Anka Zapart

The Spiderman Story. CCQ-ing pre-school?

by

Really, the whole story is between me and a pair of blue, three-year-old eyes. The world around does exist, of course, and the world around is watching, with curiosity, but not really participating.

‘Spider’, I say.

‘Spiderman’, he says.

‘Spider’, I repeat, pointing at the spider flashcard.

‘Spiderman’, he repeats, as if not noticing.

‘Spider’, I say, yet again.

‘Spiderman’, he says and, I’d swear, he nods, too.

***************

The blue eyes belong to a little Sasha who is quite young, true, but who feels empowered and a lot more confident than any other typical three-year-old might have been in any relatively new environment. It is because this little Sasha never walks alone, he has his older sister as the source of his superpower. He is pretty much fearless. That is why he gets into this, well, debate.

The conditions are perfect. It is a warm May afternoon, the summer is round the corner, and the audience are waiting for some entertainment. After all, the parents have come to see what the kids can do and what the teacher is teaching them. Everyone is present, all the children and all the parents. The teacher is there and even the trainee teacher. Who could have wished for more?

Sasha is not doing it on purpose. One of the most important words in his life now is ‘Spiderman‘ and it does resemble something that the teacher is saying. It feels like a cool game to recite it, together with the teacher, well, almost ‘recite’ it. Sasha continues to play.

He doesn’t see how the world freezes waiting for any reaction. He notices that his teacher’s face has become a bit tense but he does not think that it might have anything to do with the new game. He wouldn’t know that the teacher’s blood pressure is slowly going up because of what is happening and what is happening is this: a student making a mistake and the teacher not correcting him, fossilising the error for the years to come and this little boy confusing the little eight-legged creature with a superhero.

It might be that the parents have not even noticed or realised. It might be that the parents have found it to be funny, too. In the teacher’s head, however, the world is crumbling and the teacher is failing, despite all her experience.

Ideally, the teacher would have just waved two flashcards to illustrate the difference. Only, of course, there were no Spiderman flashcards just lying around.

***********

‘Now, Sasha, spider – Spiderman’, I say. Again.

‘Spiderman’, he says, smiling, probably thinking that I have finally managed to learn the right word. I smile, too.

‘Sasha, listen. Spiderman is a boy. Yes or no?’, I say.

‘Yes’, says Sasha.

‘Mhm. And Spiderman is big or small?’ I ask.

‘Big’, said Sasha, looking at the teacher with curiosity.

‘Right’, I say. And then I ask, raising the spider flashcard. ‘Is THIS big?’

‘No’, said Sasha.

‘Is it a boy?’ goes the next question.

Sasha looks up from the flashcard, he looks at the teacher and smiles.

‘No’, he says, and you, know

‘No’, said Sasha and, you know, the teacher would swear, something sparks up in Sasha’s three-year-old eyes.

‘Exactly. Look. Spider – Spiderman’, I say, once again pointing at the spider flashcard, also adding gestures ‘small’ and ‘big’ ..

‘Spider’, says Sasha, pointing at the flashcard. And then he adds: ‘Spiderman’

***********

Victory? Probably. A memorable moment? Absolutely.

In hindsight, also a bit of revelation that a little adrenaline rush and, all of a sudden, it turns out that it is possible to use CCQs, concept check questions, with very young pre-schoolers who are somewhere in the pre-A1 level. I had never thought it would be possible but, hey, there you go. When there’s a will, there is a way? Aka the games my brain likes to play.

Happy teaching!

From ‘havoc’ to ‘happiness’. Lesson planning for YL (part 2)

by

What can you see in the photograph? Oh how I wish I could hear your thoughts and all your ideas, dear reader!

It does look pretty messy, doesn’t it? This is what I call ‘real life’.

Imagine this, I have just come into the office on the day of the training (which is not quite ready yet, not this one, the week must have been a real hell so although the ideas are there, the presentation itself is NOT, not panicking yet, but the adrenaline levels are already up) and I have just taken ‘everything I need’ out of the bag: books, notes, some copies and A LOT OF FOOD (typical). I am about to start planning. Having looked at what my desk has become, I decide to take a photo of this beautiful mess that soon will (I know it now) turn into a great seminar session.

I have decided to use this photo because it is a pretty accurate visualisation of what happens on some days when I plan my classes and to follow it up with a few words on what happens next and how I get from this havoc to the end-of-the-lesson happiness.

Based on the lesson with my ‘adult’ preschoolers a week ago.

The ‘theory’*)…

Step 1: Make a decision what your main aim is. Try to verbalise it and even write it. It really does wonders for the awareness of what you, as a teacher want from the lesson.

Step 2: Make a decision what your focused task is. ‘Focused task’ is the concept that we use at my school (and have used for at least 15 years) and it refers to the main activity of the lesson in which the students get to produce the language and the activity which is the culmination of the entire lesson. All the activities in the lesson lead to it, to some extent, just like all the roads lead to Rome.

A while ago I realised that this is the approach that I am using in all my lesson planning, for all the age groups, levels, for teaching and for teacher training, too.

Step 3: Consider the materials available (mostly by looking at what the coursebook has to offer) and whether they contribute to your aims and your focused task. If not, you will need to adapt them or design new materials.

Step 4: Think of the activity that is going to be most suitable for your materials. It is like differentiating between a tool and how you are going to use it.

After all, there are plenty things that can be done with a hammer (materials), such as putting in a nail to hang a picture, breaking a window, smashing a walnut open, stirring soup (activities) and so on. Some of them are more or less appropriate, of course. The same applies to the flashcards, boardgames, handouts and what we are going to do with them.

Step 5: Take a moment and go over the activity in order to make decisions about staging. What are going to be your baby steps within the activity? whenever we do something for the first time (regardless of whether it is the first time for me or the students), I like to make an effort to actually write the main stages, even if in a very simple form, a sequence of infinitives.

Step 6: An additional step: a homework task. It might not be always possible or, rather, sometimes it might involve a lot of work as regards material design or adaptation. To put it simply, not every teacher will have enough time or energy every single time, with all the lessons taught in a week but a homework task that is an extension of exactly what happens in the lesson and creates an opportunity to continue practising the same language or structures at home, with parents.

….and the practice. Our lesson last week.

Aim: For the kids to start describing school objects and the objects in the classroom, using full sentences such as ‘It is a blue pencil’, with the focus on colours and some simple adjectives. The kids are 5 and 6 and in the beginning of their third year of EFL.

Focused task: A game in which the kids will be guessing the secret word depicted in the cards, producing full sentences instead of questions as we have done so far. The kids will be saying ‘It is a blue pencil‘, ‘It is a red pencil‘, etc until they produce an accurate description of what is shown in the picture which they cannot see.

Materials: There is nothing in the book that could help to achieve the aim. There is one practice activity but it focuses on reading and the students are only taking their first steps in the world of the early literacy. A decision is made to design the materials. Yay.

The materials are a set of cards, 7×7 cm, with clip art pictures on them, coloured-in by hand. There are three types of cards (a pencil, a schoolbag and a rules) and six variations of each, in six different colours.

The cards must have a specific size for the kids to be able to manipulate them easily. They cannot be too big (the ‘secret’ will be difficult to keep and the regular A5 flashcards might be not comfortable enough for the little hands) and not too small (as they will be too flimsy and are likely to be ‘spilled’). It might be a good idea to keep the cards in an envelope to add one more layer of guarantee that the technical bits don’t get in the way of the successful playing of the game.

There are only three types of cards in order to make it achievable, at least when the game is first introduced. Later on, when the kids feel familiar with the concept of the game, more objects or more colours can be added.

Activity: The activity itself is a simple guessing game of two stages. The teacher chooses one of the cards, keep it secret, say ‘What’s my secret?‘ Stage 1: students guess which of the three objects is depicted on the card. They say ‘It is a ruler’ and so on, until they guess.

Once they do, the teacher confirms and asks the following question ‘What colour is it?‘. Students continue guessing. They produce the sentences such as ‘It’s a blue pencil‘, ‘It’s a green pencil‘, until they guess. To help them remember the full structure, teacher counts the parts of the sentence on her finger.

Staging

  • revise the vocabulary with the regular flashcards
  • show the kids the game cards
  • elicit the full sentences (signal withe the fingers), while flipping through the cards: ‘It is a green schoolbag’, ‘It is a yellow schoolbag’ etc.
  • mix the cards, to choose one and keep it close to the chest
  • say ‘What is it?‘ and peek at the cards, secretly and suggest a possible (wrong) answer.
  • wait for the kids to start guessing.
  • keep showing the fingers and counting parts of the sentence as the students are producing the language, developing the habit of answering in full sentences.
  • confirm when the kids guess the object in the picture, praise the student who guess and all the students
  • say ‘What colour is it?‘, peek at the cards, secretly and suggest a possible (wrong) answer
  • wait for the kids to start guessing.
  • after a round of two, the kids take over – call one of them out and ask them to sit on the teacher’s chair, choose the picture for them (to save time, especially in the first lesson) or let them choose the picture they want to play with but operating the cards yourself. The kids might be able to take over in the first lesson, they might be able to take over only in the following lesson, when the game is played for the second time.
  • encourage the group to make sentences, counting on your fingers, praising the kids, encouraging them to produce full sentences.

Homework

The homework task in this lesson was a simple handout, ‘a sentence maker’ in which the students have to complete the missing parts of the sentences, either by adding the colour (by colouring the box) or the adding the school object (by drawing it). The kids choose their own words. Later on, they ‘read’ their sentences. You can find the basic handout here.

The teacher makes one copy per child and one more to demonstrate the instructions in class. When we did this kind of an activity for the first time, I added the colours myself in line 4 and 5 to make the task straightforward. In the future, they will be given more freedom when they are more familiar with the format and the idea that each part of the sentence is represented by a visual or a symbol.

Did it work? aka ‘Happiness’

You know this moment when you are teaching and you literally want to get up and pat yourself on the shoulder with ‘OMG, you rock’? because you are allowing yourself, simultaneously, to teach and be fully in the lesson but also to be evaluating this lesson as if you had been the observer in the room. And it is actually going on very well?

This was one of these lessons.

The kids loved the guessing game, especially that they were given a chance to lead. The cards and the handout did help me achieve my aims and by the end of the focused task, the kids were producing full sentences, although I had to remind them a lot to use full sentences. It was much better in the second lesson with the same game. The kids were eager to start playing the game and I only had to model once. They were ready to take over and they produced a lot of language.

If you want to read more on the subject, have a look at this post where I share how I approach the everyday lesson planning for preschoolers.

Happy teaching!

*) Inverted commas because it is not a real theory, only a set of daily procedures, verbalised.

‘Are you a girl or a lion?’

by

Friday, twenty minutes before the start of the lesson. Two of the girls (5 and 6 y.o.) remember about the amazing game they played about a month ago and, immediately, decide to play it again. There is only one rule in the game: to follow the teacher around the school, as she gets ready and fixes the last bits before the lesson and to say ‘I’m hungry. I will eat you‘ to which the teacher offers various things to eat (‘Do you like books?’, ‘Do you like markers?’), *) to which you have to answer ‘No. I’m hungry but I only eat people‘. And you roar. A lot. The other kids are arriving gradually, the hallway is filling up with parents, grandparents, nannies and brothers and sisters.

Friday, five minutes before the lesson. The lion game is getting better by the minute so now there are four lions running around (Did I mention running before?) and roaring. And, believe it or not, four lions roaring make a lot of noise. It’s not that we pretend that kids are made of sugar and they are always sweet and quiet and picture perfect. Kids are kids and they should be but the teacher picking up the flashcards and taking the last sip of water in the teachers’ room thought, briefly, of an avalanche of noise and ‘unwanted behaviour’. The lions did not really care, they were having lots of fun.

Friday, 2 minutes before the lesson. The teacher is ready and is collecting the group to start the lesson properly. Alas. The lions are roaring, more and more loudly. ‘Let’s go!’ (Roar). ‘Please, stop’ (Roar roar), ‘OK, everyone, 10, 9, 8, 7…(Roar roar roar).

The teacher suddenly understands that she is not in the hallway of the school but on the edge of the cliff, on a windy day, on an empty stomach hence double dizzy. The lions do not like those lions that might calm down any time soon. The parents, grandparents and nannies have raised their eyes. The security guard, too, came out into the hallway and was observing the almost-mayhem in the hallway. The remaining 120 seconds should be used to re-introduce the order. The order should be sturdy enough to last sixty minutes of the lesson which is about to start.

You could say that’s not an ideal situation…

***********************

There were four things that I could do.

a) do nothing – not recommended, even if only because of those sixty minutes in the classroom to come.

b) let someone else sort it out – not recommended, not really. True, the kids have parents but at this point in the game, I don’t think I would want them to get involved. That’s why when our security guard (that the kids know and respect) started to saying something, I just shook my head and put a hand up to stop him. This mess was my mess and I had to deal with it. I think this is something I learnt during my five years at the state school – other people might be called to help with the behaviour management but at the end of the day it is your pack and you should be considered its leader.

c) talk to the kids in their L1 and sort it out – not recommended, not really. Why? Because I never talk to them in their L1 and this was serious enough, not yet anyway, to resort to that. I decided to keep it for another day and another occasion.

d) talk to the kids in English – tricky, with 5-year-old pre-A1 crowd but this is exactly what I decided to do.

I had no idea what I was doing, really. There were no previous cases that I could rely on, no plan of action but hey, if I don’t try, I will never know…Challenge accepted.

**********************

The teacher looked at her lions, still roaring in a small circle around her.

‘Now, where are my students? I want to start the lesson. Where are my students?’, said the teacher.

‘We are not students. We are lions!’ said the lions and they roard.

‘That’s a shame.’, said the teacher, feeling how someone continues to pull the rug from under her feet. She took a deep breath. She looked at the first lion on her left.

‘Are you a girl or a lion?’ asked the teacher.

‘A lion’

‘Are you a girl or a lion?’ now the teacher asked the second lion.

‘A lion’ said that second lion, with a beautiful smile.

‘Are you a girl or a lion?’

‘A lion’ said the lion and the teacher realised that almost all is lost.

‘Are you a girl or a lion?’ asked the teacher.

‘A lion’, said the fourth lion and the teacher was feeling pretty desperate then. The parents, the grandparents and the nannies were all watching then. Of course.

‘Right’, said the teacher. ‘It is a real shame but the English lesson is ONLY for boys and girls, not lions. I am sorry. Bye bye, lions’, said the teacher waving her hand and started walking towards the classroom. She stopped after a few steps where a little boy was sitting with his mum.

‘Hello, Sasha! Are you a boy or a lion?’ asked the teacher.

‘A boy’ said the boy.

‘Great! Let’s go to the classroom!’ said the teacher and off they went. They stopped again after a few more steps where a little girl was sitting with her mum.

‘Hello, Sasha! Are you a girl or a lion?’ asked the teacher.

‘A girl’, said the girl.

‘Fantastic! Let’s go to the classroom!’ said the teacher and all three went to the classroom.

At the classroom door, they stopped, and formed a line. The teacher opened the door, walked in, sat at the door and started saying hello to the first student in line (a part of the routine). They were in the middle of the chat about howareyoutoday and green pencils and yellow schoolbags, when one more person appeared at the end of the line.

‘Anka!’ she shouted, ‘Anka, hello! I am a girl!’

This was the first of the used-to-be lions and the other three quickly stood in line behind her. A miracle!!! In the end, we had one human teacher and seven human children taking part in this lesson.

***********************

This is a great VYL anecdote, of course, and I am sure, in the years to come, I will be going back to it to smile and to remember how difficult it was not to giggle when a girl-turned lion-turned girl came up to announce (in English) that she changed her mind and was ready to take part in the lesson for humans.

It is also a story about what it might be like to be a student at five and that what the big people see as being naughty (running around, roaring, pretending to be a lion) is just a lot of fun and an opportunity to do something different and to experiment with the ways of the world.

Finally, it is also a story about using or not using the L1 in the VYL classroom. You an use it, you don’t have to but using L1 is not the only way. It is a challenge but it is an interesting one. And it is possible.

Some people do sudoku to exercise their brains, some enjoy complex Maths thingies (that clearly not me), some like to guess the ending of a crime story before it is officially revealed in the final chapters. My brain seems to revel in such child-development-and-language-grading games. Especially when there is the added bonus of a high profile audience, of parents, supervisors or trainees…

I will leave the Spiderman story for some other occasion.

Happy teaching!

*) The text in italics is what the kids said in L1.

Rewards charts and young learners

by

This is not going to be a post on the advantages and disadvantages of using a rewards’ chart in the EFL classroom. If you are interested in one or the other, please, scroll down to the bibliography with some pieces to read.

Instead, I am going to tell you a story about a period of six years of using a rewards chart with my kids, successfully and where it has got me. Or where it got us. Consider it a case study.

The group

There are eight of us, in the group, one of me, two boys and five girls and at this point (January 2021), we are in our sixth level together. On the one hand, it is a bit scary, that so much time has passed and so quickly, too, on the other hand – six levels together, pretty much with the same children, from the first words, literally, to Movers.

The first rewards chart

Once upon a time, when my kids were still very very young, in our first year together, the day came when I realised that I needed a rewards chart, badly, with a set of rules and a system.

To be honest, it was a bit of a heartbreak and it did feel like a total defeat. Until then, I had never (as in: NEVER) had to resort to it with children so young. Not once in my entire teaching career (of 10+ years). Rewards charts were for the primary and teens, not for the babies. Sigh.

I was thinking and pondering and wondering, approaching it with a lot of trepidation (in Polish we say: to come up to something like a dog to a hedgehog) and really, stubbornly, putting off the D-day. But, the group was a big one, with ten kids, some of whom were six, some of whom were barely three and they were just rowdy (even for my standards) and ‘my traditional methods’ (or whatever they were back then) were just not working. As in: at all.

Reluctantly and very un-enthusiastically, I took a deep breath and introduced changes: a set of rules and a rewards chart.

The class rules: How to.

  • Think of your group, the kids sitting in your classroom. What are they struggling with? What is the unwanted behaviour right here, right now? Choose the most important three behaviours that you would like to eliminate. There is no point in constructing a set of ten commandments as there will be too many to revise, to remember and to focus on.
  • Formulate the rules and try not to use negatives. ‘Sit nicely’ sounds much better and is more positive than ‘Don’t run’.
  • Yes, there might be situations when a clearly formulated ‘Don’t‘ is the only solution. In the group that I am describing here, we did have some issues that the kids decided to resolve with fighting so for some time, this was our rule number 1.
  • In general, it would be better to refrain from using imperatives altogether and go for full sentences, for example, instead of ‘Sit nicely’ we were using ‘I sit nicely’, together with ‘I don’t run’, ‘I listen to the teacher’, ‘I don’t fight’. These are great language models and, over time, they become a part of everything that the kids can say, even early on, in the first year of primary or pre-primary. Investing in the rules is also investing in the language.
  • Think how you will introduce the rules. I prepared A4 flashcards, with the rule written down (for me to remember and to be consistent and for the kids, to expose them to the written word, although, of course, back then they were not able to read these), with an appropriate picture (thank you, clip art) and with an accompanying gesture for each of them.
  • The first time I introduced them slowly, using the gestures, drawing the kids attention to the pictures and repeating the rules a few times. They did get the idea pretty quickly. After all, they learnt how to behave and how not to behave. After all, they are familiar with the concept of rules. They are rules in the kindergarten, in the art classes, at the swimming pool. Naturally, there will be some in their English class, too.
  • How was I sure that they did understand? Because, of course, one brave volunteer quickly translated them into Russian and all the kids started to discuss the rules. I went over the rules a few times and I encouraged the kids to repeat the gestures.
  • Put the posters up, in a place where everyone can see them. In my case, the best place for that was the door, on the classroom side:-)
  • Revise the rules in the beginning of every lesson. I would go over the rules, ‘reading’ them out loud, while pointing at the sentences and later, once more, I would ICQ everyone, this time with gestures. ‘Do we sit nicely?‘ ‘Do we fight?‘ and so on.
  • Keep an eye on your students and when a rule becomes redundant (because, hey, it worked and your students’ behaviour has improved), change it or replace it with something that is necessary and relevant at the moment.
  • In our case, in the first year, after a while we could replace ‘I don’t fight‘ with a very general but also very broad ‘I am a good friend‘ which we used to signal that we basically behave well because a good friend will not fight, will not take someone else’s pencils or books, will not say unkind things about other children and will not always try to go first and so on.
  • It is also good to have a rule that models and acknowledges the behaviour that is even better than good, something exceptional that we all should strive for. In our case, it was the rule number 4 ‘I am fantastic‘ which I chose because it sounds similar to its Russian equivalent and it is a positive word.
  • Make sure that you refer to the rules throughout the lesson, to remind the students about them when you notice some examples of the unwanted behaviour. I do it using a question form, while using the gesture or pointing at the posters, for example ‘Are you a good friend?‘, ‘Are you fantastic?‘, ‘Are you sitting nicely?‘

The rewards’ chart. How to. A case study.

  • I decided not to use the board as it was too far away from our little circle and I did not want to get up and walk away from the kids a few times during the lesson as it would be too disruptive. Instead, I got a clipboard and prepared a table with their names, written in different colours and accompanied by little icons, ten different ones, so that the kids, who were pre-literate at the time, could recognise their names easily. I put the table into a plastic sleeve, sealed it and pronto. Laminating it would do the job, too. I used a whiteboard marker and so I could easily clean it and re-use it in the following lesson. I was also able to carry it around the classroom.
  • A few times during the lesson, I would take out the chart and check out, with all the kids, asking everyone the same question ‘Are you fantastic?’ (or any other question relevant to our rules, but this one was the most common one) and, if they answered ‘yes’, I would add one more star to the chart, next to their names.
  • Naturally, if the student did seriously ‘misbehave’ (inverted commas here because it really does happen rarely), first would come a warning and then, possibly, if that didn’t work – a tiny little bit of a star might get erased. Which happened on a few occasions and usually the warning itself was enough.
  • In the beginning, I did do it after every single stage and almost after every single activity. It did take time but it was worth it. With time, I was able to cut down on the frequency and the number of stars, extending the length of the stage that could earn them a star.
  • Eventually, we got to the point when each child would get only one star at the beginning of the lesson. It was their job to make sure that it stays whole until the end of the lesson.
  • There was also a point, in year two, when we started to invest more time into our stars because at the same time, we started to talk about other people, and the stars gave us a perfect opportunity to do just that, ‘My star is…’, ‘My star has got…’ and, of course, it was then even more important to keep all the stars intact.
  • It is also very important to remember that the kids should be given an opportunity to get better and to be acknowledged when their behaviour improves. It should not be a problem since the teacher is in charge of when the new stars are awarded.
  • Also, whenever we ask the question ‘Are you fantastic?’, I always start from the well-behaved students, mainly in order to give the ‘not-so-fantasic’ ones a chance to calm down and to think about life so that, when it is their turn, they could be ready to be fantastic, too.
  • ‘Are you fantastic?’ is a very powerful question in itself, too. On the one hand, it serves as a reminder of our aim and our rule (‘We are fantastic’), on the other hand, it is another chance for the students to confirm that they are fantastic AND to make a conscious decision and to make a promise that yes, they will be, from now on, even if there have been a few issues with it.
  • Eventually, by the time we got to our level 3, the rewards chart became almost completely unnecessary. We had the rules on the wall (a new classroom) and I still kept the rewards chart grid at the ready but I would only take it out and use it, when someone needed a reminder that we are, in fact, fantastic. Which, in year 3, happened perhaps once a month.
A slightly different rewards chart or What the kids care about

Today aka the Outcomes

Today, in our 6th year together, we have long forgotten about the rewards’ chart and the rules. My students are now seven, eight and nine and, after all this time, it is no longer necessary to keep such a strict routine and such an elaborate system. The last time we did come close to anything resembling a rewards chart was a collage (an example of which you can see in the photo above), which we made on our Miro board, at the end of each lesson. Everyone could choose an image, google or icons, that they wanted to add. This, in a way, was some kind of a reward for everyone.

Looking back, I think it was a good decision, to introduce the chart and the rules all these years ago and even a better decision to ‘waste’ time on drawing all these stars and asking all these questions. And, dear teacher, if you worry that it takes six years to reap what you sow, don’t. The effort made and the time spent did start to pay off already after a few weeks.

I cannot guarantee that we are going to stay in that bliss forever (fingers crossed that I don’t jinx it with this post) but so far, so good.

My kids have never been very quiet (apparently it’s because I am loud, I am told) but they do behave. Today, after all these years, we all know what is OK and what is not. Most of the time, that is.

They have become more talkative and for that reason a new ‘poster’ appeared on the noticeboard. ‘When I speak, people listen. When people speak, I listen’. It works. Especially that we did specify that by ‘people’ I mean both, teachers and students present in the classroom.

On some days, I have to bring Pasha, our invisible student, one some days I call them using their first name, in full, and their patronymic, sometimes I have to use my serious face but that’s it. I want to believe that it all started with a simple rewards chart a long, long time ago…

Happy teaching!

Something else to read

  1. Rewards charts: how to use them to change the child behaviour at raisingchildren.net.au
  2. Are rewards charts actually bad for our kids? at healthymummy.com
  3. Why you shouldn’t reward kids all the time? at sleepingshouldbeeasy.com
  4. Rewards for kids: Maybe all they want is time? at kiddycharts.com
  5. 20 classroom rewards to get students motivated at englishteaching101.com

Crumbs#16 The Musical Challenge!

by
The first challenge ever (primary, A1)

Today about an activity that requires almost no preparation and is a nice break from the coursebook and from the everyday. Plus – you can draw. Ready? Let’s start the Musical Challenge!

Ingredients

  • A piece of paper, some drawing tool and a few tracks.
  • The choice of the tracks will depend on the teacher but it is good to include a variety of genres, songs or music with different tempo and instruments. I like to pick songs with a long intro and in a language that the students do not speak, not to let them be influenced by the lyrics.
  • Tell the students that you are going to play a short piece of music and they have to draw what they are thinking about when they hear this music. Highlight that all ideas are good ideas. Give the students an opportunity to include words, for example is some concept are difficult to draw.
  • Model, with a sample track.
  • Play about 30 – 60 seconds of a track and give the students up to a minute to finish drawing after the track stops. However, this is a fast-paced activity and its main aim is to provide material for speaking, not the drawing itself. Some students might want to make their drawings too pretty and too detailed and that will take time.
  • Put the students in pairs, let them discuss the songs. If possible, it might be a good idea to play the track they are discussing in the background to create the appropriate atmosphere.
  • Remember to put the questions / structures you want the students to answer / to use on the board. It will help them produce and stay on the ball.
  • Final feeback can include choosing the favourite and least favourite song.

Why we like it

  • It is very easy for the teacher to set up. It is enough to play the audio from the phone or even from youtube, pratically no preparation is necessary. It is possible to prepare a grid with numbers but it is much easier to give out an A4 or an A5 piece of paper that the students are asked to fold into halves until you get eight or six boxes. It works well, too. Because of that, it can easily become your go-to last minute, no-prep activity that can be added to any lesson.
  • It works well with different ages, not only with higher-level students, although, obiously, they will be able to produce more langauge and to discuss their own associations, metaphors, using more advanced language such as modal verbs for deduction. At the same time, even the younger and lower level students can describe their illustrations using simpler structures (I can see, he is wearing, he is happy) and to express their views (I like this song, I don’t like this song because…). The youngest students that I have done this activity with were about eight years old and studying in the A1 level.
  • The teacher has a lot of flexibility, this activity can be stopped whenever it is necessary, after four, five or eight tracks. The activity does not really have an end so it does not matter when it is stopped, for example when the students are not quite interested.
  • It can be further extended into a homework task. The students can be asked to choose a song, prepare their drawing at home and then play the song for everyone in class and either draw or just talk about their associations before presenting their original picture. If the songs are played in other than L1 or English (or if the beginning of the song does not include any text), the discussion can go in the direction of the story that the song is telling, based on the title, the summary or the single quotes.
  • It gives the students a chance to express themselves through drawing. We do a lot of that with the younger students but as we go, higher (level) and older (age), drawing and colours do disappear from our lessons, sadly. It is good to bring these moments back. They students do enjoy these.
  • It is a fascinating opportunity to see how music can be seen by a group of people and how different these associations can be.
  • It is highly personalised and open-ended, all ideas are good ideas
  • As a result, that kind of an activity generates a lot language.

The last time we did it a few week ago, we used the following tracks (we also read a text in our coursebook on music and fashion in the last 70 years, this is how all of the songs appeared here and how I listened to Ed Sheeran for the first time in my life:). Now, have a look at the pictures illustrating this post and have fun guessing which song inspired them. The Joni Mitchell, River

The Rolling Stones, Gimmie Shelter

The Clash, Should I stay or should I go

Ed Sheeran, Perfect

Backstreet Boys, Tell me why

Buddy Holly, Everyday

P.S. My kids loved the Clash and the Stones! Not all is lost)))

Happy teaching!

Story lesson ideas #1: The Little Seed

by

This post is a lesson I taught with a group of 4-year-olds in their first year of studying English, based on the materials from Playway to English 1, 2nd edition by Herbert Puchta and Gunter Gerngross from Cambridge University Press.

It was taken from unit 6 (The Weather) and it is called ‘The Little Seed’.

Story cards ‘The Little Seed’ Playway to English, 2nd ed by H.Puchta and G.Gerngross, CUP

Pre-Story

  1. Vocabulary revision and practice with flashcards, the weather dice, the song, the weather sounds etc. Kids sit in a circle, on little stools.
  2. New vocabulary introduction: a bee, a butterfly, a flower, a seed. We used finger puppets because these three feature in my garden finger puppet set (together with a ladybird and a caterpillar) which I once got as a present (thank you, Cheng <3). I put them on my fingers and we practised saying ‘Hello, bee!’ ‘Hello, butterfly!’ The kids got really excited so we did spend some time, playing with them, trying them on and saying ‘Hello, bee!’ ‘Hello, butterfly!’ These activities were done on the carpet, with kids sitting in a circle. I forgot to bring real seeds so this time, we skipped this stage but I am planning to include them in the follow-up lesson (see below). Of course, the same can be done with regular flashcards or handmade toy butterfly and bee.

While-Story

  1. Just look: I hold the cards and show them to the students, one by one, in silence. Kids just look. Sometimes, I draw the kids’ attention to some of the elements, by pointing at them. Sometimes, I point and say the words or encourage the kids to name things they can see but, really, that is not the priority here. I just want them to take the story in, to build it up in their heads, before we add the language layer to it.
  2. Listen: I play the audio and we listen to the story and look at the pictures. Again, I sometimes point to the key elements in each card. I also use the gestures to reinforce the ideas and concepts and to add another learning channel to the visual and the auditory. In this story we are using the following: hands together, under your cheek with the head slightly tilted (The little seed is sleeping), face up, as if enjoying the sun, with a smile and a happy sigh (It is sunny), hands moving up and down, with the fingers spread and wiggling (It is raining), hands going up and arms stretching high up for (The little seed is growing, growing, growing), pointing with one finger at the picture (Look, it’s a beautiful flower). Some of these gestures have been used so far (the weather), some are new. I don’t pre-teach them, the kids join in when they are ready.
  3. Listen and say: We retell the story together, using the cards. I lead but this time I pause frequently and elicit the words and structures that the students know or, alternatively, I produce the phrase and encourage the kids to repeat.
  4. What do you think? This is the stage for the students to personalise and to express opinion. Usually this is done through a very simple question of ‘Do you like the story?’ or ‘What’s your favourite…?’ In this particular story, we asked ‘Do you like the story?’ ‘Is it a happy story or a sad story?’ ‘Is it a beautiful flower?’
The finished product

Post-Story

  1. Look at my picture: I show the kids the final product and we try to retell the story once again, in its simplified version, this time focusing on the structures that the kids can reproduce: The little seed is sleeping. It is raining. It is sunny. The little seed is growing and growing. Look, it’s a beautiful flower.
  2. Craft: I give out the cards and we create the pictures with kids, while retelling the story. I create another picture, step by step, to model the activity for the kids. This stage took about 10 minutes. I was considering adding the butterfly and the bee but decided that it would take too much time and that is why they do not feature in the picture.
  • ‘The little seed is sleeping’, I give out a small blob of white plasticine, I stick it ‘underground’, ‘Stick and press’
  • ‘It is sunny’, I give out yellow markers. We draw the sun in one corner. We repeat the key phrase as we draw. The kids who have finished drawing can also use the gestures for ‘It is sunny’. I collect the markers.
  • ‘It is raining’, I give out blue markers. We draw the cloud and rain in the other corner. We repeat the key phrase as we draw. We use the gesture for ‘It is raining’. I collect the markers.
  • ‘The little seed is growing, growing and growing’. I give out a piece of green plasticine. We kneed it and roll it to create a string. ‘Let’s roll and make one piece of spaghetti’. We stick it to the picture, as the stem of the flower. ‘Stick and press’.
  • I give out two pieces of green plasticine, we make two blobs and attach them as leaves. ‘One leaf, two leaves’. ‘Stick and press’.
  • ‘Look, it’s a beautiful flower!’ I give out two big pieces of blue and red plasticine. ‘We need three red pieces’ ‘Let’s make the flower’ ‘Stick and press’. ‘We need three blue pieces’ ‘Let’s make the flower’ ‘Stick and press’

3. Let’s tell the story: We show the pictures and go through the story again. The kids are now better able to tell and show the story.

4. Homework: Kids listen to the audio at home with parents, while looking at the pictures in their books. They complete the task in the book by sticking stickers in the gaps.

5. Follow-up: In the following lesson, we are going to retell the story again. I am also planning to start our own classroom garden with some flowers and beans, water them and watch how they grow.

This lesson plan is, of course, one of the many many ways of using this material and teaching this lesson. Enjoy!

Some other materials, potentially interesting.

A little seed by Mabel Watts here

Growing Sunflower Time Lapse here

From a seed to a flower here – a lovely video that I used when I was teaching Maths and Science to pre-schoolers in one of the lessons devoted to plants but it can be used as a follow-up activity in the story lesson.

How to grow a bean plan from Learn English Kids here if you want to start your own class garden.

How plants grow – an interactive game that demonstrates how much water and warmth a plant needs to grow. On the one hand, it is kind of cool and very informative, on the other, however, I could not apply the water and warm fast enough and ended up killing the plant. It made me sad (yeah, really) so, eventually, I decided not to use it in class, either.

A post from Anastasia Bykova, which I found only after my own had been written. If you want to turn this story into a series of lessons, look no further. Lots of ideas for a classroom garden and a proper project – an animation film created with kids which is also available on youtube now. You can find it here. We are going to watch it next Friday.

Happy teaching!

Bête-noire aka my least favourite conversations.

by

Let me introduce you, dear readers. This is my Bête-Noire, a tiny little bundle of unhappiness.

View Post

Most of the time, it is fast asleep, lying peacefully somewhere in the attics of my heart, covered in dust bunnies. Until, all of a sudden, it is rudely awaken because I find myself in the middle of one of the following conversations…

And that’s not everything. There’s more, lots more. Sometimes there are no (silly) questions but what happens is a rather intensive listening / lip watching event, in order to evaluate my presumably low level of proficiency in English or to detect some serious issues with pronunciation which, potentially at least, could justify the VYL-ness or YL-ness of me.

Why? Who knows.

The funniest thing is that, usually, it is not the parents, the students themselves, the HR or the admin of the schools but our own EFL nation, the fellow teachers, the colleagues who initiate these threads in the conversation. And it is not even the trolling on the social media or remarks whispered behind one’s back, no! More often than not, these are the things that people just throw right into your face…They have just met you, you have just been introduced, they don’t know a single thing about you, apart from ‘Anka, I teach VYL and YL‘ and yet, here we go…

Although, really, it would be very easy to turn the tables and start asking questions such as those ‘What?! You are NOT teaching YL?’ or ‘So you only teach (insert any non-YL area of ELF)? Doesn’t it get extremely boring and repetitive?‘

Only of course, I would not do any such thing. Because it is rude and/or unnecessary…And, no, I do not want everyone to be passionate about teaching children. We all have our own preferences and areas of expertise, things that we like and things that we hate, things that we are amazing at and things we’d rather not do.

Guess what? People choose to teach kids.

It is 2021. Out there, in the big, wide world, there are fully-educated, native speakers or non-native speakers teachers of English, male and female, mums and non-mums, private language school teachers and state school teachers who choose to focus on and to specialise in teaching English to children.

Because it is… more interesting, exciting, creative, inspiring, rewarding, fun…Despite the fact that ‘you can’t really have a conversation with them‘ or despite the fact that ‘you can’t ever teach Present Perfect Continuous Passive‘.

Even as I type these words, I can see a long list of names, my friends, colleagues, mentors, trainees who I have had a chance to meet and to work with, people who are amazing professionals, able to work with any level and any age group but who have found their true calling in working with the youngest of the EFL learners.

Many of them have already build their professional portfolio and, on the way, have grown a thicker skin. Comments and questions, as those quoted above, annoying as they are, will not really cause much damage to the system. ‘Sticks and stones can break my bones...’and all that. These teachers will be able to come unscathed by casually mentioning the years in the classroom, the feedback from their students or parents or maybe also a DELTA, an MA degree, Cambridge exams passed, IELTS bands received, publications, conference presentations and what not. Thus signalling that there are some alternative conversations to be had. With some alternative interlocutors, perhaps.

These experienced teachers I am not concerned about. They are and they will be fine. More than fine, in fact.

What worries me is that somewhere out there, there are novice YL teachers or newly-qualified teachers or, indeed, some would-be teachers, having been exposed to this kind of narrow-mindedness, will get into thinking that an English teacher first of all has to choose only one area of specialism and that a choice between ‘a teacher of English to adults/exams/IELTS/Business’ and ‘a teacher of English to YL’ is also a choice between qualifications, professionalism, respect and the lack of them. Which it is not.

Dear colleagues, dear amazing VYL and YL teachers! Thank you for being in the world! Thank you for your enthusiasm, dedication, ideas, creativity and energy. Thank you for caring.

And don’t forget – you rock!

Happy teaching!

P.S. What a rant, hey?:-) If you want to read some more positive notes on being a VYL teacher, check out this post on the hidden perks of working with the little people.

The hidden perks of teaching EFL pre-schoolers

by
Author: Lisa, ca 2016
  • You will train yourself to be extremely well-organised. Never again will you forget to make a copy, to bring the crayons, to arrange the chairs or to pick up the realia from the teacher’s room. Why? Because once you enter the classroom and the kids come in, there is no going out, until the lesson is over. What’s more, all your toys and tools are most likely to end up in neat piles around the room, within an arm’s reach. One of the first things you learn in the VYL classroom is that there is never a minute to spare or, in that case, to look through the lesson plan or to search for the misplaced whatever. If it is not there when you need it, you just get on without it and make sure it is always there, in the future.
  • Apart from that, you will become very resourceful. No matter how carefully you prepare, things will happen and you will have think fast on your feet and come up of ways of making do without the CD player, the computer or the tablet, the glue or the storybook that got left in the bag. And you will, every single time and with time you will get amazingly good at coming up with last minute solutions. It will feel a lot like being about to do magic, actually.
  • You will become greener because you will find ways of recycling pretty much everything: milk cartons, chopsticks, ribbons, wrapping paper, pots, cereal boxes. Nothing will ever be thrown away. At your house and at your friends’ houses, too, possibly. Because as soon as they find out that you collect and recycle they will be bringing you things, including the unusual things that you will later try to use in class.
  • You will discover your hidden talents or believe in your so-far-unused talents for singing or drawing. Such a confidence boost! You will have to draw or sing at one point or another and what a revelation it will be to discover that those (little) people do not care which key you are singing in and they will just accept your involvement. As well as absolutely all your attempts at drawing a cat, a dog, a panda, a dinosaur…
  • Whether you were born with micro-staging skills or whether you have worked hard on crafting and polishing them, over every lesson with your preschoolers, eventually you are going to get there and you will rock at dissecting any random task or activity at a glance, down to the most minuscule details and, no matter how complex the task, your instructions giving skills and modelling will be simply first-rate.
  • You will enjoy any lesson with adults twice as much only because they: do not rock on chairs (even if they do, you are allowed not to care), they pick up the resources, flashcards, cards, notes and put them back together, with the paper clip on, they will not cry because there is only one pink pencil, they will open the book and find the page all by themselves, they will to the other side of the handout but they will still focus on the right page, they will not get irretrievably distracted by your earrings or by another student’s fluffy tiara…
  • You will learn that lesson planning should start in the classroom and with the students who are there, not just any typical 4-year-old beginners and not with the activities that the coursebooks authors intended for them. Typical 4-year-olds don’t exist and who turns up on Friday is Masha, Katya, Anya, Egor, Petya and Sasha. They are the lesson and if some pages of the coursebook are not compatible with the bunch in the room, these pages have to go. Good riddance.
  • You will quickly become a champion at devising a good plan B (or even a good plan C), to resort to in any given situation, an additional copy of the handout, a spare puppet in your Mary Poppins bag, a glue stick in the back pocket and, on top of that, three more ideas in your head. Just in case.
  • It is not going to happen automatically but once you believe and see that your little EFL students can go beyond one-word answers, beyond rehearsed and drilled lines and that they can use full sentences, complex sentences and can produce language spontaneously (because, yes, they CAN!), there will be no stopping you. Because if the pre-schoolers can, they absolutely everyone can! High five to the level of challenge!
  • Developing learners’ independence and involving them in the shaping of the lesson is something that the VYL do on daily basis. The kids learn to make decisions, choose their favourite games and songs and given the chance to be the teacher and lead the activities. This ‘democracy in the classroom’ (which I first heard about at the wonderful presentation given by Katherine Bilsborough) should be a part of the lesson with primary, juniors and teens. It really does work wonders!
  • A chance to forget about the traditional assessment in the form of tests, quizzes and standardised exams because the little people just don’t take part in those. Instead, the teacher can just focus on assessment for learning and start experimenting with all the alternative methods of assessment, better suited for the pre-literate, pre-school EFL students.
  • A unique opportunity to sing and jump and put on voices in the middle of the day and to forget about the world for a moment, about the mortgage, the heartbreak, the tiredness, the pandemic, about anything that is not the lesson and the students. Time out, for the teacher this time.
  • A new perspective on the world as you will be learning again to see the world from the height of 70 above the ground, getting lost among the pages of the book, forcing the pencil to stand still and to produce scribbles…Brand new world!

So here we have a resourceful, creative, green, well-organised, confident, calm, open-minded teacher who is great at giving instructions and planning student-centred lessons…Any student’s dream, right?

Happy teaching!

P.S. Here you can find another post on being a VYL and YL teacher…

Crumbs #15: Our new favourite vocabulary game aka General Kutuzov

by

As soon as I said it out loud, it turned out that in my classroom is a crowded place. Apart from the teacher (that would be me), my students (older and younger), there is a whole bunch of characters who simply are there.

There is Pasha (the invisible student), there is Angelina (our class puppet), there is Mr Milk (the little-known-superhero), there is the Flying Cow…And there is also general Kutuzov. To whom this game is dedicated.

The thing is, general Kutuzov is a personal hero of mine. Every time I find myself in the middle of a big project, with one million areas to oversee and to manage, while on the verge of going crazy (because I multi-task well only in the classroom and in the kitchen), I think of general Mikhail Illarionovich Kutuzov, one man managing troops, camps, provisions, civilians, and all that in the face of the approaching enemy (aka Napoleon). This thought calms me down.

But not only that.

We sometimes play games with my kids (duh!) and sometimes they get very competitive (duh!) and sometimes, instead of ‘just playing’, some of them take time to think, to ponder, to come up with some very clever strategies in order to win…Which, on one occasion, resulted in me saying ‘Oh, look, here is general Kutuzov, planning something’ and ‘General, Kutuzov, please, can you make a decision? Today?’

They giggled. They are eight but they got the reference. And general Kutuzov stayed with us. So now, when they want to comment on someone taking their time to think or someone coming up with a strategy, they call him or her ‘general Kutuzov’ which, to be honest, I am rather proud of.

And that’s what I called that game:-)

www.wikipedia.com

How to play?

  • The main aim of the game is to get from the START to FINISH, choosing your own route on the board.
  • Players move across the board and as they do, they have to explain the word in each box. They answer the question ‘What’s…?’ or ‘Tell me about ….’
  • It’s always good to put the key structures on the board, to support the production. In the animals game, with my A1 students, we used ‘It has got…(body parts)‘, ‘It can…(verbs)’, ‘It likes to eat…(food)‘ and ‘It lives in… (habitats)’.
  • Students play in pairs or groups of three per board.
  • Players move one box at a time, to the left, to the right, up, down or diagonally up or down.
  • Each box has a number of points assigned and the students collect the points throughout the game.
  • I give the kids small cards, folded, on which they are to write their points and to keep them secret until the end of the game.
  • In the end, each player adds the points and we announce who the winners are, in each pair and in the class.

Why we love it

  • The game generates a lot of language and it keeps the students motivated and involved.
  • It is a competitive game but you can win it not because of good or bad luck but because you plan your movements well.
  • It is suitable for mixed ability groups as the students choose their route themselves and can, if necessary, avoid using the words they don’t know.
  • We played it in our offline lessons but it can be also used online, with the kids annotating on the screen. It would work best with individual students, small groups or big groups playing in teams.
  • It depends only on the players (or their teacher) how long the game is going to last. Naturally, the kids will try to get from start to finish and as soon as one player does it, the game is stopped and the points counted. At the same time, the teacher can set the timer at ‘ten moves per player’ or, simply, stop it at any given point in the game (with the same number of moves per player, of course), announce the end and count the points.
  • It takes a few minutes to prepare and it can be used with any kind of vocabulary, a thematic set (lower levels) or any random set of vocabulary taken from a story or a listening task.
  • The first time we play it, the game is teacher-led and we play with teams of students, on the board but once they get the idea, they can play in pairs.
  • No dice is necessary. Kids can either use checkers or colourful markers to draw their route across the board.
  • I have played it with primary school students (A1) and with my B1 teens, too.
  • The game can easily be made more or less challenging by keeping only two types of boxes (1 and 5 points, for example) or by adding more of those (1, 3, 5 and 10 points) and the number of points can reflect the level of difficulty of the word or phrase.
  • Players can move in any way they choose, one box at a time, but to make it more challenging, the teacher can exclude moving diagonally or any other of the movements.
  • The same can be applied to the rule of using the same box twice. It can be allowed or not.
  • I have thrown my kids at the deep end but I think that if I were to introduce the game again, in a new group, I would probably create a board of boxes worth only 1 point to highlight the importance of strategic thinking here. The kids figured it out themselves, though: the longer the route, the more points (the kids’ aim) and the more language produced (the teacher’s secret objective:-)
  • The board can be colour-coded. It will make it more attractive visually and it will help the kids understand where to move next, for example: a green box = 1 point, a blue box – 3 points and a yellow box = 10 points. Having said that, the black and white simple chart with points works equally well.
  • You can get my animals boards here: the colour-coded board and the points board.

Happy teaching!

P.S. The inspiration for the game might have been a listening activity in one of the old coursebooks by OUP called ‘I Spy’ which had a listening activity in each unit called ‘the maze’. Maybe or maybe not))

Crumbs# 14 The United Buddy Bears Art Project

by
The United Buddy Bears in Sofia AD 2011

Welcome to my favourite art project: The United Buddy Bears. I first met the bears face-to-face (almost because they are 2 meters tall so face-to-face, eye-to-eye is not so easy to do) in Sofia because we all happened to be visiting the city in spring 2011. They were an art project back then already (since 2002 actually) but after our encounter they also became an EFL Art Project.

The United Buddy Bears: Brazil

Ingredients

  • First of all, if you have never heard about the project, start with this article on wikipedia or the bears’ own website.
  • A set of photographs of some of the bears that I use in a quiz. The students are shown the photos and they are asked to look at them and guess the name of the country. Naturally, the set should include the kids motherland.
  • Depending on the age and the level, the follow-up stage might involve describing individual bears, especially the bear representing the students’ country or symbols in general, as well as talking about the bears they like or dislike.
  • The main objective of the project for the younger students (primary) is to draw their version of the bear to represent their country. First, it might be necessary to brainstorm and to introduce the vocabulary and concepts that people normally associate with the children’s country. In case of Russia, it is especially interesting as it creates an opportunity for the students to learn that they already know many of these words, for example balalaika, borscht, matryoshka and they only need to learn how to write them in the Latin alphabet. Then, the students decorate their bears using the template provided by the teacher and, eventually, present their bears to the group.
  • The older students are invited to design a bear that represents them. It can be a bear that will show their hobbies, personality, favourite sports, school subject or a band, or, really, any concept that they consider important. The sky is the limit here. The students present their bears to their friends, ideally in a mingling activity.
  • The templates can be taken from globalperspective.info, clipart-library.com or just teach the kids how to draw it.
  • In the end, all the bears are proudly presented on the walls of the school or the classroom.
  • In both cases, it might be necessary to start drawing and decorating in class, to make sure that everyone is on the task but to set the task for homework, with the presentation scheduled for the following lesson. Some students might need more time to complete their drawings or to prepare their presentation and that might help to solve this problem.
The United Buddy Bears:Poland

Why we like it

  • It works like magic. Or almost. Some of the bears are easy to interpret, some of them require a bit more of background information but this way they can serve as a springboard to learning about different countries. The set of bears used in the quiz can be easily adapted by choosing the more straightforward bears for the younger students.
  • Regardless of which project you choose, the students get a wonderful chance to personalise the content, either because they will be drawing to reflect their own interests and hobbies in the bear or because they will be creating their own version of the Russian bear. It is a very happy coincidence that the Russian bear (or the first Russian bear because later I did find some other versions) is rather ugly. As a result, all my students with whom I have ever done that project, all of them without exceptions, were deeply offended that it is supposed to represent their country and were more than eager to create their own, better and more beautiful bears. The one you can see below is the more beautiful, later version of the bear.
  • It can be adapted to different levels and age groups. I have done it with elementary primary students and with advanced teenagers.
  • It is an opportunity for the students to express themselves, to create and to produce the language.
  • It can be used to supplement the coursebooks and it can be done as a part of the extra-curricular programmes such as summer camps, CLIL etc.
The United Buddy Bears: China

Happy teaching!

The United Buddy Bears: Russia (the beautiful one) from www.buddy-baer.com