The list below is the result of brainstorming I decided to include in the session devoted to working with coursebooks, as part of the Teaching YL Course I ran recently. We were trying hard to stay away from the word ‘realistic’. The whole activity was more like writing a letter to Santa and asking for a unicorn, knowing that, most likely, it is not going to happen, but…
A perfect coursebook for primary school children learning English includes (in an alphabetical order):
a set of simple boardgames that could be used with a variety of activities
cartoons series, to support the early literacy development
characters: a combination of real children communicating and fantasy heroes
Content and Language Integrated Learning activities
flashcards
games ideas and suggestions
agrammar book to support grammar practise
a presentation kit for teachers
an appropriate level of challenge throughout the each unit, each level and the entire course and ideas how to manipulate it for the more or less talented children
a literacy skills development curriculum, thorough and detailed
mini-flashcards, photocopiable
mixed ability groups ideas and suggestions
an online component
activities that help to set up pair-work
posters
preparation for Cambridge YLE
project ideas and suggestions
songs
stickers activities
stories
a student book
a teacher’s book
a variety of visuals: photographs, drawings, paintings
a video course for teachers
a workbook
It struck me that nobody mentioned testing or assessment. Either we don’t see it as a part of the coursebook and one of the course components or, perhaps, we just don’t care that much about testing
Then, of course, I went online, to have a look at what the major publishers have on offer and I found some nice surprises such as lots of time and effort invested in creating the online components but also some more traditional ones such as posters or home booklets (kind of graded, coursebook-related magazines for kids), wordcards or professional development programme, to name just a few.
I will take it as a good sign. Here is to even better coursebooks and to publishers listening to teacher.
Happy teaching!
P.S. Anything else to add to the list? What do you think?
We had our final lesson, we learned and we had a little online party, with snacks and dances. The final reports and the diplomas have all been sent out and it was only a few days later that, during a walk, I caught myself thinking that we have had a very good year in the classroom and I am really happy with what my kids have learned and how they have progressed.
I am here basically taking notes of where we got by the end of the year, not to forget how many structures and how much language can be squeezed in a lesson. Obviously, that is not everything and there is always room for improvement. Obviously, adaptations have to be considered for the younger, the older, the smaller or the bigger groups, the longer or the shorter classes…
Here is my group: 6 kids, (mostly) in their second year of learning English, 4, 4, 5, 5, 6 and 6 years old, for 60 minutes once a week (or 45 minutes when online), amazing parents included.
Here is my lesson, in structures…
Getting in
Hello, how are you? (I’m ok)
Where are you sitting? (A blue table and a pink stool (while putting the books down and while sitting down)
What have you got today? (I’ve got a spider (in the online classroom, showing us what they have brought or what is lying around)
Are you eating or drinking? (I’m eating. I’m drinking (online)
What are you eating / drinking? (I am eating cherries. I am drinking water (online, they bring snacks to the lesson)
Do you like bananas? (Yes, I do (an activity we played while walking into the classroom, they used to do it in pairs, the one entering and the one right behind them in line, with the flashcards they picked from the pile)
How many students have we got today? (Six. One boy and five girls. One teacher (before the hello song. Sometimes we also add: Who is not here?)
Where is Sasha? (Sasha is not here. She is ill) Here, it was the students who started to ask about the missing kids and for that reason we introduced the question. The kids were asking, the teacher was answering).
Who is it? (It is Sasha. It is Misha) This was something that we did only in the classroom and it was our reaction to kids coming late. Even in the classroom we could hear the main door bell (or answer phone) ring and we started to play the game trying to guess who might be coming through the door next. It was especially fun when a few kids were being late and, of course, we could play it only on some days:-)
Did you do your homework? (Yes. (online: we check the homework together, taking turns, classroom: there is more 1-1 interaction as we check the homework as the kids are walking in)
Hello circle
How do you feel today? (I am very happy, a little angry and very, very sleepy (online: we use the presentation, I am arranging the icons for each child, classroom: we use our faces flashcards, at this point we have about 12 in active use. Btw, at this point the kids are asking these questions to each other)
What’s the weather like today? (It is sunny (online: the presentation, classroom: we look outside of the window)
Who is wearing a t-shirt? (Not me / I am. I am wearing a blue t-shirt (online: presentation, classroom: flashcards)
Revision
What’s your favourite colour / pet / fruit? (I like green / cats / bananas (online: presentation, classroom: flashcards)
How is your mum? (My mum is happy (online: wordwall spinner, classroom: flashcards or dice, we usually do three family members)
What’s my secret? Look at me (It’s a car! It’s a train (used for the revision of pretty much any vocabulary, with the teacher and then the students miming their chosen word and the other kids guessing)
What’s my secret? It is big, it is loud, it is fast, it is red (It’s a rocket (used for description riddles, online: we use symbols on the chart to remember what to talk about or the discourse clock, offline: we use flascards. The aim here is to encourage the kids to make riddles, too, but with this particular group we haven’t got to the stage of the SS-led game)
Cat, how do you get to school? (I go to school by train (online: we use miro, the kids are producing the language, I am moving the images, the cat is actually getting on thet train, classroom: we use flascards, the kids put the animals on the transport)
I can see two cats. Yes or not? (No, I can see three cats (we use one picture, the teacher is producing, the kids are listening and correcting)
I can see a black cat. (I can see an orange cat (here we use two different pictures and we are looking for differences, the teacher describes picture A, the kids, in turns, describe picture B)
Songs and movement
Which song do you want to sing, Baby Shark or Old McDonald’s? (Let’s sing Baby Shark (while choosing the song, when we could choose)
Are you sitting or are you standing? (I am sitting. I am standing (while choosing what we want to do during the song)
Do you like the song? (I like it, I don’t like it (to ask after a new song is introduced. It is another activity in which the structure can be used but it is also good to find out if they like the song or not)
What’s your favourite shark / farm animal? (I like mummy shark (a short personalisation activity after a song)
Mummy shark is green. Yes or no? (No, mummy shark is pink (and more follow-up task, that can be used with pretty much any song)
Is it easy or difficult? (It’s easy. It’s difficult (another idea for a follow-up after a song, it works best with the more active songs such as Move, I am normally the one that struggles with some of the actions and the kids adore them)
Abracadabra, 123, you are a cat (Kids don’t really respond here, their only task is to mime a cat. However, the main aim here is to let the kids lead the game as soon as it is possible and once they do, they start producing a lot of language. The other variations include: You are a happy cat. You are a big happy cat. You are dancing. You are a cat and you are dancing)
Anka in the circle. Katya in the circle. Who’s next? (Sasha in the circle (classroom: we are getting up and making a circle before starting the first song. There is a follow-up: Let’s make a small circle. Let’s make a big circle.
Focused task
Are you ready? (Yes, I am) or I’m ready (I’m ready) (as we are sitting down in the classroom or as we are settling down in the online classroom)
I’ve got my book (I’ve got my book) (again, in the online or the offline classroom as we are getting ready for the task. We use it for the handouts in the online lessons, too. In the classroom, I would ask one of the kids to help hand these out. They would be saying: ‘One of Katya. One for Sasha’ and so on while giving them out. Only afterwards we would go ‘I’ve got my paper’)
You need one colour / three colours. What colour do you want? (Blue, please) while we were getting ready for the task, applicable in the offline classroom)
I’m taking blue (or, when appropriate: My car is blue) (I’m taking green. My car is green) We use these in the online lessons or in those lessons when the kids are given their whole set of markers or crayons to use. Sometimes we use ‘I’m taking’ when we only connect the dots, draw lines etc. When it is used for colouring, I prefer the describe the final product as it seems to be more natural in that case)
I’ve finished (I’ve finished) when the task or a part of the task is completed)
Close your books. Put the markers in the box.
There are also many specific task or specific craft-related verbs and instructions but it is impossible to add them all here.
Storytelling
Which story are we going to read, this one or this one? (This one) This is applicable only when we have two stories to choose from
Who is it? What is he doing? Is he big or small? Is he happy? Is he at home? (It’s a boy. He is sitting. He is big. He is sad. He is in the park) We talk about the character of the book, usually looking at the cover page. However, sometimes (like in case of Barry and the Scary Monster) it is much better to use one of the inside illustrations as the cover page reveals too much, you can see the monster and I like to keep him a surprise until a bit later in the game)
Do you like the story? (I like it / I don’t like it) This is the question we always ask at the end of the story)
Are you happy? How do you feel now? (I am happy) This one is also a follow-up question and it gives the kids a chance to express their emotions at the end of the story. Sometimes I use it during the story. It might be a good idea to pause and to gauge the audience to check and to ensure that the kids are not getting scared (re: Barry and the monster) or too sad (re: the little mouse in Playway 1. This is a topic that would perhaps deserve its own post, dealing with emotions in storytelling lessons, but when the character is getting too upset, I comfort him (It’s ok, mouse, don’t cry) or I suggest that the kids can close their eyes or look away)
What’s your favourite fish? (I like this one. I like the blue fish) one of the simpler follow-up activities)
Goodbye
Let’s sit down: we have homework, goodbye song and stickers (while we are getting ready for finishing the lesson. By the end of the year I am only counting on my fingers and the kids are enlisting what is left to do. I only need to correct the order, sometimes.)
I’ve got my homework (I’ve got my homework) only applicable in the offlince classroom when the homework is not in the book).
How many stickers are we getting today? Are you taking a sticker? We have got farm, sea animals and space. Which one do you want? (Three stickers. Yes, please. No, thank you. Farm, please) This is only applicable in the classroom. With my online pre-school groups we haven’t started giving out the online stickers and, although we shifted online half-way through the year when the kids were already used to stickers, they did not mind, they did not ask for stickers. I did not want to introduce the online stickers because we had too many new things at this point due to switching online. I did not want to add up to that.
Notes
Interaction: in most cases, kids answer in a messy choirmanner (I am giggling because I have just come up with that term) and that is: they respond to the question in their own time, to produce the language, more or less at the same time. I am keeping an eye and sometimes I have to call out those that missed the moment and did not produce. We have been studying together for two years so by now this type of interaction has become a routine. There are also situations, especially with the new structures or in case of a very important message (well, you know:-) when I call them out one by one. However, since there are six of them it cannot be every single time. There are also questions and structures that the kids lead and they choose one of the other kids to answer.
L2 and L1: most children, most of the time reply in the way that is the preschool teacher’s dream: in a full sentence and in English. However, kids are kids and they are beginner learners so of course that would not happen in 100% of cases. Sometimes they use single words (because kids do) and sometimes they thrown in three other sentences to tell me why their mum is happy today and that is just the way it is. I am doing my best to promote English only in the classroom but my kids are 4 or 5 and it does not happen overnight. But it does happen eventually.
Activities: I do not use every single activity in every lesson but I do like to repeat them in order to ensure that the basic structures feature more or less regularly
Outcomes, before and after: This is our regular lesson in level 2 which is the middle level. As regards my level 1 students – they have been exposed to some of these structures from the very beginning and, for example, in December, after only four months of studying, they already had about ten adjectives to describe emotions at their disposal whereas all the other structures were introduced gradually and, as can be expected, the main aim for some of them was only the exposure. As regards level 3, we managed to expand the range of these structures, make them natural and get to the point when the kids would be using them spontaneously.
Any drilling activity, any Q&A game, practice or drill, any Finish the sentence activity
Online or offline
Resources as usual: wordwall games, flashcards, posters, puppets, miro
Procedures
I will describe the procedures for one of the games that we played in the messy choir manner with the use of the wordwall flashcards. It was done with a group of level 3 pre-schoolers and we used it to supplement Playway 3 (Puchta, Gerngross, CUP) materials.
The kids were sitting on the carpet looking at the screen. The teacher showed the cards and asked ‘Are you scared of lions?’ and the kids would answer ‘I’m scared’ or ‘I’m not scared’. They would behave precisely like a messy choir – kind of doing the same thing but totally (and purposefully) out of sync. The main aim here is not harmony or timing but production.
The teacher was participating, too, to model and to encourage production.
Later on, in the following lessons, the individual students were asked to lead the game and ask the questions. Everyone was answering.
The key element here is the slow (but not too slow) pace, without rushing through, giving the kids the ample time to make a decision, to be ready to speak and to be heard.
The teacher sometimes had to pause and ask the individual students ‘And you, Sasha?’, but it was more necessary during the introductory stages of the whole approach, to signal to the kids that, despite that being a whole class activity, the teacher is listening and paying attention and curious what everyone has to say.
Why we like it
It is especially useful with the pre-school or primary classes, especially those bigger ones. It can be a nice alternative to choral drilling (which can become boring if used constantly) and to 1-1 exchanges (which have to be limited in larger groups as they will be taking a lot of the lesson time and they might have negative implications for classroom management as kids get bored waiting for their turn and they start looking for something to do)
It does take some time for the kids and for the teacher to get used to. The kids take time to realised that despite the fact that they speak all at once everyone will be heard and acknowledge and that it is not necessary to shout or speak loudly or that, indeed, they are allowed to take their time to answer. The teacher needs time to slow it down, too, to wait for everyone to produce the language, to call out those who might not have answered or wait for those who are taking their time. Like with anything, the task requires staging and scaffolding and time.
The shy students still get ‘the protection’ of the group. They are not in the spotlight but at the same time they are not left to their own devices.
It resembles a natural conversation.
It might lead to extended production ie in the activity described above some kids will only say ‘I’m scared’ or ‘I am not scared’, some others (and when ready) might want to expand that and provide a rationale ie ‘I like snakes. They are beautiful’.
I think the main benefit of this approach is that it contributes to the general atmosphere that I want to have in my classroom and that is: we talk when we have something to say, not only when the teacher asks a question.
‘Anka, what about the pirates?’ was the thing I heard on Tuesday. The sentence was uttered in the middle of the lesson, in absolutely no relation to anything that happened, apart from the fact that the theme of the unit is the sailors, the mysteries of the sea, The Mary Celeste and I may have, at one point, mentioned pirates in passing. They did notice (of course), they did remember (naturally) and they waited for the best moment to use it against me. Obviously.
The funniest thing about it was the tone of voice that my kids used in that kind of situations and it is probably one of the things that I should add to the list of all the outcomes and consequences of working with a group for a prolonged period of time (you can find the post here). This tone of voice is a wonderful mix of a gentle scorn, a genuine inquiry, an honest plead and a teeny tiny layer of sarcasm. My kids are so good at it that they can squeeze it all in one word. Sometimes they just say ‘Anka‘ and it says it all…
Anyway, we did the Pirate Lesson, all the details and materials below. Enjoy!
The lovely boats I found in my hotel. A potential idea for a craft activity…
Ingredients
Limited: we are online
Coursebook material: Superminds 5, CUP, Puchta and Gerngross, unit 9
The level: A2 (we are finishing), the group: 7 kids, the age: 7 – 10 y.o.
A pirate’s flag. Anka’s version
Procedures
First of all, the kids have to remind you that there was a time when you might have mentioned that a pirate lesson might, potentially, happen at one point. After which you forgot (after all, it is May, the end of the school year) and after which they remind you and you are crazy enough to make a huge effort to make time for the planning of such a lesson). But it is worth it)
There were no preparations for the students, this lesson came as a bit of a surprise. I was considering to ask the parents to let the kids dress up for that but then decided not to. I thought that we would make things up as we move on. We did.
I prepared my own headscarf, my ‘parrot’ and, again, I was considering preparing an eye patch but since I was not at home but in the middle of the forest and the craft resources and materials were scarce, I gave up on it, too)
I prepared the powerpoint (which I hope you can access) but this is something that I create for every lesson anyway.
A pirate’s parrot. Anka’s version
Why we liked it
From the teacher’s perspective, it was a rather successful merge of a thematic lesson and the coursebook material and I am quite happy with how it went. We managed to include lots of what we were supposed to cover anyway such as the Present Perfect practice and the skills development but it turned out that it was possible to present it to the kids within a theme that was interesting.
The kids liked it because it was something different to a regular lesson, we did a lot of pirate things (the name, the flag, the treasure hunt and the stories), we could play a bit and we really did have fun.
I came dressed up, with a headscarf on and I introduced my parrot, Angelina (who in her real life is a hen and has been my class puppet for a few years now but who got to perform the role of the pirate’s parrot). True, every time I said ‘my parrot’, my kids would correct me (‘Anka, it’s a hen’) but by the end of the lesson one of my other kids introduced his real hamster (and the love of his life at this point) as the parrot and yet another one gave this role to his rucksack (which should also be written like that: Rucksack, since he featured in our stories in the past with his own adventures). One of my girls put on a scarf, too and one of the boys switched off the camera in the middle of the lesson, to come back a few minutes later, this time wearing his mum’s scarf on his head and a paper eye-patch on a string…One of my students’ younger sister joined us half-way through the lesson and asked for her own pirate name, too.
The kids were really active during the role-play between the captain and the cabin boy. They even did remember to play with the intonation with the ‘But what?’ question from the captain. I was moving in-between the breakout rooms and laughing, basically. One of my students could not open the wordwall games so we agreed that he could come up with his own ideas (and these were brilliant) and some other kids started to add their own questions, leaving the wordwall behind.
We used the Weird Echo game again, this was the second time and it went very well. You can find its description in a separate post.
I wish we had more time for the storytelling of how we met the sea creatures. If I had a chance to teach this lesson again, I would have planned it as a homework task or we would have continued in the following lesson. We might still do it, actually. There are still a few lessons left until the end of the academic year. If we do, you can definitely expect the follow-up post here!
I personally loved my pirate name, Captain Anka O’Reily and I think the kids liked theirs, too. Whenever I made a mistake of addressing the students (or myself) using their ‘regular’ names, I was kindly reminded that that’s not how we do it. We also had a giggle because the O’Reily family was well-represented on our ship, since two of my students also celebrate their birthdays in November. The pirates on the board of our Superminds 5 ship were as follows: Captain Anka O’Reily, Captain Alejandro O’Malley, Bubbles Dasha O’Reily, Skipper Tonya O’Reilly, Hamster Jack Sparrow, Charming Timour Bailey, Skipper Eva Bailey and, for a part of the lesson, Ship-mate Ulya Jones.
I was really happy when I found the bamboozle game. I think it is a perfect example how a relatively simple game can be adapted and used in order to give the lesson this special flavour that we want. The students did not really learn any new words as those that popped up in the game were already familiar to them and, I suppose, you could say that we got a great opportunity to practice the long /ɑːr/ sound but that was not quite my main aim here. For a few minutes there we were loud and giggly but we were talking like pirates and it was a perfect finishing touch to this lesson.
The one disadvantage? Well, I am thinking of the coming-up lesson on Tuesday and the first thought that appears in my head is: ‘What, a normal lesson? BOOOORING’ so, I am afraid, I will have to come up with something…
A beautiful bird from the folk embroidery patterns, traditional in the area of Kashuby (the north of Poland)
Ingredients
A grammar structure, for us it was the Present Perfect sentences with yet and answers with already and yet. If you are interested in the lessons that it was used, you can find out more here. I will present it based on this particular structure, but, naturally, the game can be used with a variety of structures, too.
A group of kids
The whiteboard where to present the pattern and the options, the online whiteboard or just a slide in your presentation.
Procedure
Introduce the structure in anyway you find appropriate. This time I actually used the coursebook materials (Superminds 5, CUP, Puchta and Gerngross) and the idea of the uncle sailor who has visited some countries and who has not visited some other ones, not yet anyway. And it must have been this activity that inspired me to come up with the game)
There is a set of pictures of all the flags in the coursebook and we used these flags in a simple controlled, drill-like activity: the teacher calls out the name of one of the countries, the kids (and the teacher) react by producing true sentences about themselves, based on whether they have visited these countries or not yet. The slide for this activity looked more or less like that:
After a few rounds, the kids take over and call out the countries from the list. After a few more rounds, they are allowed to call out the countries not included in the coursebook as well as any other places, countries, cities and famous places ie Germany, Dubai, Saint Petersburg, the Tretyakov Gallery etc.
In the following lesson, we went one step further. And then more. After we checked the homework, I showed another slide, with four variations of things we have already eated, drunk, seen and the places we have been to that day. The slide looked more or less like that:
First, the teacher models the activity, with each of the versions, for example a banana, coffee, the bathroom, my friend and the students react, producing the relevant sentences. After that, the students take over and lead the activity.
All the other versions which may appear ie written a test are allowed.
Why we like it
The game is an opportunity to practise the target langauge in a controlled way with some (albeit not a lot) freer practice and some personalisation.
It is also an opportunity to drill the structure, to perfect the intonation and the sentence stress. It can be done chorally (the kids produce all the sentences together which is less risky and much safer, especially for the shy students) or taking turns. In real life, the activity was a mixture of both and I simply let it be, although, of course, the teacher can insist on either choral or individual production.
Very little preparation, if any. In the first part of the task, we were able to use the coursebook materials, the visuals (the flags) and the model sentences which were already on the page. The second part required the model sentences on display, at least in the beginning. This was the first time we played this game. I suppose these will be less necessary in the future.
There is a lot of potential for students’ involvement: first of all, they are personalising, sharing some details from their life. But of course, there is more to that – the students are also invited to lead the game and to suggest topics, places, food, things they are interested in. This also helps to make the activity memorable.
We did it as a whole class but it can be done in small groups or teams, too.
I created it for the lesson on the Present Perfect but I believe that it can be used with the other structures, with slight adaptations ie the Present Simple and the adverbs of frequency (T: watch the news, SS: I never watch the news, I always watch the news), the Past Simple structures (T: go to school, SS: I went to school, I didn’t go to school), or the adjectives to express opinions (T: Maths, SS: Maths is easy, Maths is difficult) etc.
My students are kids but I can see a lot of potential for this game with my adult beginners group, too.
The name! Of course I like it because I came up with it but I think it does reflect the principles of the game and it is its brief description: you echo but you adapt, too)
This post, like many others, starts in the classroom…
The thought falls on my head out of nowhere.
We are playing the game with the first conditional. There are only four of them, on the day, in-between the holidays, so we don’t even bother to go into the breakout rooms, we are playing together. It is not even a real game, either. Someone starts a sentence, someone else, called out, thinks of an ending, action – reaction, a situation – consequences. And they are just producing. Coming up with great ideas, some of the sentences just down to earth and realistic, some of them, as we call them, ‘creative’, just for laughs. And so we laugh out loud. A trainer in me suddenly realises that the lesson plan (if there had been a formal lesson plan) should include not only the traditional elements, like the staging and ‘the teacher will’ and ‘the students will’. The trainer in me realised that it might be worth considering to include a laughing fit and the necessary calming down part in the timing, in the assumptions and the potential problems and solutions…We laugh a lot with my kids.
Unavoidably, I realise, I get those constant flashbacks, those mini-trips into the past and I am looking at my students, today already 10 and 9 (or 8 and 7, still, some of them) and I remember how we walked into the classroom together, for the first time, me on my toes, all eyes, all ears, and them cautiously taking every step and every action. I do remember how we learned to say ‘Hello’ for the first time with some of them and how we first said that we don’t like broccoli ice-cream (except for Nadia, my little rebel). How I used to need lots of miming and scaffolding and modelling, with every single activity and how they’d start with single words, then move to phrases and to sentences.
And I, who was present, 99% of the time, over those seven years, I cannot believe my own eyes and my own ears now, how they throw the language at me, storytelling, or using the Present Perfect in free speech. Or the first conditional.
What does it mean for a teacher to continue for an extended period of time? What does it mean for the business? How does the methodology change? Does it change at all? What do the parents think? And, last but not least, perhaps it would be better to change the teacher once in a while?
This post will be very personal. This post will be very emotional. But I would like to look at it from the other points of view, too, thinking like a trainer, thinking like a methodology expert and, also, inevitably, thinking like a teacher and like a human, too.
In order to make it a bit more objective and more like a research, I asked my teacher friends for help. This post was written with the help, support and contributions from my amazing colleagues: Ekaterina Balaganskaya, Nadezhda Bukina, Marina Borisova and Tatiana Kistanova. Thank you!!!
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Over to…ateacher trainer
You know your students very well, in every aspect, including the interests, their motivation, the family situation, the strengths, the areas that need improvement, the interaction patterns that they favour, their best friends in and outside of the group, their favourite activities and games, their role in the group. This helps a lot with lesson planning, shaping up and choosing the activities and, later on, in class, with managing the activities, the lesson time and the interaction patterns.
Giving instructions is much easier, after a while. The students know you very well, too, that they are almost able to read your mind and to react to any, even those less formal hints and clues. Quite likely before you give them.
You need to be creative because after a while, your students might get bored with the activities you usually use. This might not sound like something positive because it means that you are at risk of running out of anything that you normally keep up your sleeve in terms of games, classroom management techniques or ways of checking homework, for example, but I would like to see it a more positive light. Working with a long-term group can be a wonderful catalyst for your creativity and, as a result, there are more new games, classroom management techniques and ways of checking homework!!!
It is perfectly natural that with any new group, a teacher strives to build up the comfort zone in order to ensure the conditions for the effective teaching and learning. However, once that comfort zone is created (and after a few years with a group it is likely to be a very stable comfort zone, a very cozy and safe ZPD, hello Leo Vygotsky), the teacher can start dreaming of venturing out and trying out new things on a much more advanced level. Not only a new game to practise vocabulary but a new approach that you may have heard about such as introducing a new approach to storytelling after you have found out about PEPELT, setting up journals with your students, just because you read that one research article or just taking your lifelong passion for teaching English through another level. Or, actually, you might even want to start a blog at one point. An experimenter is, I believe, one of the most important teacher roles!
Teaching long-term, you are moving on, together with your students and that means changing and adapting the approaches and techqniues to match them to needs of the kids who are growing up. With time, kids are becoming more mature and more capable of producing the language and dealing with more and more complex tasks. They say that a rolling stone gathers no moss and the same can be said about teachers who are growing and developing with their students. Sure, some of that can be achieved within one year, but there is definitely a lot more potential for the changes and the evolutions if the learning process takes a bit longer than just one season.
My colleagues also mentioned the impact on the learning process and the very shaping of the curriculum as it was adapted to the particular needs of the students. Instead of just following the book (or the curriculum whichever form it came in), as might be the case with a less involved teacher (although, of course, I am not implying that working with a group for a season only equals lower quality service), with a longer term group a teacher is able to introduce a circular / spiral curriculum, introduced to the world by Bruner and to me be Ekaterina, with the teacher returning and revising the crucial elements of the language, regardless of what the coursebook or the pacing schedule says. For example, working on the past simple (served in manageable chunks) from the beginning of the year instead of waiting until April when that topic appears in the book. This was Ekaterina’s example and I realised that we have been doing the same with my kids, simply because I wanted us to have the language (or some bites of it) for us to be able to talk about the weekend and the holidays and the day at school. Tatiana also mentioned it as one of the key benefits as knowing the group helps the teacher set the pace that will be most appropriate for this particular bunch of children.
Over to… a manager
Students staying for a few years are basically yourreturning customers, your loyal customers and your dream come true. As they would be in any other area. They come back, month after month and year after year and they make the world go round, basically.
What’s more, these students are also likely to bring in other students, their friends, brothers, sisters, cousins or even parents, to join your groups or the other groups at the school. Since there has been a positive experience in the family, so to speak, these are also likely to stay.
The fact that you have worked out the patterns and the procedures of managing the finances, the group, the assessment or the festivities, will mean that these will be easier to implement.
This will be a huge advantage, should there be any changes to adapt to, even those unexpected and unplanned, as in case of the pandemic. Perhaps that was not the case in all the countries and with all the groups and students but, in my experience, many of those that went online, smoothly, were the long-term students and groups and they basically trusted their teacher to transfer online or, later on, to study in the hybrid classroom.
That also means that a strong bond and trust will be built and the parents will be more likely to accept any changes or even any complications such as the need to move online, the need to change the timetable, the need to make up for the class or to run the lesson online, or even, to have a cover class.
Staying with ‘the old’ teacher might also be easier for the parents which was a very important point made by Ekaterina. Parents are busy, they might not be able to devote a huge amount of time to looking for a new teacher, a new school or a new group and they might also worry that their child would not fit in the new set-up. Some parents fear that due to the previous negative experience, either with the school, the group or even the teacher’s professional competence. Staying is easier.
Over to… a teacher
The first one to mention here will be the enormous sense of achievement that a teacher can get from working with a group for an extended period of time and the opportunity to observe and to assess the same students, not only from September to May, from the beginning to the end of the level but over the years, from pre-A to A2 or even further.
Teaching a group over any longer period of time provides the teacher with plenty of opporunities and a lot of data for formative assessment, as pointed out by Ekaterina. It will apply to all the language skills as well as vocabulary and grammar, accuracy and fluency. Let’s take the past simple as an example. There will be the series of lessons devoted to the topic, a series of lessons per level or coursebook even, and the students might do well in these lessons. However, it will be up to the teacher to track whether and how accurately the students use it to describe the past events in free speech, recalling the events of the day at school or retelling a story. The aims of these two activities are not the freer grammar practice per se but, for example, settling in and checking understanding after a reading skills development stage. It might (and it will!) take a considerable period of time for the students to finally assimilate the structure and to start using it freely and correctly. I have also noticed in my teaching that with time I tend to prioritise formative assessment over summative assessment but this is a new discovery and I need some time to think about it before I write about. A new post? Who knows)
Creating a positive atmosphe in the classroom, creating the environment that will be beneficial for learning, learning about your students and their needs is something that we, as teachers, do regardless, but there is something special in the connection that you build with a group over the years. You accompany them in their lives outside of the classroom, all the good marks and bad marks, all the competitions, holidays and birthdays. You get to meet their parents, grandparents, brothers and sisters and all the pets. You take part in the important family events, such as the births of baby brothers and sisters or even those more traumatic events like an illness or a death of a family member and, whether you want it or not, you bond. To an outsider it might sound strange but there must be a reason why so many teachers refer to their students as ‘my children‘ or, sometimes, when in a non-teaching environment, ‘my educational children’.
Then, there is the pride in all their achievements and progress that they are making. Going back and reminiscing about all the milestones, all the firsts is a truly wonderful journey for a teacher to take: the first lesson ever, the first time we made full sentences, the first time we started to create in English, the first letters scribbled, the first story we did and the first time they asked to be allowed to take over the story reading, the first test, the first real grammar lesson, the first ‘OMG, I cannot stop them from chattering away‘ day or every time they took an exam, Starters, Movers, Flyers, KET, PET, FCE or, finally, also, CAE.
Over to…a human
‘If you meet with the same people twice a week for 8 – 10 years, you can’t help loving them‘ (Marina)
‘It’s a joy to see them grow, to see the progress and the results. Develop relationships and see them enter a new age group‘ (Nadezhda)
‘The best thing about it was that I knew them and they knew me, the rapport was strong‘ (Tatiana)
‘When I was moving a country, they were devastated. Luckily, we could continue our lessons online‘ (Ekaterina)
The group is a community. Ekaterina mentioned that the kids in the group she has been teaching for seven years became friends outside the group and that they all meet offline when that is possible, even go out for pizza or to a museum. Even when those outside events are not possible, the group can celebrate together either because they get a Christmas-themed lesson or because they all bring snack and have a little party at the end of the lesson. Even if it is an online lesson.
It is interesting that the personal preferences work both ways and that the resistance to change the teacher might come from the students, too, as you will see in the stories for teachers that I share in the paragraph below and that, as Marina highlighted, the fact that some students stay with you (and, of course, not all of them will) is based also on their personal preferences and attachement to the teacher. Staying for longer may be seen as a result not some intertia, the inability or laziness to find a new teacher, but, simply, a conscious decision on the part of the parents and the students.
Or on the part of the teacher, too. As pointed out by Tatiana, it might be related to the teacher’s own personality, if the long-term connections are important for them, as humans. Or, it might be the impact of the context in which they are working as the changes, imposed or not, are more likely to take place in different educational institutions whereas the teachers who work freelance would probably be in favour of keeping the students, unless, of course, it is impossible due to any external circumstances.
As for me, personally, well, I love what I do. Yes, there are sometimes duties, tasks or even groups that I am not entirely wildly excited about but, overall, I enter the classroom, online or offline, with joy and looking forward to the lesson. And one of the reasons for that are my students and, especially, my educational children aka my adorable monsters. It is thanks to them that I have blossomed as a creator, as a teacher and as a trainer. It is thanks to them that I was able to cope with the strains of the lockdown and it is thanks to them that ‘I am stillstanding‘, as Elton John might put it, when the world is what it is right now.
At the beginning of the pandemic, when we were about to transition online and change our EFL lives forever, I remember how I felt about the big unknown and how, pretty quickly, it became apparent, that no matter what (really, no matter what) we are what we are, a small (and a bit loud) community and that we had had enough experience of each other worked out and accumulated and that we can take it elsewhere. I remember one morning, just before the lessons were about to start (the first real lesson, not the free online trial and getting to know each other with zoom) how I felt the panic creep over. But I also remember the thought: ‘Hold on, they are my kids. That’s is. We will just do it, under slightly different circumstances‘. And, guess what? We did.
A change would do you good?The other side of the coin
Because, of course, there is one! Changing the teacher might be beneficial! On the one hand, as Nadezhda mentioned, the teachers themselves might feel the impact of the long-term interaction, some form of material fatigue, and in such a case a change is more than welcome. In such cases a change of a teacher might be the solution. A new teacher means new methods, new approaches, a different sense of humour…
Sometimes this ‘tiredness’ and the call for a change may come from the fact that students are growing and transitioning into another age group and the students might welcome a more official confirmation or recognition of that process. Perhaps, the change of a teacher might do the job here. If, for example, it is Mr Alexander is the teenage groups’ teacher then him taking over the group from taught so far by Miss Carolina is going to be some form of a rite of passage.
However, it needs to be mentioned, it is not as straightforward as it might seem. First and foremost, the students may not want to change the teacher at all and, in such cases, it is enough to tweak the format or the routine a bit. Then it might be that the outside circumstances change and they sort the problem out. Ekaterina shared her story of one of her groups with whom she started to consider the possible change of a teacher as the kids’ growing up and changing into teenagers resulted in some discipline issues and, as a result, the lessons not being as effective as they previously had been. However, here, the problem sorted itself out – due to the pandemic the class was transferred online and it turned out that the physical separatation (or the space and the own territory that the students gained) was the only thing that the group needed. They still continue with Ekaterina as their teacher.
This brought my own group to mind. The kids were still in pre-school, year 3, when we were asked to give our cosy kiddies classroom to a younger group. We moved and the most surprising thing was that it turned out to be an important stepping stone for the students. ‘We are real students now!’, they kept repeating and back then I was just listening to them and giggling inside that the big desks and big chairs can make anyone so excited. Today, when I look back at it, it seems to be this perfect moment in the life of a group when a change was needed. And it did take place, although, yes, without changing the teacher.
The most important thing to consider here is how thestudents can benefit from the new circumstances. Marina brought it up, too and, Ekaterina gave a perfect example from the British schools. In the schools her children attend, there is an obligatory change of a teacher every year, with Miss Elena only teaching the 4th-grades, Mr Peter only working with the 6th graders and so on. The system was introduced in the school to ensure fairness. This way, all the children get a change to work with all the teachers throughout their school life and the is no chance that, due to some ‘preferences’, class 4A only gets ‘the best teachers’. Not to mention that this must contribute a lot to bonding and building of the community as little Pasha will know all the teachers personally and all the teachers, after a while, will have had Pasha in their classrooms.
The end is the beginning is the end…
The most interesting thing is that, from among the teachers who waved back at me and wanted to chat about the long-term teaching of a group, there was nobody who would be a strong proponent of the Change the Teacher Every Year approach. Can it be considered a sign? I have no idea but, if, by any chance, there is anyone among my readers who has had an experience with it, please, pretty please, get in touch, I would love to talk to you!
There is nothing like a good metaphor and I use it a lot in the classroom, to give feedback to my students (‘Your essay is a bit like a skeleton, all the good bones but no muscles at all’), to explain grammar (‘Reported speech is basically telling stories’) or to manage the behaviour of my younger students (‘This desk, Sasha, is like your island and these other desks are other island. We don’t travel there. Never ever ever!’).
I also started to use metaphors in teacher training and, of course, you can read about it here and here and this is how this post started, too.
I asked my trainees ones how they would describe a lesson in terms of a metaphor and I found out that a lesson is a lot like: playing football, playing a game of snakes and ladders, a journey, a frame…I am getting goosebumps now because I know that there WILL BE a separate post about that, soon.
A lesson is like a story
Oh yes, it is! In a good story you absolutely need a good opening line (this is how I choose my books, yes. Because if the author did not bother to make an effort to say hello properly, why would we even be talking, eh?), a set of interesting characters, some adventures, some challenges and achievements, a climax and the ending.
In terms of a lesson, these would stand for a warmer activity (a good opening line), the community of the teacher and the students (yes, we are the characters), some engaging activities (our adventures), some new things, some learning and development (or the challenges and the achievements), one amazing focused task because all the roads lead to Rome (and this is our methodological climax) and….a good cool-down activity aka the ending.
We absolutely need the ending!
First and foremost, a lesson needs an official round-up, the final touch, the coda, the summary of everything that has happened during the lesson. Since one does not walk into the classroom and start the lesson without saying ‘Hello’, nor does one leave without saying ‘Goodbye’, there should be the first real activity of the lesson and the last real activity, too.
What’s more, a good ending of a lesson is also an introduction to the following one. If the lesson finishes on a high note, the students will leave the room looking forward to coming back next time.
Move! By Super Simple Songs! If you haven’t used it before, find it asap!
# 1 Finishing with a song
An easy and no-prep resource, especially with the younger students. A song is a signal for the students that we are finishing but it can be also a signal for the parents waiting in the hallway. It can be the same good-bye song in every lesson but it can be a song that the students choose to finish the lesson with. This is an especially useful trick with the older and more advanced children, who might eventually get bored with the same song. With one of my online students we had a tradition of choosing one of her favourite songs, in Russian, to listen to and to dance, after the offcial lesson time, just as this thing that we did together (and I had a longer break in-between classes and I could spare a few minutes). One of my trainees, Nathalie (lots of virtual hugs here), also built in a dance into her class routine. At the end of the lesson, the kids would choose one of the Super Simple Songs, for example, get up, find a place in the middle of the classroom and just dance and sing, together with the teacher and then go home.
I have yet to start experimenting with songs with my older students.
# 2 Finishing with a story
Admittedly, that is a part of the routine that is something of a staple food in my pre-school and primary school EFL lessons. Stories, both storybooks or videos, can be used either to revise the key language or to introduce and practise the new language, not quite related to the topic of the lesson. From the point of the view of the lesson, the story is a part of the ritual and something that helps to build the class community.
In the classroom, we clean up after the focused task, set homework and go back to the carpet (preschoolers) or to our hello circle (primary), we choose a story and read or watch it and talk about it. Then, the only thing left is the goodbye-song. And stickers).
This is, probably, one of my favourite ways of finishing a lesson, because we get a chance to settle, to bond, to practise the language and to express opinion, all in one. I am wondering whether and how my older students could benefit from these, too. Something to experiment with in the next academic year, perhaps?
This is the feedback the kids left after the first week of the summer camp activities
#3 Finishing with afeedback session
There are many ways of organising a feedback session after the lesson, depending on the aim of the feedback session.
Self-reflection when the teacher is simply irrelevant (in a way). The main aim is to give the students an opportunity to look back at the lesson and to consider the learning process. In this case, the students work in pairs or small groups and share their views, answering a set of questions, such as: What did you like? What was the most difficult / interesting / boring / the easiest part of the lesson?
Feedback for the teacher: students can leave their comments on the board or on the wall (or the door!) if the feedback is to be anonymous or they take part in a discussion in small groups or as a whole class.
It is up to the teacher to decide how frequently any kind of feedback can be carried out: once a week, once a month, after each test or after any lesson with a new element in it such as a new activity or a new game.
This is our feedback after one of the tests
# 4 Finishing with a self-reflection task
This activity is an extension of the previous point but it focuses more specifically on the content and, even more specifically, on the vocabulary. My students (primary and teens) had their notebooks which we used for taking notes and for the self-reflection tasks, too.
At the end of the vocabulary lesson, the kids take their notebooks and look back at the lesson and categorise the words according to a number of the following categories: the difficult words, the easy words, the useful words, the words that look strange, the words that sound strange, the words that may not be very useful…
They can either create their own lists by copying the items from the board or the coursebook and by categorising or colour-coding them. A short speaking activity would follow in which the students explain their choices to their partners in pairs or small teams.
# 5A revision task
That is another set of tasks that we sometimes use also based on the key vocabulary in each particular lesson and it has got a lot to do with everything that is written on the board already such as the new language or the emergent langauge. The main aim here is to give the students one more opportunity to use the target language. Since these games have no definite ending, their length can be adapted to the amount time left in the lesson.
The students work in pairs and can play one of the following games:
Definitions: student A calls out the word / phrase, student B: provides a definition and an example, then they change, the teacher helps out only when necessary (aka the word has already been forgotten)
Synonyms and antonyms: student A calls out the word / phrase, student B: provides a synonym or an antonym
Questions: student A chooses a word / a phrase and asks student B a question that includes that word / phrase. Then they swap roles.
A story: students work in pairs, they take turns and tell a story, using different words / phrases from the board
Pairs: students take turns and they try to find connections between different items on the board, based on meaning, pronunciation, grammatical category or associations
Sometimes we also play the memory game with the whole class: the students take turns to close their eyes, the teacher erases one or two items, the students open their eyes and try to recall the words that have disappeared as well as all the other words and phrases from the previous rounds. The class listen and help out with definitions and associations. The bonus? The board gets cleaned))
# 6 Finishing with an introduction to the following lesson
This approach to the finishing the lesson was the result of the reality of the teaching life. No matter how well you plan your lessons and how many optional activities you have up your sleeve, it might still happen that everything has been done and there is still some time left but not enough time for the teacher to properly spread the wings, be it in a game or in any other fully-fledged task.
In such a case, it might be a good idea to introduce the topic of the following lesson, without properly setting the context (no, time, remember?) for example by:
introducing the title of the reading, the topic, for example through a game of hangman and a discussion about the students’ expectations and prediction
talking about the visuals that accompany the following topic, without going into any details
three questions to help the students relate to the following topic for example: What do you think about…? Have you ever…? Do young people in your country often…?
This will create a link between the lessons and it can be further extended by a homework along the lines of: ‘Find out more about…’. All of these can be easily adapted to almost any topic.
# 7 Finishing with a game
The games chosen to finish the lesson with should be fun (the students are already tired and less able to focus), fast (if there is a lot of time left, perhaps it should be devoted to something else) and offering some flexibility to the teacher (aka games with no definite end or result that can be stopped or paused at any given point).
We like to play:
Categories aka STOP: students work in pairs or small teams, they write one word in each category beginning with a specific letter, afterwards the teacher awards the points.
The Game of 5: each team or pair prepares a list of 5 in their category (a separate and unique one) such as 5 irregular verbs, 5 cities in Europe, 5 farm animals etc. Afterwards, the teams have a minute to guess all the words their partners have come up with. They can get 50 points in each round, 10 points for every word they manage to guess with the team setting the task getting 10 points for every word their partners did not manage to guess.
One-Minute Game: this a game that requires a set of flashcards (very easy to prepare) or a set of word cards (prepared by the teacher throughout the year, can be easily recycled). Students work in small teams as they take turns to explain as many words out of the set (definitions, associations or miming) to their team within one minute. I am pretty sure that this was loosely based on some kind of a game show but I have no idea which one. Oups.
In order to better manage the game and time in class, we started to play these with the same teams over a series of lessons, pausing when it is time to go home and recommencing in the following lesson.
The stained glass project: in the making
Bonus: An Art Project
‘Anka, what’s this?’ the kids asked when entering the classroom and noticing a few boxes of the stainglass paints.
‘These are special paints. We used them to make these special pictures with the little kids.’
‘Anka!’ they said, in that very special tone of voice that my kids have mastered, the voice reserved for these particular occasions, to compain, to chide and to express disappointment. ‘The little kids? And what about us?’
So I had to think of a way of including this particular project in our classes. Making stained glass pictures is one of the coolest activities ever but it takes time as the various layers need to get dry before you apply the following ones and there is virtually no chance of completing a task in one lesson. Not to mention that it is a perfect decorative kind of a craft and trying to adapt it in order to maximise production would be simply counterproductive.
Instead, I wrote to the parents and I explained that, instead of a game, at the end of the lesson, for the next few lessons, we would be preparing our own stained glass pictures. The kids chose a template or designed their own pictures, they drew the outlines, they coloured them in and, as soon as they were ready, they took them home to cut out and to display them. All in all, it took about 5 minutes over a series of four lessons.
The Chameleon Day!
Bonus: The Chameleon Day akaGoogleSearch
Choosing virtual stickers is not a new idea and thanks to Miro we have lots and lots of fun and we can keep track of all of our stickers throughout the entire year, if necessary. Here you can read how we deal with that with my primary students.
Further reading
The 9 Best Ways to Finish EFL Lessons from the ELT Guide
15 Awesome Wrap-up Activities For Students from Class Craft
Happy teaching!
*) This material was collected and put together for the online training session organised by National Geographic Learning for Russia in October 2021 where I had the privilege of sharing the zoom stage with Dr Joan Kang Sheen and Tatiana Fenstein.
Two circles cut out of cardboard (regular photocopying paper is too thin and flimsy), with the two holes for fingers also cut out before the lesson.
Glue to glue these together
Crayons, pencils or markers to draw the appropriate body parts
Procedures
Show the kids the finished product, introduce the frog, chat with the kids
Show the kids the smaller circle, show how you decorated it.
Give out the pencils / markers.
Give out the small circles, decorate it with the kids.
Give out the bigger circle, decorate it, if appropriate.
Collect the pencils.
Show the kids how to glue one on top of the other. For the younger kids, it might be a good idea to draw a small cross on the top of the bigger circle, to signal where the kids should put the glue.
Give out the glue sticks. Kids glue their circles together.
Glue the additional body parts, when appropriate.
Collect the glue sticks.
Play
@ Magdalena
Why we like it
It is super easy! These frogs here, in the picture, were produced for a child (a huge Frog Fan), rather than with a child, and that is why I went a bit crazy with the eyes but there are the simpler versions of it)
These two circles can become many many things: a frog, a bear, a cat, a dog, a monkey, a rabbit or a snowman, with little adaptations.
The task does involve a lot of pre-cutting but the rest can be done by the kids during the lesson.
Once the toys are ready, they can be used to play, as any other puppets with all the structures that the kids are familiar with and with those that match the topic of the lesson, at the very least, ‘Hello’, ‘My name is’, ‘I like…and you?’ and it is always great when you can maximise production.
It was a typical day in the life of a small scale Mary Poppins. I set out for a shift at the volunteering centre and, as an experienced one, I could not imagine to go unprepared, even if minimally. I thought that, at the very least, we can do some circle magic. I could not take everything but I had a big pocket and so it got filled in with three glue sticks, an envelope full of circles, a small packet of colourful feathers (that was a nice coincidence that I had it). A4 paper and a box of markers did not fit in one hoodie pocket.
When I arrived and started the shift, it became obvious very very quickly that the place is not ready for any craft activities because, apart from one small table and a few little stools and a box of coloured pencils, there was nothing. Or, rather, there was only me and my pocket.
There is some beauty in that, really, when you get to see how your brain starts to get involved in order to think of a solution. Sure, THAT was not about sending a man to the moon or putting together a new recipe, but, still. I was building a grid for our version of hop-scotch and sorting out toys, and the brain was trying to imagine what I can make out of the contents of my pocket. A little chick, that’s what.
Ingredients
lots of circles, cut out before the lesson out of colour paper, regular type, cardboard might be too thick. As for the size, this time it is officially: the Size of the Bottom of a Mug, colourful, for the kids to choose from, two pieces per child
glue
something to draw (markers, pencils, crayons)
colourful feathers (I got them in the stationery section of a regular supermarket, you can buy them in any craft activities), but they can be replaced by strips of colorful tissue paper (also those unevenly torn), three per child, if you use the feathers or as many as you want, if you use the strips of the tissue paper
Procedure
ideally, for the smaller children especially, it would be a good idea to put a cross on one side of each circle, so that it is absolutely clear on which side children should put the glue
each child chooses two circles
choose the circle that will be your front, draw the eyes (two small circles in the most basic version), and a beak (a small triangle)
take the other circle, cover the cross side with the glue
place one of the feathers on the top, for the little ‘fringe’, on top of the glue, so that a part of it is on the cirlce and a part of it stands out of it
repeat the same with the other feathers, by putting each of them on two sides, for the wings
take the front circle, put it face down, cover the cross side with a lot of glue
place it (more or less carefully), on the top of the back circle and the feathers, press
use the birdies to play, the kids can use them as puppets, say hello, introduce themselves, ask how they are, and use any other structures that they already know
Why welike it
is very, very easy, I have done it with two-year-olds (with a tiny bit of help) and with eight-year-olds
there is more potential for decoration (a more complex bird’s face, legs, tail etc)
the main focus of this lesson (or activity) can be playing with the chicks as making them will take only a few minutes
despite being very easy to produce, this craft has a lovely ‘wow’ moment and it lies in the fact that such simple elements put together can gives a lovely little bird.
below, you can also see the ‘proper Easter, made with mum and aunt’ version, with professional wings, made of felt. They look pretty and we made them only because I found this set in a shop. Here, it might be a good idea to let the chicks spend the night in the middle of the book, to make sure that they stick properly (felt is a bit thicker and it will need more encouragement, especially if you are using just the regular glue)
None, almost. In some cases, it might be necessary to write some of the ideas on the board, to serve as an inspiration. See procedures
Procedures
Students work in pairs. They share their ideas. If there is time, the students can change partners and repeat the activity. To round up, students share some of the information they have found out about.
This stage is always present, in each lesson, and it takes about 10 minutes. We keep the same variant for about a month and then we choose a new one.
All the variants (so far)
Verbs: the teacher writes on the board all the basic verbs in the past tense: I went to, I saw, I ate, I drank, I talked to…about…, I watched, I played, I bought, I wrote, I didn’t…The kids choose 5 and they build simple sentences about their day, week or weekend. I like to start it with my students even before we officially cover the Past Tense (as soon as they are ready to differentiate between the present / the past form of the verbs) and it really does help the kids to practise and to remember the verb forms.
Did you go…: a variation of the activity described above. The teacher puts the question form and the short answers on the board. The kids work in pairs and ask each other questions. The student who provides answers uses ‘I did’ and ‘I didn’t’ but they are also requested to give a brief explanation (because…)
Tell meabout your day: the teacher writes the name of the activity and a list of topics which can be also elicited from the students. The regular set might include: the weather, the school, the teachers, my best friend, lunch, getting around, marks, tests, pets, brothers and sisters, homework etc. The students work in pairs and they have to choose three topics to talk about. They take turns to share stories about their day and they follow-up each story with a question.
The B-words: this one is a slight variation of the above, only here the teacher writes a selection of words starting with a certain letter as the list for the students to choose from and to be inspired by. Some of the words might be completely random but they also encourage the kids to produce the language. Later on, the students can choose the letter of the day and then can also help make the list of the words, too.
This is how I felt today: in this variation the teacher puts up the words to describe emotions and feelings. The list can be a simple one (happy, sad, angry, sleepy, hungry, tired, bored) and then it can be extended to include more interesting ones, too (confused, excited, chatty, exhausted). Again, the students choose 3 or 5 of them to describe their day.
Superheroes: this time the list on the board is made of names of superheroes, famous people as well as characters from books and films, for example Superman, Spiderman, Wonder Woman, Chebourashka, Winnie-the-Pooh, Santa etc. The students are supposed to think of their day from the point of view of these characters and describe it talking about how they felt. ‘I felt like Superman because I got three good marks today’*)
The superlatives: the teacher writes on the board a list of superlatives (the best, the worst, the funniest, the tasties, the most difficult, the easiest). The students choose 3 or 5 of them and use them to describe their day, for example: The best thing was that I had only three lessons etc.
Why we like it
A stage of that kind is absolutely necessary as the time for the students to settle in
This is also when they learn how to communicate without any preparation and outside of any set-up frameworks since each day might be different and each day may involve a different set of verbs and nouns
At the same time, it is an opportunity to practice the past tenses or the perfect tenses as for many of the students, many events repeat themselves (going to school, writing tests, having a good day or a bad day etc)
It is a fantasic opportunity for the group to bond, to share the great things that happened during the day or to vent about all the disasters that they had to deal with, the tests, the teachers, the piles of homework
To be continued. Soon. We are quite likely to get very bored with what we are doing at the moment…
Happy teaching!
*) My favourite so far! It is amazing how my students come up with their own metaphors and associations, both the teenage group and the kids. Here are a few quotes: ‘I felt like Chebourashka because I was a bit confused’, ‘I feel like Robinson Cruzoe because I am locked up at home now’, ‘I feel like Masha from Masha and Medved because I am a bit crazy today’, ‘I felt like Santa because it was my friend’s birthday and I had a present for him’, ‘I feel like Superman because I did all my homework really fast’…