This started as an activity for the CLIL lesson devoted to space and Yuri Gagarin but after I published it on Instagram, one of my friends suggested that it might be a great idea for the end-of-year revision activity. And it is that, indeed. Thank you, Rory!:-) Hence this post.
Ingredients
An A1 piece of paper although, to be perfectly honest with you, it never is that. Every time I have made any murals (and that’s what this activity really is), the preparations started with a pile of A3 sheets of paper, a roll of scotch or a glue stick. It is easier and faster (no shopping trips) and more adaptable (because the teacher is in charge and the poster can be made bigger or smaller, depending on the size of the group or the theme of the project).
Creative materials of your choice – pencils, markers, finger paints or watercolours. This time we used markers, in my opinion better suited to the age of the kids and the task.
A place where all the students can draw simultaneously. In my classroom, we use the space in which we normally do the movement activities because we have a big carpet there and it is always a lovely variation to our everyday routine, both for the little kids or the teenagers that like visiting another classroom from time to time. A big conference table or a set of desks put together will be a great solution, too.
A decision as regards what language, vocabulary and structures, you are going to focus on in the task. In the original task, we created our planets with all our favourite things, our favourite number, colour, food, drink, animal, transport etc.
It is necessary to stage the activity carefully. The kids sit down on the floor around the poster, the teacher draws the sun in the centre and counts the kids and then draws one planet for each child around the sun. In the first step, each child chooses a marker and writes their name. Then the teacher ‘dictates’ the first topic and the kids draw it and say what they are drawing. In my classes, we use the song for that ‘What’s your favourite colour?‘ by Super Simple Songs and its variations because it offers the question – answer set (‘What’s your favourite…?’ ‘I like….‘). For some kids it is necessary to sing, some are better prepared to respond to questions without the support of the music. The teacher waits for everyone to finish each stage and the fast finishers can be encouraged to draw more than one item, to look at other students’ drawing, react to them (‘Do you like…?’) etc.
Round-up: If there is time, the students stand in a circle around the poster, first at their own planet and then, on ‘1..2..3! Let’s fly!‘, they move one planet to the left. Everyone reacts to what they can see on the new planet, for example ‘I like…‘ This stage can be repeated a few times, depending on the time available. Afterwards, the poster is displayed on the wall. It can also be used as part of the presentation for the parents in the following lesson.
Why we love it
First and foremost, it is a great project for the whole group and it really does contribute to building the community and that is because of the fact that we all sit around one big piece of paper and because of the concept of this activity – a solar system of which all the students and the teacher are a part.
It might be especially suited as the first project work for a pre-school group as everyone has a chance to contribute to the project but it is automatically clear that no one can take the final product home, as first of all, from the very beginning it is obvious that there is only one copy, that it is too big and that all the planets stay a part of the system and cannot be separated. Frequently, this issue can be the biggest problem with the project work for the youngest of students as they become attached to their creations and the first question they ask is ‘Anka, but can we take it home?’. Not this time.
The activity itself in its original version is very flexible as its timing will depend on how long the children are interested. Perhaps only three elements will be included, perhaps ten. The format of the activity also helps with staging as the children do not know what is to come and will not start going ahead of the group.
The song format helps to encourage the kids to actually produce the language, especially that in our case we used this question-answer set beforehand so at the time of this particular lesson, the children were already used to it and used to responding to it.
It can be used with all age groups and levels as the language content can easily be adapted either to more complex ways of discussing favourite things, drawing their own planets to practise the vocabulary of the natural world (with a more extensive presentation at the end of the project), creating a planet which is a symbolic representation of each student. For the older students, the planets can be filled in with words, rather than with images.
They are growing up. My students are no longer the little babies they were when we said our first ‘Hello!’. Six years is a long time, after all. And because they are changing, the lesson is changing, too. I like to think that, in a way, we are growing together.
An example? For five years and five months my students would wait for me outside of the classroom, in a neat line and we would check the homework and have a little chat, 1-1, with them slowly entering the classroom (more about it here). Well, not anymore. Two months ago we stopped. For good.
Because it turned out that, all of a sudden, the kids like to be in the classroom before the lesson. The choose their seats, take out their books, draw on the board or show each what they do in Maths classes at school. They also like to hide to surprise me (if I happen to leave to get some water or flashcards), walk around to inspect what I prepared for the day or just sit down and read they books.
And because over those six years we have managed to establish what’s OK and what’s not OK in terms of behaviour and because they have grown up and become more mature, I just let them do it and take over the classroom during the break. Plus, let’s be honest, they seem to be enjoying it a lot and I just don’t have the heart to forbid them and to continue to impose lining up.
Instead, I had an idea: how about a before-the-lesson activity for the early comers? It turned to be a very good idea indeed!
Ingredients
A whiteboard and a set of markers.
An activity that can be prepared on the board before the lesson for the students to work on potentially unsupervised (although in real life it differs, depending on whether I can be in the classroom during the break or not)
A set of easy instructions written on the board and an example
A longer break before the lesson – not obligatory but highly recommended
It might be necessary for the teacher to hint that there is something on the board that needs dealing with, at least when this part of the routine is introduced. It is quite likely that the kids would just not approach the board if there are any notes on it.
Ghost letters, focus: pronunciation. Students underline the silent letters in the words written on the board
Letter snake, focus: reading / writing. Students divide the chain (or a snake of letters) into words. Each snake can be made as challenging as necessary ie only the words themselves, the words with letters-distractors, the words in a sentence.
Letter stories, focus: reading/ writing. Students divide the very long chain (or a snake of letters) into words and sentences. I used a different colour for each line of the story and neat breaks between the lines, too, not to overwhelm the kids. Forgot to take a photo:-(
To rhyme or not to rhyme, focus: phonemic awareness. Students put the rhyming words into pairs. Again, colour-coding is supposed to be make is a bit more achievable and visually appealing.
Messed-up, focus: vocabulary revision. Students put the halves of words together.
Angrams (and Secret Messages): These are just silly anagrams which are a nice task, more necessary for the Starters students but fun for everyone. It can be a set of random words, connected by the topic (or not) or sentences, especially if there is an especially important message that the teacher needs to pass on to the students. The message below appeared on the board before the second lesson with the mock Movers test, in an attempt to praise the kids and to motivate them. It worked!
Why we like it
Those who come early can wait for the lesson doing something in English.
They provide additional practice and revision in different areas and skills: reading, writing, vocabulary, pronunciation
Different kids come early on different days so they get to work in different pairs and teams which seems to strengthen the sense of community in the group
It seems to have become ‘fashionable’ to arrive early for class (not that it has even been a problem) but it is obvious that they have already developed the habit of walking in and checking what’s on the board
The teacher is applying all her creative powers to come up with more and more pre-lesson activities
‘Symbolic representation – making something stand for something else’*
Symbolic representation, its importance and development in children are a truly fascinating topic and one of the crucial ones to anyone who works with the little children.
Tina Bruce’s definition of symbolic representation has become the title for this paragraph and that means that absolutely anything can become a symbol of something else and being able to read these symbols is an important step in child development.
Symbols are everyone around us. Some of them are universally recognised such as mathematical symbols, musical notation or the letters of the alphabet, some are personal. While growing up, children are learning to differentiate between the symbol and the real object, they learn to recognise, learn and, eventually, to create symbols.
Examples? Imagine a cat, a black beautiful and soft murmuring creature. Now, imagine a flashcard of a cat. Obviously, as adults we have no problems differentiating between these two and understanding that the flashcard, no matter how realistic, is not a cat and that it only represents it. We can even take one step further and look at ‘CAT’ written on the board also understand that it is not the cat itself, only its symbol. Or that when we move one of our hands in the air (with the fingers spread apart and crooked a bit), while saying ‘meow’, we also want it to represent a cat. Although we are not the cat ourselves. One more step would be going in the direction of what the cat or the black cat itself might represent…
It is basically the development of abstract thinking. Why does it matter to us, the teachers of English? Well, there are a few reasons and a few immediate uses in the classroom.
Flashcards…
This is probably the easiest to highlight and, at the same time, the most obvious way in which the symbolic representation and its development influences our daily life in the classroom.
Flashcards are the staple resource of a VYL and YL teacher. We can bring toys into the classroom or plastic fruit to introduce and practice vocabulary with them but it is not possible with all the topics. Sadly, we can never have a real elephant or a real princess in the classroom, sadly, and for that reason we have flashcards. They help us work with the language as they are not only easy (or relatively easy) to obtain but they also help use the language and the variety of channels: visual (as they are colourful and pretty), kinesthetic (because we can manipulate them) and auditory (with the language produced by the teacher and the students).
However, there is the question of what exactly we want from the flashcards. They should be colourful and durable and visually appealing but they should also clearly convey the concept, not to confuse the children. The situation is much better nowadays, the materials that we work with are of a much better quality but you can still find a few ‘gems’ that should have never seen the daylight. I am collecting those and perhaps I am going to share with you my most precious finds (or rather ‘finds’).
It is a fascinating thing to be producing the flashcards to represent a less obvious concepts for example adjectives.
These first two are very straightforward, a frown is easily associated with ‘I’m sad’ or ‘sad’ and thinking of food with ‘I’m hungry’ or ‘hungry’.
The other two were a bit more challenging but I did assume that an owl is considered to be a very wise animal and it is often used in such a way. That is why we have also adopted it in our class. The other was even more challenging but I assumed that kids (or not only kids) often cover their eyes when they are scared and don’t want to look at what frightens them (although they sometimes peek through the fingers nonetheless:-). This is how we have ended up with these two symbols for ‘I’m clever’ and ‘I’m scared’ (or ‘clever’ and ‘scared’).
But things got really interesting and challenging recently. I needed a flashcard for ‘It’s scary’ (or ‘scary’) because we are in the unit of pets and animals and we learn to describe them, including what they like to eat, what they can do and what we think of them.
I already had a flashcards for ‘I’m scared’. For a moment I was considering using an image of a monster but those nice ones were sweet and funny and those that were really scary and illustrating the concept well, they were just too scary, even for me. In the end, I decided to go for a spider (as most kids don’t like them and I hate them so my reaction to them is always very real) but I covered it with a flap. My reasoning was that if something is scary, we don’t really want to look at it. So far it works well. And my kids love to pull off the flap while telling me that it is NOT scary.
Gestures
The gesture is king! By adding gestures while teaching kids vocabulary or structures, we multiply the number of channels through which the kids are operating (visual – with flashcards, auditory – the words spoken and kinesthetic – through gestures) and we help them remember and recall the language with more ease.
It does not really matter if we use gestures (or symbols) that are universally recognised. It is an advantage if we can, of course, but I doubt that any culture has a gesture ready for the vocabulary that you are studying at the moment, for example ‘It is snowing’, ‘it is windy’ or ‘a clown’, ‘a doctor’, ‘a princess’. It does not really matter, though. The English classroom is a sort of a bubble, a mini-universe where its own rules apply. It is almost natural that this world will have its own set of symbols or gestures.
I have already committed a separate post on different ways of using it with preschoolers learning English as a foreign language. You can find it here.
Vocabulary and structure or How to teach grammar to preschoolers
Symbols and their application can be especially useful while teaching grammar to preschoolers. First of all, taking the students out of the one word production world and into the phrase- and the sentence- or perhaps even the discourse-level is a challenge all by itself. Our EFL students have a limited class time (unlike the bilingual or the ESL children) and a limited exposure outside of the classroom. Second of all, pre-schoolers are indeed very young and their cognitive skills and the ability to deal with abstract concepts (such as grammar) are limited. Last but definitely not least, they are pre-literate in English and the structure cannot be just presented to them using the written word. Primary children, who learn grammar but depend heavily on the context (which is an advantage and a source of support), still receive the basic form of the target langauge on the board or in the coursebook for example ‘I like…’ which helps them remember the key structure and which supports production.
For that reason some other solutions have to be found and, at least, for me and my students relying on symbolic representation has been a life saver.
It started with a heart, you could say. I needed a symbol to stand for ‘I like’ and ‘I don’t like’ and at first I went for something resembling a face of a child that might be saying ‘Yummy’ but when I brought them to school, my students looked and said ‘happy’. Not good at all. The distance between the symbol and the real thing was too long and our new symbol resembled another symbol too closely. This is how we ended up with a heart – a coloured-in heart and a crossed heart to stand for ‘I like’ and ‘I don’t like’ respectively.
We use them together with the food, pets or colours flashcards and they simply work wonders. Both main components of the sentence are represented here visually, it is easier to remember them, to produce and reproduce them and they can be manipulated physically, too, as each of the students can have their own heart, double-sided. The heart can be put on the flashcard face up or face down depending on how the kids feel about it. It can be also held up, show the other students ‘the right side’.
It is amazing to see how quickly students accept this particular symbol and how effectively they use it. It is even more amazing to witness how they try to adapt it to the situation to make sure that they express their opinion and that this opinion is also reflected in how the symbol is used. In one of my groups we were using it with more complex food items and one of students said that she didn’t know whether she liked steak or not because shed had never tried. After a brief moment of hesitation, she decided to hold the little cardboard heart side-ways (or edge-ways) so that it expresses neither ‘I like’ or ‘I don’t like’.
Another way of applying symbolic representation are the mini-emotion flashcards which we use to describe the feelings of others. These are quite small, small enough to fit on the character or family flashcards and to make it for almost ‘real’ experience when ‘mum’ looks really happy or sleepy or hungry.
These mini-cards can be used in phrases ‘a happy princess’ or in sentences ‘The princess is happy’ and the position of the card will reflect the change in the phrase ie if the card is on the left of the flashcards it reflects the position of both words in the phrase in which the adjective comes first. If the mini-card is on the flashcard (for the purpose of realism and fun) or on the right we produce a full sentence in which the noun comes first, followed by the verb ‘is’ (the only part that needs to be remembered and which can be represented by a gesture) and by the emotion.
Unfortunately, it is not always easy to find a suitable visual symbol for each structure we teach but it does not necessarily have to be a picture, gestures will work equally well. For example for ‘I’m wearing’ I motion my hand from my neck down to point at the clothes and for ‘I can see’ I tap my finger twice on my chest (for ‘I’ and ‘can’) and then point at my eyes ‘(‘see’).
I think it can be safely said that I am (slowly?) adding symbols to my collection. Plus, it is fun to make the ghost scared, for once and this lesson always puts me in a better mood.
And then there are letters, too!
Letters and alphabets or any writing systems are a fascinating set of symbols and, eventually, children get to know them, in their L1 and in English, too. When they are ready. This is an adventure that deserves its own post (or, indeed, a series of posts), soon, especially that when we take the first steps in the world of the written word, it is with a background in another alphabet and another set of symbols, some of which are the same, some of which are different and some of which are false friends because they look the same but they represent different sounds.
Developing literacy skills is as much a challenge as it is fun. Especially that children as young as four and five comment on the fact the English ‘Pp’ looks exactly like the Russian ‘Rr’ and that ‘Ww’ turned upside down turns into ‘Mm’ (well, at least the capital one). Or that ‘Xx’ is a Russian ‘Hh’ or ‘A cross, Anka! It looks like a cross!‘
More on that later.
Kids grow up…
Of course the use of the symbol in the EFL classroom is not limited to pre-school, only later on the symbol is not an essential component (at least in my head) but a pleasant supplement that makes things fun, colourful and a bit easier. Examples? The ghost in the cover photo which we use with my primary kids to stand for the silent letters that started to appear everywhere in our A1 materials or the gestures that we used while learning and practising some basic adverbs of frequence: always (5 fingers – 5 days a week), usually, sometimes and never.
Happy teaching!
*****
If you are interested, make sure you have a look at these:
Symbolic Understanding in Infants and Young Children, a lecture by Dr Judy DeLoache (2013)
Symbolic Understanding in Infants and Young Children, a lecture by Dr Stephanie Carlson (2013)
Tina Bruce (2005) Early Childhood Education, pp 105 – 125
I have no idea how I found myself in that mode, a bit like Alice who fell into the rabbit’s hole and kept falling. And reflecting. That’s me now.
Maybe because we are making a full circle in the online-covid-offline-rapid changes-uncertainty-new reality? Maybe because I started to run again and when you run, your brain wanders and comes back with ideas? Or maybe I took part in Anita Modestova’s series of interviews EFL Around the World and was invited to reminisce and to reflect? Maybe all three. Maybe none of them.
Teachersand foreign languages
…and among them my first foreign language teacher who was not even a teacher of English. My first foreign language was Russian. From the first ‘здраствуйте’ (zdrastvuyte), it was like this new world, that you could enter through some, until then unknown words and a completely new set of letters. I don’t remember much about the lessons, I could not comment on the methodology and activities or even the coursebook. But I do remember my teacher, miss Janina, who was the first language magician and it was thanks to her that I did fall in love with Russian. Love at first sight.
Among them is also my first English teacher, miss Ewa who put together a most random group of kids of all ages, when the lessons of English were still a rarity and a luxury. There were no coursebooks for children so we used what our teacher could find and share.
Such as? Such as a magazine for kids, Mishka, made in the U.S.S.R, teaching the kids around the globe about Snegurochka, Baba Yaga, A.S. Pushkin, Red Square and what not, which was published also in English. Today, it makes my head spin, but back then, as a beginner, I was ploughing through and the unabridged text would not stop me because I was in love with the language. Again. We set me off and then we met again in the final year of my high school, to prepare for our A-levels and to help me get to B2+ level.
Mis Ewa was a strict teacher but a fair and inspiring teacher. In her lessons, every single minute had its own purpose and it was used effectively. Once you experience that, there is no going back.
History?
It is actually a beautiful coincidence that almost all my school History lessons, from the middle and high school, seven out of nine years, took place in this very same school and in this very same classroom. With me sitting on the very same chair. Probably.
It was in this classroom that our teacher, professor Janusz Merchut, a real maestro, taught us about the past. His were not lessons, but a performance and I still remember how quiet the whole class were, how focused. We did not listen, we lived it. Maybe it was when I got spoiled and started dreaming of lessons with a few grains of magic, lessons that are not a lecture but an experience.
In the same classroom, a few years later, I met professor Krystyna Kradyna and a new adventure began. Naturally, we did have coursebooks and the curriculum objectives to meet but these were just an idea. It was the time of change and transformation and there were many, many things that were yet to make it to the coursebooks. She introduced them and she did let us think and talk about them.
EnterHieronymous Bosch
There were two other people that I do think about when we talk about ‘My teachers’, both of them my university professors. University of Wroclaw in Poland was my first Alma Mater during the very special five years of my MA in History programme, a long time ago, in the pre-EFL life.
Dr Piotr Oszczanowski appeared in our lives for two terms because, apart from all the obligatory subjects, we were eventually given a chance to choose a few optional modules and one of them was the History of Art. Initially, there was a lot of ‘whatever, let’s take this one’ rather than an informed decision but the best thing since the sliced bread.
Today I would say that dr Oszczanowski knew his subject and had an amazing teaching personality and classroom presence. That he engaged his students very effectively throughout the entire lesson and the entire course. But this is me, a teacher trainer at work, today. Back then, I just loved being in his class and so did the rest of the group.
He taught us how to look at art and how to read it. And it was not the case of getting the one correct answer, and memorising facts. There were different interpretations and ways of approaching the topic. Our second term was devoted to the history of art of Silesia and we spent our class time out and about in the city, looking the past in the face. Plus, we were allowed to choose what we wanted to be assessed on. For me it was Hieronymous Bosch.
‘Miss Zapart, I have no idea about jazz but this is a good topic. Go.’
….is what my tutor, professor Stanislaw Ciesielski said during the first class in our 4th year when we met to discuss our MA dissertations in modern History.
Professor Ciesielski probably sighed when he found out that he would be taking care of us since we were an inheritance from another teacher who had left.
We, on our part, we did panic because people had been saying things and it was not panic the type of a storm in a teacup, it was panic the size of a proper hurricane. Professor was said to be very strict, very accurate, very serious, a great scholar and a great brain and, in general, a force to be recognised. With time, we learnt that all of it was true but these were exactly the things made us respect him for and, really, feel extremely lucky that we were thus ‘inherited’.
I mean, it was not a bed of roses. Professor was tough and there was absolutely no way of cutting any, even the tiniest, corners throughout those two years of my research and dissertation. The job had to be done. Not getting things done was not an option. The very thought of not getting things done was not an option. It’s not that he would shout or get angry, he was the calmest person ever. You just did not want to disappoint him.
We were made to work hard but Professor was with us every step of the way, supporting and guiding and no wonder that we got great results. I also personally got spoilt for years to come as regards the role model for mentor and supervisor, strict but fair and supportive every step of the way. No idea if professor Ciesielski read about Vygotsky and the Zone of Proximal Development but he rocked it.
Coda
Today, I only wish, I could travel (or travel back in time) and return to all these classrooms to say ‘thank you’ and to tell my teachers that they did an excellent job and that they did inspire.
Does it mean that I was the one happy child in the entire universe who was taught by the amazing teachers only? Ha! Of course not. There were teachers who made me cry, who humiliated me, who shouted at me, those who made me scared or very angry. Teachers who hated their job, those who were unfair and those who simply wasted my time. In some cases I knew it back then, in a few other cases, I realised it only when I became a teacher myself.
Alas, all these will remain anonymous, although, I guess, I should be grateful, I had a chance to learn ‘What not to do’ and this counts as ‘experience’, too.
This is the second part of the post. The first episode can be found here.
A huge part of the everyday inspiration are …
…my students. There is reading, there is research, there is the continual professional development, webinars and conferences presentations and the conversations in the teacher’s room, all of it very useful. The real source of power and of inspiration is the classroom and the kids in it.
If they are not an easy group, that makes you start planning with a sigh and enter the lesson with taking a deep breath (or a prayer), you will be looking for solutions for your problem and sometimes you will end up successfully reinventing the wheel and taking the game to the next level. They might also be a teacher’s dream and, because of that, you really want to go ‘bigger, better, faster, more!‘ and you create, re-create, experiment and, again, become some EFL Gagarin.
I don’t remember the names of all the kids (and all the adults) that I have thought over the years but the thought that there have been at least two thousand of them in Poland, Italy, Spain, the UK, Brasil and Russia does put a big smile on my face. I would like to think that all of them did learn something with me but I know that I have learnt a lot with them and because of them. My state school kids, my summer schools students, my IELTS students and my Business English engineers, all of my pre-schoolers and all of my teachers in training.
Why? Because sometimes, when I ask for feedback and I ask ‘Did you like the lesson? Why?’, I get back real treasures, such as ‘Yes, because I am not scared anymore’ from one of my teens (there must be a post on that story) or ‘Yes, потому что тут Анка’ from my primary. (Yes, because of Anka).
That is more than enough to motivate me to make an effort next time but I usually say is ‘Great students make great teachers’. I really do believe it.
The everyday support aka ‘On the wall in the office’
It might make me look like my teenage version of me, with a bedroom wall all covered in posters. Thankfully, the pop music posters (Europe and Limalh, my dear Lord) gave way to Hieronymus Bosch, the photos of Land’s End and the map of the UK. The huge Trainspotting poster was added a bit later. The thing is, I do like to have something to look at, ‘My favourite things’, in one interpretation or the other. This is how these five end up on the way, all my private superheroes, the source of inspiration.
Batman, the only real superhero here. He is my favourite one because he is ‘only’ a human, without any accidents and mutations, he saves the world only because he’s got access to lots of resources. I mean, he is ridiculously rich but still – a human with appropriate tools. A role model number 1.
General Kutuzov, a field marshal of the Russian Empire and the hero of the Battle of Borodino. During all the teacher training courses and projects that require lots of multi-tasking (which I hate to bits), I do find myself staring at the picture of Mikhail Illiaryonovich, thinking of the troops management, provisions management, morale management and whatever else general was obliged to take care of. Simultaneously.
Leo Semyonovich Vygostky or, simply, Leo. I cannot think of any one that had a bigger impact on what I think about teaching and education. The more I read about him, starting from comments and references in other sources, to articles by Vygotsky scholars and followers, and to Leo’s own papers which I am still going through, the more I agree. Reading and repeating ‘Yes, absolutely!’ or ‘I could not agree more!’. Literally. Because of the conviction that every can, with appropriate support, because of the role of the teacher who is only supposed to be the lighthouse, not the leader, because of the attitude to the level of challenge. I am in love. Plus, we are almost birthday twins with Leo. Which is random but kinda cool.
There is Yuri Gagarin, too, of course. If you ask me, ideally, there would be Yuri on every wall in every classroom. He is on mine, too. And there is Zima Blue, the creator. If you are not familiar, look up Alastair Reynolds or Life, Death and Robots.
The other side of the coin
The superheros have been on the wall for a few years now. When I first took a photo and showed my friend, she said ‘There are only guys, here. Where are the women?’
At first, I just shrugged it off. I didn’t know why. But the question stayed with me and it was bothering me for days on end. Until I finally figured it out and sighed with relief. The answer is actually quite simple, ridiculously simple. As simple as it is beautiful.
I don’t have any photographs of inspiring women on the wall above my desk because they are all real women that I have a pleasure to know and to have in my life. All the photos are in albums or in folders on the computer. And when I need inspiration, I just talk to them. That’s how blessed I am.
There are a few great mums here, some stars who make the world a better place by helping people, a few teachers, a few translators, a few chefs, a few Leos, a photographer, a biker, and a creator.. All of them are strong, intelligent, funny, beautiful, creative, or, in just one word: amazing.
Also, represented here by some random trinkets. Some of them, at least.
Thank you, thank you, thank you for being in my life.
P.S. It was easy to write these post and it took a lot longer than I had planned. As soon as I finished, I started to be bombarded with thoughts of my teacher trainers, supervisors, colleagues, family members, writers…In one word, enough material for two more posts. I think it is better to post what I have ready now or else this post will never really happen. But, as Terminator used to say: ‘I will be back!’ And on that note…
Really, the whole story is between me and a pair of blue, three-year-old eyes. The world around does exist, of course, and the world around is watching, with curiosity, but not really participating.
‘Spider’, I say.
‘Spiderman’, he says.
‘Spider’, I repeat, pointing at the spider flashcard.
‘Spiderman’, he repeats, as if not noticing.
‘Spider’, I say, yet again.
‘Spiderman’, he says and, I’d swear, he nods, too.
***************
The blue eyes belong to a little Sasha who is quite young, true, but who feels empowered and a lot more confident than any other typical three-year-old might have been in any relatively new environment. It is because this little Sasha never walks alone, he has his older sister as the source of his superpower. He is pretty much fearless. That is why he gets into this, well, debate.
The conditions are perfect. It is a warm May afternoon, the summer is round the corner, and the audience are waiting for some entertainment. After all, the parents have come to see what the kids can do and what the teacher is teaching them. Everyone is present, all the children and all the parents. The teacher is there and even the trainee teacher. Who could have wished for more?
Sasha is not doing it on purpose. One of the most important words in his life now is ‘Spiderman‘ and it does resemble something that the teacher is saying. It feels like a cool game to recite it, together with the teacher, well, almost ‘recite’ it. Sasha continues to play.
He doesn’t see how the world freezes waiting for any reaction. He notices that his teacher’s face has become a bit tense but he does not think that it might have anything to do with the new game. He wouldn’t know that the teacher’s blood pressure is slowly going up because of what is happening and what is happening is this: a student making a mistake and the teacher not correcting him, fossilising the error for the years to come and this little boy confusing the little eight-legged creature with a superhero.
It might be that the parents have not even noticed or realised. It might be that the parents have found it to be funny, too. In the teacher’s head, however, the world is crumbling and the teacher is failing, despite all her experience.
Ideally, the teacher would have just waved two flashcards to illustrate the difference. Only, of course, there were no Spiderman flashcards just lying around.
***********
‘Now, Sasha, spider – Spiderman’, I say. Again.
‘Spiderman’, he says, smiling, probably thinking that I have finally managed to learn the right word. I smile, too.
‘Sasha, listen. Spiderman is a boy. Yes or no?’, I say.
‘Yes’, says Sasha.
‘Mhm. And Spiderman is big or small?’ I ask.
‘Big’, said Sasha, looking at the teacher with curiosity.
‘Right’, I say. And then I ask, raising the spider flashcard. ‘Is THIS big?’
‘No’, said Sasha.
‘Is it a boy?’ goes the next question.
Sasha looks up from the flashcard, he looks at the teacher and smiles.
‘No’, he says, and you, know
‘No’, said Sasha and, you know, the teacher would swear, something sparks up in Sasha’s three-year-old eyes.
‘Exactly. Look. Spider – Spiderman’, I say, once again pointing at the spider flashcard, also adding gestures ‘small’ and ‘big’ ..
‘Spider’, says Sasha, pointing at the flashcard. And then he adds: ‘Spiderman’
***********
Victory? Probably. A memorable moment? Absolutely.
In hindsight, also a bit of revelation that a little adrenaline rush and, all of a sudden, it turns out that it is possible to use CCQs, concept check questions, with very young pre-schoolers who are somewhere in the pre-A1 level. I had never thought it would be possible but, hey, there you go. When there’s a will, there is a way? Aka the games my brain likes to play.
What can you see in the photograph? Oh how I wish I could hear your thoughts and all your ideas, dear reader!
It does look pretty messy, doesn’t it? This is what I call ‘real life’.
Imagine this, I have just come into the office on the day of the training (which is not quite ready yet, not this one, the week must have been a real hell so although the ideas are there, the presentation itself is NOT, not panicking yet, but the adrenaline levels are already up) and I have just taken ‘everything I need’ out of the bag: books, notes, some copies and A LOT OF FOOD (typical). I am about to start planning. Having looked at what my desk has become, I decide to take a photo of this beautiful mess that soon will (I know it now) turn into a great seminar session.
I have decided to use this photo because it is a pretty accurate visualisation of what happens on some days when I plan my classes and to follow it up with a few words on what happens next and how I get from this havoc to the end-of-the-lesson happiness.
Based on the lesson with my ‘adult’ preschoolers a week ago.
The ‘theory’*)…
Step 1: Make a decision what your main aim is. Try to verbalise it and even write it. It really does wonders for the awareness of what you, as a teacher want from the lesson.
Step 2: Make a decision what your focused task is. ‘Focused task’ is the concept that we use at my school (and have used for at least 15 years) and it refers to the main activity of the lesson in which the students get to produce the language and the activity which is the culmination of the entire lesson. All the activities in the lesson lead to it, to some extent, just like all the roads lead to Rome.
A while ago I realised that this is the approach that I am using in all my lesson planning, for all the age groups, levels, for teaching and for teacher training, too.
Step 3: Consider the materials available (mostly by looking at what the coursebook has to offer) and whether they contribute to your aims and your focused task. If not, you will need to adapt them or design new materials.
Step 4: Think of the activity that is going to be most suitable for your materials. It is like differentiating between a tool and how you are going to use it.
After all, there are plenty things that can be done with a hammer (materials), such as putting in a nail to hang a picture, breaking a window, smashing a walnut open, stirring soup (activities) and so on. Some of them are more or less appropriate, of course. The same applies to the flashcards, boardgames, handouts and what we are going to do with them.
Step 5: Take a moment and go over the activity in order to make decisions about staging. What are going to be your baby steps within the activity? whenever we do something for the first time (regardless of whether it is the first time for me or the students), I like to make an effort to actually write the main stages, even if in a very simple form, a sequence of infinitives.
Step 6: An additional step: a homework task. It might not be always possible or, rather, sometimes it might involve a lot of work as regards material design or adaptation. To put it simply, not every teacher will have enough time or energy every single time, with all the lessons taught in a week but a homework task that is an extension of exactly what happens in the lesson and creates an opportunity to continue practising the same language or structures at home, with parents.
….and the practice. Our lesson last week.
Aim: For the kids to start describing school objects and the objects in the classroom, using full sentences such as ‘It is a blue pencil’, with the focus on colours and some simple adjectives. The kids are 5 and 6 and in the beginning of their third year of EFL.
Focused task: A game in which the kids will be guessing the secret word depicted in the cards, producing full sentences instead of questions as we have done so far. The kids will be saying ‘It is a blue pencil‘, ‘It is a red pencil‘, etc until they produce an accurate description of what is shown in the picture which they cannot see.
Materials: There is nothing in the book that could help to achieve the aim. There is one practice activity but it focuses on reading and the students are only taking their first steps in the world of the early literacy. A decision is made to design the materials. Yay.
The materials are a set of cards, 7×7 cm, with clip art pictures on them, coloured-in by hand. There are three types of cards (a pencil, a schoolbag and a rules) and six variations of each, in six different colours.
The cards must have a specific size for the kids to be able to manipulate them easily. They cannot be too big (the ‘secret’ will be difficult to keep and the regular A5 flashcards might be not comfortable enough for the little hands) and not too small (as they will be too flimsy and are likely to be ‘spilled’). It might be a good idea to keep the cards in an envelope to add one more layer of guarantee that the technical bits don’t get in the way of the successful playing of the game.
There are only three types of cards in order to make it achievable, at least when the game is first introduced. Later on, when the kids feel familiar with the concept of the game, more objects or more colours can be added.
Activity: The activity itself is a simple guessing game of two stages. The teacher chooses one of the cards, keep it secret, say ‘What’s my secret?‘ Stage 1: students guess which of the three objects is depicted on the card. They say ‘It is a ruler’ and so on, until they guess.
Once they do, the teacher confirms and asks the following question ‘What colour is it?‘. Students continue guessing. They produce the sentences such as ‘It’s a blue pencil‘, ‘It’s a green pencil‘, until they guess. To help them remember the full structure, teacher counts the parts of the sentence on her finger.
Staging
revise the vocabulary with the regular flashcards
show the kids the game cards
elicit the full sentences (signal withe the fingers), while flipping through the cards: ‘It is a green schoolbag’, ‘It is a yellow schoolbag’ etc.
mix the cards, to choose one and keep it close to the chest
say ‘What is it?‘ and peek at the cards, secretly and suggest a possible (wrong) answer.
wait for the kids to start guessing.
keep showing the fingers and counting parts of the sentence as the students are producing the language, developing the habit of answering in full sentences.
confirm when the kids guess the object in the picture, praise the student who guess and all the students
say ‘What colour is it?‘, peek at the cards, secretly and suggest a possible (wrong) answer
wait for the kids to start guessing.
after a round of two, the kids take over – call one of them out and ask them to sit on the teacher’s chair, choose the picture for them (to save time, especially in the first lesson) or let them choose the picture they want to play with but operating the cards yourself. The kids might be able to take over in the first lesson, they might be able to take over only in the following lesson, when the game is played for the second time.
encourage the group to make sentences, counting on your fingers, praising the kids, encouraging them to produce full sentences.
Homework
The homework task in this lesson was a simple handout, ‘a sentence maker’ in which the students have to complete the missing parts of the sentences, either by adding the colour (by colouring the box) or the adding the school object (by drawing it). The kids choose their own words. Later on, they ‘read’ their sentences. You can find the basic handout here.
The teacher makes one copy per child and one more to demonstrate the instructions in class. When we did this kind of an activity for the first time, I added the colours myself in line 4 and 5 to make the task straightforward. In the future, they will be given more freedom when they are more familiar with the format and the idea that each part of the sentence is represented by a visual or a symbol.
Did it work? aka ‘Happiness’
You know this moment when you are teaching and you literally want to get up and pat yourself on the shoulder with ‘OMG, you rock’? because you are allowing yourself, simultaneously, to teach and be fully in the lesson but also to be evaluating this lesson as if you had been the observer in the room. And it is actually going on very well?
This was one of these lessons.
The kids loved the guessing game, especially that they were given a chance to lead. The cards and the handout did help me achieve my aims and by the end of the focused task, the kids were producing full sentences, although I had to remind them a lot to use full sentences. It was much better in the second lesson with the same game. The kids were eager to start playing the game and I only had to model once. They were ready to take over and they produced a lot of language.
If you want to read more on the subject, have a look at this post where I share how I approach the everyday lesson planning for preschoolers.
Happy teaching!
*) Inverted commas because it is not a real theory, only a set of daily procedures, verbalised.
Friday, twenty minutes before the start of the lesson. Two of the girls (5 and 6 y.o.) remember about the amazing game they played about a month ago and, immediately, decide to play it again. There is only one rule in the game: to follow the teacher around the school, as she gets ready and fixes the last bits before the lesson and to say ‘I’m hungry. I will eat you‘ to which the teacher offers various things to eat (‘Do you like books?’, ‘Do you like markers?’), *) to which you have to answer ‘No. I’m hungry but I only eat people‘. And you roar. A lot. The other kids are arriving gradually, the hallway is filling up with parents, grandparents, nannies and brothers and sisters.
Friday, five minutes before the lesson. The lion game is getting better by the minute so now there are four lions running around (Did I mention running before?) and roaring. And, believe it or not, four lions roaring make a lot of noise. It’s not that we pretend that kids are made of sugar and they are always sweet and quiet and picture perfect. Kids are kids and they should be but the teacher picking up the flashcards and taking the last sip of water in the teachers’ room thought, briefly, of an avalanche of noise and ‘unwanted behaviour’. The lions did not really care, they were having lots of fun.
Friday, 2 minutes before the lesson. The teacher is ready and is collecting the group to start the lesson properly. Alas. The lions are roaring, more and more loudly. ‘Let’s go!’ (Roar). ‘Please, stop’ (Roar roar), ‘OK, everyone, 10, 9, 8, 7…(Roar roar roar).
The teacher suddenly understands that she is not in the hallway of the school but on the edge of the cliff, on a windy day, on an empty stomach hence double dizzy. The lions do not like those lions that might calm down any time soon. The parents, grandparents and nannies have raised their eyes. The security guard, too, came out into the hallway and was observing the almost-mayhem in the hallway. The remaining 120 seconds should be used to re-introduce the order. The order should be sturdy enough to last sixty minutes of the lesson which is about to start.
You could say that’s not an ideal situation…
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There were four things that I could do.
a) do nothing – not recommended, even if only because of those sixty minutes in the classroom to come.
b) let someone else sort it out – not recommended, not really. True, the kids have parents but at this point in the game, I don’t think I would want them to get involved. That’s why when our security guard (that the kids know and respect) started to saying something, I just shook my head and put a hand up to stop him. This mess was my mess and I had to deal with it. I think this is something I learnt during my five years at the state school – other people might be called to help with the behaviour management but at the end of the day it is your pack and you should be considered its leader.
c) talk to the kids in their L1 and sort it out – not recommended, not really. Why? Because I never talk to them in their L1 and this was serious enough, not yet anyway, to resort to that. I decided to keep it for another day and another occasion.
d) talk to the kids in English – tricky, with 5-year-old pre-A1 crowd but this is exactly what I decided to do.
I had no idea what I was doing, really. There were no previous cases that I could rely on, no plan of action but hey, if I don’t try, I will never know…Challenge accepted.
**********************
The teacher looked at her lions, still roaring in a small circle around her.
‘Now, where are my students? I want to start the lesson. Where are my students?’, said the teacher.
‘We are not students. We are lions!’ said the lions and they roard.
‘That’s a shame.’, said the teacher, feeling how someone continues to pull the rug from under her feet. She took a deep breath. She looked at the first lion on her left.
‘Are you a girl or a lion?’ asked the teacher.
‘A lion’
‘Are you a girl or a lion?’ now the teacher asked the second lion.
‘A lion’ said that second lion, with a beautiful smile.
‘Are you a girl or a lion?’
‘A lion’ said the lion and the teacher realised that almost all is lost.
‘Are you a girl or a lion?’ asked the teacher.
‘A lion’, said the fourth lion and the teacher was feeling pretty desperate then. The parents, the grandparents and the nannies were all watching then. Of course.
‘Right’, said the teacher. ‘It is a real shame but the English lesson is ONLY for boys and girls, not lions. I am sorry. Bye bye, lions’, said the teacher waving her hand and started walking towards the classroom. She stopped after a few steps where a little boy was sitting with his mum.
‘Hello, Sasha! Are you a boy or a lion?’ asked the teacher.
‘A boy’ said the boy.
‘Great! Let’s go to the classroom!’ said the teacher and off they went. They stopped again after a few more steps where a little girl was sitting with her mum.
‘Hello, Sasha! Are you a girl or a lion?’ asked the teacher.
‘A girl’, said the girl.
‘Fantastic! Let’s go to the classroom!’ said the teacher and all three went to the classroom.
At the classroom door, they stopped, and formed a line. The teacher opened the door, walked in, sat at the door and started saying hello to the first student in line (a part of the routine). They were in the middle of the chat about howareyoutoday and green pencils and yellow schoolbags, when one more person appeared at the end of the line.
‘Anka!’ she shouted, ‘Anka, hello! I am a girl!’
This was the first of the used-to-be lions and the other three quickly stood in line behind her. A miracle!!! In the end, we had one human teacher and seven human children taking part in this lesson.
***********************
This is a great VYL anecdote, of course, and I am sure, in the years to come, I will be going back to it to smile and to remember how difficult it was not to giggle when a girl-turned lion-turned girl came up to announce (in English) that she changed her mind and was ready to take part in the lesson for humans.
It is also a story about what it might be like to be a student at five and that what the big people see as being naughty (running around, roaring, pretending to be a lion) is just a lot of fun and an opportunity to do something different and to experiment with the ways of the world.
Finally, it is also a story about using or not using the L1 in the VYL classroom. You an use it, you don’t have to but using L1 is not the only way. It is a challenge but it is an interesting one. And it is possible.
Some people do sudoku to exercise their brains, some enjoy complex Maths thingies (that clearly not me), some like to guess the ending of a crime story before it is officially revealed in the final chapters. My brain seems to revel in such child-development-and-language-grading games. Especially when there is the added bonus of a high profile audience, of parents, supervisors or trainees…
I will leave the Spiderman story for some other occasion.
Happy teaching!
*) The text in italics is what the kids said in L1.
This is not going to be a post on the advantages and disadvantages of using a rewards’ chart in the EFL classroom. If you are interested in one or the other, please, scroll down to the bibliography with some pieces to read.
Instead, I am going to tell you a story about a period of six years of using a rewards chart with my kids, successfully and where it has got me. Or where it got us. Consider it a case study.
The group
There are eight of us, in the group, one of me, two boys and five girls and at this point (January 2021), we are in our sixth level together. On the one hand, it is a bit scary, that so much time has passed and so quickly, too, on the other hand – six levels together, pretty much with the same children, from the first words, literally, to Movers.
The first rewards chart
Once upon a time, when my kids were still very very young, in our first year together, the day came when I realised that I needed a rewards chart, badly, with a set of rules and a system.
To be honest, it was a bit of a heartbreak and it did feel like a total defeat. Until then, I had never (as in: NEVER) had to resort to it with children so young. Not once in my entire teaching career (of 10+ years). Rewards charts were for the primary and teens, not for the babies. Sigh.
I was thinking and pondering and wondering, approaching it with a lot of trepidation (in Polish we say: to come up to something like a dog to a hedgehog) and really, stubbornly, putting off the D-day. But, the group was a big one, with ten kids, some of whom were six, some of whom were barely three and they were just rowdy (even for my standards) and ‘my traditional methods’ (or whatever they were back then) were just not working. As in: at all.
Reluctantly and very un-enthusiastically, I took a deep breath and introduced changes: a set of rules and a rewards chart.
The class rules: How to.
Think of your group, the kids sitting in your classroom. What are they struggling with? What is the unwanted behaviour right here, right now? Choose the most important three behaviours that you would like to eliminate. There is no point in constructing a set of ten commandments as there will be too many to revise, to remember and to focus on.
Formulate the rules and try not to use negatives. ‘Sit nicely’ sounds much better and is more positive than ‘Don’t run’.
Yes, there might be situations when a clearly formulated ‘Don’t‘ is the only solution. In the group that I am describing here, we did have some issues that the kids decided to resolve with fighting so for some time, this was our rule number 1.
In general, it would be better to refrain from using imperatives altogether and go for full sentences, for example, instead of ‘Sit nicely’ we were using ‘I sit nicely’, together with ‘I don’t run’, ‘I listen to the teacher’, ‘I don’t fight’. These are great language models and, over time, they become a part of everything that the kids can say, even early on, in the first year of primary or pre-primary. Investing in the rules is also investing in the language.
Think how you will introduce the rules. I prepared A4 flashcards, with the rule written down (for me to remember and to be consistent and for the kids, to expose them to the written word, although, of course, back then they were not able to read these), with an appropriate picture (thank you, clip art) and with an accompanying gesture for each of them.
The first time I introduced them slowly, using the gestures, drawing the kids attention to the pictures and repeating the rules a few times. They did get the idea pretty quickly. After all, they learnt how to behave and how not to behave. After all, they are familiar with the concept of rules. They are rules in the kindergarten, in the art classes, at the swimming pool. Naturally, there will be some in their English class, too.
How was I sure that they did understand? Because, of course, one brave volunteer quickly translated them into Russian and all the kids started to discuss the rules. I went over the rules a few times and I encouraged the kids to repeat the gestures.
Put the posters up, in a place where everyone can see them. In my case, the best place for that was the door, on the classroom side:-)
Revise the rules in the beginning of every lesson. I would go over the rules, ‘reading’ them out loud, while pointing at the sentences and later, once more, I would ICQ everyone, this time with gestures. ‘Do we sit nicely?‘ ‘Do we fight?‘ and so on.
Keep an eye on your students and when a rule becomes redundant (because, hey, it worked and your students’ behaviour has improved), change it or replace it with something that is necessary and relevant at the moment.
In our case, in the first year, after a while we could replace ‘I don’t fight‘ with a very general but also very broad ‘I am a good friend‘ which we used to signal that we basically behave well because a good friend will not fight, will not take someone else’s pencils or books, will not say unkind things about other children and will not always try to go first and so on.
It is also good to have a rule that models and acknowledges the behaviour that is even better than good, something exceptional that we all should strive for. In our case, it was the rule number 4 ‘I am fantastic‘ which I chose because it sounds similar to its Russian equivalent and it is a positive word.
Make sure that you refer to the rules throughout the lesson, to remind the students about them when you notice some examples of the unwanted behaviour. I do it using a question form, while using the gesture or pointing at the posters, for example ‘Are you a good friend?‘, ‘Are you fantastic?‘, ‘Are you sitting nicely?‘
The rewards’ chart. How to. A case study.
I decided not to use the board as it was too far away from our little circle and I did not want to get up and walk away from the kids a few times during the lesson as it would be too disruptive. Instead, I got a clipboard and prepared a table with their names, written in different colours and accompanied by little icons, ten different ones, so that the kids, who were pre-literate at the time, could recognise their names easily. I put the table into a plastic sleeve, sealed it and pronto. Laminating it would do the job, too. I used a whiteboard marker and so I could easily clean it and re-use it in the following lesson. I was also able to carry it around the classroom.
A few times during the lesson, I would take out the chart and check out, with all the kids, asking everyone the same question ‘Are you fantastic?’ (or any other question relevant to our rules, but this one was the most common one) and, if they answered ‘yes’, I would add one more star to the chart, next to their names.
Naturally, if the student did seriously ‘misbehave’ (inverted commas here because it really does happen rarely), first would come a warning and then, possibly, if that didn’t work – a tiny little bit of a star might get erased. Which happened on a few occasions and usually the warning itself was enough.
In the beginning, I did do it after every single stage and almost after every single activity. It did take time but it was worth it. With time, I was able to cut down on the frequency and the number of stars, extending the length of the stage that could earn them a star.
Eventually, we got to the point when each child would get only one star at the beginning of the lesson. It was their job to make sure that it stays whole until the end of the lesson.
There was also a point, in year two, when we started to invest more time into our stars because at the same time, we started to talk about other people, and the stars gave us a perfect opportunity to do just that, ‘My star is…’, ‘My star has got…’ and, of course, it was then even more important to keep all the stars intact.
It is also very important to remember that the kids should be given an opportunity to get better and to be acknowledged when their behaviour improves. It should not be a problem since the teacher is in charge of when the new stars are awarded.
Also, whenever we ask the question ‘Are you fantastic?’, I always start from the well-behaved students, mainly in order to give the ‘not-so-fantasic’ ones a chance to calm down and to think about life so that, when it is their turn, they could be ready to be fantastic, too.
‘Are you fantastic?’ is a very powerful question in itself, too. On the one hand, it serves as a reminder of our aim and our rule (‘We are fantastic’), on the other hand, it is another chance for the students to confirm that they are fantastic AND to make a conscious decision and to make a promise that yes, they will be, from now on, even if there have been a few issues with it.
Eventually, by the time we got to our level 3, the rewards chart became almost completely unnecessary. We had the rules on the wall (a new classroom) and I still kept the rewards chart grid at the ready but I would only take it out and use it, when someone needed a reminder that we are, in fact, fantastic. Which, in year 3, happened perhaps once a month.
A slightly different rewards chart or What the kids care about
Todayaka the Outcomes
Today, in our 6th year together, we have long forgotten about the rewards’ chart and the rules. My students are now seven, eight and nine and, after all this time, it is no longer necessary to keep such a strict routine and such an elaborate system. The last time we did come close to anything resembling a rewards chart was a collage (an example of which you can see in the photo above), which we made on our Miro board, at the end of each lesson. Everyone could choose an image, google or icons, that they wanted to add. This, in a way, was some kind of a reward for everyone.
Looking back, I think it was a good decision, to introduce the chart and the rules all these years ago and even a better decision to ‘waste’ time on drawing all these stars and asking all these questions. And, dear teacher, if you worry that it takes six years to reap what you sow, don’t. The effort made and the time spent did start to pay off already after a few weeks.
I cannot guarantee that we are going to stay in that bliss forever (fingers crossed that I don’t jinx it with this post) but so far, so good.
My kids have never been very quiet (apparently it’s because I am loud, I am told) but they do behave. Today, after all these years, we all know what is OK and what is not. Most of the time, that is.
They have become more talkative and for that reason a new ‘poster’ appeared on the noticeboard. ‘When I speak, people listen. When people speak, I listen’. It works. Especially that we did specify that by ‘people’ I mean both, teachers and students present in the classroom.
On some days, I have to bring Pasha, our invisible student, one some days I call them using their first name, in full, and their patronymic, sometimes I have to use my serious face but that’s it. I want to believe that it all started with a simple rewards chart a long, long time ago…
Today about an activity that requires almost no preparation and is a nice break from the coursebook and from the everyday. Plus – you can draw. Ready? Let’s start the Musical Challenge!
Ingredients
A piece of paper, some drawing tool and a few tracks.
The choice of the tracks will depend on the teacher but it is good to include a variety of genres, songs or music with different tempo and instruments. I like to pick songs with a long intro and in a language that the students do not speak, not to let them be influenced by the lyrics.
Tell the students that you are going to play a short piece of music and they have to draw what they are thinking about when they hear this music. Highlight that all ideas are good ideas. Give the students an opportunity to include words, for example is some concept are difficult to draw.
Model, with a sample track.
Play about 30 – 60 seconds of a track and give the students up to a minute to finish drawing after the track stops. However, this is a fast-paced activity and its main aim is to provide material for speaking, not the drawing itself. Some students might want to make their drawings too pretty and too detailed and that will take time.
Put the students in pairs, let them discuss the songs. If possible, it might be a good idea to play the track they are discussing in the background to create the appropriate atmosphere.
Remember to put the questions / structures you want the students to answer / to use on the board. It will help them produce and stay on the ball.
Final feeback can include choosing the favourite and least favourite song.
Why we like it
It is very easy for the teacher to set up. It is enough to play the audio from the phone or even from youtube, pratically no preparation is necessary. It is possible to prepare a grid with numbers but it is much easier to give out an A4 or an A5 piece of paper that the students are asked to fold into halves until you get eight or six boxes. It works well, too. Because of that, it can easily become your go-to last minute, no-prep activity that can be added to any lesson.
It works well with different ages, not only with higher-level students, although, obiously, they will be able to produce more langauge and to discuss their own associations, metaphors, using more advanced language such as modal verbs for deduction. At the same time, even the younger and lower level students can describe their illustrations using simpler structures (I can see, he is wearing, he is happy) and to express their views (I like this song, I don’t like this song because…). The youngest students that I have done this activity with were about eight years old and studying in the A1 level.
The teacher has a lot of flexibility, this activity can be stopped whenever it is necessary, after four, five or eight tracks. The activity does not really have an end so it does not matter when it is stopped, for example when the students are not quite interested.
It can be further extended into a homework task. The students can be asked to choose a song, prepare their drawing at home and then play the song for everyone in class and either draw or just talk about their associations before presenting their original picture. If the songs are played in other than L1 or English (or if the beginning of the song does not include any text), the discussion can go in the direction of the story that the song is telling, based on the title, the summary or the single quotes.
It gives the students a chance to express themselves through drawing. We do a lot of that with the younger students but as we go, higher (level) and older (age), drawing and colours do disappear from our lessons, sadly. It is good to bring these moments back. They students do enjoy these.
It is a fascinating opportunity to see how music can be seen by a group of people and how different these associations can be.
It is highly personalised and open-ended, all ideas are good ideas
As a result, that kind of an activity generates a lot language.
The last time we did it a few week ago, we used the following tracks (we also read a text in our coursebook on music and fashion in the last 70 years, this is how all of the songs appeared here and how I listened to Ed Sheeran for the first time in my life:). Now, have a look at the pictures illustrating this post and have fun guessing which song inspired them. The Joni Mitchell, River
