#crumbslittleideasfortheclassroom

November printing. Teaching English through Art

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Language

The linguistic aim for November is the introduction and / or revision of ‘have got’ with the negative and affirmative and questions, with different objects around us: school objects, pets, basic body parts etc. We have been practising talking about the things we have got and things we haven’t got, including some pairwork and questions. We have used songs and wordwall, too. The kids are doing well.

Artists

This has been a funny month because it was a whole month without the Artist of the Day. I had to cut a few corners because of the method and the resources. Everything here, all three methods I describe below are very time-consuming, in every possible way:

  • they take time to set up before the lesson,
  • they require resources that might not always live in your art cupboard
  • they require a detailed presentation by the teacher, from A to Z, while the students are watching (and ideally a finished, dry, product)
  • since the technique is new for the students, they might also need more time to experiment and to play with the tool and the resources before they move on to create the actual masterpiece

That means less time for other things such as the language that I did not want to give up on. Another thing is that because we have not actually done any proper ‘adult’ printing, there are no ‘real’ artists for us to look at, only the photos from the Internet and the pieces created by the teacher.

It is not a big problem, of course, but I have to admit, I have realised that I miss the presence of Warlhol or Malevich in our lessons. We will be catching up on that, in January (December is devoted to Christmas and there will definitely be more craft in our classes).

Art

Bubble printing

This activity has already featured here on the blog and I decided to do it again, although it belongs in the category only loosely. However, my selling point here was that, indeed, the final result is a page printed with beautiful colours. So, yes, we did it again!

Marker printing

This is a brand new activity that I found online (Meagan Carlos aka helloartteacher) and it is officially called marker transfer.

The activity is fun, clearly divided into stages and there are a few variations. It can also be easily adapted to a chosen theme. We did ours in end of October / beginning of November and hence a lot of Halloween in the photos.

Step 1: drawing a picture on a piece of paper. It is important, however, to use a permanent marker (or any waterproof marker). The easier version, which might be more appropriate for the first round of the activity can be done with a copy of a colouring picture. We had a pile of Halloween-themed colouring pages and kids were chosing their own.

Step 2: each student has a piece of tinfoil, attached to the table (I like to attach it on four sides to keep the water from leaking out) and they colour it fully with regular markers. It is good to check beforehand, the markers used here cannot be waterproof. Actually, the more rubbish they are the better. I used thick markers, too, because it is easier to cover a large piece of tinfoil with colours.

Step 3: sprinkle the tinfoil with water. I use a regular sprinkling bottle I use for my plants.

Step 4: put your picture (from step 1) face down on the tinfoil and smooth it gently and let the water seep in. Pull away gently and leave out to dry.

The process is really gratyfing and a lot of fun. In our lessons, we managed to do a few pictures, colouring pages and our own creations. We cleaned the tinfoil, waited for it to be dry and reused the same page to create new pictures. We absolutely loved it. Just look at the photos!

Nature print

This was a variation of the lesson that we did in the summer but I decided to upgrade it this time and use the resources that are literally lying around, in order to minimise food waste and to encourage the kids to look after the environment. You can sometimes see different projects that involve using flowers, seeds and leaves picked up in the summer, just to be ‘destroyed’ for the art’s sake and, to be perfectly honest, I cannot find any justification for it. It seems that autumn is a much better season for that as there are plenty of leaves and flowers that mother nature abandoned already and these can be supplemented with anything that died anyway, the flowers that dried up in the vase, the fruit and veg that are past their use by date etc. I personally feel more comfortable that way and it is not a difficult thing to implement, basically a question of timing.

This time we used: dried leaves and grasses I picked up in our garden, flowers that I got in September that dried up and had been waiting for their turn and some other flowers I got in October that ended their life in our project, a wrinkled apple, a stone and a half of a broccoli that (sadly) didn’t get to be eaten in time.

Happy teaching!

A story of one picture. Starry Night

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The lesson aka the context

This is a lesson that I put together for last year’s Shapes in October series. This year I decided to recycle it during our Autumn Camp and the Yellow Day. The basic version of it is super simple and it involves making a collage of the van Gogh Starry Night background and stickers or drawings. You can read about it here. However, my colleague, miss Victoria, decided to upgrade the lesson and instead of the ready-made background, she asked her preschoolers to paint the the background first and then decorate it with stickers and drawings.

I went to their classroom during the break to check how the pictures have turned out and to take photos and I was amazed. Especially with this one. It did stand out because it used mixed media but not the stickers and the sky was like none other.

A little bit later in the day, one of the younger students wandered into my classroom to chat. She saw the collage my group made and shouted: ‘We made those, too!’ I showed her the photos I took and we finally identified hers. I was surprised and I was not surprised at all!

The student aka the artist

Sasha is seven and she is in year 1 of primary. She attended my Art Explorers last year regularly and she comes every week this year, too. She is one of my really creative students. On some days, she is reluctant to get started, on some others she takes her time but then takes off and on some other days, she just dives in at the deep end and creates as crazy. She is also the student who, most frequently, snatches her work as soon as we say ‘Good-bye’ and I am lucky to take a photo. I love it.

Whenever she starts to create, however, it is always of the highest standard, with a fresh look and a new angle.

The work and the creative process

Because it was miss Victoria’s lesson (according to my lesson plan), I did not have a chance to see the artist in action but because it was the autumn camp, we had more time and me and Miss Artist had a very interesting conversation discussing her painting.

First of all, I was surprised with the technique that Sasha decided to use and the results that she arrived at because it was so absolutely different from what all the other children created. This is when Sasha explained that ‘I did what you taught us last year’, namely painting water on water (a technique that we experimented with last October and somehow she remember, mind blown!). This is how she got the beautiful background, the sky and the stars that blend into each other.

Sasha also explained that, looking at what her classmates were doing, she decided to add the drawings, the houses and the umbrellas, all that instead of using the stickers, showing that she has a lot of potential to become an independent artist capable of making her own creative decisions.

The teacher in awe

I guess every teacher is at the risk of getting emotional and touch whenever we can see that our work bears fruit and that our students learn and remember something that we are trying to teach them. I know I do.

That is why this day and this conversation were so important, because, in a way, this painting is the outcome of the time in the classroom. Sasha demonstrated that she remembered how to use a specific technique she learnt from me and she also showed that she picked up on the values that I am trying to promote in class such as keeping your eyes open, allowing yourself to be inspired by your teacher or peers, the curiosity and the open-mindedness that leads to experimentation and new outcomes…

I was a very happy teacher that day.

Happy teaching!

How to plan for kids without bending your back backwards. A five-step manual

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This post here is my response to the challenge set by my teacher-friend Michael. Challenge accepted. Let’s go, 5 steps.

Lesson aim

The first-est step. Always.

The session devoted to lesson planning on our YL course is called ‘What do you want teacher?’ and that is for a reason. Making a decision why we enter the room and what we want to achieve by the end of the lesson is key. Is the vocabulary the focus or is it a grammar point? Or any of the skills? What is the context? Do you want to focus on the language or the most important thing on the day is the work we put in developing social skills or building the routine? It might be something suggested by the book or chosen by the school curriculum but not always. And even it is, there is always room for adjustments and adaptation. At the end of the day, there is the teacher and there are the students in the classroom that matters most. The programme and the coursebooks are to be adapted.

After the aim is selected, there are more follow-up decisions to make, namely the selection of the focused task (aka the main productive activity) of the lesson?

That’s it, done. The main thing is done and it probably took about 5 minutes. The next step will be looking for things that will help make it happen.

Books basics

The coursebook and whatever it contains is already partially included in the previous step. Most of the time, this is what we use, for convenience and just because we can. The coursebook is not the enemy of course and there is a lot of useful material. Though, not all of it.

I presume the main activity has already been chosen and the next decision is regarding all the other exercises, activities, audio and visuals that are there (and in the workbook and teacher resource packs) that either match or don’t our aim and our focused task, or, in other words, our A or the lesson and our Z.

The most important thing to remember and the thing that is on constant repeat during our sessions and in my conversations with teachers is: the book is not there for us to follow to the letter and to cover and to include all the exercises.

Things you can repeat

In every lesson for YL there are certain elements that we can and that we should repeat because they help us construct the framework and the routine. They include either the elements of the routine: the hello song, the how do you feel today, the rules revision, the homework check, the goodbye as well the elements that are short-temporarily fixed: the songs we are singing in September, the games we are playing in the unit of toys, the story we are reading in the chapter on the jungle animals. All of these will feature in the lesson over a month. It is good to included them in the plan, keeping them on the side, in order to be able to use them.

The missing bits

Having got that far in the lesson planning, it might be the time to figure out how much time we have already taken out of the lesson time and how much time we already have left. Then, look at all the activities there are in the coursebook, all ready and waiting to be used, and, only if necessary, to replace them with some other activities, from another sources or self-designed.

Most of the time, the coursebook will do the job just fine.

Something for the balance (bits)

What I like to do at the very end, when the lesson is already ready, to have a quick look at everything, to check it for the contents and for the balance and variety

  • the ratio of interaction patterns
  • the ratio of different activities: songs, stories, creative and hard work
  • the ratio of new and familiar
  • the ratio of settlers and stirrers

And, when something is off, I fix it. Done!

Instead of a coda

Here are a few words of wisdom from a grandma teacher and trainer / mentor / observer:

  • we want good lessons to be our everyday but that does not mean that every single lesson needs to be an Oscar-worthy (or a Nobel prize-worthy) unit at the cost of the teacher’s sleep, peace of mind, family life or salary. Yes, I sometimes invest a little bit more into my teaching, in terms of planning, resources and time but, after all these years of experience, I also have lessons that are ‘just regular, no fireworks’.
  • we sometimes plan lessons and as soon as we get to school, out of the blue, we come up with something entirely different and it is the best lesson ever. Yes, that happens, but (here comes a very subjective line), it is the result of all the brainstorming and thinking that has already taken place. Otherwise, it wouldn’t have happened.
  • designing your own activites does not have to take ages and it does even require a teacher to be super creative. I personally find it much easier to prepare something for my lesson from scratch, rather than spend hours of looking through materials and resources to match the needs of my group and then, on having found it, still waste time on adapting it to what we (my kids, my course and our lesson) really need (here you can find some of the posts on material design).
  • our coursebooks have a lot of different resources and pictures among them which can be used in a million different ways with very little effort. A picture is an actitivity and you can read about it here, here and here.
  • in general, being a lazy teacher has a lot of benefits. You can read about it here.
  • here you can find another post about the everyday lesson planning

Happy teaching!

Banksy. Red says: ‘Look!’

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The language

This lesson was a part of our autumn camp, with each day dedicated to a colour. For that reason, in the language part of the day, we worked with the things that are red. We revised and learnt new words and we talked about things that we like and we don’t like. We did some literacy work, too.

The artist

I actually have no idea why it has taken so long for me to invite Banksy into our lessons but it was definitely worth the wait because this lesson turned out to be great.

I introduced the artist and showed the kids a few of his works. We also talked about the graffiti that can be art and the graffiti that is just vandalism (as brought up by the kids). Then we looked at the Girl with the Balloon and we talked about its different interpretations, sad or happy, and variations, with the balloon in red and in black.

I decided to present this work from the point of view of the red balloon and how the artist used it for the contrast and to draw our attention to the most important element. We also looked at the same effect that can be achieved in photography. For all of those stages I used a powerpoint. You can access it here.

The art

The task was very simple: white paper, black marker and a drawing of your choice, with one element of it in red. I suggested using a collage for the red but, in the end, most of my students went for the red marker.

I am really in awe with the results. The simplicity of the task and the basic resources gave the kids an opportunity to focus on the theme and the content (because, let’s be honest, sometimes, the resource and the method can be a bit disruptive) and they all chose their own way of dealing with it.

Among all the pictures created on the day, we have one copy of Banksy (with the author’s decision to make it a sad picture), we have a name logo (Halloween-style), a scene from the forest (in two copies because my student finished earlier and wanted to do the same picture on black paper), a map and a cartoon, on red paper.

It was lovely to see how involved my students were and how their creativity was taking flight, with every next step of the process as our lesson proceeded, how they moved from black on white to white on black or from black on white to black on red.

If you are looking for an easy lesson, with minimal resources and lots of opportunities, here is one for you!

Happy teaching!

One colour, many colours. Teaching English through Art

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The language

The language in this lesson was not quite our priority. We did not introduce any new language items and I really wanted to focus on working with the colour and help the students see the variety of colours at their disposal. We sang the song, talked about how we are and we revised the colours, briefly.

We looked at different colours and their shades to understand that each colour is, in fact, a number of colours. My younger students counted the shades and the older ones had a lot of fun reading the names of the different shades of blue, red and pink. You can find my presentation here.

The artist

In this particular lesson we had a group of artists, to introduce a range of different paintings with one leading colour. We looked at van Gogh’s Starry Night (blue) and Sunflowers (yellow), we had Kandinsky’s Mit und Gegen (red), Levitan’s Forest Gave (green) and Sue Williams’ Pink Pentagon (pink). We called out the main colours in every painting and we called out the contrasting colours, too.

The art

I taught this lesson twice, with my younger group and my older group, with some differences.

The younger kids, pre-K and year 1, were working at a much slower pace. They needed more revision, they took longer to get into the task and they were

Everyone got a strip of paper, a mixing palette and a box of watercolours. The task was to create ten different shades of different colours. I showed them what I created for red at home and we also sat around my table for a moment to see in real time what happens if you mix yellow with brown and yellow with white or black.

They were involved in the task and they kept coming up with more and more unusual combination. Even those few kids who entered the room with ‘I will not paint today’ (there is always someone!) eventually got down to work and started to create. They kept calling me over and over again, to come over to check out the new shade. And we actually managed to get lots of language out of it. They were either telling me what they had mixed or I was trying to guess, judging by the final product.

The older students managed to complete two tasks: creating ten different shades of their chosen colour and then also creating a picture in their chosen colour. Looking at how it was going on, I decided not to speed them up and to focus and mixing the colours.

I think that next time I teach this particular lesson to the older students, I am going to focus more on the language and after creating our ten shades of X, we are going to come up with some interesting names for them. That will require preparing a slightly different page, with some room to write but it looks like a fun activity with a lot of potential. Especially that they already really enjoyed finding out about the official shades of different colours.

Afterwards, we went on to painting a picture with our chosen colour as the main theme. My model made at home was a picture of rowan, to showcase red. The one I did in class was a sunflower ready to bloom, to showcase green. We also talked about focusing on the main colour and choosing something of a different colour for contrast. My students decided to paint pumpkins (orange) and the forest (green).

The exercise of 10 Shades can be used as a warm-up activity to many other lessons. We used in our Turner lesson and in our green lesson, too. I am planning to do a lesson on red and still-life and I will include that element, too.

The funny thing is the mismatch between the actual lesson and how good it was and the photos and creations that we have to show. In case of my younger group, we ended up only with a few ‘dirty’ pieces of paper and nobody would even be able to guess that they were the result of experimentation and creative discovery. I wanted to display them on our noticeboard but what happened was that they were taken away from me, as soon as possible. Meaning? They were dear to the budding artists. As was the lesson, hopefully.

Happy teaching!

The sun, the sea, the sky. J.M.W. Turner with kids

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J.M.W. Turner is, hands down, one of my favourite painters and, definitely, one of the first ones that I fell in love with and it has taken way too long for me to introduce him to my students. But, finally, this day came. We are now in our summer camp ‘Travelling around the world’ session and we planned an England Day, there could be no other painter to bring to class. ‘It had to be you’, Turner, sir.

The language

On the day, we had to lessons which we could devote to England. The first one was a vocabulary lesson in which we learnt about the different things we can see and do in England, food, sports, symbols and sights. We also talked about the things we like and don’t like and we played a pelmanism game. We filled in another page in our ‘passport’ (every day we do one) we watched a short video about the top attractions in London to compare it with our city.

The artist

Introducing J.M.W. Turner was easy as we could compare him with Claude Monet and it went along the lines of ‘Claude Monet had a garden and there he went to paint and Turner lived in Margate, by the sea, so he went to the beach to paint the sea’. That is, of course, a huge simplification but it worked for my 6-8-year-old audience.

We looked at a few of paintings and talked about the colours and the sea (‘Is it day or night?’, ‘Is the sea calm / quiet or angry?’, ‘What colours can you see?’).

The art

This was the first lesson in which we had two separate creative exercises.

The first one focused on mixing the colours as I wanted the children to experiment with the paints we had in order to achieve a wide variety of blues which, later, would be used to paint the main picture. Everyone got a narrow strip of watercolour paper attached to the table, a box of watercolours, water, and a paintbrush. And the task: mix the colours in any way they want in ten different ways. I asked them to try out the paints on the paper.

Before we started, I showed them what I did for homework, namely about 20 different shades in my sketchbook. While I was monitoring and watching the kids, I realised that it was a great idea and that this could be a separate lesson. I just need to stage it in a slightly different way.

Turner in three short words

When everyone completed the task, ten different shades of blue, we got down to a real Turner. I drew a simple plan of what a Turner painting is (with all the love there is in the world): the sun, the sea, the sky and I asked the children to decide if it is a day or night, if the sea is quiet or angry, what colours they want to use and whether there is going to be a boat or not at all…

And we got down to work.

In methodology you call it ‘teacher monitoring the work of the students‘ and I do a lot of that but the truth is that I adore watching my kids work, take time to think, handle the materials, make decisions and focus on the beauty that they are creating. I cannot post the photos which feature my students, we take them only for the parents, but they are all so involved, so in the process, so concentrated, each in their own way.

What I noticed:

  • the 10 shades of blue was a great idea and it helped them see how many options there are and I could that they were using it later. One of our youngest ones also applied the same technique in the following day, with another teacher. He really learnt something!
  • everyone interpreted the topic in their own invidividual way
  • one of our oldest students was a beginner painter and looking at the way he held and moved the brush, I could tell that there hadn’t been much of painting in his life until our lesson. For him, this kind of an easy task was a good introduction into the world of Art and by the end of the lesson he seemed a bit more relaxed and confident.
  • the simple Turner was introduced to help the kids see the pattern in his paintings and to include all three elements.
  • it was an achievable task for the youngest (5 y.o.) and the oldest of my students (9 y.o.)

Happy teaching!

Crumbs #81 Making sandwiches aka a different type of Food Art

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Ingredients

  • anything that you want to use to make sandwiches, we used: toast bread, blueberries, cucumbers, carrots, cherry tomatoes, cheese slices
  • a few pictures to get the inspiration from, for yourself and for your students. There are lots of websites with creative sandwiches for kids but I wanted something simple that we could all make and that is why I just looked for illustrations on google. If you are looking for something more intricate, you can have a look here and here.
  • two plates for each child and a small plastic knife
  • we made the sandwiches in our lunch room

Procedures

  • We started with the picture that I created during our previous lesson, my own vegetable print and I asked the kids to guess which vegetables I used in another lesson on the same day (here) and we connected them to the flashcards of vegetables we had on the board. Before the lesson I also put up more flashcards, of all the other items to be used in our sandwiches, and we spend some time working on those, drilling and playing a game.
  • Important: before the lesson, I sent the list of ingredients to my administrators to ask them to buy everything we needed and to inquire with the parents if everything was ok and to check against the allergies that our students might have.
  • I told the kids that we would be making sandwiches and I showed them a few different patterns but I also stressed that everyone would be making their own monsters.
  • We relocated to the lunchroom, washed hands and sat down. The vegetables had already been washed and cut up: cucumbers into julienne and slices, carrots into julienne and slices, cheese into slices. Cherry tomatoes and berries were only washed and dried.
  • I was making my own sandwich, modelling what can be done and my T.A. was bringing plates with more and more veggies. I did my best to encourage the kids to ask for certain vegetables and we did it))
  • At the end, we went through all of the veggies to check that everyone used everything. (“Have you got any carrots?’)
  • Then, we went on to eat!

Why we like it

  • It was the most ideal follow-up of our lesson 1 (vocabulary) and lesson 2 (making print art with vegetables) and, finally, we could eat in class.
  • It was a great way of practising our target vocabulary, practical, hands-on, productive because we really, really used the language.
  • Apart from what I planned for this lesson, namely using the functional language in the context (‘Bread, please’), we also started to sing a new version of the Broccoli Ice-cream, using the combination of the things on the table and then tasting to check what we really think. And, guess what, it turns out that carrot cheese, blueberries cheese and blueberry carrot are all yummy!
  • The kids worked very well together, they reacted well to changing the set-up and the type of an activity. Nobody got overwhelmed or overexcited, they were patient and waited for their turn and they used the langauge. I was really proud of them.
  • Last but not least, we made sandwiches (some kids more than 1) and we ate A LOT of vegetables. I was worried for a while that dry bread might not be the most popular item but I did not want to include any spreads of any kind and it turned out not to be necessary. Actually, during the previous stages of the lesson, I asked whether the kids liked all of the items we had ready and I was lucky – everyone liked everything! But, even if not, they were not required to use or to eat all of the ingredients.
  • As for the creative element, I was laughing a lot during this lesson because my students and their monsters were just amazing and very creative. I showed just a model but I didn’t want them to follow directly in my footsteps. We all looked at our plates and everyone, clearly, had their own idea of what the monster should look like.

Happy teaching!

A study in purple and pink! Summer still-life #1

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Last week, we had an opportunity to still-life twice, with the same group. Make sure you check out the other post, too. You can find it here.

The language

Having a summer camp planned well and planned by yourself (yes, a bit of blowing my own trumpet here) is great not only because it is done well but also because every day, for ten days, you know exactly what is happening and you have the same lesson routine. The pink and purple day was no different. The langauge had its own separate lesson in which we sang songs about purple and pink and we talked about our preferences, whether we like certain things in pink or colourful or purple or not. We also wrote a poem about these two colours, very losely inspired by the poems I found in the Little Learning Corner.

The artist

This was the day of two Frenchmen, Monet and Manet and I had to invite both because I wasn’t sure which way the lesson is going to go. Initially I was hoping we could go to the nearby park to paint there but I had to take the weather conditions and the potential summer showers into consideration and prepare two options. But, in the end, that brought up an idea for a lesson.

We looked at two paintings, Water Lillies by Monet and Bouquet of Flowers by Manet and looked for similarities and differences. We also looked at some more flowers paintings and answered a set of a questions about all of them, in order to understand a little bit about composition. Among the questions we had: Can you see all the flowers? The flowers at the front are they big or small? The flowere at the back, are they big or small? What’s the biggest flower? What’s the smallest? etc.

I had a set of photographs prepared, in order to focus either on the flowers in the garden or those in vases and, in the end, we had give up on the idea of painting in the park and we focused on the vase that I filled with flowers.

The art

As you can see from the paintings accompanying this post, everyone chose their own approach to a flower still-life. My students painted anything and everything they could see and yes, they saw different things. This was to some extent a surprise but a pleasant one and I did not want to intervene or to ensure at all cost that they all focus on the realism and try to recreate the image. Perhaps one day we will get there but even when we do, it will require its own separate technique, planning and staging.

Another (not unpleasant) surprise was the fact that all of my students took time to start, more than they had ever done before. At first I was alarmed but it was only until I realised that they were just taking it in, and that looking at the flowers, looking at the page, and processing the task is all a very important part of it and that we should make it official, our creative Thinking Time.

I added the daisy just for the contrast but it turned out to be a very clever decision (albeit it was not planned, I am still learning!) but it helped us a lot. We started with a vase and with a ribbon but then, moving on to the flowers, the daisy was a good starting point. All the other flowers were arranged around the daisy, in the vase and on the paper. At least with my older students and with those who needed guidance. With all the other ones, who were already at work, I just let things be.

One more thing that I learnt on that day was that, perhaps, for a first flower still-life, it would be good to have a simpler set, with a variety of colours and flowers, to help the children see them and to help the children draw them, too.

Two of my students started to sketch the plants and while they were doing that, they asked for permission to keep it black and white. I agreed, of course. How could I not, when the question was asked like that: ‘Miss Anka, can I do it in the style of a 19th century photograph?‘ (though it was asked in the L1). And they are beautiful.

One of my students chose to focus on the daisy and went for it, very much, in the style of Georgia O’Keeffe (who, by the way, was one of the painters who featured in my presentation) and it is just wonderfully magnificent.

As usual, I am looking at all the photos while getting them ready for the post and it is amazing to see how the realism and the bouquet I created shows in them. Sometimes it is a ribbon and a vase, sometimes it is the daisy and the flowers, sometimes the little roses. Sometimes, though rarely, it is everything. And as says one of my favourite superheroes, Pete the Cat, ‘Because it’s all good!’

Welcome to the gallery!

Happy teaching!

Kind of green. Summer still-life #2

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Last week, we had an opportunity to still-life twice, with the same group. Make sure you check out the other post, too. You can find it here.

The language

This was one more lesson we did this summer as part of our summer camp, with each day dedicated to a different colour and we had a whole lesson which we could devote to language practice. This lesson went according to the same plan: a song, things that are green and, to focus on the structure, which do you prefer, green or not green. We also included more practice and games and we wrote a poem about the colour green, modelled on the poems I found in the Little Learning Corner.

The artist

Initially, I was planning to base this lesson on Ilya Mashkov and his pumpkin painting because it worked very well in the past (post here) and the kids responded well to it. However, having decided to do just that, on the day of the lesson, while going to school, I realised we needed something more. Firstly, because I have a new group, with mixed ages and levels and all made of kids who did not attend my Art lessons throughout the year. Secondly (and more importantly), the colour and the shades and the logistics of it, were a new concept and I wanted to set an appropriate time slot for that. Instead of looking at some other paintings we got down to business:

Shapes: we looked at all the green fruit and vegetables that I brought and described them using simple shapes. In order to help the younger kids, I also drew them quickly on the board, too, to demonstrate that it is not necessarily very complicated.

Colours: for this part of the lesson, we all sat on the carpet, around a piece of paper and a box of watercolours. We tried different colours in the box (there were 2 shades of green) and then we experimented with mixing shades, creating new ones and trying them out on paper. We checked how adding water works, mixing greens with white, black and grey and then we just used a few combinations that kids suggested.

Outlines: I personally love drawing with crayons and colouring with watercolours, because the crayons do a great job of holding the paint within the lines and really like the contrast of the most random colours used to sketch. Black is not the only option and I wanted to share that with kids. I demonstrated that but I also told the kids that they can also use pencils or nothing.

The art

Before the lesson, I prepared the working stations and the kids were taking their after they got up from the carpet. On the way, they also picked up their aprons.

I gave out all the materials: crayons, water, watercolour, paintbrushes, palettes for mixing and tissues and we got down to work. The kids were working at their pace and I was just so happy that I had my TA who could help monitor a relatively big and varied group.

My eldest students were working very well on their own and they really didn’t need any real support and direction. The youngest students took a while to get started and were definitely in need to the first step accompanied by the teacher. For two of the children, we even had to start the sketch and let them continue.

It is interesting to see how many different ways of looking at the composition of the still-life the kids took. I tried to suggest starting from the biggest and the most obvious ones (the broccoli and the zucchini) but I did not insist and, as you can see, some of them went as far as just drawing a set of fruit and vegetables, reminding me of a page of a XIX century herbarium.

Regardless of their age, they really enjoyed working with the colour and the experimenting with different combinations of paints. They were working and, again and again, they would call us out, me and my TA, to come up to their desks to look at the new variations of green. ‘I’m a real artist!’ our youngest in the group said proudly when we were about to start working.

Some of them also went as far as working on the texture to match the texture of different fruit and vegetables but, again, I did not insist on that. That’s a separate lesson, something to look into in the future.

Three of the children completed the ‘obligatory’ fruit+veg painting and went on to create their own paintings, one for mum, one to experiment with different painting techniques and one, ‘the glory of the colour’, just because a 5 y.o. found an especially bright box of colours and she decided to express herself with them. Two of the creations were never photographed because they were so precious that my student just snatched them, still slightly wet, to leave them in the changing room, not to forget to take them home.

Next time to-do list:

  • Make sure that all the kids have a spare piece of paper to try out all the new shades before applying them on the actual painting.
  • Write the lesson plan on the board. I didn’t this time and it is a pity, it would have helped to keep everyone more or lesson on the ball.
  • Prepare some kind of a version of a template or a sketch ready for the youngest children, in order to help them jump over the huge challenge of the drawing stage and in order to be able to focus on the colour and the shades. Technically, this could also be a separate lesson, too, with a template for everyone, to focus on the colour or on the texture.

The gallery

Happy teaching!

Crumbs #80 A clever drawing dictation

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‘Students draw…’ is one of the YL-related lines that is my personal pet peeve…You can see it in coursebooks, teachers’ books, in lesson plans and on the social media. The idea is that a bunch of seven-year-olds (or younger) will have their teacher give out the pencils and they will hear their teacher say ‘draw (insert your word)’ and they will just sit down, get an idea and complete the job in five minutes without any issues and (AND) afterwards they will be ready to talk about their pictures, to present their work or do whatever goes under the productive part of the project.

What a joke! It looks good on paper and in theory and in a real classroom it is going to translate into a neverending, unproductive, very often full of blood, sweat and tears task because the little people simply do not have the drawing skills, the time management, the imagination and the self-control necessary to complete the task that the adults imagine them to do and, more often than not, they will really want to do it well because they care, they love a project and they love drawing and those zoo animals, monsters and princesses that they were told to create. Or, quite possibly, they don’t like drawing, they are into other creative areas and they will devote precisely a total of sixty seconds to that task having then announced ‘I have finished’ and already on the lookout for other things to do. While their more involved peers are still busy and far from finishing, leaving the teacher with a room full of self-induced mixed ability group.

Is there a solution to that? Yes, there is. There must be. This ‘students draw’ has been on my mind for a very long time and there are some ways of handling it, the first of them – taking the coursebook and the ideas with a pinch of salt. Or two. The second of them, working on the staging and the clever way of keeping the activity in shape and everyone on the ball.

This is one of my solutions. It has worked very well with both groups and I am already thinking how to adapt it to other topics. As soon as I do come up with something and as soon as I trial and test, I will be adding to this post. For now, only one topic: the dinosaur.

Ingredients

  • Paper and pencils or markers for the children
  • A set of cards that help to shape up the drawing process, like the one that I used in a lesson in which we created our dinosaurs.

Procedures

  • It is noteworthy that the lesson in which we actually draw the dinosaur was only one of the series of lessons taught over a period of three weeks and was proceeded by a few lessons in which we introduced and practised new vocabulary, did a mini-research and described the appearance of different dinosaurs. After our dinosaurs were ready, we added a fact file, did lots of quizes on dinosaurs and, eventually, had a role-play aka an interview about a dinosaur. The drawing lesson was just a part of a long chain of activities.
  • The teacher asks the kids to open their notebooks and get the markers or pencils ready or give out the paper for the drawing, depending on the set-up in your context.
  • The teacher tells the students that they are going to create a dinosaur, their own dinosaur and that they will listen to the teacher and make decisions. It might be a good idea to show the children the cut-up cards and to tell them that each card is a decision about a dinosaur.
  • The teacher is supposed to draw their own dinsoaur, either on a piece of paper or on the board.
  • The activity starts with everyone drawing a circle or an oval for the dinosaur’s body in the middle of the page.
  • The teacher picks up the first card (i.e. ‘draw a long neck’ OR ‘draw a short neck’), the teacher reads it out loud and makes their own decision, announces it out loud and draws the neck for the dinosaur. The teacher then checks with all the students, in turns, what choice they have made, making sure they say out loud what they have decided to do. The kids draw, the teacher monitors.
  • The activity goes on, with the teacher doing one more round and then the students taking over and reading and dictating for the class and the teacher.
  • In the end, the student come up with the name for their dinosaur with the suffix -saurus (although it is, of course, not the only suffix used to created dinosaurs names).
  • The lesson finishes with all the students introducing their dinosaurs briefly and only in the following lessons do the students proceed with working on their dinosaurs (facts, role-playes etc).

Why we like it?

  • I loved how this format worked in the classroom. It was well staged and it helped me manage the children and their creativity, without losing control and without anybody finishing ahead of time or going on for too long. It was also a perfect combination of teacher-centred and of individual creative choices for every student.
  • I had quite a few cards to use but I was prepared to use all or not all of them, depending on how focused or interested my students would have been. In the two lessons / groups I did it with, we managed to go through all the cards (aka decisions).
  • The kids were prepared for the task, vocabulary-wise and we also could use it to practise it further, through reading, confirming, checking etc. The words were out there, in the air, throughout the entire lesson.
  • The kids absolutely loved their dinosaurs. Some of them even managed to finish their first dinoasaur, and draw another one.
  • It worked very well also as the preparation for the more productive part of the project, our interviews – role-plays in the following lessons.
  • Kids also enjoyed the fact of being responsible for making the decisions, step by step, while creating their dinosaurs.
  • I will definitely be applying this particular approach to our projects in the future.

Happy teaching!