Dear reader! I hope you are here because you have been in search of ideas for a lesson on Art and English for primary school children. If so, you are in the right place! I would like to share with you a lesson that I taught a few months ago as a part of my Art Explorers programme. I would like to start with some blowing my own trumpet in an attempt to inspire you and to think ‘I want one ofthose!‘
our group of Art Explorers was a mixed-age, a mixed-level and a mixed-ability group, with some pre-A, some A1 and some A2 children and we were all united in art. Everyone was involved, everyone was producing as much as they could and everyone had fun.
the kids who took part were the members of five different groups at the school and it was the first time they had a chance to interact with each other, in English.
the children had a chance to revise and practise English, to find out about Andy Warhol, to talk about feelings, emotions and associations and to exercise their creativity in the craft task.
it worked very well as an introduction to our Art Explorers programme
it was relatively low-key as regards the preparation and craft materials as we used the simplest things available: a powerpoint, a handout, a few sets of vocabulary flashcards, a few sets of watercolours, paintbrushes and cups.
it lasted 60 minutes but it could easily be adapted to 45 or 90 minutes, depending on the needs of the group and the age of the students.
We said hello, introduced ourselves and we had a small ‘get to know each other’. Each pair of students got a pile of flashcards (food, toys, sports, colours, animals etc). The students were supposed to pick out one card and to ask each: Do you like…. There was a model question and answers on the board, together with ‘because’ which the older students were already familiar with in order to encourage more developed answers.
Stage 2: Colours and emotions
We revised the emotions and a set of the basic adjectives was displayed on the board as a point of reference. Afterwards, we revised the colours and I introduced the idea of associations. The key word here (‘associations’) is actually quite similar to its counterpart in the kids’ L1 but I decided to use even a simpler structure ‘Green is a happy colour because…’
The kids were put into pairs, for another speaking activity and they were comparing their own associations related to each of the colours. At this point we did not use the flashcards. Instead, eaach pair got a set of markers and they were asked to discuss all the colours in the set. Afterwards we compared our ideas.
Stage 3: The artist of the day
We moved to the TV room to meet the artist of the day. At this point I was using the powerpoint which you can find in the attachments.
First of all we looked at the photo of Andy and the kids said as much as they could, about his appearance and character. Only later did I introduce him properly, albeit briefly – as artist, from the US, a very creative person.
I showed the kids a few paintings and asked what they thought of them. They were using the simplest structures of ‘I like’ and ‘I don’t like’ and, in the case of the older and more advanced students, to provide a rationale for their views.
The Campbell soup was especially interesting. First of all, because we compared it to the local brand of ready made food that the kids could relate to and it was a huge surprise that such a usual item can become an artifact. Second of all, this particular painting was how we transitioned into the theme of the day: how the same item, represented in different colours can create different associations.
Stage: The colours and the emotions
We looked at the photograph of Marilyn Monroe and one of the most famous paintings by Andy Warhol and at the similar painting of Mickey Mouse. We worked as a group and we talked about the different emotions related to different versions of Marilyn and Mickey Mouse and how they made us feel. I wanted to keep it open class in order to give the students a chance to hear as many different versions and ideas as possible to show them that the same painting can generate a great variety of emotions.
Stage: Let’s create
I told the kids that we are going to try to express our emotions and that we are going to be like Andy Warhol. I added that to Andy, Marilyn and Mickey were important symbols because he was American and that we would use some other symbols. At this point, the kids were already shouting out the name ‘Chebourashka’:-)
We went back to the other classroom. Everyone got a handout (see below) and a pencil or a marker. First, we all decided what feelings and emotions we wanted to represent and we labelled all the sections of the handout.
Afterwards, I gave out the painting materials and we sat down to work. The kids were given time to paint and I was painting my own and monitoring and chatting to the kids and asking the follow-up questions.
Stage: Tell me about your Chebourashka
The kids worked in pairs and told their partner about their pictures and the emotions they represented and, whenver possible, provided rationale for that. In that particular lesson, we only had enough time to talk to one partner but, in theory, there is a lot more potential and it is more than recommended for the kids to swap pairs and to talk to as many peers as possible.
Stage: Goodbye
We finished the lesson with cleaning up, with a round of stickers and with a song.
The EFL settings, a private language school, a regular classroom adapted to the needs of a group of pre-school children. There are usually big tables and chairs or the foldable desks and materials such as posters that are not necessarily child-friendly.
Advantages
The classroom is quite likely to be big and that means that the adult furniture ( frequently the foldable tables) can be moved around to create the space for the hello circle, the kids tables, the story corner etc.
Using the big chairs and tables can be an advantage, actually, as the children are sitting far apart and they are not invading each other’s space which might happen when you use a small table. Plus, sitting at the big table is a clear sign that the serious work is about to begin.
You can involve the kids in arranging the classroom, that will make them feel responsible for it and it will help the teacher, too.
The children might feel ‘honoured’ to be studying in an adult classroom as this way they will become ‘real students’, especially if they are already 5 or 6 and start dreaming of starting school.
Disadvantages
The likelihood of sharp corners and not very child-friendly items is much higher.
The teacher has to unfold the VYL kingdom before each lesson and fold it back at the end of the lesson because there might be older children or adults coming. And all of that eats up the teacher’s precious break time.
The board might be too high up and the only person who can reach it is the teacher (but it is not the worst thing in the world, you can put up things in places where the kids cannot reach them)
Solutions
Have a look at the classroom before the lesson and figure out how you can make it fit your aims and ideas. Talk to the admin of the school (and the other teacher using the room) and request permission to move the things around and to rearrange things. It is always worth checking the other rooms in the school. Perhaps one of them is more suited to the needs of the little children and perhaps swapping rooms or furniture is possible. It is always worth asking.
Make sure that the classroom is safe. Look out for the sockets, sharp edges, anything that is not stable or sticking out. There are easy ways of making the place child-proof ie moving out the furniture, swapping the classroom, getting the socket plugs etc.
Decide where you want to start the lesson. I am a huge fan oflining up outside of the classroom but it might not be always possible.
The photo that you can see as the cover photo above is our hello circle that I created in one of the corners of our very adult classroom. In a regular lesson with my pre-schoolers, we would spend here about half or even two-thirds of our lesson. A regular lesson started here with a hello circle, songs, revision and the new langauge introduction. Later on, we would move to the big tables for the more serious work with the coursebook and handouts and we would go back to the small circle for the final game, story and song. This lasted a good few years, even after we moved to the primary and we stopped here only when my students, already A2 and as ‘mature’ as 8 and 9 y.o.
Think of the routine that you are planning to have and build it with your specific classroom in mind. Decide where you are going to do the hello circle, where you are going to have your storytelling, where you are going to sit during the focused task. After you have built it, stick to your routine.
Assign a corner or the area for the movement games. Perhaps the classroom is big enough and one of the corners can be kept empty. Perhaps it is not very big and you will have to move the small stools or the carpet out of the way to make room for the movement games.
The same applies to the storytelling corner. If the classroom allows for that, it would be great to have the space dedicated only to the storytelling activities. Ideally, that would be a carpet for the kids to sit on and a chair for the teacher, to sit slightly above the students’ level. If there is no carpet, the kids can also sit on cushions or on small mats or even the foam puzzle pieces which are easily stored and can be dealt with by the children themselves. Having said that, I have also been teaching in the classrooms where the only option was for us to be either sitting straight on the floor, under the board or sitting on the big chairs in a semi-circle around the teacher.
As regards the focused task, it is normally done at the big desks / foldable tables or at a small table that the teacher puts out in the centre. The small table means that we have all the students around us but it is not going to work for groups bigger than six. Everthing becomes very crowded all of a sudden, as soon as the sixth student comes. Using two small tables mean more work and time invested in setting them up and if they are round tables the teacher spends the entire focused task looking to the left and to the right, back and forth. With larger groups, it is almost better to use the adult seats.
Think how you are going to store your resources and your materials. Sometimes scissors and crayons will have to be shared with the other teachers at the school (and hence stored in the teacher’s room), sometimes you will be able to keep them in your classroom. Think of a safe space that is not within the children’s reach ie the higher shelves of the cupboard, a locked-up cupboard etc.
Decide where you are going to keep your things and resources for the lesson such as crayons or markers, handouts, flashcards for the lesson. Please use the same place and make sure you establish with the children that they are not allowed to touch anything that is on the table. It might help to keep everything in a box (as it can be easily lifted to keep it away from the children), it is easy to store and it makes cleaning easy. What is more, if you keep all your resources in one container, you gain a lot of flexibility as all your toys are there, in case you need to change your lesson plan. I have had groups with whom I had to keep all my resources in my rucksack, zipped shut in the begining of the course.
Decide where you are going to put all the kids’ stuff such as their bags and books (which you are not going to use at all times during the lesson and for that reason it is better to keep them in a special place ie on the window-sill, on a special table etc) or even the kids’ jackets and boots. Sometimes it is possible to hang them outside, sometimes they will be hanging in the corner of the classroom. Make sure you keep your activities away from that corner
It is good to have at least one noticeboard where you can display your students’ work. It can be a noticeboard in the classroom but it can be a noticeboard in the hallway, too. I have had classrooms in which the door was the only available space and we used to put up pictures there using blutack.
Try to make the classroom child-friendly. Perhaps it is possible to decorate one of the corners of the room with the colourful kids’ posters or to decorate the windows with snowflakes or colourful leaves in winter and in autumn. Even if there is cupboard or boxes with toys, by bringing just one puppet, your class assistant, you can create great atmosphere in the room and make a huge difference. If there are more toys, it is a good idea to have a container for them, a basket or a box, in order to be able to keep them stored (and out of sight) when you don’t need them.
This is still one of the top 5 among the most popular posts on this blog. But it was written about a year and a half ago. It looks like the high time for part 2. Here it is.
There is only one picture…
A to Z picture: teacher writes the alphabet on the board, students work in pairs or in teams, they talk about the picture by naming the word or words beginning with each letter of the alpahbet. Younger (or lower level) kids can use only single words, older students (or higher levels) can produce relevant sentences. Thank you, Polina Smirnova, for this activity.
Dice points: kids work in pairs. They describe the elements of the picture (ie one person, animal, element of their choice or assigned by their partner (Tell me about this…). They use the structures and vocabulary that they are familiar with, depending on the level. After each round, they roll the dice to find out how many points they get. They take a note of the points and add them up at the end of the game.
I spy with my little eye: teacher demonstrates the game by describing one of the elements of the picture ‘I spy with my little eye something big and red’. It works even with the youngest children as they are not even required to name the item in the picture, they only need to point at it. When the kids are ready, they take turns to describe something to the rest of the group or to their partner. The language can be made more complex by focusing on prepositions, adding more adjectives or details. It is a great speaking and listening activity.
Yes or No? Teacher makes sentences about the picture, children listen to check if these are correct. If they are, they confirm ‘Yes’ or ‘Yes, that’s true’. If they are not, they say ‘No’ or ‘No, it is not true’ and they correct the sentence. Afterwards, they can take turns and talk about the picture for the group or their team to listen. Again, this is one of the activities that I use with my pre-schoolers and it is lovely to see how they move on from one-word utterances (correcting only the key item) to full sentences. The complexity of these sentences or their number can be adjusted to the level and age of the students.
Travelling sentences: It is a version of the Yes or No activity. The teacher displays the picture for all the students to see and gives out small cards, one per student. Each student writes a true or false sentence about the picture, the teacher can support this with providing sentence starters. When the kids are ready, the sentences start travelling, with each student passing their sentence to the student on the left or on the right. They read the sentence on the card, say if it is true or false (and correct it) and the game goes on. This stage can be done in pairs or in groups of three.
Travellingquestions: the teacher prepares a set of questions about a picture. These can be reused in many different lessons so it might be a good idea to laminate them. Students work in pairs or in groups of three. Each pair picks out one of the questions, they look at the picture, read out a question and answer it. The teacher monitors and when the time is up, the students exchange the questions by passing their question to the group on the left and they continue the game. The set of questions might include: Where are the people? What are they doing? What clothes are they wearing? How are they feeling? What’s the weather like? Can you see any animals? Do you like this picture? What’s your favourite thing about this picture? What’s your least favourite thing about this picture? Is there anything strange about this picture? If it happens, that the question is not relevant to a specific illustration, this particular question can be left out or the teacher can introduce a way for the students to get out of the situation, for example: ‘I don’t know’ or ‘I don’t know. Maybe…’
Picture boardgame: It is a version of the Travelling Questions and it was created based on the same principle: there is a set of topics, themes and items that are involved in most of the illustrations that kids can talk about. The board, such as this one here (created with toolsforeducators.com) can be reused with pretty much any visual. The students play in pairs, move their checkers on the board and describe the picture according to the suggestions from the board.
Draw the picture: this is an activity that I used to use a lot with the first years of primary in order to practise reading and, obviously, with students who like drawing. We use a set of specifically prepared cards on worwall, like this one here. We get the pencils and the paper ready and I set the first card ready (‘We are in the park’). Afterwards, we read the cards, one by one, in any order (if something does not match, I skip the card to get back to it later), the students take turns to read the sentence and we all draw a picture according to these instructions. At the end, we compare our pictures and talk about some potential differences. It is a good activity to practise simple words, prepositions, colours and verbs.
Half thepicture: Students work in pairs. Each pair receives only a half (or rather a part of the picture, depending on the particular photograph or illustration). First, they describe together what they can see and, as the second step, they try to guess and predict what can be seen in the part which they cannot see. Ideally, all the kids should be working with the same visual and then, in the feedback stage, the class share and compare their ideas before the teacher reveals the missing part of the picture. The materials can be easily created by cropping visuals but it is even easier with the electronic resources when a part of the photograph (or parts) can be easily covered and uncovered on the screen.
There are two pictures (or more)
Compare these two: students compare two pictures, they talk about the similarities and differences, very much like in the PET exam or like in the FCE exam, if there is a follow-up question, only without the time limits and without any B1 or B2+ language expectations as this activity can be done also with A2 or even A1 students.
Compare the two boardgame: there is a selection of pictures from the same topic ie school, sport, hobbies. They are numbered and displayed on the screen or on the page. Students play the boardgame and whenever it is their turn, they choose two of the pictures and compare them briefly. The pictures can be used many times in different combinations and students speak for about a minute.
Choose two to compare: students are given a set of picturse, for example 4. They are asked to choose any two to compare them and to explain why they have chosen these two pictures. The most interesting part of this activity is the follow up question which can be one or more of the following: Which one is your favourite? Which one is your least favourite? Which one is the happiest / saddest / funniest / most challenging / most unpleasant / strangest? Is there a picture that nobody has chosen to discuss? Why do you think you’ve never chosen this one?
Tell me about this picture: this game requires a set of pictures whose theme and level of complexity can be easily adjusted to the age and level of students. We normally use the wordwall which we play on the big screen. The kids play in teams and they take turns to open one of the boxes. They take a minute to talk about the picture they find there and they get the number of points for that. The teacher keeps track of that and announces the winner in the end. This game can be played with the lower level kids, like this one here, with pre-primary students on the topic of animals (here we play the group vs the teacher), with the level 1 primary school students on the topic of rooms, the level 5 primary school students on the topic of souvenirs (What is it? Who would like this present?) or even with B1 teenagers on the topic of travelling (What’s this place? What can be easy or difficult about travelling to this place?)
Two versions: this one is a bit more complex in terms of preparation as it involves some searching and researching. The idea behind this picture is to compare and contrast two interpretations of the same topic. Our photographs usually focus on the photographs and it would be the teacher’s job to find the other matching (or ‘matching’) item for example a painting, a sketch, a cartoon, a poster, an advertisement, a wordcloud and so on. The students discuss the visuals, compare them and choose the visual which they prefer and which better illustrates the idea.
A set of sentences with the key structure. In our case these were random (as in: not a part of a story or a discourse) sentences with let and make, in the present tense and in the past. I wrote them myself (ten of each), although any set of sentences included in typical gap fill activities that often feature in our coursebooks would do.
The sentences were typed up, printed and cut up into strips. In order to manage them better, I printed the make sentences on the white paper and the let sentences on the yellow paper.
Students work in pairs or groups of three. One of the students picks up a card, reads the sentence in silence and comes up with a short story to illustrate the sentence. The student should not really use the key verb and as few of the other words from the original sentence as possible.
The other student(s) listen and reproduce the orignal sentence.
The game continues. In our case, the students played in the teams of three first with the first set of the sentences and then with the other set.
Why we like it
Very little preparation.
It can be also SS-generated, if one more stage is introduced (every student writes three sentences with ‘make’ and three senteces with ‘let’), afterwards these sentences are dealt among the teams /pairs.
It is easy to adapt. It can involve one, two or a selection of the target langauge structures.
It is an opportunity to extend the grammar practice and to make it more productive.
The students have a chance to practise grammar as well as develop their listening skills and their speaking skills.
The kids produce mini-stories which can include both narrative and dialogue. Their main aim is to convey the idea of the grammar structure to make it possible for their peers to reproduce.
The mini-stories help to create the context for the grammar and can make it more meaningful and memorable.
It is an activity that gives the teacher lots of freedom, it can be stopped at any given point, after a certain number of rounds or minutes.
Apart from the target langauge, the students get some practise in key word transformation and paraphrasing, without any specific exam focus.
I used it with my B1 teens but I am considering how it can be adapted to the needs of my primary A2 kids, too.
I have a small problem: my brain does not like dealing with written instructions and, really, any instructions whatsoever. I cannot make myself. What that means for my life is that I use devices instead of reading the manuals, I prefer to watch cooking videos rather than reading any recipes (and, indeed, no matter how exciting the food, if the instructions for cooking are longer than four or five lines, I immediately lose interest). In my teaching life, that means never reading any teachers’ books (if I can help it and most of the time I can). If I find an activity that I like, in a resource pack, for example, and I cannot figure out how to use it only from the game itself, well, I just never use it at all.
Or I make up my own rules. That’s exactly what happened with this game.
It actually makes me giggle. I have had this game for about three years (a lovely present from Chee-Way) and it was only this week that I noticed the name of the game. Apparently, it is called Snap. Oh, well.
This morning I was finally inspired enough to google how to play it and I found it easily enough, only to find out that I had never played it the right way. Oh, well.
Actually, I had some suspicious that what we were playing was inspired by another game, that I once heard about but when I bothered to find out, it turned out this morning that I couldn’t have been more wrong. Oh, well.
The Sheep Game (as we know it)
There are 12 different emotions / feelings / adjectives in the set. We started to play with those that the kids knew already and, then, we kept adding one or two with every next game. At this point, they know all of the adjectives and we play with the whole set.
There are 4 cards of each adjective but in any real game, we use only two of each. One is displayed on the floor in the middle of the circle. The other one we deal among the teams. Usually each team ends up with four cards.
The students keep their cards secret from the other teams.
We sit in a circle, students ask the questions to the team sitting on their left or on their right but the questions are always travelling in one direction.
The main question is ‘Are you happy / sad / angry?’
If the team have this one particular card, they have to answer ‘Yes, I am’ or ‘Yes, we are’ and give away the card.
If the team don’t have this particular card, they have to say ‘No, I am not’ or ‘No, we are not’ and then it is their turn to ask the team on their left / right.
The game can be played for a certain number of rounds or until one of the teams loses all their cards. Then the winner is announced and that is the team has the biggest number of the initial set left.
It is a great game to practise the key vocabulary, in a sentence and although the students play in teams, they can win the game only when they pay attention throughout the entire game, listening to all the teams and keeping track of all the cards (or words) that were mentioned and lost, too.
Variations
Blue, please – one of the first games that I normally play with my primary students, in the first weeks of the course, as soon as we feel comfortable with the basic colours or numbers, we play with flashcards that we usually hide inside of the book, to make sure that the cards remain a secret. As soon as the kids progress, we replace the simple ‘please’ with a full question ‘Can I have blue, please?‘ and we play it this way with any set of vocabulary
Do you like… – another variation of the game that we play with the beginner primary students, we normally switch into that version when we start the topic of food and drink. If the students / teams have this particular flashcard in their set, they have to answer ‘Yes,I do‘ and they have to give the card away. If not, they answer ‘No, I don’t‘ and they continue playing.
What’s the matter with your…– a version that we played with my teens while working on the health / medical vocabulary which turned this game into a mini dialogue with different yes and no answers (yes = I need to have it / them checked, no = nothing I am fine) or Excuse me, where is the check-in gate? while we were working on the travelling / airport vocabulary (yes = it is next to…, no = sorry, I don’t know).
Any other set: the vocabulary set + the structure that would be used with this set
Whole class vs groups of three? With the younger kids we normally play whole class, in small pairs because it helps them learn the rules of the game much faster and because the game is easy to set up and you need no other materials apart from the set of flashcards normally used in class. With the older students, I use words on small cards and we normally play it with the whole class only in the beginning, later on they play in groups of three.
And the winner is… Well, there are at least two options here. For a very long time we played it in such a way that the winner was the team who had the biggest number of cards left at the end. Until my kids suggested that perhaps the winner should be the team who managed to get rid of their cards first and we played it this way, too. On the one hand, it makes the game less competitive and it is not a real shame to be ‘losing’ a card but we have had a situation when a team avoided asking the right question not to help their opponents win…I suppose the game can be played as normal and it can be decided only in the end who the winner is (all the cards lost vs all the cards saved) but we haven’t really tried it in the classroom. Not yet anyway.
Leftovers. We normally deal out all the cards available but keeping a few cards away and keeping them secret adds up to the challenge. These leftovers are going to be automatically the incorrect questions and the players will have to figure out first which ones these are and secondly, which ones not to ask anymore.
These are not all the activities that you can do with a video, these might not be the best activities for your groups. These are just some approaches that we like. Maybe you will find them useful.
Prediction
Procedure: The teacher introduces the topic of the video and gives the students a set of key words that appear in the video. The students discuss why these words might appear in the video and why they might be important. After a whole class feedback, the class watch the video to check whether they predictions were correct. As a follow-up, the students discuss the most (or the least) surprising / unusual / weird facts they have found out about.
Example: We used this video to accompany a reading on extreme adventures and survival in which making a snow cave helped the people survive. We watched a real tutorial on making a snow cave and the key words we started with were: a candle, the letter T, the stick, a saw, the flat ceiling.
Back to the board
Procedure: The teacher divides the group into pairs, one student in each pair sits facing the TV, the other one sits with their back to the screen. the teacher plays the video, students work in pairs and they retell each other what is happening on the screen. Depending on the video, the students can watch the video with the sound on or with the sound muted. After a while, the students change seats and continue watching. Finally, they talk together and answer some questions related to the video. Usually it is a mix of questions, some of which check comprehension and some which help the students see the big picture or express opinion.
Example: We did this kind of an activity while discussing sports and unusual sports. The students watched the muted video on extreme extreme ironing, in two halves, about 60 seconds each and afterwards answered the following questions: What do you think is the name of this sport? How do you think Phil Shaw came up with the idea? What can be easy and difficult about this sport? Would you like to try? Which was the strangest place in which this sport was done? In the end, we watched it together, with the sound on and we compared ideas.
Pause and talk
Procedure: This is a great activity for the videos that consist of short blocks or include a set of examples of a certain item. The teacher writes the key question on the board, usually only one, and plays the video. The students watch a short clip. The teacher pauses the video and students discuss what they have just seen by answering the question. The biggest advantage of this approach is that the teacher is in charge as regards the duration, the activity can be stopped after only three items or the video can be played until the very end. As a follow-up, the students choose their favourite / their least favourite item and justify their choices. As in all of the other activities, there is also an option of the students changing partners and sharing their ideas with someone else in the group.
Example: While discussing food, we watched the video about school lunches around the world, we watched it bit by bit (after each item) and the students had to answer the following question ‘Would you like to try it? Why?’. Actually, this particular lesson included the video because we followed up with a video on American kids trying Russian food and we paused right after the food was introduced and we try to predict if the kids are going to like it or not.
Read my lips
Procedure: It is used with the video with a very clear narrative that can be interpreted without the audio version as the students watch it muted. The teacher can start with the title of the film and ask the students to predict what they think it is about. Afterwards, the students watch the film and try to figure out what is happening, who the characters are, how they are feeling. The teacher can ask them to take notes while they are watching. Afterwards, students compare their notes in pairs or in groups of three. The teacher can also ask them about the main events or to try to connect the clip to the title of the film. Afterwards, the students watch the video again and as a group discuss their guesses. The teacher clarifies the main points, without going into too many details. The final activity is predicting what happens next.
Example: One of my top ten for this kind of an approach is a video like this excerpt from Big Fish, or actually a set of clips from the same film, for example this one here or this one here. In this one case, we did not really talk about the title of the film. After watching the film, the students were discussing what they saw but I also asked them to think about the following questions: Who was the big man? Why did he look scruffy? Why did the boy throw a stone at him? Why did the boy reach out a hand and closed the eyes? Why did they shake hands in the end?
After we finished watching and discussing, we also looked at the quote from the clip ‘You are a big man. You should be in a big city.’ and we talked about what it might mean and whether it is true.
Categorise
Procedure: The students are given a list of all the items that are shown in the video ie some extreme sports, some unusual holiday destinations, exotic animals etc. The students watch the video and they take notes about all the items, ie putting (+) and (-) next to those that they like or grading them from 1 – 5, depending on how interesting they are. After watching the video, they make their own list, organising all the items from the most to the least interesting one or dividing them into categories (like – don’t like, useful – not useful, interesting – boring) and so on. They work in pairs or small teams and compare and explain their decisions.
Example: This video was used in a lesson on technology as it presents the list of 10 Coolest Gadges. Some of the gadgets in the video have unusual names so we started with looking at these, trying to figure out what these might be. We actually divided the video into two and we discussed the first five gadgets and then, after the second half, the other five and then all ten, to round up. The students were choosing the most interesting gadgets that they might want to buy and those that they would not really even consider. In the end, we choose the most and the least popular gadget as a group.
None of the videos I use as examples were graded or created with the EFL /ESL learners so they can be considered authentic materials. I found all of them on youtube while looking for videos that would match the topic we were working on. I did not introduce any vocabulary, focusing rather on listening (or watching) for gist and general understanding, rather than on any specific details. Unless, of course, the students had any questions.
If you want to find out more about using authentic materials, have a look at some of the many resources online such as these post here: how to choose and adapt them, here from the Britsh Council, and here.
I have also found out a few posts on using video in class. If you are interested, you can find them here and here and this one here, although it has a wider scope and does not really focus on videos in the EFL/ESL classroom.
I am happy to inform you that, inspired by your article, I have decided to follow your example and to start experimenting in the area of scaffolding…
Oh, how I wish I could write a letter of that kind. Since I first read the article by Bruner, Woods and Ross on the original research and how the term ‘scaffolding’ started to mean what it does to us, teachers and educators, it has become a kind of a life mission to spread the word about it among my teachers and trainees, conference attendees and, of course, the readers of my blog. This is also the area that I choose to invesitage in my first classroom research project as part of my MA programme.
Of course, the most important things keep happening in the classroom, in the everyday when you observe and adapt your instructions, gestures, voice and actions to better suit the young or very young learners as regards demonstration, marking critical features, reduction in degrees of freedom, recruitment, direction maintenance and frustration control (the six orignal features outlined in the article).
This time, the starting point was the lazy teacher…
I started to plan the final lesson with my three pre-school groups that also happened to be our Christmas lesson. And it was out of this tiredness and the madness of the end of the year that made me wake up one day and decide: ‘I am going to repeat the lesson!’
Three lessons in a row, three different levels, three different age groups and the same lesson plan. Well, to a point, of course. We would all study the same vocabulary set and sing the same songs, but the activities would vary, depending on what the children are capable of.
Topic, vocabulary and structure
There were eight words in the set (Santa, a reindeer, a stocking, a Christmas tree, a present, a start, a snowflake, a snowman) and I wanted to combine them with the question that we all had been practising before: ‘What is it?’ ‘It’s a…’.
The level 1 kids (and the youngest group) have got as far recognising the words and pointing at the right flashcards and participating in the ‘What’s missing?’ game although most of the time they would guess the missing word in Russian and they actively produced only some of them in English, such as ‘a star’, ‘a snowman’ and Santa. We also watched the ‘Guess the word video‘ and it was a chance for us to drill the vocabulary in a different way. We also introduced ‘What do you want for Christmas‘ and it was a nice opportunity for us to revise toys which we covered in the previous unit. But only that. In the end of the lesson we also had time for storytelling and we used Rod Campbell ‘My presents’, again as a way of revising the key vocabulary.
With the level 2 kids, we did pretty much the same but the kids were able to remember and to reproduce all eight words really quickly. We played the same game (What’s missing) but they were all actively involved and producing. We watched the video and guessed the words, pretty much just the way the younger group did, although it was interesting that I did not need to encourage them to repeat the words and, as soon as the full picture and the correct answer was revealed, the kids said the word without any cues from me. It seems that due to their age and to the fact that they have been in class for longer, they are much better used to that kind of reaction to the content. We seem to have developed that habit already.
As for the song, we even managed to personalise the song and talk about whether each of the presents featuring in the song are a good idea (or not? ‘Not’, according to some students:-) and we sang a verse for each of the kids:
‘What do you want for Christmas, Christmas, Christmas? What do you want for Christmas? Santa is on his way…’
‘I want a…’
I did not use the storybook with the older children. I had planned it only for the little ones. For the older ones, we had a back-up of an episode of Christmas Peppa, but, in the end, there was no time for that.
The oldest group, level 3 kids, need only a quick revision of all the words and then we could play a variety of games. We did not even play ‘What’s missing?’ as they are too ‘adult’ and this particular game is not challeging for them anymore. Instead, we played a team game, ‘Tell me about it’, in which the players choose a box, open it and say something about the picture hidden in the box. And they collect the points.
We did use the video mentioned above but in this lesson it was not just a simple guessing game, we also managed to talk about whether each round is going to be easy or difficult and then to comment on what it really was. And, of course, the song was also personalised and followed-up by a proper chat. There was also another song, ‘Who took the cookie from the cookie jar?‘, in its life acquatic version (nothing to do with Christmas, but the kids were curious and this is the game we are playing right now). This group are already quite good at personalising songs (aka ‘The original version is good but let’s see what we can do with it and how can we make it better?’) so it was the kids to suggest that we start singing it when we pick up our surprise at the end of the lesson from the reception. If I rememeber correctly, the final version of it (as shaped up by the kids) went along the lines of: ‘Who took the surprise from the surprise jar?‘
I was teaching, having fun and keeping my eyes and ears open and trying to remember what was happening. It was already very interesting but I was really waiting for the most important part, the cherry on the cake.
The cherry on the cake
Surprisingly enough, this time round, it did take a long while to choose the craft activity but finally I settled on the snowman. I found something that I liked among the 25 Easy Snowman Crafts For Kids on countryliving.com. I planned the lesson, spent an hour cutting out the circles, the noses, the hats, the arms and the Christmas trees and orgnising the room. And then we took off.
It so does happen that although my children are divided into groups by the level and by the age, there are exceptions and special cases in all three groups.
The actitivity, the materials, the staging and the instructions were exactly the same in all three groups but the outcomes (visible in the photographs below) and the scaffolding necessary (not visible in the photographs:-) heavily depended on the age of the students.
The youngest students produced these beauties:
This was interesting, especially because this lesson came first and after a very short moment, I realised that, while preparing and planning, I gauged myself for a slightly older audience and I had to adapt on the go, especially for the almost 3 y.o. girl for whom it was the trial lesson and the first 45 minutes in our classroom.
It turned out pretty quickly that it is quite a challenge to glue the ribbon, to turn the circle over and to tie it and that the orange ‘carrot’ nose is actually very small. But we managed, with the pace really, really slow and the teacher keeping an eye and demonstrating everything twice. Plus, yes, the teacher had no other choice but to help with the ribbon.
The age of the students shows most obviously in the way that all the small parts were glued and how the eyes, the smile and the buttons were drawn, with a different level of accuracy and precision. Almost where they should be:-)
And it was because it took longer to produce the snowman that I decided to skip the little sticky arms. They were too thin, too fiddly and too risky. And the snowmen still look pretty without them.
The snowman created by the 5 y.o. hands looks like that
First of all, the five-year-old snowmen did not take as much time to produce and the little fingers were much more agile and ready. As a result, the teacher did not need to help with the ribbons, the noses were handles with much more efficiency and we did have time to add the arms.
It is interesting to see that at this age, the students did observe the teacher (the mentor / the expert) to do exactly what she was doing but they were observing to figure out what had to be done and to interpret it in their own way. Some snowmen were happy but not all. Some had the scarf tied on the neck aka above the arms and the others had it more where their snowman-y waist would be. Some had the buttons and some did not. Some snowman mouths were a string of dots, some were drawn with a line. Some of the Christmas trees were glued on the snowman’s chest (like in the teacher’s model) but then again, some were holding them in their hands (although this obviously involves even a higher level of precision).
The 6 y.o. snowmen look like that:
The older snowmen are even ‘neater’ (in inverted commas here because I adore all of these snowmen, even the ones that look as if they were created by Pablo Picasso) and the evidence of precision and accuracy as well as even a more detailed and a more personalised version, which were the students’ own additions as they were not modelled by the teacher such as the eyebrows, the hat decorations (not featured in the photos) or a bigger number of buttons.
And the oldest of them all, the almost 7 y.o.
This snowman was made by our oldest student, a girl who is actually in school but who is finishing the level with us. As regards the level of English, the development of the literacy skills, she is like the other students in the group, but her motor skills are more developed and for that reason she usually is the fast-finisher. That is not an issue and while she is waiting for the group to finish, she usually continues working on her craft or handout, adding details and decorations.
This time round, she decided that her snowman is going to be a snowgirl, with her and a bow, which was her own original idea.
Reflections of a small scale Jerome Bruner…
This was an absolutely fascinating experience and I would really recommend it to teachers who work with different levels within the same age group, especially within primary and pre-primary where scaffolding seems to be one of the most important factors deciding about the task completion and success.
It can be a great source of information, about the students’ skills and abilities…
…as well as an opportunity to trial something new, be it a song, a video, a game or a craft activity and to learn more about this type of a task.
It is a chance for the teacher to practise and to develp their scaffolding brain…
…and a great opportunity for a freer practice in the area of differentiated learning, not only within the group of learners (something that happens in every class) but on the level of different age groups and levels
Like in the original experiment, the design or the choice of the task and the material is crucial but the holiday lessons, not really closely connected to the coursebook curriculum, seem to be a perfect way out.
What else? Not much? Some curiosity on the part of the teacher, some willingness to experiment and some flexibility in order to be able to adapt on the go. Plus, the eyes wide open to notice all the little changes and proceedings.
These two, in the photo below, are my own interpretation of the original craft and a more complex version of it, here in the form of a card, made by an adult (myself). Perhaps this is what I am going to make with my oldest primary group in our Christmas lesson. If we do, I will let you know how it goes. That would be, indeed, a nice follow-up and an extension of our experiments. We’ll see. In the meantime:
The background: a group of 7-8-9-year-olds, who have been learning English for a number of years (some of them even for 5+ years), in the EFL context, currently in the A2 level and supposed to deal with the grammar structures that are quite advanced for their age and the current level of cognitive development. Plus an experienced teacher, ready for a challenge.
The challenge: practice activities that do focus on the target language but in the context appropriate for YL (sadly, quite a few of those that we have in our coursebook are just junior or even adult practice activities with kiddies characters’ names, we use them but there is very little joy, our last resort).
How to use this post: read the description of the types of activities and then look at the handoutswe did use in class, with my A2 kids while in the unit on the zero conditional.
Type #1: Something is wrong here
This is usually the first practice activity with a new structure as this type of an exercise does not require any real knowledge of the grammar structure. Its main aim is the extended exposure to the structure that is our target language. The students are to read the sentences and find the problems and sort them out. These are usually the logical inconsistencies and they can be corrected in many different ways. It is an open ended activity. According to my kids, some of the sentences contain no issues as, apparently, ‘If you run in the hallway, the teacher runs with you’ is exactly what happens in their school. LOL.
This activity can be follwed up with a quick memory game in which the kids word in pairs and try to recreate the original sentences with only some hints from their partner. For example, student A calls out ‘ice-cream, the sun’ and student B tries to produce the full sentence.
Type #2: Find a mistake
This type of an activity is a good idea because it helps the kids develop the linguistic awareness in the very limited area of the chosen and practised grammar structure. We have found those very useful since the kids are slowly becoming aware of the structure and they are slowly being introduced to looking at grammar in a more adult way.
The handout is basically a set of sentences, with some grammar mistakes. In the sample sentences you can see in my handouts, these can be: missing words, additional words, incorrect froms.
The instructions are super simple, the kids work together or individually (depending on how independent your kids are) and underline and correct the mistakes. In this and in the previous activity, my students adore taking colourful markers and play the teacher here, treating these as my tests which they correct and give back to me. With marks that are not necessarily the best one.
Type #3 Your ideas!
This kind of an activity gives the kids even a greater opportunity to produce personalised sentences and to express themselves. It is entirely open-ended especially that the kids also have a chance to choose the sentences which they want to complete. In the handout available, there are ten sentences in total and the students were asked to complete five they like most.
The kids complete the sentences in any way that is true for them. In the follow-up stage, they work in pairs, read their sentences to their partner and explain why. The most important part of is the written sentence with a strong focus on the TL but this is only the springboard to a lot more productive task. If there is time, the students can change partners and to produce a lot more language. Another opportunity is to keep the handouts and ask the kids to complete the remaining five sentences in the following lesson and to repeat the pairwork, with the same or with different partners.
Type #4 Caption this!
This is a slightly more productive task, but still a very open-ended one. The kids are required to create their own captions to the images provided and, of course, the selection of the images and the language used has to be relevant to the topic of the lesson.
It can be set up in (at least) two ways: either at the desks with the students working together and writing the captions which we compare in the feedback session or with the images displayed on separate pieces of A4, with one image per page, which are circulated in the classroom and with the new ideas being added by the students as we go along.
If there are appropriate conditions in the school, the kids can also be invited to walk around the school, look at the visuals and add their ideas to the visuals that they like most. This offers more freedom as it is not a given that they will write something under all of the visuals (unlike in the activity when the cards are circulated when we are sitting) but this set-up requires proper stations (aka any horizontal working space which allows for comfortable writing) as the young kids might struggle with writing on the posters displayed on the walls.
The visuals can be very specific or, like in our handout, they can simply help to narrow down the topic.
Type # 5 Role-play starters
First of all, kids prepare the conversation starters. They can work in pairs or individually and they write one sentence for a specific situation (see the handouts). Ideally this is done in the end of a lesson. The teacher monitors, encourages and suggests. The kids are put in pairs, they read the sentences to each other and choose the funniest ones or the most interesting ones. The teacher collects the handouts.
For the following lesson, the teacher cuts up the sentences and divides them into sets. It does not quite matter if a set has more than one situation of the same type. The idea is that the kids will work with a set of random sentences.
Kids work in pairs. Student A takes out a sentence and reads out the situation. Then they start the role-play in which the sentence should be included. Student B reacts, as appropriate. Then they swap and student B takes out one of the cards and starts a conversation.
And this is, more or less, how we roll, me, basically, throwing things at the walls and see if it sticks. So far it has. Then, onto the next one. Although, of course, we will have to wait and see about the long-term results.
Bonus tasks. A grammar-focused project: How we became scientists
These particular activites are very specific to the particular topic or the target langauge here and they will not be easily transfered into other contexts and topics. However, they were very effective and they did help us practise the target language and for that reason I am including them here.
We have already practised a lot and this handout was set a homework task. I was very open-minded (or almost very reckless) about the mode of completing this tasks. The kids were asked to complete the handout but, because they asked, I also allowed them to complete the questions with mistakes (which we would correct later), in Russian or just to think about these situations. The only thing I had to highlight was for them not to do these experiments at home.
I had to choose the experiements following a few criteria (something we can do in class, something that does not involve any fire or potentially dangerous materials if the kids decided to do them again at home, something that will not involve any langauge or structures that are too advanced for us) and to prepare the materials and the classroom set-up, too, with all the desks in a semi-circle and a table in the middle.
In the following lesson, we went step by step, using the following framework
the hypothesis and the ideas from kids, introducing some of the key vocabulary, mostly verbs
doing the experiments, highlighting the results, producing the key structure
asking additional questions and follow-up questions, letting the kids play, when appropriate ie with spinning the eggs or mixing the water etc.
Some of the experiments have been completed in the same lesson (skittles) and some of them will be completed and finalised in the following lesson (we have used the lemon juice to write and in the following lesson we will see if these letters show after we have ironed them).
Despite the fact that the experiments meant a lot of work for me, I am very happy with the outcomes because we did manage to create an almost perfect context for the target language and the students really did produce a lot of language. I might not do it in every unit but it was definitely worth it.
Teaching English through has been something that I have been playing with for quite some time now and it started in the most selfish of ways, namely, I simply wanted to bring my favourite things to class. You know, have these beautiful Georgia O’Keeffee’s skyscrapers hanging by the whiteboard or practising prepositions of place not with the description of the classroom but of everyone and everything in one of the Chagall’s villages. My favourite things, nothing else.
I wanted and I did. Only once I started (and once I started to read about it, to research it, to experiment with the younger and the older, and to read even more and to reflect), I realised that there is a lot more to it, for me and for my students.
Somehow, once you start, it is difficult to stop because new ideas and new projects emerge and there is a lot to write about. This is not my first blog post about combining Art and EFL so if you interested, please have a look here (How to see a city through Art), here (How to hear Stravinsky, although the format can be adapted to any piece of music) and here (How to read storybook illustrations, a lesson not for kids) or here (if you are interested in using realistic and not realistic visuals with children).
With this post, I have decided to take a more organised approach to teaching English through Art, going a little back to the basics, to tell you why you might even want to think about it.
A bit about me and my background
My name is Anka, I am a teacher of English as a foreign language but I am also interested in Art. My first degree is in History and as a part of that adventure many years ago I did have a privilege in taking two terms of History of Art with one of the most amazing teachers ever but I still consider myself only ‘a human interested in the visual arts’, not a professional.
First and foremost I am a teacher of a foreign language and the main aim is always teaching them vocabulary and grammar, the four language skills development and, sometimes, exam preparation. However, I do believe, that there is always room for a bit of Art, here and there, smuggled, hidden and used to develop the language skills.
At the moment, I am taking part in three different projects which, to some extent, involve Art Etc.
my regular classes at BKC IH Moscow, classes which have a clear focus, a curriculum, a coursebook in which I use Art Etc to supplement what we do, for variation
my Art Explorers lessons, a bonus, free-of-charge once a month class for the students of our branch, a project that we are launching only this month
Kids in the Avant-Garde, a cooperation between BKC IH Moscow, Fun Art Kids and the Multimedia Art Museum in Moscow, which gives the kids a chance to express themselves creatively in a variety of ways.
In the long-run, I would like to share here some ideas and activities which we used in all of these projects, but before we get there, here are some of the reasons why including Art in the EFL lessons is a good idea. Let’s go.
The alphabet book based on the animals from the paintings at the Tretyakov Gallery
Teaching English Through Art: all the reasons why you should at least consider it (in a rather random order)
Paintings used in regular EFL lessons as flashcards to introduce or to practise the language are a wonderful tool and a source of variety, to compliment the drawings, cartoons, illustrations and photographs. They will be especially appropriate while teaching animals, clothes, transport, activities, food, the city or the natural world.
Using painting also means exposing children to different styles in Art will help develop their visual literacy skills, even without any special lessons on the theory or the artists’ biographies.
Teaching English through Art with younger children, preschoolers or primary, usually involves some creative activity. This gives the children an opportunity to interact and to experiment with a variety of artistic materials such as paints, watercolours, crayons, fingerpaints and techqniues, for example collage, prints, scratch art and so on.
Kids, of the age, are learning to make decisions, choosing their own composition, lines and colours, not only attempting to become a five or a fourteen-year-old Walhor, Mashkov, Goncharova or Rousseau but personalising it and owning it every step of the way.
Since this creative activity is only an add-on in the regular English classes, it might help children discover a talent and interest in the artistic world, something that might not become obvious otherwise.
Just like any content-and-language-integrated lessons (CLIL), also the Art lessons give the students an opportunity to use the language to access other subjects and areas of knowledge and, especially in the case of the older learners, to see the real purpose of learning a foreign language
Interacting with the world art can be a springboard to discussions which generally generate a lot of language for the students, in relation with their level of English. Since ‘all ideas are good ideas’ (one of the mottos of our classes) and since all interpretations are welcome, students feel free to express themselves and to share what they think.
Art lessons especially lend themselves to learning and practising the language of expressing and asking for opinion, agreeing and disagreeing, talking about associations, possibilities and hypothesis.
Somehow (and this bit is really beyond me) during the Art lessons students, juniors and teens alike, are more likely to use the beautiful English. All of a sudden they realise that there are other adjectives than ‘beautiful’, ‘nice’ or ‘interesting’ and so the language they produce is of a much higher quality than what they normally during the conversations about the everyday topics.
Art can supplement lessons on practically any topic and they will help to ensure that the curriculum and the programme is diverse and engaging.
All of these are simply my reflections based on what I have observed in class. The real research will follow.
If you are interested you can continue reading here:
7 Amazing Benefits of Art for Kids That You Might Not Know Of from the artfulparent.com
Bonus titles: lots and lots of resource books – in the photos accompanying this post.
There is more to come!
Happy Teaching!
P.S. A request!
It is very simple.
I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.
Well, well, well, this is officially my post #100 on the blog and I am in the mood for celebrating. That might take the form of sharing some random numbers (8,280 visits and 5,563 visitors over a year and a half (and mind you, I have NO IDEA WHATSOEVER if it is ‘impressive’, ‘not so good at all’ or just ‘why even bring it up?!’) and pondering over the fact that these have been my 5 most popular posts:
Which means that there is some interest in teaching pre-schoolers, using visuals in class and that Pasha, the invisible student, has become a bit more real, overall.
Apart from that, however, I would also like to take this opportunity to share with you my top 10 wordwall activities that I use with my primary and pre-primary students.
Disclaimer: Wordwall is amazing, no doubt about that, but it is still only a resource, a material. Its main aim is to provide opportunities for the students to produce the language. For that reason, in all of the games (for the lack of a better word) described below there will be always a differentiation between the material (the actual tool created with wordwall formats) and the activity (how we use it in class).
Activity: Kids take turns to ask everyone the key question using the cue on the card. All the students in the group answer. The same pattern can be used with any question ie Do you like…? Can you…? Have you got…?
Works well with: primary (they can attempt working in pairs and taking turns to ask a question to their partner only) and pre-primary, individual and groups
Activity: Kids play in teams, ask for the box to be open, produce a sentence (or sentences about the picture), win the number of points. The game about seasons is a very simple one, for preschoolers, the one such as this one here, about animals, can generate a lot more language, also with preschoolers and, of course, a lot more with primary.
Works well with: primary and pre-primary (with pre-primary we play T vs the whole class), groups and individial (we play T vs the student).
Activity: Kids play in teams, team A asks the question ‘What’s this?’, team B tries to answer. Afterwards the teacher flips the card to check. Depending on the vocabulary kids then say whether they like it or not or try to describe, too.
Works well with: pre-primary, individual and groups, it might be a bit under-challenging for the primary students
Which one is correct? Spelling
Materials: Flashcards, double-sided, with visuals and correct and incorrect spelling of the word Places in the city or a quiz with a similar idea, for example this oneSuperminds 5, Read andchoose
Activities: Kids read both versions and choose the correct one. With the flashcards the teacher is flipping the cards back and forth, I use it mostly with my 1-1s. With groups the quiz version works better and it can turn into a proper quiz, with the kids writing the answers down.
Activities: Kids work in pairs, one student in each pair has to sit with their back to the TV/ interactive whiteboard, the other is looking at the board. T keeps dealing the cards. The student looking at the screen has to describe the word for their partner to guess. After a certain number of rounds they change. The cards usually have the words on them, too, so it works well with mixed ability groups.
Works well with: primary and teens. I have only tried it with groups.
Activity: We use the cards or the matching activity to sing the song, slowly, with pauses, to practise and to revise before the actual video / track. The set such as the one for the ‘As quiet as a mouse’ can be used to start creating own versions of the song as kids have only the animals and they can (if they are ready) to come up with their own adjectives.
Works well with: primary and pre-primary, individual and groups.
Story / video comprehension check
Materials: Match to accompany Peppa Pig ‘Fruit Day’ or a quiz to accompany Peppa Pig ‘George is ill’
Activities: We normally learn the vocabulary, get ready for watching the video and then watch it. The games described here are used to check comprehension. The quiz is read by the teacher and the kids answer ‘Yes’ and ‘No’ and correct the incorrect sentences (unless I use the same story with primary who can read it themselves). The matching activity is always accompanied by a structure. It can be a simple ‘Apples are for George’ or a more comples ‘George would like apples’.
Works well with: primary and pre-primary, individual or groups.
Activities: The game itself is usually set for homework. We check it together, whole class. Afterwards the kids are divided into pairs and they test each other, for example Student A says: I am going to the supermarket’, student B has to recreate the second half of the sentence. To help the kids a bit, I put up some key words (ie places and main verbs) on the board. The kids change after a few rounds.
Activities: Kids work in pairs and the kids interview each other, reading the questions or prompts of the computer / TV / interactive whiteboard. Afterwards they swap.
Works well with: primary and teens, individual and groups
Activities: Kids look at the cards and listen to the teacher describing the pictures. If the sentence is correct, they say ‘Yes’, if there is a mistake, they reply with ‘No!’ and correct the mistake. Later on, there is a lot of potential for the kids to take turns to lead the game. The older students can work in pairs, too, while looking at the screen / the interactive whiteboard / the TV.
Works well with: primary and pre-primary, individual and groups.
If you are looking for inspiration or ready activity, you can find my profile (Azapart) there. I share all of my activities so there is plenty to choose from, especially if you work with Playway to English and Superminds.
Here you will also find Part 2 of this post and even more ideas for using Wordwall games in your YL classes.
Happy teaching!
P.S. A request!
It is very simple.
I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.
