Very young learners

10 ways in which you can use gesture in your pre-primary classroom.

by

The Gesture is King!

How can you tell a VYL teacher?

It could be the Mary Poppins’ bag full of markers, stickers, a storybook and random treasures that they carry. It could be because you can catch them hum ‘Baby Shark’ or ‘Broccoli Ice-Cream’ while they think no one’s listening. It could be also that it is difficult to catch them in pretty tights and dresses because many an outfit was destroyed by clumsy little hands. By accident but irreversibly, too.

Look at the hands, too, a lot more expressive than those of an average teacher, hands that constantly gesture and motion, a habit that is difficult to drop even outside the classroom.

It is true that Total Physical Response stopped being the new black a few decades ago and nowadays referring to learning styles is looked down on or even mocked. Nonetheless, the gesture is one of the vital components of the pre-primary classroom, simply because it works and it helps the teacher and the students to communicate more effectively, especially if the students are 5-year-old beginners.

One: participation

Throughout their pre-primary adventure with English, the students will always be pre-A level but as the course progresses, their vocabulary range will grow. But in the first few weeks of the course those kids really are a clean slate. Thanks to gestures, however, they can participate and be involved in class activities.

They can for example wave ‘Hello’ and ‘Goodbye’ to the teacher or other children, silently, they can participate in ‘Head, shoulders, knees and toes’, touching or pointing at the correct body parts because they will be mimicking the teacher’s gestures and not because they know exactly which part of the body is the head and which ones are toes.

That is why including gestures will be important in the beginning of year although they can be used to the same effect at the start of each unit. Students, still not familiar with the new vocabulary, will react to it by miming ‘cat’, ‘dog’, ‘princess’, ‘sheriff’, ‘book’ etc. Before they are ready to produce the words orally.

Two: clarification

Little students cannot use a dictionary or translation into L1 because sometimes the teacher does not speak it. In that case, the teacher has limited resources to clarify the meaning of the new words. The visuals and the realia will help, of course, but adding gestures is definitely going to reinforce the meaning. Two hands together with palms touching and moving apart (a book), fingers of one hand scratching the air (a cat), the arm touching the nose and waving (an elephant and its trunk), a hand cupped around the nose (a clown), two hands touching above the head (a house) and so on…

Three: memorising

Almost automatically, adding these gestures will help to ensure that the kids will remember the words better. There is evidence that suggest that sign language and gestures in general active additional neurons and the information can be stored and retrieved more effectively.

Four: support for production

Once the gestures have been introduced and become a part of the classroom reality, they can be used by the teacher to support the language production by the students. While they are trying to answer a question or to make a sentence and if they experience any difficulty retrieving the word or the structure, instead of whispering the word or giving the L1 equivalent, the teacher can hint at the word by producing the familiar gesture, assisting the student but not actually saying the word.

Five: asking for clarification or support

Similarly, their use can also be extended to asking for clarification or support by the students themselves. Chances are that after the children have become familiar with the gestures used in class on daily basis, they will be using them actively, too.

This was one of the surprising discoveries I made during a classroom research for my MA degree. When a communication breakdown occurred, my five-year olds did resort to familiar gestures to ask for a word they wanted to use but forgot. They still remembered that the word ‘long’ was accompanied by two hands flying apart or that the word ‘sandwich’ was demonstrated by pressing two hands together, one on top of the other, even though the words themselves had not stuck in memory. The produced the gestures asking for my assistance and then, provided with the word, went on with the sentence.

Six: imagination, creativity and symbolic representation

The development of symbolic representation in pre-primary children is an important stage of their growth as human beings (Bruce 2004, p. 170) and introducing and using gestures is one of the ways in which a teacher of English can also contribute to it.

It is fascinating to observe how, at first, very young learners only imitate the teacher and reproduce the gestures exactly, as they are introduced and how, later, they move on to creating their own ways of representing certain words or phrases. And how the teacher can actually learn from the students here because their 5-year-old ways of miming a clock, a flower, a pumpkin or a melted ice-cream are much better and much more interesting!

Seven: instructions

This is, probably the most straightforward way, used from the very first minute of the course. The students, entering the classroom don’t know any English and can’t react to all the teacher’s instructions if they are not accompanied by some gestures: one or both hands being lowered for ‘sit down’, hands palms up being raised for ‘stand up’, waving the hand towards the chest for ‘come here’.

Eight: classroom management

Naturally, gestures can be used to praise the students or to show disapproval for any unwanted behaviour. Both thumbs up or a high five (or a double high five for really special occasions) show the teacher’s approval, both palms crossed at wrists might signal ‘stop’, the index finger put across the lips will work as ‘silence please’.

The gestures may vary, from class to class or even from culture to culture. What matters is that the teacher is consistent with the gestures they use with a specific group. Examples? For my youngest students the small waving hand (something similar to the way the Queen would wave hello) became a sign of warning, although I seriously doubt that anyone else would ever read it this way. For my group, however, it was closely related to our rewards chart, kids’ names on it and stars or smileys drawn next to them. Sometimes, during the lesson, I would indeed wave my hand slightly, to remind them that if they don’t stop misbehaving, I might erase one of their stars. And it worked, for us.

Nine: emotions

Knowing how your students are feeling is very important in general, but especially with the pre-primary children as their reactions and participation will be closely connected to whether they are happy, sad, angry or scared. The teacher should be able to read those emotions but children will also be taught to recognise and to express them, in English.

The first lessons will start from the the basic adjectives accompanied by gestures (a big smile and arms up in the air for ‘I’m happy’, a sad face and fingers drawing the tears rolling down the cheeks for ‘I’m sad’, a frown and stomping for ‘I’m angry’, eyes covered with both hands for ‘I’m scared’) but then more and more of them can be added. These emotions can help the teacher, too, for example to signal that they are happy with students’ achievements or sad when they are misbehaving…

Ten: bonding and creating a community in the classroom

Last but not least, everything that we do together in class, helps the children to bond and to create a community in the classroom, with its own rules and ‘traditions’. Not only songs or stories can be used that way but also all the miming games. They are easy, everyone can participate and they are a great stirrer, too.

After the teacher’s modelling and after everyone becomes familiar with the game, the kids, one at a time, are allowed to lead the game and to suggest what you all could mime. And this is when the real fun begins.

It doesn’t have to be very complicated, only the emotion adjectives and fruit, pets, school objects, anything you are studying at the moment. Have you ever tried to mime a cat? Probably yes. Have you ever tried to mime a happy cat, a sad cat, a sleepy cat? Yes? Then you should definitely try to mime an angry pencil then!

I wonder if I have managed to convince you, dear reader, that the gesture is the absolute king of the VYL world…

Happy teaching!

T.Bruce (2004), Using symblos,in: T. Bruce, Developing Learning in Early Childhood, London: Paul Chapman Publishing, pp 170 – 195

Teaching children online: the basic tools

by

Without any lengthy introduction, here are some things that you might want to get ready to help you create magic and to make sure that your EFL Kingdom is as amazing online as it is in the real world.

You will need…

….a way of managing the group, starting and finishing an activity

It is not quite about a rewards chart. First of all, not everyone is a fan of these (but that is a topic for another conversation). Second of all, you might not even need it with some groups. My kids have, for example, have grown out of it. They know what is expected of them and I can proudly say that this kind of external motivation is no longer necessary in their case. And, in case you still need it, Class Dojo will come to the rescue here.

….a way of rewarding your students.

What I was thinking about, however, was a way of showing my appreciation for their efforts, hard work and creativity. I can still smile, I can still clap my hands, I can show thumbs up or give a virtual high five.

But, to make it more fun, you can also use a sound machine, with different sound effects and if you don’t have one, you can download your favourite sounds, free of charge, from one of the sound libraries, for example, zapsplat.com and use the sound of the cheering crowd to praise them or the sound of a crocodile growling to express your lack of approval in a fun way.

Some of the off-line tricks will still work here, 123 eyes on me or clapping your hands (to get their attention). As a virtual teacher you will also have the power of muting your students’ microphones to ensure that no one else is speaking but you (or, rather, that they can hear nothing else but you) but it still would be good to reinforce that with some visuals, too.

For that reason, I have prepared some road signs that we are going to use in our virtual class. They are pretty much universal around the world; the kids know them very well and you may have used them in the real classroom already. It’s best to start with a few basic ones, for example: Stop and Go, adding more with more specific symbols.

…a class puppet

If you have used one in the real classroom, it will be good to invite it into the virtual world, too, even if the kids will not be able to hug it or to play with it. Even if you won’t be able to throw it and catch it in the Q&A session, like we do with our Flying Cow. It is good to have it because it will help you preserve the continuity and, especially in case of the younger children, it can be very useful with getting their attention or giving instructions (‘Let’s listen to Teddy’)

Saying hello and goodbye to your puppet will also give the lesson a nice frame. Not to mention that this can also be a perfect opportunity to involve the kids. They are at home, so bringing their favourite toy to class is not going to be a problem and, once they get used to it, they can start taking turns in leading the hellos / goodbyes with their puppets.

So if you haven’t been using a puppet yet, get one asap!

…a set of flashcards.

In the classroom it ss super easy. The set simple comes with the coursebook and you can just use it, adding a few extras that the coursebooks authors have not thought of.

You can share the cards with your students’ parents, to print, colour and cut up and this way, each student will have a set during the lesson. Learn Kids from British Council has the basic sets if you don’t want to make your own set.

https://learnenglishkids.britishcouncil.org/flashcards

However, that option might not be valid for all the parents as they simply might not have the printer at home.

Another option is to make your own set with Quizlet and the advantages are that first you will be able to use it in class to present and practise the language but you can also share it with your students and they can play with it, later.

If you use Super Simple Songs with your students, don’t forget to check out their flashcards, too. They have a set of beautiful cards for every song! You can download and print them, of course, but you can also use the pdf version during the lesson in your virtual classroom. https://supersimple.com/content-type/flashcards/

Last but not least, if you can, have a set of real flashcards, too. They can come in very handy, too!

…some ideas to get the kids out of their seats.

Whether they are at school already or only at kindergarten, our students are children and will need a mixture of settlers and stirrers that will help them remain focused and involved throughout the lesson.

You can play:

Abracadabra! In the classroom we do it with a magic wand but the good thing is that any (yes, any) pencil can easily become a magic wand! Abracadabra, 1..2..3..You are…a cat, a happy cat, a hungry monster, sleeping, flying… You don’t even need to get up for that!

Go to the Gym. Ask the kids to stand up, move the chair away and pretend that you are working out at the gym. Raise your arms… Wave your arms… Touch your knees… Touch your toes… Turn around…

Show me something green! Ask the kids to stand up and bring something green, yellow, pink, yellow and pink and show it to everyone else. You can ask ‘What colour is it?’ for all the kids to chorally answer ‘It’s green’

Touch your nose. A very easy game, if the students know body parts. It can be later extended by adding other verbs such as move, shake, clap, dance and freeze. In the real classroom we play it with the dice where 1 means clap, 2 means touch and so on. The kids can roll the dice and make a command for everyone to follow ie touch your nose, eyes, legs, clap your hands, feet etc.

Online, it is best to start with one verb and keep adding more, for the students to grow comfortable with them and not to overload them. Or the teacher can provide the verbs for each student. In the era of coronavirus it might also be better to replace touch with point, too.

Jump three times. This one is a more active game and it might be better to introduce it later when the kids get used familiar to the routine and the online reality.

Ask the kids to stand up and ask them to jump three times. Ask the students for suggestions: jump three times, five times, ten times…You can also introduce other verbs like skip, hop, sit down, walk on your toes etc.

Happy teaching!

We Want More! (vol.1)

by

Creative use of the language or…LEGO!

Because that’s what language is: LEGO blocks.

It does come nicely packed and organised in our coursebooks, with a set of instructions on how to assemble it to make our own city, farm, car or whatever it is that we have been dreaming of. So we show the kids how to play it (and the name, LEGO, comes from Danish phrase ‘leg godt’ or ‘play well’)

However, if you are a true Lego fan, you know that keeping this Death Star on your shelf forever and ever is not what it is about. The feat has been achieved, it is there but after a while it starts to collect dust and it just get boring. It is not the end of the story; it is when the real fun starts! You take it off, you disassemble it to the very last, minute block and then… you start putting together your own, innovative spaceships.

With languages, the same rules apply and our students should be taught that, even those young ones or those very young ones, too.

How? Easy. Keep on reading…

It can start with a favourite song, one that everyone has already mastered, one that everyone knows very well and one that is somewhere on the brink of becoming yesterday news, not yet but soon.

The only thing that you need to do is to sing it but change a word and wait for the students to correct you. It will not only help you check if they were really listening but it can become a great new game – ‘correct the teacher’. It will generate the language from the students but, most importantly, it will show them that a song or a chant are not a chain of random sounds but a collection of bits and pieces that can be manipulated and replaced with other bits and pieces. This is also the first step to inviting the students to create their own versions of the song (more on that in another post).

Another way of encouraging the students to be creative about the language is to come up with the new, alternative names for the familiar objects, for example colours of crayons and pencils. Of course, for that they have to have some vocabulary in order to be able to participate but asking for ‘apple pencil’, ‘chocolate pencil’, ‘pumpkin pencil’ instead of the red, brown or orange one can be a fun game which will create an opportunity to climb onto the higher level of the Bloom’s pyramid, from knowledge to comprehension or perhaps even application as we are going to encourage the kids to create new associations with the familiar colour. Not to mention that, as language teachers, we are going to provide them with an opportunity to revise the language in a fun way and make it memorable.

The same game can be played with any chunks of language that the kids are using to create the impossible combinations i.e. put on (put on your jacket, shoes, hat or put on your apple), verbs and body part verbs (clap your hands or clap your…nose), classroom instructions and nouns (open your book, bag or open your…pen).

Making purposeful mistakes is a great incentive for the students to take over and to produce the language. Most frequently, it will be a typical teacher support technique. When the students cannot recall the word they need in a lesson, the teacher can ‘make a mistake’ and point at the picture of a dragon and say ‘I can see a tiger’, in the hope that it will help to bring back the forgotten word from one of the students. However, it can also lead to generating more language when it is applied to the content familiar to the student, for example, a story which is being retold in the following lesson. Even if the students are quite young and pre-A, they can participate by echoing after the teacher but supplying the correct word, for example the teacher can say ‘Ben is a cat’, kids can ‘correct’ the sentence by saying ‘Ben is a boy’. If the students are very familiar with the story (for example because it is the third or fourth lesson in which the same story appears), they can be even encouraged to produce more complex sentences, i.e. ‘Ben is a boy’, in an attempt to correct the teacher’s incorrect sentence of ‘Lucy is a giraffe’ and so on.

Another way of reinforcing this idea and fostering creative use of the language is using visual representation of the chunks that constitute a sentence or a phrase. A good example that will help to demonstrate the idea is the structure ‘I like’ that is depicted with the use of hearts, for example a red heart might stand for ‘I like’ whereas a crossed heart will mean ‘I don’t like’. When these are used with the flashcards depicting some food items, students will be able put them together and recreate the sentence and generate a lot of language by manipulating one of the elements, the heart or the food flashcards, at the same time learning that while the combination ‘I like’ + ‘pizza’ is a correct one, the other set ‘pizza’+’I like’ will not be accepted. The same technique can be used to create other structure and the only challenge for the teacher here will be coming up with symbols for ‘I’ve got’, ‘I can’ or ‘I’m wearing’…

Your 10 basic flashcards games

by

One hundred.

It is the number of things in which you can manipulate the set of flashcards during the lesson and call it ‘a game’. That means that to teach, to introduce and to practise, to have fun and to change activities fast not to lose kids attention you really only need a set of flashcards and a table or a carpet. No more.

That means that you can mix and match, engage the kids and keep them involved for hours on end. Almost.

But before I take on the challenge of typing all those 100 up, here are the staple ten. The basics of the basic, the everyday. Five to practise receptive skills and five to focus productive skills.

Imagine that you have drilled all your words already (this will be another post, too!)

1. Finger up! (group)

Put all the flashcards face up on the table. Ask the kids to show you the indicative finger and put the hand up. This will be your punctuation mark here. Say ‘Finger up’ and all the kids and the teacher put their hands up, with the indicative finger out. Say ‘Touch the banana’ and encourage all the kids to lower their hands and put the finger on the banana flashcard. Then again say ‘Finger up’ and repeat with other words.

It is a great game especially for the beginning of a new unit or the beginning of the course as the kids will be basically following what you are doing and doing the same thing at the same time.

Variations: You can include different verbs i.e. pat the bananas, scratch the bananas, knock, stroke, etc.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

2. Yes and No (group)

Put all the flashcards face up on the table or on the carpet. Use your favourite punctuation mark. Point at one of the cards (banana) and ask ‘It’s a banana.’ ‘Yes?’, when kids start answering, by nodding or using their L1, provide the English word ‘Yes!’ and encourage them to repeat. Don’t forget to nod your head here. Point at another card (grapes) and ask ‘It’s a banana’ Yes?’ when the kids start answering, provide the English word ‘No!’ and encourage them to repeat. Don’t forget to shake your head. Repeat with the other words. The first time you play, it might be a good idea to use only singly words, to make sure that the rules of the game are perfectly clear but you can quickly start using full sentences, in singular and in plural, to model the language. There is no need to make things overtly simple.

Variation: Depending on the topic, it is a good idea to use the structures, too, for example with fruit: I like bananas (and picking up the banana flashcard), clothes: I am wearing jeans (picking up a t-shirt), I’ve got a kite (toys flashcards or pets) etc. This way they are not only going to learn to recognise the key words but they will be practising listening for detail with more challenge and getting a lot of exposure of the target language.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

3. Apple, please (group)

Give out all the flashcards, one per child. Use your punctuation mark and say ‘Apple, please’. Reach out your hand, towards the child who is holding the apple (if you can see who it is😊). After you have received it, say ‘Thank you’ and ask for another fruit. After a few rounds, add ‘Here you are’, too.

Variation: If you have a big group, you can ask for two words at the same time. Using a full question form is a good idea, too ‘Can I have an apple, please?’ All the flashcards on the carpet or on the table, and with calling the kid’s name to ensure that everyone gets a chance to play and that they don’t fight over cards.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

4. The duo (individual students)

Sit in a circle, put two cards on the carpet ie a banana and an apple, in a place where everyone can access them. Say ‘Masha, it’s a banana’. Masha picks up the banana flashcard and puts it away. Add another flashcard so that there are always two ie an apple and a pear. Say ‘Katia, it’s a pear’, Katia picks up the pear card and puts it away. The teacher adds another card etc.

Variation: You can change and vary the structures, even with the same set of flashcards i.e. with fruit: it’s a pear, I like pears, I don’t like pears, pears are green and so on. You can also ask the students to leave the flashcards that corresponds with the sentence and take away the incorrect one.

Production: After the kids have learnt how to play the game, nominate two students, they make simple sentences for each other. Then, another pair etc.

5. Get up! (pairs or trios)

Give out the flashcards to students, one per person. Go around the circle and call out all the words, one by one, slowly. Use your regular punctuation mark for starting an activity* and play the game. Call out two of the words (‘banana’ and ‘apple’) and motion the kids to stand up in the circle. Praise them and ask them to sit down. Call out two other words, wait for the kids, praise and ask them to sit down. Repeat with any combination you see fit. Then start calling out three words or even four. Kids listen and get up.

Variations: If it is a revision activity and they know the vocabulary, they can be holding two or even three cards.

If they already know a structure, instead of using single words, the teacher can use them in a structure, either very simple and generic ‘I can see a banana and an apple’) or something more connected to the set of vocabulary that you are practising ie I like bananas and apples.

Instead of getting up, the kids can also raise a hand, stamp their feet or clap their hands.

Production: After a while, regardless of the variation, you let them lead the game and they are…producing!!!!

6. Open your eyes (the group)

Put all the cards on the table or on the carpet, encourage the kids to call out all the words. Say ‘Close your eyes’ and make sure that they all cover their eyes, turn over one of the cards. Say ‘Open your eyes’ and call out all the words, in the end point at the card that has been turned over. After they guess, make sure everyone says the word out loud. Repeat.

Production: Let the kids take turns to lead the game.

7. Mime it! (whole class)

Very easy if you start preparing kids for it while introducing the vocabulary and helping them associate each word with a gesture.

Pick up one of the flashcards, say ‘3…2…1!’ and show the word for the kids to guess. Encourage them to produce a full sentence i.e. ‘It is a cat’. Let the kids lead the game as soon as possible!

Variations: If you have introduced some of the simple adjective you can start miming sentences. Pick up two flashcards (differentiated either by colour or size, to make it all go smoothly), say ‘3…2…1’ and mime the adjective and then the noun. Kids produce the sentence ‘It is a funny cat’ etc and it is quite likely that most of the sentences will be a bit ridiculous (but memorable).

8. Merry-go-round (group)

Start with one travelling flashcard. Have the kids sit or stand in a circle. Give the student on your left one of the flashcards, encourage and motion for them to pass the card to the student on their left. Let the card travel, then say stop and ask the student who is holding it to say the word out loud. Repeat a few times for them to get used to the idea.

Start the game all over but keep adding cards so that there are a few of them travelling. Say stop and have the kids call out the word they are holding at the moment.

Variations: There is a lot of potential for producing full sentences as soon as the kids get the idea and the key structure used will be related to the vocabulary, i.e. ‘I like’ with fruit, ‘I am wearing’ with clothes, ‘I can’ with verbs, ‘I’ve got’ with pets or toys, ‘I go to school by’ with transport etc.

This is also a great opportunity to teach the kids the word ‘nothing’.

9. Disappearing words (whole class)

Put five flashcards in a row, on the floor or up on the board, go from the beginning and call out all the words. Ask the kids to close their eyes and turn over the last card in a row. Call out all the words from the first one, in the same order and when you get to the last one, pause and wait for the students to say / shout / whisper the last word. Check quickly if they were right, show the cards to the kids, put it up covered again.

Ask the kids to close their eyes and turn over the last but one card. Ask the kids to open their eyes and call out all the words starting from the first one. When you get to the last but one, pause and wait for the kids to say the word, then the same with the fifth one. Proceed until all the words are covered up.

Variation: To help the kids remember, you can use a different gesture for each card, it can be either something related to the meaning of the word ie by miming the words or something that will help them remember ie knocking at the card, snapping, touching, clicking fingers, stroking it.

If you teach a big group, you can divide the class into two teams, one team will be holding the cards, one each, the other team will be guessing the words.

It might be also a good idea to use a full sentence ie I like to eat bananas, apples, peaches, plums and grapes, instead of single words.

10. Secret word! (whole class, pairs)

Revise the flashcards that you are going to be playing with so that the kids have a chance to become familiar with the images, the set of words and the colours. Then hold the flashcards to your chest. Ask ‘What’s the secret word?’ and model ‘Is it a kite?’ ‘No’. ‘Is it a doll?’ ‘No’ etc.

Variations: When they are playing the first time, they are quite likely to give you only separate words but it is worth encouraging them to produce full questions. You can either use ‘Is it…?’ or ‘Have you got…?’

Production: After a while, the students are given a chance to lead the game, first a student vs the rest of the group, later on in pairs, too.

*) ‘Punctuation marks’ are all the signals that the teacher uses to announce a start of a new activity. It can be clapping of the hands, it can be counting down from 5 to 1, it can be a bell, it can be snapping your fingers, it can be a chat ‘1, 2, 3! Eyes on me!’

Happy teaching, everyone!