#crumbslittleideasfortheclassroom Archives - Page 2 of 9

Don’t eat the materials! Salty dough creations

August 18, 2024May 18, 2024 by Anka Zapart

The language and the artist…

…were completely given up on in this particular lesson. I was considering looking for someone who created something that we would be creating but I quickly realised that the process will be the more important part of the lesson and, again, because of the materials and of the many stages, we will need time. I just wanted to make things out of the salty dough.

The art

While I was preparing for the lesson, I considered different scenarios, also the one in which we make our little things and leave them to dry for a week and decorating them during the following lesson. There are microwaves at the school but I did not want to use them. I wanted to keep everything as simple as possible and after experimenting at home at the weekend and testing the drying and colouring and I had a solution. I also tried to paint my dough while still wet and that went well, too.

I made the dough at the school, just before the lesson. I didn’t have any bowls there but I used one of the big plastic boxes and even though though it did get stuck to the box and dried up a bit, I washed it easily after the lesson. There are many recipes out there but I used this one here.

I prepared the working stations for my kids (a double spread of the newspaper scotched to the table) and got changed into our aprons.

I showed the children the dough, I explained the ingredients I used and I repeated my basic health and safety drill that is the title of this post. I showed them the tools that we had at our disposal (cookie cutters of random shapes and two small bottles to be used as rolling pins) and paintbrushes that were to be used in lieu of the little knives to shape up our creations.

I also showed the children the photos of different things that I made at home while trialling and testing: a letter A, a snail made out of one piece of rolled string of dough, a flower made out of blobs etc. I wanted the kids to get at least a vague idea of the opportunities that the dough presented.

On the board I wrote out the main stages of the lesson and they went as follows: 1. Look (at the model), 2. Make, 3. Paint, 4. Transfer to the window sill, 5. Dry. I wanted to make sure we are all on the same page and that we all finish in time.

I told the kids that since we are experimenting with a brand new material and technique, everyone can make whatever they want. ‘Anything?’, they asked, incredulously. ‘Anything! Go on, experiment and have a go!’ And they did!

The outcomes

It is possible to go through the whole process in 45 minutes, from instructions, through creation to painting and cleaning. Some of the students did finish early but we made sure everyone waited for everyone else to finish before moving on to the following stage.

The paint was dry within minutes but the cookies (that’s what the kids started to call them) were still to fragile to be transported so they were left on the window sill until the following day, when we packed them into plastic zip lock bags.

Once the creations were ready, we transfered them onto A5 pieces of cardboard, for painting, drying and safe travelling later on.

For colouring we used acrylic paints, with a pearl shine and that made them look even prettier. I was really proud of all my students because we took all the necessary precautions and there were no splatters or spatters. Our clothes, tables and chairs were safe.

The kids’ creations simply blow my mind. As usual, my amazing artists looked, thought and then went on creating in their own style. Most of them are simple cookies, cut out with a cookie cutter and painted. Some are decorative pieces, like the three hearts made for mum. One of my students thought of making a necklace and she even made a whole for the ribbon. Some students decided to create 3-D figures of their favourite things, some of them very elaborate. And of course they snatched them even before I could take a photo…

Guess, we are definitely doing this again! I am not sure when but we definitely are! Maybe they will be Christmas decorations, maybe little pumpkins for Halloween, maybe Easter egs! The salty dough will be back!

Even more things that can be done with salt dough (updated 18 August 2024)

I happen to have a 1-1 lesson with one of my students and, knowing that he loves making and creating, I decided to spend this time with craft and salty dough. Somehow, this was a very creative lesson as we could make, try and experiment and the ideas were bouncing off, back and forth. We have tried:

using shells and beads as decoration
applying beads onto an already painted surface (good idea!)
applying beads and shells, then painting with acrylic paint and wiping the surface gently with a wet tissue (good idea!)
constructing a piggy bank on a frame of a glass jar. Not sure what I can say about it, the shaping went well, but the piggy bank is still drying. The success of this one will be determined later)

Happy teaching!

P.S. A request!

It is very simple.

I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.

Hence the survey.

Materials May and Mandalas!

May 19, 2024May 18, 2024 by Anka Zapart

I was looking for the inspration for our final month of Art. I did not start this year with a curriculum for all nine months, although probably, that would have been the recommended and adult course of action. Instead, I spent all these months just getting a theme for September, October, November…

Then came May and I needed something different, something interesting and something that starts with the letter M, just like this month.

The artists

This was an important part of the lesson to give the kids a chance to understand what a mandala is and many different techniques there are to create it. I focused on the simplest and the most basic and straighforward meaning of a mandala representing the Earth.

We looked at three different artists who are famous for their mandalas and the materials they used because I also wanted to have a representation of a variety of tools. That is why we looked at Jamie Locke who carves her mandalas, Damien Hirst who composes his out of butterflies (I still cannot get over the fact that these are real butterflies) and Stephen Meakin who painted his.

The language

Only after we looked at the artists, did we go through the language for the day, namely all of the materials to be used in class and, as usual, we used the wordwall cards. The cards and the vocabulary have been consistent with what I found at home and in my local supermarket and consistent with all the materials that I wanted to use. That is why have here beautifully green mungo beans and orange lentils.

I am aware of the fact that these are not the most commonly used words, especially by beginners but I did not want to extend the langauge slot because making a mandala takes time and we have only 45 minutes at our disposal.

The art

Mandalas are beyond beautiful and, esentially, very easy to make, albeit time-consuming. As regards materials, you only need a lot of PVA kids glue (I tried to use the regular glue stick but it is not that effective), cardboard (as the regular paper will not be able to keep up with the large amount of glue) and the seeds of your choice.

As usual, we prepared the working stations on kids’ separate desks and all of the materials were placed in boxes and in bags on the table at the front of the classroom. I also had a few separated containters (deep lids from plastic boxes). The students were told to come up, choose their material, one at a time, and either take the chosen box to their table or to take some of the material into a separate lid to move them around the room. We put on our aprons and I gave our small paintbrushes in order to move the pieces around to avoid touching the glue, as much as possible. I also gave a long, serious and boring speech in both languages about not eating anything on the table. ‘This is not food, these are materials right now. We don’t eat the materials’ could be the summary.

The actual making of the mandala is super easy and, apart from showing the children the one I made at home, I also started another one in the classroom. There are three easy steps: attaching the paper to the table with painter’s scotch, squeezing out a large blob of glue and smearing it in a circle and starting the mandala from the centre, going out and around. If necessary, another layer of glue might be added as it dries out and another layer might be added at the end of the of the process, especially for the big bits, such as the pasta pieces. The PVA glue dries beautifully and it becomes transparent, without destroying the picture.

We left ours to dry on the window sill and on the following day, I put them up in the polly pockets and kids took them home.

Why we loved it?

Just like the tiny pictures, this activity does wonders for developing focus and concentration. Everyone stayed focused, everyone stayed silent and they were just working beautifully.
It is also a lovely task to develop cooperation skills because even though we had a selection of materials and boxes, the kids still had to wait, to share, to negotiate and I am very happy to say it went well.
The task involves a lot of self-control as, despite the fact that all of these were hard, raw and not very tasty grains, some of my students were still asking for the permission to eat them, just to try. One of the boys even left the room because he knew he wouldn’t be able to resist but then he came back and worked well, only talking about eating our materials. I am trying to say that I was happy that I waited with such a task until the end of the year, when we had already our routines and rules developed and in place. I would not recommend doing it in September or until the group is ready for it.
The kids loved the work, too and, as you can see in the photos, the majority of them went for a traditional mandala, some decided to create chaos which is also beautifully represented in the world. Some of my Super Artistic Stars went for their signature items such as the rabbit and the goose or the cat which Alex, laboriously, constructed out of the buckwheat pieces. We had a few flowers, too.
This was one of the rare cases when I did not plan on displaying the art on the wall and all kids took their pieces home. I was worried that on the wall, unsupervised, the pieces might be picked up by some of the students and consumed. I really didn’t want to risk that and we do not have closed cases in our school in which the mandalas could be safely displayed. Plus, of course, everyone wanted to take their creations home, as soon as possible.
I was thinking of the ESL / EFL classes in which this kind of craft could be used and here are some of the ideas (although I feel obliged to mention that I have not used them in class myself, not in that format): a lesson on the natural world, a space lesson craft, with everyone creating their own planet, a lesson on big numbers in which we could count all the pieces used and, in a Science lesson – on grains and seeds.

The realistic representation of the world in a mandala

Happy teaching!

P.S. A request!

It is very simple.

Hence the survey.

Tiny pictures. Alternative April #4

May 4, 2024May 4, 2024 by Anka Zapart

‘Anka with fireworks’, my name card by one of my artists

Let’s go alternative in April!

We did! In every possible way.

The size

This was the final lesson in our beautiful and exciting series of the Alternative April series. I really wanted to experiment with the size of the paper. Initially, I wanted us to paint something really big and then something really small in order to really experience the difference first hand. However, based on how the lesson with the older kids was going (in one word: too slow), I changed that for the lesson with the younger kids and opted for the A7 only. We were working well but the creative process, the decisions and the composition, takes time and I didn’t want to rush us and in the second lesson I decided to keep things simple: just the little picture.

The materials

Initially, I had the wild idea of letting the kids choose the medium that they want to work with. It is not a bad idea but, I will be honest, the preparations for its implementation need to be more detailed and organised in a slightly different way to what I did. Next time I will and next time will be better.

In the end, my older students went for the simplest and the most basic, pencils and black markers, and with my younger group I chose for all of us and we worked with watercolours.

The artist of the day…

didn’t come. The first reason for that was that I did not want to choose one and I felt conflicted about it. On the one hand, I really wanted to stick to the framework that I created for our course and we had always had at least one Master to inspire us. On the other hand, the topic that I chose for the lesson, namely ‘Spring’, is such an open-ended and all-embracing topic, that looking for the one was a task doomed to a failure. Plus, I knew that the format would be enough of a challenge and I wanted to give the children the comfort of working with it. I was worried that I would be limiting them too much, with the artist, the format, the topic and the resource. I decided against it. We sang the song, said hello, brainstormed all the associations with the word ‘spring’ and looked very briefly at a selection of paintings showing spring, without singling anyone out.

And then sat down to work.

How it all went

I know that I sound like a broken record when I say it but I will do it again: This was one of my favourite lessons ever and the reason for that is that, again, we set off on an amazing, 45-minute creative journey.

We all had to be very careful with choosing the topic for our work. The A7 format is a very small one and you have to take into account how small certain elements are and how much effort it would take to execute them.
All kids had three pieces of the A7 paper, attached to the table with the painter’s scotch (necessary!) so they could experiment with different approaches and they really did. The first pictures were usually the most cautious ones, the easiest ones and the least experimentative. However, since there were more pieces available, I could see how much braver and more confident they became in their following steps. Even today, while looking at the pictures, I can tell the order in which they were painted by particular kids. And it is amazing. For example, the triptych in red by Egorka, who started with a scene from Mars, all in red, then moved on to a superhero’s portrait and finished with what he called ‘a zebra heart’, in black and red that ended up being a print. Why? Because he noticed that the paper towels we had on the tables had an interesting pattern and he decided to experiment. Precious.

Three of my students painted only one picture but it is because they decided to make it more detailed and, naturally, these required more time, effort and attention. The other children went for a triptych and, one way or another, these three were connected by a common theme.
One of those three is the first in the world case of the Snail Art in which the artist traces the slime trail left on paper by her pet snail. Which, of course, was her own idea. No snails were harm in the production of this piece.
It turned out that this kind of art is a perfect exercise for improving focus and concentration. It worked like magic. For that reason it might be an interesting activity to improve in the general English classes, for example. I can easily picture it in our ESL / EFL courses, especially that the topic can be easily adapted to match the curriculum and it does not eat up a large part of your lesson. And if you don’t want to get into the whole watercolour mess, the same can be done with markers or coloured pencils.
For the time ever, I had not painted my picture before the lesson to show the kids. I wanted to experience the change of focus myself and I told them about it. This was also something that we did for the first time ever.
Having three pieces of paper came in handy with one more thing. As soon as I announced the topic of our lesson, the same question was asked, almost immediately. ‘Can we paint something we want?’ I mean, I always say yes in the end and inside of me there is one happy teacher celebrating the independence and the artistic freedom that my little kids want to exercise. But we did negotiate a tiny little bit, too and, in the end, they agreed that since we have three bits of paper, a lot can be done. Something that the teacher suggests, something that we really, really want to do…

It is beyond fascinating how much impact the A7 format had on our art, composition and work. Five stars, highly recommended. I hope you enjoy visiting our little gallery in this post.

Happy teaching!

P.S. A request!

It is very simple.

Hence the survey.

Yves Klein and we don’t want one colour!

April 7, 2024March 23, 2024 by Anka Zapart

The language

Bearing in mind the artist and his approach to painting, I decided to choose the body as the focus for this lesson (and probably for the few lessons to come, too, although this still needs to be confirmed). For that reason, we have introduced and revised the body parts using the wordwall cards and then we played one of my favourite movement games: Shake your nose! It can be played with a dice and a list of six verbs or with an online spinner. The teacher needs to introduce and demonstrate the verbs. Afterwards, they spin the wheel, read the verb and choose the body part to perform the action. Naturally, the kids take over as soon as they are ready and ask the whole class to perform the silly actions: shake your nose, clap your feet, move your mouth and what not. Of course, everyone’s favourite is ‘freeze’:-)

The artist

I have found Yves Klein only recently, while looking for something else entirely, and when I did, I was surprised, taken aback and mesmerized, all at the same time. Mesmerized – because he is just amazing, surprised – because I had never heard of him and taken aback – because Yves could be (or could have been) the inspiration for one of my favourite sci-fi characters from Alistair Reynolds’ Zima Blue. And I did NOT know that…

Anyway, Yves was introduced with this one photograph because it encapsulate everything we need to know about him, his favourite method and his favourite colour, all at once. We looked at a few examples of what Yves Klein created and we also talked about anthropometry but, because of the age of my students, we limited that to ‘painting with different body parts’ and ‘painting with things’. We did not look at any of the performances. That was enough to spark an interest and they kept asking questions, trying to imagine what the process would look like.

The kids got really interested in the blue rectangle and started to compare it with Malevich’s black square (I taught them well). Sasha, who wildly fights the idea of copying (which I am trying to convince her to think of as ‘inspiration’) asked: ‘Who was first, this Klein or Malevich?’. ‘Malevich’, I said. She rolled her eyes and commented ‘Plagiarism!’…

10 Things to Know about Yves Klein – Artsper Magazine

The art

Initially, the task looked very simple: try to become Yves, for one lesson and to prepare a monochrome picture, using only hands and fingers but all that started to change in the classroom, because I decided to read the room and adjust.

The classroom set-up needed a small adjustment in order to faciliate work. Our tables stand in one big U, with a lot of room in the centre. I brought an IKEA kids table, covered it with paper and decided that that would be our pallete, with four sections for the colours and for more room for mixing the colours. The kids were told to move withing the U, going from the round table to their work stations. This worked very well. We could use one set of paints, everyone was on the move and since the table was in the centre, the kids pretty much avoided bumping into each other and invading each other’s space. We had tissues on the ready but they were also allowed to go out to the nearby bathroom to wash the hands when necessary. We used the aprons to protect the clothes.

The younger kids were working only with their hands because it was only later that I bought a set of kiddies sponge rollers and stamps. I brought them to my Wednesday lesson, for the older students and these had a much wider scope of an opportunity to become Yves for a day, who also used a variety of rollers in his work.

One thing that I did not take into consideration (silly teacher!) was the fact that a new material in the classroom will have its own implications. First of all, my students really got excited about trying out what can be done with finger paints and with rollers and stamps. It is perfectly natural, you get a new toy, you want to play with it and see what it can do. Showing a new tool and setting boundaries in the way it is used is just unreasonable! That’s what I learnt last week.

The other, related, thing is that I found sets of finger paints of only four colours, they had amazing shades. Blue was the most beautiful baby blue, green was more emerald than just simple green and the red one was something between ruby and light brick and they all looked very tempting. When I took the colours, a few students asked the same question, both in the younger and the older group: ‘Do we have to use only one colour?’ and they were so sad about it, that I really did not have the guts in me to go monochrome. I said that monochrome was recommended but that they could use whatever they wanted. The funny thing is that the kids did like the shade of the Klein’s blue and the whole approach to painting but, when it came to their own creations, they still wanted to be able to use all of them.

The lesson was a success (unless you want to consider the abandoning of the monochrome as a distaster, which I don’t). The kids got really involved into their interaction with the new tool and the new technique and it was great to see how they were experimenting and making their decisions as regards the task interpretation.

In the younger group, the students decided to ‘simply’ paint using fingers and hands, some used prints trying to compose a painting out of them. Many of my kids focused on experimenting with mixing the colours and interpreting the outcomes. The older students were more decisive regarding the topic of their paintings, once again depicting their favourite theme, a goose, a rabbit and a fox, in a new way. In both groups, many students created more than one picture because once we started, the ideas came flowing (here you will find another post, when we played with the younger group with all the stamps).

I used the finger paints but in a more limited capacity, only to write letters or to use dots, this was the first, fully-fledged lesson and I have to say – I loved the material. Not only does it wash easily, it is is very liquidy and flowing so it can be used in many ways. It is also perfect for printing as it dries very quickly and it can be combined with drawings or stickers and collage within the same lesson. Lots of potential there and we will definitely be coming back.

There is a little post scriptum to this post here! Don’t forget to check it out!

Happy teaching!

Crumbs #77 Steve and Maggie, from a video to a game!

March 30, 2024March 16, 2024 by Anka Zapart

Ingredients

a series of lessons on professions for the primary school kids
a video from the Steve and Maggie channel
a set of cards or flashcards with different jobs

Procedures

Before we got to watch the video and to play the game, we went through a series of 4 lessons that were devoted to professions. During these lessons we inlcuded activities such as: introducing the vocabulary, matching the jobs with different accessories, miming the jobs, separate words and sentences in Present Continuous (‘A teacher is jumping in the toilet’), categorising the jobs and interviewing each other (‘Do you want to be a teacher?’), talking about what we want to be and don’t want to be, introducing a song, and even starting a project about one Alfonso Pomodoro (more on that later).
In order to make sure that we have some variety of resources and approaches, I also introduced a video from Steve and Maggie. I used it before because it is a nice story that includes a few jobs and some ideas why they are good or bad or easy or difficult and it can serve as a background for a whole range of activities.
This time round (and for the first time, too), I decided to use the video as a framework for a role-play. I wrote the mini-script on the board with ‘a Steve’ (‘I don’t want to be a teacher’, ‘Look, I am a doctor. I can…’ ‘I don’t want to be a doctor!’) and ‘a Maggie’ (‘OK. Abracadabra!’ and ‘5 minutes later’) and we read it together.
It was the first time we did any sort of a role-play with my students in year 1 and that is why I decided to do it as a whole class, with two students being involved at a time. I had only 5 students on the day and that is why it was possible. I modelled the game first and then the students were joining the pair of actors. Kids took out cards from the pile, at random, and acted based on that.
Each round involved two students and they had a go at three jobs with ‘Steve’ getting bored with all three jobs and deciding what he (or she) wants to be in the end. I have a mixed ability group but the stronger students could actually come up with some things that a profession can do as well as with a problem that would put them off. Some kids focused only on choosing the jobs and limiting themselves to ‘I don’t want to be a doctor. It is difficult!’

Why we like it

The game worked well. Even in its minimal version, it gave us an opportunity to practise the key phrases, ‘I want to be a teacher’ and ‘I don’t want to be a teacher’ as well as the jobs, both in speaking and reading.
The video created a great, easy-to-follow framework for our game and it was not necessary to create the context, the story did it for us.
It worked well in a mixed ability group because we could extend and minimise the amount of language
It was done as a whole class activity, with only two kids involved at a time but I am hoping that in the future we will be able to repeat it, in pairs or small teams.
It gave the kids an opportunity to be creative, not only while talking about why certains jobs and good or complicated but in choosing what they want to be in the end (‘I want to be a blogger’ or ‘I want to be a girl’ or ‘I want to be a student!’). One of my students also decided to use the card three times in three different rounds becuase ‘I want to be a judge!’.
We had fun and the element of surprise kept the kids in the audience interested. We laughed a lot!

Happy teaching!

Figurative and non-figurative art. Teaching English through Art

March 30, 2024March 2, 2024 by Anka Zapart

‘Calm night’ that started as an apple, if I remember correctly…

I am happy. As a teacher of English and a teacher of Art – I am happy. I have my Art Explorers classes twice a week, there are two groups so every lesson is not only taught twice and every idea trialled and trialled again. I am happy because I am getting better at coming up with ideas and with combining all the elements and finding the links between the artist, the language and the technique. And I can see how my kids are reacting to it and becoming more familiar with the paintings and more confident as artists.

I have also realised that all of us, we are more involved in the process and we are enjoying it more. The final product is important, of course, but so is the journey. It is all very rewarding and I am just happy that it is a part of my weekly schedule.

The art

As usual, out of the three components, one had to be prioritised and, this time, it was the art itself. I wanted to give my students an opportunity to experience the process of creating a non-figurative art piece. We tried doing it a little bit in our Jackson Pollock lesson but there the lead was taken by the very specific technique. The outcomes, amazing as they are, were absolutely accidental, and only at the very end of the lesson, we gave our paintings their names.

This time, I wanted it to be fully conscious, purposeful and planned, from A to Z for the kids to understand how a figurative painting may become a non-figurative piece and the artist (aka US!) takes the responsibility for that.

In order to achieve it we did the following:

we decided what to paint. I suggested a fruit and veg still life since it was still our Fruit February but I allowed the kids to opt out of it if they really wanted to. Some did.
we made decisions about the composition and started to drip draw with the paints. I had a set of paints that I bought for the stained glass lessons but they turned out to be of a very bad quality, too watery, to liquidy and I could not use them for stained glass. They spent about five months in the drawer and last week I had already taken them out to bin them when the hoarder in me hesitated and decided to use them somehow. Since they were so good at dripping, dripping was what I chose to be their destiny. We used a technique we experimented with before, spread painting.
we drew the contours with drips of the paint (sharing the one set of paints, hooray to the social skills development!)
we photographed the ready picture
we used pieces of thick cardboard to spread the paint and a decision had to be made here to, regarding the movement (or movements) of the hand.
we gave the paintings a name. In most cases, it was a list of the items of the picture but some of the children came up with different names, not related to what the painting first was. Real artists, I am telling you!

As usual, the creation started with a quick modelling session during which I produced a painting of a watermelon and then turned it into a non-figurative item.

The artist

This was one of the lessons in which we did not have one superhero but a whole dinner party. I divided them into two groups to illustrate what figurative and non-figurative art is. Our definitions were very simply, in order to convey the message even to my youngest students. ‘Figurative’ was defined as ‘I can see real things’ and represented by a still-life by Cezanne, by Rene Magritte’s Son of Man, by an apply by Yayoi Kusama and a still-life by Ilya Mashkov. ‘Non-figurative’ was defined as ‘I can see shapes and colours’ and represented by a piece by Jackson Pollock, Kandinsky’s circles, Mark Rothko and Yves Klein that I have just discovered for myself.

I also brought two pictures that I created at home and I asked the students to guess what fruit I tried to paint by the colours that they could see or the shapes that were still visible, just to highlight the fact that the fruit might be only represented by a fruit, not necessarily by shape.

The language

The langauge in this lesson was, as in every lesson of this month – fruit and vegetables. Apart from that I wanted to play with the language and to reinforce the idea of looking at the world from a different perspective. In order to do that, we looked at a set of pictures of the everyday objects and fruit and vegetables, seen either under a microscope or in a close up. We did it as a guessing game, using the set of wordwall cards I put together. This was a lot of fun and I am definitely going to use this resource again!

Outcomes

It’s not going to be the first time I say it, here or in the real life, but this, indeed, was one of my favourite Art lessons ever. The rest you can see in the paintings my students created.

Happy teaching!

Apples times 2. Cubism and pop-art. Teaching English through Art

March 30, 2024February 28, 2024 by Anka Zapart

The language

The language input was very simple and limited to singing a few vegetable and fruit songs and guessing the fruit and vegetables from stencils. I wanted to use this activity as an introduction and preparation for recognising fruit and vegetables in paintings by Picasso and Warhol.

The artists

These lessons happened together, in a way. We were in our holiday week and we were on a slightly different schedule so Picasso and his still-lifes in the styles of cubism as well as Andy Warhol’s strawberries were introduced on two different days but in a combination with each other. The other thing that joined them was the special focus that was given specifically to the style and the technique because we would aim at creating something similar, or, using a similar approach. We looked at a few examples of the paintings and tried to recognise fruit and vegetables and different objects in them.

The art

The directions for the cubist paintings were pretty simple. I asked the kids to prepare a composition of three fruit or vegetables and to draw them in pencil and then in crayons. Afterwards, according to the manual I found on wiki how, we used a ruler to add the lines. The next step was colouring in with the use of watercolours.

The pop-art task was even simpler – all the kids received an A4 piece of paper, divided into 4 with the painters scotch and our task was to choose one fruit to draw four times and to think of a colour composition, for each of the quarters and for the set as a whole.

In both cases I had students who opted for markers, instead of watercolours and the results are still interesting and in both cases we started with showing my students the little homework paintings that I did to test them and to demonstrate something to my kids.

These were two precious lessons and I will definitely use the these ideas again, as a part of other lessons. The cubism lesson gave us a chance to work on the colour, its shades and variations and how they can work together to make a picture. The pop-art lesson was amazing as regards the colour composition as the kids were working on combining two pieces together, the fruit and the background AND, at the same time, combining the four elements of our panel. I was watching the kids closely (and talking to some of them, too) and it was a fascinating experience to see how they were making their decisions, sometimes changing the direction a few times, especially with the final element of the panel.

Happy teaching!

Teaching emotions or Four stories to use in class with primary and pre-primary students

March 30, 2024February 24, 2024 by Anka Zapart

This was a week of our winter (or dare I say spring?) camp classes or, in other words, a week of alternative timetable and alternative activities at the school. It lasted four days and combined two programmes, the emotions activities organised and prepared by our school psychologist and run by the national language programme teachers AND the English language programme prepared and run by me and my colleagues.

I decided to put it together here, as an example of how a curriculum can be composed without relying on the coursebook. Our programme lasted 4 days within the same week but it equals 4 mini-modules, of two lessons each and, theoretically at least, this could amount to a month’s worth of classes and each of these could be further extended to give children an opportunity for more practice.

It needs to stressed that, because of the context of my school, none of the kids are real beginners at the moment and they have seen and used all of the structures and vocabulary before. None of them had to be properly introduced from scratch, for all of us it was a revision and that it why were could squeeze it in two lessons only.

Just as an idea, just for inspiration.

Step 1: I’m happy, I’m sad.

Vocabulary: all the emotions (the number will depend on the age and the progress of students), the phrase ‘I am happy’. We also revised the extended characters (fairy tale characters and our favourite animals) and used them to make phrases such as ‘The princess is happy’, something that we would need for all the storytelling. The main vocabulary focus for us was the ‘rooms in the house’. We introduced and practised the new vocabulary and I prepared the Magic Bag with items from different rooms in the house.

Songs: there are many songs that include emotions that can be used here, for example Hello song, Open Shut Them 2 or Feelings and Emotions Song.

Story: There are many stories that could be used here, some of them with a bit easier content but I decided to use one of my personal favourites, Rhinos Don’t Eat Pancakes by Anna Kemp which is also available on youtube. I adapted the story, simplifying it a bit and while I was doing it, I asked the kids to help me with describing the main characters’ emotions.

Follow-up: We had two lessons and two main craft activities. The first one was a house which I described a bit earlier here, the other one was creating a crazy animal from different body parts.

Evaluation: The kids really liked the story, Daisy and her purple rhino are always a hit. The house went great, too, as some kids chose to draw the entire kitchen and some just went for a basic symbol for each room in the house. I also had a whole bunch of frog stickers so the houses ended up with having at least one reptile inhabitant.

Step 2: I’m angry.

Vocabulary: The emotions and characters were a part of every lesson in these series, with teh list of characters growing longer. Apart from that, there is also a lot of potential for body parts to prepare the kids to describe all the wild things.

Songs: There are lots of body parts songs, including Head and Shoulders, but one of my favourite ones is ‘This is Me!‘

Story: I chose ‘Where the wild things are’ by Maurice Sendak also because apart from the book in our library, it is also available in the form of a youtube video.

Follow-up: For this day, I planned the music and emotions activity that I described earlier on this blog for the first lesson. In the second half of the day, after the storytelling session, the kids made their own crowns to become the Kings and Queens of the Wild Things and they played the game that I found here on the Famly Blog in which the kids would take turns to dictate the group what to do.

Evaluation: Making a crown is super easy as it only requires an A4 piece of paper cut into halves, lengthways which the kids decorate, cut out the spikes (optional) and glue together and it is amazing how much fun it can bring. Every time I made crowns in class, they were very popular among boys and among girls, too. I was especially happy that the crown would later become an accessory in our game (which, by the way, is a great bonding and team building activity as the kids can make the group perform a complex dance or just a simple gesture such as bending a finger).

Don’t you just love a circle. At the farm.

Step 3: I’m fantastic, I can do it!

Vocabulary: The vocabulary input here was imposed by the story that I really wanted to use in class and this is how farm animals made an appearance in our lesson. We focused on introducing the names and practising. We did the sound quiz together and we played a simple guessing game in pairs, with a set of mini-flashcards for each pair or team. The younger and lower level students played focusing only on guessing the name of the animal and the more advanced were making simple sentences or questions to find out what their partner is talking about.

Songs: I was planning on using Old MacDonald’s but I changed my mind during the lesson and replaced it with the Eddie song that goes with the story.

Story: I have been using this story in class for about 15 years now and out of everything that you can find in Playway to English series, Eddie, the king of the garden is my absolute favourite. It is quite simple, very easy to understand but with a very powerful message.

Follow-up: In this ‘module’ we had time for only craft and I decided to revisit one of my favourite craft activities, Don’t you just love a circle, this time farm-themed.

Evaluation: The activities went well but this day at camp helped me realise that every lesson should include a craft activity, something hands-on, something that we will make and take home. I was planning to include it, initially, but then decided to abandon the idea, in order to make room for riddles and the quiz. It went well but not as well as the other days when two creative (or two paper activities) were included.

Step 4: I’m proud.

Vocabulary: I wanted to based this lesson on different activities that kids can do and those that can fill them with pride. The list was adjusted to what I expected my students to know and included the following: Reasons to be proud.

Songs: In my plans I had ‘Little bird’ that we have known for some time as well as the related game ‘Can you? Show me!‘ but, in the end, we did not have time for that. It would have been a great extension and an opportunity for practice, though.

Story: Our story lesson was based on Pip, the would be guide dog and its adventures which we followed with a video from a real school for puppies.

Follow-up: In the first lesson we made a book about being proud, with each page dedicated to a different skill. We went page by page in the following manner: read the sentence a few times, give ourselves a mark, in connection with how strong we are in the area and draw a symbol to represent the activity. In the end we stapled the pages together into a book. I loved watching my kids while they were assessing their own skills. We used the traditional scale we know from school but it was OK to extend it and that is how some kids awarded themselves with 7+ or even 100 for some skills. It was a beautiful moment.

In the second activity, we prepared diplomas that were handed in at the end of the session because everyone is fantastic and deserves five stars.

Evaluation: This was, by far, my favourite lesson of the series. One reason for it was the fact that I managed to find both videos and to balance a cartoon with a documentary on the same subject. The second reason was the fact that the lessons gave us an opportunity to talk about what we can do, to evaluate our skills and to be proud. I did underestimate the kids’ ability to draw for their friends and the ‘decorate your friend’s diploma’ did not go that well. They turned out to be too young and I should have predicted that, skip that element and focus on preparing the diplomas and handing them out on the last day of the camp. My colleague did the same activities with another group and it was a success. I did overdo it a bit. Lesson learnt.

Happy teaching!

Teaching Out of the Box. Teaching English through Art

March 30, 2024February 24, 2024 by Anka Zapart

This article was published in the Modern English Teacher in the March / April issue of 2023 and it is one of my favourite pieces ever committed which summarises my (almost) two years in the classroom as a teacher of English and Art. I have included there all the main considerations and as many as ten different ideas for the classroom. (Although it has taken me a whole year to add it to the blog (rolling the eyes).

I am very proud of it and if you are not a MET member and have no access to the article, I can only recommend all the other lesson ideas that I have shared here, on the blog. You can find them here.

Happy teaching!

Ilya Mashkov and our first still-life. Teaching English through Art

March 30, 2024February 17, 2024 by Anka Zapart

The language

February is our month of food and fruit and this is what we focus on in the language part of the lesson. With my younger group we listened to a great song from the Singing Walrus and we used a set of wordwall cards to guess the fruit and vegetables from the stencils. We did some drilling, too and we talked about whether we like them or not.

The older students needed a more advanced activity and for that I used my magic bag which, indeed, on the day was full of fruit and veg that I brought for the still-life installation. Kids put their hands into the bag and tried to describe the object they were holding using basic adjectives (big / small, hard / soft, smooth / rough, light / heavy). Despite the fact that some of the kids were as old as ten, they all did enjoy it. We also talked about the fruit and vegetables we like and don’t like.

The artist

Our artist of the day was my still-life here, Ilya Mashkov. I have used his painting in my Art classes before and it was only natural that this time I would want to take it up to another level. I did and I am quite happy how it went.

First of all, we introduced the artist himself and his famous (in my opinion) painting ‘Pumpkin’. We defined what a still life is (‘a painting of things’) and we looked at a few chosen paintings by Mashkov. I put together a set of questions, inspired and adapted from the material online Essential Questions to ask about each still life photographs. My final, go-to set for this topic includes: What colour is it? What objects can you see? What shapes can you see? What is the biggest shape? What is the smallest shape? Is it light? Is it dark? Is it smooth? Is it light?, although in the lessons this week we have gone through only a few of them.

In order to prepare for our creative activity I prepared a special slide for ‘Pumpkin’ made entirely of shapes, one to represent every fruit and every vegetable. I was revealing them one by one and the task for the kids was to call out the object that they represent. In the end, I showed them the real painting and we checked our answers. I was a fun activity and it helped them the kids the basics of the composition of the painting and to prepare them for drawing.

The art

We started with putting together our installations and while I was the one responsible for arranging the items for the younger kids, my older group just took over the bag, the table and all the elements. And, it has to be said, not all the fruit made it to the table. Avocado and aubergine were not deemed worthy of our set. I accepted.

We outline the main stages of the lesson: 1. sketching with a pencil, 2. tracing the lines with crayons (one colour or a set of colours) and 3. colouring in with watercolours. I also showed my students the homework that I did before the lesson: a small still-life I painted at home and a photo of it, for comparison.

Since it was our first lesson with a still-life I did not want to invade too much and to direct the kids for example by guiding them in which order to draw the fruit. I wanted to let them try to face the task on their own and, also, to see what they can do. I was preparing my own copy and moving around, handing in the resources for each step (which also help with staging) and admiring what I was looking at. The only thing that I said to encourage them was something along the lines of ‘Don’t be scared, trust your hand. This is our first still-life. Let’s see how it goes’.

And guess what? It was beyond amazing. Some of my students are already very confident as regards drawing and they have a good eye for detail so I expected some good work but still they managed to surprise me, especially the little ones. They approached the task with curiosity, without fear and they were just working diligently on their paintings.

The only question left to answer is: What are we painting next?

Happy teaching!