Anka Zapart

Natalia Goncharova’s lesson about colours. Teaching English through Art

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https://arthive.com/

The language

January is our month of colours, chosen this way to balance up the monochromatic landscape outside the window. At the moment, due to the combination of various factors, calendards and timetables, I get to teach every lesson first with my older group and then to repeat it and to re-do it with the younger kids. This, in itself, is a fascinating set-up for experiments and reflection. The activity with the unusual colour was created for my little ones but it was such a success that I decided to do it again with my older group, too. It was a success and my older and more advanced children were even more involved and more capable of taking part in a discussion and expressing their views on pink teddy bears, brown unicorns and pink chocolate. This was the main language activity in this lesson. The older group were using a wider range of structures, including ‘I really like’, ‘I really don’t like’, ‘I love’ and ‘I hate’ and they could explain why they felt this way.

Because of that I am going to repeat it, once more, with a different set of images in this coming week.

‘Monet & Architecture’ will reveal Claude Monet’s works at London (architecturaldigest.in)

The artist

This week, we invited not one but two artists to lead us through the world of colour and this decision was made specifically with the art project I planned for us for the day and that, in turn, was the result of these creators’ artistic decisions.

My main idea was to show the students how the same object can be painted with different colours and how the selection of the colours can affect our perception of the painting and our emotions. Or, in other words, why would an artist choose specific colours to paint.

Our first artist of the day was Claude Monet and his cathedral, the other Natalia Goncharova and her peacock, or rather, two peacocks because Natalia Sergeevna created more than one and that was exactly what we needed. We looked at the two peacocks and answered a few questions: ‘What colours can you see?’, ‘Do you like this peacock? Why?’, ‘How does it make you feel?’, ‘Why did she choose such colours?’, ‘Which one do you like more?’. We compared the paintings with the photos of the cathedral and of the bird.

In general, the colourful peacock was a favourite although some of my students mentioned that there are too many colours and they are too loud. The black-and-brown peacock was noone’s favourite as very thin, very sad and a bit scary.

We needed these artists also because their colour decisions were rooted in two different sources – the sun itself and the artist’s conscious decision and it is the second approach that we were getting ready to use in our art.

https://arthive.com/
https://arthive.com/

The art

The task was very simple and it came as a natural follow-up of the activities in the first half of the lesson: choose a simple object and paint it twice, using a different set of colours to represent two different ideas or emotions.

To demonstrate how it can be done, in an even more direct and straightforward way, I showed the students the pictures that I created – a flower that I decided to paint using my happy colours, such as pink, green and blue and to paint the same flower using the colours that make me angry (orange, purple and yellow). You can see it above. Below – everything that my students created last Wednesday.

Before we started, we also brought back our earlier project, namely Andy Warhol and Chebourashka that I wrote about here. The previous activity had a character in it and it was, perhaps, easier to associated it with a set of emotions whereas this time round I wanted everyone to be a little bit more open-minded and, at the same time, to focus on the emotions and colours, rather than on looking at the world through the character. However, I did not limit them in any choice and, as a result, some of them decided to choose two different items to paint or to even give up on the shapes and focus entirely on the colours.

It is exciting to see that they paired up their beloved shapes and characters with the colours they love and, in the same vein, they made a decision to combine their less preferred colours with the characters they just don’t like. It seems your beloved goose could just not be painted in the colours you have a strong dislike for.

The kids made conscious decisions regarding the colours and while they were painting, we were discussing their choices and, in the end, the final outcome, too. And it was a real discussion, to a large extent in L2, in some cases also in L1.

This last piece here is special in many ways because we had a new student join our group and try his hand at creativity for the first time. He got the idea and the was happy to experiment with the colours and images and it turns out that his favourite combination is a cat in pink because this is his favourite colour and because ‘Boys like pink, too!’. He is one of the epitome of the cool kid and the would be alpha male in our class so I was surprised and in awe that he dived in and took to everything that we do in our classes. And, even more so, he enjoyed it.

Happy teaching!

Vasilyi Kandinsky, colours and sounds. Teaching English through Art

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This time, the whole lesson planning process started with my decision to spend the whole month of January doing fun things with the colour and it was an absolute necessity to start with Vasilyi Kandinsky. This particular lesson did not follow the traditional routine and the painting that is usually the centre piece of the lesson, this time made only a cameo appearance that illustrated what our artist liked to create.

The language

We started in a very relaxed way and in the first lesson we talked about our favourite colours. We also learned some more advanced colours names through a wordwall quiz.

I wanted to get the kids to associate colours with emotions, feelings and music, just like Kandinsky did, and that is why our next stage involved watching a video with the unusual instruments and deciding how we would present each instrument and its sound with a colour. After each short clip, we paused the video and shared our views. Only then did I introduce the artist of the day.

With the youngest group we focused on the basic colours which we revised using two of my favourite songs: What’s your favourite colour? – with looking for colours around us and with My yellow car – with pausing and guessing what product is going to be bought.

Afterwards, to get the kids ready for the alternative approach to colours we looked at the set of cards which I prepared – the everyday and familiar objects in unusual colours. I asked the kids to look and to say what they think of the idea, using a simple ‘I like it / I don’t like it’. It was a lot of fun!

Kandinsky, Composition VIII

The artist

The reason for that was the fact that Vasilyi Kandinsky spent a large part of his creative life not only using colours but also trying to understand them (‘Effect of Colour’). After we shared our ideas about different pieces of music, we watched a clip of the video ‘What’s the Sound of Colour‘ to check whether we agree with his interpretation. Sometimes we did and sometimes we didn’t.

As a follow-up to that we looked at Kandinsky most famous creation, Composition VIII, but only to have something to represent him with. We did not analyse the painting apart from the title because the name went nicely with the idea of colours and music.

Our lesson with the little kids was so packed with activities that I had to skip the artist stage, in order to make sure that we had enough time for our creativity. Nonetheless, it all worked very well!

The art

I did not want to create anything in the style of Kandinsky not to steer away from the colour itself. For that reason I chose spread painting – it has the colour at its centre, it is not very challenging and it can be done with a variety of different paints.

Before the lesson, I prepared the paints (acrylic and gouache), the pieces of thick cardboard (photocopying paper box cut up into bits) and the paper. I used the thicker paper sheets used for watercolours to ensure that the paper holds up the amount of paint and water and I decided to go for the A3 size, to give the children more flexibility with the spreading movement and the feel of being real artists who work on bigger sheets.

In this kind of a lesson, it was absolutely necessary to demonstrate the technique and in order to do that, I put my paper on the floor, made a decision about the colours that I wanted to use, put a few blobs of different colours and then showed the students some basic movements to spread the paint on the paper (straight, wavy, circular, semi-circular). Apart from that, I also had a few pictures of my own, prepared before the lesson, with different movements, sets of colours and, in some cases, the additional drawings with a marker. These already had titles, too.

Afterwards, we just went on to create. The most important decision to make was the colour selection and we discussed that while I was walking around the room and monitoring. It was great to see how these decisions were made and how the kids were becoming more confident with the movement and the technique. In the gallery below you can what they produced and how their favourite things are reflected in their creations i.e. ‘the rabbit’ created by a fan of rabbits and Malevich or ‘the goose’ that features in many of our lessons because a goose is my student’s spirit animal. I am also extremely proud of the blue – mustard – silver creation which is the title photo because it was a first for one of my students who so far had been only sitting and participating in our debates. He finally felt curious and ready to get his hands dirty and with what result! I just love the combination of colours here.

Initially, I wanted everyone to name their paintings but then I gave up that. After all, this was our first approach at the abstract art and I just wanted them to enjoy the process without pushing them too much. Our paintings are now on display and we can always get back to them and give them their titles later on, when we are more comfortable with the non-figurative art.

It was a great lesson! Next week I am going to get to repeat it with my younger kids and then, there is the rest of January to celebrate colour!

Here are some of the pictures that my little students created! It was one joy of a lesson, with my students discovering the world of the modern art and the brand new technique, experimenting with it and being proud of their creations. Amazingly enough, they really took to looking for ideas in their paintings and trying to name them. This was just precious.

Happy teaching!

Setting up the routine. Four months into the course

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Here we are again, at the next important benchmark / stage / stepping stone in our primary course – the end of the four-month period (enough time to have built up some routine) and before the start of the new calendar year with the kids coming back from the winter break having forgotten everything they have learnt. Maybe to immortalise everything before I have to rebuild the world next week or maybe to help myself remember what it was that we did a week ago, here is the post. There was nothing at the end of November (I was on holiday) and December was unusual with many kids ill, many leaving for the holiday early and with our routine slightly interrupted with the rehersals for the Christmas show, here are my kids.

Please, don’t forget to check our September adventures in the following posts here, here, here and here and our progress in October, here.

Starting the lesson and How do you feel today?

Right now, we have developed a tradition of starting with a little chit-chat before moving on to everything else. In a way, it was kind of unavoidable – the kids wanted to share or to catch up with those who were ill and returned, they had questions ‘about everything’ because our school life was quite busy and adventurous (winter photo shoot, Christmas show rehearsals, the general news). I also noticed that it is also the time that the use to clean up the tables, to organise themselves and to switch from the break into a lesson and that is especially important if our classes are the first lesson of the day. Whenever possible, I try to start this stage even before the bell rings but I gave myself the permission to stop being stressed about it and to just take it in strides. This stage does not last more than five minutes, sometimes even less.

Afterwards we move on to asking ‘How do you feel today?’. We don’t have any new emotions but I am so happy that more and more kids started to answer with ‘because’. In December the kids would also bring their toys (and there were more toys because maybe the presents started to be given out early) and they really really wanted to include them in the hello circle. That is why we started to ask ‘How many new students today?’ and this is when they introduce their toys, they count them and they reply how they feel. Usually we manage to get away with one collective question – answer per student but even so this means twice as much production. And everyone wants to share, even those who did not bring any toys on the day so we had the following items introduced as toys and getting involved in the conversation: a pencil, a Christmas decoration, a cushion and a packet of Oreos.

The roll call is a part of this stage, sometimes I lead, sometimes the kids take turns to ask the questions and only after we are done with that, we move on to our hello song. Counting from 10 to 0 stopped being necessary at this point and I don’t use it, on most days. We go back to it only occassionally, when the kids are a bit more excited and louder. This helps them to calm down.

Songs

A lot of December was hijacked by everything Christmas-related and we listend to everything that Super Simple Songs have to offer as regards the festive season. We really liked S-A-N-T-A and C-H-R-I-S-T-M-A-S which are great because of the spelling and because the later is a perfect illustration of all the Christmas traditions. I loved it and so did my kids. However, the Absolute Hit for everyone (including our non-English staff) was the Snowflake. We used it as a song, as a calming device and as a track to dance to. Even of my ‘Super Cool’ and ‘Oh, I am much more serious that the rest of you’ kids adored it and to see them twirl to it and just enjoy it was beyond precious. Not to mention that thanks to What do you want for Christmas, now we have our ‘I want to’ and ‘I don’t want to’ clocked in forever in our set of functional language structures.

Dance and freeze got, temporarily perhaps, put on hold but there were two great replacements. First of all, we were counting and working out a lot with Jack Hartman and, while I was on holiday, the cover teacher introduced my kids do Danny Go. It is a great brain-break and it helps kids work on the gross motor skills and focus and we get a few random verbs as a bonus. I have to admit I am not a huge fan, especially when the floor is lava, but the kids just loved it. Of course.

It has to be noted that we no longer have a hello song, not as such. Right now, we just choose one of our favourite song and sing it, at the beginning of the lesson or at any point throughout. The kids are given the responsibility of making that decision. We take turns and I take notes who has already been involved.

Rules and classroom language

We haven’t really changed anything regarding the rules. We still need to revise them but at this point it is only once a week that we do it. I have also noticed that the kids became much better with their own time management, a combination of a better adaptation to the school routine and being more familiar with the digital clock. I don’t need to put the end of the lesson time on the board and I do it only occassionally. It is very rarely now that I get a question from the room ‘How much time left until the end?’ and when I do, I just answer it. Or someone else from the group does.

But there are two new additions to the everyday routine. The first one is a detailed lesson plan for each of the lessons. I put it on the board, on the top, usually a set of 6 or 7 points, outlining the main stages of the lesson. Some of them are the code names that everyone is familiar with (‘read’ = phonics exercises, ‘notebook’ = we write, or ‘suprise’ = there is something good coming our way), some of them are bascially there for me, to remind me the order of activities. The kids read them all, that’s for sure and sometimes they ask questions or suggest more stages, such as another surprise or their favourite song. They have also started to ask for the permission to help me write that and that is another precious thing because it means more writing! They are also very eager to help me erase the bits once we are done with them. You can read more about this kind of a lesson plan here.

The other element, grades for each lesson, was introduced because of the serious issues of behaviour that I encountered after my holiday break. I was away for only seven working days and l left detailed instructions for the cover teacher to ensure that the gap between her lessons and mine were as small as possible, but, still, it did not work and after I came back I found my kids very much in their September mode aka ‘all over the place’. For that reason, I make a list in my notebook and I give everyone a grade at the end of every lesson, or, to be precise, two grades: one for behaviour and one for hard work and at the end of the lesson, or during the break, I announce who got what. It also works as a reminder during the lesson and so far, it has had a positive impact on the group. Their behaviour and hard work is clearly reflected in numbers and it helps them as a reference point. I found it to be more effective than my regular rewards charts because it does not take a whole board (13 kids!) and it is contained within a lesson. I am also hoping that, sooner or later, I will be able to phase it out but for now and, especially, right after the break, it is coming in very handy.

Story

Stories continue to be very much present in our classroom lives. There is a lot that we have in our books and I especially liked the series of stories on memories (Global English 3) because it gave us a chance to talk about feelings, to personalise these stories and to introduce very small bits of the past tense.

Apart from that we also did our first story writing (you can read about it here) and we read Zog (and this post here, is partly dedicated to what happened in that lesson and also to the story follow-up activities).

Socialising

In terms of socialasing, we have done the following:

  • kids have been nominating themselves ‘Who’s next?’ although, because of the behaviour issues I mentioned before, I had to mix it with a more T-centred approach.
  • we have been doing a lot of alternative seating arrangements such as: sitting on the carpet (for the phonics games and pelmanism), sitting around the carpet on the chairs (for all the city + prepositions games), sitting in two rows facing each other for pairwork, working in pairs with changing partners
  • kids have been taking turns to give out and to collect materials and to make decisions about the lesson (songs and games)
  • working together as a class to win snoflakes in the whole school advent calendar winter activities
  • we have done a few projects in which the kids were working individually but sharing the resources such as the cards (on the board) or the stickers, learning how to take turns, how to share, how to wait. I was really proud of the children because it all went well.
  • we have had a lot of activities in which one student was leading the game, especially our riddles
  • as a whole class we created Christmas gardlands to decorate our classrooms and it was a perfect bonding project

Creativity

Our creative projects in December were all Christmas-related

  • used the theme in our Serious Maths Classes, with Christmas Maths Stories, Christmas Puzzles and colouring pictures, Help the Reindeer
  • we created our posters about our favourite characters, the day when we were proud. We also created our Reindeer Hats in the final lessons of the year.
  • we played a lot with songs, creating our own versions and we had a blast for a few lessons playing pelmanism and creating wrong sentences (‘Paul washes the dragon’ instead of ‘Paul washes the car’) which finished with a mini-project of our TV programme ‘Crazy Sentences’ in which we made a video of kids reading their creations. That was fun and I am planning to do it again after the break.
  • and the garlands mentioned above

Teacher

Well, these were busy two months and sometimes very tiring because of the behaviour issues but we are working on everything, we are improving and we are learning.

It is good to know that I am sowing a lot but I can reap a lot, too. We have crossed one super important bridge in Maths with all the regrouping activities, as regards addition and subtraction. It was not the smoothest of rides and I think even my strongest Maths kids are not entirely excited about subtraction but we are making progress and I have to admit, I love it when I hear ‘I get it now!’ and they just move on with it.

Our English classes are more and more English now and I can see how they are making progress and become more and more communicative. We decided to test everyone regarding their English level, using the Cambridge exams framework and we are half-way through with it and it will be great to track the kids’ progress over the year. This, in itself, has been a very interesting exercise for me and I will definitely write about it after I have reflected on everything properly.

We prepared a great dance for the Christmas show and this was an interesting experience for me, too.

And, last but not least, we have completed our first big notebook as in: we filled it up with handouts, notes and drawings up to the last page and we could finally take it home. I loved it watching kids look through the pages, reminisicing on everything we had done already and how much we had learnt. Afterwards, we closed them, said ‘Thank you, Notebook’ for helping us learn and we took them home. Naturally, we have already started the new ones, too.

Another thing that did happen over those last two months, also in the category of ‘last but not least’, after two months of studying only with notebooks and handouts, at the begining of November, we introduced the coursebook for English, Maths, Science and History and now they are a part of our everyday school life. We are much more serious students now. Hooray.

Kids after the break aka what happens next

January will be messy. Some students have missed a week of school, many have missed two weeks, some even more. I bet you everyone has forgotten what the classroom is about. Preparing for the first day and the first week will be quite something, as regards the subject and as regards the classroom management. Good luck to me and see you in a while. I will be back with an update.

Happy teaching!

Storytelling for primary. Ideas for the follow-up activities.

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The way that only the freezing winter sunsets can be

Storytelling and storybooks in the primary classroom

Welcome to one more of my obsessions: the story in the classroom, be it a story from the coursebook, a video, a storybook or even a thing that I invent myself, just to sell my ‘product‘. A story is not only the type of an activity that we introduce because of its many benefits or because we want to prepare our students for the YL Cambridge exams but also because the story can be a way and the means of developing the young children’s language skills, reading and writing, speaking and listening but also their grammar and vocabulary.

I have been using stories for ages and I am not exaggerating when I say that this is one of my favourite teaching tools and different storybooks characters, Marvin, Barry, Pete the Cat or Splat the Cat or Peppa, are like my best mates.

‘What’s new?‘, one could ask.

In this academic year (four months so far), I have been involved in teaching the British National Curriculum, KS 3 to my two wonderful groups who are an amazing but mixed bunch, especially when it comes to their actual English skills. One of my main aims is developing my students reading and writing skills, preferably fast (yes, yes, I know, nothing happens fast) while working with a very mixed ability group, ranging from complete beginners to A1+ children. Stories have been one of the many ways of doing and I decided to share a few examples of what we have done, hoping that they can serve as a source of inspiration, for all kinds of classes, EFL or ESL.

The general idea

The way these five stories were used in the primary classroom follow the same pattern

  • pre-book: looking at the cover of the book, reading the title, introducing the main character, asking some questions about it, trying to predict the story, introducing and practising the key vocabulary.
  • while-book: reading / watching the story, sometimes with pauses to check understanding, sometimes to involve the kids through gestures, sometimes through the phrases, if they are used repeatedly.
  • post-book: a variety of activities related to the content of the story or to the grammar or vocabulary of the week in which the story was introduced.

And this is when the post starts to make more sense, I hope, because I am going to share here five different stories and five story-related, follow-up activities that I used in the last few months.

Hen’s pens and Let’s practise vocabulary!

Hen’s pens is a story, one in the series published by Usborne, a lovely resource with the Ted in a red bed, Fat Cat on a mat and Big Pig on a dig. I usually use them a bit later, with slightly more advanced students, in shared reading sessions (and there probably should be a post about that) but this time, I wanted to introduce a longer story, a video story and a rhyming story, specifically to have kids practise noticing rhymes.

In the follow-up of the story, we completed a very simple reading task, in which we put the words into pairs by colour-coding them and then using the chart to practise reading. You will have also notice a colouring page in the handout. This was an additional task for the kids, only for those who like colouring.

Pete the Cat and Let’s speak!

Pete the Cat is very famous in the EFL circles and the story about rocking in the school shoes is an absolute hit. This is my personal way of teaching Present Continuous ever since I have seen the video for the first time and this year, not quite for the first time, I used it also to introduce the school vocabulary, verbs and places.

In our lesson, apart from watching, singing, miming and even re-enacting Pete’s day at school, we also followed up with a speaking activity in which the kids had to create their own sentences in the Present Continuous. They had the main verb forms, mostly taken from the story, accompanied by visuals to support speaking (in most cases, the kids were unable to read yet) and their task was to finish the sentence by drawing something. ‘I am eating…a pizza, an apple, a cookie, a banana’, according to their preferences. Later on we compared our sentences, creating our own day at school. The handout served as preparation for speaking.

Again, those children who were interested, were given a second handout to colour.

Marvin Gets Mad and Let’s practise grammar!

Marvin is, no doubt, one of my favourite characters and he’s been present in my classroom for about fifteen years now (wow!). ‘Marvin Gets Mad’ by Joseph Theobald is a great story for feelings and for learning about controlling emotions but this time round I decided to use it to reinforce the grammar behind the Present Continuous.

In the follow-up task, which was quite a stretch from the plot of the original story but it was exactly what we needed to practise the Present Continuous and to reinforce the idea of the suffix -ing. The kids had to add the suffix to all the sentences and then read them and match them to the pictures of a particular sheep.

Zog and Let’s take some notes!

Zog by Julia Donaldson was a good lesson, too. We focused on revising the body parts but we also did a lot as regards the language practice, as regards the structures we already learnt (‘I can…fly, catch a princess, breathe fire) and a few structures that were used repeatedly in the story (‘What’s the matter?’ ‘I can help you’ ‘Thank you’). While we were going through the story, the children helped me produce all the key language.

After we were done with the story itself, we ‘took notes’ about the story. All the kids got their copy of the handout and we went on through it: tracing the lines, reading the lines and completing them with our ideas. As usual, some of the lines are actually very restricted (‘Zog is a dragon’), some are more open-ended (‘He can…fly, breathe fire, catch a princess, help’), the others – even more. (‘He is…green, big, small, happy, sad, scared’). The final two lines are for tracing and for circling, depending on whether you liked the story or not. This time I included a small picture of Zog for everyone and some kids took time to colour it after they were done with writing.

Ling and her proud memory and Let’s draw!

Ling is a girl from one of the stories in our coursebook, Global English 3, in a series on memories (a sad memory, a happy memory and a proud memory) and I actually loved teaching all three. The story was quite challenging for my kids in terms of the language and I just wanted a general understanding of the main facts. After we talked about the picture and listened to the story, I did a short Yes / No activity regarding the content. This was followed by a note-taking activity, similar to the one we did with Zog, but it was substantially shorter and more limited in terms of creativity. However, this was only because the real star of the lesson was the drawing activity.

The word ‘proud’ was a new concept to us and I really wanted to make it personal, mostly because it has a huge potential and it is a good word to have at your disposal in the classroom. With the help of my T.A. we explained what it means, we gave examples and suggested some ideas for the kids, based on our shared experiences such as preparing for the Christmas show, doing difficult exercises in class and so on. I showed my students my example (below) and I let them draw.

Admittedly, the lesson (or this project) did not involve a huge lot of language production but it was a beautiful moment, nonetheless. And a very necessary one, too! Some children knew straight away what they were proud of, some others needed to take time to come up with an idea. And they did! Even those who started their search with a desperate ‘I don’t know!’.

My example is below and showing it to my class was another special moment and, guess what, they got the idea straight away! Because when we are doing something very, very difficult in Maths and my students keep raising their hands and everyone wants to give the answer, I am very proud (based on real events:-).

Coda

These are just a few ideas of what can be done in class when a story is involved. One of many ideas!

Happy teaching!

Crumbs #75 Paul and his gran. One more way of approaching the story in the YL classroom.

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Ingredients

  • One of the YLE Cambridge visuals, Movers speaking (4 pictures), Flyers writing (3 pictures) or Flyers speaking (5 pictures). In our case, this time it was Paul and his Granmother from Flyers from the sample tests booklet (volume 2 p. 96), tampered with lightly (see below)
  • A handout created to accompany the visuals, you can download it from here

Procedures

  • Prepare the visuals by covering up the numbers on the pictures and making a copy for each student, cutting these up. Make a copy of the writing handout for each student.
  • Introduce the story: without revealing too much, for examply by telling the kids that they are going to meet a boy and read a story about his day.
  • Give out the visuals, cut up, ask the kids to find out the start of the story (aka picture number 1), talk about this picture with the class. The questions to use might include: Who is it? How old is he / she? What is she / he doing?
  • Tell the kids that this is Paul and his gran (we had different interpretations here but we need grandma for the handout) and their day. Ask the kids to reorder the pictures, check and glue them in the correct order in the notebooks. They number the pictures.
  • Create the story: kids look at all the pictures, in order to be able to construct the whole story and the plot. This can be easily turned into a speaking activity: the teacher makes sentences such as: I can see a boy. Kids answer with: Picture 1, 2, 3, 4 and 5, etc. Later on, the students take over by making their own sentences. This can be done as a whole class or in pairs. This is also the time to introduce or to check that all the kids have all the key vocabulary. The kids are not telling the story yet, they are only getting ready, thinking about the characters, their actions and feelings.
  • Write the story: the teacher gives out the handwriting handout, the kids glue it in their notebooks, too. The class go together, picture by picture, they read the sentences and think of their own ways of finishing the sentences. They write the words or they ask the teacher to write the words on the board for them to copy. The teacher monitors and makes sure that everyone is going on at the same pace.
  • Read the story: the groups that I did it with were not very big, only 5 or 6 students, so we could all read our stories out loud and applaud. With the bigger groups, it might be a good idea to put the kids into pairs or smaller groups to read to each other and to applaud. Nonetheless, I still wanted to include this element, purely for the reading practice.

Why we like it

  • I am quite happy with that activity since all the materials worked well in the classroom.
  • The kids enjoyed it. Many of the ideas were the same, especially the feelings but there was also some potential for variety in kids’ answers. I accepted everything, for example ‘Parents are angry’ (picture 5) or ‘Paul is scared’ (picture 4). As we always say: ‘All ideas are good ideas’. In that sense it worked very well as ‘the first story we wrote’. I was very proud of them and they were proud of themselves, too.
  • My students are only 6 and 7 and all of them are in year 1 of primary. Their literacy levels vary and this kind of an activity gave them an opportunity to practise a variety of skills, especially their literacy skills, with more focus on reading and writing. There was enough room for creativity and enough support at the same time. Initially, I was considering including the tracing element but then I decided that it would be too much for one lesson, with five pictures and five short texts to write.
  • There is a lot of potential for adaptation: the number of pictures can be adapted, if you choose to use the Movers speaking resources or the Flyers writing resources. The number of sentences for each picture can also be adapted, extended or cut short. If there is time and if the kids are ready, they can add their own, sixth part and even to draw their own picture.
  • I made sure that everyone had the same order of the pictures for the entire story as my kids are quite young and this was the first time we worked with this kind of a materials. Because of that and because of their literacy levels, they are not yet able to work independently on such a task and I decided to keep it more T-centred and T-led this time. However, for more advanced groups (as regards literacy and independent work), there is a lot more potential. They could tell the story in their own way. If needs be, the writing handout, can also be cut up and rearranged, to match the pictures and their order.
  • One thing that I did not do was to allow creativity as regards the title of the story. We did not focus much on it, I only introduce the brief: Paul and his grandma, but there is so much potential here, especially that the kids are also supposed to learn about a structure of the story and that it includes a title. No harm done, we will be repeating this activity and next time we will write our own titles, too!

Before you go, make sure you have a look at all the other storytelling ideas, here and here.

Happy teaching!

Alisa and Petya, my new invisible students.

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Image from www.bullionstar.com

It might be the best way of closing the blogging year, with all these invisible kids. Better than ‘the teacher in distress’, why-has-this-year-been-so-difficult and if-I-stay-in-teaching-it-will-be-because-of-the-kids-and-if-I-leave-it-will-be-because-of-the-adults (after Bored Teachers) that I have been in recently. Let’s try to stay positive, let’s try to give the floor to Alisa, Petya and Pasha instead.

The concept of an invisible student is not a new one…

I have had one in my classroom for a few years now. Long enough to have collected enough material to write a post about, four years ago. Pasha, because that is the name of the first and the original invisible student, has been long enough to have collected his own experiences and now he could write his own resume and tell stories of his adventures in the various classrooms. You can read the original post here. Btw, this is one of top ten most popular posts ever on the blog.

This year has been a fun one also because I started teaching in a new environment and in a new context and a real life Pavel has appeared in one of my groups. It is unavoidable that, after all these years, whenever I say ‘Pasha’, I feel like addressing my invisible student. And I giggle. That also meant that I had to give up on using that concept in that same form in my everyday teaching. It was not an issue because we had other things to worry about. I did not need an invisible student. Then, one day I did and the Invisible Student came back. Two of them, actually.

Enter Petya and Alisa

This year, apart from everything else, I also teach English and Maths according to the British National Curriculum in a bilingual school. I love it but there are also certain challenges that I had not had to deal with before September. One of them is definitely extending the range of ways of encouraging and motivating children to work and to be involved in what we are doing. I have noticed that, apart from the fact of the specific requirements related to the specifics of the subjects (that are different to the regular ESL or EFL), there is also the question of the specific challenges related to teaching Maths in English or to having classes (almost) everyday and having to come up with different approaches four times a week. Which is a higher demand for creativity than in your typical twice-a-week EFL classes. Among others.

Over the last few weeks, I have been teaching some more demanding topics, such as punctuation (English) and subtraction with regrouping and I have been bending over backwards in order to trick my kids into getting excited about these (if we are to perfectly honest here).

During one of the 1-1, me and my brain, brainstorming sessions, I decided to go for ‘play the teacher and find a mistake’. English was first and it was relatively easy to prepare a handout for my kids to trace, to find mistakes and to re-write in the correct from, with all the punctuation marks and capital letters. I set it up, gave out everyone a red marker and asked them to look for things that were ‘not so good’. Everyone got a red marker and we worked beautifully on it.

However, I have two groups at school and when I got to my second lesson with that material, I already knew that it has a certain potential and, feeling inspired, I decided to upgrade it and the lesson started with ‘Listen, there is this boy called Petya. He has a problem…’ Of course, before making copies for everyone, I signed the paper with ‘Petya’. This tiny little adjustment made a huge difference. I was looking at my kids, working dilligently and reacting to the content and I was making mental notes.

Naturally, when, a few weeks later, I decided to use this same approach in my Maths lesson, I knew that there would be a student and how I am going to set it up. Here are a few notes about it, in case anyone wants to use it.

Alisa, the girl who struggles with Maths

  • The first step: to prepare the set of tasks. In our case it was a double-sided handout with sums, addition and subtraction, up to 1000, two- and three-digit numbers, with and without regrouping, as the final task of the unit and the final task of the year. All of these had solutions, as if Alisa had done them, some were correct, some were incorrect, with small and huge mistakes. On the top of the page, there was the student’s name (Alisa) and the room for the teacher’s name, to sign by those who were to check the test.
  • Step two: we could hide it under different, serious-sounding names (‘setting the context‘, ‘involving the students’, ‘generating interest’) and they all apply but what I really did was to tell the kids a story. In one of the groups we even played the monster game (aka ‘hangman’) to guess the title of the story (Alisa’s problem). I told the class a simple story about a girl from year 1 (year 3 in KS3) who is a nice girl and who is trying hard but who still has some problem with Maths. And, most importantly, how we want to help her with checking her test and looking for all the mistakes and, maybe, the things she did well.
  • Step 3: we outline the procedures. On the one hand, these were the three simple steps (‘We check it’, ‘We correct it’, ‘We give a grade’) because I wanted to ensure that they really do go over all the sums and correct them and do the Maths, instead of just ticking and crossing things. Together we also put together a set of symbols to mark with, for example: a tick (V) = it’s OK, a minus (-) = it’s not OK, three exclamation marks (!!!) = very bad and a star = excellent.
  • Step 4: the real work, the hard work: we give out red markers and we get on checking Alisa’s test, individually or in pairs, depending on the personal preferences. The teacher is circulating, monitoring and helping.
  • Step 5: a spontaneous add-on, just because we had a few minutes left: a role-play, in which Alisa’s mum (me) calls the teacher (all kids, in turns) to find out how her daughter is doing. We had smaller groups because some kids had already gone on holiday and we could actually do it with all the kids.

My Oscar-worthy lesson or why I loved having Alisa, the invisible student in my class

A few days have passed since I taught this lesson twice and I have had a chance to reflect and to talk about it with a few colleagues and I think I can safely say that if there was ever a lesson taught category at the Oscars, I would submit our adventures with Alisa and I would definitely hope to win or at least to make it to the list of five nominees. Here is why.

  • The kids were fully involved, every single one of them, my Maths-loving kids and my oh-no-Maths kids, too, the strong learners, those who are just learning and even those who are struggling. Everyone. I was moving among the tables, supervising and helping and eavesdropping on what they were saying to themselves or to their classmates and I was giggling and welling up and beaming, rejoicing their enthusiasm and patting myself on the shoulder for the idea.
  • The reason for that was the story that I told and the context that was this way created. It was not just a handout, just a piece of paper with a set of tasks on that miss Anka brought but a real adventure that everyone was taking part in, with a real girl that we were helping, with red markers and the power that comes with it, with the responsibility the kids were taking for marking Alisa’s efforts and for assessing how well she did.
  • The activity involved the whole child, all the students as humans and as learners, as people who were given a serious task and serious responsibilities and who were also taken into the set-up, for example through accepting their ideas as regards the set of symbols for marking or the grades that they had to make a decision about and, in the follow-up activity, the fact that they were given a chance to be the teacher, during the whole activity and during the follow-up role-play.
  • The exercise was a very effective tool to get my students to do Maths. They zipped through the addition sums (which was not surprising) but they also worked very well with the more challenging problems i.e. subtraction, especially subtraction with regrouping. High five to me for mixing the tasks, addition and subtraction, with and without regrouping. There were different levels of difficulty and the more challenging tasks were beautifully smuggled with the easy-peasy ones.
  • It worked very well as an assessment tool for my kids’ Maths skills. After all, in order to be able to check something, you need to have enough knowledge and skills, and not on the basic, superficial level. Especially that the task included a mix of correct and incorrect tasks that they had to read, check and correct. And they all did! I was so proud of them (and of myself) especially that when they were commenting, they did say things (in their L1), such as ‘Oh, no, Alisa, how could you not notice that!’ or ‘But, no, Alisa, it is easy!’ or ‘No, why did you do this?’. I am not sure if they were aware of how their skills have developed and I think I will have to include this element of noticing own progress as part of the lesson in these kind of lessons. However, even without it, this element, my little kids have learnt. They have learnt. I was touched.
  • In the days after the lessons, I could not decide (and still can’t) what was more touching or inspiring, the skills that were proved to have developed or the fact that during the entire lesson, my kids showed a huge potential for empathy and understanding for Alisa’s problems with Maths. They were not only dealing with the task to help her but I loved eavesdropping on how they were reacting to it. There were plenty of comments along the lines of ‘Oh, but look, she tried to do it, here and here’ or ‘Oh, she almost got it right!’, trying to find something positive in her test. On the other hand, they were just so genuinely happy when they found a sum that was solved correctly. Here and there, now and again I heard cheering and ‘Miss Anka! She did it! from different corners of the room. They were like real teachers celebrating their students’ achievements.
  • And one more thing that made me just laugh out loud was how the kids were grading the overall Alisa’s effort, beautifully out of sync with her actual progress and the number of tasks complete. Some of them were overly optimistic and appreciative, the others overly critical. I just let it be. For now.
  • And the role-plays, that made me laugh, too. We have not done any phone conversations language so it was just jumping in at the deep end and using the language that we know. But I loved it, as I could see how my students tried to communicate in a new situation, wtih limited resources (communication strategies, hello!) although, all in all, our poor Alice is in trouble. In 99% of cases, her parents will have to come to school to talk to the teacher. Which just shows that that is, in my students’ world, the worst that can possibly happen.

I don’t know why but I have a feeling that both, Alisa and Petya will be back in our Maths lessons and in our English lessons…

Happy teaching! Happy New Year!

Crumbs #74 Christmas a la Andy Warhol

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Ingredients

  • A3 paper, glue and scissors and a stack of newspapers and journals (gardening, furniture, fashion, kids, music, animals)
  • music, for atmoshpere
Andy Warhol’s Christmas Tree

Procedures

  • This lesson in this format was done with my older primary students whose language is on the level of A2 – B1.
  • We started with bringing up Andy Warhol whom we got to know in September (more about this lesson here). As always, it was a pleasure to find out that our Andy Warhol Chebourashka was a very memorable lesson. My students did rememember! We talked about Andy again and especially about his love for Christmas (I do recommend reading about it here).
  • We looked at the Christmas tree he designed and at the technique (collage).
  • Afterwards, I showed all the materials and I started to make my own collage to demonstrate the technique.
  • We looked at the journals and newspapers, leafing through to find the theme. I suggested a few (a colour, an object, a topic) and just allowed the kids to think about it.
  • All this time I was making my own: I drew a big triangle and started glueing the pieces to match my theme (Nature).
  • Kids were working, cutting out their pieces and composing their collages. They were also looking for pieces for their friends. All this time we were having an open class dicussion about different artistic decisions and the bits and pieces that match or do not match the individual collages.
  • In the end, we briefly demonstrated all the trees, together with the title.
  • In order to create a more festive atmosphere, I put on some non-invasive instrumental music, Christmas-themed.
Nature (by the teacher)

Why we like it

  • The collage was a success. The students got really involved perhaps because the activity gave them an opportunity to be creative without requiring any real artistic skills, drawing, sketching or painting which sometimes can be a challenge.
  • It took a while for the students to choose the theme but it is perfectly natural because they needed time to leaf through, to see what is available and to make up their mind and to select something. But I was really happy because it was clear and obvious that they really did make a decision and focused on the colour, one specific item or a general idea to represent. What’s more, I could see that the kids themselves were happy and proud of their choices especially when their pieces were completed.
  • The task became a collaborative one although only by accident. Once it became obvious what everyone was working on, we all started to suggest and to offer pieces that we found in the journals that we were looking for. ‘I’ve got a yellow sofa here. Do you want it?’, ‘There is a princess here. Does anyone need it?’ and so on. It started with the teacher but the kids picked up on it. It is definitely something that I will be introducing purposefully the next time we do a collage.
  • We used the A3 paper but the A4 sheets are also an option and the trees will be easier to fill in as the smaller the paper, the fewer the elements.
  • We started with drawing the triangle on the A3 paper and went on to fill it in with the items. Two of my students did not have enough time (and the chosen elements) to complete the tree in one lesson. We are going to finish next week, we have this opportunity. However, that made me think that it might be a good idea to choose a topic, cut out all the elements and them compile them into a tree, making a conscious decision regarding the size of the tree and opting for a smaller version if time or resources are limited.
  • I presented the idea of a combined technique: a collage and drawing, to fill up the space with own drawings, if needs be, but, in the end, not one of my students decided to use this option this time.
  • The decision to put the background music on was a good one, too. It helped to create the atmosphere and, after a while, kids asked for the permission to put on their favourite songs which was granted and we ended up working and singing together.
  • As regards the language production, a lot was going on because we were chatting throughout the lesson but I have to be honest about one thing – my older group are already a high level, some of them very close to fully communicative in English and even bilingual. That is why I didn’t need to do much to encourage production in the way an EFL teacher would. They wanted to talk and we did, in English. However, there are other options for the lower level and the EFL/ ESL students. I am still to try these in class but off the top of my head, I would go for:presenting the collage with the title, calling out the names of all the elements of the tree (or as many as possible), choosing the character who might like this kind of a tree. I am quite likely to teach the same lesson on Monday next week and, if I do, I will be updating the post soon.
  • We did it in our Art classes but it might be a fun activity for a regular VYL or YL class, perhaps even with teenagers.

Here are some of the Christmas trees my students created:

Yellow. Still in progress.
Dragons
Around the house
Beauty

Happy teaching!

More than drilling, more than flashcards. Teaching vocabulary to young learners.

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It’s been six months now (and four courses) since we introduced the individual consultations to our YL and VYL course and a lot of good has come out of it already for the course, for the trainees and my blog. This post today will be dedicated to one of the course participants, Valentina, who came to the meeting with one question only, namely: ‘I am bored with teaching vocabulary through flashcards and drilling’. This was when I realised that we never really talked about the variety in that area. Hence this post.

Back to the basics…

…or our gurus. For anyone who is not familiar, I would recommend getting hold of Carol Read’s chapter on teaching vocabulary and grammar and all the basic concepts as well as her post in the series of the ABC of Teaching Children in which she highligts the need for the crystal clear meaning, the context as well as opportunites for memorising and for practice.

Carol also offers a lot of ideas for the classroom (as promised) and if you are looking for more, please have a look at the bilbliography where I have left some more interesting links, for inspiration and from two different areas, the teachers of EFL/ESL and just children learning new words. Many of them are quite recent publications so have a look! There is lots and lots to read.

For that reason, also, this post here will focus not on practice activities but on ways of introducing vocabulary to primary and pre-school students, more than just flashcards.

Electronic flashcards

‘Electronic flashcards’ is an umbrella term for a great variety of resources that can be used in the YL classroom. I will try to include here at least the few basic ones

  • Wordwall (wordwall.net), with all its growing number of templates and options. You need to join the community but the membership is free and it gives you access to everything that any member ever created and made public. You can, for example, get access to the whole library that I have created (Azapart). The ability to create resources is only available to the members with subscription but it is cheap and definitely worth it. My favourite resources here to introduce vocabulary include stencil flashcards, cropped images, simple word cards and flashcards or flashcards with the audio.
  • Simple video flashcards of which there are plenty available on youtube, such as offered by Maple Leaf Learning. There are also such products as EFL Kids Videos that present not only vocabulary but also vocabulary + structures.
  • Videos that not only present the new vocabulary but that also offer an option of a game, for example places in the city from Smile and Learn where you get a presentation and a guessing game, ‘What is it?’ games from Fun Kids English or drawing – guessing games from Games4ESL.

Sounds

This might be a more obvious resource when it comes to some topics, such as animals, pets, farm or jungle but it is definitely a lot more potential here. Sounds can be also used to introduce the vocabulary of transportation, places in the city, instruments, Present Continuous or everyday activities and objects, a day in sounds or even weather.

It needs to be mentioned that these materials were not created as educational materials with a specific aim to match the content of one coursebook or another and they are not used to replace the official published materials. They only help to introduce the topic and the idea in an interesting way, with at least some of the items that we are required to cover according to the curriculum.

Gestures

I am a huge fun of using gestures in the classroom. The gesture is king after all! For a good few years now, whenever we introduce new vocabulary we add gestures to it, to help clarify the meaning but also to give the children one more channel that might help them remember and recall the meaning of these new words. This kind of miming can be upgraded to include a lot more speaking (see: a post here) and the children can be involved and invited to come up with their own gestures for certain phrases and express themselves in that way, too! It is not only for the youngest of the youngest. Once we introduced, even my 8 – 10 A2 year-olds loved working with this form of expression.

Realia

Like in the case of sounds, realia would be something that naturally springs to mind when we talk about teaching school objects, food or classroom vocabulary and, perhaps, if you have any access to any friendly children who are willing to share their collection, perhaps also to teach toys, transport or even animals. The other topics seem to be impossible. Or do they?

I think my realia creativity had a chance to skyrocket during the pandemic while we were all stuck at home and with a very limited access to all those beautiful things that we would normally use. A blessing in disguise?

My solution is relatively un-revolutionary and is based on using symbols, items that we agree stand for our chosen concepts. Here are some examples:

  • rooms in the house: a spoon = the kitchen, a pair of socks = the bedroom, a remote = the living room, a key = the hall, a toothbrush = the bathroom
  • weather: gloves = it is snowing, sunglasses = it is sunny, a cap = it is warm, a kite = it is windy, an umbrella = it is raining, a scarf = it is cold
  • school subjects: a tshirt = PE, a mouse = IT, paints = Art, counting sticks = Maths, dictionary = English, a book = Russian, a magnet (from abroad) = Geography, a paper crown or a photo of a king = History etc
  • party aka characters: a star = a sheriff, a crown = a prince / a princess, a red nose = a clown, a witch’s hat = a witch, a flower = a gardener, a plastic stetoscope = a doctor etc
  • seasons: just lots of things, clothes and accessories which we use in winter, spring, autumn and summer
  • family: accessories that different memebers of the family might have, a car = a brother, a doll – a sister, a newspaper = daddy, wool = grandma etc.
  • body: accessories and objects which we use with different body parts: glasses: a nose and ears and eyes, socks = feet and toes, a spoon = a hand and fingers. The confusion might be even beneficial here because we will be repeating the words a number of times.
  • free time and verbs: different objects and accessories that we use, for example: a pen = to write, a ball = to play, a spoon = to eat etc.

Song

In a majority (almost certain here) of our coursebooks songs are introduced as a means of practising and revising vocabulary and grammar but this does not have to always be the case, not when we are in charge.

Since I discovered the existance of the amazing Pete the Cat who is rocking in his school shoes, I have not taught the places in the school (and Present Continuous) in a different way. The song is beautiful, fun and very catchy and the video illustrates the idea of both the vocabulary and the tense in such an obvious way that I am not even looking for any alternatives. We start with the song, we enjoy the music, the video and Pete and only later, we move on to flashcards, drilling and all the other practice activities.

Here are some more examples of songs that can be used in the same way

E pronto? E pronto!

Story

Whatever we do with songs, it can be done with a story. A video, a storybook or storycards can be the starting point in a vocabulary lesson. Here are my favourite storybooks to teach vocabulary:

  • ‘Elmer’ by David McKee to teach jungle animals
  • ‘Marvin Gets Angry’ by Joseph Theobald to teach emotions
  • ‘Cat’s Colours’ by Airlie Anderson to each colours
  • ‘A Very Hungry Caterpillar’ by Eric Carle to teach food
  • ‘Zob’ by Julia Donaldson to teach helth problems

To name just a few. Introducing them will give you a ready made context and it will be a pleasure for the kids to get back to the story over a series of lessons and to be more and more involved in reading and retelling the story. That is a brand new level of the sense of achievement and of the meaningful lessons.

Posters

Admittedly, in the past, a few years ago or in the previous editions of the coursebooks, posters were a more frequent quest. They are not as common today although different schools produce their own posters and so do publishing houses, although not necessarily in connection with a particular title. For that reason, I will extend the definition of poster to ‘any large size visual with a variety of elements’ in order to be able to include any silly pictures, clip art creations to be found on google (really!) or the picture wordlists as these absolute beauties available on the CUP website for Starters, Movers and Flyers exam preparation (but not exclusive to these).

I am a huge fan of using visuals in the classroom and I am proud to say that I have come up with a plethora of ideas for language practice. You can find them in two posts: All you need is…a picture. They can be displayed on screens or interactive whiteboards or even printed and laminated.

As regards vocabulary introduction, however, here are some ideas:

  • labelling the items in the picture together with the kids
  • covering some parts of the pictures with the post-it notes, to elicit from kids (It is a city. What can we see here?) and then to uncover the picture step by step while introducing the equivalents of the words the kids provide, in English
  • covering some parts of the picture with the post-it notes, to uncover them step by step while clarifying the meaning of the words and including elements of drilling
  • covering some parts of the picture with the post-it notes, to play ‘What’s missing?’ (although this slowly moves towards controlled practice / drilling)
  • pointing at two objects in the picture and calling out a name for the kids to recognise. Here, the teacher can use hands (Left! Right!) or, if it is too confusing, two markers of different colours (Blue! Red!), a fun exercise for the auditory practice and word recognition.

Coda

All of the activities mentioned above can be used during the practice stage and they are not to replace flashcards and drilling but to supplement or replace them and to introduce a bit of variety and a breath of fresh air, for the students and for the kids.

The choice will depend on the age and level of the students and, naturally, on the specific set of vocabulary.

Happy teaching!

Bibliography

Carol Read (2007), 500 Activities for the Primary Classroom, Macmillan

Carol Read (2011), ABC of Teaching Children, V is for Vocabulary here.

How to teach vocabulary: 5 fun and easy ideas (2020) from Begin Learning.

17 ways for kids to learn new vocabulary (2020) from Imagination Soup.

Kids and vocabulary (2011?) from British Council, Teaching English.

How to teach vocabulary. Twinkl’s super seven-step guide (2023) from Twinkl.

6 Science-based tips for teaching your kids vocabulary…the fun way (2022) from Maya Smart.

5 fun ideas to make vocabulary jump out of the page for young learners (2021) from CUP.

30 meaningful vocabulary activities for every grade (2023) from We Are Teachers.

Teacher up, dear teacher!

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This is the second episode in my Made-up Phrasal Verb series which deals with the different aspects of being a teacher who works with kids. The first one is devoted to stepping out of the shoe of a Miss/Mr Serious Teacher in order to become a human in the classroom, who, first and foremost, cares for the child’s well-being and who takes care of the whole child, which sometimes means putting some (or all?) of the methodology principles on the back burner. You can find the post here.

As it often happens, right after I wrote the post I had an opportunity to ‘practise what you preach’. One of my little students got terribly upset about something she didn’t manage to and right after the class ended, she crawled under her desk and, as a result, I spent some quality time on the floor, in my freshly-washed jeans, under the desk, just hanging out and keeping her company in that difficult moment, until she calmed down. All things considered, it was the most useful thing that I did as a teacher last week…Teachering down full time!

But teachering down is the solution for some of the days and for some of the situations. Sometimes, the teacher needs to do the contrary, to be the real teacher and even more than that. Hence this post.

Teacher up!

Like many of teachers, I follow the social media in order to keep my ears to the ground and to find inspiration for teaching. Then, there are activities that my colleagues and teacher friends share and those that my trainees bring to the course, too. Up until a year ago, there was also the monthly intake of the ‘things I saw in the lessons I observed’ but at the moment, I observe less frequently. Nonetheless, there is a steady inflow of ideas or, in other words, lots of food for thought.

Statistically speaking, a lot of brilliance that can be taken into the classroom directly or after some minor adaptation and it is just great! And if you have any doubts, think about the teacher’s life ten or even twenty years ago when googling ‘ideas for a snowman craft for kindergarten was not an option. Nor was raking through your favourite and trusted bloggers’ accounts for insights. Or sharing a story about a horrible day at school to get a few virtual supportive pats on the shoulder. How did we even live back then?

At the same time, the amount of the seemingly educational material out there is just worrying. There are so many ideas that, at a glance, look like something that would work well, that, on closer inspection turn out to be only ‘the Instagram teaching’, high on the WOW factor, and ‘scraping the bottom of the barrel’ low on methodology and appropriacy as regards the child in the classroom.

Looking at these, the trainer’s eyebrow raises and the teacher’s muscles twitch. And a plethora of questions floods the mind of both. Why did you think it was a good idea for a group of preschoolers? What is the aim for that activity and how is it even connected to everything else in the lesson? Is it in any way appropriate? Generative? Safe? Is it in any way methodologically justifiable? Is there anything to it apart from the WOW materials and WOW photographs that you will be able to post on the social media or send to parents?

Entering the classroom full of pre-school or primary school students, we assume many roles. We become in loco parentis, sometimes a mix of a nanny and a baby-sitter, sometimes more of a governess or a nurse, sometimes a coach, sometimes a witch, sometimes an actor. But, despite all that, first and foremost, we enter the classrooms as teachers.

Teachers who have clear aims for the lesson, linguistic, personal and child development aims, teachers who have thought of the lesson as a whole and all of the puzzles in it, teachers who selected activities and materials with a full awareness of the children’s needs and abilities. There is nothing that ‘just happens to be there’ and even if there is some fluff, it is a well-thought-out and justified fluff that also has a clear aim.

It is a happy coincidence that the first post and these ponderings came at the same time as a series of posts from @abc_academia_ (Katerina Balaganskaya) and @ginger_teacher_efl (Evgeniya Kiseleva) and their project ELT Expert Hub, especially the one about the need for the teachers to focus on good quality continual professional development (see the link in the bibliography). This is all came together. Enthusiasm is great, passion is a must-have, great ideas are precious, optimism and energy in a human make the world go round but, first and foremost, in the classroom, we are teachers. And Michael, a teacher friend, kept sharing the ideas he came across.

Examples? Yes, please. Here are three.

When you are reading them, please remember about my background and context: I am a teacher and a teacher trainer, I work with pre-schoolers and primary school children, who come in groups, possibly fifteen at a time and for most of my students, English is a foreign language whereas for some it is becoming their second language. With some students we have only 2 academic hours of class a week, with some of them we have a lot more but it is in response to a more demanding curriculum. None of my students has a bilingual background or a full-time exposure to English at home. The time in class is precious.

Craft (but NOT for craft’s sake!)

If you are looking for reasons why craft should (and must) be included in the lessons for primary and pre-primary students, you have come to the right place. The best place, I could even risk saying. I love craft at home, I love craft in my classroom and I have already spent a considerable part of my life trying to convince teachers to be a little bit more excited about it. You can read about five reasons of using it in the classroom here and why craft is so important in the VYL world here.

BUT.

Regardless of how much kids love craft activities and of how passionate teachers might be about them, not everything is a lesson-friendly idea and not everything is feasible. Even in a lesson with pre-schoolers, the choice has to be made in connection with and following the methodological principles of teaching English. We are teachers and we walk into classrooms to develop linguistic skills, first and foremost. We need a language aim, we need language production, we need staging and the coherence with the rest of the lesson, the rest of unit and the curriculum. It cannot be ‘just something that we will do’, just something to kill the lesson time, to keep the kids occupied and that will make them go ‘WOW’.

As an example I decided to use the ideas from the video that I found on youtube, on the Gathered Makes channel, here. I actually love all of the ideas presented here but not one of them is a craft that would would work in the language classroom. The tissue paper wreath is pretty and it would really look good on the door or on the window but preparing them would take a painfully large portion of the lesson and it does not offer any opportunities for language production, not even as regards the functional language. A huge part of the task is repetitive and involves sticking on the green tissue and a lot of it so the kids would not be required to ask for different colours or different resources. This would, naturally, lead to a lot L1 in the classroom and, potentially, to some unwanted behaviour. You cannot even ‘talk about’ the different elements of the wreath because it is all just green. The finished product cannot be used in any speaking activity either.

Button candy canes are perfect for the fine motor skills development but I would not want to give out pieces of wire to a group of children, even with a teacher assistant and I would need lots and lots of buttons for the whole group. I am afraid, the little fingers would need help and assistance in the final stage, with tying and fitting in the candy canes and that would simply not work. What’s more, no communicative purpose here and that is one more big disadvantage.

Paper plate Christmas trees look so pretty and they require only the basic resources (the little pompons could be replaced with paint or stickers) but, again, the process is too complicated for a group of primary and pre-primary students. I love the trick with the paper clip here, to keep hold the tree in shape until the glue sets (although I would still use a stapler because I have some serious glue trust issues) but even in the video the child needed the adult’s help with the shaping of the tree. Exactly the same thing would happen in the classroom, and that could mean one pair of two adult and skilled hands AND eight or ten pairs of little hands in need. I have already tried a WOW Christmas tree craft and I simply have to say no here.

Lolly stick snowflakes. No, sorry. Glitter does not enter my classroom. It is probably the single resource that I personally hate. No matter how hard you try and how careful you are, it is tricky to use, it is accidents-prone and it stays with you forever, on the tables, on the body, on the clothes, everywhere. Even if you are using the glitter sticks. And that’s on top of all the other reasons, similar to those mentioned above.

Easy paper decorations are, indeed, easy and fun, as a way of transforming a 2-D shape into a 3-D shape. There is a little bit of cutting (5 circles for a child in the group) and I am not against cutting up things in large quantities to prepare for a lesson but I do when this helps me get lots and lots of language from the children in the proces (for example here). Here, this aim would be difficult to meet. I am not sure about the staging here as painting of the 3-D finished product would be just too messy and, potentially, too frustrating as it would involve holding a half-painted piece and getting fingers dirty and destroying what already has been done.

As mentioned above, I do love all the craft activities but the effort made, the potential complications and the potential for language and the kids’ safety and well-being are absolutely crucial to be taken into consideration. The WOW effect or the pretty photos on the social media cannot be the driving force behind the decision that a teacher makes to include or not to include something in the lesson plan.

If you are looking for any ideas how to plan craft lessons, please have a look at this blog (Chapter: Craft) where I share the ideas from the classroom, tried and tested. I would also like to recommend MadFox which is Carol Read’s creation and six word manual to the principles of craft activities in the classroom. You can read more about it 500 Activities for the Primary Classroom.

Games. Because educational fun is important

‘Fun’ is one of the most popular words added to titles in education. ‘Young children learn through play’ is probably one of the first things that you will hear in different courses, workshops and trainings devoted to teaching children. It is true, of course, and it applies not only to languages but to all the other skills. This makes our lives much easier and it helps to get the kids interested and keep them involved in the tasks that, at a glace, might be less exciting or those that might involve some hard work. For that reason, only this week, I have decided to teach subtraction to 100 through colouring dictation, through puzzle and through a bunch of reindeer with a serious problem. That is why we have been developing our reading skills through jigsaw puzzles and through Petya, my new invisible student who needed help with his English and that is why I made up a chant about classroom rules. Yes, in a way I was a marketing specialist and an advertising expert, I wanted to sell my product. I did.

In one line: games are good, we need them.

And here is a game that a teacher played with a group of kids in kindergarten. If we had an observation report with the certain standards to observe and to meet, the observer would certainly be able to tick the box: game. Yes, indeed, the teacher prepared a game for the lesson. And that would be all.

Naturally, that is only a small part of the entire lesson and there is no way of knowing what happened before or after and what the aim for the lesson was. However, judging only by this short video, there are quite a few areas for this teacher to work on. It is very difficult why this particular activity was even included in the lesson and what its aims could possibly be. There are no linguistic aims as the kids only do some counting and they use only one colour (orange), only one student is involved at a time while everyone else is watching and it is impossible to figure out whether there were even any child development aims. To be perfectly honest, none of the children taking part seem to be enjoying it and some are even forced to be in, despite their intentions.

If we had to describe the game for someone who did not watch the video, we would have to say that ‘the teacher brings one of the children into the circle, to blow up a balloon and to let the air out right into the children’s ear while the other children are watching and laughing’ and that really turns the category of the activity from a game into ‘a game’. If I had been the observer and the assessor of this lesson, the comments section on the lesson plan or the obervation report would simply say: ‘Please, don’t do this again‘.

A few years ago, there was this tendency at the YL conferences that I happened to attend. Everyone seemed to be criticising the idea of fun in the classroom and replacing it with some other, more serious, methodology-worthy words such as ‘enjoyment’, ‘motivation’ or ‘pleasure’. Maybe it was a trend, maybe just a coincidence but I did not like it. I am up for fun in the classroom, although, for my own personal use and for this blog, I have coined the term: educational fun, to differentiate it from the carefree merry-making.

There is no denying that this carefree merry-making is very necessary in life but since we are teachers, we are obliged (oh-o, the serious words have entered the building) to ensure that we happens in the lesson is deeply rooted in the methodology and child development knowledge that is not only there ‘because because’. Maybe it is true that ‘girls just wanna have fun’ but teachers want to have fun and they also want to smuggle something more while doing it.

To continue with the advertising metaphor from a few paragraphs above, I did have fun but I also had a real product to offer and to promote: a set of classroom rules, a pile of sums and lots and lots of sentences to read and to improve. My students would have done them anyway, we would have to, basically, but it was easier and more pleasant because we did it through and with fun.

Project. What’s love got to do with it?

Here is one more example of the educational path to hell that is paved with very good intentions and the social media teaching that has nothing to do with real classroom methodology but that is extremely photogenic and has ‘WOW’ written all over it. I give you: a CLIL / STEM project devoted to the moon phases.

This is a real example of an activity that one of my teacher friends, Michael, was asked to do with his group and that he happily shared with me, having his own human-adult-fatherly reservations about it. As with the craft activities above, I have nothing against the activity per se but taking it into a classroom full of kids is something that I fail to imagine.

Food allergies aside and the fact that some parents might simply not approve of teachers dishing out sugar portions in class (as, presumably such issues would be dealt with beforehand), there are a few other things that might turn this seemingly amazing and wonderfully appealing project into a complete disaster.

  • somebody needs to buy Oreos and in a situation when a school struggles with providing scissors, glue, paper, plasticine and markers, asking for Oreos is just not worth it and might simply not happen. Purchasing them by the teacher is out of the question.
  • separating the cookies into two even halves, without breaking them and with the cream staying politely on only one of the sides is…well, I don’t know. It’s been years since I played this way and not with Oreos but with my delicious local equivalent and I just don’t remember. Anyway, we separated them for fun. Our main aim was consumption and we would devour them regardless of how much cream there was on either side. At best, no one can guarantee that all the Oreos for all the kids will comply.
  • shaping the cream into the required shape to reflect the phases of the moon is not easy either and it does require something close to surgical precision. And a tool of some sorts (a popsicle stick).
  • you are allowed to eat the final product and, hopefully, there is time to talk about the changes and to admire the work done but, ideally, there has to be a lot more Oreos than the number of students x 4 Oreos. Otherwise, we are going to be the cruel people to have the kids work on the cookies, touching them, smelling them but without eating them for a long time and it is a guarantee that not all the kids will be able to stay strong. In the lesson that my friend was asked to teach, the cookies did not last and the model was never made. Either the kids were too hungry or the smell of the cookies too strong, they could not resist. The resources were eaten before the completion of the project. And, to be perfectly honest, I do get it. As an adult, I would struggle myself and I would be tempted to nibble. Or to do a full-on Cookie Monster.

Perhaps it is a fun project to do and a great way of learning about the phases of the moon. For me as a teacher and as a trainer, there are simply too many ‘but’s’ that make it simply not worth the effort. Especially, that there are plenty of other, less high-maintenance and less high-risk and more methodology- and teacher-friendly replacements that can be done with paper, paints, plasticine or ping-pong balls, craft activities and projects that would be more beneficial for the kids.

Coda

We are teachers. We think about the activities that we bring to class.

We are teachers. We respect the parents who trust us with their children and who pay for our teaching skills and the educational process that we provide.

We are teachers. We walk into the classroom with clear lesson aims, linguistic, child development and personal aims, too.

We are teachers. We want to have fun but not for fun’s sake.

We are teachers. First and foremost, we are teachers.

Happy teaching!

Bibliography

Carol Read, 500 Activities for the Primary Classroom, 2007, Macmillan Education

ELT Expert Hub, Evgeniya Kiseleva and Ekaterina Balaganskaya, Teachers’ CPD. https://t.me/eltexperthub

Crumbs #73 Winter, winter and cheering up Mr Levitan

by

This is a double lesson, actually. Right now my Art Class has been divided into two, the younger and the older. Sometimes they take part in the same project, graded to their level, sometimes the project takes two different directions. This is what happened to Isaac Levitan this week. Here are all the ingredients and all the activities. Feel free to mix and match as you see fit.

Raised Salt Paintings. Santa. No watercolours.
Raised Salt Paintings. With watercolours.

Ingredients

  • Winter vocabulary: we used the following Art Winter, as the theme for the entire month.
  • A recording of Vivaldi’s winter, the first few minutes.
  • The winter scene craft: glue, scissors, pencil and paper: one big square for the box, green for the trees, white for snowman, colourful for presents and white tissue for the snow. I was considering the following version here but it was too complex for my kids. Instead I recycled what I did last year. You can read about it here.
  • The raised salt painting: pencil, cardboard, pvc glue, salt, watercolours. You can see the tutorial here.
  • And, of course, a few of the copies of the winter wonderland according to Isaac Levitan.
March by Isaac Levitan

Procedures

  • The lesson for the younger kids started with the vocabulary introduction and practice. We did a bit of drilling and some miming. We are going to be working on these in the weeks to come. So far we have only used the simplest ‘it is’ and ‘they are’ but I am hoping to take it further as regards description (It is big / small. It is hot / cold) and Present Continuous (Santa is running, reindeer are jumping) and hopefully towards picture description.
  • With the older kids, I wanted to introduce a new element, namely music. I told them about Vivaldi and his ‘Four Seasons’ and then we listened to the first two minutes of ‘Winter’. The kids were asked to listen and to think about their associations with the music. Afterwards, in the open class discussion, we talked about their impressions (Do you like the music? Vivaldi thought that it show what winter is like. Do you agree with his vision?).
  • Afterwards, we introduced the Artist of the Day and both groups looked at a few examples of the winter landscapes painted by Levitan. As usual, we talked about our impressions (Do you like it? Is it sad / happy? What colours can you see?)
  • Next, I presented the finished product to the kids. I showed them how the winter scene can be changed by adding kids’ toys, with whatever the kids had on their tables and in their bags.
  • With the older group, I showed the kids the final product and showed all the materials needed to complete the task.
  • We made the scene in the following stages: drawing and cutting out the snowman, drawing and cutting out two Christmas trees (aka triangles), drawing and cutting out the presents (aka squares). We prepared the pyramid (cut and glue) and started glueing in the figures. The task finished with tearing up the tissue to glue it on the floor.
  • The older kids were given a complete freedom as regards the choice of the design. I prepared a snowflake but they were more interested in representing their favourite things in this drawing, and I allowed for that. We did everything in a few simple stages: giving out the cardboard, drawing the design in pencil, covering the lines with the glue, sprinkling it with salt, using watercolours to add colour and leaving them to dry.
Four Different Wonderlands
The Salt Box
An Artist at Work

Why we like it

  • Both lessons were successful and, again, we managed to combine English, creativity and some interesting techniques. I used two different approaches with both age groups but I am actually very curious how the younger ones might react to Vivaldi and what kind of winter wonderland my older students might create. There is the following week, so who knows? And, naturally, when my little kids saw the drying salt paintings on the window sill, they immediately started to demand that we do it, too so we will have to. I have already promised.
  • The winter wonderland is relatively easy to prepare. To make it more achievable for my younger kids, some of whom are preschoolers, I prepared and folded the squares before the lesson. All of the parts of the picture are simple shapes (circles, squares and triangles) and, if the kids are ready, they can add the little elements themselves or just draw them with a pencil, for example the ribbons on presents. We didn’t do it but snowflakes can be added to the picture, too, for example with a white marker or a pencil. That has to be done before assembling the pyramid, though, otherwise it is a bit tricky to draw on and it can be destroyed by accident.
  • I was demonstrating the activity, step by step and we took our time, to make sure that everyone could finish their cutting, before moving on. If the kids are younger, the task can be made much simpler by limiting the number of trees, the teacher preparing a simple snowman cut-out beforehand. If the kids are ready, Santa or the reindeer can be added to it.
  • The raised salt painting was a lot of fun to create. No matter what you draw, the colours seeping through the salt make it all look amazing.
  • The process is easy to stage and to manage as the teacher gives out and collects materials needed for every stage and kids themselves can grade it to their level by drawing something very basic or something more intricate. They drew their favourite animals, they wrote their names or prepared signs with their favourite things.
  • There is a danger that the salt will make it a bit messy but if you have a big box, a bit bigger than the size of carboard you are using, everything will be great. With the older kids, we used paper plates, from which we took the salt and where it shook off the excess. Please don’t remember that it is not a good idea to touch the paint and the salt, turning the paper upside down and gently patting on it will make the excess salt fall off without destroying the picture.
  • The watercolours can be added before the glue dries which makes it all feasible within a lesson time. The pictures can be left to dry overnight and taken home or put up on the following day.
  • Upd: I did the activity with the younger kids, too and I simply loved how teacher friendly it is. Because of the number of the materials needed and the process, the activity practically stages itself.: cardboard and pencils for everyone, pencils away, glue for everyone, glue away, salt for the kids, one by one (I did use a big box! See the photos.), watercolours for everyone, watercolours away.
  • The finished product (especially if done on the recycled carboard) looks like gingerbread cookies. So pretty!
  • I really liked how the older kids interacted with the art and the artist. I have a very creative group and some independent kids who already have developed a taste for Warhol and Malevich. For that reason, I was a bit worried that they might find Levitan, well, boring and too unimaginative. However, that’s not what happened. My kids were stunned that a painting so realistic could even be created and some of them came up to the screen to check and to confirm that it was, indeed, a painting and not just a photo.
  • I was also very happy that we added music to our lesson. They listened with interest and they were involved in the discussion later on, sharing their views, although, actually, they did not agree with Vivaldi’s interpretation of the winter-themed music. Apparently, it is too energetic and too loud and winter requires peace and silence. I will be experimenting with adding music to our lessons. The younger group first, with Vivaldi himself, and then some other tunes for the older group, too. I hope that, eventually, we will be able to find someone who wrote the good winter music that matches my students’ tastes. I will be very curious to find out who that is, because I, myself, love Vivaldi’s winter.
Raised salt paintings
Raised salt paintings

Happy teaching!