Very young learners

Children as symbols users and the EFL world.

by

‘Symbolic representation – making something stand for something else’*

Symbolic representation, its importance and development in children are a truly fascinating topic and one of the crucial ones to anyone who works with the little children.

Tina Bruce’s definition of symbolic representation has become the title for this paragraph and that means that absolutely anything can become a symbol of something else and being able to read these symbols is an important step in child development.

Symbols are everyone around us. Some of them are universally recognised such as mathematical symbols, musical notation or the letters of the alphabet, some are personal. While growing up, children are learning to differentiate between the symbol and the real object, they learn to recognise, learn and, eventually, to create symbols.

Examples? Imagine a cat, a black beautiful and soft murmuring creature. Now, imagine a flashcard of a cat. Obviously, as adults we have no problems differentiating between these two and understanding that the flashcard, no matter how realistic, is not a cat and that it only represents it. We can even take one step further and look at ‘CAT’ written on the board also understand that it is not the cat itself, only its symbol. Or that when we move one of our hands in the air (with the fingers spread apart and crooked a bit), while saying ‘meow’, we also want it to represent a cat. Although we are not the cat ourselves. One more step would be going in the direction of what the cat or the black cat itself might represent…

It is basically the development of abstract thinking. Why does it matter to us, the teachers of English? Well, there are a few reasons and a few immediate uses in the classroom.

Flashcards…

This is probably the easiest to highlight and, at the same time, the most obvious way in which the symbolic representation and its development influences our daily life in the classroom.

Flashcards are the staple resource of a VYL and YL teacher. We can bring toys into the classroom or plastic fruit to introduce and practice vocabulary with them but it is not possible with all the topics. Sadly, we can never have a real elephant or a real princess in the classroom, sadly, and for that reason we have flashcards. They help us work with the language as they are not only easy (or relatively easy) to obtain but they also help use the language and the variety of channels: visual (as they are colourful and pretty), kinesthetic (because we can manipulate them) and auditory (with the language produced by the teacher and the students).

However, there is the question of what exactly we want from the flashcards. They should be colourful and durable and visually appealing but they should also clearly convey the concept, not to confuse the children. The situation is much better nowadays, the materials that we work with are of a much better quality but you can still find a few ‘gems’ that should have never seen the daylight. I am collecting those and perhaps I am going to share with you my most precious finds (or rather ‘finds’).

It is a fascinating thing to be producing the flashcards to represent a less obvious concepts for example adjectives.

These first two are very straightforward, a frown is easily associated with ‘I’m sad’ or ‘sad’ and thinking of food with ‘I’m hungry’ or ‘hungry’.

The other two were a bit more challenging but I did assume that an owl is considered to be a very wise animal and it is often used in such a way. That is why we have also adopted it in our class. The other was even more challenging but I assumed that kids (or not only kids) often cover their eyes when they are scared and don’t want to look at what frightens them (although they sometimes peek through the fingers nonetheless:-). This is how we have ended up with these two symbols for ‘I’m clever’ and ‘I’m scared’ (or ‘clever’ and ‘scared’).

But things got really interesting and challenging recently. I needed a flashcard for ‘It’s scary’ (or ‘scary’) because we are in the unit of pets and animals and we learn to describe them, including what they like to eat, what they can do and what we think of them.

I already had a flashcards for ‘I’m scared’. For a moment I was considering using an image of a monster but those nice ones were sweet and funny and those that were really scary and illustrating the concept well, they were just too scary, even for me. In the end, I decided to go for a spider (as most kids don’t like them and I hate them so my reaction to them is always very real) but I covered it with a flap. My reasoning was that if something is scary, we don’t really want to look at it. So far it works well. And my kids love to pull off the flap while telling me that it is NOT scary.

Gestures

The gesture is king! By adding gestures while teaching kids vocabulary or structures, we multiply the number of channels through which the kids are operating (visual – with flashcards, auditory – the words spoken and kinesthetic – through gestures) and we help them remember and recall the language with more ease.

It does not really matter if we use gestures (or symbols) that are universally recognised. It is an advantage if we can, of course, but I doubt that any culture has a gesture ready for the vocabulary that you are studying at the moment, for example ‘It is snowing’, ‘it is windy’ or ‘a clown’, ‘a doctor’, ‘a princess’. It does not really matter, though. The English classroom is a sort of a bubble, a mini-universe where its own rules apply. It is almost natural that this world will have its own set of symbols or gestures.

I have already committed a separate post on different ways of using it with preschoolers learning English as a foreign language. You can find it here.

Vocabulary and structure or How to teach grammar to preschoolers

Symbols and their application can be especially useful while teaching grammar to preschoolers. First of all, taking the students out of the one word production world and into the phrase- and the sentence- or perhaps even the discourse-level is a challenge all by itself. Our EFL students have a limited class time (unlike the bilingual or the ESL children) and a limited exposure outside of the classroom. Second of all, pre-schoolers are indeed very young and their cognitive skills and the ability to deal with abstract concepts (such as grammar) are limited. Last but definitely not least, they are pre-literate in English and the structure cannot be just presented to them using the written word. Primary children, who learn grammar but depend heavily on the context (which is an advantage and a source of support), still receive the basic form of the target langauge on the board or in the coursebook for example ‘I like…’ which helps them remember the key structure and which supports production.

For that reason some other solutions have to be found and, at least, for me and my students relying on symbolic representation has been a life saver.

It started with a heart, you could say. I needed a symbol to stand for ‘I like’ and ‘I don’t like’ and at first I went for something resembling a face of a child that might be saying ‘Yummy’ but when I brought them to school, my students looked and said ‘happy’. Not good at all. The distance between the symbol and the real thing was too long and our new symbol resembled another symbol too closely. This is how we ended up with a heart – a coloured-in heart and a crossed heart to stand for ‘I like’ and ‘I don’t like’ respectively.

We use them together with the food, pets or colours flashcards and they simply work wonders. Both main components of the sentence are represented here visually, it is easier to remember them, to produce and reproduce them and they can be manipulated physically, too, as each of the students can have their own heart, double-sided. The heart can be put on the flashcard face up or face down depending on how the kids feel about it. It can be also held up, show the other students ‘the right side’.

It is amazing to see how quickly students accept this particular symbol and how effectively they use it. It is even more amazing to witness how they try to adapt it to the situation to make sure that they express their opinion and that this opinion is also reflected in how the symbol is used. In one of my groups we were using it with more complex food items and one of students said that she didn’t know whether she liked steak or not because shed had never tried. After a brief moment of hesitation, she decided to hold the little cardboard heart side-ways (or edge-ways) so that it expresses neither ‘I like’ or ‘I don’t like’.

Another way of applying symbolic representation are the mini-emotion flashcards which we use to describe the feelings of others. These are quite small, small enough to fit on the character or family flashcards and to make it for almost ‘real’ experience when ‘mum’ looks really happy or sleepy or hungry.

These mini-cards can be used in phrases ‘a happy princess’ or in sentences ‘The princess is happy’ and the position of the card will reflect the change in the phrase ie if the card is on the left of the flashcards it reflects the position of both words in the phrase in which the adjective comes first. If the mini-card is on the flashcard (for the purpose of realism and fun) or on the right we produce a full sentence in which the noun comes first, followed by the verb ‘is’ (the only part that needs to be remembered and which can be represented by a gesture) and by the emotion.

Unfortunately, it is not always easy to find a suitable visual symbol for each structure we teach but it does not necessarily have to be a picture, gestures will work equally well. For example for ‘I’m wearing’ I motion my hand from my neck down to point at the clothes and for ‘I can see’ I tap my finger twice on my chest (for ‘I’ and ‘can’) and then point at my eyes ‘(‘see’).

I think it can be safely said that I am (slowly?) adding symbols to my collection. Plus, it is fun to make the ghost scared, for once and this lesson always puts me in a better mood.

And then there are letters, too!

Letters and alphabets or any writing systems are a fascinating set of symbols and, eventually, children get to know them, in their L1 and in English, too. When they are ready. This is an adventure that deserves its own post (or, indeed, a series of posts), soon, especially that when we take the first steps in the world of the written word, it is with a background in another alphabet and another set of symbols, some of which are the same, some of which are different and some of which are false friends because they look the same but they represent different sounds.

Developing literacy skills is as much a challenge as it is fun. Especially that children as young as four and five comment on the fact the English ‘Pp’ looks exactly like the Russian ‘Rr’ and that ‘Ww’ turned upside down turns into ‘Mm’ (well, at least the capital one). Or that ‘Xx’ is a Russian ‘Hh’ or ‘A cross, Anka! It looks like a cross!‘

More on that later.

Kids grow up…

Of course the use of the symbol in the EFL classroom is not limited to pre-school, only later on the symbol is not an essential component (at least in my head) but a pleasant supplement that makes things fun, colourful and a bit easier. Examples? The ghost in the cover photo which we use with my primary kids to stand for the silent letters that started to appear everywhere in our A1 materials or the gestures that we used while learning and practising some basic adverbs of frequence: always (5 fingers – 5 days a week), usually, sometimes and never.

Happy teaching!

*****

If you are interested, make sure you have a look at these:

Symbolic Understanding in Infants and Young Children, a lecture by Dr Judy DeLoache (2013)

Symbolic Understanding in Infants and Young Children, a lecture by Dr Stephanie Carlson (2013)

Tina Bruce (2005) Early Childhood Education, pp 105 – 125

The stages of symbolic development, in a nutshell.

The Spiderman Story. CCQ-ing pre-school?

by

Really, the whole story is between me and a pair of blue, three-year-old eyes. The world around does exist, of course, and the world around is watching, with curiosity, but not really participating.

‘Spider’, I say.

‘Spiderman’, he says.

‘Spider’, I repeat, pointing at the spider flashcard.

‘Spiderman’, he repeats, as if not noticing.

‘Spider’, I say, yet again.

‘Spiderman’, he says and, I’d swear, he nods, too.

***************

The blue eyes belong to a little Sasha who is quite young, true, but who feels empowered and a lot more confident than any other typical three-year-old might have been in any relatively new environment. It is because this little Sasha never walks alone, he has his older sister as the source of his superpower. He is pretty much fearless. That is why he gets into this, well, debate.

The conditions are perfect. It is a warm May afternoon, the summer is round the corner, and the audience are waiting for some entertainment. After all, the parents have come to see what the kids can do and what the teacher is teaching them. Everyone is present, all the children and all the parents. The teacher is there and even the trainee teacher. Who could have wished for more?

Sasha is not doing it on purpose. One of the most important words in his life now is ‘Spiderman‘ and it does resemble something that the teacher is saying. It feels like a cool game to recite it, together with the teacher, well, almost ‘recite’ it. Sasha continues to play.

He doesn’t see how the world freezes waiting for any reaction. He notices that his teacher’s face has become a bit tense but he does not think that it might have anything to do with the new game. He wouldn’t know that the teacher’s blood pressure is slowly going up because of what is happening and what is happening is this: a student making a mistake and the teacher not correcting him, fossilising the error for the years to come and this little boy confusing the little eight-legged creature with a superhero.

It might be that the parents have not even noticed or realised. It might be that the parents have found it to be funny, too. In the teacher’s head, however, the world is crumbling and the teacher is failing, despite all her experience.

Ideally, the teacher would have just waved two flashcards to illustrate the difference. Only, of course, there were no Spiderman flashcards just lying around.

***********

‘Now, Sasha, spider – Spiderman’, I say. Again.

‘Spiderman’, he says, smiling, probably thinking that I have finally managed to learn the right word. I smile, too.

‘Sasha, listen. Spiderman is a boy. Yes or no?’, I say.

‘Yes’, says Sasha.

‘Mhm. And Spiderman is big or small?’ I ask.

‘Big’, said Sasha, looking at the teacher with curiosity.

‘Right’, I say. And then I ask, raising the spider flashcard. ‘Is THIS big?’

‘No’, said Sasha.

‘Is it a boy?’ goes the next question.

Sasha looks up from the flashcard, he looks at the teacher and smiles.

‘No’, he says, and you, know

‘No’, said Sasha and, you know, the teacher would swear, something sparks up in Sasha’s three-year-old eyes.

‘Exactly. Look. Spider – Spiderman’, I say, once again pointing at the spider flashcard, also adding gestures ‘small’ and ‘big’ ..

‘Spider’, says Sasha, pointing at the flashcard. And then he adds: ‘Spiderman’

***********

Victory? Probably. A memorable moment? Absolutely.

In hindsight, also a bit of revelation that a little adrenaline rush and, all of a sudden, it turns out that it is possible to use CCQs, concept check questions, with very young pre-schoolers who are somewhere in the pre-A1 level. I had never thought it would be possible but, hey, there you go. When there’s a will, there is a way? Aka the games my brain likes to play.

Happy teaching!

‘Are you a girl or a lion?’

by

Friday, twenty minutes before the start of the lesson. Two of the girls (5 and 6 y.o.) remember about the amazing game they played about a month ago and, immediately, decide to play it again. There is only one rule in the game: to follow the teacher around the school, as she gets ready and fixes the last bits before the lesson and to say ‘I’m hungry. I will eat you‘ to which the teacher offers various things to eat (‘Do you like books?’, ‘Do you like markers?’), *) to which you have to answer ‘No. I’m hungry but I only eat people‘. And you roar. A lot. The other kids are arriving gradually, the hallway is filling up with parents, grandparents, nannies and brothers and sisters.

Friday, five minutes before the lesson. The lion game is getting better by the minute so now there are four lions running around (Did I mention running before?) and roaring. And, believe it or not, four lions roaring make a lot of noise. It’s not that we pretend that kids are made of sugar and they are always sweet and quiet and picture perfect. Kids are kids and they should be but the teacher picking up the flashcards and taking the last sip of water in the teachers’ room thought, briefly, of an avalanche of noise and ‘unwanted behaviour’. The lions did not really care, they were having lots of fun.

Friday, 2 minutes before the lesson. The teacher is ready and is collecting the group to start the lesson properly. Alas. The lions are roaring, more and more loudly. ‘Let’s go!’ (Roar). ‘Please, stop’ (Roar roar), ‘OK, everyone, 10, 9, 8, 7…(Roar roar roar).

The teacher suddenly understands that she is not in the hallway of the school but on the edge of the cliff, on a windy day, on an empty stomach hence double dizzy. The lions do not like those lions that might calm down any time soon. The parents, grandparents and nannies have raised their eyes. The security guard, too, came out into the hallway and was observing the almost-mayhem in the hallway. The remaining 120 seconds should be used to re-introduce the order. The order should be sturdy enough to last sixty minutes of the lesson which is about to start.

You could say that’s not an ideal situation…

***********************

There were four things that I could do.

a) do nothing – not recommended, even if only because of those sixty minutes in the classroom to come.

b) let someone else sort it out – not recommended, not really. True, the kids have parents but at this point in the game, I don’t think I would want them to get involved. That’s why when our security guard (that the kids know and respect) started to saying something, I just shook my head and put a hand up to stop him. This mess was my mess and I had to deal with it. I think this is something I learnt during my five years at the state school – other people might be called to help with the behaviour management but at the end of the day it is your pack and you should be considered its leader.

c) talk to the kids in their L1 and sort it out – not recommended, not really. Why? Because I never talk to them in their L1 and this was serious enough, not yet anyway, to resort to that. I decided to keep it for another day and another occasion.

d) talk to the kids in English – tricky, with 5-year-old pre-A1 crowd but this is exactly what I decided to do.

I had no idea what I was doing, really. There were no previous cases that I could rely on, no plan of action but hey, if I don’t try, I will never know…Challenge accepted.

**********************

The teacher looked at her lions, still roaring in a small circle around her.

‘Now, where are my students? I want to start the lesson. Where are my students?’, said the teacher.

‘We are not students. We are lions!’ said the lions and they roard.

‘That’s a shame.’, said the teacher, feeling how someone continues to pull the rug from under her feet. She took a deep breath. She looked at the first lion on her left.

‘Are you a girl or a lion?’ asked the teacher.

‘A lion’

‘Are you a girl or a lion?’ now the teacher asked the second lion.

‘A lion’ said that second lion, with a beautiful smile.

‘Are you a girl or a lion?’

‘A lion’ said the lion and the teacher realised that almost all is lost.

‘Are you a girl or a lion?’ asked the teacher.

‘A lion’, said the fourth lion and the teacher was feeling pretty desperate then. The parents, the grandparents and the nannies were all watching then. Of course.

‘Right’, said the teacher. ‘It is a real shame but the English lesson is ONLY for boys and girls, not lions. I am sorry. Bye bye, lions’, said the teacher waving her hand and started walking towards the classroom. She stopped after a few steps where a little boy was sitting with his mum.

‘Hello, Sasha! Are you a boy or a lion?’ asked the teacher.

‘A boy’ said the boy.

‘Great! Let’s go to the classroom!’ said the teacher and off they went. They stopped again after a few more steps where a little girl was sitting with her mum.

‘Hello, Sasha! Are you a girl or a lion?’ asked the teacher.

‘A girl’, said the girl.

‘Fantastic! Let’s go to the classroom!’ said the teacher and all three went to the classroom.

At the classroom door, they stopped, and formed a line. The teacher opened the door, walked in, sat at the door and started saying hello to the first student in line (a part of the routine). They were in the middle of the chat about howareyoutoday and green pencils and yellow schoolbags, when one more person appeared at the end of the line.

‘Anka!’ she shouted, ‘Anka, hello! I am a girl!’

This was the first of the used-to-be lions and the other three quickly stood in line behind her. A miracle!!! In the end, we had one human teacher and seven human children taking part in this lesson.

***********************

This is a great VYL anecdote, of course, and I am sure, in the years to come, I will be going back to it to smile and to remember how difficult it was not to giggle when a girl-turned lion-turned girl came up to announce (in English) that she changed her mind and was ready to take part in the lesson for humans.

It is also a story about what it might be like to be a student at five and that what the big people see as being naughty (running around, roaring, pretending to be a lion) is just a lot of fun and an opportunity to do something different and to experiment with the ways of the world.

Finally, it is also a story about using or not using the L1 in the VYL classroom. You an use it, you don’t have to but using L1 is not the only way. It is a challenge but it is an interesting one. And it is possible.

Some people do sudoku to exercise their brains, some enjoy complex Maths thingies (that clearly not me), some like to guess the ending of a crime story before it is officially revealed in the final chapters. My brain seems to revel in such child-development-and-language-grading games. Especially when there is the added bonus of a high profile audience, of parents, supervisors or trainees…

I will leave the Spiderman story for some other occasion.

Happy teaching!

*) The text in italics is what the kids said in L1.

Story lesson ideas #1: The Little Seed

by

This post is a lesson I taught with a group of 4-year-olds in their first year of studying English, based on the materials from Playway to English 1, 2nd edition by Herbert Puchta and Gunter Gerngross from Cambridge University Press.

It was taken from unit 6 (The Weather) and it is called ‘The Little Seed’.

Story cards ‘The Little Seed’ Playway to English, 2nd ed by H.Puchta and G.Gerngross, CUP

Pre-Story

  1. Vocabulary revision and practice with flashcards, the weather dice, the song, the weather sounds etc. Kids sit in a circle, on little stools.
  2. New vocabulary introduction: a bee, a butterfly, a flower, a seed. We used finger puppets because these three feature in my garden finger puppet set (together with a ladybird and a caterpillar) which I once got as a present (thank you, Cheng <3). I put them on my fingers and we practised saying ‘Hello, bee!’ ‘Hello, butterfly!’ The kids got really excited so we did spend some time, playing with them, trying them on and saying ‘Hello, bee!’ ‘Hello, butterfly!’ These activities were done on the carpet, with kids sitting in a circle. I forgot to bring real seeds so this time, we skipped this stage but I am planning to include them in the follow-up lesson (see below). Of course, the same can be done with regular flashcards or handmade toy butterfly and bee.

While-Story

  1. Just look: I hold the cards and show them to the students, one by one, in silence. Kids just look. Sometimes, I draw the kids’ attention to some of the elements, by pointing at them. Sometimes, I point and say the words or encourage the kids to name things they can see but, really, that is not the priority here. I just want them to take the story in, to build it up in their heads, before we add the language layer to it.
  2. Listen: I play the audio and we listen to the story and look at the pictures. Again, I sometimes point to the key elements in each card. I also use the gestures to reinforce the ideas and concepts and to add another learning channel to the visual and the auditory. In this story we are using the following: hands together, under your cheek with the head slightly tilted (The little seed is sleeping), face up, as if enjoying the sun, with a smile and a happy sigh (It is sunny), hands moving up and down, with the fingers spread and wiggling (It is raining), hands going up and arms stretching high up for (The little seed is growing, growing, growing), pointing with one finger at the picture (Look, it’s a beautiful flower). Some of these gestures have been used so far (the weather), some are new. I don’t pre-teach them, the kids join in when they are ready.
  3. Listen and say: We retell the story together, using the cards. I lead but this time I pause frequently and elicit the words and structures that the students know or, alternatively, I produce the phrase and encourage the kids to repeat.
  4. What do you think? This is the stage for the students to personalise and to express opinion. Usually this is done through a very simple question of ‘Do you like the story?’ or ‘What’s your favourite…?’ In this particular story, we asked ‘Do you like the story?’ ‘Is it a happy story or a sad story?’ ‘Is it a beautiful flower?’
The finished product

Post-Story

  1. Look at my picture: I show the kids the final product and we try to retell the story once again, in its simplified version, this time focusing on the structures that the kids can reproduce: The little seed is sleeping. It is raining. It is sunny. The little seed is growing and growing. Look, it’s a beautiful flower.
  2. Craft: I give out the cards and we create the pictures with kids, while retelling the story. I create another picture, step by step, to model the activity for the kids. This stage took about 10 minutes. I was considering adding the butterfly and the bee but decided that it would take too much time and that is why they do not feature in the picture.
  • ‘The little seed is sleeping’, I give out a small blob of white plasticine, I stick it ‘underground’, ‘Stick and press’
  • ‘It is sunny’, I give out yellow markers. We draw the sun in one corner. We repeat the key phrase as we draw. The kids who have finished drawing can also use the gestures for ‘It is sunny’. I collect the markers.
  • ‘It is raining’, I give out blue markers. We draw the cloud and rain in the other corner. We repeat the key phrase as we draw. We use the gesture for ‘It is raining’. I collect the markers.
  • ‘The little seed is growing, growing and growing’. I give out a piece of green plasticine. We kneed it and roll it to create a string. ‘Let’s roll and make one piece of spaghetti’. We stick it to the picture, as the stem of the flower. ‘Stick and press’.
  • I give out two pieces of green plasticine, we make two blobs and attach them as leaves. ‘One leaf, two leaves’. ‘Stick and press’.
  • ‘Look, it’s a beautiful flower!’ I give out two big pieces of blue and red plasticine. ‘We need three red pieces’ ‘Let’s make the flower’ ‘Stick and press’. ‘We need three blue pieces’ ‘Let’s make the flower’ ‘Stick and press’

3. Let’s tell the story: We show the pictures and go through the story again. The kids are now better able to tell and show the story.

4. Homework: Kids listen to the audio at home with parents, while looking at the pictures in their books. They complete the task in the book by sticking stickers in the gaps.

5. Follow-up: In the following lesson, we are going to retell the story again. I am also planning to start our own classroom garden with some flowers and beans, water them and watch how they grow.

This lesson plan is, of course, one of the many many ways of using this material and teaching this lesson. Enjoy!

Some other materials, potentially interesting.

A little seed by Mabel Watts here

Growing Sunflower Time Lapse here

From a seed to a flower here – a lovely video that I used when I was teaching Maths and Science to pre-schoolers in one of the lessons devoted to plants but it can be used as a follow-up activity in the story lesson.

How to grow a bean plan from Learn English Kids here if you want to start your own class garden.

How plants grow – an interactive game that demonstrates how much water and warmth a plant needs to grow. On the one hand, it is kind of cool and very informative, on the other, however, I could not apply the water and warm fast enough and ended up killing the plant. It made me sad (yeah, really) so, eventually, I decided not to use it in class, either.

A post from Anastasia Bykova, which I found only after my own had been written. If you want to turn this story into a series of lessons, look no further. Lots of ideas for a classroom garden and a proper project – an animation film created with kids which is also available on youtube now. You can find it here. We are going to watch it next Friday.

Happy teaching!

Bête-noire aka my least favourite conversations.

by

Let me introduce you, dear readers. This is my Bête-Noire, a tiny little bundle of unhappiness.

View Post

Most of the time, it is fast asleep, lying peacefully somewhere in the attics of my heart, covered in dust bunnies. Until, all of a sudden, it is rudely awaken because I find myself in the middle of one of the following conversations…

And that’s not everything. There’s more, lots more. Sometimes there are no (silly) questions but what happens is a rather intensive listening / lip watching event, in order to evaluate my presumably low level of proficiency in English or to detect some serious issues with pronunciation which, potentially at least, could justify the VYL-ness or YL-ness of me.

Why? Who knows.

The funniest thing is that, usually, it is not the parents, the students themselves, the HR or the admin of the schools but our own EFL nation, the fellow teachers, the colleagues who initiate these threads in the conversation. And it is not even the trolling on the social media or remarks whispered behind one’s back, no! More often than not, these are the things that people just throw right into your face…They have just met you, you have just been introduced, they don’t know a single thing about you, apart from ‘Anka, I teach VYL and YL‘ and yet, here we go…

Although, really, it would be very easy to turn the tables and start asking questions such as those ‘What?! You are NOT teaching YL?’ or ‘So you only teach (insert any non-YL area of ELF)? Doesn’t it get extremely boring and repetitive?‘

Only of course, I would not do any such thing. Because it is rude and/or unnecessary…And, no, I do not want everyone to be passionate about teaching children. We all have our own preferences and areas of expertise, things that we like and things that we hate, things that we are amazing at and things we’d rather not do.

Guess what? People choose to teach kids.

It is 2021. Out there, in the big, wide world, there are fully-educated, native speakers or non-native speakers teachers of English, male and female, mums and non-mums, private language school teachers and state school teachers who choose to focus on and to specialise in teaching English to children.

Because it is… more interesting, exciting, creative, inspiring, rewarding, fun…Despite the fact that ‘you can’t really have a conversation with them‘ or despite the fact that ‘you can’t ever teach Present Perfect Continuous Passive‘.

Even as I type these words, I can see a long list of names, my friends, colleagues, mentors, trainees who I have had a chance to meet and to work with, people who are amazing professionals, able to work with any level and any age group but who have found their true calling in working with the youngest of the EFL learners.

Many of them have already build their professional portfolio and, on the way, have grown a thicker skin. Comments and questions, as those quoted above, annoying as they are, will not really cause much damage to the system. ‘Sticks and stones can break my bones...’and all that. These teachers will be able to come unscathed by casually mentioning the years in the classroom, the feedback from their students or parents or maybe also a DELTA, an MA degree, Cambridge exams passed, IELTS bands received, publications, conference presentations and what not. Thus signalling that there are some alternative conversations to be had. With some alternative interlocutors, perhaps.

These experienced teachers I am not concerned about. They are and they will be fine. More than fine, in fact.

What worries me is that somewhere out there, there are novice YL teachers or newly-qualified teachers or, indeed, some would-be teachers, having been exposed to this kind of narrow-mindedness, will get into thinking that an English teacher first of all has to choose only one area of specialism and that a choice between ‘a teacher of English to adults/exams/IELTS/Business’ and ‘a teacher of English to YL’ is also a choice between qualifications, professionalism, respect and the lack of them. Which it is not.

Dear colleagues, dear amazing VYL and YL teachers! Thank you for being in the world! Thank you for your enthusiasm, dedication, ideas, creativity and energy. Thank you for caring.

And don’t forget – you rock!

Happy teaching!

P.S. What a rant, hey?:-) If you want to read some more positive notes on being a VYL teacher, check out this post on the hidden perks of working with the little people.

The hidden perks of teaching EFL pre-schoolers

by
Author: Lisa, ca 2016
  • You will train yourself to be extremely well-organised. Never again will you forget to make a copy, to bring the crayons, to arrange the chairs or to pick up the realia from the teacher’s room. Why? Because once you enter the classroom and the kids come in, there is no going out, until the lesson is over. What’s more, all your toys and tools are most likely to end up in neat piles around the room, within an arm’s reach. One of the first things you learn in the VYL classroom is that there is never a minute to spare or, in that case, to look through the lesson plan or to search for the misplaced whatever. If it is not there when you need it, you just get on without it and make sure it is always there, in the future.
  • Apart from that, you will become very resourceful. No matter how carefully you prepare, things will happen and you will have think fast on your feet and come up of ways of making do without the CD player, the computer or the tablet, the glue or the storybook that got left in the bag. And you will, every single time and with time you will get amazingly good at coming up with last minute solutions. It will feel a lot like being about to do magic, actually.
  • You will become greener because you will find ways of recycling pretty much everything: milk cartons, chopsticks, ribbons, wrapping paper, pots, cereal boxes. Nothing will ever be thrown away. At your house and at your friends’ houses, too, possibly. Because as soon as they find out that you collect and recycle they will be bringing you things, including the unusual things that you will later try to use in class.
  • You will discover your hidden talents or believe in your so-far-unused talents for singing or drawing. Such a confidence boost! You will have to draw or sing at one point or another and what a revelation it will be to discover that those (little) people do not care which key you are singing in and they will just accept your involvement. As well as absolutely all your attempts at drawing a cat, a dog, a panda, a dinosaur…
  • Whether you were born with micro-staging skills or whether you have worked hard on crafting and polishing them, over every lesson with your preschoolers, eventually you are going to get there and you will rock at dissecting any random task or activity at a glance, down to the most minuscule details and, no matter how complex the task, your instructions giving skills and modelling will be simply first-rate.
  • You will enjoy any lesson with adults twice as much only because they: do not rock on chairs (even if they do, you are allowed not to care), they pick up the resources, flashcards, cards, notes and put them back together, with the paper clip on, they will not cry because there is only one pink pencil, they will open the book and find the page all by themselves, they will to the other side of the handout but they will still focus on the right page, they will not get irretrievably distracted by your earrings or by another student’s fluffy tiara…
  • You will learn that lesson planning should start in the classroom and with the students who are there, not just any typical 4-year-old beginners and not with the activities that the coursebooks authors intended for them. Typical 4-year-olds don’t exist and who turns up on Friday is Masha, Katya, Anya, Egor, Petya and Sasha. They are the lesson and if some pages of the coursebook are not compatible with the bunch in the room, these pages have to go. Good riddance.
  • You will quickly become a champion at devising a good plan B (or even a good plan C), to resort to in any given situation, an additional copy of the handout, a spare puppet in your Mary Poppins bag, a glue stick in the back pocket and, on top of that, three more ideas in your head. Just in case.
  • It is not going to happen automatically but once you believe and see that your little EFL students can go beyond one-word answers, beyond rehearsed and drilled lines and that they can use full sentences, complex sentences and can produce language spontaneously (because, yes, they CAN!), there will be no stopping you. Because if the pre-schoolers can, they absolutely everyone can! High five to the level of challenge!
  • Developing learners’ independence and involving them in the shaping of the lesson is something that the VYL do on daily basis. The kids learn to make decisions, choose their favourite games and songs and given the chance to be the teacher and lead the activities. This ‘democracy in the classroom’ (which I first heard about at the wonderful presentation given by Katherine Bilsborough) should be a part of the lesson with primary, juniors and teens. It really does work wonders!
  • A chance to forget about the traditional assessment in the form of tests, quizzes and standardised exams because the little people just don’t take part in those. Instead, the teacher can just focus on assessment for learning and start experimenting with all the alternative methods of assessment, better suited for the pre-literate, pre-school EFL students.
  • A unique opportunity to sing and jump and put on voices in the middle of the day and to forget about the world for a moment, about the mortgage, the heartbreak, the tiredness, the pandemic, about anything that is not the lesson and the students. Time out, for the teacher this time.
  • A new perspective on the world as you will be learning again to see the world from the height of 70 above the ground, getting lost among the pages of the book, forcing the pencil to stand still and to produce scribbles…Brand new world!

So here we have a resourceful, creative, green, well-organised, confident, calm, open-minded teacher who is great at giving instructions and planning student-centred lessons…Any student’s dream, right?

Happy teaching!

P.S. Here you can find another post on being a VYL and YL teacher…

A square peg in a round hole. New kids joining the group mid-year.

by

Back in the classroom

January, January. Here we are, are still dragging the residue of the Xmas – New Year laziness in our blood cells but the time is now to enter the classrooms briskly (also, because the school hallways is the only place where you can do ‘briskly’, the pavements outside are either icy or covered with snow or slush), with the new energy and to start the second half of the game.

Sometimes, let’s be honest, this YAY attitude is a show you put on (see the laziness residue) but if it doesn’t start with the teacher, then there is no or very little hope that it will be student-generated. After all, they don’t only have you, their after-school English classes, they also have the regular school, with the huge piles of homework and, this year’s special – they are back to the regular, offline classrooms, after three months of the screen’n’pjs education. This is the older students.

The younger ones, well, they have been attending regular classes, without any breaks, in most cases, but these, they come after not having seen you for two weeks. Will they be a little bit displaced and confused? Yes, they will. Will they have forgotten some of the class rules and routines? Most likely, yes. Will this first lesson after the winter holidays be to some extent like the first lesson of the course? It might be.

What to do with it? Not much, really. Just being kind to yourself and to your students and acknowledging the fact that it will take some time to warm up the neurons and to have them work at the top of their capacity. And a lot of revision, as regards vocabulary, structures, rules and routines. It is not that difficult to put together a great and meaningful ‘revision’ lesson and all the students will appreciated and enjoy doing something that is familiar (but not boring) and achievable (but still challenging enough). Before we get back to climbing yet another of our EFL Everests.

But that’s not really what I wanted to write about today

Imagine, dear reader, that to all the hoops that are already in place (a long break, sleepy students, tired students, all over the place students), you get one more: you find out that a brand new student will be joining your group. Or coming to do a trial lesson. Or just joining you for a catch-up lessons since he/she missed a few classes with their regular teacher.

I am not sure how common an occurence that would be in state schools, kindergartens or classes given by private tutors, or, even, whether it does happen in other private language schools. It does in mine and it is an interesting experience. Here are few thoughts from the last two weeks.

The teacher

It is a challenge, admittedly, because in a way we work the double amount, on the one hand dealing with the group, re-instating the kingdom from before, on the other hand, taking the new student on a brand new adventure and that might mean some temporary dissonace that will have to be managed.

It might also happen that the new student’s mum will want to take part in the lesson or that the new child will refuse to enter the classroom without her. How you react here will, of course, depend on the school’s policy.

It might be a good idea to invite the parents in or to have them sit in the hallway but with the door open so that everyone (the parent and the child) feel comfortable and it is equally important for the teacher to explain what is going to happen in the lesson and how the parents can help. What usually happens is, the child stays around mum in the very beginning and then, slowly, wanders towards the teacher and the group and, eventually, takes part in all the activities. This period of time might be different for different children and it is crucial that they are not rushed here, by the teacher or by the parents, and that they make the decision when to join all by themselves.

The best advice that I might give teachers (and that I give myself when I enter the room on a day like this) is to stay calm and to smile a lot, because things will get better soon. Of course, in 2020 – 21 even smiling might not such a straightforward solution, but even with the mask on, it is good to remember that it takes a few muscles to smile and that the smile spreads all over your face. Plus, it might be a good idea, to stand at a safe distance and to take off the mask just for a second, while meeting the child for the first time to let them see your face.

The activities

This is an interesting case, especially with the very young learners. As mentioned before, some revision is absolutely necessary in any lesson and especially in the first lesson after a long break. However, that might mean that the new students will be constantly at a disadvantage, because for example, they won’t know all the songs that everyone else already loves or to take part in all the games because in order to do so, they would have to be familiar with all the vocabulary and, of course, they are not.

For that reason, it would be good to start each activity with a quick revision of the vocabulary and drilling, to inlcude the games that will have a double focus, something apart from the language itself, for example langauge and CLIL (names of the animals and whether they are big or small or numbers and counting real objects) or language and cognitive skills (names of toys and looking for differences between two pictures or odd one out) because the new students will be able to participate partially at least, relying on their ‘previous knowledge’ not on the langauge only in order to complete the tasks.

What’s more, despite the overall focus on the revised, I would still recommend introducing some new material, in order to ensure that there is something which is new to absolutely everyone, the ‘old’ students and the new and that we all learn it, together, as a group. It doesn’t have to be a brand new topic, only a couple of new items to extend their vocabulary range in the topic of toys, a new song or a new story.

Using gestures is always a good idea, but it can be especially beneficial in the begining of the course, the new topic or when there is a new student in the group. They might not be able to produce all the words straightaway but they should be able to show them, if they know how.

As for songs and videos, in general, although there are plenty of advantages of using a mixture of both audio and video or even moving to using audio only, once the kids know the song very well, the videos will help to support the new kids for whom all is new. At the very minimum, they will be able to follow and understand the plot of the song.

The new child

Well, in a way, this is the most important person in the room as this is, definitely, the most confused, the most singled-out and the most vulnerable person in the room. The adults definitely know what is going on, what we are doing and why we are here. The other non-adults, albeit a bit out-of-sync perhaps, also seem to recognise the set-up and the procedures and they also know each other.

The reactions to this amount of ‘new and unfamiliar’ might vary, from a complete disregard for it (‘There are other kids, they do something, I want to do it, too! What, they use some strange words all the time? Nevermind! ‘), through one million questions in an attempt to take the situation in (‘Why?‘ ‘Who?‘ ‘What?‘ ‘Why?‘ ‘Why?‘ ‘Why?‘) to a complete refusal to take part (‘I can’t, I won’t‘)

As I said before, it is rare that the children are completely uninterested and not ready to be involved. Usually, it wears off during the first fifteen minutes so it is only up to the teacher and the parents to wait it out, patiently, while providing all the support necessary.

Apart from tthe smiles and the praise, all the new activities should be modelled and demonstrated with the other students. This way, the newcomers will have a chance to see the game in action before it is their turn to take part.

The group

This is, by far, the most interesting component of the whole set. No matter how unfocused they are, and how much they have forgotten, these are the students who have been with you for a few months and, almost automatically, they will become your teaching assistants.

You will be able to demonstrate the activities as well as the behaviour that you want to reinforce or, sometimes, too, discourage. What is more, they will naturally want to be involved and, even without you asking, they will give the new student the best introduction to all the lesson procedures, in the L1 and in a way that is best understood by a child.

It is actually a real joy to see them do that, with all the 3 or 4-year-old kindness and empathy:

‘Don’t worry, we all take turns. First me, then Anya, then Masha, then you. Don’t be sad.’

‘She doesn’t speak Russian. We speak English here.’

‘She will show us how to do it‘

‘And then we will read the story‘.

There is another reason why having a new or a guest student might be interesting. This is a truly unique (albeit unsolicited) opportunity for the teacher to see how much progress the group have made. Assessing preschoors is not as easy and straightforward as assessing other age groups, and comparing them against a beginner who is just starting to learn is fascinating. Even if seemingly, they are all still beginners, still pre-A CEFR and still in year 1, it is possible to see how much progress the children have made over a period of a few months. And it applies to all the areas, vocabulary, behaviour, social skills.

And two stories from the classroom, instead of a coda

The first one, from my preschool group a few years back. Over the course of the year, we got bored and started to come up with more creative names for things that we were using. No more of ‘orange juice’ or ‘cherry juice’, we were drinking ‘clock juice’ and ‘balloon juice’ and we were all using chocolate marker, cucumber marker, strawberry marker and sky marker, instead of all the traditional colours. It was all great and a lot of fun, until a new student joined. We just had to explain what was going on.

The second one, from my teens group. This time, it was not a new but a catch-up student. Who brought her phone and who did not switch it to mute. Whose telephone rang in the middle of the lesson, naturally. Who just picked it up and started a conversation.

We sorter it out later, of course, but before we did, I because a part of a beautiful classroom tableaux. I, in the middle, and a few of heads of my students, first turning towards the new girl and then right at me, with the same question in their eyes, ‘WHAT is she doing?!?!?!’…

It made me giggle, inside. ‘Hm, look, it seems we have a code of conduct here.’, I thought. ‘And someone feels strongly about it.’ Good to know, eh?

As for the square pegs and round holes…Well, even if they that in the beginning, during the first lesson or the first two lessons, they never stay that way. The square pegs become a bit rounder and the round holes get a bit square-y. And that is the way to go!

Happy teaching!

A to Z of homework for Very Young Learners***

by

What a wonderful book this is, The Worst Alphabet Book Ever, by Raj Haldar and Chris Carpenter. In a way, it has inspired this post here, on all things related to homework for pre-primary EFL students.

Mine is a very messy alphabet, with some letters in, some letters missing, all of them in a very un-alphabetical order…

The Worst Alphabet Book Ever

S is for ‘Should we even think of setting homework for preschoolers?’

Some of the arguments against:

  • Kids are too young
  • It is too much pressure, too early. They will grow up, start school and then they will have to really learn what it means to be a student.
  • Kids forget to do the homework.
  • Parents forget to do the homework.
  • Parents may not speak English well enough to help with the homework task.
  • Parents work and are essentially too busy to deal with the homework tasks.

Some of the arguments for:

  • We are teaching the kids English but we are also teaching them how to be a student. Doing the homework and taking responsibility is a part of that process.
  • It has to be the homework task that is appropriate for the students’ age (2 – 6 years old) and level of English (pre-A1) so also something that non-English speaking parents will be able to do and something that will not take a lot of time
  • Certain procedures for setting the homework and checking the homework should apply to ensure that the tasks are not a hassle for the parents or the children
  • Homework is a wonderful way of creating a link between different lessons

So the short answer to the question in the heading would be ‘Yes, we definitely should’.

The Worst Alphabet Book Ever

E is for the extended exposure and R is for results

This is one more argument in favour of the VYL homework, so important in fact that it is going to have its own paragraph here.

Usually, pre-primary students who learn English as a foreign language have a very limited exposure to the language as they come to class twice a week for 45 minutes or, in some cases, for only 45 minutes once a week. That is not a lot but it is enough to get good results if the time in class is spent well. Or, if there is an opportunity to extend this English exposure time by homework tasks.

In practice, in might mean only the additional five or ten minutes or fifteen minutes per week but it will be the important link that will provide some additional practice between the lessons, which will be very beneficial for the children and it will help to recycle and keep up the language from Tuesday to Thursday and, even more importantly, from Thursday to Tuesday.

As it happens, a few years ago, me and my colleague-teacher, Anya (hello Anya!), we had a chance to be a part of a very informal and very small scale classroom research or an accidental experiment. We both worked with the same levels onsite (at one of our IH schools in Moscow) and, at the same time, offsite (at one of the kindergartens). All the kids were amazing, very bright and a pleasure to teach. They had the same teachers and they were following the same programme and yet, we realised that the onsite students were making more progress. We tried to analyse the situation and the only difference between the groups that we could put a finger on was the fact that our offsite groups were not getting any homework, according to the arrangements with the client.

Then, there were my other groups, a few years ago, that all of a sudden started to make lots of progress and, surprisingly enough, we did not have to devote so much time to drilling and practising the new vocabulary, right after it was introduced.

Normally, the first two lessons with the new material were filled with a lot basic games whose aim was to provide the exposure and the controlled practice before we would move onto more complex vocabulary games and introducing structures. Until, that is, I noticed that all this drilling was not necessary and, in most cases, already in the second lesson the children were using the new vocabulary with a lot of confidence. What it did look like in class, of course, were my students’ faces quickly losing interest in ‘just’ repeating the words with voices and emotions and, even, random comments (or, shall we say, feedback) muttered, here and there, ‘Да, мы уже все это знаем...’ (‘We already know all that...’)

I would never complain about that, we could move on and do the more interesting and challenging things but it took me a while that it was connected to the additional practice opportunities that the parents were providing at home. Just because they wanted to.

The Worst Alphabet Book Ever

P is for the parents

It is not a secret that in case of all the young learners or non-adult groups, the parents are the third party involved in the process and, one way or another, they will have to be included because, really, they are our clients, not the students themsevels. This is particularly true in case of the pre-school groups, mainly because children are very young and if we want to make the learning process effective, with homework or without it, we will be dealing with parents, too. Even more so, we need parents to make it all work.

Parents always want the best for their children but many of them are also taking their first steps in the EFL world, this time through their children. They might have had different previous learning experience (their own or of their kids’), they might have different expectations and aims that might not always coincide with ours, with our previous teaching experience or with our school’s policy. That means that we cannot take things for granted and that we should always talk to the parents, to explain what we do and why we do it. That applies to the homework tasks, too.

Some parents might really not be able to spend time with their children, some might choose to spend the time they have in other ways, not working on the English homework and we should accept and respect that. However, there are also parents for whom the English homework will not be so much of a burden but rather an opportunity to do something together in English. We can help them by showing them what can be done at home and the actual homework task is the first step here.

The Worst Alphabet Book Ever

N is for nuts and bolts

Here are some things to take into consideration

  • The homework should be short. Our students are still two or three or five and will not be able to remain seated for a long period of time, in class or at home.
  • It should be easy to complete, too. The students are still two or three or five and tasks that are very complex cognitively will not be appropriate for them.
  • However, the fact that the task looks like a simple colouring page (see below) does not mean that it is just colouring because the actual physical task will be connected with the language produced that is presented and practised in class with the teacher, practised at home with the parents and then practised again, with the teacher, during the homework check in the following lesson.
  • Ideally, the homework task should be consistent, in form and in content, with the focused task completed in class. This way, we do not only provide additional practice of the vocabulary and structures that we currently work on but we also ensure that the students will know how to complete the task because the instructions are the same, for the focused task and for the homework task. Of course, that is not always possible but it is a good aim to set for yourself while lesson planning.
  • For that reason, the longer I work, the more convinced I become that in an ideal set-up, I would rather work with a coursebook only, without any activity book whatsoever, in order to give myself the flexibility to match and to better combine the programme, the focused task and the homework task. This is, of course, only my very subjective view and I am aware of the fact that it would not be everyone’s choice.
  • The task should be set in class, with the students. After all, these are the ones who are learning to be responsible for the task. For the teacher and the students this is, yet another opportunity for practice. The teacher can bring another copy of the handout or the book and do the task together with the students.
  • The homework task should be explained to the parents, too, because, they will have to remember to take the task out and to complete it before the following lesson. There are different ways of doing it. The teacher can explain the task after the lesson, alone or with the help of the students, the administration of the school can be asked for help, too. Some teachers like to leave the notes about the homework on the door of the classroom and, nowadays, we all have the whatsapp groups which we can use to communicate with the parents, too.
  • The homework checking is a part of the routine and another opportunity to practise the language and to talk to students, one on one, as they walk into the classroom (more about the line-up routines here). In the past, I used to reward my students with stickers for the homework but I stopped doing that when I realised that not everyone does or brings their homework and that is precisely because mum or dad or granny forgot…Now, I only acknowledge the hard work with smileys, suns, flowers, ‘Fantastic!’ and ‘Excellent’ and I keep a spare handout, my homework or any visual in order to be able to have a little chat also with those students who are without a homework task on the day.
The Worst Alphabet Book Ever

B is for the basic homework tasks

Here are some of the staple food tasks that work well as homework tasks. All of these were created using the miro board. These are not actual handouts but only sample tasks in each type.

a) colouring: task: students colour the objects and produce simple sentences ie ‘The apple is green’ or ‘It’s a green apple). This kind of a task is especially appropriate after the new vocabulary has been introduced and colours can and should be revised throughout the course.

*****

b) drill: task: students look at the the sequence of words, name them, using a single word or a sentence and make a decision what should be the final word. This is also a task appropriate in the beginning of the unit. Here, some students might choose to colour the picture but that is not obligatory.

*****

c) odd one out: task: students name all the objects in the sequence and decide which one does not match the others. We usually use very simple langauge here for example: Goodbye, cat.

*****

d) matching: task: students look for the same objects in both columns and connect them with a line. This is also a task more appropriate for the beginning of the unit and for younger students, too. The older students can complete it, too, but in their case it would be a good idea to encourage the kids to produce a full sentence.

*****

e) finish the sentece: task: students try to build simple sentences by naming the elements of it represented by visuals or symbols and by choosing one of the elements.

*****

f) categorise: task: depending on the language, students can categorise the objects into those that they like or don’t like, big or small, animals that can fly or swim or even words beginning with the same sound if you have started working on developing literacy skills. They can either colour or circle different categories with different colours, at the same time producing the target language.

*****

g) count: task: students look at the picture and count all the apples, bananas, kiwis and nuts, they write the number.

*****

h) maze: task: students trace different lines in order to produce the required sentence, for example ‘I’ve got a doll’ and similar. Again, thanks to the fact that all elements of the sentence are represented visually, an activity like that is going to support maximising production, here full sentences.

*****

i) collage: task: in class, students make sentences about mum, dad, grandma (my mummy likes apples) glueing simple pictures in the appropriate part of the handout. All the leftover pictures are given out as homework. Students glue them onto the handout and produce similar sentences but now about brother / sister, grandpa or friends.

A is for the alternatives

Normally, the homework task is set as a handout (or in the activity book) but the pandemic and the lockdown of 2020 has changed everyone’s way of looking at homework and, fortunately or unfortunately, it has closed some doors but it has opened some others. During the lockdown, not all the studnets had access to a printer so sending out homework for the parents to print and complete was not always possible. What is more, not all the students even had coursebooks and so these could not always be used as the basis for homework tasks.

W is for Wordwall

This website has been a real revelation and a milestone in tasks for age groups of students but especially for my pre-primary studnets. Wordwall is available for everyone and free in its basic version. Anyone can register and gain access to all the tasks and games that have been created by the community and made public. These games can be used in class and shared with the parents to play on any device available at home. Another advantage is that each of the tasks or games is available in a few different formats (or ‘templates) which means that the parents (or the teachers) can still practise the same set of vocabulary or structures but in a slightly different game.

If you are willing to invest a small sum of money, you can choose your own plan and start creating your own activities to match the programme or the curriculum of your group or school, too.

Here are some examples of the games that I have created for my pre-primary students

a) Let’s count, created for the students who were in the beginning of level 1

b) Categorising, created for level 2 students (farm animals which can fly, swim, run, jump)

c) Tell me about this picture, created for my level 3 students to practise opposite adjectives.

All of these we played in class, first and then the same or a similar task was shared with the parents.

L is for homemade listening tasks

These are lightly more complex but a real lockdown revelation for my primary and pre-primary classes. You can read more about them here.

Happy teaching!

P.S. All the samples of activities were created using the images on Miro and all the in-text photos come from the same wonderful book, P is for Pterodactyl, The Worst Alphabet Book Ever by Raj Haldar and Chris Carpenter and illustrations by Maria Tina Beddia from Sourcebook Jabberwocky, which by the way can be (and will be) used with my teens. More on that later:-)

*** This post was based on the talk I gave at the 2020 IH YL Conference.

P.S. A request!

It is very simple.

I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.

Hence the survey.

We want more. We ALWAYS want more! Maximising language production

by

Here is my favourite character who would be a perfect amabassador for ‘We want more‘, my professional obsession (you might have noticed:-) and some of my favourite solutions for the classroom.

Trick number 1: The language

Regardless of what coursebook is used or what curriculum is followed, there are certain language items that can be included even in the pre-primary programme that will enable children to communicate and produce more language.

Some of these language items include:

  • descriptive adjectives, such as big – small, long – short, happy – sad, beautiful – ugly, serious – funny, old – new, etc. Introducing them in opposites will make it easier for the students to understand and to remember
  • simple linkers, introduced gradually, starting with ‘and’ (‘blue and green’, ‘cats and dogs’, ‘I like bananas and apples’), then moving on to ‘because’ ( starting with ‘I am happy because it is sunny’) and perhaps even ‘but’ (‘I like dancing but I don’t like dancing with a bear’, like in the song from Super Simple Songs).
  • introduce Present Continuous, because it will be easy to play with it in all the miming games and it will come in very handy while describing pictures and telling stories.
  • talking about other people. Personalisation is very important while learning language, not only with the little ones, but it is also a good idea to start introducing other people and the language we need to talk about them such as ‘she/he is / has got / can / likes’

Trick number 2: The freedom of speech

This freedom of speech has got very little with the civil rights. It is all about the degree of freedom that the students are given or, in other words, about the scaffolding and the support that are slowly removed in order not to limit the students and to enable them to choose what they want to talk about.

One way of doing it is shifting from closed yes/no questions towards more open-ended questions. ‘What do you like to eat?’ is more likely to generate more language that only ‘Do you like bananas?’ which will lead to one-word answers or maybe even only gestures. ‘Tell me about‘ will be a lot more generative.

Using this approach while working with illustrations, pictures or any kind of visuals will give students the opportunity to choose for themselves what to talk about. And it is quite likely that they will pick the topics (elements or aspects of the picture) that they are either more interested in, have more knowledge of or are better prepared to discuss. In any case, more language is likely to be generated.

Examples or real activities? Here you are:

Pairs is a speaking activity that uses a simple material of a set of pictures. The students put them in pairs, in any way they want. They also have to justify their choice. In case of the younger learners, this principle can be the colour (‘Panda and zebra. They are black and white’) but kids can also choose any other reason for that, like ‘Zebra and horse, they have 4 legs’ or ‘Bear and deer. They live in the forest’.

This activity can be also used with the older students who are given a list of words and have to put them in pairs, according the knowledge and the language they have.

Below you can see the end of the game with my pre-primary student. It started off slowly, with simple sentences about the colours that the animals have in common but as the activity progressed, the categories changed, too and we have here an example of animals that have a long tail (a lizard and a monkey), animals that live in the forest (a bear, a fox and a deer) or animals that like meat (a tiger and a lion).

This is the final product of our Pairs activity, using the visuals on Miro

Tell me about is another activity that uses a visual, for example a set of pictures with animals or a picture scene. Students choose an element for their peers to describe, for example Tell me about this boy’ and it is easy to imagine the variety of responses that these can generate. Students can choose to talk they boy’s clothes, feelings or actions.

Trick number 3: The appropriate activities and materials

Our students do what we want them to do. It is assumed so, precisely because we are teachers and they are students. The roles have been assigned once and for all. The question to ask yourself, though, is Would they really want to do it, if they had a choice? Is there anything in the task itself that would encourage them to? Or not.

Certainly, it does not meant that all those less-exciting-but-crucial activities will be renounced forever, because even though they are not always fun from the point of view of our students, they might still be necessary and useful, but it is an interesting aspect to start taking into consideration while lesson planning.

Here a few activities that use that principle

Yes or no? This is an activity that also uses visuals as the basis. In the first stages of the activity, the teacher describes the picture using very simple structure ‘I can see’ when some of the sentences are true and some are false. Students listen to the sentences and correct the sentences. In case of the pre-primary students, this is likely to be one-word production but with time, they are learning to respond in full sentences. Later on, when the students are familiar with the format of the activity, they are invited to take a leading role in the activity, also producing true or false sentences about the picture for the teacher and their peers to correct.

Kids love the game because they can correct the teacher’s mistake and they are allowed to create their own un-true sentences about the pictures and to try to trick the teacher. I have used it both with primary and pre-primary students. The younger kids, naturally, needed more time to adjust and to start producing full sentences, in the beginning they would only provide the key information, for example the colour or the number of objects but, eventually, they were comfortable enough with producing full sentences. At approximately the same time, they were ready to lead the game, too. The older, primary students could make this transition within a lesson.

This is how we were telling our own version of ‘Pete the Cat. I’m rocking in my school shoes’ using the visuals on Miro

Storytelling for pre-primary is based on picture description. Here, the easily available materials might involve the stories from the coursebooks for pre-primary, retelling together any other story used in class or even any of the materials in the YLE Starters materials. In this case storytelling is scaled down to simple picture description, in the appropriate sequence.

Storytelling for primary can also use the visuals but it can be more challenging with the use of storydice or a storytelling treasure hunt (see here)

The lion and the kitten is a simple boardgame that has been very helpful in encouraging the students to produce the language. It was created and used with the online 1-1 pre-primary students. The game does not use a dice. Instead the students can choose the box where they want to go next and in each round, they have to talk about one of the pictures hidden under the yellow, orange and blue diamonds. In the beginning the sentences are very simple and focus on simple vocabulary (‘It’s mommy‘), later on these can be exchanged for a more detailed description (‘Mommy is happy‘ or ‘Mommy is dancing‘) and even further extended with the use of ‘because’ (‘Mommy is dancing because she is happy’) or in any other way that is within the children’s linguistic ability.

This game gives children a lot of freedom and almost a guaranteed victory. The cards can be changed easily, especially in the online format, and even if not, new sentences can be made every time the game is played. With a group of children, a dice would probably have to be used.

This is the board for our boardgame, also created using the visuals available on Miro.

Are you in the park? is a simple guessing game turned into a role-play. Each student has a city plan (since this was the language that we were working at the time) and three stickers which they glue somewhere ‘in the city’. They keep their picture secret and they try to guess where their partner is at the time.

Student A: Are you at the bank / park / market?

Student B: Yes, I am / No, I am not.

After a while, they can ask for help.

Student A: Please help me.

Student B: I can see…I can hear…I can smell….

Student A: You are…

Initially, the stickers were introduce only to prevent the kids from ‘cheating’ but they absolutely loved having random leftover stickers all over the place. In the first lesson we play, it was pirates, in the second one, it was farm. They laughed a lot about having little pigs and chicks all over their cities. The other incentive was the opportunity to imagine and to describe the places from the angle of what they saw, heard and smelled in different places in the city. The kids had the full control over the game and they were making the decision themselves when to move to the second stage.

For some more tricks, please see my other posts: the discourse clock, pairwork for preschoolers or using ambiguity to get the students to talk.

Happy teaching!

Crumbs #7: Line up, everybody!

by

Today about a little and very un-revolutionary change in the routine that has, nonetheless, made a huge difference to my VYL and YL classes.

Instructions

  • Make sure the door to your classroom is closed and that the children wait for the lesson outside.
  • When it is the time to start, come out and line them up, perhaps with the parents’ help in the beginning, until they get used to the new routine
  • Wait for them to be ready, say hello to everyone and count together how many students are present
  • Say hello to the first student, ask how they are, let them into the classroom, wait until they book the books and bags away, choose their seat and sit down.
  • Let the second student in.
  • If setting homework is a part of your routine and programme, this is when you can check the homework, asking each student a few questions about it.
  • If there is no homework, this time can be devoted to a short individual conversation with each student. It can be a short revision of the vocabulary, talking about a picture or, if the students are already in one of the primary levels – some reading practice with flashcards or a few questions about any material covered in class. We often use it for practice with ‘Tell me about…’ with the use of a picture.
  • When the students get used to the first part (entering the room), you can add the second element and make sure that the students already sitting in the classroom are occupied, too. They can either play a simple guessing game if this game has been practised in class and if they have been given a set of flashcards. They can also play some games on the phone or the tablet, for example to practise reading with phonics. Again, they have to first to try it under your close supervision, to get used to taking turns etc.

Why we love it

  • It helps to introduce the order from the very start of the lesson since the kids are not waiting in the classroom and the teacher’s arrival is not an interruption of something that they are doing.
  • It is obvious who is responsible for the students during that time, the teacher’s take-over is clearly marked. It might not be as obvious if the kids enter the room during the break or before the teacher, especially if the teacher wants or has to spend the break time outside of the classroom, for whatever the reason.
  • The parents are of a great help in the beginning of the course, they can help explain what the kids are supposed to do, they can help with the name etc.
  • This part of the lesson is a fantastic opportunity for the 1-1 conversation with each child. Regardless of whether the teacher uses this time to check the homework or to ask and answer questions or to read, they are giving each child all their attention (almost all, the eyes at the back of the teacher’s head are watching the kids already in the room, of course:-) and they can check the progress and language use.
  • For the parents, this is a wonderful opportunity to find out how their children are interacting in English, without the parents’ supervision and this is how they can, indirectly find out about their child’s progress, before every single lesson if they wish to do so.
  • For the parents, this is also a chance to find out how the homework handouts or materials are used, what questions the teacher asks and how much language can be generated out of a page that, to the untrained eye, looks like a simple colouring page. If they want to and they have have the time, they can later use this knowledge to practise English at home.
  • In the beginning, when the children are just getting used to the new routine or if they are really young, this part of the lesson can be kept short, later it can be made longer. Similarly, in the begining, the T leads the activity but, later on, the kids can ask each other at least some of the questions, too.
  • I have been using this technique for about six years now. My first ever group for which this has been created (because there were ten of them and we hardly ever got to talk 1-1 in class), now in the third year of primary, still line up to chat with me on entering the room. I have been using it with my pre-primary students, too, groups and individuals, too. The parents always wait in the hallway, at the back of the line and they always wait to hear how their children talk to me. If they leave the school, it is only after their kids have walked into the classroom. They always wait and not because they don’t trust us/me but because they are curious and want to know how it goes.

Happy teaching!