Anka Zapart

What an old dog learnt… A YL teacher goes back into the adult classroom

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Me and one of my best friends, Roman B. No old dogs in this photo. Only the amazing ones (The photo: courtesy of Yulia. The doggo: courtesy of Jill)

Back to the future

It just happened: a dedicated YL teacher (and a teacher who spent the last ten years doing her best to stay away from teaching adults (minus the trainees!) all of a sudden found herself in the classroom with some serious corportate clinets and their Business English, General English, English for Finance and Banking, A2 – C1. Full time.

It has to be said out loud: that was not a direction that this teacher dreamed of or the developement that the teacher planned or solicited but, at the same time, there is absolutely no need to wring hands or shed tears over such a giggle of the Fate. After all, the teacher is an experienced one, with an oh-dear number of years in the classroom (and different types of classrooms, everywhere) so the teacher will be just fine. After all, teaching is teachings, the students are great, the fun is being had. All the details are here just to set the context.

The old dog aka the adult classroom through a YL teacher

This particular started with a most random thing. I don’t even remember what we were doing and with whom, but, suddenly, I caught myself thinking ‘Blin, even my kids can do THAT‘. There was no anger in it or desperation, only curiosity and bemusement. I started to analyse the details and bits and pieces of this THAT and the reasons for that. It started with a sigh but it got interesting very quickly.

Here is a new post and an attempt at looking at the adult EFL learners through the eyes spoilt by her young students.

One. Inhibitions

This is something that is almost non-existant in the YL classroom. Minus all these cases in which the kid have had a negative first experience with English, at school, with the tutors or parents or when they are naturally introvert and shy and they simply need more time to settle in the group and to feel comfortable enough to talk. Most commonly, the kids enter the room, eyes wide-open, ready to discover and to enjoy the world of the English language.

Then, there are adults, a completely different picture. Naturally, there are quite a few factors that can contribute such as a lower level, a long break in learning or using the language, some negative previous learning experience or studying in one group with colleagues from the same company or being a low-level speaker of English when you are already a top manager.

The result? Silence in the classroom.

I guess that is the silence that is the time they need to think about their answer, to choose the words, to gather the courage to let them out and, naturally, they get it. They do have the right to the freedom of silence. For me, the teacher, it is also an interesting exercise in patience. I realised that I have been spoilt with hands shooting up into the air and the opinions voiced almost instantly. Here, I am getting used to breathing more and waiting for the students to be ready.

I am beginning to think that building up the students’ confidence suddenly gets the priority among the lesson and the course aims as regards the adult learners of English. Everything else, the vocabulary, the structures and the skills development will follow. Hopefully.

Two. Teacher-oriented communication

On the one hand, the YL classes are definitely more teacher-centred than the adult classes. That is, to some extent, fully justified. Students, especially the younger ones, are in need of the teacher and the adult as the lesson leader. But only to some extent. I strongly believe that this should be one of the main aims of the course to create the conditions in which the students will be learning to interact with the teacher BUT also giving them a chance to learn to interact with each other. After all, whatever happens in the classroom is only a warm-up, only the preparation, only the training before the real life interaction. In which, most likely, the teacher is not going to take part. For that reason, the students should be given the tools and opportunities to talk to each other, to lead the activities, to take part in pair-work. There is no need to wait with it until they turn ten or fifteen. Some elements of that can be introduced even much earlier and pair-work is feasible in pre-school.

Somehow, it is not a given with the older students. Adults, either because they are more inhibited or because they see it as a sign of respect towards the teacher, they hold back, they wait, for the teacher to call their name out or for the teacher to at least signal that it is their turn to speak. I have realised that sometimes I have to specifically highlight that I am stepping out of the conversation, that the students, in pairs or as a whole group, have to take responsiblity for the interaction and that I will not be encouraging, keeping it up and, of course, leading it. We have been studying together for about three months now and I can already see some improvement in that area. Hooray to that!

Three. Communication strategies

Communication strategies is one of my true professional passions and that is why it was chosen for my first research within the MA programme. Inspired by Haenni Hoti, Heinzman and Mueller (2003) (or, rather ‘taken aback by the comments of’) that claimed that young learners use a very limited range of communication strategies, basically limiting those to translation and code-switching (aka using a combination of L1 and L2), based on the gut feeling from the classroom, I decided to check it out. And, to prove them wrong. Hopefully.

Although my research was a very small scale and low-key and by a beginner researcher, I found out enough evidence to get me even more interested in the topic. My little students proved to be already effective communicators who work hard and who have a good range of different techniques to get the message across such as all-purpose words, approximation, direct appeal for help, indirect appeal for help, self-repair, other-repair and mime. The range was much wider. Translation and code-switching were used, too, and they were the most frequent ones, however, they were not the only ones.

Then, there are the adults and guess what, these adults, ‘Come as you are’, before I get to work on them, they know only one communication strategy and that is ‘translation’. falling back into their L1, straightaway, whenever something is unclear, unknown and uncertain. I am not even sure why it is assumed that the learners (let alone the young ones) will use these strategies of their accord. I haven’t researched that properly, yet, but perhaps it has got nothing to do with the age of the student or, rather, not only with the age of the student, and more with the learning experience and the opportunities to be acquainted with and to develop these strategies.

The adult students (my adult students) struggled in that area and if they didn’t know, they would immediately switch to L1 and they would expect an answer. Working around that by delaying the translation, encouraging them to try something else or, also, providing both, the L2 only and the translation was quite a challenge and I know that some of them were surprised that I don’t just provide the required service aka translation, that I am trying something else. They had it written all over the face. I can’t say my job is done here, far from it but we are working on it. And it is a bit better now.

Four. Sharing ideas

Teacher beliefs are a slippery topic and most of the time we don’t even think about them. It was only last year (and somewhere by the end of it) when I realised why I am a teacher and what I want from my lessons.

Everything happened thanks to one Sasha who joined our group and who, despite the eight months spent with the rest of the team, in a very welcoming and friendly environment, despite the fact that she got on with everyone, Sasha still would keep quiet in class unless I asked her a question and unless I called out her name. I had never even thought about it and only then did I understand that I want to create such an atmosphere in the lesson in which my students feel free to talk because they have something to share with the rest of the group, not because they have to, not because the teacher made them, not because the teacher asked the question or because the teacher is testing them. They talk because they have something to say. And I want them to feel that they can. This is something that we have been working on from the very beginning.

It was one more thing that was ‘not so obvious’ for my adult students. They stalled. They do, still, sometimes. Again, it might be due to a whole range of factors, the natural shyness, the lack of confidence, the level of English, the relations in the workplace, if they come from the same company, or even the natural politeness. It is not a given that everyone will be speaking during the lesson time because speaking and developing the communicative skills is the reason why we come to class.

Five. All ideas are good ideas.

That is a sad fact: adulthood and reality kills creativity and imagination. Long gone are the days of fairy tales and fantasy travels with Frodo or magical battles with Harry. Well, in most cases. For that reason, if the question is about playing football and the student does not play football, the rest, dramatically, is silence…With kids silence never ever happens, and that is especially amazing, because, more often than not, we do things that have nothing or very little to do with the real life. All these menus for the monster cafe, all these school trips around the world, or to the moon or, our life as pirates…Silence is a rare event. Thank heavens.

This post is not to be read as a huge, one thousand word, complaint about my adult students. It is certainly not. I am doing a good job, I like them and we are making progress. I am just positively amazed that with my young learners, we have done SO MUCH (and to be honest, so much we have done by accident, unwillingly, joyfully, just for laughs) to enable the kids and to ensure that they are effective communicators.

I would like to think that my kids are not in danger of being scared to scared, inhibited, with a strong affective factor. This ship has sailed.

This line, so frequently used in my kids classes, started to appear in my adult classes.

See this is basically what happens when you send a YL teacher into the adult classroom. There is a lot of dedication, professionalism and lots of good lessons are happening. But the teacher has a one track mind and everything is somehow YL-related:-)

Bibliography

A. Haenni Hoti, S. Heinzmann and S. Mueller (2003), I can help you? Assessing speaking skills and interaction strategies of young learners, In: M. Nikolov (ed), The Age Factor and and Early Language Learning, De Grutyer.

Happy teaching!

What do the teachers want from their primary coursebooks?

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Dedicated to my teachers and the publishers)

The list below is the result of brainstorming I decided to include in the session devoted to working with coursebooks, as part of the Teaching YL Course I ran recently. We were trying hard to stay away from the word ‘realistic’. The whole activity was more like writing a letter to Santa and asking for a unicorn, knowing that, most likely, it is not going to happen, but…

A perfect coursebook for primary school children learning English includes (in an alphabetical order):

  • a set of simple boardgames that could be used with a variety of activities
  • cartoons series, to support the early literacy development
  • characters: a combination of real children communicating and fantasy heroes
  • Content and Language Integrated Learning activities
  • flashcards
  • games ideas and suggestions
  • a grammar book to support grammar practise
  • a presentation kit for teachers
  • an appropriate level of challenge throughout the each unit, each level and the entire course and ideas how to manipulate it for the more or less talented children
  • a literacy skills development curriculum, thorough and detailed
  • mini-flashcards, photocopiable
  • mixed ability groups ideas and suggestions
  • an online component
  • activities that help to set up pair-work
  • posters
  • preparation for Cambridge YLE
  • project ideas and suggestions
  • songs
  • stickers activities
  • stories
  • a student book
  • a teacher’s book
  • a variety of visuals: photographs, drawings, paintings
  • a video course for teachers
  • a workbook

It struck me that nobody mentioned testing or assessment. Either we don’t see it as a part of the coursebook and one of the course components or, perhaps, we just don’t care that much about testing

Then, of course, I went online, to have a look at what the major publishers have on offer and I found some nice surprises such as lots of time and effort invested in creating the online components but also some more traditional ones such as posters or home booklets (kind of graded, coursebook-related magazines for kids), wordcards or professional development programme, to name just a few.

I will take it as a good sign. Here is to even better coursebooks and to publishers listening to teacher.

Happy teaching!

P.S. Anything else to add to the list? What do you think?

Crumbs #37 We are going to the beach! A summer lesson for pre-schoolers

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Ingredients and procedures

  • Few. Depending on what you can find at home
  • The lesson plan with all the ideas can be found here

Why we like it

  • Little preparation, only a few items of realia
  • A great lesson for the summer months
  • Works well with big groups
  • Lots of movement, the whole lesson is based on gesture
  • Lots of potential for production, especially if this lesson could be developed into a series of lessons
  • A fun lesson, we really went to the beach

Here you can read a bit more about the background of this lesson: How do you know that you are an experienced teacher...

And here: Big Thanks to Ola for letting me scavenge her house in search of realia aka resources)

How do you know that you are ‘an experienced teacher’?

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Based on real events.

This week’s story

I am on the move, resembling Snufkin from the Moomins now more than ever. It did so happen that this week I was asked to teach a demo lesson. While on the move.

Here are the details, just to give you a full picture

  • The lesson was supposed to last 30 minutes
  • The kids were 5 years old
  • There were eighteen kids in the group
  • I had not seen the kids before
  • I did not know the level of the group
  • Since I was on the move, I had no resources of any kind, no flashcards, no ball, no dice, no magic wand.
  • What is more, there was no flashcards at the school and I was not aware of any options related to the access to any electronic resources. I had to assume that there were none.
  • My laptop with its screen was just not good enough for such a big group.
  • Buying any new resources was absolutely out of the question
  • I could not consider any written work or craft for the same reason, no photocopying and getting enough markers and so on.
  • My performance was supposed to be evaluated. Of course.

There is a happy ending to this story…

…is probably the next thing that I should say while telling this story.

Desperation came first. And how else? I had a lesson to teach, a lesson that I wanted to teach but no tools to do it, no tools whatsoever. None. I could not use anything that I had ready and, because of my crazy timetable, I could not really set aside any time to produce the flashcards or to wander about a new city to look for resources… So, it started with desperation and anger and the foulest of mood followed. And then I just gave up.

Not on the lesson as such, although, of course that was an option, too. I could have just called and, in an attempt to be a reasonable adult and a professional, I could have called it all off (‘My apologies, that is all just plain impossible, I will have to say no.’) and forgotten about the whole business.

However, either because I do rejoice the unreasonable or because I did enjoy the idea of a challenge, I decided to go on with it. As soon as I ‘gave up‘ (on the resources, on the safety blanket of the experience so far, on the idea of a traditional lesson), I calmed down and things got interesting.

The first thing I did was to make a list of all the available resources or rather ‘resources’ aka junk, stuff, things that could be used in class and to come up with a topic, an aim and a set of activities that would match them.

The list included:

  • my magic trousers (red genie trousers with purple elephants, a sovenir from Portland, Maine)
  • my toy hen, Angelina, who travels everywhere with me anyway
  • and a set of random objects which I have gathered around Ola’s flatt (a shell, a towel, a straw hat, a storybook, in Polish) and my rucksack with a water bottle and a few coins.
  • the Invisibles and Intangible: the experience, the charisma, the presence

The thoughts accompanying me in the taxi, in the morning were of the following kind: ‘It’s either an amazing challenge or an attempt at the professional self-destruction’. I would want to say that I was nervous or anxious because it was really difficult to predict the outcomes here, it could really go one way (aka the success) or the other (aka a complete disaster).

But I was calm. So calm, in fact, that I started to suspect myself of having given up on the entire project and of sabotaging it subconsciously by not preparing meticulously.

While in the taxi, I was on life support from my best friend and in response to my list of resources, I got a comment along the lines of ‘The magic trousers and Angelina? That is a killer combo!‘

I arrived at the kindergarten running…

…almost late. I washed my hands, I kicked off the trainers and there I was, on the carpet, with a bunch of kids, left to my own devices and to my random resources. It turned out that the killer combo is just that. We had a great lesson.

I decided to go for the topic of the beach and things we do there, to introduce a few verbs and chunks in the Present Continous and to be able to use them in a game of the actual going to the beach and playing on the beach, to focus on TPR and movement and to avoid any handouts or paper altogether. The language was presented through realia since the five-year-old kids are ready to make a connection between two coins and ‘I am eating ice-cream’ or between a towel and ‘I am swimming’. I carry all my songs and chants, real and made-up in my brain and I do not hesitate to use them and it was great to have Angelina and have her help me keep the lesson in shape.

We had fun, we ‘went to the beach’ and we produced the language. The lesson aims were definitely met. I would also like to say that I love the fact that now I can say that my most fun job interview (because that’s what it was) involved me lying on the carpet with a bunch of kids. We were sunbathing, after all…

If anyone wants to look at the lesson notes, you can find them here.

To be perfectly honest, I am aware that apart from the Invisible and the Intangible that were obviously there, I was lucky: the kids were old enough and I could at least hope that they would be behaving more like students in the context of the classroom. Plus, the novelty value did work to my advantage, this crazy lady, in colourful pants, coming in, talking for herself and the hen, laughing a lot, that is enough to keep the kids interested for thirty minutes. I also had the safety blanket of the impossibility of the set-up, the reasonable trainer would always be able to say ‘What did you expect? That would never work’…

Only it did.

Conclusion: How do I know that I am ‘an experienced teacher’?

I know it because, when faced with an impossible challenge, I do not panic and I am able to get over the initial and the unavoidable discomfort, I can focus on planning, without bending over backwards but rather taking stock of what is available and making do, in order to meet my aims and keep the standards where I want them.

I know it because, when the conditions are favourable, I am willing to experiment and to go for it, in order to push myself, on the one hand, and in order to push the boundaries a little bit, if only possible.

What about you?

Somewhere through this post I realised that this conclusion is a very personal and a very subjective one. What is more, the answer to this question will be changing because I myself would have answered it differently a week or two ago. I caught myself thinking that I am unbelievably curious about what my fellow teachers think. I decided to ask and this is how this post got really interesting.

It quickly turned out that there are as many approaches as many people and the answer to this question is and will be very subjective, personal and precious. It can be measured in the number of years worked but only in the eyes of our employers or according to the labour law of your country and it has got nothing or very little to do with what we think of our own skills and abilities.

Here are some of the ways in which you can get the bagde of honour. You can call yourself ‘an experienced teacher’ because…

  • ‘when the lesson plan works’, not necessarily beacuse the lessons have to go plan but because it can be taken as evidence that we understand the group and their needs and because we can prepare activities for this particular group of kids
  • you can teach a good lesson even when you do not really have enough time to plan. It is not because being experienced gives you a green light to take the preparation lightly but because when it is really necessary, you can get by with the Invisibles and the Intangibles and still do a good job. You can handle it even with zero prep whatsoever in case of a last minute cover or some class details confusion.
  • you are observed by a senior teacher and you get a great feedback
  • you are observed by a peer and you get a great feedback
  • when your students start using the new vocabulary and grammar in class, especially when it is not in the tasks directly related to this grammar point and without the teacher’s reminders to use these
  • when your students get great results in the external exams or in their regular classes or in any context that could be labelled as ‘outside of the classroom’, especially, as Maegan said, because the fun in the EFL classroom translated and transferred into progress in a more traditional approach in the school
  • ‘not sure about that’ was also one of the answers that I got. Perhaps this is something to work on, perhaps not. I will just leave it here.

While chatting about with Maegan we also bumped into the idea that this feeling of ‘I got this’ is not a long-lasting one and perhaps it should not even be. On the one hand, because, at least partially, it is based on the external factors. On the other hand, due to the fact that we live in the moment, in every single lesson and every single activitiy, focusing on that is a lot more interesting than the constant feeling of pride and confidence. I am also thinking that perhaps this is how we protect ourselves from feeling complacent. Perhaps.

If you have something to add, any comment, question, story, please, pretty please, add it in the comments section below! I will keep asking and researching)

Happy teaching!

Big thanks to my contributors: Irina, Michael, Vita, Maegan, Anastasia, Nina, Aleksandra.

Crumbs #36 Andy Warhol anyone?

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(944) Pinterest

This is a lesson I taught with the older YL which started in unit 1 of the National Geographic coursebook, Life that we are using with the summer courses for teens. If you are interested in the original lesson, you can find it in the coursebook, in the second edition.

My brain tends to walk its own ways so pretty quickly it became aparent that much as it is inspiring, we have our own plans (btw, I am really looking forward to teaching the rest of the unit). Since I have already put together bits and pieces that were inspired and dedicated to Andy, this lesson was a step further, to take Andy into the classroom with the older students, too.

So, Andy.

Two pretty girls in puffs posing for the camera in the studio. Blonde and brunette in stockings look confident in front of the camera, hugging each other

Colour. Two pictures aka introduction

  • Two illustrations (see below). Students work in pairs or small teams and discuss the questions below. Afterwards, they compare the ideas as a class.
  • Talk about these pictures.
  • Are they similar or different? What is similar? What is different?
  • Do you like them? Why?
  • How do they make you feel? Would you hang them in your bedroom or in your house?
  • How do the artists use the colours in both pictures? Which one do you prefer?
  • Would these pictures still be interesting in black and white? Why?

Colours. New idioms aka new language

  • Students work in small teams. They match the the idiom in the sentence with the meaning.
  • Check the answers as a class, additional clarification.
  • Students go back to work in pairs. They come up with the examples to illustrate each idiom and tell mini-stories.
  • The handout we used can be found here.

Colour. Associations aka production

  • A mini-lecture on Andy Warhol and the way he used to work (Marylin Monroe and the Cambpell Soup)
  • The whole class works on eliciting the associations with one of the colours, in our case it was grey. The teacher shows some of her associations with the colour. The students try to guess the rationale behind each of the ideas.
  • The students prepare for the main speaking task: they write the numbers 1 – 10 and they notes about at least three associations for each of the colours
  • The students work in pairs or small groups. Each of the students presents their associations for the partner to guess the colours and afterwards they explain their choices.
  • During the feedback session, the students share the most interesting or the most unexpected associations.
  • The handout we used can be found here.

Colour. Quiz

  • The students work as a team or a whole class.
  • They look at the photographs representing different cultures and countries. They analyse the colours and try to guess which countries they represent.
  • They check the answers.
  • The handout we used can be found here.

Colour. Comments

  • Any photograph can be used to accompany Andy’s Marylin. I have used the one that we had in the coursebook, one of a scene from a traditional Indian wedding. Today, if I taught this lesson again (or when I teach this lesson again), I would like to use even a wider range of colour such as a painting by Kandinsky, a a painting by Rothko, a storybook illustration, a child’s drawing etc.
  • The lesson was taught online so the craft / creation component had to be limited to a speaking task. I was tempted to use a variation of the craft activity we used with my younger students but it was simply impossible.

A lesson, in structures. Notes from the classroom

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The academic year has just finished.

We had our final lesson, we learned and we had a little online party, with snacks and dances. The final reports and the diplomas have all been sent out and it was only a few days later that, during a walk, I caught myself thinking that we have had a very good year in the classroom and I am really happy with what my kids have learned and how they have progressed.

I am here basically taking notes of where we got by the end of the year, not to forget how many structures and how much language can be squeezed in a lesson. Obviously, that is not everything and there is always room for improvement. Obviously, adaptations have to be considered for the younger, the older, the smaller or the bigger groups, the longer or the shorter classes…

Here is my group: 6 kids, (mostly) in their second year of learning English, 4, 4, 5, 5, 6 and 6 years old, for 60 minutes once a week (or 45 minutes when online), amazing parents included.

Here is my lesson, in structures…

Getting in

  • Hello, how are you? (I’m ok)
  • Where are you sitting? (A blue table and a pink stool (while putting the books down and while sitting down)
  • What have you got today? (I’ve got a spider (in the online classroom, showing us what they have brought or what is lying around)
  • Are you eating or drinking? (I’m eating. I’m drinking (online)
  • What are you eating / drinking? (I am eating cherries. I am drinking water (online, they bring snacks to the lesson)
  • Do you like bananas? (Yes, I do (an activity we played while walking into the classroom, they used to do it in pairs, the one entering and the one right behind them in line, with the flashcards they picked from the pile)
  • How many students have we got today? (Six. One boy and five girls. One teacher (before the hello song. Sometimes we also add: Who is not here?)
  • Where is Sasha? (Sasha is not here. She is ill) Here, it was the students who started to ask about the missing kids and for that reason we introduced the question. The kids were asking, the teacher was answering).
  • Who is it? (It is Sasha. It is Misha) This was something that we did only in the classroom and it was our reaction to kids coming late. Even in the classroom we could hear the main door bell (or answer phone) ring and we started to play the game trying to guess who might be coming through the door next. It was especially fun when a few kids were being late and, of course, we could play it only on some days:-)
  • Did you do your homework? (Yes. (online: we check the homework together, taking turns, classroom: there is more 1-1 interaction as we check the homework as the kids are walking in)

Hello circle

  • How do you feel today? (I am very happy, a little angry and very, very sleepy (online: we use the presentation, I am arranging the icons for each child, classroom: we use our faces flashcards, at this point we have about 12 in active use. Btw, at this point the kids are asking these questions to each other)
  • What’s the weather like today? (It is sunny (online: the presentation, classroom: we look outside of the window)
  • Who is wearing a t-shirt? (Not me / I am. I am wearing a blue t-shirt (online: presentation, classroom: flashcards)

Revision

  • What’s your favourite colour / pet / fruit? (I like green / cats / bananas (online: presentation, classroom: flashcards)
  • How is your mum? (My mum is happy (online: wordwall spinner, classroom: flashcards or dice, we usually do three family members)
  • What’s my secret? Look at me (It’s a car! It’s a train (used for the revision of pretty much any vocabulary, with the teacher and then the students miming their chosen word and the other kids guessing)
  • What’s my secret? It is big, it is loud, it is fast, it is red (It’s a rocket (used for description riddles, online: we use symbols on the chart to remember what to talk about or the discourse clock, offline: we use flascards. The aim here is to encourage the kids to make riddles, too, but with this particular group we haven’t got to the stage of the SS-led game)
  • Cat, how do you get to school? (I go to school by train (online: we use miro, the kids are producing the language, I am moving the images, the cat is actually getting on thet train, classroom: we use flascards, the kids put the animals on the transport)
  • I can see two cats. Yes or not? (No, I can see three cats (we use one picture, the teacher is producing, the kids are listening and correcting)
  • I can see a black cat. (I can see an orange cat (here we use two different pictures and we are looking for differences, the teacher describes picture A, the kids, in turns, describe picture B)

Songs and movement

  • Which song do you want to sing, Baby Shark or Old McDonald’s? (Let’s sing Baby Shark (while choosing the song, when we could choose)
  • Are you sitting or are you standing? (I am sitting. I am standing (while choosing what we want to do during the song)
  • Do you like the song? (I like it, I don’t like it (to ask after a new song is introduced. It is another activity in which the structure can be used but it is also good to find out if they like the song or not)
  • What’s your favourite shark / farm animal? (I like mummy shark (a short personalisation activity after a song)
  • Mummy shark is green. Yes or no? (No, mummy shark is pink (and more follow-up task, that can be used with pretty much any song)
  • Is it easy or difficult? (It’s easy. It’s difficult (another idea for a follow-up after a song, it works best with the more active songs such as Move, I am normally the one that struggles with some of the actions and the kids adore them)
  • Abracadabra, 123, you are a cat (Kids don’t really respond here, their only task is to mime a cat. However, the main aim here is to let the kids lead the game as soon as it is possible and once they do, they start producing a lot of language. The other variations include: You are a happy cat. You are a big happy cat. You are dancing. You are a cat and you are dancing)
  • Anka in the circle. Katya in the circle. Who’s next? (Sasha in the circle (classroom: we are getting up and making a circle before starting the first song. There is a follow-up: Let’s make a small circle. Let’s make a big circle.

Focused task

  • Are you ready? (Yes, I am) or I’m ready (I’m ready) (as we are sitting down in the classroom or as we are settling down in the online classroom)
  • I’ve got my book (I’ve got my book) (again, in the online or the offline classroom as we are getting ready for the task. We use it for the handouts in the online lessons, too. In the classroom, I would ask one of the kids to help hand these out. They would be saying: ‘One of Katya. One for Sasha’ and so on while giving them out. Only afterwards we would go ‘I’ve got my paper’)
  • You need one colour / three colours. What colour do you want? (Blue, please) while we were getting ready for the task, applicable in the offline classroom)
  • I’m taking blue (or, when appropriate: My car is blue) (I’m taking green. My car is green) We use these in the online lessons or in those lessons when the kids are given their whole set of markers or crayons to use. Sometimes we use ‘I’m taking’ when we only connect the dots, draw lines etc. When it is used for colouring, I prefer the describe the final product as it seems to be more natural in that case)
  • I’ve finished (I’ve finished) when the task or a part of the task is completed)
  • Close your books. Put the markers in the box.
  • There are also many specific task or specific craft-related verbs and instructions but it is impossible to add them all here.

Storytelling

  • Which story are we going to read, this one or this one? (This one) This is applicable only when we have two stories to choose from
  • Who is it? What is he doing? Is he big or small? Is he happy? Is he at home? (It’s a boy. He is sitting. He is big. He is sad. He is in the park) We talk about the character of the book, usually looking at the cover page. However, sometimes (like in case of Barry and the Scary Monster) it is much better to use one of the inside illustrations as the cover page reveals too much, you can see the monster and I like to keep him a surprise until a bit later in the game)
  • Do you like the story? (I like it / I don’t like it) This is the question we always ask at the end of the story)
  • Are you happy? How do you feel now? (I am happy) This one is also a follow-up question and it gives the kids a chance to express their emotions at the end of the story. Sometimes I use it during the story. It might be a good idea to pause and to gauge the audience to check and to ensure that the kids are not getting scared (re: Barry and the monster) or too sad (re: the little mouse in Playway 1. This is a topic that would perhaps deserve its own post, dealing with emotions in storytelling lessons, but when the character is getting too upset, I comfort him (It’s ok, mouse, don’t cry) or I suggest that the kids can close their eyes or look away)
  • What’s your favourite fish? (I like this one. I like the blue fish) one of the simpler follow-up activities)

Goodbye

  • Let’s sit down: we have homework, goodbye song and stickers (while we are getting ready for finishing the lesson. By the end of the year I am only counting on my fingers and the kids are enlisting what is left to do. I only need to correct the order, sometimes.)
  • I’ve got my homework (I’ve got my homework) only applicable in the offlince classroom when the homework is not in the book).
  • How many stickers are we getting today? Are you taking a sticker? We have got farm, sea animals and space. Which one do you want? (Three stickers. Yes, please. No, thank you. Farm, please) This is only applicable in the classroom. With my online pre-school groups we haven’t started giving out the online stickers and, although we shifted online half-way through the year when the kids were already used to stickers, they did not mind, they did not ask for stickers. I did not want to introduce the online stickers because we had too many new things at this point due to switching online. I did not want to add up to that.

Notes

  • Interaction: in most cases, kids answer in a messy choir manner (I am giggling because I have just come up with that term) and that is: they respond to the question in their own time, to produce the language, more or less at the same time. I am keeping an eye and sometimes I have to call out those that missed the moment and did not produce. We have been studying together for two years so by now this type of interaction has become a routine. There are also situations, especially with the new structures or in case of a very important message (well, you know:-) when I call them out one by one. However, since there are six of them it cannot be every single time. There are also questions and structures that the kids lead and they choose one of the other kids to answer.
  • L2 and L1: most children, most of the time reply in the way that is the preschool teacher’s dream: in a full sentence and in English. However, kids are kids and they are beginner learners so of course that would not happen in 100% of cases. Sometimes they use single words (because kids do) and sometimes they thrown in three other sentences to tell me why their mum is happy today and that is just the way it is. I am doing my best to promote English only in the classroom but my kids are 4 or 5 and it does not happen overnight. But it does happen eventually.
  • Activities: I do not use every single activity in every lesson but I do like to repeat them in order to ensure that the basic structures feature more or less regularly
  • Outcomes, before and after: This is our regular lesson in level 2 which is the middle level. As regards my level 1 students – they have been exposed to some of these structures from the very beginning and, for example, in December, after only four months of studying, they already had about ten adjectives to describe emotions at their disposal whereas all the other structures were introduced gradually and, as can be expected, the main aim for some of them was only the exposure. As regards level 3, we managed to expand the range of these structures, make them natural and get to the point when the kids would be using them spontaneously.

Happy teaching!

Crumbs #35: Interaction patterns: a messy choir

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Ingredients

  • Any drilling activity, any Q&A game, practice or drill, any Finish the sentence activity
  • Online or offline
  • Resources as usual: wordwall games, flashcards, posters, puppets, miro

Procedures

  • I will describe the procedures for one of the games that we played in the messy choir manner with the use of the wordwall flashcards. It was done with a group of level 3 pre-schoolers and we used it to supplement Playway 3 (Puchta, Gerngross, CUP) materials.
  • The kids were sitting on the carpet looking at the screen. The teacher showed the cards and asked ‘Are you scared of lions?’ and the kids would answer ‘I’m scared’ or ‘I’m not scared’. They would behave precisely like a messy choir – kind of doing the same thing but totally (and purposefully) out of sync. The main aim here is not harmony or timing but production.
  • The teacher was participating, too, to model and to encourage production.
  • Later on, in the following lessons, the individual students were asked to lead the game and ask the questions. Everyone was answering.
  • The key element here is the slow (but not too slow) pace, without rushing through, giving the kids the ample time to make a decision, to be ready to speak and to be heard.
  • The teacher sometimes had to pause and ask the individual students ‘And you, Sasha?’, but it was more necessary during the introductory stages of the whole approach, to signal to the kids that, despite that being a whole class activity, the teacher is listening and paying attention and curious what everyone has to say.

Why we like it

  • It is especially useful with the pre-school or primary classes, especially those bigger ones. It can be a nice alternative to choral drilling (which can become boring if used constantly) and to 1-1 exchanges (which have to be limited in larger groups as they will be taking a lot of the lesson time and they might have negative implications for classroom management as kids get bored waiting for their turn and they start looking for something to do)
  • It does take some time for the kids and for the teacher to get used to. The kids take time to realised that despite the fact that they speak all at once everyone will be heard and acknowledge and that it is not necessary to shout or speak loudly or that, indeed, they are allowed to take their time to answer. The teacher needs time to slow it down, too, to wait for everyone to produce the language, to call out those who might not have answered or wait for those who are taking their time. Like with anything, the task requires staging and scaffolding and time.
  • The shy students still get ‘the protection’ of the group. They are not in the spotlight but at the same time they are not left to their own devices.
  • It resembles a natural conversation.
  • It might lead to extended production ie in the activity described above some kids will only say ‘I’m scared’ or ‘I am not scared’, some others (and when ready) might want to expand that and provide a rationale ie ‘I like snakes. They are beautiful’.
  • I think the main benefit of this approach is that it contributes to the general atmosphere that I want to have in my classroom and that is: we talk when we have something to say, not only when the teacher asks a question.

Happy teaching!

Teaching grammar in pre-school?

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This article was (and is) a double joy.

First of all, it got published in the Modern English Teacher in May 2022.

Apart from that, there are also these two videos that I would like to share with you

  • My MET Contributor Interview which you can find here
  • And the Pavillon ELT Vlog with Damien aka his take on my ideas which you can find here

Enjoy!

Happy teaching!

Crumbs # 33 Anyone up for a pirate lesson?

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‘Anka, what about the pirates?’ was the thing I heard on Tuesday. The sentence was uttered in the middle of the lesson, in absolutely no relation to anything that happened, apart from the fact that the theme of the unit is the sailors, the mysteries of the sea, The Mary Celeste and I may have, at one point, mentioned pirates in passing. They did notice (of course), they did remember (naturally) and they waited for the best moment to use it against me. Obviously.

The funniest thing about it was the tone of voice that my kids used in that kind of situations and it is probably one of the things that I should add to the list of all the outcomes and consequences of working with a group for a prolonged period of time (you can find the post here). This tone of voice is a wonderful mix of a gentle scorn, a genuine inquiry, an honest plead and a teeny tiny layer of sarcasm. My kids are so good at it that they can squeeze it all in one word. Sometimes they just say ‘Anka‘ and it says it all…

Anyway, we did the Pirate Lesson, all the details and materials below. Enjoy!

The lovely boats I found in my hotel. A potential idea for a craft activity…

Ingredients

  • Limited: we are online
  • Coursebook material: Superminds 5, CUP, Puchta and Gerngross, unit 9
  • Paper and pencils
  • One wordwall game: The captain and the cabin boy
  • Two songs:
  • A powerpoint: I have left it here, with the comments in the speakers notes)
  • Randomness around the house: a hamster, a hen soft toy, scarves, food
  • One bamboozle game: ARRR like a pirate
  • 90 minutes and a zoom classroom.
  • The level: A2 (we are finishing), the group: 7 kids, the age: 7 – 10 y.o.
A pirate’s flag. Anka’s version

Procedures

  • First of all, the kids have to remind you that there was a time when you might have mentioned that a pirate lesson might, potentially, happen at one point. After which you forgot (after all, it is May, the end of the school year) and after which they remind you and you are crazy enough to make a huge effort to make time for the planning of such a lesson). But it is worth it)
  • There were no preparations for the students, this lesson came as a bit of a surprise. I was considering to ask the parents to let the kids dress up for that but then decided not to. I thought that we would make things up as we move on. We did.
  • I prepared my own headscarf, my ‘parrot’ and, again, I was considering preparing an eye patch but since I was not at home but in the middle of the forest and the craft resources and materials were scarce, I gave up on it, too)
  • I prepared the powerpoint (which I hope you can access) but this is something that I create for every lesson anyway.
A pirate’s parrot. Anka’s version

Why we liked it

  • From the teacher’s perspective, it was a rather successful merge of a thematic lesson and the coursebook material and I am quite happy with how it went. We managed to include lots of what we were supposed to cover anyway such as the Present Perfect practice and the skills development but it turned out that it was possible to present it to the kids within a theme that was interesting.
  • The kids liked it because it was something different to a regular lesson, we did a lot of pirate things (the name, the flag, the treasure hunt and the stories), we could play a bit and we really did have fun.
  • I came dressed up, with a headscarf on and I introduced my parrot, Angelina (who in her real life is a hen and has been my class puppet for a few years now but who got to perform the role of the pirate’s parrot). True, every time I said ‘my parrot’, my kids would correct me (‘Anka, it’s a hen’) but by the end of the lesson one of my other kids introduced his real hamster (and the love of his life at this point) as the parrot and yet another one gave this role to his rucksack (which should also be written like that: Rucksack, since he featured in our stories in the past with his own adventures). One of my girls put on a scarf, too and one of the boys switched off the camera in the middle of the lesson, to come back a few minutes later, this time wearing his mum’s scarf on his head and a paper eye-patch on a string…One of my students’ younger sister joined us half-way through the lesson and asked for her own pirate name, too.
  • The kids were really active during the role-play between the captain and the cabin boy. They even did remember to play with the intonation with the ‘But what?’ question from the captain. I was moving in-between the breakout rooms and laughing, basically. One of my students could not open the wordwall games so we agreed that he could come up with his own ideas (and these were brilliant) and some other kids started to add their own questions, leaving the wordwall behind.
  • We used the Weird Echo game again, this was the second time and it went very well. You can find its description in a separate post.
  • I wish we had more time for the storytelling of how we met the sea creatures. If I had a chance to teach this lesson again, I would have planned it as a homework task or we would have continued in the following lesson. We might still do it, actually. There are still a few lessons left until the end of the academic year. If we do, you can definitely expect the follow-up post here!
  • I personally loved my pirate name, Captain Anka O’Reily and I think the kids liked theirs, too. Whenever I made a mistake of addressing the students (or myself) using their ‘regular’ names, I was kindly reminded that that’s not how we do it. We also had a giggle because the O’Reily family was well-represented on our ship, since two of my students also celebrate their birthdays in November. The pirates on the board of our Superminds 5 ship were as follows: Captain Anka O’Reily, Captain Alejandro O’Malley, Bubbles Dasha O’Reily, Skipper Tonya O’Reilly, Hamster Jack Sparrow, Charming Timour Bailey, Skipper Eva Bailey and, for a part of the lesson, Ship-mate Ulya Jones.
  • I was really happy when I found the bamboozle game. I think it is a perfect example how a relatively simple game can be adapted and used in order to give the lesson this special flavour that we want. The students did not really learn any new words as those that popped up in the game were already familiar to them and, I suppose, you could say that we got a great opportunity to practice the long /ɑːr/ sound but that was not quite my main aim here. For a few minutes there we were loud and giggly but we were talking like pirates and it was a perfect finishing touch to this lesson.
  • The one disadvantage? Well, I am thinking of the coming-up lesson on Tuesday and the first thought that appears in my head is: ‘What, a normal lesson? BOOOORING’ so, I am afraid, I will have to come up with something…
Pirate’s shoes. Anka’s version:-)

Happy teaching!