Anka Zapart

Those who inspire OR How did you become the teacher you are? (part 2)

by
My Mmy

This is the second part of the post. The first episode can be found here.

A huge part of the everyday inspiration are …

…my students. There is reading, there is research, there is the continual professional development, webinars and conferences presentations and the conversations in the teacher’s room, all of it very useful. The real source of power and of inspiration is the classroom and the kids in it.

If they are not an easy group, that makes you start planning with a sigh and enter the lesson with taking a deep breath (or a prayer), you will be looking for solutions for your problem and sometimes you will end up successfully reinventing the wheel and taking the game to the next level. They might also be a teacher’s dream and, because of that, you really want to go ‘bigger, better, faster, more!‘ and you create, re-create, experiment and, again, become some EFL Gagarin.

I don’t remember the names of all the kids (and all the adults) that I have thought over the years but the thought that there have been at least two thousand of them in Poland, Italy, Spain, the UK, Brasil and Russia does put a big smile on my face. I would like to think that all of them did learn something with me but I know that I have learnt a lot with them and because of them. My state school kids, my summer schools students, my IELTS students and my Business English engineers, all of my pre-schoolers and all of my teachers in training.

Why? Because sometimes, when I ask for feedback and I ask ‘Did you like the lesson? Why?’, I get back real treasures, such as ‘Yes, because I am not scared anymore’ from one of my teens (there must be a post on that story) or ‘Yes, потому что тут Анка’ from my primary. (Yes, because of Anka).

That is more than enough to motivate me to make an effort next time but I usually say is ‘Great students make great teachers’. I really do believe it.

The everyday support aka ‘On the wall in the office’

It might make me look like my teenage version of me, with a bedroom wall all covered in posters. Thankfully, the pop music posters (Europe and Limalh, my dear Lord) gave way to Hieronymus Bosch, the photos of Land’s End and the map of the UK. The huge Trainspotting poster was added a bit later. The thing is, I do like to have something to look at, ‘My favourite things’, in one interpretation or the other. This is how these five end up on the way, all my private superheroes, the source of inspiration.

Batman, the only real superhero here. He is my favourite one because he is ‘only’ a human, without any accidents and mutations, he saves the world only because he’s got access to lots of resources. I mean, he is ridiculously rich but still – a human with appropriate tools. A role model number 1.

General Kutuzov, a field marshal of the Russian Empire and the hero of the Battle of Borodino. During all the teacher training courses and projects that require lots of multi-tasking (which I hate to bits), I do find myself staring at the picture of Mikhail Illiaryonovich, thinking of the troops management, provisions management, morale management and whatever else general was obliged to take care of. Simultaneously.

Leo Semyonovich Vygostky or, simply, Leo. I cannot think of any one that had a bigger impact on what I think about teaching and education. The more I read about him, starting from comments and references in other sources, to articles by Vygotsky scholars and followers, and to Leo’s own papers which I am still going through, the more I agree. Reading and repeating ‘Yes, absolutely!’ or ‘I could not agree more!’. Literally. Because of the conviction that every can, with appropriate support, because of the role of the teacher who is only supposed to be the lighthouse, not the leader, because of the attitude to the level of challenge. I am in love. Plus, we are almost birthday twins with Leo. Which is random but kinda cool.

There is Yuri Gagarin, too, of course. If you ask me, ideally, there would be Yuri on every wall in every classroom. He is on mine, too. And there is Zima Blue, the creator. If you are not familiar, look up Alastair Reynolds or Life, Death and Robots.

The other side of the coin

The superheros have been on the wall for a few years now. When I first took a photo and showed my friend, she said ‘There are only guys, here. Where are the women?’

At first, I just shrugged it off. I didn’t know why. But the question stayed with me and it was bothering me for days on end. Until I finally figured it out and sighed with relief. The answer is actually quite simple, ridiculously simple. As simple as it is beautiful.

I don’t have any photographs of inspiring women on the wall above my desk because they are all real women that I have a pleasure to know and to have in my life. All the photos are in albums or in folders on the computer. And when I need inspiration, I just talk to them. That’s how blessed I am.

There are a few great mums here, some stars who make the world a better place by helping people, a few teachers, a few translators, a few chefs, a few Leos, a photographer, a biker, and a creator.. All of them are strong, intelligent, funny, beautiful, creative, or, in just one word: amazing.

Also, represented here by some random trinkets. Some of them, at least.

Thank you, thank you, thank you for being in my life.

P.S. It was easy to write these post and it took a lot longer than I had planned. As soon as I finished, I started to be bombarded with thoughts of my teacher trainers, supervisors, colleagues, family members, writers…In one word, enough material for two more posts. I think it is better to post what I have ready now or else this post will never really happen. But, as Terminator used to say: ‘I will be back!’ And on that note…

Happy teaching!

Those who inspire OR How did you become the teacher you are? (part 1)

by

I have no idea how I found myself in that mode, a bit like Alice who fell into the rabbit’s hole and kept falling. And reflecting. That’s me now.

Maybe because we are making a full circle in the online-covid-offline-rapid changes-uncertainty-new reality? Maybe because I started to run again and when you run, your brain wanders and comes back with ideas? Or maybe I took part in Anita Modestova’s series of interviews EFL Around the World and was invited to reminisce and to reflect? Maybe all three. Maybe none of them.

Teachers and foreign languages

…and among them my first foreign language teacher who was not even a teacher of English. My first foreign language was Russian. From the first ‘здраствуйте’ (zdrastvuyte), it was like this new world, that you could enter through some, until then unknown words and a completely new set of letters. I don’t remember much about the lessons, I could not comment on the methodology and activities or even the coursebook. But I do remember my teacher, miss Janina, who was the first language magician and it was thanks to her that I did fall in love with Russian. Love at first sight.

Among them is also my first English teacher, miss Ewa who put together a most random group of kids of all ages, when the lessons of English were still a rarity and a luxury. There were no coursebooks for children so we used what our teacher could find and share.

Such as? Such as a magazine for kids, Mishka, made in the U.S.S.R, teaching the kids around the globe about Snegurochka, Baba Yaga, A.S. Pushkin, Red Square and what not, which was published also in English. Today, it makes my head spin, but back then, as a beginner, I was ploughing through and the unabridged text would not stop me because I was in love with the language. Again. We set me off and then we met again in the final year of my high school, to prepare for our A-levels and to help me get to B2+ level.

Mis Ewa was a strict teacher but a fair and inspiring teacher. In her lessons, every single minute had its own purpose and it was used effectively. Once you experience that, there is no going back.

History?

It is actually a beautiful coincidence that almost all my school History lessons, from the middle and high school, seven out of nine years, took place in this very same school and in this very same classroom. With me sitting on the very same chair. Probably.

It was in this classroom that our teacher, professor Janusz Merchut, a real maestro, taught us about the past. His were not lessons, but a performance and I still remember how quiet the whole class were, how focused. We did not listen, we lived it. Maybe it was when I got spoiled and started dreaming of lessons with a few grains of magic, lessons that are not a lecture but an experience.

In the same classroom, a few years later, I met professor Krystyna Kradyna and a new adventure began. Naturally, we did have coursebooks and the curriculum objectives to meet but these were just an idea. It was the time of change and transformation and there were many, many things that were yet to make it to the coursebooks. She introduced them and she did let us think and talk about them.

Enter Hieronymous Bosch

There were two other people that I do think about when we talk about ‘My teachers’, both of them my university professors. University of Wroclaw in Poland was my first Alma Mater during the very special five years of my MA in History programme, a long time ago, in the pre-EFL life.

Dr Piotr Oszczanowski appeared in our lives for two terms because, apart from all the obligatory subjects, we were eventually given a chance to choose a few optional modules and one of them was the History of Art. Initially, there was a lot of ‘whatever, let’s take this one’ rather than an informed decision but the best thing since the sliced bread.

Today I would say that dr Oszczanowski knew his subject and had an amazing teaching personality and classroom presence. That he engaged his students very effectively throughout the entire lesson and the entire course. But this is me, a teacher trainer at work, today. Back then, I just loved being in his class and so did the rest of the group.

He taught us how to look at art and how to read it. And it was not the case of getting the one correct answer, and memorising facts. There were different interpretations and ways of approaching the topic. Our second term was devoted to the history of art of Silesia and we spent our class time out and about in the city, looking the past in the face. Plus, we were allowed to choose what we wanted to be assessed on. For me it was Hieronymous Bosch.

‘Miss Zapart, I have no idea about jazz but this is a good topic. Go.’

….is what my tutor, professor Stanislaw Ciesielski said during the first class in our 4th year when we met to discuss our MA dissertations in modern History.

Professor Ciesielski probably sighed when he found out that he would be taking care of us since we were an inheritance from another teacher who had left.

We, on our part, we did panic because people had been saying things and it was not panic the type of a storm in a teacup, it was panic the size of a proper hurricane. Professor was said to be very strict, very accurate, very serious, a great scholar and a great brain and, in general, a force to be recognised. With time, we learnt that all of it was true but these were exactly the things made us respect him for and, really, feel extremely lucky that we were thus ‘inherited’.

I mean, it was not a bed of roses. Professor was tough and there was absolutely no way of cutting any, even the tiniest, corners throughout those two years of my research and dissertation. The job had to be done. Not getting things done was not an option. The very thought of not getting things done was not an option. It’s not that he would shout or get angry, he was the calmest person ever. You just did not want to disappoint him.

We were made to work hard but Professor was with us every step of the way, supporting and guiding and no wonder that we got great results. I also personally got spoilt for years to come as regards the role model for mentor and supervisor, strict but fair and supportive every step of the way. No idea if professor Ciesielski read about Vygotsky and the Zone of Proximal Development but he rocked it.

Coda

Today, I only wish, I could travel (or travel back in time) and return to all these classrooms to say ‘thank you’ and to tell my teachers that they did an excellent job and that they did inspire.

Does it mean that I was the one happy child in the entire universe who was taught by the amazing teachers only? Ha! Of course not. There were teachers who made me cry, who humiliated me, who shouted at me, those who made me scared or very angry. Teachers who hated their job, those who were unfair and those who simply wasted my time. In some cases I knew it back then, in a few other cases, I realised it only when I became a teacher myself.

Alas, all these will remain anonymous, although, I guess, I should be grateful, I had a chance to learn ‘What not to do’ and this counts as ‘experience’, too.

To be continued…

The Spiderman Story. CCQ-ing pre-school?

by

Really, the whole story is between me and a pair of blue, three-year-old eyes. The world around does exist, of course, and the world around is watching, with curiosity, but not really participating.

‘Spider’, I say.

‘Spiderman’, he says.

‘Spider’, I repeat, pointing at the spider flashcard.

‘Spiderman’, he repeats, as if not noticing.

‘Spider’, I say, yet again.

‘Spiderman’, he says and, I’d swear, he nods, too.

***************

The blue eyes belong to a little Sasha who is quite young, true, but who feels empowered and a lot more confident than any other typical three-year-old might have been in any relatively new environment. It is because this little Sasha never walks alone, he has his older sister as the source of his superpower. He is pretty much fearless. That is why he gets into this, well, debate.

The conditions are perfect. It is a warm May afternoon, the summer is round the corner, and the audience are waiting for some entertainment. After all, the parents have come to see what the kids can do and what the teacher is teaching them. Everyone is present, all the children and all the parents. The teacher is there and even the trainee teacher. Who could have wished for more?

Sasha is not doing it on purpose. One of the most important words in his life now is ‘Spiderman‘ and it does resemble something that the teacher is saying. It feels like a cool game to recite it, together with the teacher, well, almost ‘recite’ it. Sasha continues to play.

He doesn’t see how the world freezes waiting for any reaction. He notices that his teacher’s face has become a bit tense but he does not think that it might have anything to do with the new game. He wouldn’t know that the teacher’s blood pressure is slowly going up because of what is happening and what is happening is this: a student making a mistake and the teacher not correcting him, fossilising the error for the years to come and this little boy confusing the little eight-legged creature with a superhero.

It might be that the parents have not even noticed or realised. It might be that the parents have found it to be funny, too. In the teacher’s head, however, the world is crumbling and the teacher is failing, despite all her experience.

Ideally, the teacher would have just waved two flashcards to illustrate the difference. Only, of course, there were no Spiderman flashcards just lying around.

***********

‘Now, Sasha, spider – Spiderman’, I say. Again.

‘Spiderman’, he says, smiling, probably thinking that I have finally managed to learn the right word. I smile, too.

‘Sasha, listen. Spiderman is a boy. Yes or no?’, I say.

‘Yes’, says Sasha.

‘Mhm. And Spiderman is big or small?’ I ask.

‘Big’, said Sasha, looking at the teacher with curiosity.

‘Right’, I say. And then I ask, raising the spider flashcard. ‘Is THIS big?’

‘No’, said Sasha.

‘Is it a boy?’ goes the next question.

Sasha looks up from the flashcard, he looks at the teacher and smiles.

‘No’, he says, and you, know

‘No’, said Sasha and, you know, the teacher would swear, something sparks up in Sasha’s three-year-old eyes.

‘Exactly. Look. Spider – Spiderman’, I say, once again pointing at the spider flashcard, also adding gestures ‘small’ and ‘big’ ..

‘Spider’, says Sasha, pointing at the flashcard. And then he adds: ‘Spiderman’

***********

Victory? Probably. A memorable moment? Absolutely.

In hindsight, also a bit of revelation that a little adrenaline rush and, all of a sudden, it turns out that it is possible to use CCQs, concept check questions, with very young pre-schoolers who are somewhere in the pre-A1 level. I had never thought it would be possible but, hey, there you go. When there’s a will, there is a way? Aka the games my brain likes to play.

Happy teaching!

From ‘havoc’ to ‘happiness’. Lesson planning for YL (part 2)

by

What can you see in the photograph? Oh how I wish I could hear your thoughts and all your ideas, dear reader!

It does look pretty messy, doesn’t it? This is what I call ‘real life’.

Imagine this, I have just come into the office on the day of the training (which is not quite ready yet, not this one, the week must have been a real hell so although the ideas are there, the presentation itself is NOT, not panicking yet, but the adrenaline levels are already up) and I have just taken ‘everything I need’ out of the bag: books, notes, some copies and A LOT OF FOOD (typical). I am about to start planning. Having looked at what my desk has become, I decide to take a photo of this beautiful mess that soon will (I know it now) turn into a great seminar session.

I have decided to use this photo because it is a pretty accurate visualisation of what happens on some days when I plan my classes and to follow it up with a few words on what happens next and how I get from this havoc to the end-of-the-lesson happiness.

Based on the lesson with my ‘adult’ preschoolers a week ago.

The ‘theory’*)…

Step 1: Make a decision what your main aim is. Try to verbalise it and even write it. It really does wonders for the awareness of what you, as a teacher want from the lesson.

Step 2: Make a decision what your focused task is. ‘Focused task’ is the concept that we use at my school (and have used for at least 15 years) and it refers to the main activity of the lesson in which the students get to produce the language and the activity which is the culmination of the entire lesson. All the activities in the lesson lead to it, to some extent, just like all the roads lead to Rome.

A while ago I realised that this is the approach that I am using in all my lesson planning, for all the age groups, levels, for teaching and for teacher training, too.

Step 3: Consider the materials available (mostly by looking at what the coursebook has to offer) and whether they contribute to your aims and your focused task. If not, you will need to adapt them or design new materials.

Step 4: Think of the activity that is going to be most suitable for your materials. It is like differentiating between a tool and how you are going to use it.

After all, there are plenty things that can be done with a hammer (materials), such as putting in a nail to hang a picture, breaking a window, smashing a walnut open, stirring soup (activities) and so on. Some of them are more or less appropriate, of course. The same applies to the flashcards, boardgames, handouts and what we are going to do with them.

Step 5: Take a moment and go over the activity in order to make decisions about staging. What are going to be your baby steps within the activity? whenever we do something for the first time (regardless of whether it is the first time for me or the students), I like to make an effort to actually write the main stages, even if in a very simple form, a sequence of infinitives.

Step 6: An additional step: a homework task. It might not be always possible or, rather, sometimes it might involve a lot of work as regards material design or adaptation. To put it simply, not every teacher will have enough time or energy every single time, with all the lessons taught in a week but a homework task that is an extension of exactly what happens in the lesson and creates an opportunity to continue practising the same language or structures at home, with parents.

….and the practice. Our lesson last week.

Aim: For the kids to start describing school objects and the objects in the classroom, using full sentences such as ‘It is a blue pencil’, with the focus on colours and some simple adjectives. The kids are 5 and 6 and in the beginning of their third year of EFL.

Focused task: A game in which the kids will be guessing the secret word depicted in the cards, producing full sentences instead of questions as we have done so far. The kids will be saying ‘It is a blue pencil‘, ‘It is a red pencil‘, etc until they produce an accurate description of what is shown in the picture which they cannot see.

Materials: There is nothing in the book that could help to achieve the aim. There is one practice activity but it focuses on reading and the students are only taking their first steps in the world of the early literacy. A decision is made to design the materials. Yay.

The materials are a set of cards, 7×7 cm, with clip art pictures on them, coloured-in by hand. There are three types of cards (a pencil, a schoolbag and a rules) and six variations of each, in six different colours.

The cards must have a specific size for the kids to be able to manipulate them easily. They cannot be too big (the ‘secret’ will be difficult to keep and the regular A5 flashcards might be not comfortable enough for the little hands) and not too small (as they will be too flimsy and are likely to be ‘spilled’). It might be a good idea to keep the cards in an envelope to add one more layer of guarantee that the technical bits don’t get in the way of the successful playing of the game.

There are only three types of cards in order to make it achievable, at least when the game is first introduced. Later on, when the kids feel familiar with the concept of the game, more objects or more colours can be added.

Activity: The activity itself is a simple guessing game of two stages. The teacher chooses one of the cards, keep it secret, say ‘What’s my secret?‘ Stage 1: students guess which of the three objects is depicted on the card. They say ‘It is a ruler’ and so on, until they guess.

Once they do, the teacher confirms and asks the following question ‘What colour is it?‘. Students continue guessing. They produce the sentences such as ‘It’s a blue pencil‘, ‘It’s a green pencil‘, until they guess. To help them remember the full structure, teacher counts the parts of the sentence on her finger.

Staging

  • revise the vocabulary with the regular flashcards
  • show the kids the game cards
  • elicit the full sentences (signal withe the fingers), while flipping through the cards: ‘It is a green schoolbag’, ‘It is a yellow schoolbag’ etc.
  • mix the cards, to choose one and keep it close to the chest
  • say ‘What is it?‘ and peek at the cards, secretly and suggest a possible (wrong) answer.
  • wait for the kids to start guessing.
  • keep showing the fingers and counting parts of the sentence as the students are producing the language, developing the habit of answering in full sentences.
  • confirm when the kids guess the object in the picture, praise the student who guess and all the students
  • say ‘What colour is it?‘, peek at the cards, secretly and suggest a possible (wrong) answer
  • wait for the kids to start guessing.
  • after a round of two, the kids take over – call one of them out and ask them to sit on the teacher’s chair, choose the picture for them (to save time, especially in the first lesson) or let them choose the picture they want to play with but operating the cards yourself. The kids might be able to take over in the first lesson, they might be able to take over only in the following lesson, when the game is played for the second time.
  • encourage the group to make sentences, counting on your fingers, praising the kids, encouraging them to produce full sentences.

Homework

The homework task in this lesson was a simple handout, ‘a sentence maker’ in which the students have to complete the missing parts of the sentences, either by adding the colour (by colouring the box) or the adding the school object (by drawing it). The kids choose their own words. Later on, they ‘read’ their sentences. You can find the basic handout here.

The teacher makes one copy per child and one more to demonstrate the instructions in class. When we did this kind of an activity for the first time, I added the colours myself in line 4 and 5 to make the task straightforward. In the future, they will be given more freedom when they are more familiar with the format and the idea that each part of the sentence is represented by a visual or a symbol.

Did it work? aka ‘Happiness’

You know this moment when you are teaching and you literally want to get up and pat yourself on the shoulder with ‘OMG, you rock’? because you are allowing yourself, simultaneously, to teach and be fully in the lesson but also to be evaluating this lesson as if you had been the observer in the room. And it is actually going on very well?

This was one of these lessons.

The kids loved the guessing game, especially that they were given a chance to lead. The cards and the handout did help me achieve my aims and by the end of the focused task, the kids were producing full sentences, although I had to remind them a lot to use full sentences. It was much better in the second lesson with the same game. The kids were eager to start playing the game and I only had to model once. They were ready to take over and they produced a lot of language.

If you want to read more on the subject, have a look at this post where I share how I approach the everyday lesson planning for preschoolers.

Happy teaching!

*) Inverted commas because it is not a real theory, only a set of daily procedures, verbalised.

‘Are you a girl or a lion?’

by

Friday, twenty minutes before the start of the lesson. Two of the girls (5 and 6 y.o.) remember about the amazing game they played about a month ago and, immediately, decide to play it again. There is only one rule in the game: to follow the teacher around the school, as she gets ready and fixes the last bits before the lesson and to say ‘I’m hungry. I will eat you‘ to which the teacher offers various things to eat (‘Do you like books?’, ‘Do you like markers?’), *) to which you have to answer ‘No. I’m hungry but I only eat people‘. And you roar. A lot. The other kids are arriving gradually, the hallway is filling up with parents, grandparents, nannies and brothers and sisters.

Friday, five minutes before the lesson. The lion game is getting better by the minute so now there are four lions running around (Did I mention running before?) and roaring. And, believe it or not, four lions roaring make a lot of noise. It’s not that we pretend that kids are made of sugar and they are always sweet and quiet and picture perfect. Kids are kids and they should be but the teacher picking up the flashcards and taking the last sip of water in the teachers’ room thought, briefly, of an avalanche of noise and ‘unwanted behaviour’. The lions did not really care, they were having lots of fun.

Friday, 2 minutes before the lesson. The teacher is ready and is collecting the group to start the lesson properly. Alas. The lions are roaring, more and more loudly. ‘Let’s go!’ (Roar). ‘Please, stop’ (Roar roar), ‘OK, everyone, 10, 9, 8, 7…(Roar roar roar).

The teacher suddenly understands that she is not in the hallway of the school but on the edge of the cliff, on a windy day, on an empty stomach hence double dizzy. The lions do not like those lions that might calm down any time soon. The parents, grandparents and nannies have raised their eyes. The security guard, too, came out into the hallway and was observing the almost-mayhem in the hallway. The remaining 120 seconds should be used to re-introduce the order. The order should be sturdy enough to last sixty minutes of the lesson which is about to start.

You could say that’s not an ideal situation…

***********************

There were four things that I could do.

a) do nothing – not recommended, even if only because of those sixty minutes in the classroom to come.

b) let someone else sort it out – not recommended, not really. True, the kids have parents but at this point in the game, I don’t think I would want them to get involved. That’s why when our security guard (that the kids know and respect) started to saying something, I just shook my head and put a hand up to stop him. This mess was my mess and I had to deal with it. I think this is something I learnt during my five years at the state school – other people might be called to help with the behaviour management but at the end of the day it is your pack and you should be considered its leader.

c) talk to the kids in their L1 and sort it out – not recommended, not really. Why? Because I never talk to them in their L1 and this was serious enough, not yet anyway, to resort to that. I decided to keep it for another day and another occasion.

d) talk to the kids in English – tricky, with 5-year-old pre-A1 crowd but this is exactly what I decided to do.

I had no idea what I was doing, really. There were no previous cases that I could rely on, no plan of action but hey, if I don’t try, I will never know…Challenge accepted.

**********************

The teacher looked at her lions, still roaring in a small circle around her.

‘Now, where are my students? I want to start the lesson. Where are my students?’, said the teacher.

‘We are not students. We are lions!’ said the lions and they roard.

‘That’s a shame.’, said the teacher, feeling how someone continues to pull the rug from under her feet. She took a deep breath. She looked at the first lion on her left.

‘Are you a girl or a lion?’ asked the teacher.

‘A lion’

‘Are you a girl or a lion?’ now the teacher asked the second lion.

‘A lion’ said that second lion, with a beautiful smile.

‘Are you a girl or a lion?’

‘A lion’ said the lion and the teacher realised that almost all is lost.

‘Are you a girl or a lion?’ asked the teacher.

‘A lion’, said the fourth lion and the teacher was feeling pretty desperate then. The parents, the grandparents and the nannies were all watching then. Of course.

‘Right’, said the teacher. ‘It is a real shame but the English lesson is ONLY for boys and girls, not lions. I am sorry. Bye bye, lions’, said the teacher waving her hand and started walking towards the classroom. She stopped after a few steps where a little boy was sitting with his mum.

‘Hello, Sasha! Are you a boy or a lion?’ asked the teacher.

‘A boy’ said the boy.

‘Great! Let’s go to the classroom!’ said the teacher and off they went. They stopped again after a few more steps where a little girl was sitting with her mum.

‘Hello, Sasha! Are you a girl or a lion?’ asked the teacher.

‘A girl’, said the girl.

‘Fantastic! Let’s go to the classroom!’ said the teacher and all three went to the classroom.

At the classroom door, they stopped, and formed a line. The teacher opened the door, walked in, sat at the door and started saying hello to the first student in line (a part of the routine). They were in the middle of the chat about howareyoutoday and green pencils and yellow schoolbags, when one more person appeared at the end of the line.

‘Anka!’ she shouted, ‘Anka, hello! I am a girl!’

This was the first of the used-to-be lions and the other three quickly stood in line behind her. A miracle!!! In the end, we had one human teacher and seven human children taking part in this lesson.

***********************

This is a great VYL anecdote, of course, and I am sure, in the years to come, I will be going back to it to smile and to remember how difficult it was not to giggle when a girl-turned lion-turned girl came up to announce (in English) that she changed her mind and was ready to take part in the lesson for humans.

It is also a story about what it might be like to be a student at five and that what the big people see as being naughty (running around, roaring, pretending to be a lion) is just a lot of fun and an opportunity to do something different and to experiment with the ways of the world.

Finally, it is also a story about using or not using the L1 in the VYL classroom. You an use it, you don’t have to but using L1 is not the only way. It is a challenge but it is an interesting one. And it is possible.

Some people do sudoku to exercise their brains, some enjoy complex Maths thingies (that clearly not me), some like to guess the ending of a crime story before it is officially revealed in the final chapters. My brain seems to revel in such child-development-and-language-grading games. Especially when there is the added bonus of a high profile audience, of parents, supervisors or trainees…

I will leave the Spiderman story for some other occasion.

Happy teaching!

*) The text in italics is what the kids said in L1.

Crumbs#16 The Musical Challenge!

by
The first challenge ever (primary, A1)

Today about an activity that requires almost no preparation and is a nice break from the coursebook and from the everyday. Plus – you can draw. Ready? Let’s start the Musical Challenge!

Ingredients

  • A piece of paper, some drawing tool and a few tracks.
  • The choice of the tracks will depend on the teacher but it is good to include a variety of genres, songs or music with different tempo and instruments. I like to pick songs with a long intro and in a language that the students do not speak, not to let them be influenced by the lyrics.
  • Tell the students that you are going to play a short piece of music and they have to draw what they are thinking about when they hear this music. Highlight that all ideas are good ideas. Give the students an opportunity to include words, for example is some concept are difficult to draw.
  • Model, with a sample track.
  • Play about 30 – 60 seconds of a track and give the students up to a minute to finish drawing after the track stops. However, this is a fast-paced activity and its main aim is to provide material for speaking, not the drawing itself. Some students might want to make their drawings too pretty and too detailed and that will take time.
  • Put the students in pairs, let them discuss the songs. If possible, it might be a good idea to play the track they are discussing in the background to create the appropriate atmosphere.
  • Remember to put the questions / structures you want the students to answer / to use on the board. It will help them produce and stay on the ball.
  • Final feeback can include choosing the favourite and least favourite song.

Why we like it

  • It is very easy for the teacher to set up. It is enough to play the audio from the phone or even from youtube, pratically no preparation is necessary. It is possible to prepare a grid with numbers but it is much easier to give out an A4 or an A5 piece of paper that the students are asked to fold into halves until you get eight or six boxes. It works well, too. Because of that, it can easily become your go-to last minute, no-prep activity that can be added to any lesson.
  • It works well with different ages, not only with higher-level students, although, obiously, they will be able to produce more langauge and to discuss their own associations, metaphors, using more advanced language such as modal verbs for deduction. At the same time, even the younger and lower level students can describe their illustrations using simpler structures (I can see, he is wearing, he is happy) and to express their views (I like this song, I don’t like this song because…). The youngest students that I have done this activity with were about eight years old and studying in the A1 level.
  • The teacher has a lot of flexibility, this activity can be stopped whenever it is necessary, after four, five or eight tracks. The activity does not really have an end so it does not matter when it is stopped, for example when the students are not quite interested.
  • It can be further extended into a homework task. The students can be asked to choose a song, prepare their drawing at home and then play the song for everyone in class and either draw or just talk about their associations before presenting their original picture. If the songs are played in other than L1 or English (or if the beginning of the song does not include any text), the discussion can go in the direction of the story that the song is telling, based on the title, the summary or the single quotes.
  • It gives the students a chance to express themselves through drawing. We do a lot of that with the younger students but as we go, higher (level) and older (age), drawing and colours do disappear from our lessons, sadly. It is good to bring these moments back. They students do enjoy these.
  • It is a fascinating opportunity to see how music can be seen by a group of people and how different these associations can be.
  • It is highly personalised and open-ended, all ideas are good ideas
  • As a result, that kind of an activity generates a lot language.

The last time we did it a few week ago, we used the following tracks (we also read a text in our coursebook on music and fashion in the last 70 years, this is how all of the songs appeared here and how I listened to Ed Sheeran for the first time in my life:). Now, have a look at the pictures illustrating this post and have fun guessing which song inspired them. The Joni Mitchell, River

The Rolling Stones, Gimmie Shelter

The Clash, Should I stay or should I go

Ed Sheeran, Perfect

Backstreet Boys, Tell me why

Buddy Holly, Everyday

P.S. My kids loved the Clash and the Stones! Not all is lost)))

Happy teaching!

Story lesson ideas #1: The Little Seed

by

This post is a lesson I taught with a group of 4-year-olds in their first year of studying English, based on the materials from Playway to English 1, 2nd edition by Herbert Puchta and Gunter Gerngross from Cambridge University Press.

It was taken from unit 6 (The Weather) and it is called ‘The Little Seed’.

Story cards ‘The Little Seed’ Playway to English, 2nd ed by H.Puchta and G.Gerngross, CUP

Pre-Story

  1. Vocabulary revision and practice with flashcards, the weather dice, the song, the weather sounds etc. Kids sit in a circle, on little stools.
  2. New vocabulary introduction: a bee, a butterfly, a flower, a seed. We used finger puppets because these three feature in my garden finger puppet set (together with a ladybird and a caterpillar) which I once got as a present (thank you, Cheng <3). I put them on my fingers and we practised saying ‘Hello, bee!’ ‘Hello, butterfly!’ The kids got really excited so we did spend some time, playing with them, trying them on and saying ‘Hello, bee!’ ‘Hello, butterfly!’ These activities were done on the carpet, with kids sitting in a circle. I forgot to bring real seeds so this time, we skipped this stage but I am planning to include them in the follow-up lesson (see below). Of course, the same can be done with regular flashcards or handmade toy butterfly and bee.

While-Story

  1. Just look: I hold the cards and show them to the students, one by one, in silence. Kids just look. Sometimes, I draw the kids’ attention to some of the elements, by pointing at them. Sometimes, I point and say the words or encourage the kids to name things they can see but, really, that is not the priority here. I just want them to take the story in, to build it up in their heads, before we add the language layer to it.
  2. Listen: I play the audio and we listen to the story and look at the pictures. Again, I sometimes point to the key elements in each card. I also use the gestures to reinforce the ideas and concepts and to add another learning channel to the visual and the auditory. In this story we are using the following: hands together, under your cheek with the head slightly tilted (The little seed is sleeping), face up, as if enjoying the sun, with a smile and a happy sigh (It is sunny), hands moving up and down, with the fingers spread and wiggling (It is raining), hands going up and arms stretching high up for (The little seed is growing, growing, growing), pointing with one finger at the picture (Look, it’s a beautiful flower). Some of these gestures have been used so far (the weather), some are new. I don’t pre-teach them, the kids join in when they are ready.
  3. Listen and say: We retell the story together, using the cards. I lead but this time I pause frequently and elicit the words and structures that the students know or, alternatively, I produce the phrase and encourage the kids to repeat.
  4. What do you think? This is the stage for the students to personalise and to express opinion. Usually this is done through a very simple question of ‘Do you like the story?’ or ‘What’s your favourite…?’ In this particular story, we asked ‘Do you like the story?’ ‘Is it a happy story or a sad story?’ ‘Is it a beautiful flower?’
The finished product

Post-Story

  1. Look at my picture: I show the kids the final product and we try to retell the story once again, in its simplified version, this time focusing on the structures that the kids can reproduce: The little seed is sleeping. It is raining. It is sunny. The little seed is growing and growing. Look, it’s a beautiful flower.
  2. Craft: I give out the cards and we create the pictures with kids, while retelling the story. I create another picture, step by step, to model the activity for the kids. This stage took about 10 minutes. I was considering adding the butterfly and the bee but decided that it would take too much time and that is why they do not feature in the picture.
  • ‘The little seed is sleeping’, I give out a small blob of white plasticine, I stick it ‘underground’, ‘Stick and press’
  • ‘It is sunny’, I give out yellow markers. We draw the sun in one corner. We repeat the key phrase as we draw. The kids who have finished drawing can also use the gestures for ‘It is sunny’. I collect the markers.
  • ‘It is raining’, I give out blue markers. We draw the cloud and rain in the other corner. We repeat the key phrase as we draw. We use the gesture for ‘It is raining’. I collect the markers.
  • ‘The little seed is growing, growing and growing’. I give out a piece of green plasticine. We kneed it and roll it to create a string. ‘Let’s roll and make one piece of spaghetti’. We stick it to the picture, as the stem of the flower. ‘Stick and press’.
  • I give out two pieces of green plasticine, we make two blobs and attach them as leaves. ‘One leaf, two leaves’. ‘Stick and press’.
  • ‘Look, it’s a beautiful flower!’ I give out two big pieces of blue and red plasticine. ‘We need three red pieces’ ‘Let’s make the flower’ ‘Stick and press’. ‘We need three blue pieces’ ‘Let’s make the flower’ ‘Stick and press’

3. Let’s tell the story: We show the pictures and go through the story again. The kids are now better able to tell and show the story.

4. Homework: Kids listen to the audio at home with parents, while looking at the pictures in their books. They complete the task in the book by sticking stickers in the gaps.

5. Follow-up: In the following lesson, we are going to retell the story again. I am also planning to start our own classroom garden with some flowers and beans, water them and watch how they grow.

This lesson plan is, of course, one of the many many ways of using this material and teaching this lesson. Enjoy!

Some other materials, potentially interesting.

A little seed by Mabel Watts here

Growing Sunflower Time Lapse here

From a seed to a flower here – a lovely video that I used when I was teaching Maths and Science to pre-schoolers in one of the lessons devoted to plants but it can be used as a follow-up activity in the story lesson.

How plants grow – an interactive game that demonstrates how much water and warmth a plant needs to grow. On the one hand, it is kind of cool and very informative, on the other, however, I could not apply the water and warm fast enough and ended up killing the plant. It made me sad (yeah, really) so, eventually, I decided not to use it in class, either.

Happy teaching!

Bête-noire aka my least favourite conversations.

by

Let me introduce you, dear readers. This is my Bête-Noire, a tiny little bundle of unhappiness.

View Post

Most of the time, it is fast asleep, lying peacefully somewhere in the attics of my heart, covered in dust bunnies. Until, all of a sudden, it is rudely awaken because I find myself in the middle of one of the following conversations…

And that’s not everything. There’s more, lots more. Sometimes there are no (silly) questions but what happens is a rather intensive listening / lip watching event, in order to evaluate my presumably low level of proficiency in English or to detect some serious issues with pronunciation which, potentially at least, could justify the VYL-ness or YL-ness of me.

Why? Who knows.

The funniest thing is that, usually, it is not the parents, the students themselves, the HR or the admin of the schools but our own EFL nation, the fellow teachers, the colleagues who initiate these threads in the conversation. And it is not even the trolling on the social media or remarks whispered behind one’s back, no! More often than not, these are the things that people just throw right into your face…They have just met you, you have just been introduced, they don’t know a single thing about you, apart from ‘Anka, I teach VYL and YL‘ and yet, here we go…

Although, really, it would be very easy to turn the tables and start asking questions such as those ‘What?! You are NOT teaching YL?’ or ‘So you only teach (insert any non-YL area of ELF)? Doesn’t it get extremely boring and repetitive?‘

Only of course, I would not do any such thing. Because it is rude and/or unnecessary…And, no, I do not want everyone to be passionate about teaching children. We all have our own preferences and areas of expertise, things that we like and things that we hate, things that we are amazing at and things we’d rather not do.

Guess what? People choose to teach kids.

It is 2021. Out there, in the big, wide world, there are fully-educated, native speakers or non-native speakers teachers of English, male and female, mums and non-mums, private language school teachers and state school teachers who choose to focus on and to specialise in teaching English to children.

Because it is… more interesting, exciting, creative, inspiring, rewarding, fun…Despite the fact that ‘you can’t really have a conversation with them‘ or despite the fact that ‘you can’t ever teach Present Perfect Continuous Passive‘.

Even as I type these words, I can see a long list of names, my friends, colleagues, mentors, trainees who I have had a chance to meet and to work with, people who are amazing professionals, able to work with any level and any age group but who have found their true calling in working with the youngest of the EFL learners.

Many of them have already build their professional portfolio and, on the way, have grown a thicker skin. Comments and questions, as those quoted above, annoying as they are, will not really cause much damage to the system. ‘Sticks and stones can break my bones...’and all that. These teachers will be able to come unscathed by casually mentioning the years in the classroom, the feedback from their students or parents or maybe also a DELTA, an MA degree, Cambridge exams passed, IELTS bands received, publications, conference presentations and what not. Thus signalling that there are some alternative conversations to be had. With some alternative interlocutors, perhaps.

These experienced teachers I am not concerned about. They are and they will be fine. More than fine, in fact.

What worries me is that somewhere out there, there are novice YL teachers or newly-qualified teachers or, indeed, some would-be teachers, having been exposed to this kind of narrow-mindedness, will get into thinking that an English teacher first of all has to choose only one area of specialism and that a choice between ‘a teacher of English to adults/exams/IELTS/Business’ and ‘a teacher of English to YL’ is also a choice between qualifications, professionalism, respect and the lack of them. Which it is not.

Dear colleagues, dear amazing VYL and YL teachers! Thank you for being in the world! Thank you for your enthusiasm, dedication, ideas, creativity and energy. Thank you for caring.

And don’t forget – you rock!

Happy teaching!

P.S. What a rant, hey?:-) If you want to read some more positive notes on being a VYL teacher, check out this post on the hidden perks of working with the little people.

The hidden perks of teaching EFL pre-schoolers

by
Author: Lisa, ca 2016
  • You will train yourself to be extremely well-organised. Never again will you forget to make a copy, to bring the crayons, to arrange the chairs or to pick up the realia from the teacher’s room. Why? Because once you enter the classroom and the kids come in, there is no going out, until the lesson is over. What’s more, all your toys and tools are most likely to end up in neat piles around the room, within an arm’s reach. One of the first things you learn in the VYL classroom is that there is never a minute to spare or, in that case, to look through the lesson plan or to search for the misplaced whatever. If it is not there when you need it, you just get on without it and make sure it is always there, in the future.
  • Apart from that, you will become very resourceful. No matter how carefully you prepare, things will happen and you will have think fast on your feet and come up of ways of making do without the CD player, the computer or the tablet, the glue or the storybook that got left in the bag. And you will, every single time and with time you will get amazingly good at coming up with last minute solutions. It will feel a lot like being about to do magic, actually.
  • You will become greener because you will find ways of recycling pretty much everything: milk cartons, chopsticks, ribbons, wrapping paper, pots, cereal boxes. Nothing will ever be thrown away. At your house and at your friends’ houses, too, possibly. Because as soon as they find out that you collect and recycle they will be bringing you things, including the unusual things that you will later try to use in class.
  • You will discover your hidden talents or believe in your so-far-unused talents for singing or drawing. Such a confidence boost! You will have to draw or sing at one point or another and what a revelation it will be to discover that those (little) people do not care which key you are singing in and they will just accept your involvement. As well as absolutely all your attempts at drawing a cat, a dog, a panda, a dinosaur…
  • Whether you were born with micro-staging skills or whether you have worked hard on crafting and polishing them, over every lesson with your preschoolers, eventually you are going to get there and you will rock at dissecting any random task or activity at a glance, down to the most minuscule details and, no matter how complex the task, your instructions giving skills and modelling will be simply first-rate.
  • You will enjoy any lesson with adults twice as much only because they: do not rock on chairs (even if they do, you are allowed not to care), they pick up the resources, flashcards, cards, notes and put them back together, with the paper clip on, they will not cry because there is only one pink pencil, they will open the book and find the page all by themselves, they will to the other side of the handout but they will still focus on the right page, they will not get irretrievably distracted by your earrings or by another student’s fluffy tiara…
  • You will learn that lesson planning should start in the classroom and with the students who are there, not just any typical 4-year-old beginners and not with the activities that the coursebooks authors intended for them. Typical 4-year-olds don’t exist and who turns up on Friday is Masha, Katya, Anya, Egor, Petya and Sasha. They are the lesson and if some pages of the coursebook are not compatible with the bunch in the room, these pages have to go. Good riddance.
  • You will quickly become a champion at devising a good plan B (or even a good plan C), to resort to in any given situation, an additional copy of the handout, a spare puppet in your Mary Poppins bag, a glue stick in the back pocket and, on top of that, three more ideas in your head. Just in case.
  • It is not going to happen automatically but once you believe and see that your little EFL students can go beyond one-word answers, beyond rehearsed and drilled lines and that they can use full sentences, complex sentences and can produce language spontaneously (because, yes, they CAN!), there will be no stopping you. Because if the pre-schoolers can, they absolutely everyone can! High five to the level of challenge!
  • Developing learners’ independence and involving them in the shaping of the lesson is something that the VYL do on daily basis. The kids learn to make decisions, choose their favourite games and songs and given the chance to be the teacher and lead the activities. This ‘democracy in the classroom’ (which I first heard about at the wonderful presentation given by Katherine Bilsborough) should be a part of the lesson with primary, juniors and teens. It really does work wonders!
  • A chance to forget about the traditional assessment in the form of tests, quizzes and standardised exams because the little people just don’t take part in those. Instead, the teacher can just focus on assessment for learning and start experimenting with all the alternative methods of assessment, better suited for the pre-literate, pre-school EFL students.
  • A unique opportunity to sing and jump and put on voices in the middle of the day and to forget about the world for a moment, about the mortgage, the heartbreak, the tiredness, the pandemic, about anything that is not the lesson and the students. Time out, for the teacher this time.
  • A new perspective on the world as you will be learning again to see the world from the height of 70 above the ground, getting lost among the pages of the book, forcing the pencil to stand still and to produce scribbles…Brand new world!

So here we have a resourceful, creative, green, well-organised, confident, calm, open-minded teacher who is great at giving instructions and planning student-centred lessons…Any student’s dream, right?

Happy teaching!

P.S. Here you can find another post on being a VYL and YL teacher…

Crumbs #15: Our new favourite vocabulary game aka General Kutuzov

by

As soon as I said it out loud, it turned out that in my classroom is a crowded place. Apart from the teacher (that would be me), my students (older and younger), there is a whole bunch of characters who simply are there.

There is Pasha (the invisible student), there is Angelina (our class puppet), there is Mr Milk (the little-known-superhero), there is the Flying Cow…And there is also general Kutuzov. To whom this game is dedicated.

The thing is, general Kutuzov is a personal hero of mine. Every time I find myself in the middle of a big project, with one million areas to oversee and to manage, while on the verge of going crazy (because I multi-task well only in the classroom and in the kitchen), I think of general Mikhail Illarionovich Kutuzov, one man managing troops, camps, provisions, civilians, and all that in the face of the approaching enemy (aka Napoleon). This thought calms me down.

But not only that.

We sometimes play games with my kids (duh!) and sometimes they get very competitive (duh!) and sometimes, instead of ‘just playing’, some of them take time to think, to ponder, to come up with some very clever strategies in order to win…Which, on one occasion, resulted in me saying ‘Oh, look, here is general Kutuzov, planning something’ and ‘General, Kutuzov, please, can you make a decision? Today?’

They giggled. They are eight but they got the reference. And general Kutuzov stayed with us. So now, when they want to comment on someone taking their time to think or someone coming up with a strategy, they call him or her ‘general Kutuzov’ which, to be honest, I am rather proud of.

And that’s what I called that game:-)

www.wikipedia.com

How to play?

  • The main aim of the game is to get from the START to FINISH, choosing your own route on the board.
  • Players move across the board and as they do, they have to explain the word in each box. They answer the question ‘What’s…?’ or ‘Tell me about ….’
  • It’s always good to put the key structures on the board, to support the production. In the animals game, with my A1 students, we used ‘It has got…(body parts)‘, ‘It can…(verbs)’, ‘It likes to eat…(food)‘ and ‘It lives in… (habitats)’.
  • Students play in pairs or groups of three per board.
  • Players move one box at a time, to the left, to the right, up, down or diagonally up or down.
  • Each box has a number of points assigned and the students collect the points throughout the game.
  • I give the kids small cards, folded, on which they are to write their points and to keep them secret until the end of the game.
  • In the end, each player adds the points and we announce who the winners are, in each pair and in the class.

Why we love it

  • The game generates a lot of language and it keeps the students motivated and involved.
  • It is a competitive game but you can win it not because of good or bad luck but because you plan your movements well.
  • It is suitable for mixed ability groups as the students choose their route themselves and can, if necessary, avoid using the words they don’t know.
  • We played it in our offline lessons but it can be also used online, with the kids annotating on the screen. It would work best with individual students, small groups or big groups playing in teams.
  • It depends only on the players (or their teacher) how long the game is going to last. Naturally, the kids will try to get from start to finish and as soon as one player does it, the game is stopped and the points counted. At the same time, the teacher can set the timer at ‘ten moves per player’ or, simply, stop it at any given point in the game (with the same number of moves per player, of course), announce the end and count the points.
  • It takes a few minutes to prepare and it can be used with any kind of vocabulary, a thematic set (lower levels) or any random set of vocabulary taken from a story or a listening task.
  • The first time we play it, the game is teacher-led and we play with teams of students, on the board but once they get the idea, they can play in pairs.
  • No dice is necessary. Kids can either use checkers or colourful markers to draw their route across the board.
  • I have played it with primary school students (A1) and with my B1 teens, too.
  • The game can easily be made more or less challenging by keeping only two types of boxes (1 and 5 points, for example) or by adding more of those (1, 3, 5 and 10 points) and the number of points can reflect the level of difficulty of the word or phrase.
  • Players can move in any way they choose, one box at a time, but to make it more challenging, the teacher can exclude moving diagonally or any other of the movements.
  • The same can be applied to the rule of using the same box twice. It can be allowed or not.
  • I have thrown my kids at the deep end but I think that if I were to introduce the game again, in a new group, I would probably create a board of boxes worth only 1 point to highlight the importance of strategic thinking here. The kids figured it out themselves, though: the longer the route, the more points (the kids’ aim) and the more language produced (the teacher’s secret objective:-)
  • The board can be colour-coded. It will make it more attractive visually and it will help the kids understand where to move next, for example: a green box = 1 point, a blue box – 3 points and a yellow box = 10 points. Having said that, the black and white simple chart with points works equally well.
  • You can get my animals boards here: the colour-coded board and the points board.

Happy teaching!

P.S. The inspiration for the game might have been a listening activity in one of the old coursebooks by OUP called ‘I Spy’ which had a listening activity in each unit called ‘the maze’. Maybe or maybe not))