Teenagers

How to survive a coursebook. Part #2 Grammar

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This is the second post in the series that is a diary of a teacher trying to teach not the most exciting unit from the coursebook and sighing all the way. The first post can be found here. Today another one, this time devoted to two lessons on the passive voice. The post includes references to Gateway to English, B2 by David Spencer published by Macmillan. This is the coursebook that I am using with my group and the page numbers refer to the second edition of the coursebook.

Vocabulary practice and revision

This unit has a rather challenging content as regards vocabulary. There are the names of the natural disasters as well as a big set of nouns, adjectives and verbs used to talk about disasters, not a small thing. Hence more practice.

  • A quick test – Here I had a good time pretend play a school teacher and calling out my teens to answer a series of random questions. The teens took turns to give us a definition and an example for all of the key words from the previous lesson.
  • Visuals: I shared with my students a set of six visuals related to disasters (here) that I found on google, illustrating different aspects of a variety of natural disasters, including the damage and the beauty, too. Students were asked to work in pairs and to choose a pair of pictures for their partner to talk about and to compare them (‘Are they similar or different?’), partially inspired by the visuals tasks from the higher levels of the Cambridge exams. There was also a round-up question, ‘Which photograph was the most interesting for you?’ which is also the question that we used for the whole class feedback.

Grammar presentation and practice

From the very first moment I knew that I would try to minimise the presence of the main topic of the unit, in order to give us all a break and to be able to include some more exciting and some less dramatic topics. Because, really, how much can you take. Overall, I decided to keep all the practise exercises from the book (all of them but one using the context of the natural disasters) and to supplement them with something more fun.

  • The context I chose was My International Life. The first part was the presentation about the products that I use, the clothes I wear, the books I read and the devices I use and where they were made. I presented a series of visuals and the group were trying to guess where they were made, my computer, my socks, my coffee and my trinkets. The model sentence we were using at this point was: It was made in…They were made in…
  • Later on we dealt with the form, pronunciation and use, including the difference between the active and the passive voice.
  • The first practice activity was the students talking about themselves. The students were sent out into the breakout rooms to talk about their international life. They were instructed to talk about ten things (minimum).
  • The other practice activities in that lesson focused on the exercises in the coursebook (page 98 in the coursebook).
  • We finished the lesson with an online game, found on bamboozle.com.

Grammar presentation and practice. Part 2

I decided to divide the grammar input into two lessons because I teach a mixed ability group and, although, theoretically, the passive voice structures, in all the tenses, should be only a revision for them, it is not quite true in case of some of my students. For that reason, in lesson 1 we worked on the form in all the tenses and in lesson 2 we focused on the passive voice with two objects.

  • Practice and production: Photographs in our book: I decided to start with a freer practice activity based on the materials from the coursebook. I found different illustrations in the coursebook, namely: set 1: pages 98 and 99 depicting the aftermath of the hurricane Katrina and the typhoon damage in the Phillipines and set 2: pages 87 (a Foo Fighters concert) and page 70 (health). The students were asked to choose one of the sets and to describe the photographs using only the passive voice. We did this activity in the breakout rooms.
  • Grammar presentation #2: we used the coursebook materials to present the passive voice sentences with two objects (page 98).
  • Controlled practice was built around the exercises in the coursebook (page 98 and 99).
  • Freer practice #1 was the activity from the coursebook, too, Find someone who. I had to change the format of the activity as moving students in-between the breakout rooms would be too much hassle and I wanted them to produce a lot of language, rather than talk to different partners which they do anyway. For that reason there were asked to use the prompts from the coursebook and to find out as much as possible from the same partner.
  • Freer practice #2 and the final activity of this lesson was inspired by something that I read on Sandy Millin’s blog once. I decided to call it ‘A story of an object’. In the orignal version of the activity it was the object itself that would be retelling the story of its life and, I suppose, other structures would be the format. We changed it to the 3rd singular as it was the format more consistent with the passive voice that I was hoping that my students would be using. We started with a model and I used my (amazing) Malevich tote bag, probably The Present of the Year 2022. I presented the structure (A story of an object, 3 questions from the audience) and a set of verbs to use (created, bought, brought, seen, loved, kept, washed, worn etc). Afterwards, the students went into the breakout rooms and worked in pairs. Back in the common room, each student gave us a summary of what they found out about from their friends.
  • We finished with another bamboozle game.

Reflection

  • Well, in one line: I was a happy teacher last week.
  • The context of the international life worked very well. We managed to get away for a moment from the gloom of the natural disasters and immediately after the presentation the students got to use the structure to talk about themselves. It was very beneficial even though in the beginning the students were mostly using ‘was / were made’. This gave us a very good basis for the more extensive use and it was a great opportunity to personalise it straight away.
  • The lessons included a good ratio of the individual practice, disaster-focused and the pair-work, disaster-less and more productive. The bamboozle games were another way of balancing the weight of the lesson.
  • I love working with visuals and I was really very happy with how they worked in this lesson. The students were discussing the disasters and using the vocabulary but they were also able to interact with the beautiful photographs and notice the discrepancy between the beauty of the natural disasters in the photographs and the danger and suffering that this beauty is synonymous with in some cases.
  • In the same vein, I was very happy with the way we recycled the photograhps in the coursebooks. It was also interesting for the students to notice when it is and it is not natural to use the passive voice in different situations.
  • A story of an object was probably my favourite activity of these two lessons. I could share with the students the story of my Malevich tote bag but I also loved listening to the stories that my students chose to tell. Some of them decided to share their treasures with the class, such as the favourite book, the phone or the parrot (a bit of far-fetched but she managed!). Some went for the sarcastic approach as they talked about their favourite cookies, the hoover or a bottle of water, sparkling. It’s been a while since the last time I laughed so much in class.

Happy teaching!

Crumbs #39 A lazy role-play

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Ingredients

  • Any role-play or a dialogue i.e. a transcript of any listening task which is a dialogue (i.e. Movers listening part 2, part 3), any written dialogue (i.e. Movers reading and writing part 3), any functional langauge introduced in a dialogue or a role-play
  • A pencil or a highlighter for each child

Procedures

  • Start with the main aim of the task is, ie listening in case of task 3 of Movers or reading in case of Movers, introduction of the functional language, etc. Go through all of the stages outlined in the teacher’s book or whichever ones you see fit in your teaching context.
  • Give out highlighters or pencils, ask the kids to open the books and look at the text again.
  • Introduce the concept of a banana (or whichever random word you want to use). Explain (and demonstrate!!!) that you will read the text slowly with some bananas in it and that if the students hear the word ‘banana’ they have to highlight or underline one word that comes immediately afterwards. Model with a few words.
  • Read the text with the bananas as the kids listen, follow and underline or highlight. The words chosen to be highlighted are the key words for each specific dialogue and their number depends on the dialogue and on the age and level of the students. With the older students and the more complex texts and language, the students can highlight two or more words that constitute a phrase or a collocation. This can be signalled with a repeated number of bananas ie banana banana for a two-piece phrase or banana banana banana for a three-piece phrase.
  • Ask the students to work in pairs and read the dialogue again and to use their own words and phrases instead of every banana.
  • Afterwards the kids can change roles and read it again or change the partners.
  • If the kids are ready, in the final (and optional) stage of the activity, they can close the book and role play and recreate the dialogue and the converation based on what they remember.

Why we like it

  • It requires no preparation, unless by preparation you mean opening the coursebook and finding the role-play or finding the teacher’s book and making copies of the transcript of any listening activity
  • It offers a great opportunity for the students to practise their speaking skills in an activity that is both controlled (as we have a framework) and free (as there are quite a few options to choose from)
  • It also offers a chance to work on the grammar accuracy and the transformation skills
  • It can be done online or offline
  • It can be done with a variety of levels. The highest level I have used it with was B1 (teens), the lowest level, so far, was A2 (primary).
  • So far, I have only tried it with dialogues but now, writing that post, I started to wonder about the potential of that activity for discourse building and creation. The original text could serve as a potential framework and support for the students to use. I am yet to experiment with that option.

Happy teaching!

Crumbs #38 A – Z Game

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Ingredients

  • A piece of paper and something to write with
  • All the letters of the alphabet written in one or two columns, with some space to write, next to each letter

Procedures

  • The teacher divides the students into pairs or teams and gives out the paper with the letters of the alphabet or asks the kids to write these down.
  • Step 1: The teacher announces the topic i.e. Clothes and asks the kids write one word (or phrase) for each letter of the alphabet or, more realistically, for as many letters as they can. The teacher gives an example. Ideally, the teacher creates her/his own list in order to have a set of words to model the other stages of the activity.
  • The teacher sets the time limit (i.e. 5 minutes for the younger kids and 3 minutes for the older kids). It might be a good idea to use a song instead and after the song finishes, the activity does, too.
  • The kids work in teams and make a list of the words within the vocabulary set. After the time is up, the teacher stops the game.
  • Step 2: The kids exchange the lists and count the words or phrases which their friends have managed to write within the set time limit. The teacher writes the results for each team on the board.
  • Step 3: The teams read the words on the lists and choose: the most interesting word, the most unusual word, the funniest word, three words you also have, three words you don’t have, any word you don’t understand or remember etc. The teams work in pairs and find out why their partners put these words on the list. If possible, the kids exchange the lists with another team and repeat the procedure once or twice.

Why we like it

  • For the students it is a great opportunity to revise and recycle vocabulary. All the beginner levels aside, even when the main lesson aim is to introduce and to practise new vocabulary, chances are the kids have already learnt, heard, used or seen some of the words. After all, the vocabulary sets are repeated and extended from level to level, not to mention that most kids have more than one source of English in their lives: the state school, the language school, a private teacher, brothers, sisters, parents, videos on youtube, cartoons, stories, computer games online…This game is one of the easy ways of revising all this vocabulary to prepare for ‘something new’
  • For all the reasons mentioned above, it is an absolute necessity for the teacher to find out how much the kids already know as regards a certain area in order to do a very focused (if a very contained) needs’ analysis and to adjust the volume, the level and the intensity of the new material presentation later in the lesson
  • It is very easy and requires no preparation whatsoever.
  • It helps to improve the students’ self-confidence because it gives them an opportunity to see how much they know already.
  • It can be used with any set of vocabulary, either thematic (i.e. clothes, food, animals) or content-related (i.e. the words necessary to describe a picture, the words used in a certain text or a listening task, a video)
  • The final task can be easily adapted i.e. choose 5 words to describe yourself, choose 5 words to use in a story or in a dialogue, choose 5 and describe them for your partners to guess, use a dictionary to find the words or structures for the missing letters, compare the lists with your friends to find the words or the structures for the missing letters, use the words to describe a photograph, use the words to talk about your day today etc.

Happy teaching!

The one phrase to teach your students. From the series: We Want More!

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Since we are going through the quieter period of the year, there is more time for looking back and for reflection and this is how the idea for this mini-series of post came from. Just because we started to use those and each of these phrases or words was like a key that opened many, many doors in our communication and not only.

The one thing to teach your kids is ‘because‘…

…and the whole thing can* start in primary, and maybe even in pre-school. It is a powerful world that invites the kids to build a simple discourse and to go beyond one sentence or simple sentence production, even in the most everyday situations.

We start with extentending the answer to ‘How do you feel today?‘ which is a part of our class routine and the question which I ask and which the kids ask in every single lesson. As soon as they have a good number of adjectives to use in response (you can read about it here), I try to encourage them to elaborate on their answers, both modeling (I’m happy because it is sunny) and by inviting them to continue. ‘I’m happy.‘ ‘Because...’

Of course, the sentences the kids produce are quite simple, very simple, in fact, and sometimes partially in their L1 but with time, they are becoming more familiar with it and they are improving and, as a result, are able to say more and more and more. In English. Not to mention that as we go through the course, there are more and more situations in which we need because, for example to explain why we like Friday and not Monday, why we didn’t do the homework, why the kids in the pictures look happy or sad or why they did something in the story.

The same can be done with pre-schoolers, with certain adjustments to their age and the number of years that they have been studying. Thinking about my groups in the previous academic year, with the level 1 and the level 2 groups I was more focused on the full sentence production and it was too early to introduce any linkers. The level 3 children, however, were ready the unit ‘I’m scared’ (Playway to English, CUP) was a perfect opportunity to talk about the things we are scared of and to explain why. Or, more frequently, the things we are not scared of. ‘I am not scared of spiders. I like spiders because they are beautiful.’ and so on.

I often tell my students (especially those new ones, and yes, also the adult ones recently) that I will always want to know ‘Why?’ and that even if I forget to ask, they should always imagine this word written all across my forehead and answer it anyway. To help the kids in the everyday lesson and to make it easier on myself, I used the idea I got from Herbert Puchta, only mine was not any error correction technique and it stayed displayed proudly on the wall for a good few years. In the beginning, I really had to do a lot of pointing and waving at the word, later, the habit was developed and the kids (yes, as early as in year 1 of primary!) started to use the word without any reminders whatsoever. They were producing the language and lots of it!

My two favourite because-related moments from the classroom have been those:

  • when we talk about things, someone is telling us how they are and I, somehow, forget to ask ‘Why?‘ or I am just too slow with it, there is always a voice (or two or three) taking over and kindly suggesting ‘Because…‘, with this perfect rise in the intonation, the voice trailing off in an invitation to continue. I wonder where they got that from!
  • when we talk about pictures or we retell the story or we describe something that happened at school on the day and, by accident, I want to take over and move on and, in response, I get my own because back, in an interjection, and again, with the intonation perfectly matching the purpose (‘I have NOT finished yet‘) and I am thinking to myself: ‘Oh dear, I cannot shut them up!’ which is, by far, my favourite teacher’s complaint.

*) ‘Can’ or ‘must’?:-))

The one thing to teach your kids is…’I think’.

Initially, I wanted to have a pretty post, ‘one phrase per age group’ but I realised that I simply cannot NOT mention ‘I think’ and the impact it had on my primary school students.

Unlike the previous item, here I cannot even remember how it came about and how I first introduced it. It has always been in the air. I know that I use it a lot to slow the kids down and to signal to them not to rush through tasks (i.e. ‘Think and write’) or to encourage them when they are struggling (i.e. ‘Think about it’ when I know that they do know it and it is only necessary to rack through their brains). We had used it a lot in different stories (‘Elmer was thinking and thinking and then he had an idea!’) and a while ago we also introduced ‘Thinking time’ as an official preparation stage for projects and role-plays. Thinking has been with us, only it is not quite clear for how long.

For the reason, when we got to practise expressing the opinion in winter last year (around the middle of A1 / Movers), I did not even bother to check the meaning of it and the question ‘What do you think about it?’ and the answer ‘I think it is interesting / boring / exciting etc’, the adjectives were the main aim and the focus. For me, at least.

What my students took out of this lesson for the rest of the course (and life!) was the little ‘I think’, which is essentially only an introduction and which is slightly unnecessary even. An opinion can surely be expressed without it. ‘Maths is easy‘ expresses the same view as ‘I think Maths is easy.’ Or so one would think.

I noticed, in the lesson in which we used it consciously for the first time and in the lessons afterwards, last year and this year, that my students began to start adding ‘I think‘ everywhere. ‘I think it is beautiful’, ‘I think it is easy‘, ‘I think he is sad‘, ‘I think it is a cat’ ‘And I think it is a dog‘ and so on. ‘I think’ gave them an opportunity to personalise the message, to signal the autonomy of that message (since by making it subjective you kind of accept that other people will have or may have a different view) and, I suppose, by doing so, it made the message more adult and more serious. And they simply and visibly adored it. Maybe because they were only 7 or 8 or 9 at the time.

As I said, I don’t quite remember the start of that adventure and I am not quite sure when the good time to introduce really is. What I know, though, is that the next time I am starting the group, ‘I think’ will be on the list of things to think about.

The one thing to teach your teens is…’What do you think about it?’

There are many phrases that were shortlisted for this paragraph because of the difference they made to the way my teens interacted with the world in the English lesson, ‘I agree‘ and ‘I don’t agree‘ or ‘On the one hand…on the other hand‘ among them but the real deal-breaker was ‘What do you think about?‘

This phrase, especially with a special stress on ‘you’ (‘What do you think about it?’) has become the wonderful phrase that helped my teens really get engaged and communicate in a really interactive way, not only expressing their opinion, agreeing and disagreeing but also to boomerang the conversation properly by involving the other participant or participants. I mean, truth be told, I know that they did it mostly to avoid making too much effort and producing extensively and this line has become a fantastic and polite tool which they used to dodge the ball. Of course, they produced, too but I just had a lot of fun observing how by trying to be super clever they were involved in a conversation that would give them some high marks during the speaking part of the FCE exam.

The one thing to teach your adults is…’it depends‘.

Especially if your adults are shy, not naturally very talkative and a messy A2 level. Especially if they have already experienced some failures and disappoinment while learning Engllish and when they current progress is closely related to the promotion at work. Or the lack of. Especially if, due to all the factors mentioned above, they reply with single words (the teacher sighs) or when they just say, in their L1: ‘I don’t know what to say’ (the teacher sighs again).

‘It depends’ came to us by accident. It was not a part of any text, a listening task or a functional language phrases lesson. It was a part of the emergent lesson but because I take notes of that and send these back to the students, it stayed with us. And what joy!

I can say with all the confidence that my students, in this one (1) group have wholeheartedly adopted the phrase and made it theirs. First of all, it is this gold key that opens the discourse. You cannot just answer with ‘It depends’ and stop there. You have to continue and explain at least the two different ways at looking at the issue. Especially if your teacher is raising her eyebrows and nodding encouragingly. What’s more, I have noticed that they like using it consciously as a natural time-bying tool that gives them the benefit of a few precious seconds to come up with an idea and a way of formulating it in English. Oh, what a find, this phrase!

The one thing to teach your teachers to use and to remember about is…’but’

This one is here as a joke only. I don’t need to teach my teachers any English, of course, but, as a trainer, this is the one word that I would like them to remember to use whenever they consider the theory of child development and the methodology of working with young learners. Or even while going through the teacher’s book and adapting the activities. This little but powerful word is everything you need to be equipped with to ensure that they always keep thinking of all the exceptions to all the rules and that the most important point of reference are the people in the classroom, not some non-existent ideal students or typical five-year-olds and all the other YL cliches.

Happy teaching!

What an old dog learnt… A YL teacher goes back into the adult classroom

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Me and one of my best friends, Roman B. No old dogs in this photo. Only the amazing ones (The photo: courtesy of Yulia. The doggo: courtesy of Jill)

Back to the future

It just happened: a dedicated YL teacher (and a teacher who spent the last ten years doing her best to stay away from teaching adults (minus the trainees!) all of a sudden found herself in the classroom with some serious corportate clinets and their Business English, General English, English for Finance and Banking, A2 – C1. Full time.

It has to be said out loud: that was not a direction that this teacher dreamed of or the developement that the teacher planned or solicited but, at the same time, there is absolutely no need to wring hands or shed tears over such a giggle of the Fate. After all, the teacher is an experienced one, with an oh-dear number of years in the classroom (and different types of classrooms, everywhere) so the teacher will be just fine. After all, teaching is teachings, the students are great, the fun is being had. All the details are here just to set the context.

The old dog aka the adult classroom through a YL teacher

This particular started with a most random thing. I don’t even remember what we were doing and with whom, but, suddenly, I caught myself thinking ‘Blin, even my kids can do THAT‘. There was no anger in it or desperation, only curiosity and bemusement. I started to analyse the details and bits and pieces of this THAT and the reasons for that. It started with a sigh but it got interesting very quickly.

Here is a new post and an attempt at looking at the adult EFL learners through the eyes spoilt by her young students.

One. Inhibitions

This is something that is almost non-existant in the YL classroom. Minus all these cases in which the kid have had a negative first experience with English, at school, with the tutors or parents or when they are naturally introvert and shy and they simply need more time to settle in the group and to feel comfortable enough to talk. Most commonly, the kids enter the room, eyes wide-open, ready to discover and to enjoy the world of the English language.

Then, there are adults, a completely different picture. Naturally, there are quite a few factors that can contribute such as a lower level, a long break in learning or using the language, some negative previous learning experience or studying in one group with colleagues from the same company or being a low-level speaker of English when you are already a top manager.

The result? Silence in the classroom.

I guess that is the silence that is the time they need to think about their answer, to choose the words, to gather the courage to let them out and, naturally, they get it. They do have the right to the freedom of silence. For me, the teacher, it is also an interesting exercise in patience. I realised that I have been spoilt with hands shooting up into the air and the opinions voiced almost instantly. Here, I am getting used to breathing more and waiting for the students to be ready.

I am beginning to think that building up the students’ confidence suddenly gets the priority among the lesson and the course aims as regards the adult learners of English. Everything else, the vocabulary, the structures and the skills development will follow. Hopefully.

Two. Teacher-oriented communication

On the one hand, the YL classes are definitely more teacher-centred than the adult classes. That is, to some extent, fully justified. Students, especially the younger ones, are in need of the teacher and the adult as the lesson leader. But only to some extent. I strongly believe that this should be one of the main aims of the course to create the conditions in which the students will be learning to interact with the teacher BUT also giving them a chance to learn to interact with each other. After all, whatever happens in the classroom is only a warm-up, only the preparation, only the training before the real life interaction. In which, most likely, the teacher is not going to take part. For that reason, the students should be given the tools and opportunities to talk to each other, to lead the activities, to take part in pair-work. There is no need to wait with it until they turn ten or fifteen. Some elements of that can be introduced even much earlier and pair-work is feasible in pre-school.

Somehow, it is not a given with the older students. Adults, either because they are more inhibited or because they see it as a sign of respect towards the teacher, they hold back, they wait, for the teacher to call their name out or for the teacher to at least signal that it is their turn to speak. I have realised that sometimes I have to specifically highlight that I am stepping out of the conversation, that the students, in pairs or as a whole group, have to take responsiblity for the interaction and that I will not be encouraging, keeping it up and, of course, leading it. We have been studying together for about three months now and I can already see some improvement in that area. Hooray to that!

Three. Communication strategies

Communication strategies is one of my true professional passions and that is why it was chosen for my first research within the MA programme. Inspired by Haenni Hoti, Heinzman and Mueller (2003) (or, rather ‘taken aback by the comments of’) that claimed that young learners use a very limited range of communication strategies, basically limiting those to translation and code-switching (aka using a combination of L1 and L2), based on the gut feeling from the classroom, I decided to check it out. And, to prove them wrong. Hopefully.

Although my research was a very small scale and low-key and by a beginner researcher, I found out enough evidence to get me even more interested in the topic. My little students proved to be already effective communicators who work hard and who have a good range of different techniques to get the message across such as all-purpose words, approximation, direct appeal for help, indirect appeal for help, self-repair, other-repair and mime. The range was much wider. Translation and code-switching were used, too, and they were the most frequent ones, however, they were not the only ones.

Then, there are the adults and guess what, these adults, ‘Come as you are’, before I get to work on them, they know only one communication strategy and that is ‘translation’. falling back into their L1, straightaway, whenever something is unclear, unknown and uncertain. I am not even sure why it is assumed that the learners (let alone the young ones) will use these strategies of their accord. I haven’t researched that properly, yet, but perhaps it has got nothing to do with the age of the student or, rather, not only with the age of the student, and more with the learning experience and the opportunities to be acquainted with and to develop these strategies.

The adult students (my adult students) struggled in that area and if they didn’t know, they would immediately switch to L1 and they would expect an answer. Working around that by delaying the translation, encouraging them to try something else or, also, providing both, the L2 only and the translation was quite a challenge and I know that some of them were surprised that I don’t just provide the required service aka translation, that I am trying something else. They had it written all over the face. I can’t say my job is done here, far from it but we are working on it. And it is a bit better now.

Four. Sharing ideas

Teacher beliefs are a slippery topic and most of the time we don’t even think about them. It was only last year (and somewhere by the end of it) when I realised why I am a teacher and what I want from my lessons.

Everything happened thanks to one Sasha who joined our group and who, despite the eight months spent with the rest of the team, in a very welcoming and friendly environment, despite the fact that she got on with everyone, Sasha still would keep quiet in class unless I asked her a question and unless I called out her name. I had never even thought about it and only then did I understand that I want to create such an atmosphere in the lesson in which my students feel free to talk because they have something to share with the rest of the group, not because they have to, not because the teacher made them, not because the teacher asked the question or because the teacher is testing them. They talk because they have something to say. And I want them to feel that they can. This is something that we have been working on from the very beginning.

It was one more thing that was ‘not so obvious’ for my adult students. They stalled. They do, still, sometimes. Again, it might be due to a whole range of factors, the natural shyness, the lack of confidence, the level of English, the relations in the workplace, if they come from the same company, or even the natural politeness. It is not a given that everyone will be speaking during the lesson time because speaking and developing the communicative skills is the reason why we come to class.

Five. All ideas are good ideas.

That is a sad fact: adulthood and reality kills creativity and imagination. Long gone are the days of fairy tales and fantasy travels with Frodo or magical battles with Harry. Well, in most cases. For that reason, if the question is about playing football and the student does not play football, the rest, dramatically, is silence…With kids silence never ever happens, and that is especially amazing, because, more often than not, we do things that have nothing or very little to do with the real life. All these menus for the monster cafe, all these school trips around the world, or to the moon or, our life as pirates…Silence is a rare event. Thank heavens.

This post is not to be read as a huge, one thousand word, complaint about my adult students. It is certainly not. I am doing a good job, I like them and we are making progress. I am just positively amazed that with my young learners, we have done SO MUCH (and to be honest, so much we have done by accident, unwillingly, joyfully, just for laughs) to enable the kids and to ensure that they are effective communicators.

I would like to think that my kids are not in danger of being scared to scared, inhibited, with a strong affective factor. This ship has sailed.

This line, so frequently used in my kids classes, started to appear in my adult classes.

See this is basically what happens when you send a YL teacher into the adult classroom. There is a lot of dedication, professionalism and lots of good lessons are happening. But the teacher has a one track mind and everything is somehow YL-related:-)

Bibliography

A. Haenni Hoti, S. Heinzmann and S. Mueller (2003), I can help you? Assessing speaking skills and interaction strategies of young learners, In: M. Nikolov (ed), The Age Factor and and Early Language Learning, De Grutyer.

Happy teaching!

Crumbs #36 Andy Warhol anyone?

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(944) Pinterest

This is a lesson I taught with the older YL which started in unit 1 of the National Geographic coursebook, Life that we are using with the summer courses for teens. If you are interested in the original lesson, you can find it in the coursebook, in the second edition.

My brain tends to walk its own ways so pretty quickly it became aparent that much as it is inspiring, we have our own plans (btw, I am really looking forward to teaching the rest of the unit). Since I have already put together bits and pieces that were inspired and dedicated to Andy, this lesson was a step further, to take Andy into the classroom with the older students, too.

So, Andy.

Two pretty girls in puffs posing for the camera in the studio. Blonde and brunette in stockings look confident in front of the camera, hugging each other

Colour. Two pictures aka introduction

  • Two illustrations (see below). Students work in pairs or small teams and discuss the questions below. Afterwards, they compare the ideas as a class.
  • Talk about these pictures.
  • Are they similar or different? What is similar? What is different?
  • Do you like them? Why?
  • How do they make you feel? Would you hang them in your bedroom or in your house?
  • How do the artists use the colours in both pictures? Which one do you prefer?
  • Would these pictures still be interesting in black and white? Why?

Colours. New idioms aka new language

  • Students work in small teams. They match the the idiom in the sentence with the meaning.
  • Check the answers as a class, additional clarification.
  • Students go back to work in pairs. They come up with the examples to illustrate each idiom and tell mini-stories.
  • The handout we used can be found here.

Colour. Associations aka production

  • A mini-lecture on Andy Warhol and the way he used to work (Marylin Monroe and the Cambpell Soup)
  • The whole class works on eliciting the associations with one of the colours, in our case it was grey. The teacher shows some of her associations with the colour. The students try to guess the rationale behind each of the ideas.
  • The students prepare for the main speaking task: they write the numbers 1 – 10 and they notes about at least three associations for each of the colours
  • The students work in pairs or small groups. Each of the students presents their associations for the partner to guess the colours and afterwards they explain their choices.
  • During the feedback session, the students share the most interesting or the most unexpected associations.
  • The handout we used can be found here.

Colour. Quiz

  • The students work as a team or a whole class.
  • They look at the photographs representing different cultures and countries. They analyse the colours and try to guess which countries they represent.
  • They check the answers.
  • The handout we used can be found here.

Colour. Comments

  • Any photograph can be used to accompany Andy’s Marylin. I have used the one that we had in the coursebook, one of a scene from a traditional Indian wedding. Today, if I taught this lesson again (or when I teach this lesson again), I would like to use even a wider range of colour such as a painting by Kandinsky, a a painting by Rothko, a storybook illustration, a child’s drawing etc.
  • The lesson was taught online so the craft / creation component had to be limited to a speaking task. I was tempted to use a variation of the craft activity we used with my younger students but it was simply impossible.

Crumbs #29 How do you feel today? The alternatives

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From the series: The Beautiful Life

Ingredients

  • None, almost. In some cases, it might be necessary to write some of the ideas on the board, to serve as an inspiration. See procedures

Procedures

  • Students work in pairs. They share their ideas. If there is time, the students can change partners and repeat the activity. To round up, students share some of the information they have found out about.
  • This stage is always present, in each lesson, and it takes about 10 minutes. We keep the same variant for about a month and then we choose a new one.

All the variants (so far)

  • Verbs: the teacher writes on the board all the basic verbs in the past tense: I went to, I saw, I ate, I drank, I talked to…about…, I watched, I played, I bought, I wrote, I didn’t…The kids choose 5 and they build simple sentences about their day, week or weekend. I like to start it with my students even before we officially cover the Past Tense (as soon as they are ready to differentiate between the present / the past form of the verbs) and it really does help the kids to practise and to remember the verb forms.
  • Did you go…: a variation of the activity described above. The teacher puts the question form and the short answers on the board. The kids work in pairs and ask each other questions. The student who provides answers uses ‘I did’ and ‘I didn’t’ but they are also requested to give a brief explanation (because…)
  • Tell me about your day: the teacher writes the name of the activity and a list of topics which can be also elicited from the students. The regular set might include: the weather, the school, the teachers, my best friend, lunch, getting around, marks, tests, pets, brothers and sisters, homework etc. The students work in pairs and they have to choose three topics to talk about. They take turns to share stories about their day and they follow-up each story with a question.
  • The B-words: this one is a slight variation of the above, only here the teacher writes a selection of words starting with a certain letter as the list for the students to choose from and to be inspired by. Some of the words might be completely random but they also encourage the kids to produce the language. Later on, the students can choose the letter of the day and then can also help make the list of the words, too.
  • This is how I felt today: in this variation the teacher puts up the words to describe emotions and feelings. The list can be a simple one (happy, sad, angry, sleepy, hungry, tired, bored) and then it can be extended to include more interesting ones, too (confused, excited, chatty, exhausted). Again, the students choose 3 or 5 of them to describe their day.
  • Superheroes: this time the list on the board is made of names of superheroes, famous people as well as characters from books and films, for example Superman, Spiderman, Wonder Woman, Chebourashka, Winnie-the-Pooh, Santa etc. The students are supposed to think of their day from the point of view of these characters and describe it talking about how they felt. ‘I felt like Superman because I got three good marks today’*)
  • The superlatives: the teacher writes on the board a list of superlatives (the best, the worst, the funniest, the tasties, the most difficult, the easiest). The students choose 3 or 5 of them and use them to describe their day, for example: The best thing was that I had only three lessons etc.

Why we like it

  • A stage of that kind is absolutely necessary as the time for the students to settle in
  • This is also when they learn how to communicate without any preparation and outside of any set-up frameworks since each day might be different and each day may involve a different set of verbs and nouns
  • At the same time, it is an opportunity to practice the past tenses or the perfect tenses as for many of the students, many events repeat themselves (going to school, writing tests, having a good day or a bad day etc)
  • It is a fantasic opportunity for the group to bond, to share the great things that happened during the day or to vent about all the disasters that they had to deal with, the tests, the teachers, the piles of homework

To be continued. Soon. We are quite likely to get very bored with what we are doing at the moment…

Happy teaching!

*) My favourite so far! It is amazing how my students come up with their own metaphors and associations, both the teenage group and the kids. Here are a few quotes: ‘I felt like Chebourashka because I was a bit confused’, ‘I feel like Robinson Cruzoe because I am locked up at home now’, ‘I feel like Masha from Masha and Medved because I am a bit crazy today’, ‘I felt like Santa because it was my friend’s birthday and I had a present for him’, ‘I feel like Superman because I did all my homework really fast’…

Teaching teens. EFL metaphors #1

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Vintage poster – Air France, São Paulo, Brasil – Galerie 1 2 3 (1976)

Metaphors in EFL? What? Why? How?

Using metaphors in teacher training is not a new concept. I found out about it thanks to Thomas S.C. Farrell while doing the research for my MA dissertation two years ago. In his ‘Novice Language Teachers: Insights And Perspectives For the First Year’ published in 2008, he included a great article by Steva Mann (all the details below) devoted to teachers ‘making sense’ of the experiences of their first year in the classroom specifically through metaphors.

I do recommend reading the whole article, of course, but just to give you a taste and to show you why it has been kind of a breakthrough for me, here are a few quotes.

Mann writes ‘Metaphors play an instrumental role in using a familiar image to explore more complex concepts and meanings’ (2008: 11) and they can be ‘consciously employed by individuals for reflective purposes’ (2008:12). A bit further on he also highlights the fact that ‘metaphorical exploration may be particularly useful for first year teachers in attempting to come to terms with the complex nature of teacher knowledge and its relationship with experience’ (2008:12). I found this quote especially interesting although I think it is true about any teacher that becomes a novice in a field (ie an experienced teacher taking the first steps in the area of exam preparation, EAP or early years) or, even more broadly, any teacher learning new things and trying to apply them in practice.

Anyway, I got inspired. First of all, I quickly added the metaphor question to my MA survey and I started to experiment with using the metaphor in my everyday teaching and teacher training, for example a few weeks ago, while running the session on the course/ Here is now we did it.

Teaching teenagers in metaphors

We started with a game of hangman in which the group had to guess one of my own metaphors for what teaching teenagers is like and that is: Growing Cactuses, mainly because it is not as straightforward, pretty and easy as growing violets, tulips or even roses, but it is equally rewarding and fun. If you know how to do it, of course. If you are interested about it or if you are just starting to teach teens, you can read more about it here.

If you are here, it must be either because you already work with teenagers and you already have your own view of the teenage classroom. Or you might be a novice teenagers teacher who is about to enter this classroom and you are preparing, mostly because you have heard ‘things’.

One way or another, you are ready for the exercise that I prepared for the activity that we did with my trainees later in the session. Since all of these metaphors and visuals are open to interpretation (just look at the two different images I have found for ‘writing a novel’) and prone to be influenced by the personal experiences (which is the best thing about the metaphors, admittedly), instead of me just analysing all the metaphors in detail and telling you what to think, first I would like you to read what my trainees have created and answer these questions:

  • Why do you think the teachers expressed their ideas in such a way? What kind of classroom experiences have led to that?
  • Were your experiences the same? Do you agree?

Here are the metaphors, in no particular order. I have decided to combine the words with the images and these come either from my trainees themselves or from the obliging clipart…

Teaching teenagers is…

…writing a novel

…per aspera ad astra aka ‘Through hardships to the stars’

…touching a melting ice-cream

…playing the lead role in every play

…riding a roller-coaster

…breaking stereotypes

…about mood swings

…keeping a heart on your sleeve

…a role-play

…about the strength of materials

…working with/through moods, feelings, hormones

Just a few words…

Just as the visuals do it, the metaphor invites the audience, students, trainees or readers, to personalise the reality and to share opinions and views and, by doing so, it offers a unique opportunity to look at an item in a multitude of ways. The horizon widens straight away.

Some of the interpretations might feel like that your own thoughts expressed by someone else, something that might have been on your mind, although they were never properly verbalised. Sometimes, some of them might be contradictory to all of your beliefs, they are still valuable because they might help you understand the basis for the beliefs we hold.

It is funny that even the same set of metaphors that we put together and mine interpretation of them change, from day to day. During the session, I got really drawn to ‘writing the novel’ and ‘touching the melting ice-cream’, because these two were the most unexpected ones although they did strike a chord with what I think about working with teens. Right now, while I am typing up these words, about three weeks later, I am most drawn to ‘breaking stereotypes’ and to ‘strength of material’, mostly because of the image that popped up, which reminded me that strength is at the same time about being fragile and that is what you find out while teaching teens, that what you see is not always what really and that is a good thing to be taking with you into the classroom. As is remembering that the most important thing is to remember that we teach not some imaginary age group but a very specific Sasha, Kasia, Pedro, Pablo, Idoia, Carolina, Rita and Luis, who might or might not match the list of dos, don’ts, ares and aren’ts, likes and don’t likes of ‘a typical teenage group’.

Instead of a coda

Big thanks to all my trainees: Anna, Nico, Hanif, Olga, Oxana, Padraig, Olga, Padraig, Polina as well as Daniel and Joe, for all the amazing ideas in this session and the permission to use them here.

If you want to read more about teaching ‘the almost adults’, here you can find some bits of theory and of the activities that worked well with my groups.

And if you liked this post and you would like to add your own metaphor to the list, please comment in the box below. We will all have some more food for thought!

The original ‘growing cactuses’ metaphor

This is how this post becomes the first one in a mini-series devoted to metaphors in the classroom. The next one, almost ready, will be devoted to teachers taking their first steps in the VYL world. Coming soon!

P.S. Vintage posters from around the world will be accompanying this series, too because that is my most recent love and a great metaphor for a metaphor…

Happy teaching!

Bibliography

T.S.C. Farrell (ed), 2008, Novice Language Teachers: Insights And Perpectives For the First Year, Equinox Publishing: London.

S. Mann (2008), Teacher’s use of metaphor in making sense of the first year of teaching, In: Farrell (2008), pp. 11 – 28.

Polish Air Lines LOT . Srokowski Jerzy . promotion advertising poster . year 2018 . Poster.pl Gallery (polishpostergallery.com)

Crumbs #22 The Big Story Competition

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When you suddenly notice how the everyday is beautiful. The metro station Universitet

Ingredients

  • A group of teenagers or pre-teens
  • Paper and pen
  • The theme of the story. We are preparing for the Cambridge exams and so we used pictures and the exam format of the story writing in KET (three pictures) and the exam format of the story writing in PET (the opening or the final sentence).

Procedures

  • We start with some warming-up activities and they depend mostly on the coursebook and the curriculum but they all they have one thing in common – they help the kids get ready and get in the mode for the proper writing task.
  • Some of the potential exercises include: talking about the story, generating vocabulary to support the weaker students or less creative students, see the post here (especially Sstep 2: Two crazy words) or the following two
  • One-line stories
  • Make it better: students start with a set of simple sentences and work in pairs or individually, trying to develop it in a few rounds. The students can either work on the same handout using a set of colourful pens (a different colour for each round) or a few copies of the same handout. It can be followed up with a reading session and choosing the most interesting sentences of all but it is not quite necessary to include one more competitive element. The number of rounds can be limited or extended, depending on the age and level of the students.
  • We include ‘The Thinking Time‘ to give the students a chance to imagine their story and make the necessary decisions. These are the questions which they might be asked to consider:
  • Everyone can choose their own pen name, too.
  • I make it more formal by announing that we are going to choose the best story and that I am going to ask my colleagues to help me.
  • The students start writing, the teacher monitors and I help out with vocabulary when necessary.
  • There is not one time slot or the number of words required. We are practising in the exam format but without too many limitations at this point.
  • Afterwards, we type the stories up and share them with our BKC teachers who vote for the one they like best. I don’t correct any mistakes at this point.
  • I prepare diplomas of participation for all the students and one more for the winner and there is a reward (food as this is the one hobby that we all share, me and the students). We have a ceremony that involves a speech from the teacher, applause for everyone and for the winner and eating because they all share the reward. Our winner is the master of ceremonies of the day.
  • The final stage is the error correction. In the original handwritten copies I underline a few mistakes that the kids correct later on. So far, these have been mostly in the area of spelling, tenses or the general style.

Why we like

  • The students get really involved in the writing process and looking at how they write away, it is really difficult to believe that teenagers don’t like writing, that they are not motivated or that they are not creative at all.
  • If carefully scaffolded, it is an activity that all the students can complete and it is very mixed-ability-groups-friendly. Since there is not word limit, everyone writes as much as they can and want. The last time we did it, using the PET format with 100 words as the limit, I received entries of about 70 words but also entries of 400 words.
  • It is an amazing opportunity for the students to express themselves. They can choose the storyline, the genre and the style. This year they produced a horror story, a love story, a post-modernist short story and a diary entry, among others. We have been working together for at least two years (and for about six with some of them) and yet, I was still surprised that they can write like that. Because they can and they are amazing kids although this is not some kind of a writing-obsessed and literature-obsessed group (unlike their teacher) but a bunch of typical teenagers: always tired, always under-slept, who’d always choose ‘no homework’ over ‘homework, please’ and ‘no test’ over ‘test, please’ and so on. And yet.
  • This time round I have decided to include the most beautiful comment that each story got from the readers and, in a way, it started to resemble the categories that we have at different film festivals, although, to be fair, they can be quite random as they are generated by the readers, such as ‘your dreams will come true award’, ‘I can’t believe a child has written it’ or ‘A kind heart’. And my students really liked it and were touched by that.

P.S. I would love to share these stories here but some of my students keep them secret even from their parents. Their stories and their copyrights. So be it.

Happy teaching!

A group = a community. Extra work or a worthwhile time investment?

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‘Like a box of markers…’

If you don’t have a lot of time, I will give you the answer straight away: the latter.

If you are a teacher who thinks that on entering the classroom, you are going to focus only on teaching a foreign language, then I have to warn you – if you proceed, you might put yourself in danger of getting inspired or getting terribly annoyed because I will do my best to convince you that a teacher of English is also a community leader, and not only in case of the Young Learners groups.

The tiger

Where this post started: Story #1

My pre-school museum group, a lesson on Henri Rousseau and tigers coming out of the shadows, the main craft activity: an orange finger paint handprint and a black marker to help make this handprint look like a tiger. Plus the jungle, the way the kids see it.

When I demonstrate, the kids are curious and, at the same time, disbelieving that I would do just that: splash the orange blob, smear it on the page, dip my hand it in and then press it onto a pristine A4 piece of paper. With a smile.

As soon as they confirm that I want them to do exactly THAT, a little voice on my left says ‘I am not gonna do that‘ (‘Я не буду‘) but, simultaneously, there is a little hand, in front of me, reaching out, to get to be the first one to get dirty. We go one by one, ‘In the paint. Up. Press. Up. Clean’ and all the girls, cautiously get involved. The Я-не-буду is the last one to go but when it is finally her turn and when she has to make a decision (because participation is optional and I have already decided that if the finger paints are a no-go, there are crayons as the plan B), she is still thinking but she is also pulling up her sleve and reaching out.

Why? Because by now, she has seen it happen five times (one teacher and four friends, because at this point, they are already friends, although it is only the sixth lesson together) and this gave her the courage she needed and the courage she could not find in herself. ‘In the paint. Up. Press. Up. Clean!’

Kind of Halloween

Where this post started: Story #2

My primary kids, a week when we have a trial student in two lessons. The new student is a perfect example of a square peg in a round hole – younger, quieter, not confirmed level of English yet (sigh) and, of course, not familiar with the kids, the teacher or the routine. Or our silly jokes. He stands out, this boy. I support him, of course, and lead him through the lesson but I also am totally engrossed in observing the group. Because, oh my god, it is a show.

Or maybe it is not a show at all. Or the most boring kind of a show. Because nothing happens, the group just accepts him. If you watch closely enough, you can spot an eyebrow raised, here and there (he really does stand out), but other than that – nothing.

My group, they are just regular kids. I mean, they are amazing, every single one of them but not your typical ‘little angels’. These are creative, very loud, with their own opinions and ideas (which they absolutely MUST share) and, as it turns out, they are also very open-minded. Each of them individually and as a group.

Open-minded to decide, without any negotiations or prompts from the teacher, that this new student (even though he is as if from another story) is there for a reason (although they don’t know it) and since he is, he will be included and taken for ‘one of us’ as much as it is possible. I am proud of them.

Post-test feedback

Where this post started: Story #3

My teens and just a regular lesson but because the other two stories happened in the same week, I am observing these ones, too, with more attention to the group vibe. They are great, too! In a teen way.

Simultaneously, they support each other and they mock each other. They applaud when someone does something special or when someone does ‘something special’, genuine praise and gentle mockery. It is a lovely moment, every single time. They do not forget to roll their eyes every time I ask them to move around and to regroup and sit with someone who is not their bestie but they do it, and they do work together, in any random set-up. They pick up different phrases from each other so now everyone says ‘Вкусняшка‘ (‘Yummy’) in the most sarcastic of ways when I announce a test or a serious task for homework. And they, too, feel comfortable enough to share ideas and stories about a good day at school or about a bad day at school.

A new approach to the final activity: ‘Let’s create’

How to build a group? Or about the effective EFL group leadership.

  • Whether it is a brand new group or ‘an old group’ but with a few new members, make sure you create opportunities for them to mingle and work in different combinations, pairs, teams, mini-groups. This will not only create an opportunity for you to observe how they work with different partners (also good: you can find the optimal set-up) but they will be given a chance to work together and make friends or, at least, break the ice and find out that the other person is cool / normal and / or ‘someone like you’ in one way or another.
  • Think of the class rules. The older students can be involved in creating the class contract, the younger ones get their first set from the teacher since usually their level is too low (unless you want to do it in their L1, which can also be an option). In my classroom (or classrooms), we have had the same set of rules for a few years now, those introduced when the kids were still in the first year of pimary or even in pre-primary: ‘I listen to the teacher’, ‘I sit nicely’, ‘I raise my hand’, ‘Russian is beautiful but I speak English here’, all accompanied by visuals and gestures. Last year, when I primary grew up and became way too talkative, we had to add one more ‘When I speak, people listen. When people speak, I listen’. Again, it is a rule applicable in all the age groups. We only needed to specify that ‘people’ applies to the teacher and the kids (yes, it was all on the first poster, a list of the names of those who match the definition of ‘people’ here:-)
  • Play games. Again, these are great for many different linguistic reasons (language practice, introduction, revision etc) but it is also one of the elements that helps the group gel. First of all, on a large scale, because these games will be a part of our pool of games and they will contribute to creating the traditions of our community (see below). Second of all, because they will give the teams a common goal for a part of a lesson and the battle to win it will be another unifying element
  • Make sure you include something to balance the competitive element. A huge part of the games that we play in class promote competition. While this is good, because it motivates the students to participate and, it helps them learn to win and to lose, it is also good to remember that the kids will need an opportunity to be involved in activities that promote cooperation and collaboration. We don’t always need to split into winners and losers (especially not when pre-schoolers are involved). Some games can be played over a series of lessons, in the same teams, accumulating the points over the entire month. Plus, even if the game is competitive and we have a winner (or winners) and non-winners, the easiest thing to do is to encourage the kids to shake hands and congratulate each other. ‘Good game!’
  • Celebrate. Sure, we are going to have a Halloween Lesson or a Christmas Lesson because these are the part of the culture that we expose our students, too, but again, they will go towards the things we do together. We have the tradition of ‘the food for the brain’ aka something sweet on the test day, ‘the pizza day’ at the end of the academic year and random ‘eating together’ with my youngest students, on random days when fancy takes us, celebrating nothing special. So that takes us to the other point, closely connected with celebrations and that is Food. (Caution: there are a few ground rules here, though: parents pre-approved food, paper plates, tissues and hands washed).
  • Create and cherish the group’s traditions, the official ones like the tests and the follow-up reports, the serious ones like ‘the pizza day’ or the silly and the seemingly insignificant ones, like the first activity of the lesson and the last activity of the lesson, keeping the notebooks, a lesson with parents once in a while, a long-term craft project…It might be easier with the younger kids because we are more used to the idea of a routine framework that we follow from lesson to lesson but it is something that is worth keeping an eye on, developing and celebrating with primary and teenagers.
  • Be fair. It is quite likely that a teacher will have her/his favourite and her / his less favourite students. That’s life but it can never show. Everyone is treated in the same way, with the same level of kindness, with the same amount of individual attention and praise.
  • Be the model of behaviour, not only the model of English because the students pick up on that, without us realising that it is happening. I had my own moment of revelation when I started asking the kids to take turns in being the teacher in the homework check. ‘I don’t know. I didn’t do my homework’, said one of the students. ‘It’s ok. We can do it together now. Exercise 2, number 3? Can you try?’, said the student-teacher on the day. ‘Wow!’, I thought, ‘Where did they get that….Oh.’
  • Let them take over, in some areas at least, from time to time. That will be beneficial for the language production (We want more!:-) but it will also help them become responsible for the lesson as they participate in the decision making process and for the classroom, too. A few years ago I had a pleasure of taking part in a wonderful session by Katherine Bilsborough ‘More Democracy in the Classroom’ which highlighted ten areas in which students can be given the opportunity to have a say and since then I have been incorportating them in my lessons, with all age groups. One day, I will get down to writing a post on that, too.
  • Befriend the parents because they are a very important element of the YL group. ‘Befriend’ here translates as: keep them on the loop, inform, explain, give feedback, ask for feedback, share the aims…
  • Ask for the kids’ opinion, not only about the content of the lesson but also about the lesson, the coursebook, the activities, the test…This will be the valuable feedback that will help you improve the experience for everyone but you will also show the students that their views matter.
  • Breathe! Rome was not built in a day and creating a community will also take time. But it is definitely worth it!
After week 1 of the summer camp

Happy teaching!