Crumbs # 44. One or many? A vocabulary game for preschoolers.

Ingredients

  • A set of wordwall cards with the vocabulary such as Christmas words, fruit or animals or the physical cards such as those used here in the unit on farm animals.

Procedures

  • The teacher introduces and practices vocabulary first and make sure the kids are familiar with them.
  • The teacher shows the kids different variants, introduce the idea of ‘one’ and ‘many’ or ‘one’, ‘two’ and ‘many’.
  • In the offline classroom, the teacher shuffles the cards, looks at one of them in secret and says: ‘I can see some pens. One pen or many pens?’ with the gestures.
  • The kids are guessing and after a while the teacher shows everyone the card and asks the question again: ‘One pen or many pens?’. The kids answer and if the card shows ‘many’, they also count how many exactly.
  • If the game is played online, there is side A of every card that presents the word and side B with the actual visual with the answer. When the kids have shared their guesses, the teacher flips the card and asks the question again.

Why we like it?

  • It is a simple yet effective activity that helps to practice any vocabulary. We usually use it in the second or third lesson of the new unit.
  • It is a real game as it includes the element of luck and anyone can guess it as well as the element of logic if you try to remember which cards you have seen (there is only one of each).
  • The number of items can be adapted ie only a set of five words, with two (one pencil, many pencils) or with three (one pencil, two pencils, many pencils) variants for each word.
  • We use gestures to clarify the meaning, to support production or, even, to answer, as some kids use words and gestures when they guess. I have used the following gestures: one – the index finger up, two – the index and the middle finger together up, many – all the fingers of one hand, up and moving.
  • It is not competitive as we never count the points for the correct answers and its pace is so fast that the kids do not have the time to focus on the cards that they got wrong or didn’t guess which also helps them to learn to win and to lose.
  • It can help practise singluar and plural forms of all the nouns and structures. So far, I have used it to reinforce the knowledge of the vocabulary only, there is some potential for adding structure here, too, for example is / are.
  • This game can be used to practise the plural form but we have actually learnt and used the singular and plural forms through playing the game. This concept was not introduced separately before.
  • It works well with individual students as well as with groups as all the kids can guess at the same time before the teacher reveals the card. I have been using it with my pre-primary students but, I suppose, the younger primary would enjoy this activity, too.
  • The game is open-ended, it does not have any specific number of rounds that have to be played or a definite end. The teacher can stop it at any given point, before the kids get bored.
  • The physical cards can be easily produced, using the google images and clip art and copying and pasting. To make them more effective, I used to glue them on some coloured paper, in order to make them more durable and to make sure that the kids can’t see through the pictures. It is important that all the cards have the same size and that they have the same colour.
  • Last but not least, my students really like it and this game has become one of our Bread and Butter set. We play it in every unit, with new vocabulary)

Happy teaching!

Crumbs #42 One-minute essays

November raspberries

Ingredients

  • A set of topics. We have used a set of wordwall cards. You can find them here.
  • A timer, more or less formal and strict, depending on the group.
  • Students divided into pairs.
  • A list of the linking words typical for an essay, more or less extensive, depending on the group

Procedures

  • Teacher presents the framework of the one minute spoken essay and the four stages: introduction, arguments to support one side, arguments to support the other side, conclusion as well as the introductory phrases. The basic set of these included: Nowadays, On the one hand, On the other hand, All in all
  • Teacher models the activity: chosing the topic, expressing opinion following the framework and using the key structures. Students time the teacher and signal when 1 minute is up. Afterwords they react with their opinion.
  • Students go into the breakout rooms and continue in the same way.

Why we like it

  • I used this activity first with my teens, as part of the preparation for the essay writing, the first serious essay ever. I wanted them to practise expressing their opinion in a certain format and I wanted to encourage them to use a variety of appropriate cohesive devices which were introduced in the coursebook. It was a much more extensive list than the one provided here.
  • Later on, I used it also with my adult groups as a an opportunity and a tool to work on shaping the discourse, at this point – without the follow-up of the written essay.
  • The activity is generative as student A has a chance to produce a mini discourse and communicative as student B also has a chance to react and to provide additional arguments to support their partner’s ideas or disagree with them.
  • The main aim of the activity is the development of the speaking skills but the students are also required to listen, in order to be able to contribute their arguments in the follow-up stage. I am hoping that, in the long run, it will lead to students managing their spoken contributions much more effectively.
  • It is a very flexible activity. It can be used as a warmer or as an end-of-class activity. It can be also extended into a proper activity. The length of each discourse can be kept at one minute or it can be extended to two or three minutes. The topics can be varied, as in the set above, or they can be associated with one specific topic and it can be used as an opportunity to generate ideas for the essay that the students will be writing later on.

Here you can find one of similar discourse development tricks.

Happy teaching!

Professor Nikolov, kids’ motivation to learn English and classroom research

Autum in Wallonia

When I look back at the two and a half years of the MA programme at the University of Leicester, I am thinking of a marathon (a prolonged period of strict routine, extensive emotional and physical expenditure and obligatory one-track-mindedness). Actually, five marathons in a row. But when I look back, it is also the time when one could revel in reading and research, having access to the treasures to the university libraries of the world.

Apart from going through piles of studies and articles to find out data for my assignments and thesis, I also started to make up a list of pieces to share with my teachers and my trainees. Jerome Bruner’s (et al) and the study of the role of tutoring aka scaffolding is already on the blog here and, I am happy to say, for a very long time, it was one of the most popular posts. It still stays somewhere in the top 15…

Today, part 2 of the same series. Enter: professor Marianne Nikolov.

A personal role model

There is something very touching about the career of professor Nikolov (PhD, Professor Emerita at the University of Pécs, Hungary), who after years and years of regular and everyday school teaching started to work as a researcher and, who, eventually, switched into the academia. This very research which is described in the article was her first long-term research, as she says herself, it is in many ways imperfect mainly due to the fact that it was carried out by someone who was, back then, an inexperienced researcher. So much more precious because of that and so much more inspiring for all of us, teachers and trainers, to get our own classroom projects started.

The presentation on the recent research into early years that professor Nikolov gave at the 1st Hellenic Conference on Early Language Learning in Greece, in 2013 is, in my humble opinion, a must for all the VYL teachers, as a crash course into the early years EFL.

‘Why do you learn English?’ ‘Because my teacher is short’

This gem, unique and unforgettable, is the title of the study that I would like to introduce you to and encourage you to read today. And, frankly, could there be a better title to an article devoted to early years and young EFL learners? I seriously doubt it.

It was published in 1999 and it is an account of a long-term study of a group of Hungarian children, aged 6 – 14 and analysing their motivation to learn English at school. Professor Nikolov gave out the questionnaire to her students, which the kids filled in (in their L1) and which was followed by a feedback session with the kids.

Without risking that I would deprive anyone of the pleasures of reading the article, I would like to share here my own main take-outs:

  • all the reasons to learn English have been divided into four groups: the classroom experience (aka the activities), the teacher (‘my teacher is short’), the external reasons (aka the parents and the grades) and the utilitarian reasons (aka the future) (p. 42)
  • all these were present in the answers given by different ages but it was possible to distinguish three sub-groups: grades 1 – 2, grades 3 – 5 and grades 6 – 8
  • the attitude to English (one of everyone’s favourite subjects) was compared with the attitude to the other subjects
  • a whole range of favourite classroom activities was revealed and a range of nobody’s favourite activities such as tests, acting out and (this one made me laugh) boring stories
  • in response to the final question (‘If you were a teacher, what would you do differently?), some kids suggested abandoning tests, some felt that the teacher should be stricter while dealing with different classroom management issues but many didn’t want to change anything at all.
  • the connection between the school grades and the motivation. On the one hand they are the extrinsic motives, on the other hand, as professor Nikolov says, ‘achievements represented by good grades, rewards and language knowledge all serve as motivating forces: children feel successful and this feeling generates the need for further success‘ (p. 46).

A source of inspiration, no metaphors

When I first found the article, I wanted to read it precisely because of the title. It made me smile because this quote is perfect and it reveals a lot of how the kids see the world. Plus it is a fantastic way of drawing the attention of the readers-researchers whose passion are YL. Then, I started to read, curious what I would find them. Finally, it struck me that I did not know what my students would say and that is because I had never asked them.

I was mortified that, in a way, I had taken my kids for granted. Yes, we had been studying together for years, their parents had been bringing them, year after year and there had been no issues, we had fun and we had made progress. But I had never actually asked them.

Naturally, I decided to change it and professor Nikolov’s research was my inspiration and my guidance.

My research took two directions:

a) I prepared a questionnaire for kids and I used exactly the same questions that professor Nikolov used with her students. I wrote them in English and in Russian and the kids were told that they were able to use whichever language they wanted. The funny and the most amazing thing is that some of my A1+ kids tried to express some of their thoughts in the target language.

b) I prepared a questionnaire for the parents, too, partially because some of my students were 4 y.o. and beginners and, partially, because I wanted to find out what kind of an impact the home environment has on the kids’ motivation. The parents were asked to answer the following questions: Do you do anything in English at home? Does anyone else speak English? Before starting to learn English, did you have a conversation with your child about it? What did you talk about? Do you know what your child likes and doesn’t like about our classes and about their English classes at school.

How come I never asked before?

…is something that I still keep asking myself. Apart from an opportunity to exercise my almost non-existant researcher skills, this questionnaire and this adventure gave me a fascinating opportunity to see the bigger picture and to become more aware of everything that might have an impact on how my students see the language learning process.

Here are are few insights:

  • most of my educational parents admitted to chatting to their kids about the reason to learn English, although sometimes the kids, due to their age, were not quite interested.
  • some of the preparation was done in a rather informal way as English as a means of communication entered their lives anyway since they had an opportunity to travel abroad, they were visited by parents’ friends from abroad. They could also see their relatives use English at work or at school.
  • some of my younger kids already expressed some of the utalitarian reasons (‘he wants to work for Lego or Hot Wheels’), this was a lot more common among the older students
  • the most interesting fact was that for many of my students English was not only a subject, something that belongs strictly in the school. Rather than that, it was a family thing, something you do with mum or dad or with the siblings, younger or older, although, none of the kids came from bilingual families.
  • as for the kids, their reasons could be divided into the four groups highlighted by professor Nikolov: the external (‘My mum told me to’), the utilitarian (‘I will travel to different countries and cities’), the teacher (‘Because of Anka’) (insert a million hearts here) and the classroom (‘Because I like it’)

The follow-up?

Raising the awareness and finding out is only the first step and it highlights the importance of a few processes. Naturally, the teacher has no influence on the background of the students or on the family social status and their ability to travel abroad for example. However, the teacher can make sure that the parents are involved in the classroom activities and classroom life, to the extent in which it is possible and, at least, those parents that wish to be involved. This can be done through helping to take English out of the classroom and extending the exposure by sharing songs, games, activities and keeping the parents informed.

There are also some opportunities to bring the world into the classroom, especially nowadays, in the post-covid, zoom world by using the real life materials, traditional stories, guests, virtual guests, pen pals etc. This way, even without travelling, kids will see the connection between the coursebooks on their desks and the world out there.

There is a lot that the teacher can do as regards including the age-appropriate activities, finding out what the favourite activities are and working on building the community even if only by learning the kids’ names, celebrating birthdays and creating the new, group-specific traditions and ‘traditions’.

The first step can be reading about professor Nikolov’s study and running your own research and finding out why your students like to learn English…

Happy teaching!

P.S.

Fun fact? This blog was created as my reward for completing the MA programme. I submitted the final version of my dissertation around midnight on the night of the 1st and 2nd of March 2020 and, on the 2nd of March, during the day, when I did catch my breath a bit, I got my funky socks and my dragons in line…

Bibliography

Marianne Nikolov, ‘Why do you learn English?’ ‘Because my teacher is short’. A study of Hungarian children’s foreign language learning motivation. Language Teaching Research, 1999:3:33, p. 33 – 56

I am easy to prepare and very necessary in the classroom. What am I? A riddle!

Dedicated to Monsieur Alexander (6 y.o.) and Mademoiselle Victoria (3 y.o.) with big thanks for reminding me how important riddles are even if you speak the language very well.

Why? Because you simply must!

  • Riddles are an opportunity to develop focus and listening skills: you are required to listen until the very end as all the elements of the riddle are important and they can help you figure out what the answer is.
  • Riddles help to develop cognitive skills while you are guessing as you are required to put together different pieces of information, to understand, to synthesise and to analyse.
  • Riddles help to develop cognitive skills even more when you are creating your own riddle as you are required to apply and to evaluate the information you providing to make the riddle challenging and achievable at the same time.
  • Riddles are something that we use and enjoy in our L1, from the early childhood and it is only natural that we will try to bring them into our EFL lessons, with kids and with adults.
  • Riddles help develop creativity.
  • Riddles are fun and they create plenty of opportunities for bonding, in a pair or a group.
  • Riddles, in L1, help the kids develop the awareness about how the language works, how the hidden meanings, the homophones, the collocations and this can also be transferred, at least partially, into the EFL or the ESL
  • It is obvious that the context of the EFL and the ESL does not always allow for the riddles and their benefits to be used fully and completely even if only due to the limitations of the language level which, in case of some of the young learners, might be as low as A1. This does not mean that they cannot be used. On the contrary, they can be introduced from early on.
  • Riddles, regardless of the context, are an opportunity for the students to speak and to produce a mini-discourse.
  • In the EFL/ESL classes, it is relatively easy to choose the vocabulary range and the structures for the students, depending on the level and the topic. This range can be easily extended.

How to? Riddles in the EFL classroom

  • The simplest version of the game can be played with preschoolers and we usually start simply with guessing ‘the secret word’ which is the card that the teacher and then the students choose and hold close to their chest and the class are guessing. This version is used to introduce the very idea of the riddles. When the kids have become more familiar with the format, the level of challange can be raised and the production maximised by asking the kids to describe the card they are holding in the simplest of way i.e. with the colour, operating within the colours of the objects on the flashcards used (‘It is green‘ or ‘It is green and red‘). With time, more adjectives can be added (‘It is big’, ‘It is small’), the categories (‘It is a toy’, ‘It is a pet’) or even opinions (‘I like it’, ‘I don’t like it’). There is a post devoted to one of the ways of dealing with riddles with the youngest learners. You can find it here.
  • The primary (or the more advanced pre-primary) students can start adding simple categories in their discourse (‘It’s a toy’, ‘It’s an animal’, ‘It’s in the schoolbag’) and start describing the word using the relevant structures. For example, with food, we use the following four: ‘It is cold’, ‘It is hot’, ‘You eat it’, ‘You drink it’) and these are the structures that the students know and will need anyway and these particular four can be supported by a relevant gesture. The same goes for the animal riddles set: ‘It is big’, ‘It is small’, ‘It can run’, ‘It can fly’, ‘It can swim’. I also like to add ‘I like it’ and ‘I don’t like it’ even though it does not quite provide enough information for the children to guess the object as the class may simply not know what one of us thinks about it, it gives the student making a riddle an opportunity to express opinion and to make it all more personalised. With the youngest students the teacher can assist production in the beginning by asking questions such as ‘Is it hot or cold?’ or ‘Can it swim, fly or run?’. This set of structures can be developed and extended depending on the students’ age and level.
  • As regards the more advanced and older students, the riddles can be made more extensive and more resembling the riddles that the adults and kids play in English as their L1 or the riddles they play with their L1 with the use of simple homonimes or homophones, a wider range of vocabulary or structures or complexity for example by making a list of words not to use when to describe a certain word, describing it with associations (i.e. kids, fun, outside to describe the word ‘playground’), with metaphors (i.e. ‘It is the brain of the computer’ for ‘hard drive’ or ‘It is the opposite of a mountain’ for ‘a cave’) or, even, by a mixture of these (‘Tell me what it is and tell me what it’s not’)
  • As regards the material and the support for the teacher one of the following can be used: flashcards, mini-flashcards, a page from the book with words and words and images, a poster, a set of wordwall cards, a list of words.

Happy teaching!

Crumbs #41 Let’s look for pairs! A vocabulary game for kids

All the pairs. Somehow the penguin, the gorilla and the mouse got left out.

Ingredients

  • A set of pictures of animals, flashcards or on Miro. That’s it.

Procedures

  • Revise the vocabulary and ensure that all the cards are displayed at the same time for the kids to be aware of all the options
  • Model by choosing a pair of animals and putting these cards aside and justifying your choice. With my pre-primary kids, I like to use the first person statements (I’ve got 4 legs etc) as this is what we do with the younger kids (to enable the kids to talk about themselves and the animals without having to introduce the additional structures and to keep it coherent with the songs that we use ie Little bird or As quiet as a mouse). I also tend to vocalise the language ie I’ve got 4 legs (for the cat), I’ve got 4 legs (for the elephant).
  • Invite the kids to take turns to make their own pairs and to describe the rationale behind it.
This is what our Miro board looked like before we started

Why we like it

  • An opportunity for the kids to use and to develop the higher order thinking skills in the EFL context
  • The students are in charge of what they want to talk about and what they can talk about. It is appropriate for mixed-ability groups.
  • Little or no preparation as the flashcards are already there, the physical cards in the offline classroom or the set of pictures on Miro which, once prepared, can be doubled easily and used only for that activity.
  • A great variety of structures that can be revised and some opportunity to learn the new ones as the kids might have the ideas that they cannot express in English yet and this game can be the springboard which will help to introduce these. If the teacher speaks the kids’ L1.
  • Lots of opportunities for adaptation and using them with different sets of words such as toys, fruit, food, transport and, naturally, the relevant structures. I like to start this game with animals because of the range of easy structures that even the very young beginner students can use in order to complete task and because of the variety of topics that can be included (the colours, the number of legs, what animals can do, what they eat, where they live etc)
  • The level of challege can also be easily adapted, for example, the set of cards can include only 8 items or the teacher can focus on putting the animals into pairs basen only on the colours or the size which are probably the two most achievable categories, both cognitively and linguistically.
  • This is a neverending activity because the cards and the animals can be grouped and re-grouped over and over again to let the students create new and less obvious links between the items. Conversly, it can be shortend as needs be.
  • As regards the interaction patterns, this activity can be used with groups, with kids working together, at least in the beginning, or in pairs if we have the appropriate number of sets of cards as well as with 1-1 students, both online and offline.
  • There is also some potential for adaptation in the area of materials. The most obvious choice are the flashcards, the mini-flashcards or the Miro board. The teacher can also create a handout with the animals pictures and/or names which the students can colour-code as they are putting them in pairs. This might be a good solution for the kids to work in pairs in the offline classroom.
  • Last but not least, this activity is an opportunity for the kids to develop the listening skills (as they want to find out the justification for their peers’ choices) and the speaking skills (as they want to present their own reasoning, too). I simply love to observe how my students start with the simplest and most obvious connections and how they venture out into more and more creative ones.

Happy teaching!

When the magic happens…

The magic of Louisiana

Let me tell you first what this post is NOT about:

It is not a post about any specific activity, resource or solution for the classroom.

It is not a report of a classroom research task or an experiment.

It is not a compendium of useful links. Or stories from a trainer’s life.

Not today. Today I want to write about the classroom magic and, in all honesty, I doubt anyone can find it of any use. Really. This is solely for my writer’s and teacher’s well-being.

The magic of Lousiana

When the magic happens OR When kids become communicators in L2

Maximising production is definitely a professional obsession.

Although a) it is probably better to call it ‘my professional interest’ and b) you have probably noticed, if you have been reading my posts (It not, you can find the chapter here). This is what I have on my mind while planning my lessons. This is what I think about while looking at the coursebooks, illustrations, stories and games. ‘How do I get my kids to speak?’

The magic of Louisiana

If you are a teacher of young children, you are a bit like a gardener.

There is a lot of digging, a lot of watering, some weeding, and, above all, lots and lots (and lots) of waiting before you get a chance to even hope about any real fruit or flowers. Or any real communication, in our case. Which does not mean that it is boring or uneventful! Quite the contrary!

It is a wonderful journey, filled with treasured moments, from the very first steps into the classroom and any signals that we have exchanged ideas and understood each other. Cautiously walking in, on day 1, a bit uncertain but also very curious what this new auntie (that’s what I have been referred to, in Russian, in Spanish and in Portugues) has to offer. Pointing at the right flashcards, nodding in lieu of a yes, lining up because the teacher asked for it, picking out for the red crayon in a colouring dication or replying ‘Hello’ to your ‘Hello’ Drilling and reciting all the colours and so is confidently shouting out ‘Cat!’ to correct the teacher when she shows you a picture of a cat but, somehow, she says ‘It’s a dog!’ (though with this special elfin smile and a spark in her eye)… All of this is priceless, amazing, magical. And necessary.

The magic of Louisiana

Then comes the plateu.

Yes, a language learning plateu. In case of the primary or the pre-primary language learners it has got nothing to do with reaching the intermediate level (quite often the level associated with the concept of plateau), quite the contrary, but, it does happen with the little kids, too (and yes, this is just the idea that I got right now and decided to use it in this post).

So, taking the level aside, what do I (very subjectively) see as the language learning plateu in early L2 learning?

  • kids feel confident in the classroom, with its routines and traditions, the teacher, the coursebook, the lesson and the course framework
  • kids feel comfortable with their peers and the bunch of kids starts resembling a group and a team
  • kids are curious and easily learn new words (aka single words) and they can reproduce them on teacher’s request, the action – reaction, teacher – student or teacher – students goes very smoothly
  • kids produce some simple sentences, depending on the curriculum and the programme
  • kids know and produce some phrases related to the repeated activities during the lesson

The first two points here are not directly related to the actual language production but due to the age of children, they are of the utmost importance and for that reason they have found their place here. This is the point in the course when the age-related characteristics stop being an issue and teacher and children can focus more on the language learning itself.

Finally, the learning happens, we move from unit to unit to unit. We go from unit 1 (colours), to unit 2 (school), to unit 3 (fruit), from level 1 to level 2, the kids are growing, the kids know more, they are under control. The kids are happy and the teacher is happy. The only thing missing is ‘They lived happily ever after’…

Don’t get me wrong. I am not UN-happy with the classes going beautifully well. I am not picking at the seams here. This is the state that we, as teachers, dream about. However, this is also the dangrous plateau because we may want to stay there forever. And we should not. Not moving forward equals staying in the same place equals regression. Things going well is a signal that the time has come to do something new, look for new challenges or think of ways of extending the Zone of Proximal Development.

In the very specific context of maximising language production in the VYL world it might mean helping the kids move from ‘the action – reaction’, ‘teacher – student’ and ‘teacher – students’, one word or one sentence production to the next level: a discourse (or a mini-discourse), student – student, student – teacher and spontaneous production aka I say things when I have things to say (and ‘Not because my teacher, the adult asked me’).

The magic of Louisiana

The most beautiful day is when the magic happens

There is no way of getting ready for this day, marking it in your calendar and making it your aim. It is when, all of a sudden, it happens – kids say things outside of the framework that you have prepared for the day, outside of the pattern they ‘should‘ be using according to the book. Or when they try to say things that are, clearly, out of their range (yet) but which they need to say. Sometimes it is fully expressed in L1, sometimes partially.

Examples? Yes, sure! Let’s go.

Case study #1

One of my 6 y.o. students, still in pre-school, about to go to school in a few week but have have been using the primary level books since January. She has always been a very active child and an eager students but recently, over the past few weeks, she has just skyrocketed. The magic happened!

We are studying online, she is in her natural habitat, at home where she communicates in Russian. However, during the lesson time, she started to use more English while talking to her brothers. Sometimes, it is fully in English, for example calling him from another room, to join us in a game (‘We are playing! Come!’), sometimes it is a mix of Russian and English (‘Sasha, go, do your thing!’). Sometimes, the baby brother wanders in, during our lesson and he also gets his portion of English, because I welcome him in English and his sisters babbles to him in English, too. Sometimes. We are in our little English bubble while in class and she is really making an effort to communicate in the target language then. Although, not only then, actually! I know it from her mum, that she sometimes plays with her teddies and that some English happens, then, too! Some of them must be English-speaking teddies.

I also noticed that when we play together with the older brother, she really listens to what he is saying and she picks out the useful words and then tries to use them, like, in the same lessons the phrase ‘everyday’ or ‘every day’ and, almost immediately, enjoying the variations such as ‘every minute’ and ‘every second’…

This ‘magic’ goes beyond the immersion in the context and the language creativity and experimentation. My student also started to attempt to maximise the amount of language produced.

Last week we started to practice Present Simple (Do you go swimming?) as a follow-up on the simple ‘Do you like?’ which we have known for quite some time and we were interviewing each other, not as ourselves but as the chosen characters. The main aim was to practise ‘Do you do something?’ and I did not even plan to insist on using ‘at the weekend’ or any other day of the week, leaving it for later. However, in class, my student just started to speak and it was a wonderful experience for me to see how far she would go. First, she’d say ‘do you’, then pause, choose the verb, pause again, choose the object, pause again, choose the preposition of place, pause again and, finally, add the day of the week…

Do you draw on your homework every day? Do you dance in your classes on Fridays? Do you sleep in the school?

I could not keep up with her in my note-taking, because there was so much language and, yes, because I was laughing out loud. Not only because her sentences were great but also because I realised that, this time round, I managed to notice, to seize the moment, in a way.

The magic of Louisiana

How to make sure that the magic does happen?

  • Let the kids lead the activities (‘Who’s the teacher?’)
  • Start introducing pair-work as soon as the kids might be ready
  • If possible, include free play slot in your lessons
  • Show curiosity, ask questions, even if they seem to be above the kids’ current langauge level
  • Model
  • Work with the emergent vocabulary but for that it is necessary to be able to speak or at least to understand the kids’ L1 and to provide the word they want to use, even though it is not a part of the wordlist for the level and to keep bringing it back
  • Be clever and welcoming when it comes to kids’ way of using L1 in class. Apart from the teacher showing respect for it (please, please, please avoid saying ‘DON’T speak L1’ or ‘NO L1’), there is a way of working it. Not all L1 appears because kids don’t want to speak English. Using L1 is one of the communication strategies and it can be a signal for the teacher as to what the kids want to talk about and what they need the vocabulary and structures for.
  • Be clever and welcoming when it comes to kids’ way of dealing with code-switching (aka ‘mixing’ L1 and L2). This is one of the communication strategies and it is the a step towards and an attempt at L2-only communication
  • Create the English language environment and provide the exposure with songs, books, games and stories.
  • Think of extending this exposure and taking English out of the classroom (aka get the parents, the grandparents, sisters and brothers on board!)
  • Continue reading this blog for more ideas:)

And wait. Stretch out and wait. Like in a song by The Smiths…The magic is bound to happen, eventually.

Happy teaching!

The magic of Louisiana

The one phrase to teach your students. From the series: We Want More!

Since we are going through the quieter period of the year, there is more time for looking back and for reflection and this is how the idea for this mini-series of post came from. Just because we started to use those and each of these phrases or words was like a key that opened many, many doors in our communication and not only.

The one thing to teach your kids is ‘because‘…

…and the whole thing can* start in primary, and maybe even in pre-school. It is a powerful world that invites the kids to build a simple discourse and to go beyond one sentence or simple sentence production, even in the most everyday situations.

We start with extentending the answer to ‘How do you feel today?‘ which is a part of our class routine and the question which I ask and which the kids ask in every single lesson. As soon as they have a good number of adjectives to use in response (you can read about it here), I try to encourage them to elaborate on their answers, both modeling (I’m happy because it is sunny) and by inviting them to continue. ‘I’m happy.‘ ‘Because...’

Of course, the sentences the kids produce are quite simple, very simple, in fact, and sometimes partially in their L1 but with time, they are becoming more familiar with it and they are improving and, as a result, are able to say more and more and more. In English. Not to mention that as we go through the course, there are more and more situations in which we need because, for example to explain why we like Friday and not Monday, why we didn’t do the homework, why the kids in the pictures look happy or sad or why they did something in the story.

The same can be done with pre-schoolers, with certain adjustments to their age and the number of years that they have been studying. Thinking about my groups in the previous academic year, with the level 1 and the level 2 groups I was more focused on the full sentence production and it was too early to introduce any linkers. The level 3 children, however, were ready the unit ‘I’m scared’ (Playway to English, CUP) was a perfect opportunity to talk about the things we are scared of and to explain why. Or, more frequently, the things we are not scared of. ‘I am not scared of spiders. I like spiders because they are beautiful.’ and so on.

I often tell my students (especially those new ones, and yes, also the adult ones recently) that I will always want to know ‘Why?’ and that even if I forget to ask, they should always imagine this word written all across my forehead and answer it anyway. To help the kids in the everyday lesson and to make it easier on myself, I used the idea I got from Herbert Puchta, only mine was not any error correction technique and it stayed displayed proudly on the wall for a good few years. In the beginning, I really had to do a lot of pointing and waving at the word, later, the habit was developed and the kids (yes, as early as in year 1 of primary!) started to use the word without any reminders whatsoever. They were producing the language and lots of it!

My two favourite because-related moments from the classroom have been those:

  • when we talk about things, someone is telling us how they are and I, somehow, forget to ask ‘Why?‘ or I am just too slow with it, there is always a voice (or two or three) taking over and kindly suggesting ‘Because…‘, with this perfect rise in the intonation, the voice trailing off in an invitation to continue. I wonder where they got that from!
  • when we talk about pictures or we retell the story or we describe something that happened at school on the day and, by accident, I want to take over and move on and, in response, I get my own because back, in an interjection, and again, with the intonation perfectly matching the purpose (‘I have NOT finished yet‘) and I am thinking to myself: ‘Oh dear, I cannot shut them up!’ which is, by far, my favourite teacher’s complaint.

*) ‘Can’ or ‘must’?:-))

The one thing to teach your kids is…’I think’.

Initially, I wanted to have a pretty post, ‘one phrase per age group’ but I realised that I simply cannot NOT mention ‘I think’ and the impact it had on my primary school students.

Unlike the previous item, here I cannot even remember how it came about and how I first introduced it. It has always been in the air. I know that I use it a lot to slow the kids down and to signal to them not to rush through tasks (i.e. ‘Think and write’) or to encourage them when they are struggling (i.e. ‘Think about it’ when I know that they do know it and it is only necessary to rack through their brains). We had used it a lot in different stories (‘Elmer was thinking and thinking and then he had an idea!’) and a while ago we also introduced ‘Thinking time’ as an official preparation stage for projects and role-plays. Thinking has been with us, only it is not quite clear for how long.

For the reason, when we got to practise expressing the opinion in winter last year (around the middle of A1 / Movers), I did not even bother to check the meaning of it and the question ‘What do you think about it?’ and the answer ‘I think it is interesting / boring / exciting etc’, the adjectives were the main aim and the focus. For me, at least.

What my students took out of this lesson for the rest of the course (and life!) was the little ‘I think’, which is essentially only an introduction and which is slightly unnecessary even. An opinion can surely be expressed without it. ‘Maths is easy‘ expresses the same view as ‘I think Maths is easy.’ Or so one would think.

I noticed, in the lesson in which we used it consciously for the first time and in the lessons afterwards, last year and this year, that my students began to start adding ‘I think‘ everywhere. ‘I think it is beautiful’, ‘I think it is easy‘, ‘I think he is sad‘, ‘I think it is a cat’And I think it is a dog‘ and so on. ‘I think’ gave them an opportunity to personalise the message, to signal the autonomy of that message (since by making it subjective you kind of accept that other people will have or may have a different view) and, I suppose, by doing so, it made the message more adult and more serious. And they simply and visibly adored it. Maybe because they were only 7 or 8 or 9 at the time.

As I said, I don’t quite remember the start of that adventure and I am not quite sure when the good time to introduce really is. What I know, though, is that the next time I am starting the group, ‘I think’ will be on the list of things to think about.

The one thing to teach your teens is…’What do you think about it?’

There are many phrases that were shortlisted for this paragraph because of the difference they made to the way my teens interacted with the world in the English lesson, ‘I agree‘ and ‘I don’t agree‘ or ‘On the one hand…on the other hand‘ among them but the real deal-breaker was ‘What do you think about?

This phrase, especially with a special stress on ‘you’ (‘What do you think about it?’) has become the wonderful phrase that helped my teens really get engaged and communicate in a really interactive way, not only expressing their opinion, agreeing and disagreeing but also to boomerang the conversation properly by involving the other participant or participants. I mean, truth be told, I know that they did it mostly to avoid making too much effort and producing extensively and this line has become a fantastic and polite tool which they used to dodge the ball. Of course, they produced, too but I just had a lot of fun observing how by trying to be super clever they were involved in a conversation that would give them some high marks during the speaking part of the FCE exam.

The one thing to teach your adults is…’it depends‘.

Especially if your adults are shy, not naturally very talkative and a messy A2 level. Especially if they have already experienced some failures and disappoinment while learning Engllish and when they current progress is closely related to the promotion at work. Or the lack of. Especially if, due to all the factors mentioned above, they reply with single words (the teacher sighs) or when they just say, in their L1: ‘I don’t know what to say’ (the teacher sighs again).

‘It depends’ came to us by accident. It was not a part of any text, a listening task or a functional language phrases lesson. It was a part of the emergent lesson but because I take notes of that and send these back to the students, it stayed with us. And what joy!

I can say with all the confidence that my students, in this one (1) group have wholeheartedly adopted the phrase and made it theirs. First of all, it is this gold key that opens the discourse. You cannot just answer with ‘It depends’ and stop there. You have to continue and explain at least the two different ways at looking at the issue. Especially if your teacher is raising her eyebrows and nodding encouragingly. What’s more, I have noticed that they like using it consciously as a natural time-bying tool that gives them the benefit of a few precious seconds to come up with an idea and a way of formulating it in English. Oh, what a find, this phrase!

The one thing to teach your teachers to use and to remember about is…’but’

This one is here as a joke only. I don’t need to teach my teachers any English, of course, but, as a trainer, this is the one word that I would like them to remember to use whenever they consider the theory of child development and the methodology of working with young learners. Or even while going through the teacher’s book and adapting the activities. This little but powerful word is everything you need to be equipped with to ensure that they always keep thinking of all the exceptions to all the rules and that the most important point of reference are the people in the classroom, not some non-existent ideal students or typical five-year-olds and all the other YL cliches.

Happy teaching!

A lesson, in structures. Notes from the classroom

The academic year has just finished.

We had our final lesson, we learned and we had a little online party, with snacks and dances. The final reports and the diplomas have all been sent out and it was only a few days later that, during a walk, I caught myself thinking that we have had a very good year in the classroom and I am really happy with what my kids have learned and how they have progressed.

I am here basically taking notes of where we got by the end of the year, not to forget how many structures and how much language can be squeezed in a lesson. Obviously, that is not everything and there is always room for improvement. Obviously, adaptations have to be considered for the younger, the older, the smaller or the bigger groups, the longer or the shorter classes…

Here is my group: 6 kids, (mostly) in their second year of learning English, 4, 4, 5, 5, 6 and 6 years old, for 60 minutes once a week (or 45 minutes when online), amazing parents included.

Here is my lesson, in structures…

Getting in

  • Hello, how are you? (I’m ok)
  • Where are you sitting? (A blue table and a pink stool (while putting the books down and while sitting down)
  • What have you got today? (I’ve got a spider (in the online classroom, showing us what they have brought or what is lying around)
  • Are you eating or drinking? (I’m eating. I’m drinking (online)
  • What are you eating / drinking? (I am eating cherries. I am drinking water (online, they bring snacks to the lesson)
  • Do you like bananas? (Yes, I do (an activity we played while walking into the classroom, they used to do it in pairs, the one entering and the one right behind them in line, with the flashcards they picked from the pile)
  • How many students have we got today? (Six. One boy and five girls. One teacher (before the hello song. Sometimes we also add: Who is not here?)
  • Where is Sasha? (Sasha is not here. She is ill) Here, it was the students who started to ask about the missing kids and for that reason we introduced the question. The kids were asking, the teacher was answering).
  • Who is it? (It is Sasha. It is Misha) This was something that we did only in the classroom and it was our reaction to kids coming late. Even in the classroom we could hear the main door bell (or answer phone) ring and we started to play the game trying to guess who might be coming through the door next. It was especially fun when a few kids were being late and, of course, we could play it only on some days:-)
  • Did you do your homework? (Yes. (online: we check the homework together, taking turns, classroom: there is more 1-1 interaction as we check the homework as the kids are walking in)

Hello circle

  • How do you feel today? (I am very happy, a little angry and very, very sleepy (online: we use the presentation, I am arranging the icons for each child, classroom: we use our faces flashcards, at this point we have about 12 in active use. Btw, at this point the kids are asking these questions to each other)
  • What’s the weather like today? (It is sunny (online: the presentation, classroom: we look outside of the window)
  • Who is wearing a t-shirt? (Not me / I am. I am wearing a blue t-shirt (online: presentation, classroom: flashcards)

Revision

  • What’s your favourite colour / pet / fruit? (I like green / cats / bananas (online: presentation, classroom: flashcards)
  • How is your mum? (My mum is happy (online: wordwall spinner, classroom: flashcards or dice, we usually do three family members)
  • What’s my secret? Look at me (It’s a car! It’s a train (used for the revision of pretty much any vocabulary, with the teacher and then the students miming their chosen word and the other kids guessing)
  • What’s my secret? It is big, it is loud, it is fast, it is red (It’s a rocket (used for description riddles, online: we use symbols on the chart to remember what to talk about or the discourse clock, offline: we use flascards. The aim here is to encourage the kids to make riddles, too, but with this particular group we haven’t got to the stage of the SS-led game)
  • Cat, how do you get to school? (I go to school by train (online: we use miro, the kids are producing the language, I am moving the images, the cat is actually getting on thet train, classroom: we use flascards, the kids put the animals on the transport)
  • I can see two cats. Yes or not? (No, I can see three cats (we use one picture, the teacher is producing, the kids are listening and correcting)
  • I can see a black cat. (I can see an orange cat (here we use two different pictures and we are looking for differences, the teacher describes picture A, the kids, in turns, describe picture B)

Songs and movement

  • Which song do you want to sing, Baby Shark or Old McDonald’s? (Let’s sing Baby Shark (while choosing the song, when we could choose)
  • Are you sitting or are you standing? (I am sitting. I am standing (while choosing what we want to do during the song)
  • Do you like the song? (I like it, I don’t like it (to ask after a new song is introduced. It is another activity in which the structure can be used but it is also good to find out if they like the song or not)
  • What’s your favourite shark / farm animal? (I like mummy shark (a short personalisation activity after a song)
  • Mummy shark is green. Yes or no? (No, mummy shark is pink (and more follow-up task, that can be used with pretty much any song)
  • Is it easy or difficult? (It’s easy. It’s difficult (another idea for a follow-up after a song, it works best with the more active songs such as Move, I am normally the one that struggles with some of the actions and the kids adore them)
  • Abracadabra, 123, you are a cat (Kids don’t really respond here, their only task is to mime a cat. However, the main aim here is to let the kids lead the game as soon as it is possible and once they do, they start producing a lot of language. The other variations include: You are a happy cat. You are a big happy cat. You are dancing. You are a cat and you are dancing)
  • Anka in the circle. Katya in the circle. Who’s next? (Sasha in the circle (classroom: we are getting up and making a circle before starting the first song. There is a follow-up: Let’s make a small circle. Let’s make a big circle.

Focused task

  • Are you ready? (Yes, I am) or I’m ready (I’m ready) (as we are sitting down in the classroom or as we are settling down in the online classroom)
  • I’ve got my book (I’ve got my book) (again, in the online or the offline classroom as we are getting ready for the task. We use it for the handouts in the online lessons, too. In the classroom, I would ask one of the kids to help hand these out. They would be saying: ‘One of Katya. One for Sasha’ and so on while giving them out. Only afterwards we would go ‘I’ve got my paper’)
  • You need one colour / three colours. What colour do you want? (Blue, please) while we were getting ready for the task, applicable in the offline classroom)
  • I’m taking blue (or, when appropriate: My car is blue) (I’m taking green. My car is green) We use these in the online lessons or in those lessons when the kids are given their whole set of markers or crayons to use. Sometimes we use ‘I’m taking’ when we only connect the dots, draw lines etc. When it is used for colouring, I prefer the describe the final product as it seems to be more natural in that case)
  • I’ve finished (I’ve finished) when the task or a part of the task is completed)
  • Close your books. Put the markers in the box.
  • There are also many specific task or specific craft-related verbs and instructions but it is impossible to add them all here.

Storytelling

  • Which story are we going to read, this one or this one? (This one) This is applicable only when we have two stories to choose from
  • Who is it? What is he doing? Is he big or small? Is he happy? Is he at home? (It’s a boy. He is sitting. He is big. He is sad. He is in the park) We talk about the character of the book, usually looking at the cover page. However, sometimes (like in case of Barry and the Scary Monster) it is much better to use one of the inside illustrations as the cover page reveals too much, you can see the monster and I like to keep him a surprise until a bit later in the game)
  • Do you like the story? (I like it / I don’t like it) This is the question we always ask at the end of the story)
  • Are you happy? How do you feel now? (I am happy) This one is also a follow-up question and it gives the kids a chance to express their emotions at the end of the story. Sometimes I use it during the story. It might be a good idea to pause and to gauge the audience to check and to ensure that the kids are not getting scared (re: Barry and the monster) or too sad (re: the little mouse in Playway 1. This is a topic that would perhaps deserve its own post, dealing with emotions in storytelling lessons, but when the character is getting too upset, I comfort him (It’s ok, mouse, don’t cry) or I suggest that the kids can close their eyes or look away)
  • What’s your favourite fish? (I like this one. I like the blue fish) one of the simpler follow-up activities)

Goodbye

  • Let’s sit down: we have homework, goodbye song and stickers (while we are getting ready for finishing the lesson. By the end of the year I am only counting on my fingers and the kids are enlisting what is left to do. I only need to correct the order, sometimes.)
  • I’ve got my homework (I’ve got my homework) only applicable in the offlince classroom when the homework is not in the book).
  • How many stickers are we getting today? Are you taking a sticker? We have got farm, sea animals and space. Which one do you want? (Three stickers. Yes, please. No, thank you. Farm, please) This is only applicable in the classroom. With my online pre-school groups we haven’t started giving out the online stickers and, although we shifted online half-way through the year when the kids were already used to stickers, they did not mind, they did not ask for stickers. I did not want to introduce the online stickers because we had too many new things at this point due to switching online. I did not want to add up to that.

Notes

  • Interaction: in most cases, kids answer in a messy choir manner (I am giggling because I have just come up with that term) and that is: they respond to the question in their own time, to produce the language, more or less at the same time. I am keeping an eye and sometimes I have to call out those that missed the moment and did not produce. We have been studying together for two years so by now this type of interaction has become a routine. There are also situations, especially with the new structures or in case of a very important message (well, you know:-) when I call them out one by one. However, since there are six of them it cannot be every single time. There are also questions and structures that the kids lead and they choose one of the other kids to answer.
  • L2 and L1: most children, most of the time reply in the way that is the preschool teacher’s dream: in a full sentence and in English. However, kids are kids and they are beginner learners so of course that would not happen in 100% of cases. Sometimes they use single words (because kids do) and sometimes they thrown in three other sentences to tell me why their mum is happy today and that is just the way it is. I am doing my best to promote English only in the classroom but my kids are 4 or 5 and it does not happen overnight. But it does happen eventually.
  • Activities: I do not use every single activity in every lesson but I do like to repeat them in order to ensure that the basic structures feature more or less regularly
  • Outcomes, before and after: This is our regular lesson in level 2 which is the middle level. As regards my level 1 students – they have been exposed to some of these structures from the very beginning and, for example, in December, after only four months of studying, they already had about ten adjectives to describe emotions at their disposal whereas all the other structures were introduced gradually and, as can be expected, the main aim for some of them was only the exposure. As regards level 3, we managed to expand the range of these structures, make them natural and get to the point when the kids would be using them spontaneously.

Happy teaching!

Crumbs #35: Interaction patterns: a messy choir

Ingredients

  • Any drilling activity, any Q&A game, practice or drill, any Finish the sentence activity
  • Online or offline
  • Resources as usual: wordwall games, flashcards, posters, puppets, miro

Procedures

  • I will describe the procedures for one of the games that we played in the messy choir manner with the use of the wordwall flashcards. It was done with a group of level 3 pre-schoolers and we used it to supplement Playway 3 (Puchta, Gerngross, CUP) materials.
  • The kids were sitting on the carpet looking at the screen. The teacher showed the cards and asked ‘Are you scared of lions?’ and the kids would answer ‘I’m scared’ or ‘I’m not scared’. They would behave precisely like a messy choir – kind of doing the same thing but totally (and purposefully) out of sync. The main aim here is not harmony or timing but production.
  • The teacher was participating, too, to model and to encourage production.
  • Later on, in the following lessons, the individual students were asked to lead the game and ask the questions. Everyone was answering.
  • The key element here is the slow (but not too slow) pace, without rushing through, giving the kids the ample time to make a decision, to be ready to speak and to be heard.
  • The teacher sometimes had to pause and ask the individual students ‘And you, Sasha?’, but it was more necessary during the introductory stages of the whole approach, to signal to the kids that, despite that being a whole class activity, the teacher is listening and paying attention and curious what everyone has to say.

Why we like it

  • It is especially useful with the pre-school or primary classes, especially those bigger ones. It can be a nice alternative to choral drilling (which can become boring if used constantly) and to 1-1 exchanges (which have to be limited in larger groups as they will be taking a lot of the lesson time and they might have negative implications for classroom management as kids get bored waiting for their turn and they start looking for something to do)
  • It does take some time for the kids and for the teacher to get used to. The kids take time to realised that despite the fact that they speak all at once everyone will be heard and acknowledge and that it is not necessary to shout or speak loudly or that, indeed, they are allowed to take their time to answer. The teacher needs time to slow it down, too, to wait for everyone to produce the language, to call out those who might not have answered or wait for those who are taking their time. Like with anything, the task requires staging and scaffolding and time.
  • The shy students still get ‘the protection’ of the group. They are not in the spotlight but at the same time they are not left to their own devices.
  • It resembles a natural conversation.
  • It might lead to extended production ie in the activity described above some kids will only say ‘I’m scared’ or ‘I am not scared’, some others (and when ready) might want to expand that and provide a rationale ie ‘I like snakes. They are beautiful’.
  • I think the main benefit of this approach is that it contributes to the general atmosphere that I want to have in my classroom and that is: we talk when we have something to say, not only when the teacher asks a question.

Happy teaching!

Teaching grammar in pre-school?

This article was (and is) a double joy.

First of all, it got published in the Modern English Teacher in May 2022.

Apart from that, there are also these two videos that I would like to share with you

  • My MET Contributor Interview which you can find here
  • And the Pavillon ELT Vlog with Damien aka his take on my ideas which you can find here

Enjoy!

Happy teaching!