Natalia Goncharova’s lesson about colours. Teaching English through Art

https://arthive.com/

The language

January is our month of colours, chosen this way to balance up the monochromatic landscape outside the window. At the moment, due to the combination of various factors, calendards and timetables, I get to teach every lesson first with my older group and then to repeat it and to re-do it with the younger kids. This, in itself, is a fascinating set-up for experiments and reflection. The activity with the unusual colour was created for my little ones but it was such a success that I decided to do it again with my older group, too. It was a success and my older and more advanced children were even more involved and more capable of taking part in a discussion and expressing their views on pink teddy bears, brown unicorns and pink chocolate. This was the main language activity in this lesson. The older group were using a wider range of structures, including ‘I really like’, ‘I really don’t like’, ‘I love’ and ‘I hate’ and they could explain why they felt this way.

Because of that I am going to repeat it, once more, with a different set of images in this coming week.

The artist

This week, we invited not one but two artists to lead us through the world of colour and this decision was made specifically with the art project I planned for us for the day and that, in turn, was the result of these creators’ artistic decisions.

My main idea was to show the students how the same object can be painted with different colours and how the selection of the colours can affect our perception of the painting and our emotions. Or, in other words, why would an artist choose specific colours to paint.

Our first artist of the day was Claude Monet and his cathedral, the other Natalia Goncharova and her peacock, or rather, two peacocks because Natalia Sergeevna created more than one and that was exactly what we needed. We looked at the two peacocks and answered a few questions: ‘What colours can you see?’, ‘Do you like this peacock? Why?’, ‘How does it make you feel?’, ‘Why did she choose such colours?’, ‘Which one do you like more?’. We compared the paintings with the photos of the cathedral and of the bird.

In general, the colourful peacock was a favourite although some of my students mentioned that there are too many colours and they are too loud. The black-and-brown peacock was noone’s favourite as very thin, very sad and a bit scary.

We needed these artists also because their colour decisions were rooted in two different sources – the sun itself and the artist’s conscious decision and it is the second approach that we were getting ready to use in our art.

The art

The task was very simple and it came as a natural follow-up of the activities in the first half of the lesson: choose a simple object and paint it twice, using a different set of colours to represent two different ideas or emotions.

To demonstrate how it can be done, in an even more direct and straightforward way, I showed the students the pictures that I created – a flower that I decided to paint using my happy colours, such as pink, green and blue and to paint the same flower using the colours that make me angry (orange, purple and yellow). You can see it above. Below – everything that my students created last Wednesday.

Before we started, we also brought back our earlier project, namely Andy Warhol and Chebourashka that I wrote about here. The previous activity had a character in it and it was, perhaps, easier to associated it with a set of emotions whereas this time round I wanted everyone to be a little bit more open-minded and, at the same time, to focus on the emotions and colours, rather than on looking at the world through the character. However, I did not limit them in any choice and, as a result, some of them decided to choose two different items to paint or to even give up on the shapes and focus entirely on the colours.

It is exciting to see that they paired up their beloved shapes and characters with the colours they love and, in the same vein, they made a decision to combine their less preferred colours with the characters they just don’t like. It seems your beloved goose could just not be painted in the colours you have a strong dislike for.

The kids made conscious decisions regarding the colours and while they were painting, we were discussing their choices and, in the end, the final outcome, too. And it was a real discussion, to a large extent in L2, in some cases also in L1.

This last piece here is special in many ways because we had a new student join our group and try his hand at creativity for the first time. He got the idea and the was happy to experiment with the colours and images and it turns out that his favourite combination is a cat in pink because this is his favourite colour and because ‘Boys like pink, too!’. He is one of the epitome of the cool kid and the would be alpha male in our class so I was surprised and in awe that he dived in and took to everything that we do in our classes. And, even more so, he enjoyed it.

Vasilyi Kandinsky, colours and sounds. Teaching English through Art

This time, the whole lesson planning process started with my decision to spend the whole month of January doing fun things with the colour and it was an absolute necessity to start with Vasilyi Kandinsky. This particular lesson did not follow the traditional routine and the painting that is usually the centre piece of the lesson, this time made only a cameo appearance that illustrated what our artist liked to create.

The language

We started in a very relaxed way and in the first lesson we talked about our favourite colours. We also learned some more advanced colours names through a wordwall quiz.

I wanted to get the kids to associate colours with emotions, feelings and music, just like Kandinsky did, and that is why our next stage involved watching a video with the unusual instruments and deciding how we would present each instrument and its sound with a colour. After each short clip, we paused the video and shared our views. Only then did I introduce the artist of the day.

With the youngest group we focused on the basic colours which we revised using two of my favourite songs: What’s your favourite colour? – with looking for colours around us and with My yellow car – with pausing and guessing what product is going to be bought.

Afterwards, to get the kids ready for the alternative approach to colours we looked at the set of cards which I prepared – the everyday and familiar objects in unusual colours. I asked the kids to look and to say what they think of the idea, using a simple ‘I like it / I don’t like it’. It was a lot of fun!

Kandinsky, Composition VIII

The artist

The reason for that was the fact that Vasilyi Kandinsky spent a large part of his creative life not only using colours but also trying to understand them (‘Effect of Colour’). After we shared our ideas about different pieces of music, we watched a clip of the video ‘What’s the Sound of Colour‘ to check whether we agree with his interpretation. Sometimes we did and sometimes we didn’t.

As a follow-up to that we looked at Kandinsky most famous creation, Composition VIII, but only to have something to represent him with. We did not analyse the painting apart from the title because the name went nicely with the idea of colours and music.

Our lesson with the little kids was so packed with activities that I had to skip the artist stage, in order to make sure that we had enough time for our creativity. Nonetheless, it all worked very well!

The art

I did not want to create anything in the style of Kandinsky not to steer away from the colour itself. For that reason I chose spread painting – it has the colour at its centre, it is not very challenging and it can be done with a variety of different paints.

Before the lesson, I prepared the paints (acrylic and gouache), the pieces of thick cardboard (photocopying paper box cut up into bits) and the paper. I used the thicker paper sheets used for watercolours to ensure that the paper holds up the amount of paint and water and I decided to go for the A3 size, to give the children more flexibility with the spreading movement and the feel of being real artists who work on bigger sheets.

In this kind of a lesson, it was absolutely necessary to demonstrate the technique and in order to do that, I put my paper on the floor, made a decision about the colours that I wanted to use, put a few blobs of different colours and then showed the students some basic movements to spread the paint on the paper (straight, wavy, circular, semi-circular). Apart from that, I also had a few pictures of my own, prepared before the lesson, with different movements, sets of colours and, in some cases, the additional drawings with a marker. These already had titles, too.

Afterwards, we just went on to create. The most important decision to make was the colour selection and we discussed that while I was walking around the room and monitoring. It was great to see how these decisions were made and how the kids were becoming more confident with the movement and the technique. In the gallery below you can what they produced and how their favourite things are reflected in their creations i.e. ‘the rabbit’ created by a fan of rabbits and Malevich or ‘the goose’ that features in many of our lessons because a goose is my student’s spirit animal. I am also extremely proud of the blue – mustard – silver creation which is the title photo because it was a first for one of my students who so far had been only sitting and participating in our debates. He finally felt curious and ready to get his hands dirty and with what result! I just love the combination of colours here.

Initially, I wanted everyone to name their paintings but then I gave up that. After all, this was our first approach at the abstract art and I just wanted them to enjoy the process without pushing them too much. Our paintings are now on display and we can always get back to them and give them their titles later on, when we are more comfortable with the non-figurative art.

It was a great lesson! Next week I am going to get to repeat it with my younger kids and then, there is the rest of January to celebrate colour!

Here are some of the pictures that my little students created! It was one joy of a lesson, with my students discovering the world of the modern art and the brand new technique, experimenting with it and being proud of their creations. Amazingly enough, they really took to looking for ideas in their paintings and trying to name them. This was just precious.

Crumbs #74 Christmas a la Andy Warhol

Ingredients

  • A3 paper, glue and scissors and a stack of newspapers and journals (gardening, furniture, fashion, kids, music, animals)
  • music, for atmoshpere
Andy Warhol’s Christmas Tree

Procedures

  • This lesson in this format was done with my older primary students whose language is on the level of A2 – B1.
  • We started with bringing up Andy Warhol whom we got to know in September (more about this lesson here). As always, it was a pleasure to find out that our Andy Warhol Chebourashka was a very memorable lesson. My students did rememember! We talked about Andy again and especially about his love for Christmas (I do recommend reading about it here).
  • We looked at the Christmas tree he designed and at the technique (collage).
  • Afterwards, I showed all the materials and I started to make my own collage to demonstrate the technique.
  • We looked at the journals and newspapers, leafing through to find the theme. I suggested a few (a colour, an object, a topic) and just allowed the kids to think about it.
  • All this time I was making my own: I drew a big triangle and started glueing the pieces to match my theme (Nature).
  • Kids were working, cutting out their pieces and composing their collages. They were also looking for pieces for their friends. All this time we were having an open class dicussion about different artistic decisions and the bits and pieces that match or do not match the individual collages.
  • In the end, we briefly demonstrated all the trees, together with the title.
  • In order to create a more festive atmosphere, I put on some non-invasive instrumental music, Christmas-themed.
Nature (by the teacher)

Why we like it

  • The collage was a success. The students got really involved perhaps because the activity gave them an opportunity to be creative without requiring any real artistic skills, drawing, sketching or painting which sometimes can be a challenge.
  • It took a while for the students to choose the theme but it is perfectly natural because they needed time to leaf through, to see what is available and to make up their mind and to select something. But I was really happy because it was clear and obvious that they really did make a decision and focused on the colour, one specific item or a general idea to represent. What’s more, I could see that the kids themselves were happy and proud of their choices especially when their pieces were completed.
  • The task became a collaborative one although only by accident. Once it became obvious what everyone was working on, we all started to suggest and to offer pieces that we found in the journals that we were looking for. ‘I’ve got a yellow sofa here. Do you want it?’, ‘There is a princess here. Does anyone need it?’ and so on. It started with the teacher but the kids picked up on it. It is definitely something that I will be introducing purposefully the next time we do a collage.
  • We used the A3 paper but the A4 sheets are also an option and the trees will be easier to fill in as the smaller the paper, the fewer the elements.
  • We started with drawing the triangle on the A3 paper and went on to fill it in with the items. Two of my students did not have enough time (and the chosen elements) to complete the tree in one lesson. We are going to finish next week, we have this opportunity. However, that made me think that it might be a good idea to choose a topic, cut out all the elements and them compile them into a tree, making a conscious decision regarding the size of the tree and opting for a smaller version if time or resources are limited.
  • I presented the idea of a combined technique: a collage and drawing, to fill up the space with own drawings, if needs be, but, in the end, not one of my students decided to use this option this time.
  • The decision to put the background music on was a good one, too. It helped to create the atmosphere and, after a while, kids asked for the permission to put on their favourite songs which was granted and we ended up working and singing together.
  • As regards the language production, a lot was going on because we were chatting throughout the lesson but I have to be honest about one thing – my older group are already a high level, some of them very close to fully communicative in English and even bilingual. That is why I didn’t need to do much to encourage production in the way an EFL teacher would. They wanted to talk and we did, in English. However, there are other options for the lower level and the EFL/ ESL students. I am still to try these in class but off the top of my head, I would go for:presenting the collage with the title, calling out the names of all the elements of the tree (or as many as possible), choosing the character who might like this kind of a tree. I am quite likely to teach the same lesson on Monday next week and, if I do, I will be updating the post soon.
  • We did it in our Art classes but it might be a fun activity for a regular VYL or YL class, perhaps even with teenagers.

Here are some of the Christmas trees my students created:

Crumbs #73 Winter, winter and cheering up Mr Levitan

This is a double lesson, actually. Right now my Art Class has been divided into two, the younger and the older. Sometimes they take part in the same project, graded to their level, sometimes the project takes two different directions. This is what happened to Isaac Levitan this week. Here are all the ingredients and all the activities. Feel free to mix and match as you see fit.

Raised Salt Paintings. Santa. No watercolours.
Raised Salt Paintings. With watercolours.

Ingredients

  • Winter vocabulary: we used the following Art Winter, as the theme for the entire month.
  • A recording of Vivaldi’s winter, the first few minutes.
  • The winter scene craft: glue, scissors, pencil and paper: one big square for the box, green for the trees, white for snowman, colourful for presents and white tissue for the snow. I was considering the following version here but it was too complex for my kids. Instead I recycled what I did last year. You can read about it here.
  • The raised salt painting: pencil, cardboard, pvc glue, salt, watercolours. You can see the tutorial here.
  • And, of course, a few of the copies of the winter wonderland according to Isaac Levitan.
March by Isaac Levitan

Procedures

  • The lesson for the younger kids started with the vocabulary introduction and practice. We did a bit of drilling and some miming. We are going to be working on these in the weeks to come. So far we have only used the simplest ‘it is’ and ‘they are’ but I am hoping to take it further as regards description (It is big / small. It is hot / cold) and Present Continuous (Santa is running, reindeer are jumping) and hopefully towards picture description.
  • With the older kids, I wanted to introduce a new element, namely music. I told them about Vivaldi and his ‘Four Seasons’ and then we listened to the first two minutes of ‘Winter’. The kids were asked to listen and to think about their associations with the music. Afterwards, in the open class discussion, we talked about their impressions (Do you like the music? Vivaldi thought that it show what winter is like. Do you agree with his vision?).
  • Afterwards, we introduced the Artist of the Day and both groups looked at a few examples of the winter landscapes painted by Levitan. As usual, we talked about our impressions (Do you like it? Is it sad / happy? What colours can you see?)
  • Next, I presented the finished product to the kids. I showed them how the winter scene can be changed by adding kids’ toys, with whatever the kids had on their tables and in their bags.
  • With the older group, I showed the kids the final product and showed all the materials needed to complete the task.
  • We made the scene in the following stages: drawing and cutting out the snowman, drawing and cutting out two Christmas trees (aka triangles), drawing and cutting out the presents (aka squares). We prepared the pyramid (cut and glue) and started glueing in the figures. The task finished with tearing up the tissue to glue it on the floor.
  • The older kids were given a complete freedom as regards the choice of the design. I prepared a snowflake but they were more interested in representing their favourite things in this drawing, and I allowed for that. We did everything in a few simple stages: giving out the cardboard, drawing the design in pencil, covering the lines with the glue, sprinkling it with salt, using watercolours to add colour and leaving them to dry.
Four Different Wonderlands

Why we like it

  • Both lessons were successful and, again, we managed to combine English, creativity and some interesting techniques. I used two different approaches with both age groups but I am actually very curious how the younger ones might react to Vivaldi and what kind of winter wonderland my older students might create. There is the following week, so who knows? And, naturally, when my little kids saw the drying salt paintings on the window sill, they immediately started to demand that we do it, too so we will have to. I have already promised.
  • The winter wonderland is relatively easy to prepare. To make it more achievable for my younger kids, some of whom are preschoolers, I prepared and folded the squares before the lesson. All of the parts of the picture are simple shapes (circles, squares and triangles) and, if the kids are ready, they can add the little elements themselves or just draw them with a pencil, for example the ribbons on presents. We didn’t do it but snowflakes can be added to the picture, too, for example with a white marker or a pencil. That has to be done before assembling the pyramid, though, otherwise it is a bit tricky to draw on and it can be destroyed by accident.
  • I was demonstrating the activity, step by step and we took our time, to make sure that everyone could finish their cutting, before moving on. If the kids are younger, the task can be made much simpler by limiting the number of trees, the teacher preparing a simple snowman cut-out beforehand. If the kids are ready, Santa or the reindeer can be added to it.
  • The raised salt painting was a lot of fun to create. No matter what you draw, the colours seeping through the salt make it all look amazing.
  • The process is easy to stage and to manage as the teacher gives out and collects materials needed for every stage and kids themselves can grade it to their level by drawing something very basic or something more intricate. They drew their favourite animals, they wrote their names or prepared signs with their favourite things.
  • There is a danger that the salt will make it a bit messy but if you have a big box, a bit bigger than the size of carboard you are using, everything will be great. With the older kids, we used paper plates, from which we took the salt and where it shook off the excess. Please don’t remember that it is not a good idea to touch the paint and the salt, turning the paper upside down and gently patting on it will make the excess salt fall off without destroying the picture.
  • The watercolours can be added before the glue dries which makes it all feasible within a lesson time. The pictures can be left to dry overnight and taken home or put up on the following day.
  • Upd: I did the activity with the younger kids, too and I simply loved how teacher friendly it is. Because of the number of the materials needed and the process, the activity practically stages itself.: cardboard and pencils for everyone, pencils away, glue for everyone, glue away, salt for the kids, one by one (I did use a big box! See the photos.), watercolours for everyone, watercolours away.
  • The finished product (especially if done on the recycled carboard) looks like gingerbread cookies. So pretty!
  • I really liked how the older kids interacted with the art and the artist. I have a very creative group and some independent kids who already have developed a taste for Warhol and Malevich. For that reason, I was a bit worried that they might find Levitan, well, boring and too unimaginative. However, that’s not what happened. My kids were stunned that a painting so realistic could even be created and some of them came up to the screen to check and to confirm that it was, indeed, a painting and not just a photo.
  • I was also very happy that we added music to our lesson. They listened with interest and they were involved in the discussion later on, sharing their views, although, actually, they did not agree with Vivaldi’s interpretation of the winter-themed music. Apparently, it is too energetic and too loud and winter requires peace and silence. I will be experimenting with adding music to our lessons. The younger group first, with Vivaldi himself, and then some other tunes for the older group, too. I hope that, eventually, we will be able to find someone who wrote the good winter music that matches my students’ tastes. I will be very curious to find out who that is, because I, myself, love Vivaldi’s winter.

Paul Klee, the cat, the bird and the accidental stained glass. Teaching English through Art

All the stained glass pictures on the window

The language

I have decided that November will be the month of animals, apparently, for no apparent reason whatsover, just because because. This week was our first lesson and we only focused on introducing and revising the vocabulary using the wordwall cards and playing a great animal sounds quiz that I found on youtube. This is my favourite because it has some less obvious animal sounds and it offers three options, with the visuals and the written words on the screen. It makes it quite challenging, even for the adults who play it the first time but it also offers some support so the kids can learn the new language from the game. There is also a feedback aka the answer, a short video with the animal making the same sound. We have played it with a few groups and it has always been fun.

The artist

Our artist of the day was Paul Klee and his Cat and Bird, but, somehow, although I have taught this lesson before and I had all the materials ready, this time round, we did not spend any time on talking about the original picture. I was planning on describing different birds and describing different cats using photographs and then on revising the shapes in the paintings which would be a nice connection between the Month of Shapes (October) and the Month of Animals (November)…But it just didn’t happen. We started a bit later (autumn camp and a general mayhem in the school) and I was really preoccupied with the logistics of the technique. However, now that all our cats are on display, I am going to use this idea in the following lesson.

Here are our watercolour cats from 2021

The art

I have used this painting in class but previously we went for simple watercolour and the cats turned out beautiful, too. This was the main aim and the main preoccupation of this lesson because we were to try and to experiment with a completely new technique. I have been on the lookout for new things yesterday and that is how I found out about the melted crayons. My main source was the post on the Artful Parent (which is one of my favourite creative directories) although I adapted it to the needs of our bigger group with a slightly different objectives.

I used the same technique for preparing the crayons, the grater worked just fine (and then all the tiny, unusuable crayons stubs went home to be recycled and melted into brand new crayons, the link to the instructions can be found here) but instead of plates or muffin cups I decided to use sheets of baking parchments. Once I had enough shavings, I simply folded each colour separately and it worked very well during the lesson itself. The kids were passing different little packets to each other, opening them, taking the colour they needed and passing them on.

Preparing the picture was super simple, it is easy to find the Klee’s painting as a colouring page and to make copies. We were sitting at a large table (aka all the small desks huddled together) and each child had a large sheet of the baking parchement and a copy of the picture on it, in my attempt to contain the mess.

We started with colouring in the smallest shapes (the diamonds in the eyes, the heart nose and the bird). Afterwards, everyone was just picking up the shavings in pinches and putting them on the picture. I also gave out paintbrushes which we used as brooms to sweep the shavings off the lines and unnecessary places. The packets with colours were travelling around the table.

As soon as someone was ready, I showed them how to cover the picture with a sheet of baking parchment (we had to use the one that was under the picture but, ideally, I would have had another one for each child, to keep the tables even cleaner) and I walked around with my iron, ironing one picture after another. The kids peeled off the baking parchment right away and put the pictures away for drying and cooling down. I think, overall, we got better results with covering the picture with the baking parchment the matte side down but there is some room for experiments there.

In the following day, I framed all the pictures in simple frames made from the coloured paper and I put them up in the window. I used all the pictures, those that we intended to be pretty and also the baking parchment prints which turned out to be interesting, too!

It needs to be mentioned that I did not intend these as stained glass, despite the fact that this is how I found them. I only wanted a new and interesting technique but the thin layer of crayons really looks beautiful on the window so this is how I decided to display them in the end.

Overall, I think that it is better to be economical with the shavings. First of all, the pictures seem to be more interesting and, what is more, too much shaving creates a thick layer that might crack while drying and it is also quite likely to stick to the parchment more. I still recycled those (as stained glass pictures and for the second ironing round) and I love how they look but, initially, some kids were a bit disappointed with the outcome.

When I am using the technique again, I will definitely start with drawings, either done by the kids or photocopied, just for the framwork. Unless, of course, we decide to create some melting crayons Jackson Pollock…I would also love to try following that up with the drawings or a simple collage…

The Making of…

P.S. Here are my new cool, chunky crayons from the recycled crayons stubs and the leftover shavings…

Happy teaching!

Crumbs # 69 A heart, a heart! I can see a heart! A slightly different approach to Art in English

This was our final October Art Explorers lesson. I was preparing for using Paul Klee’s The Bird and the Cat because the painting does include two hearts as well as other shapes, a perfect final lesson. However, in the middle of the preparations and my trying squeeze everything in one academic hour, I decided to go easy on all of us, myself and the kids. I changed the concept entirely and chose to focus on the technique, for the first time ever in my Art Teacher history.

Ingredients

  • A pile of cards, A5, enough for everyone to try a few techniques.
  • Pencils, crayons, watercolours, salt, tissues, hand sanitizer, a paper clip.
  • For the older learners: a heart as a symbol in brands.
  • Videos for the teacher to learn about different watercolour techniques. I have taken my ideas from these: here, here, here and here. Thank you)))

Procedures

  • First of all, I watched all the videos to learn about different techniques and to choose those that will be feasible in the classroom with my kids. The next step was creating my own hearts, a whole set, with different techqniues before the lesson time, in order to be able to show the students the final product. I kept to the same colour for the kids to be able to see the different effect and the impact on the texture and not to be distracted by the colours.
  • We started the lesson in our usual way, with the hello song, taking the roll call, singing the song about the shapes and looking for the shapes around us. With the older students we also did the heart in brands quiz.
  • Afterwards, we looked at all the techniques to try in all my samples. While we were doing it, I was also demonstrating the most important tools ie the cloth, the plastic, the salt, the paper clip (for scratching).
  • Then we just started to create. All the kids would take the cards, draw the heart and then try the new technique. We would look at the final product, talk about it a bit and move on to the following technique.

Why we like it?

  • It was a lesson like one big experiment, in which we were moving, from one stage to the other, with a lot of curiosity and excitement.
  • This time we have done the following: salt on the finished picture, salty water as the base, scratching the surface with a paperclip, drawing the patterns with wax crayons and painting over, finishing the picture with a cloth, splattered paint, the broken brush (aka printing with a split brush). I also had the plastic bag for the final touches and the alcohol prepared (aka the hand sanitizer) but we did not have time to use it in the end.
  • I have to admit, it was not the most productive lesson that I have ever taught but it was an wonderful opportunity for all of us to do something different.
  • I was very happy to see how the kids were allowing themselves to try something else, something new. At first, they were just following my instructions closely, using the same tools and the same techniques and then they were leaving all that behind and taking one more step further, with a particular technique or with a mixture of different techniques. At this point, we were all looking with curiosity at the outcomes. It was a very beautiful moment.
  • If this is an option, I would like to recommend looking at the final product on the following day (or in the following lesson). The drying time really does make an impact and the creative lesson might be followed up by gallery walk, expressing opinion and choosing the most interesting heart and technique.
  • This activity would be a perfect Valentine’s Day celebration in Art Explorers and I was almost sorry that I used it in October. I might be coming back, actually, with more techqniues!

Happy teaching!

Teaching English Through Art: Malevich

The language

Malevich was the hero of the first October lesson but somehow, it landed in the wrong order on the blog. This whole month we are learning about shapes and you can read about some of the ideas for these here. Thanks to Super Simple Songs we have two cool songs about shapes, this one and this one, and they can easily be turned into a game as we go on singing and looking for shapes around the classroom, on the walls, in the alphabet and on our clothes. I don’t.

Some animals admiring the black square

The artist

There could be only one painter to be invited to this particular lesson, of course, Kasimir Malevich and the Black Square. We started with introducing him and we looked a few of his paintings. I rarely include a lot o detail from the artist’s biography but here it might be quite interesting to see how his creativity went from ‘just realistic paintings’, through many intermediary stages, casting off realism and colours, to the Square.

Because at the time, we also had the mixed age groups and levels group, we could discuss symbol in general and what symbols exist in our everyday life for example the symbols that are logos of different brands or the symbols that we have in the streets or in the public transportation. This is how we arrived at the square that could be a symbol, too. We also looked at some of the parodies of Malevich.

Black on black by one of my students

The art

  • The preparations for this lesson were quite limited: markers, glue and scissors and a lot of coloured paper. I had white and coloured paper for the background and some bigger and smaller black squares for the main protagonist.
  • I showed the students my example and the kids were asked to pick a square and the colour of the background. Then, they went on to glue, to cut and to create.
  • I was monitoring and discussing the choices. I also helped them translate the titles for their creations.
  • As can be seen, not everyone was very concerned about the perfection of their squares. It is my fault because I gave them relatively big squares and rectangles for them to make their own decisions regarding size. Some of the kids decided to glue them as they were. It is ok. i don’t think Malevich would have minded.
  • I loved the creative process and I was so proud of them for having created all these lovely pieces. The Camera by Nikita is just briliant and it was actually a 2D creation. The Labirynths by Kostia are out of this world and, although I don’t understand them, there is some link to some computer game. Apparently. One of my students, Sasha, kept walking around the room and trying out the square against different background and, surprise, surprise, she ended up choosing the black one, taking Malevich one step further. With the older students we also had a great discussion in which we shared why we like the square so much. ‘It is like the silence in a picture’, was one of the lines in that conversation.
  • I can’t wait to teach this lesson again)

Happy teaching!

Teaching English through Art: Vincent van Gogh and Starry Night

Halloween Starry Night by me

The language

October is for us a month of shapes and every week gets a different shape hero. Because of that at the start of the lesson we revise shapes, sing songs, look for shapes around us and talk about shapes as symbols and our associations with this particular shape which last week was a star.

The only trick is to prepare a great variety of activities to make sure that everyone stays interested but, beginning October, at my school we introduced a new element to the format of our Art Explorers classes. Our group used to meet twice a week and we had quite a few students, younger and older, from pre-school to grade 4. It was not the best solution as there was a huge gap as regards the lingustic skills and abilities, motor skills and abilities and creative skills and abilities. Luckily, we were able to divide the group into two, the older and the younger and this way adapt the course and the activities. The lesson I am describing here was taught with the older group. The younger kids practised the same vocabulary but their focused task was different, the one that I did before with the same lesson (see below).

Vincent van Gogh meets Kasimir Malevich

The artist

In a way, I was waiting for this lesson. Starry Night by van Gogh is this one painting that immediately puts me in a good mood (although I cannot help but think about the paradox of how such a troubled soul managed to create such a peaceful image) and it is probably one of the most easily recognised paintings and kids respond to it immediately. I have already used it in the magic wand lesson, with the younger kids and I was looking forward to taking it to another level with a more advanced group.

As usual, we introduced the artist, together with his country and his favourite things. We also looked at different interpretations or parodies of the painting which can be easily found online. They all feature the amazing background of the starry night and…anything: Batman, Snoopy, birds, cats, ghosts, Santa, Mona Lisa and a city of your choice. This is what became the inspriation for the art part of the lesson.

The art

  • It was relatively easy. The main ingredient to prepare was the starry night background that we printed in colour, one per child. I was considering preparing it ourselves, from scratch and it would have been amazing but our lessons are too short and there was no chance that I could do it over two different classes. For that reason, I decided to print.
  • I also brought a lot of coloured paper and just some regular white paper. The main idea was to draw the shapes, figures, objects for your picture, to cut them out and to glue them back on the starry night background.
  • The images that you can see in this post were created by my students and as you can see, they represent different directions that the kids decided to take. There is another Halloween van Gogh, inspired probably by my example, a Starry Night Malevich that got carried over from the previous lesson devoted to a square (and Malevich, see the post here) and we had a starry night that became the setting for a meeting…
  • The best thing about this kind of an approach is that any student can produce something according to their abilities, either something very intricate, beautifully drawn and cut out or, on the contrary, something very simple if they don’t feel confident about their drawing skills. I have also decided that next time I am teaching this lesson, I will be also bringing newspapers and magazines for the students to be able to make the collage even more fun and feasible. This will be also beneficial for the students who are not very confident about their drawing skills.

  • With my younger group, preschoolers and year 1 of primary, I decided to do something that I have done before and something that was a huge success. Instead of creating a picture, we created out own magic wand with the use of two stars (printed, cut out, decorated, glued together), a chopsticks (although a wooden stirrer will do, too) and some ribbons. The regular glue stick will do the job well, you just need to apply a lot of glue on both stars. Don’t worry if they look a bit damp and unappealing, they dry well and if they are given a chance to spend a night among the pages of a big book, they will also be flat and just perfect.
  • Oh, and one more thing, with my regular English classes, we create wands whenever we need a tool to practise Present Continuous (‘Abracadabra, 123, you are…) or just whenever we learn something that can be mimed, for example pets or toys.
  • As you can see the last few pictures come from this year’s Autumn Camp which we taught in two groups. I decided to go for a proper collage whereas my colleague, miss Victoria, decided to upgrade it and use mixed media methods: a picture painted by the children themselves and then decorated with stickers. I simply love the idea and how it turned out. With preschoolers, btw.
Stars, van Gogh and magic wands

Happy teaching!

Crumbs #63 Musical Challenge meets Andy Warhol

Ingredients

  • A set of markers and a simple handout (eight circles and numbers)
  • A video with different music samples. I have used this one here, devoted to the unusual instruments.

Procedures

  • In our case (City Camp), the whole day was devoted to music and in the first half of the day we: learnt the names of the instruments, played different games with the vocabulary such as miming, guessing the name of the instrument by the sound and we made our own shakers. I came up with the idea for the musical challenge to follow-up on all of that.
  • First of all, we revised all the colours and we talked about the associations between colours and emotions. We used those that the kids were familiar with (happy, sad, angry, tired, sleepy, hungry, crazy, scared, energetic).
  • I showed the kids the handout, with the eight empty circles and numbers and asked ‘How is number 1?’ and the other numbers. It was clear that they had no colours and no emotions.
  • I told the kids that we would listen to music. ‘Is it a happy music?’ ‘A sad music?’ ‘Are you scared?’. I asked them to close their eyes and played the first part of the video. It is important to mention that I used my laptop here and the kids were not able to see the screen and the instrument. I did not want them to get distracted by the image and I was hoping that we would be able to focus only on the sound and the associations.
  • When the music stopped we talked about out emotions and the best colour for them. Afterwards we coloured the first face.
  • Later on, we proceeded with all the other pieces of music in the same way.
  • In the end we watched the video again, this time properly but we also paused and talked about the emotions and the colours, comparing our pictures.

Why we like it

  • This activity is a variation of the Musical Challenge that I often use with my older students. Initially, I was considering using it in its original format but later decided against it as some of the kids in the group were too young and I was worried that I would not be able to explain in English that they can draw anything they want, that they should be quick and avoid adding too much detail and that we would not really be able to talk about the results properly as the children do not really have enough langauge for that. Instead, I mixed the Musical Challenge with the Andy Warhol lesson.
  • I loved the way the activity worked. As an English teacher, I should probably start with the fact that it gave us an opportunity to produce a lot of langauge because kids started to make some comments even during the listening part and continued later, while making decisions about the colours and while presenting their smiley to the teacher and the group.
  • The same video and handout can be used with older and more advanced students because the music samples / emotions can be used in an extension acticivity i.e. group the samples/ emotions, choose your favourite, create your own instrument and play some music, choose one sample / emotion and tell a story etc.
  • It was also amazing that everyone could produce as much as they were capable of. Since it is a city camp group, we have some mix of abilities but since it is an open-ended task, kids can produce a little bit, the bare miminum (‘It is sad. It is green and yellow’) or a lot more, fully justifying their choices.
  • As an Art teacher (and yes, I dare call myself that), it was absolutely amazing to see how well kids responeded to an opportunity to look at the world from a slightly different perspective, making the connections between the colour, the music and the emotions and representing it on paper. During the entire activity, it was easy to see how the kids actually did take time to think about their impressions and how to express them best through langauge and through colour. Sometimes, they would make an immediate decision, while listening and then rethink it and change it. And the conviction with which they did it was a wonder to behold.
  • As a teacher of children, I loved this activity because it gave us all an opportunity to express our own personal views and opinions and to learn that everyone, the kids and the adults may have a completely different opinion and that there are no right or wrong answers. So at the same time, it was also a lesson on learning how to respect other people.
  • A busy/lazy teacher loves this kind of an activity because it takes about 5 minutes to prepare and to set up.
  • For us the activity was the final project but it can also be used, in a shortened version, as an introduction or a lead-in activity to any lesson related to music.

Happy teaching!

Teaching English Through Art. Jeff Koons and his rabbit

The language

  • The activities mentioned here were a part of the final lesson of the month and in the unit on animals. We practised the names of animals and we tried to make very simple riddles about animals (‘It is big. It is green. It can swim’). In this particular lesson, for the first time ever, I invited the children to make their own riddles and, with the help of the teacher, they managed.
  • I also introduced the forest version of ‘Walking in the jungle’, which very conveniently, includes a rabbit.
  • We used the finished product for practising the target langauge (Rabbit, can you jump? Yes, I can). We created a few questions (and I say ‘we’ because I only needed to start and the kids took over), answered them and then followed that with singing the song that we learnt in this unit (Little bird, can you clap, from Super Simple Songs) which turned into our own conversation and / or a version of a song (‘Anka, Anka, can you dance?’) which is now one of our favourite parts of the lesson. Kids took a lot of pleasure in answering the questions about themselves.

The artist

  • Jeff Koons was chosen to be the artist of the day only because he was what came up as a result of the google search along the lines of ‘modern artists who drew animals’. His most famous animal is, of course, the balloon dog but I really could not think of a way of turning it into a fun craft activity in the online environment, without asking parents to purchase some unique resources. Plus, we made a puppy craft only a few weeks earlier and I wanted something else. Luckily, Jeff Koons created more than just one dog and a balloon rabbit was one of his creations.
  • We introduced the artist (name, country, favourite things) and we looked at his animals and tried to guess what they are.

The art

  • We started with checking all the materials: an A4 piece of paper (either the drawing album paper or just regular photocopying paper), scissors, glue and marker. I also sent the photo of the finished product to the parents so that they could help, if necessary.
  • As usual, I was modelling every step, then waiting for the kids to complete the action before moving on to the following stage.
  • First we drew two lines along the long side of the piece of paper and we cut along them.
  • Then I put the two strips together into a letter L (although in class I used the references from Russian and we made a capital letter G) and glued the ends together. Then came the time for the most challenging step, making the harmonica (or the spring (the reference that came from the student who had a slinky and called it a spring). I used the phrase ‘on the top, on the top’ while demonstrating how I was folding the paper. We glued the ends, too.
  • On the remaning piece of paper we drew a circle and drew the face of the rabbit on it. Afterwards we drew ‘two letters A’ for the ears and cut them out. We glued them together and then we glued them on the top of the spring.
  • Next, we drew ‘4 zeros’ for the paws and we also cut them out and glued them on the pieces of spring, two at the base and two somewhere in the middle. The glue here can be applied on the top or at the bottom of the piece and glued on, it does not really matter.
  • The rabbit was adapted from the original version from DIYArtPins to make it feasible in an online class but, still, it is the most complex and the most challenging craft that we have done in our online class. I had experiemented with it before the lesson, making my own copy, checking whether the quality of paper will or will not have an impact on the final product, visualising the stages and instructions. I was ready but I still got cold feel once we started to make it. However, my amazing kids who have been creative for two years and who have been creative online for one year managed. The youngest artist was supported by her mum and she managed, too. I would not recommend this activity for beginner online artists of beginner offline artists, either.
  • Without doubt, the rabbit is just cool. It is a real toy, made of paper and when you press it, it springs back or, we could and we did say, ‘the rabbit can jump’.

Happy teaching!