#eflkids

How to make your own songs for the YL classroom

by
The amazing staircase in the tenement house by Max Berg in Wroclaw

Looking for songs

We have lots and lots of sources of amazing songs that can be used in the YL and VYL classroom. The first and the easiest one of them is your coursebook and the main advantage of it is the availability and the close connection to the curriculum. The songs often combine the vocabulary and the structure of the unit and both the teacher and the students have an easy access to it. The songs’ lyrics are in the kids’ coursebooks, they are often built around the characters from the coursebook or the stories in the coursebook. As a teacher, I have been using the songs from Superminds and Playway to English by CUP and Discover with Dex by Macmillan and I am a huge fan to the extent that I would recommend them as a supplementary material to accompany another coursebook, too.

Another amazing resource is youtube and the brilliant channels such as Super Simple Songs, Dream English Kids, Fun Kids English or Mother Goose Club, full of amazing, kids-friendly, visually beautiful productions that can be used in our EFL classes even if the content does not match the curriculum 100% accurately. After all, this can be an opportunity to learn some more vocabulary or structures.

Sometimes, however, it happens that, no matter how hard you try and how long you look here and there, the song or the chant that you really need is nowhere to be found. There is a way out, too, because you can create your own songs! From scratch!

Max Berg Cafe, Wroclaw

Creating your own songs: Starting from the rhythm.

This is more of a jazz chant than a song and I took the general idea from Carolyn Graham. The thing you need is a set of words to practise, divided into groups based on the number of syllables: 1-syllable words (cat, dog, frog, duck), 2-syllable words (hamster, snake, lizard), 3-syllable words (elephant, guinea pig, ladybird) and 4-syllable words (chameleon). You arrange them, in any way you want, following the pattern, for example: 2, 2, 2 – 2, 2, 2 – 2, 2, 2 – 4, 1 OR 3, 3, 1 – 3, 3, 1 – 3, 1 – 3, 1 – 3, 3, 1.

Hamster, lizard, snake

Hamster, lizard, snake

Hamster, lizard, snake

Chameleon, cat!

OR

Elephant, ladybird, cat

Elephant, ladybird, cat

Elephant, cat

Ladybird, cat

Elephant, ladybird, cat.

Practically any rhythm will do, especially if you start clapping your hands and stomping your find and chanting.

A similar technique can also be applied to any repeated sentences. I really like mixing affirmative and negative sentences connected with ‘but’ and ‘and’, for example

I like cats but I don’t like dogs.

I like ducks but I don’t like frogs

I like lizards but I don’t like snakes

What about you? What about you?

Max Berg Cafe, Wroclaw

If you are looking for more ideas of this kind, please check out the book by Carolyn Graham (see below).

Creating your own songs: Starting from the melody

This, by far, is my favourite way of creating the songs I want and the songs I really really need. The only thing that it takes is a melody that the teacher is familiar with and filling it up with the lyrics that match the lesson’s theme and aim.

During the YL course sessions, I was visiting one of the breakout rooms while the trainees were discussing the ways of adapting a certain material and, together, within a couple of minutes, we came up with a simple song that could be sung in the lesson on pets, with to the melody of The London Bridge is falling down. It went more or less like that:

Little dolphins cannot dance, cannot dance, cannot dance.

Little dolphins cannot dance but they can swim!

Naturally, this little verse can be replicated with all the other animals and verbs, according to the vocabulary content of the lesson.

Max Berg Cafe, Wroclaw

Creating your own song: Starting from the language

This one is probably the most challenging one because there is no basis here, like in the previous two. However, at the same time, since you are not bound by the rhythm or the melody, you can put together any text you need. I have used this approach while creating a chant for one of the groups with whom I had a double lesson, with a break in-between. This is the song that I put together to signal the beginning and the end of the break. The melody for this song was completely made up.

Let’s take a break.

Let’s run and play.

Five minutes. Five minutes

Let’s take a break.

Let’s drink some water.

Five minutes. Five minutes.

Let’s take a break.

Let’s go to the toilet.

Five minutes. Five minutes.

In one of the Science lessons for my pre-schoolers we were doing the food chains and I really wanted to make it more interactive and fun and this is how we ended up with a play with an alge, a fish, a squid, a dolphin and a shark. The story was built around all the creatures noticing their predator in the ocean and hiding. While taking turns to sing the song

I am a little, little alge

And I am happy

At the bottom of the ocean

Where I live

Oh, no! Look! What’s that? It’s a fish!

Let’s hide.

In this particular lesson we made the finger puppets for all the characters, practised the song a few times and then we all participated in the game aka the performance. It was definitely a success.

The only trick with writing a song like that would be coming up with the message to convey, verbalising it and sticking to the appropriate number of syllables in each line. As can be seen in the examples above, the verses don’t rhyme and they don’t need to. As for the melody, it can be anything and, once you’ve got it, it is a good idea to record it, for memory, even if only on the smartphone recorder.

Max Berg Cafe, Wroclaw

Here you can find my other posts about using songs in the VYL and YL classroom

  • Where to start if you have never sung before (here)
  • How to un-sing a song (here)
  • All the reasons to use a song in the classroom (here)
  • Five songs that have become games (here)

Here you can find some more interesting resources to read

J is for Jazz Chants by Carol Read

How to creat a jazz chant by Barbara Hoskins Sakamoto

Creating chants and songs by Carolyn Graham (Oxford University Press)

I am begging you, please! Introducing pairwork in YL groups

by

Introduction

Can you hear some desperation, dear reader, in the title of this post? Rightly so. I started to write this post after one of the sessions of the summer camp that I took part in. My kids were amazing, of course, clever and eager to learn and, really, we did have a lot of fun. At the same time, looking at how they interact with each other, I could not believe my eyes and my ears. Despite the fact that many of them were already eight and nine, their social skills were on a disastrously low level. Practically anything that involved taking the other humans in the classroom into equation was a huge challenge for way too many of them. I did sigh with desperation, once and twice, and then I rolled up my sleeves and started to introduce pairwork, even though these were not my permanent students.

You may wonder why it shook me so much and why I decided to fix it. One reason is, naturally, my professional obsession with maximising production in kids and, really, I cannot imagine teaching a group of primary school children with the teacher at the centre, all the time. It is a waste of time and a waste of opportunities because kids of that age are capable of working in pairs without constant supervision. And if they do, they automatically produce more language.

However, there is more to it, of course because kids who work in pairs are more independent and more autonomous as learners and they have an opportunity to work with a variety of partners and to make friends and to bond with the group. This, in turns, is a better prognosis for the general classroom and behaviour management because you are less likely to get into trouble and to disrespect someone that you actually like and respect. If only you had a chance to get to know them and to like something about them.

Pairwork, yes or no? YES. One, big, decisive YES.

Where the angels don’t fear to tread. Pair-work in pre-school?

Yes, absolutely yes! I have been introducing pairwork in my pre-school groups first intuitively, simply because I had a very big group of children and we never got to produce any language apart from choral, whole class production and that simply was annoying for me, as the teacher. My students had a lot of potential and I did not want to waste an opportunity. Not quite knowing what to do and how to do it, I started to move towards working in pairs. It worked and by the end of the second year of pre-school, my group was ready and I was able to do what I do with my teens or adults: ‘Together, together, together’ while pointing at pairs of students. By the time we got to primary, this was a natural part of our lessons and some of the children were not even seven at this point. It is possible.

Then, naturally, I decided to do it again, with a new year 1 group, but this time, in a more conscious way, in order to be able to share it with my teachers. We started the course in September, we started to shape the group and the routine and we started to introduce pair-work. I kept my eyes open, I kept our class journal and we did it. It took 13 weeks of a course, with classes that took place only once a week. I presented the results of this research at our BKC Conference in 2020. and you can read more about it in a post here.

How to do it: The choice of the activity

The choice of the activity is one of the most important elements contributing to the success of the whole process. I got a heads-up here only because I have been teaching for many years and I had a chance to bump into one of the older coursebooks for kids which, although it had a few disadvantage and which does not even come close to the level of the currently used coursebooks for children, it did include a few ingenious solutions and, among them, the one I am going to describe below.

The one that featured in every unit of the coursebook was the maze the example of which you can see below. Initially, it was a simple but effective listening game, to practise the target language, especially vocabulary. Kids would listen to a robot dictating the path through the maze, for example: START: red…blue…yellow…brown…grey…etc until one of the exits, A, B or C. The words were separated by a funny sound, something that I would describe as ‘stomping by a robot, marching’ that the kids absolutely LOVED but it also gave them a great advantage of getting enough time to prepare for the following step. In every activity there were about 6 or 7 rounds of the game.

This game can be easily turned into a speaking – listening game and, eventually, into a pairwork.

It starts with the teacher NOT using the audio and dictating the route through the maze, with the kids following it and reaching the final destination. Naturally, the following step is the teacher nominating the students to decide on the following step, one word per child. This stage can go on for as long as it is necessary for the kids to become familiar with the format.

Afterwards, either still in the same unit and with the same maze or in the following unit with the new vocabulary, kids are put into small teams and they lead each other, in teams, through the maze. Eventually, they are put into pairs and they do it with only one partner, with one student speaking and the other student listening and following from the start to the exits.

In order to make it more monitorable, for the teacher and for the students and, also, to make it more achievable, we started to trace the route with coloured pencils or markers, each round with a different colour. This way, the children could always go back in case they got lost and the children can also monitor each other, the student dictating could potentially see where their friends were going.

This way, in a relatively short period of time, the kids got used to the new format, to working together, with only a partial monitoring and support from the teacher. It definitely helped that the vocabulary range in each case was quite limited, namely, only single words, from the obligatory set of words introduced and practised before. The students were not overwhelmed and could focus only on the format of the game. At the same time, however, in the later units of level 2, there were also more complex mazes, for example one in which the kids had to listen to a brief description of an animal for example: it has got stripes, it is big, it can run (zebra). Obviously, that means that the level of challenge can be raised when the children are ready for it.

Julie Ashworth and John Clarke, I Spy 1, SB, p. 23, OUP

It is very easy to recreate the idea using only the black and white clipart visuals and a grid of the required size. Here you see a maze that I created for my preschoolers (rooms).

Below you can see one more type of an activity that features almost in every unit of the coursebook and this one is specifically designed for pairwork for the young students. It was always some kind of a guessing game, with the two spies (the theme of the book, duh:-) trying to guess what the other one is thinking about. I really liked it for the visuals specifically designed for that purpose and the target langauge beautifully displayed on the page to support the students’ production. Using these was a lot of fun and it was effective but I still think that the previous one, the maze, worked better as regards the first steps in working in pairs.

Julie Ashworth and John Clarke, I Spy 1, SB, p. 45, OUP

Contributing factors

There is a whole lot of things that a teacher can do in class in order to facilitate the whole process. They can be implemented throughout the course, little by little, bit by bit.

  • Seating: make sure that the kids are sitting in a way that faciliates pair-work, in some sort of separation from the other pairs, for example by pairing up the tables and chairs, putting the chairs and kids facing each other.
  • Resources: these need to be prepared with a lot of care and attention. Apart from the example based on the activity that features in the I Spy coursebooks, described above, the teacher can also use a set of mini-flashcards, as described in my post about pair-work for preschoolers. These cards are used in a game of simple riddles but the cards themselves are small (eight or six or four that fit on an A4 piece of paper) in order for the kids to be able to manipulate them with ease. What is more, a set comprises of an envelope, too that holds all the cards. This way, there is no danger of kids dropping the cards (or if they do, these will fall back into the envelope) and the secret, very necessary in that game, is easily kept throughout the game. Even if the cards are printed on a regular photocopying paper, they are not see-through, being in the envelope.
  • Roles and turn-taking: Another thing is that the teacher only needs one envelope per pair. This helps a lot with assigning the role. It is crystal clear to the kids who is speaking (the child with the envelope) and who is listening (the child without the envelope). Turn-taking is also more obvious since the kids are literally passing the baton here, the envelope or whatever is the set of materials.
  • Signals: Introducing the pairwork is a part of the routine and, naturally, it will take some time. To facilitate it, like with the other elements of the class routine in primary and pre-primary, it would be good to include some visual representation of the pairwork, such as gestures or chants, anything that will signal to the students what is about to be the following stage of the lesson. It can be for example a simple flashcard. I love to use a flashcard with a pair of socks for the younger kids and a two pears for the older kids who can get this pronunciation joke but a picture of two kids talking will do, too. Some more modern coursebooks have started to introduce those and that is great). Another solution can be a simple chant, for example ‘Let’s play together! Let’s play in pairs! 3…2…1’. As with all the chants, this will introduce the next stage and it will give the kids a chance to get ready or maybe even to organise themselves. The same applies to the end of the pairwork stage.
  • Pairing-up: In the early stages, I would recommend a teacher-led pairing up. It is perfectly natural that in a group of children, there will be some students who will be better prepared to work in pairs early and some who will need to more time, even if all the students are of the same age or level. Based on the knowledge of the group and the individual children to end up with the most efficient pairing. This might be necessary to do over a few first lessons, later starting to experiment with some variations. I like to use a set of cards with all the kids’ names and we have a pairwork (or project) draft when we need it. The cards can be taken out of a box or a bag by the teacher or by students, too.
  • Time: Thil will of course, depend on an activity but choosing an open-ended game, without an obvious grand-finale gives the teacher more freedom and flexibility to finish the game when it is best for the class, rather than having to go until the very end when some of the kids might already be getting tired and bore and when they can start losing their focus. It might be a good idea to set a timer on the phone or to choose a song as a timing tool. It is very necessary to tell the kids how long they will play for.

Happy teaching!!!

Bibliography

The Power of Play: How Fun and Games Help Children Thrive – HealthyChildren.org

3 Ways Your Child Builds Important Life Skills Through Play – HealthyChildren.org

Why children need to play with their friends as soon as they can (theconversation.com)

Playing Well with Peers Means Better Mental Health (verywellmind.com)

Something (almost) out of nothing. 5 ideas for the user-friendly resources for YL classes.

by

Here is a little post I wrote, about 5 easy to prepare, low-key and YL-friendly and YL teacher-friendly activities that can be prepared with almost no time investment.

One: a boardgame

Boardgames are fun and they are of a great help not only because they provide opportunities to practise vocabulary and structures but also because they help with kids learning to play in pairs or teams, to learn to take turns and to cooperate.

The most basic set includes a printed board, like the one that can be found in Heinemann Children’s Games (published in 1995, omg), featured in the photo below, a dice, a set of checkers. Apart from that, the teacher also needs a set of flashcards or mini-flashcards. The students play the game and every time they land on a box, they pick up a card from the pile and use the word in a relevant sentence (ie they say if they like the food item on the card or they ask their partner a question). Once used, the cards go to the bottom of the pile to be used again. If there are more than one team playing, it is good to use a few sets of cards ie Do you like with animals, food and toys etc. Unless, of course, the teacher has time to photocopy and to cut up the mini-cards.

Here are some useful tricks:

  • Instead of letting the kids roll the dice on the table, give each team a plastic cup with the dice inside and show them how they should shake it in order to get a number. This will prevent the dice from rolling off the tables and slowing the game.
  • Instead of checkers, you can use a set of small paper toys, colourful paperclips, colourful magnets or even simple colourful pieces of paper on which the kids can write their names. I also like to use stickers (still unpeeled, on small pieces of paper). This way, no matter who actually wins the game, everyone wins and the sticker is their reward.
  • Do not worry if you do not have enough time to play the game until the very end, from Start to Finish. This way of playing is only a convention. The game is still fun if the teacher sets the alarm clock for 5 minutes, for example, and then finishes the game, provided that all the players within a team have had the same number of turns. After the game is stopped, the winner is whoever is the closer to FINISH.
Heinemman Children’s Games

Two: I spy with my little eye

The only thing that is needed is a picture, some kind of an illustration, taken either from the website or from the electronic form of the coursebook. I do recommend Starters, Flyers and Movers picture wordlists which can be downloaded for free and which include amazing picture scenes for all the topics relevant to these exams and levels. To be honest with you, it is one of my professional dreams that Cambridge University Press publishes them and makes them available for purchase.

These can be printed or just displayed on the interactive whiteboard or on the computer screen. Kids play in pairs but everyone is using the same picture. The basic version of the game includes the more traditional version of the game (I spy with my little eye something big / small and something green / blue / yellow etc) but it can be transformed into any picture-based riddles or description game or Yes / No game and in that case any vocabulary and structures can be involved.

Here are some useful tricks:

  • There are many variations of picture-based activities. You can find lots of ideas in my previous posts from the series All you need is …a picture which you can find here and here
  • If you have a dice (or even better – a dice per pair or per team of students), you can also use the same illustrations in a dice description game
  • There are plenty of illustrations available. I do recommend Starters, Flyers and Movers picture wordlists which can be downloaded for free and which include amazing picture scenes for all the topics relevant to these exams and levels. To be honest with you, it is one of my professional dreams that Cambridge University Press publishes them and makes them available for purchase. I also like to use any of the Starters, Flyers and Movers materials, the speaking visuals, the reading visuals, listening part 1 visuals. Lots and lots is happening in these pictures and they are appropriate for the younger YL.
  • Don’t forget to check out the silly picture scenes used by the speech therapists. They are lovely, colourful and fun and kids really (really) like them. I wrote about them a few years ago and I am still a huge fan.
  • As regards the older YL, I still use the activities with different visuals: photographs from the google search engine, the higher levels exams (PET, FCE, CAE and CPE past papers, especially the speaking visuals). I also love using the materpieces of the world’s art but, admittedly, finding these might take a bit longer unless you have your set of go-to paintings.

Three: Tell me about it on Wordwall

This, thanks to all the tools available on wordwall, has become one of my go to games. It is a set of pictures (template: Open the Box), with a number of points in each box. Kids work in pairs, they choose the box and they have to say something about the visual in each box. With the higher levels of primary or the older students, the teacher assigns a number of sentences that they have to produce. With the younger students, the teacher gives clear instructions regarding the language expected. Here is one example for the year 1 kids of the pre-A1 level: toys. During the game the kids could produce the following structures: It is a teddy bear. It is brown. It is old. I don’t like it.

The game is a great one because it works with individual students and groups, big and small. Everyone plays together and everyone produces because even if there is one student responsible for choosing the number of the box, everyone can say something about the picture.

I like to play the game as one of the first competitive games with a group of young learners, only we play it teacher vs all the kids (and I do my best to lose:-)

Here are some tricks

  • If you don’t feel like preparing these, go to wordwall, you can find all my games in the community. I made all of them public. You can find them here or you can enter wordwall and look for my profile Azapart.
  • The range and the number of structures can be adapted to the age and the level of the kids. I play this game with my preschoolers and my primary students but also with my juniors and teens.

Four: Riddles

Riddles are, by far, one of my favourite games with any age, with the youngest of students and with my teenagers and adults, too. In order to make it work, we only need a set of flashcards or a set of mini-flashcards. I have already written a (great) post about it and you can find it here.

Five: A list of words

I have to admit, I love being a lazy teacher and I always award myself some extra points for all these occassions when I figure out how to be lazy and effective. One of my favourite ready-to-use resources are the word lists from our coursebooks. Sometimes, these can be a set of pictures + words (younger students), sometimes a table with all the key words, for all the older students, juniors and teens. Sometimes, these are the lists that the teacher has to create, especially if we talk about the higher level groups and about working on the vocabulary related to a text (reading or listening). All of the activities below are used to give the students a chance to use the words again and again and again, they are a part of the controlled and freer practice stages of the lesson.

Tricks or some of the ways in which I like to use these lists:

  • The list is used as the basis for riddles (see above).
  • Questions: students work in pairs, to ask each other questions about the chosen items. Depending on the vocabulary set, these questions can range from very simple (‘Do you like…?’), in a variety of tenses, especially if they are verbs (‘How often do you..?’, ‘Did you…?’, ‘Have you ever…?’, ‘Are you planning to…?’)
  • Pairs: students work in pairs and look for ways of pairing up the words and phrases, based on: similar meaning, same first letter, same part of speech, some logical connection, to name a few.
  • Ordering: students organise the words according to one or more criteria i.e. the important and the less important words, the easy and the difficult, the familiar and the unfamiliar etc or, simply, organising them in the order of importance or preference to the student and then comparing their new lists with other students and justifying their choices.
  • Similar or different: students choose a pair of words or phrases for their partner to decide if these two are similar or different and to explain why. This is, by far, my favourite one, especially for the older and for the higher level students.

Happy teaching!

Crumbs # 65 Monster Bookmarks

by

Ingredients

  • Colourful cardboard, some white paper, markers, scissors and glue
  • An idea to inspire you. I got mine from I Heart Crafty Things and if you are interested you can even find a template there for a small price although, I, personally, did not find it necessary.

Procedures

  • Before the lesson, I prepared the paper: small pieces of paper for the eyes, a large rectangle of cardboard (for example, an A4 sheet makes 2) folded in half, smaller rectangles (aka strips of paper) cut up for the nose.
  • We had two full lessons on the topic of body parts, monsters, health problems and going to the doctor. By the time we started the craft activity, the kids had already practised using the body parts in a sentence, they had described countless monsters, they had also created a monster with in a dice drawing activity.
  • I showed the children the ready product and we described it together.
  • We started with the kids choosing the colour of the big rectangle (the body of the monster) and so did I, in order to be able to demonstrate every step.
  • We cut up one of the longer edges, 5 – 10 mm, along the whole age (the hair). Afterwards, we applied the glue inside the folded rectangle and glued the two halves together.
  • We decided how many eyes we want our monsters to have. We drew these eyes, cut them out and glued them on the monster.
  • The kids chose the colour of the paper for the nose. We drew the nose on the back and we cut it out. On the back on the nose I drew three short lines at the top, to mark the place where to apply the glue. The kids do the same and we glued the nose on the monster.
  • We finished with drawing the smile and adding some decorations.
  • We finished with introducing the monster (name, age, boy / girl, what he/she likes).

Why we like it

  • This craft was a part of the lesson that in itself was very generative, productive and creative. That is why, for the main craft activity, I wanted something that the kids could use not only to produce the language but to use outside of the lesson. That is why I started to look for ideas for bookmarks.
  • When I showed my monster in the beginning of the lesson, some of my kids went ‘Oh, monsters, I don’t like monsters’ but, somehow, they all wanted to make theirs and they got really involved, boys, girls, the younger, the older. I was happy and not so surprised (because it did happen before) that they all left the classroom almost hugging their big-nosed creations. And, once out, I heard them report to the parents, in a very animated way, what it was that we did in class.
  • The craft is relatively easy, with some simple materials, especially that the cardboard can be easily replaced with the regular paper. It did involve some before-the-lesson preparations but nothing very time-consuming and, again, the templates were not necessary at all.
  • I have already started to think of adaptations and of replacing the monster with other ideas and shapes. I have not done these yet, but I am thinking a lot about elephants and, inspired by my friend’s son, LEGO people…Once they are ready, I will definitely share here:-)

Happy teaching!

Crumbs #64 ‘What time is it?’ aka Classroom management tricks for primary

by

Ingredients

  • A board and a marker, with two phrases written on the top: ‘What time is it?’ and ‘Time left:….min’
  • A watch for the teacher.

Procedures

  • Drill the question with all the kids (‘What time is it?’)
  • Every time you hear from the classroom the same or similar question, most probably in the kids’ L1 (‘What time is it?’, ‘When is the break?’, ‘How much time we’ve got left?’) etc, point to the question on the board and elicit it from the group or from one student and only when they do, check the time and write the number of minutes left until the end of the lesson.
  • Repeat every time someone asks the question but insist on them asking the question in English.

Why we like it?

  • First of all, this trick gives kids an opportunity to learn to control their behaviour in class. I use it with my pre-primary and primary students in a situation in which they cannot tell the time using the clock and they do not have their mobiles to do this using their digital clocks. Not to mention that at the moment we work in an unusual context and each part of the 4-academic hours-long day has a different length. If the kids understand better how much time is left or, in other words, for how many more minutes they are required to ‘work hard’, they are better prepared to manage their behaviour in the time left. Also, it is of a great psychological help to see the minutes disappear and then even if the day is long, even if the weather has an impact on the kids’ energy levels, even if the activities today are not amazingly exciting for everyone, there are fewer and fewer minutes to go through until the next break time, snack break, the walk, the playground and so on. It has been of a great help in all the summer classes.
  • The kids are likely to ask this question anyway, directing it at their teacher or their peers so giving them a chance to do it in English is an opportunity to learn and to practise some useful language in a natural context.
  • To be perfectly honest, it is a tiny little bit irritating to hear this question and to have to answer it a few times during the lesson BUT the very fact that the question is asked and the frequency with which it is asked is a great source of immediate feedback for the teacher and a signal that, perhaps, some changes need to be introduced in the original lesson plan. Maybe an activity took too long, maybe on that particular day the kids are too energetic or too sleepy for whatever is going on and they need a settler or a stirrer. Perhaps even an activity needs to be abandoned asap, for whatever the reason…Knowing is is much better than not knowing it and proceeding when your audience is not ready for it. That also means that on some days and with some activities, the kids will completely forget to ask the question and that is for the best reason of it. They will be so involved in the activities that the lesson length and the clock will not matter at all.

Happy teaching!

Crumbs #63 Musical Challenge meets Andy Warhol

by

Ingredients

  • A set of markers and a simple handout (eight circles and numbers)
  • A video with different music samples. I have used this one here, devoted to the unusual instruments.

Procedures

  • In our case (City Camp), the whole day was devoted to music and in the first half of the day we: learnt the names of the instruments, played different games with the vocabulary such as miming, guessing the name of the instrument by the sound and we made our own shakers. I came up with the idea for the musical challenge to follow-up on all of that.
  • First of all, we revised all the colours and we talked about the associations between colours and emotions. We used those that the kids were familiar with (happy, sad, angry, tired, sleepy, hungry, crazy, scared, energetic).
  • I showed the kids the handout, with the eight empty circles and numbers and asked ‘How is number 1?’ and the other numbers. It was clear that they had no colours and no emotions.
  • I told the kids that we would listen to music. ‘Is it a happy music?’ ‘A sad music?’ ‘Are you scared?’. I asked them to close their eyes and played the first part of the video. It is important to mention that I used my laptop here and the kids were not able to see the screen and the instrument. I did not want them to get distracted by the image and I was hoping that we would be able to focus only on the sound and the associations.
  • When the music stopped we talked about out emotions and the best colour for them. Afterwards we coloured the first face.
  • Later on, we proceeded with all the other pieces of music in the same way.
  • In the end we watched the video again, this time properly but we also paused and talked about the emotions and the colours, comparing our pictures.

Why we like it

  • This activity is a variation of the Musical Challenge that I often use with my older students. Initially, I was considering using it in its original format but later decided against it as some of the kids in the group were too young and I was worried that I would not be able to explain in English that they can draw anything they want, that they should be quick and avoid adding too much detail and that we would not really be able to talk about the results properly as the children do not really have enough langauge for that. Instead, I mixed the Musical Challenge with the Andy Warhol lesson.
  • I loved the way the activity worked. As an English teacher, I should probably start with the fact that it gave us an opportunity to produce a lot of langauge because kids started to make some comments even during the listening part and continued later, while making decisions about the colours and while presenting their smiley to the teacher and the group.
  • The same video and handout can be used with older and more advanced students because the music samples / emotions can be used in an extension acticivity i.e. group the samples/ emotions, choose your favourite, create your own instrument and play some music, choose one sample / emotion and tell a story etc.
  • It was also amazing that everyone could produce as much as they were capable of. Since it is a city camp group, we have some mix of abilities but since it is an open-ended task, kids can produce a little bit, the bare miminum (‘It is sad. It is green and yellow’) or a lot more, fully justifying their choices.
  • As an Art teacher (and yes, I dare call myself that), it was absolutely amazing to see how well kids responeded to an opportunity to look at the world from a slightly different perspective, making the connections between the colour, the music and the emotions and representing it on paper. During the entire activity, it was easy to see how the kids actually did take time to think about their impressions and how to express them best through langauge and through colour. Sometimes, they would make an immediate decision, while listening and then rethink it and change it. And the conviction with which they did it was a wonder to behold.
  • As a teacher of children, I loved this activity because it gave us all an opportunity to express our own personal views and opinions and to learn that everyone, the kids and the adults may have a completely different opinion and that there are no right or wrong answers. So at the same time, it was also a lesson on learning how to respect other people.
  • A busy/lazy teacher loves this kind of an activity because it takes about 5 minutes to prepare and to set up.
  • For us the activity was the final project but it can also be used, in a shortened version, as an introduction or a lead-in activity to any lesson related to music.

Happy teaching!

Crumbs #62 Secret words. Learning to read

by
@Cambridge University Press

Ingredients

  • A text written for the lower levels learners, pre-A – A1 level, preferably accompanied by some visuals. The one pictured above which was the inspiration for this kind of an activity was taken from Super Grammar 2 by Emma Szlachta, CUP, p. 38
  • A set of blue cards to cover some of the key words in the coursebook. It is much easier to manage if the text is displayed on the screen. The SECRET cards can be easily adjusted and moved around during the lesson.

Procedures

  • In the first stage, the kids look at the illustrations and describe them. If you are looking for the ideas how to use with illustrations in the EFL classroom, make sure you check out these posts, here and here. There are lots and lots of ideas. This stage will give the kids an opportunity to produce some language and also to get ready for the reading.
  • Kids read the text in silence, individually and, afterwards, in pairs, trying to guess what words are hidden under the cards. At this point all ideas are good ideas but the teacher should point out that there are some hints in the illustrations.
  • The class read out loud together, led by the teacher or the students, and each pair proposes their ideas. The teacher is revealing the real words. It is not a competitive activity so no points are awarded.
  • The following stage is the reading comprehension task, such as the one in the coursebook.
  • The follow-up productive task can be a text interpretation: the teacher covers all the secret words again. Kids work in pairs, they read a text (one text per child). In step A: they try to remember what the original words are, in step B: the kids read the text again with their own ideas for all the secret words.

Why we liked it

  • The activity is easy to prepare, especially with the use of the electronic devices.
  • The activity can be used with practically any text and it is easy to adjust the level of development by limiting or extending the number of words, by focusing on some specific words ie only colours, only verbs or only a specific grammar word ie a structure or a part of speech, depending on the level of the students.
  • This is one of the ways of breaking up the text and making it more manageable for the early readers.
  • It is also a way of making it more interesting as it changes the reading task into something resembling a guessing game.
  • It can be made productive and generative by the illustrations-based activities or by the creative reading (the final stage) which can also lead to a writing task ie describing your own room or your own dream room.

Happy teaching!

Picking at the seams: Potential problems and solutions in a YL lesson

by
Stone drawings #5

This is the second chapter of the post devoted to lesson planning habits worth developing in a teacher of a YL teacher. Here you can find the first part of it: Variety and it is all about looking back at a lesson already planned to check that includes the necessary variety of interaction patterns, materials, settlers and stirrers and learning styles.

One more item that needs to be added to the list of Things To Think About while planning for young learners are all the potential problems and solutions. It is an indispensable element of the formal written plan for any kids’ lesson (or at least it should be). It is also a habit that a teacher needs to develop for the every teaching when no plans are written.

Here is why:

  • Looking at the lesson from the perspective of all the potential disasters and (‘disasters’) to happen can help troubleshoot
  • Problems and solutions can and should be applied to the instructions, interaction patterns, materials, activities, learning styles, behaviour, participation, time, seating arrangements and the amount of language produced.
  • Coming up with the list of everything that can go wrong helps to generate at least some of the solutions for them and get the teacher better prepared for the lesson and, ultimately, fewer surprises in the classroom.
  • This is especially important if the teacher is doing the activity for the first time ever or if it is a new approach or technique never used with a particular group of students.
  • Analysing the problems and solutions can result in the teacher having to adapt the original lesson arrangements, in order to improve the lesson.
  • Predicting what can go pear-shaped and then comparing it with a list of the things that worked out or that didn’t is another fascinating exercise that a teacher can do as part of the post-lesson reflection. How many of my predictions were true? How many of them were not? Was I overly optimistic or overly pessimistic? What were the biggest surprises?
  • Writing these down is an option but, most likely, in there everyday teaching life, with 20+ lessons to teach a week, there won’t be any time for that. It is a lot more important to allocate time for that, though, and, although it might take a bit longer in the beginning, it is definitely one of the teaching skills that become automatic and, with time, require less and less time committment. Speaking from experience here:-) Over the years, it turns you into a teacher who takes literally a second to look at a handout or a game or a coursebook page and who can see a list of its benefits and pitfalls. Upon which a decision can be made whether to use it in class or not.

Happy teaching!

One word of advice: Variety. Planning lessons for young learners

by
Stone drawings #4

This is the week of the summer teacher training and may it be the first of many. I love being a trainer for many reasons and one of them is the fact that just as many ideas come are born in the classroom, in the presence of kids, in the same way, many are born in the classroom in the presence of trainees. Being, talking, observing and reflecting and, ta-dam, you find yourself talking and making mental notes for all the posts to add to this blog.

Here is the first post dedicated to my summer trainees from the June 2023 group.

Lesson planning process in three easy steps

  • Check the coursebook content, choose the lesson aims and the main activity
  • Plan the whole lesson (in the way you prefer to do it, with taking notes, without taking notes, with colours like I love to do or just on a set of post-it notes, like my teacher-friend Irina likes to do.
  • Once it is all done and ready, take another look at it and assess it, analysing it from the point of view of variety. If something is missing and/or is in excess, adapt the lesson plan

Here comes the variety…

Settlers and stirrers

This is probably the one that I would recommend starting. First of all, because it is quite straighforward and easy to spot, even for a newly qualified teacher. Young learners accumulate energy fast and they need to be given an opportunity to release it in order to be able to concentrate on those tasks that require focus. If they don’t, they will become distracted and wriggling in their chairs. In such a situation no teaching or learning is taking place.

Second of all, it is a good one to start with because it is just very easy to deal with and to fix, without any major effort. Most of the time, what it takes is to shift stages around the lesson. If a lesson is too active, a stage in which students work on their own on a task can be added. If, on the contrary, the lesson is too calm, too still, too book-bound, all you need is a song or, even better, a few songs, to punctuate the whole lesson and to give it a proper rhythm.

Materials

This one is quite easy to take care of as there will always be the board and the markers, the coursebook and the workbook, all the flashcards and a set of markers or pencils. Throw in a puppet, a soft ball, a few die, perhaps a few storybooks and some magnets and a blob of blutack and your basic set is ready. Then, to make all the dreams come true, I would add a beautiful multifunctional box, some coloured paper, a few pairs of kids scissorss and a few gluesticks, some trinkets to be the checkers, a bag of stickers, painter’s scotch and a homemade magic wand.

The computer and the screen, with the Internet access and the cornucopia of goods available online is already in the classroom.

The only thing is to make combine all the elements in a clever way and make sure that the set changes a bit, from lesson from lesson, and that some occasional pretty pieces such as playdough, watercolours or food.

Learning styles

On the one hand, ‘learning styles’ is one of the terms that features in many (if not all books) on teaching young learners. On the other hand, it is one of the most frequently mocked concepts at many (if not all) conferences, workshops and lectures on teaching English.

But, as I have been telling my trainees over the years, those who say anything about learning styles with the tiniest even traces of derision are, quite likely, the people who have never worked with children. If they had, they would have embraced any movement, action, songs, music, chants, colourful flashcards, realia, blocks and posters, not because they would lend themselves to be neatly labelled as kinesthetic, auditory and visual but because variety of learning channels means less boredom in the YL classroom and, even if only for that one reason, better results.

And it’s not that the song in the classroom is only going to be sung only by those kids who actually like singing. Quite the contrary, the song is there for all of the kids to participate only some will enjoy it more than the others. So will the flashcards, posters and realia or boardgames.

Here you can find a lovely summary of the debate on the learning styles.

Interaction patterns

I got to this paragraph in the post and I smiled. And it’s because, as soon as we get to this point in our coversations with teachers or trainees, there is always somebody who raises up a hand to say that ‘Primary school children don’t know to work in pairs’. I smile.

It is true, that on entering a classroom with a bunch of primary school kids, you cannot just assume that you will be able to go ‘Together, together, together. Work in pairs. Here is the handout’ and it will just happen. It will not but it is not because the kids, developmentally, are unable to work in pairs. It is because it is a new environment, a new teacher, a new group of peers, a new classroom and, in our case, a new language.

Pairwork is possible in primary. Pairwork is absolutely necessary in primary and it can be done. It can be done even with much younger students and here you can read about how to go about it. For that reason, and taking full responsibility for my words, I can say that in a lesson with primary students, as a trainer, an observer, a mentor, an educator and an ados, I would expect to see some whole class work, some indivdual work, some teamwork AND some pairwork.

Practical notes

  • I like to colour-code different areas to better see the balance or the lack of it.
  • I sometimes use it as a reflection task before teaching the lesson, sometimes it is a post-teaching entertainment.
  • Most of the time, I use it in my everyday lesson planning, and then I only focus on one or two areas here and that is usually when the lesson plan just ‘doesn’t feel right‘ and I am trying to identify why I am not happy with it.
  • This is also a technique that I have used in teacher training, with evaluating the lesson plans of my trainees, while preparing an observation report and, naturally, also during the lesson planning sessions of all kinds. Because of that, the main objective would be different, either to identify the weaker areas and to create the connection between the lesson planning process and the lesson itself or while lesson planning to problem shoot and to ensure that the lesson is balanced, at least on paper.
  • Here is another post on lesson planning for YL
  • A lesson for YL when you suddenly land on Mars and
  • A new take on the lesson plan
  • And, just in case, the first lesson in primary survival kit
  • Don’t forget to check out the other post related to lesson planning reflection: Potential problems and solutions

Happy teaching!

Crumbs #61 How to make a shaker

by

Ingredients

  • A4 pieces of cardboard, one per child. I have used just regular craft cardboard, sold in sets. I had the colourful one but I needed the back side of it, in order to decorate it so white carboard will be even better.
  • Glue, to be used before the lesson
  • Markers to decorate
  • Scotch and scissors or a very good stapler
  • Something to put inside, for example buckwheat (raw).

Procedures

  • Partially, the materials had to be prepared before the lesson. I folded and glued the A4 pieces of cardboard into envelopes a few hours before the lesson, to give them a chance to dry completely. Each cardboard sheet was folded into three and glue was applied along the shorter edge.
  • One model shaker was also prepared before the lesson and then presented in class. We learned the word and we passed it around for all the kids to touch it and to try to use it.
  • The envelopes templates were given out, we wrote our names on them and we took about 5 minutes to decorate them.
  • I set up the assembly table with all the other resources and as soon as the kids were ready, they were coming up one by one to the teacher to finish the shaker.
  • The final stages completed by the teacher went as follows: 1. close one end of the envelope with three layers of scotch. 2. fill the envelope with buckwheat, to about 1/3 of the envelope 3. fold the other edge of the envelope and close it with three layers of scotch 4. try it with the kid
  • The most important part was our attempt to use the shakers. We tried out two activities. The first one was a simple Listen and Repeat with different rhythms ‘dictated’ by the teacher and, possibly, also by the children. The other one was singing of a song that we all know very well with the instruments. We chose ‘If you happy and you know it’ by Super Simple Songs. For one song we all became an orchestra and we agreed to shake twice (after the words ‘clap your hands’ because, indeed, there are two claps) and once (on the words ‘clap your hands’ because, again, there is one clap there). The same patterned followed in the other verses, with stomping, oh no and take a nap.

Why we like it

  • First and foremost, I am excitingly happy with the design of this shaker which I came up with myself. The topic of the lesson was Music and one of the activities suggested was making some easy intruments. There are lots and lots of amazing designs that I found on Zing Instruments’ website and I want to make so many of them but, last week was very busy and I simply had no time to collect plastic bottles or to ask parents to give their kids one. I did not want to use plastic cups because I did not have the right kind of glue and I have always had some reservations about collecting toilet rolls that frequently feature in these activities. I spent the whole evening breaking my head over that dilemma, getting angry by the minute because the ideas were not coming. Until I finally gave up and went to sleep. My last conscious thought that day was the answer to my question. This design works. The materials are easy to get, the task is feasible for everyone and it has a universal appeal, too. All my kids were equally excited and involved in the task, the one aged 4 and the one aged 10.
  • I was a bit dubious about the durability of the shaker but it did last a whole full day of extensive use. We made it in the first lesson of the day but the kids were carrying around and using it throughout the entire day. I cannot guarantee, of course, how many days they would last afterwards but, even if they break later on, they can be easily fixed with a piece of scotch and some buckwheat or remade and although I do not wish it on my educational parents, the worst case scenario will not be a real disaster. The raw buckwheat can be easily cleaned up and I don’t imagine, kids would want to eat it, because it is just not tasty or pleasant to eat.
  • The cardboard envelope was very easy to decorate, easier than a roll or a plastic cup and we could use regular markers instead of all the other materials featuring on the designs I found on the website, such as the painter’s scotch, decorative scotch, permanent markers or acrylic paints. The kids could draw anything they wanted, either very simple patterns such as stars or hearts or something that was very special to them, for example a blue whale, a white tiger or a skyscraper.
  • As I have already mentioned above, the shakers became the real treasures almost instantly, to all the kids. ‘Are we going to take them home?’ was, naturally, one of the questions that every single child asked while we were producing them, just to make sure. And yes, we did take them home but the kids agreed for me to take a photo of all the beautiful shakers. Mine does not even feature in the photos, it was definitely the least interesting:-)
  • The finished product helped us in developing social skills. In the final stages of the lesson we became an orchestra and we worked on doing something together, listening to the teacher to repeat the rhythm and, even more importantly, listening to the song and shaking our shakers to the rhythm of the song. This particular group really really needed this kind of an exercise and I was very happy that we managed to become an orchestra for a few minutes. If it had been my regular, long-term group, I would produce some of these shakers to keep in the classroom and to repeat this kind of an exercise more regularly.
  • I was a little bit worried about me having to deal with sealing the envelopes but I could not delegate this task to kids as it is quite tricky, for any young learner hands. However, because there were only five children present and of different ages and of different levels of interest in drawing, it all came together. My youngest Sasha completed the task of decoration first and his shaker was the first ready. But then, having had a look at what everyone else created, he went back to his table to add some elements and afterwards he started to play with the shaker. A similar thing happened to all the other students and there was no dead time. However, if we make the shakers again, I will start playing our favourite songs during the time when we all decorate our shakers. This way the kids can start using the shakers with the music as soon as they ready. And, even if they are still working, they can still sing along.

Happy teaching!