Anka Zapart

Upside down and inside out. How to dismantle a traditional EFL curriculum and how to spend a year disregarding the CEFR

by

(Or an English teacher reflects on the academic year that has just finished.)

This is the third of the posts in the series of the Reflective Teacher that I promised myself to celebrate the end of the school year. Here you can find me reminiscing on the life of an Art teacher. Here you will find the unexpected memoirs of a Maths teacher and here (because they also secretly belong in the series) – a whole set of notes of a teacher trying to introduce law and order in Year 1.

But, first and foremost, I am a teacher of English, working hard to give the students in my classroom the tools, the imagination and the courage to speak a language. And from that point of view, this year has been a very interesting experience for an English teacher, too.

Something old…

Well, there is a lot of that!

I have been teaching English to primary for many, many years now. I know how to do it and I love doing it, really. Vocabulary, grammar, communication skills, functional language, reading, writing, a is for apple (a a apple), learning how to be a student, learning how to be a member of a community, routine, pairwork, all of that, all at once. It makes your head spin, a little bit, of coure, but then, all of a sudden, it all starts coming together and it feels great.

Introducing all the letters of the alphabet, staring our handwriting booklet, phonics stage 1, stage 2, stage 3, the first song, the first test, the first spontaneous production case, the first storybook. I have jumped through all these hoops with many generations of my students and successfully so and this year we have done it together once more.

The only thing that was different was the fact that I had a lot more time in a week and we could set aside a lot more time for practice. And that, apart from English and the ESL classes, my kids were getting a lot more exposure and practice from the History lessons, from Maths, Science, PE, Art and the break times, too. Every little helps!

Something new…

Do you still remember the title of this post? If not, please scroll up to refresh. Why? Because this is the image that I have in my head when I think of English in this academic year, here goes:

a beautifully constructed framework of the CEFR, with all the levels and their detailed descriptions, skills, grammar and vocabulary, in a sequence, neat and tidy, like a set of puzzles forming one beautiful picture, now scattered on the floor, all over the place and it is not even possible to understand what it was that they showed in the first place…

That is exactly what happened this year and that is all due to the context in which I was teaching, namely my bilingual primary school, with a group of students who were in their year 1 of education but according to the curriculum and age, in their year 3 of the BNC. And who, naturally, were a very mixed bunch as regards their L2 language skills. A very mixed bunch indeed.

Because of that we made a decision to adapt the programme and the plan and divide the children into level-appropriate ESL groups so that they all could learn and take their English to another level and, alongside that, we would teach the English and develop the skills according to the BNC. All in all, it has worked well. The kids were tested throughout the year, both as regards the reading and writing skills (milestone tests) and speaking (Cambridge YLE) and they all made progress. Hooray.

However, all of that meant that I had to forget about what the basics, the CEFR. First of all, because, from the very beginning I had pre-A1, A1, A2 and A2+ and everyone in-between sitting in my classroom. Outcomes: forget about using one single set of materials.

Second of all, we were to follow the curriculum of the year 3 of the BNC and even if we made amendments (as we did), this was nothing in any way related to the CEFR, as regards the structures or the vocabulary and we had to at least make an attempt at combining the English curriculum with our ESL curriculum. Outcomes: adapt, adjust and do your job, feeling just a little bit anxious, with the safety blanket gone.

Last but not least, I had my bunch in the classroom and in the school, for many hours a day and it was my task to make the most of it and to give them a chance and the tools to communicate in English as much as possible and that means (or it might mean) not going nicely from one level of CEFR to the other. I have already written about it earlier, in my storytelling campaign posts here, and this year I definitely had a chance to research it more and to gain even more experience.

Some of the things that meant for us:

  • introducing lots and lots of verbs, the everyday verbs (to talk about what we do in the classroom), the story verbs (in order to read and to tell stories), the hobby verbs (to talk about what we like to do)
  • introducing lots and lots of adjectives, to describe emotions and feelings (to talk about ourselves and to talk about the emotions in stories), to describe objects (all the Maths, History, Science lessons because of the comparatives and superlatives used in all of the subjects)
  • introducing structures when we needed them: Present Continuous (to describe what we are doing in the classroom, to manage the kids, to tell stories and to describe pictures), comparatives and superlatives (the BNC)
  • introducing some elements of the word formation (some negative prefixes, gerund, er for jobs) because of the requirements of the BNC
  • introducing the elements of the three basic tenses (the Present Simple, the Past Simple and will) to give the kids a chance to express themselves, to talk about the weekend on Monday and to talk about the things to do on holiday
  • learn a huge pile of words from way beyond our A2 level and not in some topical sets but because we either needed them in our phonics practice and it was ok to learn them because they were all 7-year-old-friendly words (with such treasures as: feather, together, trophy, sloth, gate, cube, arrow, pillow among them) or because we needed them for our English, History or Science lessons.
  • introduce a pile of useful phrases, way beyond our A2 level, through stories, just because we needed them in the everyday. ‘It’s impossible!’, ‘Let’s try!’, ‘You’re too loud!’, ‘Just a little bit more!’, ‘I’ve got an idea!’…

Something borrowed, something blue!

Two things that it led to is that we have actually learnt and we have made huge progress over the year, despite this being the first year of learning English for some of my kids and it meant learning some complicated vocabulary and grammar at the age of seven. The other thing it meant for me only was staying somewhat shell-shocked and puzzled at the fact that I have turned the CEFR upside down and inside out and I lived to tell the story…

I am not sure if, with this post, I really want to promote getting rid of the CEFR. Quite the contrary, I appreciate it being a part of our life, as a teacher and an assessor or an examiner. But it is not the only thing that matters and, sometimes, experimenting and playing with it or just blatantly going around it, that is the best idea EVER! Especially that the CEFR itself is one thing and the way the structures or vocabulary items are included and organised in our coursebooks, that is a completely diferent thing.

It’s been years now since I started to introduce lots of verbs, lots of adjectives and the Present Continuous in my VYL classes. This year was the first one in which I brought some elements of the Past Simple and the future will to my young beginners, just so we could talk about the everyday in a meaningful and natural way. And I am very happy with the results. Hooray to that!

Happy teaching!

Don’t eat the materials! Salty dough creations

by

The language and the artist…

…were completely given up on in this particular lesson. I was considering looking for someone who created something that we would be creating but I quickly realised that the process will be the more important part of the lesson and, again, because of the materials and of the many stages, we will need time. I just wanted to make things out of the salty dough.

The art

While I was preparing for the lesson, I considered different scenarios, also the one in which we make our little things and leave them to dry for a week and decorating them during the following lesson. There are microwaves at the school but I did not want to use them. I wanted to keep everything as simple as possible and after experimenting at home at the weekend and testing the drying and colouring and I had a solution. I also tried to paint my dough while still wet and that went well, too.

I made the dough at the school, just before the lesson. I didn’t have any bowls there but I used one of the big plastic boxes and even though though it did get stuck to the box and dried up a bit, I washed it easily after the lesson. There are many recipes out there but I used this one here.

I prepared the working stations for my kids (a double spread of the newspaper scotched to the table) and got changed into our aprons.

I showed the children the dough, I explained the ingredients I used and I repeated my basic health and safety drill that is the title of this post. I showed them the tools that we had at our disposal (cookie cutters of random shapes and two small bottles to be used as rolling pins) and paintbrushes that were to be used in lieu of the little knives to shape up our creations.

I also showed the children the photos of different things that I made at home while trialling and testing: a letter A, a snail made out of one piece of rolled string of dough, a flower made out of blobs etc. I wanted the kids to get at least a vague idea of the opportunities that the dough presented.

On the board I wrote out the main stages of the lesson and they went as follows: 1. Look (at the model), 2. Make, 3. Paint, 4. Transfer to the window sill, 5. Dry. I wanted to make sure we are all on the same page and that we all finish in time.

I told the kids that since we are experimenting with a brand new material and technique, everyone can make whatever they want. ‘Anything?’, they asked, incredulously. ‘Anything! Go on, experiment and have a go!’ And they did!

The outcomes

It is possible to go through the whole process in 45 minutes, from instructions, through creation to painting and cleaning. Some of the students did finish early but we made sure everyone waited for everyone else to finish before moving on to the following stage.

The paint was dry within minutes but the cookies (that’s what the kids started to call them) were still to fragile to be transported so they were left on the window sill until the following day, when we packed them into plastic zip lock bags.

Once the creations were ready, we transfered them onto A5 pieces of cardboard, for painting, drying and safe travelling later on.

For colouring we used acrylic paints, with a pearl shine and that made them look even prettier. I was really proud of all my students because we took all the necessary precautions and there were no splatters or spatters. Our clothes, tables and chairs were safe.

The kids’ creations simply blow my mind. As usual, my amazing artists looked, thought and then went on creating in their own style. Most of them are simple cookies, cut out with a cookie cutter and painted. Some are decorative pieces, like the three hearts made for mum. One of my students thought of making a necklace and she even made a whole for the ribbon. Some students decided to create 3-D figures of their favourite things, some of them very elaborate. And of course they snatched them even before I could take a photo…

Guess, we are definitely doing this again! I am not sure when but we definitely are! Maybe they will be Christmas decorations, maybe little pumpkins for Halloween, maybe Easter egs! The salty dough will be back!

Even more things that can be done with salt dough (updated 18 August 2024)

I happen to have a 1-1 lesson with one of my students and, knowing that he loves making and creating, I decided to spend this time with craft and salty dough. Somehow, this was a very creative lesson as we could make, try and experiment and the ideas were bouncing off, back and forth. We have tried:

  • using shells and beads as decoration
  • applying beads onto an already painted surface (good idea!)
  • applying beads and shells, then painting with acrylic paint and wiping the surface gently with a wet tissue (good idea!)
  • constructing a piggy bank on a frame of a glass jar. Not sure what I can say about it, the shaping went well, but the piggy bank is still drying. The success of this one will be determined later)

Happy teaching!

Drying in the sun…

Tiny pictures. Alternative April #4

by
‘Anka with fireworks’, my name card by one of my artists

Let’s go alternative in April!

We did! In every possible way.

The size

This was the final lesson in our beautiful and exciting series of the Alternative April series. I really wanted to experiment with the size of the paper. Initially, I wanted us to paint something really big and then something really small in order to really experience the difference first hand. However, based on how the lesson with the older kids was going (in one word: too slow), I changed that for the lesson with the younger kids and opted for the A7 only. We were working well but the creative process, the decisions and the composition, takes time and I didn’t want to rush us and in the second lesson I decided to keep things simple: just the little picture.

The materials

Initially, I had the wild idea of letting the kids choose the medium that they want to work with. It is not a bad idea but, I will be honest, the preparations for its implementation need to be more detailed and organised in a slightly different way to what I did. Next time I will and next time will be better.

In the end, my older students went for the simplest and the most basic, pencils and black markers, and with my younger group I chose for all of us and we worked with watercolours.

The Zebra Heart. Print.

The artist of the day…

didn’t come. The first reason for that was that I did not want to choose one and I felt conflicted about it. On the one hand, I really wanted to stick to the framework that I created for our course and we had always had at least one Master to inspire us. On the other hand, the topic that I chose for the lesson, namely ‘Spring’, is such an open-ended and all-embracing topic, that looking for the one was a task doomed to a failure. Plus, I knew that the format would be enough of a challenge and I wanted to give the children the comfort of working with it. I was worried that I would be limiting them too much, with the artist, the format, the topic and the resource. I decided against it. We sang the song, said hello, brainstormed all the associations with the word ‘spring’ and looked very briefly at a selection of paintings showing spring, without singling anyone out.

And then sat down to work.

How it all went

I know that I sound like a broken record when I say it but I will do it again: This was one of my favourite lessons ever and the reason for that is that, again, we set off on an amazing, 45-minute creative journey.

  • We all had to be very careful with choosing the topic for our work. The A7 format is a very small one and you have to take into account how small certain elements are and how much effort it would take to execute them.
  • All kids had three pieces of the A7 paper, attached to the table with the painter’s scotch (necessary!) so they could experiment with different approaches and they really did. The first pictures were usually the most cautious ones, the easiest ones and the least experimentative. However, since there were more pieces available, I could see how much braver and more confident they became in their following steps. Even today, while looking at the pictures, I can tell the order in which they were painted by particular kids. And it is amazing. For example, the triptych in red by Egorka, who started with a scene from Mars, all in red, then moved on to a superhero’s portrait and finished with what he called ‘a zebra heart’, in black and red that ended up being a print. Why? Because he noticed that the paper towels we had on the tables had an interesting pattern and he decided to experiment. Precious.
  • Three of my students painted only one picture but it is because they decided to make it more detailed and, naturally, these required more time, effort and attention. The other children went for a triptych and, one way or another, these three were connected by a common theme.
  • One of those three is the first in the world case of the Snail Art in which the artist traces the slime trail left on paper by her pet snail. Which, of course, was her own idea. No snails were harm in the production of this piece.
  • It turned out that this kind of art is a perfect exercise for improving focus and concentration. It worked like magic. For that reason it might be an interesting activity to improve in the general English classes, for example. I can easily picture it in our ESL / EFL courses, especially that the topic can be easily adapted to match the curriculum and it does not eat up a large part of your lesson. And if you don’t want to get into the whole watercolour mess, the same can be done with markers or coloured pencils.
  • For the time ever, I had not painted my picture before the lesson to show the kids. I wanted to experience the change of focus myself and I told them about it. This was also something that we did for the first time ever.
  • Having three pieces of paper came in handy with one more thing. As soon as I announced the topic of our lesson, the same question was asked, almost immediately. ‘Can we paint something we want?’ I mean, I always say yes in the end and inside of me there is one happy teacher celebrating the independence and the artistic freedom that my little kids want to exercise. But we did negotiate a tiny little bit, too and, in the end, they agreed that since we have three bits of paper, a lot can be done. Something that the teacher suggests, something that we really, really want to do…

It is beyond fascinating how much impact the A7 format had on our art, composition and work. Five stars, highly recommended. I hope you enjoy visiting our little gallery in this post.

The sun
The sky
The snail letters
The Snail Art

Happy teaching!

Setting up the routine. Eight months into the course

by

Starting the lesson

This is the part of the lesson that is still the same: hello, how do you feel today, have we got any new students. It is great to see that they are more in charge of it right now and they are able to answer more fully, without my consecutive questions. If I forget (and that happens), they remind me to bring it back. Right now, it is more common for the kids to ask if we are going to include some other of their favourite elements or games and my stronger writers ask for the permission to put the lesson plan on the board. That is just sweet and it makes my heart melt to see that I can just dictate a very simple plan and they are able to write it down.

Songs

In April we started the lesson with one of two songs.

It was either the absolutel hit from Super Simple Song, The Seasons Song. The kids still really like it and, right now, they are really good at singing. We can properly sing for the pleasure of it.

We still continue singing our month song but in April it has completely turned into ‘I am going to sing about how I feel today’ and we had a few amazing days when it turned into proper comments on the weather (‘What is this? Where is the sun?’ on the rainy days) or an expression of our wishes and hopes (‘Tomorrow I am sleeping, All day’ one day before the May holidays or ‘Where is the summer?’ since we are a few weeks before the end of the academic year). This has been the absolute hit of this academic year!

Rules and classroom language

It is obvious that, on the one hand, the rules are in place and, finally, we almost sit through the lesson, without wandering aimlessly (that was one of our objective in January!) but it is also obvious that the kids are already very tired with the pace and the length and April has not been very easy. The overall attention span has shortened and we have dealt with more issues and outbursts of my kinds.

While planning the lesson, I am more careful with putting the activities in order and with ensuring that the serious tasks that require more of their attention are in the first half of the lesson. It is also more common now to put all the games at the end of the plan and with a question mark. We only play them if we manage to go through everything else. I also caught myself announcing that ‘we are going to do a task’, referring from calling it a game, to signal that we are not doing it ‘just for fun’. Danny Go, our hero from the previous few months had to go, too, because he stirred the kids too much and it was very difficult to bring them back to do some real exercises.

At the same time, I also introduced a new tool for the fast finishers, the ‘I have done everything’ book, with additional tasks from different areas (Maths, logic, drawing, English). The students who have finished their obligatory task can take their booklet and continue working on their tasks. We have had only one week of that so it is too early to evaluate it at this point. We’ll see how it all goes.

Story

April was a bit shorted, due to the term break and my trip, but we still managed to squeeze in a few stories. We read the second part of Marvin, ‘Marvin Wanted More’ by Joseph Theobald and it was cool to read it as it is, with only one or two verbs changed. We also learnt the phrase ‘Just a little bit more!’ and the kids recited it during the reading, when Marvin was getting hungry, which is, basically, every other page.

We also had a fantastic lesson with ‘Wacky Wednesday‘ by Dr Seuss and, last week, with ‘I can read with my eyes shut‘, which we used in a shared reading activity.

Socialising

If anyone dared to think that our eight months in the classroom might potentially mean that everyone is now everyone’s friends, they would be seriously mistaken.

Yes, we get on better with each other than we used to and it is much easier to sort out the issues that come up, admittedly. However, we still have a few issues that bother me a lot. In one of the groups I had to announce that we stop playing games because they are not ready to play. I have one student who is accutely allergic to any competitive activities and recently it turned out that even when we play together, to collect points for the group, the kids start judging each other based on how many points they bring to the kitty. And if someone brings fewer, here you are, the group is ready to troll…

I decided to put the games on hold and I annouced it, officially, but I have a cunning plan. In the time that we have left until the end of the year, we are going to work hard on building a team. Basically you can address me as ‘coach’ for now…I have a few ideas ready and I will look for more. The post will be written, eventually.

Creativity

April would get a strong ‘To Standard’ for the creative element in our lessons:

  • our patchwork project, a part of the lesson devoted to patterns and shapes, not very generative in terms of langauge but, I will be honest, I really wanted to include something like that in our regular ESL classes
  • our amazing dinosaur project that was divided into three lessons and consisted of drawing a dinosaur, filling in a fact file for it and interviewing a friend about it
  • a mini-project in our Wacky Wednesday lesson. The kids had to write only three sentences of their choice about their Wacky Wednesday and draw pictures to accompany them, so simple and so precious. We had a lot of fun.
  • April was also the month of our story (based on Flyers visuals) that we turned into a real book. I loved the fact that they enjoyed writing it and then reading it, too. We are definitely going to do it again.
An excerpt from the story
‘I ate pasta upside down’ (Wacky Wednesday)
Pure brilliance, from the point of view of illustration

Teacher

It has been a very tiring month, although it was a shorter one. I was tired (and busy with the non-school tasks) and the kids were also very tired (and already looking forward to the summer, the last bit of the marathon, before you see the finishing line and find the last scraps to speed up and cross the line in style).

But the good things happened, too. We have done huge progress in Maths and in reading. The kids are really creative and now, I can say, we read. We have had a few amazing Art classes. But I am like my students, I am looking forward to the end of the academic year.

Please make sure you have a look at our development since September!

Happy teaching!

When Picasso came to school. Alternative April #3

by

The language

This was to be our final lesson in the topic of body parts and, once more, after singing the hello and going over ‘How do you feel today?’, we went for our spinner game. I was really worried that we would not have enough time for anything else as I wanted not only introduce a new artist but also a new tool.

The artist

This was the second time we invited Pablo Picasso to our lesson. And the kids remembered! They were a little bit surprised because they met him as a one-line artist with the amazing animals (post here) and, at least some of them, a little bit taken aback by the sheer contrast between the two. I showed them a few portraits and we highlighted the main pointers of cubism (which we also talked about before). We also tried to find all the figures (shapes) in the portraits.

The art

This was a day when we would be experimenting with a new took – oil pastels and that is why I decided to demonstrated some of the basic blending techniques. You can find the ideas in the videos here and here.

Afterwards I demonstrated the double portrait that I made while getting ready for the lesson and we talked about its main features (shapes and colours). I also showed them the simplest way for achieving the Picasso effect by drawing one more face: a shape for the face, divided into halves, smile (ideally misshapen, mismatching halves) and shapes for eyes, nose and hair.The next step went according to the plan one of my students wrote on the board once: ‘3. Miss Anka Paint, 4. We paint’. We started to work.

  • The kids chose different ways of working with the oil pastels. Some combined them with pencil, some with markers and for some they were just a crayons replacement. But we also had a few properly experimenting with the new tool.
  • Some of my students refused to see the world through Picasso’s eyes. They really didn’t like his approach and asked if it is possible to draw their friends the way they want. It was more common in the older group, the younger kids just went for it.
  • Some of the students also asked if they can draw ‘something they choose’, not faces and I also said yes. Obviously, Kolya had his own idea for the interpretation of the topic and for cubism and I am happy I did not object. The house of spades, hearts, dimonds and cards is just beautiful. ‘One house in the city’, as he called it.
  • Some of them loved it, though, and the best piece of evidence is that they snatched the paintings as soon as possible, to take them home. I barely managed to take my photographs.
  • We also had one character sitting for a portrait, my new portrait and a few other precious creations.
  • The Star Girl that you can see below is a joint effort between me and one of my youngest student who decided to help me with the colour. I decided to save it here not only because I am happy with my design but mostly because it shows how the kid’s creativity develops as they go through the task. I drew the face and started to colour it, in the most boring of ways but soon I was joined by my student who took over and decisively so. It was fascinating to see how many different ways of colouring, blending, shading and working with oil pastels he came up with during that task. The final product – below.
  • Watching the kids work was a real pleasure. One of my students was working on something hard that, from afar, looked like her trying to create one big, colourful, many-layered blob of pastel that some, less patient, might label as ‘trying to destroy all my pastels in five minutes’ but the final product, the girl with a horse, proved me wrong. Experimentation was just experimentation, and one of the many steps towards beauty.

Happy teaching!

Behind the scenes. The emotional workload of a primary school teacher.

by
Our beautiful ‘patchwork’, all 20 pieces together (one was immediately stashed in the bag to be taken home)

Last Thursday

Five lessons on a regular Thursday, English, a double Maths with 1B and a double ESL with 1A, a nice, short day, with the cherry on the cake being the fact that for me it is the last day of the week. Rounding up, in a way.

What did I do at work last Thursday? Here is the list:

  • supported a student and helped him deal with distress related to his inability to deal with a task in a subject that he normally excells at. He got upset, abandoned the task but then he calmed down and he decided to catch up and to finish the task, sacrificing his break and a part of the following lesson but he did complete the task. I told him I was proud of him for not giving up.
  • went through another refusal to deal with the task with another student. We talked about students making decisions and teachers respecting those decisions but also about the fact that if it refers to a test, the teacher will have to grade the test as it is. The student thought about it and decided to take part after all.
  • listened to two students who had a disagreement and helped to deal with anger and tears
  • created opportunities for the students to develop their social skills by sharing resources, waiting for their turn to receive them and to collect them and to learn how to respect the other students’ work, everyone’s right to work in silence and in peace
  • gave the students an opportunity to express themselves through art (see the photo above) and to be proud of their work
  • created opportunities to develop cognitive skills and to see the world through shapes and patterns
  • help to learn to deal with failure during the artistic activity by showing how to solve problems with water, paints, splashes and other artistic disasters
  • cheered on the growth and developement by listening to at least four stories about the milk teeth falling out, shaking, getting lost and found
  • took part in rejoicing the fact that the holidays at the dacha, at the seaside and at gran’s are coming
  • welcomed a child coming back after a long absence (The best entry ever, by the way. No hellos but instead ‘I think I have lost my shoes’) and heard all the stories from the past two weeks.
  • cheered, sympathised and laughed at everything that three Pikachus did over the previous 24 hours
  • gave a chance for the students to lead the lesson
  • witnessed two serious meltdowns that were handled by the children’s personal tutors.
  • taken care of the fast finishers and started a new procedure of ‘I Have Done Everything Book’

A bit much, no? But wait, I haven’t told you yet ANYTHING about the actual learning that we did that day. English and ESL: it was shapes and patterns, in Maths – division using the bus stop method. And it was not even any special day, just a regular Thursday.

Sigh.

The patchwork did it!

I do sigh a lot, actually. I have no idea what it looks like to the outsiders and the passers-by, but, indeed, it is one of the easiest way of letting at least some of the pressure out of the system. Thursday was no different, I was sighing a lot, especially because of the patchwork.

The kids had left already, the classroom was back to normal, I was just organising the finished pictures on the window sill to dry them in the sun and talking to my T.A. I looked at the pictures, the patterns wonderfully chosen, and the colours to match, the paintings looking just amazing separately and together, as a set, too. I thought that they were beautiful and that they are going to make a beautiful photograph and that I am proud of my kids. And then I realised that nobody, looking at the photograph, here on the blog, on the social media or in the parents’ chat, nobody will be able to tell how much effort went into it, how much drama accompanied it and how much it actually took, this photograph. We will file it under ‘pretty’ (where it does belong!) and we will never talk about the emotional cost of this whole adventure, this whole day.

Absolutely the same can be said about any other handout, activity, test, progress made, painting, lesson and sometimes even a sentence. Guess what, dear reader, I have seen it once and I cannot unsee it!

I started to read.

A photo from 10 Incredible Scenes In Pirates Of The Caribbean Movies Fans Still Love (screenrant.com) Clip here. This is how I see myself in the classroom.

The emotional burden of the everday teacher’s life

It turns out that teachers are the professional group among the lowest scorers as regards health and well-being (studies by Johnson et al.). We are in good company, of course, together with ambulance workers, social services, customer services and prison and police officers.

On the one hand, there is a tendency to highlight the levels of stress related to the number of years of experience, drawing attention to the fact that newly qualified teachers are at an especially high risk of falling prey to burnout (Linqvist et al.) which is easy to understand as we all, including the human behind the words here, remember the dread and the stress that came together with taking the first step in a completely uncharted territory of the school on our first official contract.

However, according to the study among the Lithuanian teachers, both primary and other specialists, the levels of stress and the issues with mental or physical health were not related to the years of experiences, the location of the school, the marital status or the length of employment at one school. Still, despite a relatively high motivation to work (‘enthusiasm was above average’) and the low levels of indolence, every third teacher ‘showed signs of of high psychological distress’ and 12% were assessed as being at risk of depression (Emeljanovas et al.).

The reasons? Well, there are many (Stefanou et al.) But, to be honest, I would like to leave all of them behind, apart from one. Away goes the personal well-being and health, motivation and classroom effectiveness. Off the list come also social behaviour, learning and performance or the particular school and how it is functioning. Or the students’ motivation and well-being. In the same vein, those ‘rapid social and technological changes and constant monitoring of society’ (Emeljanovas et al) or the parents’ and students’ expectations which have changed in the 21st century are of no interest to me at the moment.

Not because they are not important, quite the contrary. It is all very interesting and very relevant but there almost seems to be too many factors which have an impact and which the teachers are affected by on daily basis. The number and the volume of the issues might lead to a realisation that it is a hopeless task because, indeed, how can you deal simultaneously with all the requirements of the everyday teaching reality and with the 21st century outside of your window? I won’t.

The Absinthe Drinker, Edouard Manet (1875 / 76) Attention: NOT because of the alcohol in front of her, but because of the emptiness in her heart)))

The lucky ones?

Because, let’s imagine a couple of teachers that are just ‘lucky’, for the lack of a better word. They work in a private institution so their working conditions are better than average. They are experienced so they have already developed an immunity towards the pressure from the system, the regular assessment and the need to develop professionally. Over the years, they have also learnt how to work with paretns and to manage the children in class. They work in a small school, with the helpful admin staff and the kids are in year 1 so there is not so much checking, testing and reporting, although there is some. What is more, these teachers, they teach with and out of passion. They even like their students. All 21 one of them. The children are just a group of kids. They are all amazing, no one suffers from any neglect at home, some of them have some special education needs but it is not anything that cannot be dealt with. These teachers are lucky, the conditions are almost ideal.

Does it mean, then, that these teachers are not affected by the emotional challenges of the everyday life? Of course not! At the end of a Thursday, like the one described above, they look like some of those characters featured in the illustrations I chose for this post. Sitting in the teachers’ room, recovering, as if, gathering the energy to get up and to put the jacket on and to go home. On some days, walking home, thinking of all the other potential professions out there, of becoming a plumber, a librarian, a chef or a pensioner…

That is the reality and, as they say, ‘there is tired and there is teacher tired‘. It is not sadness, it is not depression, it is not burnout, it is not disillusionment, it is not apathy. Only the unbelievable, unmeasurable, undescribable, infinite exhaustion. And not because you have spent the day ploughing the field or hand-digging foundations for a house but because you have spent 5 or 7 academic hours educating, surrounded by tonnes of emotions coming at you from 21 different sources simultaneously and trying to deal with all of them.

tired teacher clipart – Clip Art Library (clipart-library.com)

Please tell me that there is a way out!

Yes, there is and no, there isn’t.

Children are and will be children and dreaming of an ideal lesson, 100% of the time, day in, day out, with everyone listening, following instructions and not getting distracted, not getting into trouble with classmates, and, generally, being ‘little angels’ (or the students that we know from our teachers’ books), that is simply not going to happen. You plan your lesson and then you go into the classroom and life happens.

The good thing is that we learn how to deal with disasters (and ‘disasters’) and with our emotional response to them. The good thing is that, eventually, we get a bit better at it. You can read about it in an earlier post here: The end of the world or Suriviving bad lessons with YL.

The good thing is also that we have lots and lots to look back on, to do the maths and to label the day as ‘good’ and that, frequently, we come home with a joyful ‘Guess what happened at school?’. There are the patchworks that we created and the photos of them that we will share and we will be happy and proud of. And maybe it is the lingering memory of these patchworks that will make us get up the following day and set off to school, one more time, erasing the not-so-good memories of the previous day, in order to try again, to make the children know Math, English or Science and to help them grow and get better and get confident.

The joys and challenges of teaching kids, you know. Which, by the way, and hilariously enough, was the title of one of the first training sessions that I have ever given. The joys and challenges. The patchwork.

tired runner – Clip Art Library (clipart-library.com)

Bibliography

Emeljanovas, A., Sabaliauskas, S., Mežienė, B., Istomina, N. (2023), The relationships between teachers’ emotional health and stress coping, Frontiers in Psychology, Vol. 14, https://doi.org/10.3389/fpsyg.2023.1276431

Johnson, S., Cooper, C., Cartwright, S., Donald, I., Taylor, P. & Millet, C. (2005), The experience of work‐related stress across occupation, Journal of Managerial Psychology, Vol. 20 No. 2, pp. 178-187. https://doi.org/10.1108/02683940510579803.

Kariou, A., Koutsimani, P., Montgomery, A. & Lainidi, O. (2021), Emotional Labor and Burnout among Teachers: A Systematic Review, Int. J. Environ. Res. Public Health 2021, 18(23), 12760, https://doi.org/10.3390/ijerph182312760

Lindqvist, H., Weurlander, M., Wernerson, A., & Thornberg, R. (2023). The emotional journey of the beginning teacher: Phases and coping strategies. Research Papers in Education, 38(4), 615–635. https://doi.org/10.1080/02671522.2022.2065518

Stephanou, G. & Oikonomou, A. (2018), Teacher Emotions in Primary and Secondary Education: Effects of Self-Efficacy and Collective-Efficay, and Problem-Solving Appraisal as Moderating Mechanism’, Psychology, 9 (4), https://doi.org/10.4236/psych.2018.94053

Happy teaching!

‘A beautiful mess’ – the Very Young Learner teacher’s novice year

by

Once upon a time there were 52 teachers who agreed to talk to me about their novice year in the very young learners classroom. An M.A. thesis came out of it and an article in the March / April issue of the Modern English Teacher (vol. 33 (2) came out.

It is a weird one and a special one. A weird one because it is the only VYL article in the issue devoted whole and wholeheartedly to the topic of A.I. in education. Could you be any more ‘niche’?

At the same time, it is a very special article because it is about teaching, teacher training and pre-schoolers, or, in other words, my whole professional life in three pages. Fortunately / unfortunately, the article itself is available only to the subscribers but it is still a topic that I am really passionate about so I will be writing more about it.

Until then)

Happy teaching!

Five ways of encouraging kids to get involved in a task, Maths and more

by

So, apart from being a teacher of English, a teacher of Art, a teacher of Science (occasionally), I am also (drum roll) a teacher of Maths, year 1 of primary (or Key Stage 3).

I am aware that perhaps not too many of my readers have Maths on their daily timetable but I decided to share these ideas nonetheless. It is because they are all rooted in the different ways of encouraging children to get involved in the activities that are challenging, tiresome and not always easy-peasy-lemon-squeezy.

For myself I simply wanted to leave a note and a record of the things we do, for future reference. On the other hand, I know that all of these activities have a lot of potential for the regular and the beloved ESL, for grammar and vocabulary practice or reading.

Treasure Hunt is a task that I have used many times over the years. It takes some time to prepare and to set it up, especially the first time, but once you do it and once everyone figures out the rules and procedures, it is a great task that my students have always loved and asked for if we stopped doing it for a while. The main idea of the task is that we go around the school, look for all the tasks hidden there and we solve them. Once all of them are completed, everyone returns to the classroom to check the answers. In the past, we used to collect new words, solve crossword puzzles with clues around the school. We used to look for answers to the quiz or instructions how to colour the picture. This year, we use it mostly for Maths, solving different addition, subtraction and multiplication tasks.

Usually, we go out as the whole class but this kind of a treasure hunt can be easily turned into a running dictation, with kids working in pair, one of them running, one – taking notes of the answers. This works especially well with really big groups.

As many as you can: most of my kids are huge fans of Maths and they approach the tasks with mountains of motivation. To be honest, I don’t really understand it, since my brain does not really feel happy around numbers and prefers words, languages and visual arts. But, I can almost risk saying it, my kids’ enthusiasm is infectious, so, in fact, I like teaching Maths.

‘As many as you can’ is one more task type that we do in class. It is super simple, it involves an A4 page of exercises that the kids work on individually. There is only specific rule and that is: everyone is allowed to do as many as they want or can.

I love this task because for the kids, it is an opportunity to approach a task without a lot of pressure and it works very well with a mixed ability group and for me it is an opportunity to see how well each and individual student feels about a particular topic. True, sometimes, the external factors get into the way and the number of exercises is affected by the kids’ mood or the levels of tiredness but, overall, it is a good indicator of how well everyone has learnt and how well they have assimilated the particular topic.

Oh, Petya: Petya is one of our invisible students and having him works very well in ‘find the mistakes and correct them’ tasks which we usually do at the end of the unit. I have already written about him before and you can find the post here.

Jigsaw puzzle is another idea that I have been using in our Maths tasks to encourage the children to go through the task from the beginning until the end. It is very easy to prepare because you basically need a page with the Maths tasks and another colouring picture (in the theme of the month, like Halloween or Easter). The colouring picture is cut up into pieces, into a number that corresponds to the number of tasks and they are put into separate envelopes. As soon as the kids complete one of the tasks, they can come up to the board, open the relevant envelope and take out one jigsaw puzzle. I also like to put the correct answer on the envelope, to give the kids a chance to also check their answers. Once all the exercises are complete, the kids put the jigsaw puzzles into a picture and we glue these into out notebooks. The pictures can be coloured in the end, as an option.

Password, password! is a variation of the previous task – we collect tokens for every exercise completed, only in this case, these are letters that, together, a part of a password. Kids work on their tasks, invidually but they take turns to come to the board to solve a task and to uncover one of the letters. This task works wonders for bonding and building the class community. Just like the colouring page, the password can be adapted in any way that fits the theme of the month, the number of the exercises or the number the kids in the class.

One of the first passwords that we did this year was: ‘We love Maths and we are fantastic!‘ I wrote it on the board, with the numbers for each letter and I used hyphens to break the sentence into words. But it can be anything!

Well, is it something that you could use in your lessons? Please let me know!

Happy teaching!

Yves Klein. Take two. Printing and roller work.

by
The man who can’t see the sun

Somehow, in this academic year, in our Art Explorers adventure, the days are filled with some ‘firsts’. Now and then, and more frequently that I would expect it to happen, we bump into something that we have never done before and something that we are trying for the first time and that we are experimenting with. I love it!

This time round, we experienced a mini-series of the same artist over two consecutive lessons. It is not that Monsieur Yves is such an inspiring artist that we simply had to give him a double Art slot. I mean, he is amazing and I am so happy that I have discovered him for myself and for my students but, surely, there have been many Great Artists that, theoretically, at least, should have been granted with that privilege, Malevich, Goncharova, Warhol or Picasso…A simple coincidence, that’s all it was. I got the amazing set of rollers and stamps but only in time for my older group, the younger kids on Mondays missed their chance. Since we had so much fun with the rollers, I simply decided to let everyone help! Then and only then, did it turn out later that Yves Klein himself loved using different tools…What a coincidence!

The Power of four elements

The language

The language stayed the same and we had a lot of time with the spinner and the verbs (you can read about them here) and, to be perfectly honest, the langauge input was kept short on purpose.

The artist

We just got back to the previous class and looked at some of his paintings again and I told the students that, apart from using the beautiful blue and painting with different body parts, Yves also used a variety of different rollers, stamps and other tools and that it is exactly what we would do.

Colourful frame

The art

The room was set up exactly the way we did last week, with the round table in the centre of the U-set of desks and it was basically our palette (have been covered in paper and painter scotched over before). I showed the students all of the tools and how they can be used. Because it was the last lesson in the series, I was also able to look back at the works created before. My special focus was this one, created by one of my older students because it combines pencil drawing, a variety of prints and a great roller work.

After that, we just got down to work and, in one line, it was just amazing.

Kids really enjoyed working with a new tool and experimenting with everything they had to offer. It was a good idea to cover the palette table with paper because it was the first place to try out rollers and stamps. This is also were they were mixing the colours to get new shades and colours. They were very careful and conscious while choosing the tools and combining them with the paints. We were talking about the process, a little bit in English and mostly in L1 and thanks to that I could see how their ideas were taking shape. That was precious. Or so I thought. Until the artists started to come up with the titles for their work. They did all of that in Russian and I helped them translate but hey, look at them, they are amazing…What is more, they were not created instantly. The kids really did put some work into creating them. Some students made a decision and then, upon more consideration, they changed their mind and came up with even a better, more suitable option. I was speechless and I continue to be. Why? Just look at the photos!

A worrying house

Happy teaching!

Crumbs #78 Making our own songs with kids.

by
A paintbrush, that took us all by surprise with how beautifully it caught and preserved the paint. We all kept staring at it for a few minutes, in admiration.

I have already written a lot about things to do with songs. Here you can find a post about the steps to take to properly un-sing a song and to make the language your spoken language and another one on creating your own songs for the use in the YL classroom.

Today, I would like to share with you a project that we have been a part of for the past two months and that I am hoping will continue until the end of the academic year: our own month song.

Ingredients

  • a song and a melody that will be used as a model, in my case it was January Song from Sing Play Create.
  • a group of kids and a teacher to manage
  • optionally: an audio of the melody, ours was Frere Jacques, it was easy to find.

Procedures

  • First, a story: Our lessons in December, with my year 1 kids, started with different Christmas songs as we had already abandoned the regular Hello songs somewhere in December. When January arrived, I wanted to devote a part of the lesson to a chat about things that we do in that month. And to introduce that slot, I was looking for a song. I found it and quite easily and it was perfect – short, call and response style and with a relatively simple melody. We sang this song throughout the entire month. Then, February came and I started to look for a song that we could sing. I did not find anything that would work for us, something easy and short, without too many cultural references that are not at this point relevant. I didn’t find anything that I could use. I decided we are going to create our own.
  • In the first lesson of February, I explained to my students the song situation and encouraged them to think about our own song. They made a real effort and we ended up with a song in 1 a and a slightly different song in 1b. I wrote the songs on the board and we photographed the board. Every day, at the beginning of the first lesson, I would take out my phone and start singing for the kids to repeat. Some of the phrases were familiar to kids, the others I helped to translate.
  • We repeated the procedure in March and ended up with two verses in both groups that we sang for a week.
  • The next step was of course the kids’ versions. I did not prepare them for that in any way and on one of the days, I simply asked: Does anyone have an idea for a new song? And they did. Right now we do it every lesson and there are always some kids who are willing to share their ideas.

Why we love it

  • The song is a perfect choice for creative singing (and speaking). It has got a simple melody which we already know very well. The song follows the pattern of call – response so whatever idea the leader comes up with, the group responds, by simply repeating the line.
  • The lines are short, easy to create and to repeat even for beginner children. It is an advantage, too that the verses of the song follow two patters: either a simple phrase or a short sentence so pretty much anything can be used. Some of the verses we created were like that: ‘March, March’ (only two words repeated), ‘Make snowmen’ (an imperative), ‘Birds and bees are flying’ (present continuous), ‘Flowers grow’ (present simple), ‘We are very tired’ (personalised sentences with the verb to be).
  • Some of my kids have an idea but they don’t have the language and that works, too. They sing the first line, in Russian, and I respond with the equivalent in English. It also helps with some verses that are not appropriate but are, at the same time, a result of my students experimenting with the language. We have had a few cases of a line like that appearing as a call and me replying with ‘La la la’ or with ‘Sasha is not singing’, to signal that some things are not be accepted.
  • Kids love this part of the lesson and, on a typical day, we have about 4 or 5 verses, sometimes more, sometimes fewer. Some of the kids sing the verses, some prefer to say them already and it all works.
  • I am just overjoyed because they are producing the langauge and in this previous week, we have seen an interesting new trend or even two. Some kids (following my example) started to create songs about how they feel on the day (‘March, March. Sunny day. I am very happy. But I want to sleep’) which is their extended and musical answer to ‘How do you feel today?’. Some children sang a song about their favourite month (usually related to their birthday). We had also a few crazy versions of snow in July and another Christmas in the summer. One way or another – lots and lots of language creativity.
  • Another thing that makes me really happy is that this creative activity appeals not only to my stronger students but also to some of my struggling students and, in general, is great for mixed ability groups. It is easy to create your song, for example by changing one or two words in the verses that your teacher or friend sang. That’s easy to do. Plus, all students are creative, even my beginner beginners. They have an idea and they want to share and since some of the ideas are shared every day, they stay. My student Sasha came up with the idea of a sick rainbow two weeks ago and now he remembers himself and encourages us to sing ‘The rainbow is sick’. We do.
  • Last but not least, this is our little tradition, our routine, something that we do as a community. And that makes it precious, too!

I am quite curious what is going to happen to this project in April and in May. It is already good and exciting and worthy of sharing but who knows what else is there for us…I will definitely be writing about it in the future!

Happy teaching!