…were completely given up on in this particular lesson. I was considering looking for someone who created something that we would be creating but I quickly realised that the process will be the more important part of the lesson and, again, because of the materials and of the many stages, we will need time. I just wanted to make things out of the salty dough.
The art
While I was preparing for the lesson, I considered different scenarios, also the one in which we make our little things and leave them to dry for a week and decorating them during the following lesson. There are microwaves at the school but I did not want to use them. I wanted to keep everything as simple as possible and after experimenting at home at the weekend and testing the drying and colouring and I had a solution. I also tried to paint my dough while still wet and that went well, too.
I made the dough at the school, just before the lesson. I didn’t have any bowls there but I used one of the big plastic boxes and even though though it did get stuck to the box and dried up a bit, I washed it easily after the lesson. There are many recipes out there but I used this one here.
I prepared the working stations for my kids (a double spread of the newspaper scotched to the table) and got changed into our aprons.
I showed the children the dough, I explained the ingredients I used and I repeated my basic health and safety drill that is the title of this post. I showed them the tools that we had at our disposal (cookie cutters of random shapes and two small bottles to be used as rolling pins) and paintbrushes that were to be used in lieu of the little knives to shape up our creations.
I also showed the children the photos of different things that I made at home while trialling and testing: a letter A, a snail made out of one piece of rolled string of dough, a flower made out of blobs etc. I wanted the kids to get at least a vague idea of the opportunities that the dough presented.
On the board I wrote out the main stages of the lesson and they went as follows: 1. Look (at the model), 2. Make, 3. Paint, 4. Transfer to the window sill, 5. Dry. I wanted to make sure we are all on the same page and that we all finish in time.
I told the kids that since we are experimenting with a brand new material and technique, everyone can make whatever they want. ‘Anything?’, they asked, incredulously. ‘Anything! Go on, experiment and have a go!’ And they did!
The outcomes
It is possible to go through the whole process in 45 minutes, from instructions, through creation to painting and cleaning. Some of the students did finish early but we made sure everyone waited for everyone else to finish before moving on to the following stage.
The paint was dry within minutes but the cookies (that’s what the kids started to call them) were still to fragile to be transported so they were left on the window sill until the following day, when we packed them into plastic zip lock bags.
Once the creations were ready, we transfered them onto A5 pieces of cardboard, for painting, drying and safe travelling later on.
For colouring we used acrylic paints, with a pearl shine and that made them look even prettier. I was really proud of all my students because we took all the necessary precautions and there were no splatters or spatters. Our clothes, tables and chairs were safe.
The kids’ creations simply blow my mind. As usual, my amazing artists looked, thought and then went on creating in their own style. Most of them are simple cookies, cut out with a cookie cutter and painted. Some are decorative pieces, like the three hearts made for mum. One of my students thought of making a necklace and she even made a whole for the ribbon. Some students decided to create 3-D figures of their favourite things, some of them very elaborate. And of course they snatched them even before I could take a photo…
Guess, we are definitely doing this again! I am not sure when but we definitely are! Maybe they will be Christmas decorations, maybe little pumpkins for Halloween, maybe Easter egs! The salty dough will be back!
Even more things that can be done with salt dough (updated 18 August 2024)
I happen to have a 1-1 lesson with one of my students and, knowing that he loves making and creating, I decided to spend this time with craft and salty dough. Somehow, this was a very creative lesson as we could make, try and experiment and the ideas were bouncing off, back and forth. We have tried:
using shells and beads as decoration
applying beads onto an already painted surface (good idea!)
applying beads and shells, then painting with acrylic paint and wiping the surface gently with a wet tissue (good idea!)
constructing a piggy bank on a frame of a glass jar. Not sure what I can say about it, the shaping went well, but the piggy bank is still drying. The success of this one will be determined later)
Here is a situation that I witnessed many times during an observed lesson with young learners: a teacher and a group of kids start playing a game, for example riddles. The teacher models, then the kids take over. One student sits in front of everyone, chooses a card for the other students to guess or to identify. Kids start shouting out words, one of them gets it and the teacher takes the flashcard and hands it over to the student who shouted the correct word. The game goes on and it takes about three rounds more for one of the students to get offended / upset / angry / sad about not winning. More often or not, someone starts crying. Oups.
It is not only about losing, although, to be honest, this is a serious problem, too. Here, however, the ‘failure‘ of some kids is clearly visualised with a flashcard. Frequently, it is also very unfair because it is the faster and louder kids that get the point and these are not necessarily the kids who really know the answer. Also, there is another dilemma in a situation when two students shout out the correct answer at exactly the same point. Will the teacher tear the card into halves? No, of course not. Sigh.
That issue, frequent as it was, was always addressed during the feedback session and I am pretty sure every session on games for VYL and YL included the commandment compressed down to ‘Don’t use flashcards as reward points’. This was the bread and butter of a trainer / VYL ados.
My real shock to the system was an invitation to volunteer at Sheredar, our rehabilitation camp for children who went through serious diseases a few years back. I had a chance to go there a few times and teaching kids was an amazing experience. However, before I went, our contact and coordinator, Ksenia, said: ‘They will be one big mixed ability group but you can choose any topic you want. Actually, do whatever, just don’t play any competitive games. These kids have fought enough’. It took me about a minute to understand that I have no games to play. All my favourite activities, those that I frequently used in my lessons, with kids, juniors and teens, all of those favourite ones were competitive. ALL OF THEM.
Should kids even be playing competitive games?
I have been looking for sources on competition in the EFL classroom and I have found…nothing. I started to look around for any texts on kids and competition and it turns out that getting engaged in competitive activities such as sports, for example, can be very beneficial for children.
competitive activities can be motivating and encourage kids to improve their skills
playing and losing and winning helps children to learn how to deal with competition and with the fear of losing
they are also an opportunity to learn how to deal with pressure and how to win and how to lose
they are good for building self-confidence
they teach kids about the existence of the rules that need to be obeyed
they can help form friendships and relationships, with peers and adults
and, also, even if they are sports, they can lead to improving academic performance in children
Although, of course, they can also have some drawbacks, such as too much pressure, negative feelings in children and for their self-esteem.
On the whole, competition is a good thing, although it is not a given that all the children take to it naturally. Some of them might struggle, which is natural, bearing in mind that not all the adults have learnt to deal with it successfully, and they should be given help and support.
EFL and competition
As regards our EFL classes, especially those with the younger learners, primary and pre-primary, it would be just reasonable not to abandon all the competitive games althogether but to keep an eye on the balance and on avoiding a situation when all the games and activities that comprise a lesson have promote competition. Apart from competition, there are the other beautiful C-words such as: cooperation, colaboration, cognitive skills development that can and should be the foundations for our classroom life.
Not to mention that everything that we do in our lessons, namely learning a language, is against the very idea of competition. All the kids learn for themselves and although they have the same linguistic aims, their overall results or results in certain areas of language learning do not depend on the results of the other participants. What is more, their progress is measured against their previous results and achievement, although, admittedly, the situation is slightly different when it comes to learning a langauge in the context of a state school where kids’ progress is graded at every step of the way.
Things to consider
The most important thing to remember seems to be the fact that we, as teachers, should not take things for granted and assume that all the kids in our group like competition and competitive activities and that all of them are equally prepared to win and lose with grace.
The other factor to take into consideration is the age of the students. The younger the students, the less likely it is that they have already had a chance to participate in those kind of activities and acquire these skills and that they have enough life experience to be mature about it. It is a combination of their age, cognitive and social development as well as life circumstances such as having a chance to attend kindergarten, playing at home with parents and relatives, having older siblings and so on.
Equally important is the bond between the students. A group of children starting to learn together in September is a completely from the same group in January or even in October, especially in the context of after school groups or afternoon language schools where children might land in a group of complete strangers with whom the only thing they have in common is the age and the level of English, not the family ties, the address or the school. The more they get to know each other, the more they bond, the easier it will be for the teacher to set up activities, including competitive games, and for the kids to handle ‘failure‘. After all, it is easier to lose and get over it when you play with friends.
What it comes down to in real life, with real children, is keeping an eye on the kids, checking how they react to different stimuli and then introducing some competitive games, carefully, step by step. However, with my youngest students, this non-competitive period may span over the entire length of the pre-school EFL. With the most recent group, we started to play only half-way through our third year together and even then it was the whole group vs the teacher (who always lost).
Every little helps
Here are some of the tricks and techniques that a teacher can use in the classroom while introducing competitive games or taming of the competitive games we often include in our lessons (tired and tested):
Playing the familiar games such as riddles or pelmanism in a less competitive way. First of all, we do not award points for the boardrush OR we award points to both teams for competing the task, not only to the team who is faster (especially that with boardrush at least it is sometimes very tricky to establish who really was the first one to touch the board). Points here can be pluses or hearts on the board or flashcards given out to the winner in a particular round. Instead, we finish the round, the praise everyone and we simply move on. The game itself (the fun of participating, the language produced or used) is the reward itself.
We do not determine the order of participation based on the successful participation, for example in riddles, when the student who guesses the word is the next one to play. Instead, all students take turns, one by one to make a riddle for the whole class, regardless of how good they are at guessing.
Playing ‘Simon Says’ without excluding the losers by asking them to sit down after they make a mistake, especially that a growing number of non-participating students is very bad for the overall classroom and behaviour management. Or, in the same way, playing the Treasure Hunt without establishing who the winner is. We all look for clues around the classroom or the school, we all participate for ten minutes and in the end all check our answers, without counting the points or the number of the elements or stages completed.
With pelmanism, instead of playing 1-1, with kids uncovering two cards at a time, the whole group can do it in pairs, with two kids always participating, ideally in different combinations. As soon as a pair is found, the teacher and the kids cheer for everyone, and the cards are put aside or given back to the teacher.
Play the game in the format of the teacher vs the whole group, to create the support for the individual child. If they win or if they lose, they will do it together, with all their friends, nobody will be singled out. Ideally, in such a situation, the teacher loses and has a chance to model the mature behaviour and how ‘a failure’ can be handled, but, of course, bending the rules in order to ensure that might not always be easy to do. If you are looking for ideas, I would recommend pelmanism. It is very easy to get distracted and to forget (or ‘to forget’) where the other card from the pair is located.
Any game can be played in teams, a team vs a team, instead of individuals competing with each other. This way, again, the support, the safety net or the safety blanket is created. Enjoying the victory or handing the loss is easier with your team. Even if there is one child who does not handle ‘the failure’ very well, there will be other children in this situation, too. They will serve as role models.
Having the teacher participate, as one of the teams, can also help soften the blow of the defeat. Again, the teacher will be the one to model the langauge use, the game rules application and the player’s behaviour, too.
If possible, talk to the parents whose children struggle with controlling their emotions while losing the game. If nothing else, it would be great to find out whether there have been any factors that could have played a part, whether the child reacts this way in other situations and to simply inform them what happened in class. Perhaps parents will be willing to discuss this topic at home, to reinforce what the teacher does at school and, perhaps, to also play games at home, to help the child tame that beast.
In one of the posts (see bibliography), I found another great tip. What is necessary is a quick game that can be played a few times, in a quick succession, in the same lesson. Some of these will be won, some will be lost, but the quick pace and the repetition will make either of the results, the victory or the defeat, not so relevant anymore and easier to deal with and to even forget.
Another approach that I have been using in some of my summer camp groups was the Points Poster that we used throughout the entire camp. It was very simple, only an A3 piece of paper, with the team’s name, displayed on the wall. Every time we played a competitive game, there were points, for example two or three stickers for the winners, a star for everyone else. All the kids took very well to it because winning the stickers was great but the joy lasted a brief moment only and very quickly the stickers won today would quickly get lost among all the other stickers won on all the other days. The defeat, on the other hand, was perhaps not the most pleasant thing in the world but it didn’t matter much because the students knew that they would be another game on the same or on the following day. What is more, because I was using some leftover stickers, of all kinds, sometimes it was more fun to choose one huge sticker for your team rather then three little ones…
Finishing each game with the teacher and the kids thanking each other for the game, with a simple handshake and ‘Good game‘, just like all the football or volleyball players do at the end of the match.
Any activity that can work towards bonding and building a community is also welcome
If there is the students who struggle with dealing with their own emotions while playing games, I have so far tried two things. One of them was pairing this student up with myself, in 1-1 games, in order to be better able to model, to monitor and to help the child control their emotions during the game. I have also experimented with pairing up with this child in the games that we played in teams because, again, losing (or winning) in one team with the teacher was easier to deal with.
Non-competitive EFL games
First, an anecdote. The heading of this paragraph is what I put into my google. Would you like to guess what the amazing Uncle Google came up with? Nothing.
‘Fun games’ – yes, ‘no prep games’ – yes, ‘exciting games’ – yes, sure. There was random post but nothing for kids and not many are actual games. And one article about an activity that still has winners and losers…Nada, nada, nada.
Here are some suggestions from the non-competitive games that I have played
Musical flashcards: a simple movement game, an adaptation of the musical chairs game, only without any kids dropping out. The teacher puts out all the relevant flashcards on the floor, kids move around with some music playing. When it stops, every child picks up a card and makes a sentence for example: I like bananas (topic: food), I haven’t got a cat (topic: food), I am wearing a blue t-shirt (topic: clothes) etc. Afterwards, the flashcards go back onto the floor, the teacher puts the music on for another round of the game.
All the logical games such as Find the difference (for example those that we have in the YLE Movers and Flyers) or Odd one out (for example YLE Movers) that can be easily adapted to any topic. A similar activity will be also based on the silly picture scenes that I described in an earlier post here.
I Spy: a variation of the game with a set of visuals such as a poster or an illustration from the coursebook. Kids work together as a group (in the early stages) or in pairs, they describe something in the picture, with the relevant sentences, depending on the age and level (I spy with my little eye something. It is big, it is green. It is next to the cat. etc). The student or the students who listen find the relevant object. This game is not competitive because there are no winners / losers and the game goes on until the child / children guess. As the game proceeds, the kids can offer more information and support to help their partner, for example the first letter / sound, the gestures etc.
Riddles: the same principle and procedure as above but it can be played with flashcards or a set of word cards or a set of words prepared by the kids.
Back to the board: it is a very popular game that can easily be played in a non-competitive way and this way it can go help build and develop a sense of community and give the whole group a chance to work together. One of the students sits on a chair in the centre, facing the group. The teacher writes a word or a simple sentence on the board and signals how many words it includes. The group work together to help the one student guess and recreate the word on the board. With the lower level kids, flashcards can be used instead of words although using simple sentences works wonders for the students to learn and to work better with the grammar, the sentence structure and, progressively, with the meta language.
Monster game aka Hangman aka Let’s save the little human: I love playing Monster Game with the lower levels because it helps the students work with literacy, spelling and blending and we always play it as a whole group with all the students contributing and working together to guess the letters and the words and to help the little human who is slowly losing parts of the ladder, the boat or the hotair balloon. To make the game less cruel, the element of getting points can be added (i.e. when the kids guess a part of the word or when they guess the most common letter or when they get all the vowels etc) and with my summer camp group the game finished with the kids drawing some food for the hungry monster because they developed empathy for someone hungry, even though it was a monster.
Telephone: this game is a variation of something known as ‘Whispers’, with the whole group sitting together and passing a word or a simple phrase, from the end to the beginning of the chain. This is not a very generative game or a very communicative one but it helps the kids work together towards one goal and it is easy enough even for the youngest kids.
Stations in the classroom: this is not really an activity but a format of completing tasks with kids. The teacher sets up a few stations in the classrom, for example in the four corners of the room. Kids move from one station to the other and complete the task such as unscrambling words, completing a simple handout, matching words and pictures, playing a round of pelmanims and many more. Kids complete a few tasks during the lesson and their job is done when they complete a full circle but they do not compete with everyone else in the group. It is up to the teacher to decide when then task is done and they can move on and in this way, even the ‘weaker’ students can play and participate without any pressure from the group.
Community building games: on of the 30 Creative Team Building Activities. I haven’t tried these yet but these definitely caught my eye: Cross the Line (22), Paper Chain Race (30), Shrinking Classroom (18), Building a tower (6 and 10). Or 22 Fun Team Building Games and Activities for Kids. Here I really liked: Forehead Dots (4), Some of them have the ‘choose the best / fastest team’ element which works to some extent as it helps the kids to bond within their team but I would still skip this element altogether.
Last but not least, among the things that has been on my wishlist of the things to try out in the classroom is the parachute and all the parachute games. Some ideas can be found here.
Coda
But, perhaps, the situation is a little bit better than it seems. While working on this post, I asked my audience on the social media about their opinion and I was very happy to find that those who responded use a mix of competitive and non-competitive games. At the same time, the teachers admitted that they have to deal with the competition-related stress in the EFL classroom, although not all the time and ‘some games, some days, some kids’ was the most popular answer.
What about you, dear reader? Do you play any non-competitive games with your YL students?
If you are interested in the topic (and a subscribed reader of the Modern English teacher), I do recommend reading my article from Nov – Dec 2024 that is the continuation of that post. You can find it here.
This is the second post in the series that is a diary of a teacher trying to teach not the most exciting unit from the coursebook and sighing all the way. The first post can be found here. Today another one, this time devoted to two lessons on the passive voice. The post includes references to Gateway to English, B2 by David Spencer published by Macmillan. This is the coursebook that I am using with my group and the page numbers refer to the second edition of the coursebook.
Vocabulary practice and revision
This unit has a rather challenging content as regards vocabulary. There are the names of the natural disasters as well as a big set of nouns, adjectives and verbs used to talk about disasters, not a small thing. Hence more practice.
A quick test – Here I had a good time pretend play a school teacher and calling out my teens to answer a series of random questions. The teens took turns to give us a definition and an example for all of the key words from the previous lesson.
Visuals: I shared with my students a set of six visuals related to disasters (here) that I found on google, illustrating different aspects of a variety of natural disasters, including the damage and the beauty, too. Students were asked to work in pairs and to choose a pair of pictures for their partner to talk about and to compare them (‘Are they similar or different?’), partially inspired by the visuals tasks from the higher levels of the Cambridge exams. There was also a round-up question, ‘Which photograph was the most interesting for you?’ which is also the question that we used for the whole class feedback.
Grammar presentation and practice
From the very first moment I knew that I would try to minimise the presence of the main topic of the unit, in order to give us all a break and to be able to include some more exciting and some less dramatic topics. Because, really, how much can you take. Overall, I decided to keep all the practise exercises from the book (all of them but one using the context of the natural disasters) and to supplement them with something more fun.
The context I chose was My International Life. The first part was the presentation about the products that I use, the clothes I wear, the books I read and the devices I use and where they were made. I presented a series of visuals and the group were trying to guess where they were made, my computer, my socks, my coffee and my trinkets. The model sentence we were using at this point was: It was made in…They were made in…
Later on we dealt with the form, pronunciation and use, including the difference between the active and the passive voice.
The first practice activity was the students talking about themselves. The students were sent out into the breakout rooms to talk about their international life. They were instructed to talk about ten things (minimum).
The other practice activities in that lesson focused on the exercises in the coursebook (page 98 in the coursebook).
We finished the lesson with an online game, found on bamboozle.com.
Grammar presentation and practice. Part 2
I decided to divide the grammar input into two lessons because I teach a mixed ability group and, although, theoretically, the passive voice structures, in all the tenses, should be only a revision for them, it is not quite true in case of some of my students. For that reason, in lesson 1 we worked on the form in all the tenses and in lesson 2 we focused on the passive voice with two objects.
Practice and production: Photographs in our book: I decided to start with a freer practice activity based on the materials from the coursebook. I found different illustrations in the coursebook, namely: set 1: pages 98 and 99 depicting the aftermath of the hurricane Katrina and the typhoon damage in the Phillipines and set 2: pages 87 (a Foo Fighters concert) and page 70 (health). The students were asked to choose one of the sets and to describe the photographs using only the passive voice. We did this activity in the breakout rooms.
Grammar presentation #2: we used the coursebook materials to present the passive voice sentences with two objects (page 98).
Controlled practice was built around the exercises in the coursebook (page 98 and 99).
Freer practice #1 was the activity from the coursebook, too, Find someone who. I had to change the format of the activity as moving students in-between the breakout rooms would be too much hassle and I wanted them to produce a lot of language, rather than talk to different partners which they do anyway. For that reason there were asked to use the prompts from the coursebook and to find out as much as possible from the same partner.
Freer practice #2 and the final activity of this lesson was inspired by something that I read on Sandy Millin’s blog once. I decided to call it ‘A story of an object’. In the orignal version of the activity it was the object itself that would be retelling the story of its life and, I suppose, other structures would be the format. We changed it to the 3rd singular as it was the format more consistent with the passive voice that I was hoping that my students would be using. We started with a model and I used my (amazing) Malevich tote bag, probably The Present of the Year 2022. I presented the structure (A story of an object, 3 questions from the audience) and a set of verbs to use (created, bought, brought, seen, loved, kept, washed, worn etc). Afterwards, the students went into the breakout rooms and worked in pairs. Back in the common room, each student gave us a summary of what they found out about from their friends.
We finished with another bamboozle game.
Reflection
Well, in one line: I was a happy teacher last week.
The context of the international life worked very well. We managed to get away for a moment from the gloom of the natural disasters and immediately after the presentation the students got to use the structure to talk about themselves. It was very beneficial even though in the beginning the students were mostly using ‘was / were made’. This gave us a very good basis for the more extensive use and it was a great opportunity to personalise it straight away.
The lessons included a good ratio of the individual practice, disaster-focused and the pair-work, disaster-less and more productive. The bamboozle games were another way of balancing the weight of the lesson.
I love working with visuals and I was really very happy with how they worked in this lesson. The students were discussing the disasters and using the vocabulary but they were also able to interact with the beautiful photographs and notice the discrepancy between the beauty of the natural disasters in the photographs and the danger and suffering that this beauty is synonymous with in some cases.
In the same vein, I was very happy with the way we recycled the photograhps in the coursebooks. It was also interesting for the students to notice when it is and it is not natural to use the passive voice in different situations.
A story of an object was probably my favourite activity of these two lessons. I could share with the students the story of my Malevich tote bag but I also loved listening to the stories that my students chose to tell. Some of them decided to share their treasures with the class, such as the favourite book, the phone or the parrot (a bit of far-fetched but she managed!). Some went for the sarcastic approach as they talked about their favourite cookies, the hoover or a bottle of water, sparkling. It’s been a while since the last time I laughed so much in class.
This episode is going to be devoted to the older students, juniors, teenagers and adults and those of the higher levels, from B1 upwards.
All of these activities were inspired by the approach in the visual based speaking tasks of the Cambridge exams. I use these activities frequently at the beginning of the ‘unit’, to introduce a new theme, to ease us into it and to start with some freer speaking activity, that, really, does not have any specific linguistic requirements or a very formal framework. Not to mention that by the way, my students get an opportunity to practise and develop their exam skills, in a slightly more relaxed way.
All of these activites are deeply rooted in my professional laziness because even though I have to devote some time to the picture selection, that is, really, the only time investment beacause the task is usually a one sentence instruction and, to be perfectly honest, most of the ideas listed below were created during the lesson, as a follow-up and an extension of the regular Cambridge ‘similar or different’ task.
Usually, my greatest helper while preparing these activities is google search engine. I type in the key words and I look through the images until I find these four, six or eight that match the idea that I have in mind. They can be saved in a document or displayed on the screen (powerpoint or Miro). I save them and keep them for later because they are always recycled.
Frequently, I start the cycle with the simplest of the activities (‘Choose two to compare’) and I follow-up with a wider discussion (‘Have you ever…?’) or any other combination but, naturally, these can be used on their own. All of the activities can be done with the whole class or in pairs.
Talk about your favourite photograph: students choose the photograph that they really like, they describe it and justify their choice
Talk about your least favourite photograph: students choose the photograhp that they like the least, they describe it and explain why they don’t like it
Choose two pictures for your friend to compare: students choose two of the pictures to compare them, to look for similarities and differences, very much like in the B2 speaking part of the Cambridge exams. The fact that there are more than two pictures allows for the activity to be repeated a few times, over and over, in pairs or with different partners. The longer the activity takes, the more interesting arguments appear and the more creative the answers.
Choose two pictures for your friend: students work in pairs but in this case they choose two pictures for their partner to compare. It makes the activity more interesting as it is easier to avoid all the obvious choices and this way more interesting contributions are generated.
Have you ever done that? This is the activity in which we use all the pictures at the same time. Students ask each other the question about all pictures, one by one.
Would you like to? This is another activity that can be used with all the pictures. Students ask each other questions related to the situations in the pictures, but more focused on the future.
The comparatives: Another activity in which students discuss all the pictures, going over the list of questions and choosing the pictures that somehow stand out. The set is closely related to the theme of the photographs. For example, in a lesson devoted to health and health problems we looked at these four pictures and we answered the questions: Choose the most serious problem, the least serious problem, the most common problem, the easiest to deal with, the least unpleasant for the doctor, the least unpleasant for the patient, the most expensive to treat, the least expensive to treat, etc.
What happened before? What will happen afterwards? This is a cool actvity that I adapted from the latest editions of New Cutting Edge Advanced. Students choose their favourite pictures and discuss the before and after, almost telling a story.
Ask a question: students work in pairs, they ask their friends questions related to the pictures, they have to use different pictures and different question words and they need to a different word each time: What? Why? Who? Where? How many? How much? What kind of? When? How often?
It reminds me of: students work in pairs, they talk about all the pictures. The talk about their associations, memories or references. It can be a free activity or it can have a theme of: books, films, songs and personal memories.
Make sure you also have a look at the first two parts of this series. You can find them here and here.
Two weeks ago I was invited to present at the monthly meeting of the Teacher – Mentor Learning Community which was founded by Anna Kashcheeva who, over the years, has been my fellow teacher, ADOS, trainer, my trainee and my trainer and supervisor. Oh, what a lovely list))
I prepared a session on laziness, one of my professional passions. The session went well, the audience were amazing and I got a lot of positive feedback. We were not recording but the presentation was followed up by a post on the community’s blog and you can find it here. Once you get there, don’t forget to have a look at all the other posts and materials.
It is actually funny that this particular post makes an appearance as only the third one in the series, although it should definitely be the Number One as I do it with my youngest students and with the lowest levels. That is the Beginning of Discourse.
Ingredients
A set of cards with some opinions or statements.
With my offline groups we also use a dice with a linker assigned to each number (i.e. 1 = but, 2 = because, 3 = for example, 4 = and, 5 = so, 6 = or)
A model sentence for presentation, i.e. It is raining.
Procedure
Presentation starts with the model sentence on the board or on the screen and the teacher introducing different linkers with different follow-up sentences, for instance ‘It is raining…’ ‘…because it is November’, ‘…but I am going to the park’, ‘…so I am not going to the park’, ‘…and it is cold’ and so on, for the kids to understand the meaning of the linkers and the differences between them. Depending on the age, the number of linkers can be limited to the most basic ones i.e. because, and, but. The others will be added later.
Controlled practice: kids try to come up with their onw follow-up ideas, still working with the same model sentence and different linkers. This is done together, as a whole class, for the teacher to be able to monitor closely.
A slightly freer controlled practice activity can go towards students using a selection of other simple sentences.
Freer practice is the first activity that is done in pairs or small groups. If this is an online class, one of the students opens the cards, reads one of the sentences. The other student chooses the linker to use and only then the first student continues the sentence. Afterwards they swap. If this is an offline class, the kids work with pairs and with a pile of cards with these sentences and they use the dice to decide which linker to use. The dice is also an opportunity to award points as the number is not only the linker they should use but also the number of points they get in this round.
Why we like it
It is definitely one of the activities (or topics) that, for me, personally, are the breakthrough and the first step in the transition from the baby English, pre-A and A1 level towards more linguistic freedom and fluency. Instead of ‘I like apples’, we get ‘I like apples because they are yummy’ or ‘I like apples but I don’t like pears’ or, even the simplest ‘I like apples and bananas’.
First of all, it leads to more production since the students are producing two sentences instead of one in the form of a complex sentence and they get more power as regards the profile and the angle of the message. It is not only ‘I like apples’ and it can develop this into ‘I like apples but only fruit. I don’t like the apple pie or the juice’, ‘I like apples so I buy them every week’, ‘I like apples but I didn’t like them when I was a child’ and ‘I like apples but my brother likes watermelon’ taking the entire conversation towards providing details, comparing the present and the past or including other subjects in it.
Naturally, sometimes these basic and more complex linkers are included in the coursebooks and they do include great practice activities. However, I like to introduce it early in the game, when the students are ready, regardless of the curriculum. This set of activities allows for a lot of flexibility and it is easy to use with a variety of levels, age groups and topics.
I have started including all the key words in the name of the activity for the sake of my online kids working in the breakout rooms, only partially supervised. When we practice in the common room, I leave the key words on the side of the screen or in the chat, for the kids to remember. It is a little bit more challenging in the breakout rooms. But, with the key words in the name, the kids can still see it even in the breakout room. The teacher only need to work a bit on developing the habit on remembering about them and on paying attention to them.
The student or the dice making decisions about the linking word to use makes it a bit more challenging but also a bit more fun. It is also a guarantee that a wider range of linkers will be used, rather than ‘but’ or ‘and’ in every single round.
The main sentence can be further extended if we ask students to produce not one but two or three sentences or if the other student is required to comment on what they have heard.
I found the photograph first but then it turned out that it is a whole post with a video tutorial, too. Have a look at the Art Projects for Kids! Which, by the way, is a cool website that I will be visiting in the future!
The language
This is the second module of our course and I decided that I need to start introducing some of the natural world vocabulary, in order to be a little bit better prepared to talk about the artists to come. The first introductory set is rather modest and it includes: the sky, the grass, trees, mountains, houses, the river, flowers and leaves. We have also used this module as an opportunity to revise colours and numbers and to introduce the first two adjectives (big and small). Finally, we started to talk about what ‘I like’ and ‘I don’t like’.
The artist
Our artist of the day who introduced all of that to us was Isaac Illich Levitan, the love of my childhood and my first artist ever. The album of his works is one of the very few books that I remember from my early childhood (apart from the storybooks, of course). It was there, on the shelf and I did spend hours on the carpet, leafing through it, back and forth, making up stories taking place among the birch trees, by the river, in the forests and in some ‘Sokolniki park’ which I found out about long before I set my foot in it. This, by the way, was also one of my first encounters with the foreing languages as the book was in Russian, English, French and German and these were my first exercises in comparative linguistics. At the age of 5 and 6.
Leviatan’s was what you might call a cameo appearance because I did not want to overwhelm the kids. We looked at the four seasons, looked for the new words in the paintings (‘Can you see a house?) and talked about the colours. We also started to sing ‘What’s your favourite season?’. Not a lot, but Isaac is definitely coming back, with the arrival of the winter and then the spring and the summer. With him, there will be Vivaldi, which would have been a perfect companion but I simply forgot about his existence. I am already looking forward to our winter-themed lessons.
Levitan in our ‘gallery’
The craft
try to make the leaf at home to figure out how complex it might be and how much time we will require, think about the stages
use the leaves throughout the lesson ie while revising colours and numbers or practising ‘I like / I don’t like’
check that the kids have all the materials necessary: a piece of paper, crayons, watercolours and water
draw the outline of the leaf veins, and patterns with crayons. It is ok to use the same colour but the final product is more interesting if different colours are used. I was considering introducing different patterns to make it more structured but, in the end, decided not to. We will introduce them on some other occasion, with Kandinsky, for example. If possible, I would use special paper for watercolours but in the online world it is not quite possible. Regular photocopying paper works well, too.
colour the leaf with the watercolours. It might be a good idea to start with the brighter colours and, for the sake of staging, ‘dictate’ which colour to use, leaving the kids a decision which section of the leaf to colour. The lines drawn with crayons will not be covered by the paint and they will be still visible and it is not really necessary to be too careful with painting. Not staying within the lines or even letting the colours seep or even leak into each other create a much more interesting effect. I haven’t really encouraged my kids to create a very ‘messy-on-purpose’ picture (not yet, anyway) but I am very reckless with how I use my paints, to show the kids that it’s ok.
finish with showing the leaves, call out the colours, talk about whose leaves we like.
I have cut out my leaves to be able to use them more easily and I was planning on telling the parents that the kids can do it after the lesson, when the paints dry completely. If I still had my classroom, I would put them up on the window.
All the letters of the alphabet written in one or two columns, with some space to write, next to each letter
Procedures
The teacher divides the students into pairs or teams and gives out the paper with the letters of the alphabet or asks the kids to write these down.
Step 1: The teacher announces the topic i.e. Clothes and asks the kids write one word (or phrase) for each letter of the alphabet or, more realistically, for as many letters as they can. The teacher gives an example. Ideally, the teacher creates her/his own list in order to have a set of words to model the other stages of the activity.
The teacher sets the time limit (i.e. 5 minutes for the younger kids and 3 minutes for the older kids). It might be a good idea to use a song instead and after the song finishes, the activity does, too.
The kids work in teams and make a list of the words within the vocabulary set. After the time is up, the teacher stops the game.
Step 2: The kids exchange the lists and count the words or phrases which their friends have managed to write within the set time limit. The teacher writes the results for each team on the board.
Step 3: The teams read the words on the lists and choose: the most interesting word, the most unusual word, the funniest word, three words you also have, three words you don’t have, any word you don’t understand or remember etc. The teams work in pairs and find out why their partners put these words on the list. If possible, the kids exchange the lists with another team and repeat the procedure once or twice.
Why we like it
For the students it is a great opportunity to revise and recycle vocabulary. All the beginner levels aside, even when the main lesson aim is to introduce and to practise new vocabulary, chances are the kids have already learnt, heard, used or seen some of the words. After all, the vocabulary sets are repeated and extended from level to level, not to mention that most kids have more than one source of English in their lives: the state school, the language school, a private teacher, brothers, sisters, parents, videos on youtube, cartoons, stories, computer games online…This game is one of the easy ways of revising all this vocabulary to prepare for ‘something new’
For all the reasons mentioned above, it is an absolute necessity for the teacher to find out how much the kids already know as regards a certain area in order to do a very focused (if a very contained) needs’ analysis and to adjust the volume, the level and the intensity of the new material presentation later in the lesson
It is very easy and requires no preparation whatsoever.
It helps to improve the students’ self-confidence because it gives them an opportunity to see how much they know already.
It can be used with any set of vocabulary, either thematic (i.e. clothes, food, animals) or content-related (i.e. the words necessary to describe a picture, the words used in a certain text or a listening task, a video)
The final task can be easily adapted i.e. choose 5 words to describe yourself, choose 5 words to use in a story or in a dialogue, choose 5 and describe them for your partners to guess, use a dictionary to find the words or structures for the missing letters, compare the lists with your friends to find the words or the structures for the missing letters, use the words to describe a photograph, use the words to talk about your day today etc.
This post, like many others, starts in the classroom…
The thought falls on my head out of nowhere.
We are playing the game with the first conditional. There are only four of them, on the day, in-between the holidays, so we don’t even bother to go into the breakout rooms, we are playing together. It is not even a real game, either. Someone starts a sentence, someone else, called out, thinks of an ending, action – reaction, a situation – consequences. And they are just producing. Coming up with great ideas, some of the sentences just down to earth and realistic, some of them, as we call them, ‘creative’, just for laughs. And so we laugh out loud. A trainer in me suddenly realises that the lesson plan (if there had been a formal lesson plan) should include not only the traditional elements, like the staging and ‘the teacher will’ and ‘the students will’. The trainer in me realised that it might be worth considering to include a laughing fit and the necessary calming down part in the timing, in the assumptions and the potential problems and solutions…We laugh a lot with my kids.
Unavoidably, I realise, I get those constant flashbacks, those mini-trips into the past and I am looking at my students, today already 10 and 9 (or 8 and 7, still, some of them) and I remember how we walked into the classroom together, for the first time, me on my toes, all eyes, all ears, and them cautiously taking every step and every action. I do remember how we learned to say ‘Hello’ for the first time with some of them and how we first said that we don’t like broccoli ice-cream (except for Nadia, my little rebel). How I used to need lots of miming and scaffolding and modelling, with every single activity and how they’d start with single words, then move to phrases and to sentences.
And I, who was present, 99% of the time, over those seven years, I cannot believe my own eyes and my own ears now, how they throw the language at me, storytelling, or using the Present Perfect in free speech. Or the first conditional.
What does it mean for a teacher to continue for an extended period of time? What does it mean for the business? How does the methodology change? Does it change at all? What do the parents think? And, last but not least, perhaps it would be better to change the teacher once in a while?
This post will be very personal. This post will be very emotional. But I would like to look at it from the other points of view, too, thinking like a trainer, thinking like a methodology expert and, also, inevitably, thinking like a teacher and like a human, too.
In order to make it a bit more objective and more like a research, I asked my teacher friends for help. This post was written with the help, support and contributions from my amazing colleagues: Ekaterina Balaganskaya, Nadezhda Bukina, Marina Borisova and Tatiana Kistanova. Thank you!!!
Are you still up for such an adventure? Follow me.
Over to…ateacher trainer
You know your students very well, in every aspect, including the interests, their motivation, the family situation, the strengths, the areas that need improvement, the interaction patterns that they favour, their best friends in and outside of the group, their favourite activities and games, their role in the group. This helps a lot with lesson planning, shaping up and choosing the activities and, later on, in class, with managing the activities, the lesson time and the interaction patterns.
Giving instructions is much easier, after a while. The students know you very well, too, that they are almost able to read your mind and to react to any, even those less formal hints and clues. Quite likely before you give them.
You need to be creative because after a while, your students might get bored with the activities you usually use. This might not sound like something positive because it means that you are at risk of running out of anything that you normally keep up your sleeve in terms of games, classroom management techniques or ways of checking homework, for example, but I would like to see it a more positive light. Working with a long-term group can be a wonderful catalyst for your creativity and, as a result, there are more new games, classroom management techniques and ways of checking homework!!!
It is perfectly natural that with any new group, a teacher strives to build up the comfort zone in order to ensure the conditions for the effective teaching and learning. However, once that comfort zone is created (and after a few years with a group it is likely to be a very stable comfort zone, a very cozy and safe ZPD, hello Leo Vygotsky), the teacher can start dreaming of venturing out and trying out new things on a much more advanced level. Not only a new game to practise vocabulary but a new approach that you may have heard about such as introducing a new approach to storytelling after you have found out about PEPELT, setting up journals with your students, just because you read that one research article or just taking your lifelong passion for teaching English through another level. Or, actually, you might even want to start a blog at one point. An experimenter is, I believe, one of the most important teacher roles!
Teaching long-term, you are moving on, together with your students and that means changing and adapting the approaches and techqniues to match them to needs of the kids who are growing up. With time, kids are becoming more mature and more capable of producing the language and dealing with more and more complex tasks. They say that a rolling stone gathers no moss and the same can be said about teachers who are growing and developing with their students. Sure, some of that can be achieved within one year, but there is definitely a lot more potential for the changes and the evolutions if the learning process takes a bit longer than just one season.
My colleagues also mentioned the impact on the learning process and the very shaping of the curriculum as it was adapted to the particular needs of the students. Instead of just following the book (or the curriculum whichever form it came in), as might be the case with a less involved teacher (although, of course, I am not implying that working with a group for a season only equals lower quality service), with a longer term group a teacher is able to introduce a circular / spiral curriculum, introduced to the world by Bruner and to me be Ekaterina, with the teacher returning and revising the crucial elements of the language, regardless of what the coursebook or the pacing schedule says. For example, working on the past simple (served in manageable chunks) from the beginning of the year instead of waiting until April when that topic appears in the book. This was Ekaterina’s example and I realised that we have been doing the same with my kids, simply because I wanted us to have the language (or some bites of it) for us to be able to talk about the weekend and the holidays and the day at school. Tatiana also mentioned it as one of the key benefits as knowing the group helps the teacher set the pace that will be most appropriate for this particular bunch of children.
Over to… a manager
Students staying for a few years are basically yourreturning customers, your loyal customers and your dream come true. As they would be in any other area. They come back, month after month and year after year and they make the world go round, basically.
What’s more, these students are also likely to bring in other students, their friends, brothers, sisters, cousins or even parents, to join your groups or the other groups at the school. Since there has been a positive experience in the family, so to speak, these are also likely to stay.
The fact that you have worked out the patterns and the procedures of managing the finances, the group, the assessment or the festivities, will mean that these will be easier to implement.
This will be a huge advantage, should there be any changes to adapt to, even those unexpected and unplanned, as in case of the pandemic. Perhaps that was not the case in all the countries and with all the groups and students but, in my experience, many of those that went online, smoothly, were the long-term students and groups and they basically trusted their teacher to transfer online or, later on, to study in the hybrid classroom.
That also means that a strong bond and trust will be built and the parents will be more likely to accept any changes or even any complications such as the need to move online, the need to change the timetable, the need to make up for the class or to run the lesson online, or even, to have a cover class.
Staying with ‘the old’ teacher might also be easier for the parents which was a very important point made by Ekaterina. Parents are busy, they might not be able to devote a huge amount of time to looking for a new teacher, a new school or a new group and they might also worry that their child would not fit in the new set-up. Some parents fear that due to the previous negative experience, either with the school, the group or even the teacher’s professional competence. Staying is easier.
Over to… a teacher
The first one to mention here will be the enormous sense of achievement that a teacher can get from working with a group for an extended period of time and the opportunity to observe and to assess the same students, not only from September to May, from the beginning to the end of the level but over the years, from pre-A to A2 or even further.
Teaching a group over any longer period of time provides the teacher with plenty of opporunities and a lot of data for formative assessment, as pointed out by Ekaterina. It will apply to all the language skills as well as vocabulary and grammar, accuracy and fluency. Let’s take the past simple as an example. There will be the series of lessons devoted to the topic, a series of lessons per level or coursebook even, and the students might do well in these lessons. However, it will be up to the teacher to track whether and how accurately the students use it to describe the past events in free speech, recalling the events of the day at school or retelling a story. The aims of these two activities are not the freer grammar practice per se but, for example, settling in and checking understanding after a reading skills development stage. It might (and it will!) take a considerable period of time for the students to finally assimilate the structure and to start using it freely and correctly. I have also noticed in my teaching that with time I tend to prioritise formative assessment over summative assessment but this is a new discovery and I need some time to think about it before I write about. A new post? Who knows)
Creating a positive atmosphe in the classroom, creating the environment that will be beneficial for learning, learning about your students and their needs is something that we, as teachers, do regardless, but there is something special in the connection that you build with a group over the years. You accompany them in their lives outside of the classroom, all the good marks and bad marks, all the competitions, holidays and birthdays. You get to meet their parents, grandparents, brothers and sisters and all the pets. You take part in the important family events, such as the births of baby brothers and sisters or even those more traumatic events like an illness or a death of a family member and, whether you want it or not, you bond. To an outsider it might sound strange but there must be a reason why so many teachers refer to their students as ‘my children‘ or, sometimes, when in a non-teaching environment, ‘my educational children’.
Then, there is the pride in all their achievements and progress that they are making. Going back and reminiscing about all the milestones, all the firsts is a truly wonderful journey for a teacher to take: the first lesson ever, the first time we made full sentences, the first time we started to create in English, the first letters scribbled, the first story we did and the first time they asked to be allowed to take over the story reading, the first test, the first real grammar lesson, the first ‘OMG, I cannot stop them from chattering away‘ day or every time they took an exam, Starters, Movers, Flyers, KET, PET, FCE or, finally, also, CAE.
Over to…a human
‘If you meet with the same people twice a week for 8 – 10 years, you can’t help loving them‘ (Marina)
‘It’s a joy to see them grow, to see the progress and the results. Develop relationships and see them enter a new age group‘ (Nadezhda)
‘The best thing about it was that I knew them and they knew me, the rapport was strong‘ (Tatiana)
‘When I was moving a country, they were devastated. Luckily, we could continue our lessons online‘ (Ekaterina)
The group is a community. Ekaterina mentioned that the kids in the group she has been teaching for seven years became friends outside the group and that they all meet offline when that is possible, even go out for pizza or to a museum. Even when those outside events are not possible, the group can celebrate together either because they get a Christmas-themed lesson or because they all bring snack and have a little party at the end of the lesson. Even if it is an online lesson.
It is interesting that the personal preferences work both ways and that the resistance to change the teacher might come from the students, too, as you will see in the stories for teachers that I share in the paragraph below and that, as Marina highlighted, the fact that some students stay with you (and, of course, not all of them will) is based also on their personal preferences and attachement to the teacher. Staying for longer may be seen as a result not some intertia, the inability or laziness to find a new teacher, but, simply, a conscious decision on the part of the parents and the students.
Or on the part of the teacher, too. As pointed out by Tatiana, it might be related to the teacher’s own personality, if the long-term connections are important for them, as humans. Or, it might be the impact of the context in which they are working as the changes, imposed or not, are more likely to take place in different educational institutions whereas the teachers who work freelance would probably be in favour of keeping the students, unless, of course, it is impossible due to any external circumstances.
As for me, personally, well, I love what I do. Yes, there are sometimes duties, tasks or even groups that I am not entirely wildly excited about but, overall, I enter the classroom, online or offline, with joy and looking forward to the lesson. And one of the reasons for that are my students and, especially, my educational children aka my adorable monsters. It is thanks to them that I have blossomed as a creator, as a teacher and as a trainer. It is thanks to them that I was able to cope with the strains of the lockdown and it is thanks to them that ‘I am stillstanding‘, as Elton John might put it, when the world is what it is right now.
At the beginning of the pandemic, when we were about to transition online and change our EFL lives forever, I remember how I felt about the big unknown and how, pretty quickly, it became apparent, that no matter what (really, no matter what) we are what we are, a small (and a bit loud) community and that we had had enough experience of each other worked out and accumulated and that we can take it elsewhere. I remember one morning, just before the lessons were about to start (the first real lesson, not the free online trial and getting to know each other with zoom) how I felt the panic creep over. But I also remember the thought: ‘Hold on, they are my kids. That’s is. We will just do it, under slightly different circumstances‘. And, guess what? We did.
A change would do you good?The other side of the coin
Because, of course, there is one! Changing the teacher might be beneficial! On the one hand, as Nadezhda mentioned, the teachers themselves might feel the impact of the long-term interaction, some form of material fatigue, and in such a case a change is more than welcome. In such cases a change of a teacher might be the solution. A new teacher means new methods, new approaches, a different sense of humour…
Sometimes this ‘tiredness’ and the call for a change may come from the fact that students are growing and transitioning into another age group and the students might welcome a more official confirmation or recognition of that process. Perhaps, the change of a teacher might do the job here. If, for example, it is Mr Alexander is the teenage groups’ teacher then him taking over the group from taught so far by Miss Carolina is going to be some form of a rite of passage.
However, it needs to be mentioned, it is not as straightforward as it might seem. First and foremost, the students may not want to change the teacher at all and, in such cases, it is enough to tweak the format or the routine a bit. Then it might be that the outside circumstances change and they sort the problem out. Ekaterina shared her story of one of her groups with whom she started to consider the possible change of a teacher as the kids’ growing up and changing into teenagers resulted in some discipline issues and, as a result, the lessons not being as effective as they previously had been. However, here, the problem sorted itself out – due to the pandemic the class was transferred online and it turned out that the physical separatation (or the space and the own territory that the students gained) was the only thing that the group needed. They still continue with Ekaterina as their teacher.
This brought my own group to mind. The kids were still in pre-school, year 3, when we were asked to give our cosy kiddies classroom to a younger group. We moved and the most surprising thing was that it turned out to be an important stepping stone for the students. ‘We are real students now!’, they kept repeating and back then I was just listening to them and giggling inside that the big desks and big chairs can make anyone so excited. Today, when I look back at it, it seems to be this perfect moment in the life of a group when a change was needed. And it did take place, although, yes, without changing the teacher.
The most important thing to consider here is how thestudents can benefit from the new circumstances. Marina brought it up, too and, Ekaterina gave a perfect example from the British schools. In the schools her children attend, there is an obligatory change of a teacher every year, with Miss Elena only teaching the 4th-grades, Mr Peter only working with the 6th graders and so on. The system was introduced in the school to ensure fairness. This way, all the children get a change to work with all the teachers throughout their school life and the is no chance that, due to some ‘preferences’, class 4A only gets ‘the best teachers’. Not to mention that this must contribute a lot to bonding and building of the community as little Pasha will know all the teachers personally and all the teachers, after a while, will have had Pasha in their classrooms.
The end is the beginning is the end…
The most interesting thing is that, from among the teachers who waved back at me and wanted to chat about the long-term teaching of a group, there was nobody who would be a strong proponent of the Change the Teacher Every Year approach. Can it be considered a sign? I have no idea but, if, by any chance, there is anyone among my readers who has had an experience with it, please, pretty please, get in touch, I would love to talk to you!
None, almost. In some cases, it might be necessary to write some of the ideas on the board, to serve as an inspiration. See procedures
Procedures
Students work in pairs. They share their ideas. If there is time, the students can change partners and repeat the activity. To round up, students share some of the information they have found out about.
This stage is always present, in each lesson, and it takes about 10 minutes. We keep the same variant for about a month and then we choose a new one.
All the variants (so far)
Verbs: the teacher writes on the board all the basic verbs in the past tense: I went to, I saw, I ate, I drank, I talked to…about…, I watched, I played, I bought, I wrote, I didn’t…The kids choose 5 and they build simple sentences about their day, week or weekend. I like to start it with my students even before we officially cover the Past Tense (as soon as they are ready to differentiate between the present / the past form of the verbs) and it really does help the kids to practise and to remember the verb forms.
Did you go…: a variation of the activity described above. The teacher puts the question form and the short answers on the board. The kids work in pairs and ask each other questions. The student who provides answers uses ‘I did’ and ‘I didn’t’ but they are also requested to give a brief explanation (because…)
Tell meabout your day: the teacher writes the name of the activity and a list of topics which can be also elicited from the students. The regular set might include: the weather, the school, the teachers, my best friend, lunch, getting around, marks, tests, pets, brothers and sisters, homework etc. The students work in pairs and they have to choose three topics to talk about. They take turns to share stories about their day and they follow-up each story with a question.
The B-words: this one is a slight variation of the above, only here the teacher writes a selection of words starting with a certain letter as the list for the students to choose from and to be inspired by. Some of the words might be completely random but they also encourage the kids to produce the language. Later on, the students can choose the letter of the day and then can also help make the list of the words, too.
This is how I felt today: in this variation the teacher puts up the words to describe emotions and feelings. The list can be a simple one (happy, sad, angry, sleepy, hungry, tired, bored) and then it can be extended to include more interesting ones, too (confused, excited, chatty, exhausted). Again, the students choose 3 or 5 of them to describe their day.
Superheroes: this time the list on the board is made of names of superheroes, famous people as well as characters from books and films, for example Superman, Spiderman, Wonder Woman, Chebourashka, Winnie-the-Pooh, Santa etc. The students are supposed to think of their day from the point of view of these characters and describe it talking about how they felt. ‘I felt like Superman because I got three good marks today’*)
The superlatives: the teacher writes on the board a list of superlatives (the best, the worst, the funniest, the tasties, the most difficult, the easiest). The students choose 3 or 5 of them and use them to describe their day, for example: The best thing was that I had only three lessons etc.
Why we like it
A stage of that kind is absolutely necessary as the time for the students to settle in
This is also when they learn how to communicate without any preparation and outside of any set-up frameworks since each day might be different and each day may involve a different set of verbs and nouns
At the same time, it is an opportunity to practice the past tenses or the perfect tenses as for many of the students, many events repeat themselves (going to school, writing tests, having a good day or a bad day etc)
It is a fantasic opportunity for the group to bond, to share the great things that happened during the day or to vent about all the disasters that they had to deal with, the tests, the teachers, the piles of homework
To be continued. Soon. We are quite likely to get very bored with what we are doing at the moment…
Happy teaching!
*) My favourite so far! It is amazing how my students come up with their own metaphors and associations, both the teenage group and the kids. Here are a few quotes: ‘I felt like Chebourashka because I was a bit confused’, ‘I feel like Robinson Cruzoe because I am locked up at home now’, ‘I feel like Masha from Masha and Medved because I am a bit crazy today’, ‘I felt like Santa because it was my friend’s birthday and I had a present for him’, ‘I feel like Superman because I did all my homework really fast’…
