play).
  5. A year 1 lesson from Nanjing, China, 36 minutes, over 20 kids. It is great to see how the teacher is using the gestures to praise, to instruct, to model, to teach vocabulary and grammar. He is also trying to introduce the vocabulary and immediately do something with it, although I am not quite sure if it is the kids’ very first lesson. The teacher is using some Chinese, alongside gestures and the presentation to clarify the concepts and ideas and the class rules. The lesson includes the following stages: hello, rules, warm up, alphabet, song, new vocabulary and structure, practice, goodbye. The video includes some subtitles to help clarify what is going on in class.
  6. A year 1 lesson from Kaluga, Russia, 38 minutes, about 10 students. The stages of the lesson: hello, introducing the lesson topic, pronunciation practice, hello role play (pairwork!),r revision, song, new vocabulary presentation and practice (vocabulary and vocabulary used with structures), a video, practice, song, literacy, literacy craft, writing, stickers and goodbye. It is great to see that the teacher always prepares the kids for the activity (ie the kids revise and drill the numbers before the song). I also found it interesting to see how much L1 is used by the teacher and what the purpose of it is, for example a short poem / riddle to help the kids remember the words in English. The teacher also explained a lot in Russian, presumably to help the kids feel more comfortable with the activities ie the pronunciation practice.
  7. A year 2 from Moscow, Russia, 41 minutes, 5 students. It is some kind of an open lesson. The stages of the lesson in the video: the lesson plan, tongue twisters, reading (cartoon), vocabulary revision, movement, literacy, riddles, homework. It is good to see that the teacher encourages using the vocabulary and structures and that they try different interaction patterns (whole class, individual, whole class vs one student).
  8. A year 1 lesson from Vietnam, only 20 minutes, about 20 kids in the room. It is a shortened version of the lesson (colour and fruit), but we can still observe the main stages: hello, hello song, new vocabulary introduction, practice and literacy, song, new vocabulary part 2, practice games, song. The group is quite big but the kids are using boards + chalk and they put up for the teacher to see their answers. It is also good to see that the teacher is using the new words individually and in sentences and that the abstract topic such as colours has been combined with something more real as fruit.

Happy teaching!

How to choose a storybook?

Seven. This is how many storybooks I own at this point in my life. To be honest, seven is a huge downgrade from these three shelves that I used to have a few months ago: one full shelf at the office, one full shelf at home and one, half-full shelf in the school…

I sigh and I try not to think about the absence of these shelves and, instead, I am thinking of my books circulating in the world, stuck all over the other, guest shelves, my storybooks out of reach but bringing joy to someone, somewhere. On a really good day, I can almost see myself as a fairy who sprinkles not golddust but beautiful pieces of literature.

The thing is, one cannot stay too far away from storybooks. Whether you want it or not, they start piling up, slowly, cautiously but still. Starting from scratch but I already have seven new books. Although ‘new’ should be taken with a pinch of salt here. I do recycle a lot, when possibly, and pick the gems to my collection in all the friendly charity shops. And some of them in my favourite book shop.

How do I choose the storybooks?

Oh, look, my unit 1 vocabulary! I buy the books to teach the lexis

In a perfect world there would be a library in which I would have a storybook for every unit (or for every set of vocabulary) that I am planning to teach. From colours, numbers, pets, transport, shapes to Christmas, Halloween and insects. This is probably never going to happen due to that inability to stick to a shelf for longer (see: Introduction) but it is good to daydream at least.

But I am trying!

When I choose storybooks, I like to look through the illustrations to see to what extent I will be able to use them with a specific topic. Sometimes I read the text, too, but I have also learnt to completely disregard it. The story can always be retold or adapted, graded to the needs of the people in the classroom and the lexis that they are working on at the moment.

That is why I bought Nick Sharratt and Sally Syme’s Something Beginning With Blue (yes, to teach colours!) and Debbie Harter’s Walking Through the Jungle, which has an amazing set of animals, habitats and verbs and which I will be also able to use alongside Walking in the Jungle by Super Simple Songs.

Grrrr! I buy the books to introduce and practise the structure

Because there is more than words, there is also the structure and sometimes I choose the books with the grammar that I will be able to introduce or to practise using a particular story. Oftentimes, the illustrations play the main role here (because, again, the story can be retold and adapted) although the story itself can help, too!

This is how Copy Cat by Mark Birchall landed in the bag and on the shelf. The adventures of the two friends, a cat and a dog, have a lot of verbs which means that I will be able to use it to practise Present Continuous or the Past Simple. I was also thinking of some functional language because the cat and the dog already talk a lot but they can talk even more in the future.

Say it again! I buy the books with repetitive language

Having read those two paragraphs, you might think that I buy the books not to read them but to look at the illustrations. It is not quite true. I use the text, too, but bearing in mind that my students are EFL kids, beginners, with somewhat limited exposure to the target language, I have to be selective as regards the text. At the same time, there are many amazing storybooks which can be used with a beginner child learner and that is because the language is repetitive and, even if it is above the child’s level and even if it has to be introduced, it is a good time investement because it appears throughout the entire story. Some good examples of that could be ‘I wrote to the zoo to send me a pet’ in Dear Zoo (another favourite) or ‘What do you see?’ in Brown Bear, Brown Bear, What do you see?.

The story mentioned above, ‘Walking Through the Jungle’ took a similar approach. The entire story is told through the following exchange: ‘Walking through the jungle, what do you see?’ ‘I think I see a lion chasing after me‘.

I know this story! I buy the books with traditional stories

It is great to see that traditional stories are making a comeback into the EFL VYL world. They are not the easiest material to work with, especially with the younger students, because the language is usually complex albeit beautiful, but they have one great advantage – the chances are that kids will be already familiar with them, the characters and the plot, because they are quite likely to have heard them before. At the very least, these are the stories that we can start with while taking the first steps in the traditional stories for pre-schoolers or primary.

That is why I picked up Alexei Tolstoy’s and Niamh Sharkey’s The Gigantic Turnip at the bookshop. I am hoping we are going to have a lot of fun with it, especially that the illustrations are beautiful and there is some repetition in the way the story is told.

Hello again! I buy the books I used to have

The list of the storybooks that are important and close to my heart is long, very long, indeed. The list includes Elmer, Barry, the Caterpillar, Gruffalo and many others, all of the books that I love, that I have been using in class for ages and that I could just take out of my bag and have a lesson with, without any real preparation. The trialled and tested. The best friends forever. The personal top ten, twenty, thirty.

However, when I start recreating the shelf, I do not start from this list, although, perhaps that would be a good idea. Making a fresh start brings with it an opportunity to find new treasures and that is what I like to do, I am on the look-out, I keep my eyes open and when I bump into a title that I know and love, I just get it.

Only when I get to the point of ‘Oh, how I miss Elmer!’, do I go online and just order all of these staples.

This time, my oldie but good is an Oliver Jeffers’ book, Lost and Found which I love for his illustrations and stories.

Guilty pleasures. I buy the books beacause they are just beautiful.

To be perfectly honest, I have to be double reasonable when it comes to this particular category because it is very easy to lose control and to end up with piles and piles of beautiful artifacts that I cannot really use in class. Self-restraint, moderation and temperance are not my favourite words but I have to make an effort, from time to time.

Once in a blue moon, however, comes the day when I am allowed to forage the shelves and the boxes and pick out publications which are (mainly) appealing visually. They are those that are to be used in my art lessons to develop taste, visual intelligence and symbolic representation in children.

This time, the two books that I picked for that very reason were Lauren Child’s Beware of the Storybook Wolves (for the trademark produced-by-a-child-like illustrations) and Kazuno Kohara’s Jack Frost (for the monochrome in black and in blue which will be a starting point for a lesson on the importance of colour). Or Lost and Found

Most importantly…

It does not really matter why you buy the books as long as you buy them!

The stories that I could tell you of the books that were no one’s favourite and on no one’s wishlist but they came with other treasures or there was a really good price on them or they simply got donated and thus they made it to the shelf…True, they had to wait for their turn, for the inspiration to come, for this special lesson. Every dog has its day. Every storybook has its audience and its lesson.

Go, get the books! Bring them to the classroom!

Happy teaching!

P.S. The only problem now is that it is the middle of July and I already have a head full of new ideas and still – a good few weeks of waiting before I can put them into practice…

My favourite songs aka Where to start if you have never sung before

This post is dedicated to all the teachers who soon are going to be entering the VYL or YL classrooms for the first time ever and are now wondering how to prepare for that.

Why?

Songs are definitely the resource that a teacher should use while teaching primary or pre-primary. A while ago I have tried to collect all the reasons to sing a song in one post (the full list here) but if you have never sung before in the classroom, here are the five most important reasons

  • songs will help you create a framework for the lesson, something to begin with, something to finish with, some nice punctuation marks in the lesson
  • they will be the easiest way of changing the pace of the lesson. Even if the kids don’t participate fully from the very beginning by singing, the song itself will work as a stirrer (or a settler, if you choose a very calm and peaceful one)
  • they will create an opportunity for the children to participate, at least with movement and gestures and, depending on the song, even with a few words or structures
  • songs are something that we all do together so they will help you ‘unite’ the group after the tasks on which the kids work individually and they will help to create a community
  • you can share them with the parents, to listen at home, this way taking English out of the classroom

Some do’s and don’t’s

Staging a song lesson for pre-primary or primary should, in fact, be a separate post, because there is a great variety of techniques and activties that can be used. For now, I can recommend having a look at this post here as well as the five tips.

  • Listen to the song before the lesson and get ready. Plan how you are going to introduce it. Simply pressing the PLAY button and saying ‘Let’s sing’ is not going to do the job with songs in the EFL / ESL classroom.
  • Play the video. It will really help the kids understand what the song is about.
  • Sometimes they are already in the song and in the video, sometimes not and we have to come up with a set to use with each song. It is something worth investing your time in because the gestures will help the kids understand and remember the lyrics. What’s even more important, especially in the first lesson with a new song – gestures will give the children a real opportunity to participate.
  • Sing yourself, do all the gestures yourself. And with a smile, too! Even if you are the only one and even if the students don’t join you straight away. It is perfectly natural, they need time to get used to the music, the lyrics, the gestures, the rhythm. Plus, you are the leader! If you don’t get involved, why would your students?
  • Share the song with the parents and use it again. A song is never just for one lesson.

My favourite hello songs

Hello. Super Simple Songs – a real hit and a good start, with 6 emotions, including ‘not so good’, to show the kids that it is ok to feel not happy, sometimes.

Hello Song. Fun Kids English – another good one, with monsters, there are actually two parts of it, each with 4 emotions. It is good to have a new version when the kids get bored with the first one.

Hello Song For Kids, The Singing Walrus – I love it because it includes not only the hello questions but also some Present Simple sentences and questions about the everyday school routine (‘Everyday I go to school) and each of them is repeated twice, in the classroom it can be T and then kids. Lots of potential.

Hello Song for Kids, EFL Kids Videos – very simple but very energetic, lots of repetition but also a nice variation of verses sung loudly and quietly. We loved it.

Hello Hello! Can you clap your hands. Super Simple Songs – another simple one with a few movements, perfect if you want to get up and move a bit

My favourite goodbye songs

Goodbye to you! EFL Kids Videos – using the same melody and the same pattern as the hello song from EFL Kids Videos, helps to save the time and works both as ‘something old’ and ‘something new’

Bye Bye Goodbye Super Simple Songs – a kind of a follow-up to the Hello Hello Can you clap your hands, the music is different but the song uses some of the verbs.

Goodbye Song for Kids, The Singing Walrus – this one is a bit more complex, but again, as their hello song, it uses full sentences. Lots of potential.

See you later, aligator, Super Simple Songs – a very short one, includes gestures for alligator and butterfuly and if you want, it can go on forever.

My favourite movement songs

Head, shoulders, knees and toes, Super Simple Songs – everything you may need in your first lessons, just getting up and moving a bit, even if the topic of body parts is scheduled for some other day

Move. Dance Song For Kids. Super Simple Songs – my latest discovery, lots of movement (verbs), a great melody. It can be used partially ie the first three parts of as a whole. It can be also extended if kids have their own ideas.

Jump, Run and Shout. The Singing Walrus – another energetic, rock song with movement. Just like Move, we like to sing it in the beginning of the lesson. It helps to get rid of lots of energy.

The Jellyfish Song. Super Simple Songs – a simple but effective song, very little langauge here, you are going to be pretending that you are jellyfish. Somehow, the kids get a chance to move but also to calm down.

Shake Your Sillies Out. Brain Breaks For Kids. – this is one is for older kids, lots of great ideas here and quite tiring, when used from the beginning until the end, but my kids loved the idea of ‘shaking the sillies out’ or ‘clapping our crazies out’ (very necessary on some days) so we only used the movements, not the song.

My favourite randomness

Open Shut Them, Super Simple Songs – one of my favourite songs ever because it teaches adjectives and opposites (somehow neglected by many of the coursebooks and programmes) and you can easily include gestures. Plus there are four parts of it which means that a new one can be added as soon as necessary. Open Shut Them can almost become a part of the classroom routine for the whole year and later on, the teacher can even extend it by creating own versions.

Hickory Dickory Dock, Super Simple Songs – some counting, some animals and an unexpected ending.

What’s your favourite colour? Super Simple Songs – first of all, it can be inroduced from the beginning of the course (colours), it can be used as a game (to point at different colours in the room as the come up in the song) and, last but not least, it contains a great Q&A set (‘What’s your favourite…?’ ‘I like…’) and it can be turned into a real conversation and easily extended into other topics, as they come up i.e. toys, numbers, pets, letters.

Happy teaching!

A Brand New Class. Volume 2: Primary

September is upon us. It is a joyful month, what with all the new books, freshly sharpened pencils, markers that have not lost 50% of the caps yet, storybooks and flashcards that are still as God intended (in order!) and all the new adventures because ‘The kids are back!!!!’. At the same time, my favourite tune of the month is …Green Day and when they sing ‘Wake me up when September ends…’ Every single year. And this year more than ever.

Until we have all survived yet another autumn rollercoaster, spiced-up by the pandemic-related uncertainty, here is a tiny little something: activities for the first lesson of the course, today something for teenagers: 5 ‘sandwich fillers’ and 5 activities in their own right.

All of them are and have been my favourite start-of-the-course activities but they can be adapted to different topics and used throughout the year.

Most of them require only the basic resources and little preparation.

Some, although admittedly not all, will also work in our online classrooms.

None of them are how-did-you-spend-your-summer-themed because I never do it in my first lessons (and definitely won’t do this year since a) we did spend the summer together studying English and b) other than that we were stuck at home or at the dacha, growing cucumbers and carrots and feeding birds…) but they can be made so, if needs be.

You can find them HERE.

And if you also teach teenagers, you might find these useful, too!

Happy New Academic Year!

Happy teaching!

A Brand New Class. Volume 1: Teenagers

September is upon us. It is a joyful month, what with all the new books, freshly sharpened pencils, markers that have not lost 50% of the caps yet, storybooks and flashcards that are still as God intended (in order!) and all the new adventures because ‘The kids are back!!!!‘. At the same time, my favourite tune of the month is …Green Day and when they sing ‘Wake me up when September ends…‘ Every single year. And this year more than ever.

Until we have all survived yet another autumn rollercoaster, spiced-up by the pandemic-related uncertainty, here is a tiny little something: activities for the first lesson of the course, today something for teenagers: 5 ‘sandwich fillers’ and 5 activities in their own right.

All of them are and have been my favourite start-of-the-course activities but they can be adapted to different topics and used throughout the year.

Most of them require only the basic resources and little preparation.

Some, although admittedly not all, will also work in our online classrooms.

None of them are how-did-you-spend-your-summer-themed because I never do it in my first lessons (and definitely won’t do this year since a) we did spend the summer together studying English and b) other than that we were stuck at home or at the dacha, growing cucumbers and carrots and feeding birds…) but they can be made so, if needs be.

You can find them: HERE!!!!

Ideas for the first lesson with primary can be found here

I hope you have fun using them. Looking forward to your feedback, too!

Happy New Academic Year!

Happy teaching!

P.S. Activities for Pre-primary coming soon!

All you need is…a picture!

A post by a lazy teacher who likes to ditch the tasks and the responsibility onto her students, even those little ones.

A post by a greedy teacher who always wants more and whose main aim of every lesson is: language production. And then more language production.

A post by a teacher who first shared these ideas at the Cambridge Back to School webinars in August 2020.

A post by a teacher, about materials management or 00000 different ways to use the same picture.

A post with activities that were inspired by some of the YLE Cambridge exams but approached in an open-minded way…Ready, steady, go!

P.S. Don’t forget to check out of the second part this post.

There is only one picture…

created using an image from classroomclipart.com and Miro

Before you even look: tell the students that it is a picture of a bedroom, have them predict what they might see…Then we look at the real one and check.

Tell me about this room: the students describe the room, using the language that they are familiar with, ‘there is’, ‘I can see’, perhaps only the nouns, perhaps nouns and colours and prepositions.

Riddles: the kids make up simple riddles for their partners to guess. ‘It is black and it is on the chair’.

Stickers dictation: this one is more appropriate for the lower levels and was inspired by the sticker activity in the Superminds coursebooks by CUP. It is also a perfect opportunity to use up all the leftover stickers that no one ever asks for. Students work in pairs and they upgrade the illustrations in their coursebooks (as in: any illustrations) with the stickers. Student A is telling student B where to put the five stickers in one of the coursebooks and then they swap roles.

Teacher = Cheater: the kids open their books and look at the picture. The teacher tells them about her non-existent picture which is, surprisingly, very different from the picture in the coursebook.

Students = Cheaters: the kids describe their made-up rooms, also, very different from the bedroom that they are looking at.

In my real room: particularly appropriate for the online classes since the children will be already sitting in their rooms and can easily compare the illustration with the reality but can be done in the offline lessons, too.

Because: students describe the picture but instead of just focusing on what exactly they can see they try to find the rationale for what they can see. ‘The books are on the floor because….’

The story behind the picture: even such an uninspiring picture in which nothing is happening (really) can be a starting point to writing a story or telling a story. The only thing that you need is a set of questions to get them started, for example: Who lives in this room, a boy or a girl? How old is he/she? What is his / her name? What does he / she like? He / she is not in his/her room. Where is he/she? What is he/she doing? What did he/she do before? What is he / she going to do next?

Dice games: the teacher has to assign the structures to each of the numbers on the dice and these can be easily adapted to the level of the students. The standard set might include: 1 = I can see, 2 = There is, 3 = There are, 4 = It’s on / under / in, 5 = It’s green / red, 6 = It’s big/ small / beautiful. You can also include: I like, I don’t like, …is doing what, is happy/ sad/angry, there aren’t any and so on, depending on the picture. Kids work in pairs, roll the dice and describe the picture using the assigned structures.

Noughts and crosses: It takes three lines to turn any picture into a noughts and crosses game. Students play the game in pairs but before they put their mark in one of the boxes, they have to describe what they can see there in one, two or even three sentences. To keep the kids interests up, a marking scheme can be introduced, a twin grid, with points which is of course kept secret until the end of the round (in Miro – under the noughts and crosses grid, on paper – on the corner that is folded under). This way we always have a winner, the person who collects more points for the boxes that they have described. Sometimes we have two winners, too, the logical one and the mathematical one.

Memory games: first, the students get to look at the picture for a minute or two. The teacher asks them to remember the details, all the colours, actions, number of children and so on. Afterwards, the students are divided into teams. The teacher can use either a set of pre-prepared sentences some of which are true and some of which are false. The teams pick out one of the cards, read the sentence and check how much they remember. This version is more T-centred but it has the advantage of additional reading practice. In another version, the students get to look at the picture again and make up a sentence about it, for the other team to guess. They can also write their own set of sentences which will be later used to test the other team.

There are two pictures…

I can make it different: the starting point is a picture and it can be copied and upgraded in any way the teacher sees fit, using all the beautiful tools that the Miro board has to offer (google image search and icons). It will take some time but it means that it can be adapted to the level, skills and interests of a particular group and then saved and recycled forever. Just like these two pictures here…

Predict the Differences: the children can only see one of the pictures and they try to figure out all the ways in which the two pictures can differ. It might be especially effective if they are already familiar with the task format and know that they have to be looking out for different patterns, activities, objects that the people are holding, throwing, the comparisons between two objects, the location on the right or left side of the picture and so on.

Predict the Differences Quiz: the idea is the same but we add the competitive element and another skill as the teams or pairs of students are asked to write ten potential differences between the picture they can see and the other one. The team that manages to better at predicting wins.

Find the difference: we can ask the students to work in pairs but to find all the differences without showing their picture to the partner. This is not going to be a strict Movers or Flyers preparation task but we are going to raise the level of challenge and they students will really have to listen carefully in order to establish how these two pictures are different.

One big and ten small pictures: it is not necessary to kill another tree to ensure that each child has two pictures right in front of their eye. One, enlarged copy of Picture A can be displayed on the board (or on the screen) and compared with the picture B in students’ coursebooks.

Accidental friends: illustrations that were created not as a ‘find the difference’ task but can easily serve the purpose. Examples? Any of the Movers and Starters reading and writing story tasks or any of the Movers or Flyers speaking story tasks…The theme is already there and looking for differences can be a nice warm-up to storytelling or story-writing activities…

Very, very different: the illustrations that can be used in this kind of a task do not even have to be specifically created with that purpose in mind. Any (and I mean it: any) two pictures depicting ‘a bedroom’ can be used to find the differences. The crazily pink exhibit A here and practically any page of the IKEA catalogue…And pronto!

YLE listening task recycled: these can be used as a listening task, to prepare for the format and to develop listening skills but they can be later used again as a colouring dictation activity. Students work in pairs, one is in charge of the coloured pencils and speaking (‘Colour the bird yellow’), the other one – in charge of the colouring page and listening. Half-way through the activity they swap roles.

This is already more productive but the best is yet to come. Since it is a freer practice activity and students make their own decisions regarding the choice of the colours, it is quite likely that all the pictures will be different. And then…Yes, we can compare them, in groups of four.

Actually, even a leftover listening copies can be used in the same way (Saving the planet, remember?). After all, regardless of which exam it is, the students only have to colour five elements of the picture and the rest of them can be used in a speaking task like that.

Colouring printables: can be used in exactly the same way. Not all the pages will do, for example a large drawing of a cat does not really offer too much as an object to be described and I try not to use colouring pictures which are too big as some students like to be precise and colouring those might take too much of the precious time of the lesson. Other than that, just open google and type in: a child’s bedroom colouring page…Ready! And if there are any words that the students don’t know yet, we can always learn them. Even if they are not on the YLE word list and just because ‘a dragonfly’ might be a cool word to know😊

Which one is different?

Which one is different? Why?

Vocabulary practice: we only need four pictures out of is one is different. It might be a set of four objects, three of which are blue and one of which is red and the students do not even need to know the name of all of the objects. They can still complete the task by using the structure ‘It’s blue’ or even ‘blue’. We can create such by using icons or google images on the Miro board or by arranging and re-arranging the flashcards that accompany our books.

Grammar practice: the focus here can be chosen depending on the topic of the lesson and it can be limited to only ‘it has got…legs’ with animal flashcards, ‘it’s big’ with school objects, ‘I like’ with food, prepositions, Present Continuous and what not.

Kids take over: the students can make up their own chains, either with the coursebooks flashcards or the mini-flashcards (always a good idea to have two or three sets of those for each topic, they can be reused throughout the course).

Chant it! This is the only variation here that I have not had a chance to use in the classroom but if you look at it from the right angle, all of a sudden, there is a lot of potential here: each chain has four pictures and each of them can become a separate verse. The kids can clap for the similar concepts and stomp for the odd one out…

It’s a good idea but it’s not my idea: the kids talk about the pictures and describe the odd one out but they have to go on until they guess the teacher’s original idea (probably better to write it down somewhere in order to be able to prove that we have not been cheating this time😊. If the appropriate topic has been chosen (such as, for instance, animals), this activity can go on for almost forever and the students will produce a terrifying amount of language. Once they learn to think outside of the box, this same activity can be used with all the seemingly less ‘appealing’ topics, too.

How many can you think of: a similar idea but realised slightly differently as students work with the exam materials but try to think of as many reasons to odd one of the pictures out…

Well, 27 activities…Not bad, not bad at all. I might be adding to this list in the future.

I hope you have found something useful here! And if you have used it in class, please let me know!

Happy teaching!

Your 10 basic flashcards games

One hundred.

It is the number of things in which you can manipulate the set of flashcards during the lesson and call it ‘a game’. That means that to teach, to introduce and to practise, to have fun and to change activities fast not to lose kids attention you really only need a set of flashcards and a table or a carpet. No more.

That means that you can mix and match, engage the kids and keep them involved for hours on end. Almost.

But before I take on the challenge of typing all those 100 up, here are the staple ten. The basics of the basic, the everyday. Five to practise receptive skills and five to focus productive skills.

Imagine that you have drilled all your words already (this will be another post, too!)

1. Finger up! (group)

Put all the flashcards face up on the table. Ask the kids to show you the indicative finger and put the hand up. This will be your punctuation mark here. Say ‘Finger up’ and all the kids and the teacher put their hands up, with the indicative finger out. Say ‘Touch the banana’ and encourage all the kids to lower their hands and put the finger on the banana flashcard. Then again say ‘Finger up’ and repeat with other words.

It is a great game especially for the beginning of a new unit or the beginning of the course as the kids will be basically following what you are doing and doing the same thing at the same time.

Variations: You can include different verbs i.e. pat the bananas, scratch the bananas, knock, stroke, etc.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

2. Yes and No (group)

Put all the flashcards face up on the table or on the carpet. Use your favourite punctuation mark. Point at one of the cards (banana) and ask ‘It’s a banana.’ ‘Yes?’, when kids start answering, by nodding or using their L1, provide the English word ‘Yes!’ and encourage them to repeat. Don’t forget to nod your head here. Point at another card (grapes) and ask ‘It’s a banana’ Yes?’ when the kids start answering, provide the English word ‘No!’ and encourage them to repeat. Don’t forget to shake your head. Repeat with the other words. The first time you play, it might be a good idea to use only singly words, to make sure that the rules of the game are perfectly clear but you can quickly start using full sentences, in singular and in plural, to model the language. There is no need to make things overtly simple.

Variation: Depending on the topic, it is a good idea to use the structures, too, for example with fruit: I like bananas (and picking up the banana flashcard), clothes: I am wearing jeans (picking up a t-shirt), I’ve got a kite (toys flashcards or pets) etc. This way they are not only going to learn to recognise the key words but they will be practising listening for detail with more challenge and getting a lot of exposure of the target language.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

3. Apple, please (group)

Give out all the flashcards, one per child. Use your punctuation mark and say ‘Apple, please’. Reach out your hand, towards the child who is holding the apple (if you can see who it is😊). After you have received it, say ‘Thank you’ and ask for another fruit. After a few rounds, add ‘Here you are’, too.

Variation: If you have a big group, you can ask for two words at the same time. Using a full question form is a good idea, too ‘Can I have an apple, please?’ All the flashcards on the carpet or on the table, and with calling the kid’s name to ensure that everyone gets a chance to play and that they don’t fight over cards.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

4. The duo (individual students)

Sit in a circle, put two cards on the carpet ie a banana and an apple, in a place where everyone can access them. Say ‘Masha, it’s a banana’. Masha picks up the banana flashcard and puts it away. Add another flashcard so that there are always two ie an apple and a pear. Say ‘Katia, it’s a pear’, Katia picks up the pear card and puts it away. The teacher adds another card etc.

Variation: You can change and vary the structures, even with the same set of flashcards i.e. with fruit: it’s a pear, I like pears, I don’t like pears, pears are green and so on. You can also ask the students to leave the flashcards that corresponds with the sentence and take away the incorrect one.

Production: After the kids have learnt how to play the game, nominate two students, they make simple sentences for each other. Then, another pair etc.

5. Get up! (pairs or trios)

Give out the flashcards to students, one per person. Go around the circle and call out all the words, one by one, slowly. Use your regular punctuation mark for starting an activity* and play the game. Call out two of the words (‘banana’ and ‘apple’) and motion the kids to stand up in the circle. Praise them and ask them to sit down. Call out two other words, wait for the kids, praise and ask them to sit down. Repeat with any combination you see fit. Then start calling out three words or even four. Kids listen and get up.

Variations: If it is a revision activity and they know the vocabulary, they can be holding two or even three cards.

If they already know a structure, instead of using single words, the teacher can use them in a structure, either very simple and generic ‘I can see a banana and an apple’) or something more connected to the set of vocabulary that you are practising ie I like bananas and apples.

Instead of getting up, the kids can also raise a hand, stamp their feet or clap their hands.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

6. Open your eyes (the group)

Put all the cards on the table or on the carpet, encourage the kids to call out all the words. Say ‘Close your eyes’ and make sure that they all cover their eyes, turn over one of the cards. Say ‘Open your eyes’ and call out all the words, in the end point at the card that has been turned over. After they guess, make sure everyone says the word out loud. Repeat.

Production: Let the kids take turns to lead the game.

7. Mime it! (whole class)

Very easy if you start preparing kids for it while introducing the vocabulary and helping them associate each word with a gesture.

Pick up one of the flashcards, say ‘3…2…1!’ and show the word for the kids to guess. Encourage them to produce a full sentence i.e. ‘It is a cat’. Let the kids lead the game as soon as possible!

Variations: If you have introduced some of the simple adjective you can start miming sentences. Pick up two flashcards (differentiated either by colour or size, to make it all go smoothly), say ‘3…2…1’ and mime the adjective and then the noun. Kids produce the sentence ‘It is a funny cat’ etc and it is quite likely that most of the sentences will be a bit ridiculous (but memorable).

8. Merry-go-round (group)

Start with one travelling flashcard. Have the kids sit or stand in a circle. Give the student on your left one of the flashcards, encourage and motion for them to pass the card to the student on their left. Let the card travel, then say stop and ask the student who is holding it to say the word out loud. Repeat a few times for them to get used to the idea.

Start the game all over but keep adding cards so that there are a few of them travelling. Say stop and have the kids call out the word they are holding at the moment.

Variations: There is a lot of potential for producing full sentences as soon as the kids get the idea and the key structure used will be related to the vocabulary, i.e. ‘I like’ with fruit, ‘I am wearing’ with clothes, ‘I can’ with verbs, ‘I’ve got’ with pets or toys, ‘I go to school by’ with transport etc.

This is also a great opportunity to teach the kids the word ‘nothing’.

9. Disappearing words (whole class)

Put five flashcards in a row, on the floor or up on the board, go from the beginning and call out all the words. Ask the kids to close their eyes and turn over the last card in a row. Call out all the words from the first one, in the same order and when you get to the last one, pause and wait for the students to say / shout / whisper the last word. Check quickly if they were right, show the cards to the kids, put it up covered again.

Ask the kids to close their eyes and turn over the last but one card. Ask the kids to open their eyes and call out all the words starting from the first one. When you get to the last but one, pause and wait for the kids to say the word, then the same with the fifth one. Proceed until all the words are covered up.

Variation: To help the kids remember, you can use a different gesture for each card, it can be either something related to the meaning of the word ie by miming the words or something that will help them remember ie knocking at the card, snapping, touching, clicking fingers, stroking it.

If you teach a big group, you can divide the class into two teams, one team will be holding the cards, one each, the other team will be guessing the words.

It might be also a good idea to use a full sentence ie I like to eat bananas, apples, peaches, plums and grapes, instead of single words.

10. Secret word! (whole class, pairs)

Revise the flashcards that you are going to be playing with so that the kids have a chance to become familiar with the images, the set of words and the colours. Then hold the flashcards to your chest. Ask ‘What’s the secret word?’ and model ‘Is it a kite?’ ‘No’. ‘Is it a doll?’ ‘No’ etc.

Variations: When they are playing the first time, they are quite likely to give you only separate words but it is worth encouraging them to produce full questions. You can either use ‘Is it…?’ or ‘Have you got…?’

Production: After a while, the students are given a chance to lead the game, first a student vs the rest of the group, later on in pairs, too.

*) ‘Punctuation marks’ are all the signals that the teacher uses to announce a start of a new activity. It can be clapping of the hands, it can be counting down from 5 to 1, it can be a bell, it can be snapping your fingers, it can be a chat ‘1, 2, 3! Eyes on me!’