I am a lazy teacher and why you should be, too!

Two weeks ago I was invited to present at the monthly meeting of the Teacher – Mentor Learning Community which was founded by Anna Kashcheeva who, over the years, has been my fellow teacher, ADOS, trainer, my trainee and my trainer and supervisor. Oh, what a lovely list))

I prepared a session on laziness, one of my professional passions. The session went well, the audience were amazing and I got a lot of positive feedback. We were not recording but the presentation was followed up by a post on the community’s blog and you can find it here. Once you get there, don’t forget to have a look at all the other posts and materials.

Happy teaching!

Crumbs #49 Linking words and developing discourse

It is actually funny that this particular post makes an appearance as only the third one in the series, although it should definitely be the Number One as I do it with my youngest students and with the lowest levels. That is the Beginning of Discourse.

Ingredients

  • A set of cards with some opinions or statements.
  • With my offline groups we also use a dice with a linker assigned to each number (i.e. 1 = but, 2 = because, 3 = for example, 4 = and, 5 = so, 6 = or)
  • A model sentence for presentation, i.e. It is raining.

Procedure

  • Presentation starts with the model sentence on the board or on the screen and the teacher introducing different linkers with different follow-up sentences, for instance ‘It is raining…’ ‘…because it is November’, ‘…but I am going to the park’, ‘…so I am not going to the park’, ‘…and it is cold’ and so on, for the kids to understand the meaning of the linkers and the differences between them. Depending on the age, the number of linkers can be limited to the most basic ones i.e. because, and, but. The others will be added later.
  • Controlled practice: kids try to come up with their onw follow-up ideas, still working with the same model sentence and different linkers. This is done together, as a whole class, for the teacher to be able to monitor closely.
  • A slightly freer controlled practice activity can go towards students using a selection of other simple sentences.
  • Freer practice is the first activity that is done in pairs or small groups. If this is an online class, one of the students opens the cards, reads one of the sentences. The other student chooses the linker to use and only then the first student continues the sentence. Afterwards they swap. If this is an offline class, the kids work with pairs and with a pile of cards with these sentences and they use the dice to decide which linker to use. The dice is also an opportunity to award points as the number is not only the linker they should use but also the number of points they get in this round.

Why we like it

  • It is definitely one of the activities (or topics) that, for me, personally, are the breakthrough and the first step in the transition from the baby English, pre-A and A1 level towards more linguistic freedom and fluency. Instead of ‘I like apples’, we get ‘I like apples because they are yummy’ or ‘I like apples but I don’t like pears’ or, even the simplest ‘I like apples and bananas’.
  • First of all, it leads to more production since the students are producing two sentences instead of one in the form of a complex sentence and they get more power as regards the profile and the angle of the message. It is not only ‘I like apples’ and it can develop this into ‘I like apples but only fruit. I don’t like the apple pie or the juice’, ‘I like apples so I buy them every week’, ‘I like apples but I didn’t like them when I was a child’ and ‘I like apples but my brother likes watermelon’ taking the entire conversation towards providing details, comparing the present and the past or including other subjects in it.
  • Naturally, sometimes these basic and more complex linkers are included in the coursebooks and they do include great practice activities. However, I like to introduce it early in the game, when the students are ready, regardless of the curriculum. This set of activities allows for a lot of flexibility and it is easy to use with a variety of levels, age groups and topics.
  • I have started including all the key words in the name of the activity for the sake of my online kids working in the breakout rooms, only partially supervised. When we practice in the common room, I leave the key words on the side of the screen or in the chat, for the kids to remember. It is a little bit more challenging in the breakout rooms. But, with the key words in the name, the kids can still see it even in the breakout room. The teacher only need to work a bit on developing the habit on remembering about them and on paying attention to them.
  • The student or the dice making decisions about the linking word to use makes it a bit more challenging but also a bit more fun. It is also a guarantee that a wider range of linkers will be used, rather than ‘but’ or ‘and’ in every single round.
  • The main sentence can be further extended if we ask students to produce not one but two or three sentences or if the other student is required to comment on what they have heard.

Here you can find the two other posts in the series on developing discourse through sentence adverbs and via one-minute essays. There is also one of the older posts on the many ways of developing discourse for the youngest students.

Happy teaching!

Yayoi Kusama and Pumpkins. Art and English in Primary

Yes, the Halloween was approaching and my English+Art lesson was on the day. Yes, I was just googling random things hoping that if I find something interesting, I will have a Halloween-ish lesson and if I don’t find anything, well, we will go in a different direction. At this point we have done colours, we have done leaves and, ideally, I was hoping to find some cool artist, some pumpkins and some technique that we have not tried before yet. Last year, around that time, we went to Ilya Mashkov as we tried to recreate his still-life with the magnificent cucurbita pepo but it was last year (aka we have done it already) and it was offline (aka it was more manageable)…I needed something different.

Surprisingly, googling ‘pumpkin in art’ can get you when you want to be)

The artist of the day.

Enter Yayoi Kusama. Until last Monday, I had never heard of her. Since last Monday, I have been a great fan. Her art is exploding with colour and with energy and she makes me feel like being a part of the Wonderland, Alice in the real world, easily available, at hand. And she loves dots and dots are circles aka the best shape ever that can be easily used in class (here is an earlier post about that).

We met Yayoi and found out about her favourite things and we looked at some of her paintings in our gallery as is now our habit. We also talked about the paintings we like and don’t like.

Yayoi Kusama and her favourite things
Our gallery in Miro

The language

In this particular lesson I wanted to focus on practising expressing opinion using ‘I like’ and ‘I don’t like’ and that is exactly what we did. We looked at Yayoi Kusama’s pumpkins and said what we think of them (P.S. We like them!), we looked at a range of creative pumpkin (google) said what we think of them and we enjoyed the variety in which pumpkins can appear (photos, art, real pumpkins (yes, these were present) and, finally, the Surprise Pumpkin that I have brought. See below)

The craft

The final product here was a compilation or an adaptation of two ideas from the amazing Art for Kids Hub and their pumpkin folding surprise and the most amazing mouse.

  • We looked at all the pumpkins, Kusama’s, the realia, the creative pumpkins
  • I presented the ready made product making sure that the Surprise Pumpkin is a proper surprise (‘Look, this is a pumpkin. But it is also a surprise. Are you ready? 3…2…1….’)
  • We went over the necessary materials with everyone (‘Have you got the paper? Have you got the pencils/markers/crayons?’)
  • I was making one more copy together with the kids. I am drawing on the regular paper, holding it in my hands, on a thick pad. Going step by step, slowly, pausing and waiting for the kids to complete every single step. This is absolutely crucial.
  • We folded the paper, stopping after every stage, showing the page to the camera. There are four essential stages: 1) show the A4 paper 2) fold the paper in half, widthwise 3) press at the crease / fold 4) fold the top flap outwards (show the kids how the edge of the paper touches the crease / fold in the middle 5) press at the crease / fold
  • Draw the pumpkin on the folded paper, that is at the 1/4 flap folded outwards and the 1/2 half at the bottom simultaneously, draw the stem and the leaf as well as three lines for the ribs. Don’t forget to pause at every stop, wait for the kids to complete every step and show you the result.
  • Open the paper and place it flat on the table. Draw the edge of the top half (‘Let’s draw a zigzac’)
  • Draw the edge of the bottom half (‘Let’s draw a zigzac here, too’)
  • Draw the mouse step by step: the oval for the body, two lines for the nose, the ears, the eyes, the whiskers, the tail and the hands.
  • Leave the colouring for after the lesson.
  • Play a bit with the surprise pumpkins that everyone prepared. My students simply recreated the ‘presentation’ that I gave at the beginning of the lesson, of their own accord, just like that.

Some final notes

  • Most of my students deal very well with the folding bit. Only one of us struggled a little bit and we needed mum’s help at the very beginning. It might be a good idea to let the parents know ahead of time and ask them to be at the ready, just in case.
  • As regards the materials, absolutely anything goes: coloured pencils are great, crayons are great, markers work, too. I am at my personal happiest drawing with markers and colouring with crayons or with crayons and markers, for the extra shine and glow.
  • Kids are amazing and they really can recreate the drawings or, rather, they can create their own versions of it. The only thing that is really necessary is the proper staging, going step by step, modelling and pausing, to give everyone time to complete the drawing.
  • It does not matter how big or how small the mouse is. It will all be hidden in the folds of the paper.
  • There are many variations of the craft. You can find some of them online. Below you can see what we have created ad hoc, just because we did everything that we needed and I could extend the lesson a bit. The pumpkin with a cat and the apple with a caterpillar were the result. These are only a few of the options!

Happy teaching!

Levitan and Leaves. Art in Primary

The teacher’s version

I found the photograph first but then it turned out that it is a whole post with a video tutorial, too. Have a look at the Art Projects for Kids! Which, by the way, is a cool website that I will be visiting in the future!

The language

This is the second module of our course and I decided that I need to start introducing some of the natural world vocabulary, in order to be a little bit better prepared to talk about the artists to come. The first introductory set is rather modest and it includes: the sky, the grass, trees, mountains, houses, the river, flowers and leaves. We have also used this module as an opportunity to revise colours and numbers and to introduce the first two adjectives (big and small). Finally, we started to talk about what ‘I like’ and ‘I don’t like’.

The artist

Our artist of the day who introduced all of that to us was Isaac Illich Levitan, the love of my childhood and my first artist ever. The album of his works is one of the very few books that I remember from my early childhood (apart from the storybooks, of course). It was there, on the shelf and I did spend hours on the carpet, leafing through it, back and forth, making up stories taking place among the birch trees, by the river, in the forests and in some ‘Sokolniki park’ which I found out about long before I set my foot in it. This, by the way, was also one of my first encounters with the foreing languages as the book was in Russian, English, French and German and these were my first exercises in comparative linguistics. At the age of 5 and 6.

Leviatan’s was what you might call a cameo appearance because I did not want to overwhelm the kids. We looked at the four seasons, looked for the new words in the paintings (‘Can you see a house?) and talked about the colours. We also started to sing ‘What’s your favourite season?’. Not a lot, but Isaac is definitely coming back, with the arrival of the winter and then the spring and the summer. With him, there will be Vivaldi, which would have been a perfect companion but I simply forgot about his existence. I am already looking forward to our winter-themed lessons.

Levitan in our ‘gallery’

The craft

  • try to make the leaf at home to figure out how complex it might be and how much time we will require, think about the stages
  • use the leaves throughout the lesson ie while revising colours and numbers or practising ‘I like / I don’t like’
  • check that the kids have all the materials necessary: a piece of paper, crayons, watercolours and water
  • draw the outline of the leaf veins, and patterns with crayons. It is ok to use the same colour but the final product is more interesting if different colours are used. I was considering introducing different patterns to make it more structured but, in the end, decided not to. We will introduce them on some other occasion, with Kandinsky, for example. If possible, I would use special paper for watercolours but in the online world it is not quite possible. Regular photocopying paper works well, too.
  • colour the leaf with the watercolours. It might be a good idea to start with the brighter colours and, for the sake of staging, ‘dictate’ which colour to use, leaving the kids a decision which section of the leaf to colour. The lines drawn with crayons will not be covered by the paint and they will be still visible and it is not really necessary to be too careful with painting. Not staying within the lines or even letting the colours seep or even leak into each other create a much more interesting effect. I haven’t really encouraged my kids to create a very ‘messy-on-purpose’ picture (not yet, anyway) but I am very reckless with how I use my paints, to show the kids that it’s ok.
  • finish with showing the leaves, call out the colours, talk about whose leaves we like.
  • I have cut out my leaves to be able to use them more easily and I was planning on telling the parents that the kids can do it after the lesson, when the paints dry completely. If I still had my classroom, I would put them up on the window.

Happy teaching!

Crumbs #41 Let’s look for pairs! A vocabulary game for kids

All the pairs. Somehow the penguin, the gorilla and the mouse got left out.

Ingredients

  • A set of pictures of animals, flashcards or on Miro. That’s it.

Procedures

  • Revise the vocabulary and ensure that all the cards are displayed at the same time for the kids to be aware of all the options
  • Model by choosing a pair of animals and putting these cards aside and justifying your choice. With my pre-primary kids, I like to use the first person statements (I’ve got 4 legs etc) as this is what we do with the younger kids (to enable the kids to talk about themselves and the animals without having to introduce the additional structures and to keep it coherent with the songs that we use ie Little bird or As quiet as a mouse). I also tend to vocalise the language ie I’ve got 4 legs (for the cat), I’ve got 4 legs (for the elephant).
  • Invite the kids to take turns to make their own pairs and to describe the rationale behind it.
This is what our Miro board looked like before we started

Why we like it

  • An opportunity for the kids to use and to develop the higher order thinking skills in the EFL context
  • The students are in charge of what they want to talk about and what they can talk about. It is appropriate for mixed-ability groups.
  • Little or no preparation as the flashcards are already there, the physical cards in the offline classroom or the set of pictures on Miro which, once prepared, can be doubled easily and used only for that activity.
  • A great variety of structures that can be revised and some opportunity to learn the new ones as the kids might have the ideas that they cannot express in English yet and this game can be the springboard which will help to introduce these. If the teacher speaks the kids’ L1.
  • Lots of opportunities for adaptation and using them with different sets of words such as toys, fruit, food, transport and, naturally, the relevant structures. I like to start this game with animals because of the range of easy structures that even the very young beginner students can use in order to complete task and because of the variety of topics that can be included (the colours, the number of legs, what animals can do, what they eat, where they live etc)
  • The level of challege can also be easily adapted, for example, the set of cards can include only 8 items or the teacher can focus on putting the animals into pairs basen only on the colours or the size which are probably the two most achievable categories, both cognitively and linguistically.
  • This is a neverending activity because the cards and the animals can be grouped and re-grouped over and over again to let the students create new and less obvious links between the items. Conversly, it can be shortend as needs be.
  • As regards the interaction patterns, this activity can be used with groups, with kids working together, at least in the beginning, or in pairs if we have the appropriate number of sets of cards as well as with 1-1 students, both online and offline.
  • There is also some potential for adaptation in the area of materials. The most obvious choice are the flashcards, the mini-flashcards or the Miro board. The teacher can also create a handout with the animals pictures and/or names which the students can colour-code as they are putting them in pairs. This might be a good solution for the kids to work in pairs in the offline classroom.
  • Last but not least, this activity is an opportunity for the kids to develop the listening skills (as they want to find out the justification for their peers’ choices) and the speaking skills (as they want to present their own reasoning, too). I simply love to observe how my students start with the simplest and most obvious connections and how they venture out into more and more creative ones.

Happy teaching!

Crumbs #40 A fruit salad

Ingredients

  • Fruit, washed and cut up into manageable chunks. The most basic set includes: apples, bananas, pears, seedless grapes, seedless oranges.
  • A plastic plate for each child, a plastic cup for each child, a plastic spoon and a plastic knife.
  • A set of tissues and a set of wet tissues.
  • Optional: a set of fruit flashcards and the video of the Super Simple Song ‘Are you hungry?’

Procedures

  • Start with presenting the idea of the activity to the parents and agreeing on the list of fruit to be used. It is absolutely crucial that the parents are aware of the procedures and the ingredients and that they approve. In my offline classes, I normally send a message to find out whether the parents approve and then I send a list of specific fruit that I would like to use. I look for seedless oranges and grapes. The list of fruit does not have to be very long. It is going to be a great lesson anyway, even if only the basic fruit are used. Although, of course, the salad will look very appealing if we include more colours and adding some citrus such as orange will be beneficial as regards the flavour, even a little bit of the lemon or orange juice will bring out the flavours of all the fruit and it will blend them nicely. But it is not obligatory. In my online classes, the parents prepare the fruit that the kids really like and it might happen that our sets will vary.
  • Wash the fruit and pre-cut them into pieces and chunks or ask the parents to do the same at home.
  • Plan where (in the school or in the classroom) you are going to set up your salad production station. Ideally, it would be done in a separate room, where everything can be prepared before the lesson and where the students can relocate half-way through the lesson. In the online classroom, the kids can relocate to the kitchen or cut things up on the table in front of the computer. In the classroom or in the kitchen, prepare the working top first: wash the tables, cover them with a plastic tablecloth.
  • Set aside the time for hand-washing. Line the kids up and go to the bathroom, wash the hands, dry the hands and go to the classroom.
  • Give out the tools while pre-teaching the names and while introducing the basic health and safety rules i.e. a plate – it stays on the table, a cup – it is in front of the cup, a knife – be careful. It is a good idea to stage the giving out of tools ie: first the plates and the cups, then the first fruit and the knives, then clean up the plates and give out the teaspoons etc.
  • Take out the first fruit, call out its name. Demonstrate how to cut it up, for example using the following set of instructions: 1) take a piece of apple, ‘Apple, please’ 2) put it on your plate 3) cut it up carefully 4) put the apple into the cup
  • Repeat with the other fruit. Throw away the plates. Give out the spoons.
  • Stir the fruit in the cup carefully.
  • Start eating.
  • Game 1: What’s this?: it is a fun game that involves eating and guessing which fruit we have fished out. Teacher can demonstrate how to play it: take some fruit from the cup, eat it without looking or even with the eyes closed and try to guess what it is. If modelled properly, with the teacher asking question ‘What is it?’ and trying to guess ‘It’s an apple’ etc, the kids will follow and will be playing in the same way.
  • Game 2: Singing and eating: Play the song and pause at every fruit and ask the kids the same question ‘Are you hungry?‘ ‘Oh, look (name the fruit in the salad). Yum, yum, yum’. The only thing to remember here is to make sure that kids finish eating before we play the song again and to continue singing.
  • Clean up, throw away the rubbish, clean the hands with the wet tissues.

Why we like it

  • It is a great and relatively simple way of making the language real and meaningful. We learn about fruit and we do something with the real fruit. With many other topics creating this connection between the classroom and the real world is a bit more complicated, fruit (and food in general) is easy. After a few basic precautions are taken, such as the allergy check, the parents permission, clean hands and a safe working environment.
  • It gives kids a great sense of achievement despite the fact that in the eyes of an adult that might look simplistic. One of my groups called it ‘a cooking lesson‘ and after the first salad, they kept asking for more of those.
  • It is an opportunity to develop social skills (we are taking turns and waiting for everyone to finish), focus (we are cutting fruit slowly and carefully), fine motor skills (we are working with a knife, we are manipulating small pieces of fruit).
  • It is an opportunity to eat in class and that is always fun but it is also something that we do together, as a group and, as such, it can be repeated regularly, although not necessarily with the salad every single time. It can turn into some ‘teatime‘ aka a lesson when we just have a little snack together. That name and the idea is also something that came from one of the groups.
  • It is not an activity for the first lessons with a group
  • If done properly, the lesson can lead to a lot of production. The ‘What’s this game’ was something that just happened in class, just because I really could not recognise one of the piece of fruit in my cup. I fished it out to taste it and I was simply blabbling to myself. The kids were watching and quickly followed suit. Together we turned into a real game and, since then, I played it with all my groups. The other game, based on a song, was something that we played in class for a few lessons, with our set of plastic fruit and it worked very well. The kids liked giving out fruit and pretending to munch on them. Moving onto the real fruit and the salad was a natural next step.

Happy teaching!

Crumbs #39 A lazy role-play

Ingredients

  • Any role-play or a dialogue i.e. a transcript of any listening task which is a dialogue (i.e. Movers listening part 2, part 3), any written dialogue (i.e. Movers reading and writing part 3), any functional langauge introduced in a dialogue or a role-play
  • A pencil or a highlighter for each child

Procedures

  • Start with the main aim of the task is, ie listening in case of task 3 of Movers or reading in case of Movers, introduction of the functional language, etc. Go through all of the stages outlined in the teacher’s book or whichever ones you see fit in your teaching context.
  • Give out highlighters or pencils, ask the kids to open the books and look at the text again.
  • Introduce the concept of a banana (or whichever random word you want to use). Explain (and demonstrate!!!) that you will read the text slowly with some bananas in it and that if the students hear the word ‘banana’ they have to highlight or underline one word that comes immediately afterwards. Model with a few words.
  • Read the text with the bananas as the kids listen, follow and underline or highlight. The words chosen to be highlighted are the key words for each specific dialogue and their number depends on the dialogue and on the age and level of the students. With the older students and the more complex texts and language, the students can highlight two or more words that constitute a phrase or a collocation. This can be signalled with a repeated number of bananas ie banana banana for a two-piece phrase or banana banana banana for a three-piece phrase.
  • Ask the students to work in pairs and read the dialogue again and to use their own words and phrases instead of every banana.
  • Afterwards the kids can change roles and read it again or change the partners.
  • If the kids are ready, in the final (and optional) stage of the activity, they can close the book and role play and recreate the dialogue and the converation based on what they remember.

Why we like it

  • It requires no preparation, unless by preparation you mean opening the coursebook and finding the role-play or finding the teacher’s book and making copies of the transcript of any listening activity
  • It offers a great opportunity for the students to practise their speaking skills in an activity that is both controlled (as we have a framework) and free (as there are quite a few options to choose from)
  • It also offers a chance to work on the grammar accuracy and the transformation skills
  • It can be done online or offline
  • It can be done with a variety of levels. The highest level I have used it with was B1 (teens), the lowest level, so far, was A2 (primary).
  • So far, I have only tried it with dialogues but now, writing that post, I started to wonder about the potential of that activity for discourse building and creation. The original text could serve as a potential framework and support for the students to use. I am yet to experiment with that option.

Happy teaching!

Crumbs #38 A – Z Game

Ingredients

  • A piece of paper and something to write with
  • All the letters of the alphabet written in one or two columns, with some space to write, next to each letter

Procedures

  • The teacher divides the students into pairs or teams and gives out the paper with the letters of the alphabet or asks the kids to write these down.
  • Step 1: The teacher announces the topic i.e. Clothes and asks the kids write one word (or phrase) for each letter of the alphabet or, more realistically, for as many letters as they can. The teacher gives an example. Ideally, the teacher creates her/his own list in order to have a set of words to model the other stages of the activity.
  • The teacher sets the time limit (i.e. 5 minutes for the younger kids and 3 minutes for the older kids). It might be a good idea to use a song instead and after the song finishes, the activity does, too.
  • The kids work in teams and make a list of the words within the vocabulary set. After the time is up, the teacher stops the game.
  • Step 2: The kids exchange the lists and count the words or phrases which their friends have managed to write within the set time limit. The teacher writes the results for each team on the board.
  • Step 3: The teams read the words on the lists and choose: the most interesting word, the most unusual word, the funniest word, three words you also have, three words you don’t have, any word you don’t understand or remember etc. The teams work in pairs and find out why their partners put these words on the list. If possible, the kids exchange the lists with another team and repeat the procedure once or twice.

Why we like it

  • For the students it is a great opportunity to revise and recycle vocabulary. All the beginner levels aside, even when the main lesson aim is to introduce and to practise new vocabulary, chances are the kids have already learnt, heard, used or seen some of the words. After all, the vocabulary sets are repeated and extended from level to level, not to mention that most kids have more than one source of English in their lives: the state school, the language school, a private teacher, brothers, sisters, parents, videos on youtube, cartoons, stories, computer games online…This game is one of the easy ways of revising all this vocabulary to prepare for ‘something new’
  • For all the reasons mentioned above, it is an absolute necessity for the teacher to find out how much the kids already know as regards a certain area in order to do a very focused (if a very contained) needs’ analysis and to adjust the volume, the level and the intensity of the new material presentation later in the lesson
  • It is very easy and requires no preparation whatsoever.
  • It helps to improve the students’ self-confidence because it gives them an opportunity to see how much they know already.
  • It can be used with any set of vocabulary, either thematic (i.e. clothes, food, animals) or content-related (i.e. the words necessary to describe a picture, the words used in a certain text or a listening task, a video)
  • The final task can be easily adapted i.e. choose 5 words to describe yourself, choose 5 words to use in a story or in a dialogue, choose 5 and describe them for your partners to guess, use a dictionary to find the words or structures for the missing letters, compare the lists with your friends to find the words or the structures for the missing letters, use the words to describe a photograph, use the words to talk about your day today etc.

Happy teaching!

The one phrase to teach your students. From the series: We Want More!

Since we are going through the quieter period of the year, there is more time for looking back and for reflection and this is how the idea for this mini-series of post came from. Just because we started to use those and each of these phrases or words was like a key that opened many, many doors in our communication and not only.

The one thing to teach your kids is ‘because‘…

…and the whole thing can* start in primary, and maybe even in pre-school. It is a powerful world that invites the kids to build a simple discourse and to go beyond one sentence or simple sentence production, even in the most everyday situations.

We start with extentending the answer to ‘How do you feel today?‘ which is a part of our class routine and the question which I ask and which the kids ask in every single lesson. As soon as they have a good number of adjectives to use in response (you can read about it here), I try to encourage them to elaborate on their answers, both modeling (I’m happy because it is sunny) and by inviting them to continue. ‘I’m happy.‘ ‘Because...’

Of course, the sentences the kids produce are quite simple, very simple, in fact, and sometimes partially in their L1 but with time, they are becoming more familiar with it and they are improving and, as a result, are able to say more and more and more. In English. Not to mention that as we go through the course, there are more and more situations in which we need because, for example to explain why we like Friday and not Monday, why we didn’t do the homework, why the kids in the pictures look happy or sad or why they did something in the story.

The same can be done with pre-schoolers, with certain adjustments to their age and the number of years that they have been studying. Thinking about my groups in the previous academic year, with the level 1 and the level 2 groups I was more focused on the full sentence production and it was too early to introduce any linkers. The level 3 children, however, were ready the unit ‘I’m scared’ (Playway to English, CUP) was a perfect opportunity to talk about the things we are scared of and to explain why. Or, more frequently, the things we are not scared of. ‘I am not scared of spiders. I like spiders because they are beautiful.’ and so on.

I often tell my students (especially those new ones, and yes, also the adult ones recently) that I will always want to know ‘Why?’ and that even if I forget to ask, they should always imagine this word written all across my forehead and answer it anyway. To help the kids in the everyday lesson and to make it easier on myself, I used the idea I got from Herbert Puchta, only mine was not any error correction technique and it stayed displayed proudly on the wall for a good few years. In the beginning, I really had to do a lot of pointing and waving at the word, later, the habit was developed and the kids (yes, as early as in year 1 of primary!) started to use the word without any reminders whatsoever. They were producing the language and lots of it!

My two favourite because-related moments from the classroom have been those:

  • when we talk about things, someone is telling us how they are and I, somehow, forget to ask ‘Why?‘ or I am just too slow with it, there is always a voice (or two or three) taking over and kindly suggesting ‘Because…‘, with this perfect rise in the intonation, the voice trailing off in an invitation to continue. I wonder where they got that from!
  • when we talk about pictures or we retell the story or we describe something that happened at school on the day and, by accident, I want to take over and move on and, in response, I get my own because back, in an interjection, and again, with the intonation perfectly matching the purpose (‘I have NOT finished yet‘) and I am thinking to myself: ‘Oh dear, I cannot shut them up!’ which is, by far, my favourite teacher’s complaint.

*) ‘Can’ or ‘must’?:-))

The one thing to teach your kids is…’I think’.

Initially, I wanted to have a pretty post, ‘one phrase per age group’ but I realised that I simply cannot NOT mention ‘I think’ and the impact it had on my primary school students.

Unlike the previous item, here I cannot even remember how it came about and how I first introduced it. It has always been in the air. I know that I use it a lot to slow the kids down and to signal to them not to rush through tasks (i.e. ‘Think and write’) or to encourage them when they are struggling (i.e. ‘Think about it’ when I know that they do know it and it is only necessary to rack through their brains). We had used it a lot in different stories (‘Elmer was thinking and thinking and then he had an idea!’) and a while ago we also introduced ‘Thinking time’ as an official preparation stage for projects and role-plays. Thinking has been with us, only it is not quite clear for how long.

For the reason, when we got to practise expressing the opinion in winter last year (around the middle of A1 / Movers), I did not even bother to check the meaning of it and the question ‘What do you think about it?’ and the answer ‘I think it is interesting / boring / exciting etc’, the adjectives were the main aim and the focus. For me, at least.

What my students took out of this lesson for the rest of the course (and life!) was the little ‘I think’, which is essentially only an introduction and which is slightly unnecessary even. An opinion can surely be expressed without it. ‘Maths is easy‘ expresses the same view as ‘I think Maths is easy.’ Or so one would think.

I noticed, in the lesson in which we used it consciously for the first time and in the lessons afterwards, last year and this year, that my students began to start adding ‘I think‘ everywhere. ‘I think it is beautiful’, ‘I think it is easy‘, ‘I think he is sad‘, ‘I think it is a cat’And I think it is a dog‘ and so on. ‘I think’ gave them an opportunity to personalise the message, to signal the autonomy of that message (since by making it subjective you kind of accept that other people will have or may have a different view) and, I suppose, by doing so, it made the message more adult and more serious. And they simply and visibly adored it. Maybe because they were only 7 or 8 or 9 at the time.

As I said, I don’t quite remember the start of that adventure and I am not quite sure when the good time to introduce really is. What I know, though, is that the next time I am starting the group, ‘I think’ will be on the list of things to think about.

The one thing to teach your teens is…’What do you think about it?’

There are many phrases that were shortlisted for this paragraph because of the difference they made to the way my teens interacted with the world in the English lesson, ‘I agree‘ and ‘I don’t agree‘ or ‘On the one hand…on the other hand‘ among them but the real deal-breaker was ‘What do you think about?

This phrase, especially with a special stress on ‘you’ (‘What do you think about it?’) has become the wonderful phrase that helped my teens really get engaged and communicate in a really interactive way, not only expressing their opinion, agreeing and disagreeing but also to boomerang the conversation properly by involving the other participant or participants. I mean, truth be told, I know that they did it mostly to avoid making too much effort and producing extensively and this line has become a fantastic and polite tool which they used to dodge the ball. Of course, they produced, too but I just had a lot of fun observing how by trying to be super clever they were involved in a conversation that would give them some high marks during the speaking part of the FCE exam.

The one thing to teach your adults is…’it depends‘.

Especially if your adults are shy, not naturally very talkative and a messy A2 level. Especially if they have already experienced some failures and disappoinment while learning Engllish and when they current progress is closely related to the promotion at work. Or the lack of. Especially if, due to all the factors mentioned above, they reply with single words (the teacher sighs) or when they just say, in their L1: ‘I don’t know what to say’ (the teacher sighs again).

‘It depends’ came to us by accident. It was not a part of any text, a listening task or a functional language phrases lesson. It was a part of the emergent lesson but because I take notes of that and send these back to the students, it stayed with us. And what joy!

I can say with all the confidence that my students, in this one (1) group have wholeheartedly adopted the phrase and made it theirs. First of all, it is this gold key that opens the discourse. You cannot just answer with ‘It depends’ and stop there. You have to continue and explain at least the two different ways at looking at the issue. Especially if your teacher is raising her eyebrows and nodding encouragingly. What’s more, I have noticed that they like using it consciously as a natural time-bying tool that gives them the benefit of a few precious seconds to come up with an idea and a way of formulating it in English. Oh, what a find, this phrase!

The one thing to teach your teachers to use and to remember about is…’but’

This one is here as a joke only. I don’t need to teach my teachers any English, of course, but, as a trainer, this is the one word that I would like them to remember to use whenever they consider the theory of child development and the methodology of working with young learners. Or even while going through the teacher’s book and adapting the activities. This little but powerful word is everything you need to be equipped with to ensure that they always keep thinking of all the exceptions to all the rules and that the most important point of reference are the people in the classroom, not some non-existent ideal students or typical five-year-olds and all the other YL cliches.

Happy teaching!

Crumbs #36 Andy Warhol anyone?

This is a lesson I taught with the older YL which started in unit 1 of the National Geographic coursebook, Life that we are using with the summer courses for teens. If you are interested in the original lesson, you can find it in the coursebook, in the second edition.

My brain tends to walk its own ways so pretty quickly it became aparent that much as it is inspiring, we have our own plans (btw, I am really looking forward to teaching the rest of the unit). Since I have already put together bits and pieces that were inspired and dedicated to Andy, this lesson was a step further, to take Andy into the classroom with the older students, too.

So, Andy.

Two pretty girls in puffs posing for the camera in the studio. Blonde and brunette in stockings look confident in front of the camera, hugging each other

Colour. Two pictures aka introduction

  • Two illustrations (see below). Students work in pairs or small teams and discuss the questions below. Afterwards, they compare the ideas as a class.
  • Talk about these pictures.
  • Are they similar or different? What is similar? What is different?
  • Do you like them? Why?
  • How do they make you feel? Would you hang them in your bedroom or in your house?
  • How do the artists use the colours in both pictures? Which one do you prefer?
  • Would these pictures still be interesting in black and white? Why?

Colours. New idioms aka new language

  • Students work in small teams. They match the the idiom in the sentence with the meaning.
  • Check the answers as a class, additional clarification.
  • Students go back to work in pairs. They come up with the examples to illustrate each idiom and tell mini-stories.
  • The handout we used can be found here.

Colour. Associations aka production

  • A mini-lecture on Andy Warhol and the way he used to work (Marylin Monroe and the Cambpell Soup)
  • The whole class works on eliciting the associations with one of the colours, in our case it was grey. The teacher shows some of her associations with the colour. The students try to guess the rationale behind each of the ideas.
  • The students prepare for the main speaking task: they write the numbers 1 – 10 and they notes about at least three associations for each of the colours
  • The students work in pairs or small groups. Each of the students presents their associations for the partner to guess the colours and afterwards they explain their choices.
  • During the feedback session, the students share the most interesting or the most unexpected associations.
  • The handout we used can be found here.

Colour. Quiz

  • The students work as a team or a whole class.
  • They look at the photographs representing different cultures and countries. They analyse the colours and try to guess which countries they represent.
  • They check the answers.
  • The handout we used can be found here.

Colour. Comments

  • Any photograph can be used to accompany Andy’s Marylin. I have used the one that we had in the coursebook, one of a scene from a traditional Indian wedding. Today, if I taught this lesson again (or when I teach this lesson again), I would like to use even a wider range of colour such as a painting by Kandinsky, a a painting by Rothko, a storybook illustration, a child’s drawing etc.
  • The lesson was taught online so the craft / creation component had to be limited to a speaking task. I was tempted to use a variation of the craft activity we used with my younger students but it was simply impossible.