Anka Zapart, Author at Funky Socks & Dragons

Crumbs #81 Making sandwiches aka a different type of Food Art

August 11, 2024 by Anka Zapart

Ingredients

anything that you want to use to make sandwiches, we used: toast bread, blueberries, cucumbers, carrots, cherry tomatoes, cheese slices
a few pictures to get the inspiration from, for yourself and for your students. There are lots of websites with creative sandwiches for kids but I wanted something simple that we could all make and that is why I just looked for illustrations on google. If you are looking for something more intricate, you can have a look here and here.
two plates for each child and a small plastic knife
we made the sandwiches in our lunch room

Procedures

We started with the picture that I created during our previous lesson, my own vegetable print and I asked the kids to guess which vegetables I used in another lesson on the same day (here) and we connected them to the flashcards of vegetables we had on the board. Before the lesson I also put up more flashcards, of all the other items to be used in our sandwiches, and we spend some time working on those, drilling and playing a game.
Important: before the lesson, I sent the list of ingredients to my administrators to ask them to buy everything we needed and to inquire with the parents if everything was ok and to check against the allergies that our students might have.
I told the kids that we would be making sandwiches and I showed them a few different patterns but I also stressed that everyone would be making their own monsters.
We relocated to the lunchroom, washed hands and sat down. The vegetables had already been washed and cut up: cucumbers into julienne and slices, carrots into julienne and slices, cheese into slices. Cherry tomatoes and berries were only washed and dried.
I was making my own sandwich, modelling what can be done and my T.A. was bringing plates with more and more veggies. I did my best to encourage the kids to ask for certain vegetables and we did it))
At the end, we went through all of the veggies to check that everyone used everything. (“Have you got any carrots?’)
Then, we went on to eat!

Why we like it

It was the most ideal follow-up of our lesson 1 (vocabulary) and lesson 2 (making print art with vegetables) and, finally, we could eat in class.
It was a great way of practising our target vocabulary, practical, hands-on, productive because we really, really used the language.
Apart from what I planned for this lesson, namely using the functional language in the context (‘Bread, please’), we also started to sing a new version of the Broccoli Ice-cream, using the combination of the things on the table and then tasting to check what we really think. And, guess what, it turns out that carrot cheese, blueberries cheese and blueberry carrot are all yummy!
The kids worked very well together, they reacted well to changing the set-up and the type of an activity. Nobody got overwhelmed or overexcited, they were patient and waited for their turn and they used the langauge. I was really proud of them.
Last but not least, we made sandwiches (some kids more than 1) and we ate A LOT of vegetables. I was worried for a while that dry bread might not be the most popular item but I did not want to include any spreads of any kind and it turned out not to be necessary. Actually, during the previous stages of the lesson, I asked whether the kids liked all of the items we had ready and I was lucky – everyone liked everything! But, even if not, they were not required to use or to eat all of the ingredients.
As for the creative element, I was laughing a lot during this lesson because my students and their monsters were just amazing and very creative. I showed just a model but I didn’t want them to follow directly in my footsteps. We all looked at our plates and everyone, clearly, had their own idea of what the monster should look like.

Happy teaching!

All the experimenting fun aka CLIL in the classroom

August 3, 2024August 3, 2024 by Anka Zapart

The summer is not over yet and there will definitely be more experiments but I wanted to collect in one post all of the experiments that we did this summer during our summer camp. Our students were all between 5 and 9 years old and they were a mix bunch not only as regards the age but also in terms of the language, from beginners to a strong B1. Everyone participated, the language was graded but, of course, the older / more advanced could be more involved cognitively and linguistically.

However, these have a lot of potential, not only because they are very engaging and have a strong WOW effect but also they can be adapted to different contexts and levels. I will include their connection in the curriculum for us, at the summer camp and some potential links to a more traditional EFL curriculum.

Last year’s fun

First the experiments that have already been described here, in separate posts:

Refraction, the original post is here. Our connection: black and white things. Potential connection: I can see, optical illusions.

Design 101, you can find the original post here. Our connection: things that are blue and water. Potential connection: colours, emotions, toys, pets.

Skittles, the activity has already been described here. Our connection: colours, prism, sugar in our food, hot and cold water. Potential connection: colours.

Volcanoes, the post is here. Our connection: things that are red and fire. Potential connection: colours, natural world.

This summer’s fun

Some of those experiments I ran myself, some of them were run by my colleagues, as a part of the programme which I designed and which we taught together at our school.

A floating orange, a perfect experiment for the Orange lesson and a great element of the lesson on objects that float or sink. We watch an episode of Blippi (or this one here) and do exactly the same, collect bits and pieces around the school, predict and then test if they sink or float. The orange, with and without the skin, was the cherry on the cake, so to speak. If you need any inspiration, here is the video to help. Our connection: things that are orange. Potential connection: materials, things around us, passive vice.

What colour is the colour black? This was an absolutely fascinating experiment that I found and ran following the example of The Dad Lab. The only thing you need is a range of black markers, from different sets and different brands, a few jars or glasses with cold water and strips of kitchen towels. The results are almost immediate and it is very obvious to see the great variety that can be combined to create the black ink for the markers, not only the browns, greys and blues but also greens and even yellows and reds, depending on the manufacturer. Our connection: things that are black and white. Potential connection: colours, I can see,

What colour is the colour white? This was the other half of the lesson described above and we also looked at how the colour white is created. We produced our Newton’s disc to see how different colours can mix to become white. There is this video here, in which you can see how a proper spinner is made although we used a simpler version, on a pencil. Our connection: things that are black and white. Potential connection: colours.

Cabbage juice or the ph indicator. This was probably one of the coolest experiments ever. On the one hand, we had a real staging and a real topic (ph indicator of different substances in our life) and a real Chemistry lesson. On the other hand, this was an experiment that most resembled proper magic. There are quite a few things that are necessary, all the substances (see the video here that I used as inspiration), a few jars or bottles and, of course, the cabbage jar. Many videos and manuals suggest using a blender but I didn’t have one so I just chopped the cabbage and threw it into a jug of warm water. This was also an interesting bit as the water started to change the colour within the first minute. Even though my students were quite young and with not a very high level of English, we talked about acids and alkaloids and tried to predict how the cabbage juice will behave. Our connection: things that are purple and pink. Potential connection: food and drink, introduction to Chemistry, future with ‘will’ for prediction.

Travelling colours, another very simple craft and very good for the young kids and beginners who have only little langauge but can learn a lot about mixing the primary and secondary colours. Our connection: experiments with water. Potential connection: colours, primary and secondary. The video that I watched to learn about this experiment is here. At first, I used regular paints to colour the water but the dye is not strong enough and although the water wets the strips of paper towel, it does not carry the dye. We repeated the experiment with proper food dyes and that was a lot more successful.

Why we liked it?

I have to admit, I had so much fun with these lessons! We had a whole day at the camp and we didn’t need to rush anyway. There was time for English vocabulary and grammar, another lesson for the creative activity and then, after the lunch break, one more slot, just for CLIL and Science. It actually helped a lot to put it at the end of the day. The Science lessons were more hands-on and I had a longer break which I could devote to preparations. That came in very handy indeed.

All that meant that preparations were required and, admittedly, not all of the resources necessary are the things that you would just find lying at the school, but, they are definitely materials that can be easily found around the house. That, of course, meant, going to school with a bag packed with the most random selection of things but, hey, it was definitely worth it.

The summer is not over yet and there are still a few lessons to come and a few more experiments. I will be adding to this list but I am already ready to say it out loud: Science is cool!

Happy teaching!

Kind of green. Summer still-life #2

October 8, 2025July 28, 2024 by Anka Zapart

Last week, we had an opportunity to still-life twice, with the same group. Make sure you check out the other post, too. You can find it here.

The language

This was one more lesson we did this summer as part of our summer camp, with each day dedicated to a different colour and we had a whole lesson which we could devote to language practice. This lesson went according to the same plan: a song, things that I green and things that we like. We also included more practice and games and we wrote a poem about the colour green, modelled on the poems I found in the Little Learning Corner.

The artist

Initially, I was planning to base this lesson on Ilya Mashkov and his pumpkin painting because it worked very well in the past (post here) and the kids responded well to it. However, having decided to do just that, on the day of the lesson, while going to school, I realised we needed something more. Firstly, because I have a new group, with mixed ages and levels and all made of kids who did not attend my Art lessons throughout the year. Secondly (and more importantly), the colour and the shades and the logistics of it, were a new concept and I wanted to set an appropriate time slot for that. Instead of looking at some other paintings we got down to business:

Shapes: we looked at all the green fruit and vegetables that I brought and described them using simple shapes. In order to help the younger kids, I also drew them quickly on the board, too, to demonstrate that it is not necessarily very complicated.

Colours: for this part of the lesson, we all sat on the carpet, around a piece of paper and a box of watercolours. We tried different colours in the box (there were 2 shades of green) and then we experimented with mixing shades, creating new ones and trying them out on paper. We checked how adding water works, mixing greens with white, black and grey and then we just used a few combinations that kids suggested.

Outlines: I personally love drawing with crayons and colouring with watercolours, because the crayons do a great job of holding the paint within the lines and really like the contrast of the most random colours used to sketch. Black is not the only option and I wanted to share that with kids. I demonstrated that but I also told the kids that they can also use pencils or nothing.

The art

Before the lesson, I prepared the working stations and the kids were taking their after they got up from the carpet. On the way, they also picked up their aprons.

I gave out all the materials: crayons, water, watercolour, paintbrushes, palettes for mixing and tissues and we got down to work. The kids were working at their pace and I was just so happy that I had my TA who could help monitor a relatively big and varied group.

My eldest students were working very well on their own and they really didn’t need any real support and direction. The youngest students took a while to get started and were definitely in need to the first step accompanied by the teacher. For two of the children, we even had to start the sketch and let them continue.

It is interesting to see how many different ways of looking at the composition of the still-life the kids took. I tried to suggest starting from the biggest and the most obvious ones (the broccoli and the zucchini) but I did not insist and, as you can see, some of them went as far as just drawing a set of fruit and vegetables, reminding me of a page of a XIX century herbarium.

Regardless of their age, they really enjoyed working with the colour and the experimenting with different combinations of paints. They were working and, again and again, they would call us out, me and my TA, to come up to their desks to look at the new variations of green. ‘I’m a real artist!’ our youngest in the group said proudly when we were about to start working.

Some of them also went as far as working on the texture to match the texture of different fruit and vegetables but, again, I did not insist on that. That’s a separate lesson, something to look into in the future.

Three of the children completed the ‘obligatory’ fruit+veg painting and went on to create their own paintings, one for mum, one to experiment with different painting techniques and one, ‘the glory of the colour’, just because a 5 y.o. found an especially bright box of colours and she decided to express herself with them. Two of the creations were never photographed because they were so precious that my student just snatched them, still slightly wet, to leave them in the changing room, not to forget to take them home.

Next time to-do list:

Make sure that all the kids have a spare piece of paper to try out all the new shades before applying them on the actual painting.
Write the lesson plan on the board. I didn’t this time and it is a pity, it would have helped to keep everyone more or lesson on the ball.
Prepare some kind of a version of a template or a sketch ready for the youngest children, in order to help them jump over the huge challenge of the drawing stage and in order to be able to focus on the colour and the shades. Technically, this could also be a separate lesson, too, with a template for everyone, to focus on the colour or on the texture.

The gallery

Happy teaching!

How we watched the paint dry. Bubble painting! Teaching English through Art

October 8, 2025July 21, 2024 by Anka Zapart

This was not a typical Art lesson for many reasons. First of all, it was a part of the camp programme, so I had a mixed ability group, with many children who have not created a lot with me. Then, it was an Art lesson that did not involve the Artist of the Day and, also, a lesson which was fully and thoroughly devoted to the process, perhaps more than any other lesson that I taught.

The language

This particular lesson was taught as a part of the summer camp programme which meant a lot more time for all of us, we had one lesson for the language practice and one separate lesson for creation. And one whole lesson for Science and experiments! It was a part of the Black and White day so in our English lesson, we talked about the things that are black and white, we did some acting, we talked about our preferences (Do you prefer a black and white zebra or a colourful zebra? based on the illustrationsI found) and we wrote a poem about our favourite black and white things. We also had a fantastic Science lesson in which we were learning about what the colour black is made of and what the colour white (aka the light) is made of.

The art

Initially, I had a different idea for this lesson and I wanted to create two drawings (black on white and white on black) but we did something like that very recently and I needed something a lot more inspiring.

I did ‘waste’ some time thinking about the ways of making the connection between the colours and the art (something that is one of my favourite things, this kind of a brain-breaker) but, luckily, a few days earlier I was also researching new watercolour techniques and this is how I found a video on Lemon Creation ‘The most relaxing watercolour technique ever!‘. Then it was easy for the grey cells to make a connection: bubbles = white, bubbles = light, bubbles = colours.

I tried and tested the technique on myself, the day before. It helped me to understand the process better and to plan and stage it for the classroom full of kids. Not to mention that I had lots and lots of fun with it, as an adult. A delightful process that I really wanted to share with my kids.

In the classroom, the next day, it went like that:

I showed the kids all of the materials (plates, spoons, straws, washing up liquid, watercolours, paper, paintbrushes) and I explained that we are going to make bubble paintings.
I showed the kids my creations, already dry and ready for all of us to see the final product.
The next step was the list on the board, all the stages with simple verbs, for each of them because, again, this is an activity whose success depends a lot on the careful following in the footsteps of the teacher, one at a time.
And, to further underline it, I produced one more picture in real time, with us following the instructions on the board and the kids watching the process, from the beginning until the end. Initially, I wanted to colour the bubbles only with the black paint, in order to keep in line with the theme of the day but I quickly gave up on the idea. Not because it is a bad idea but because adding more and more colour and looking at how they seep into each other and mix and dry was way too much fun to skip it.
Giving out cups and straws to all the kids and making out own foam would be a lot of fun but I didn’t want to risk anyone taking a sip of the soapy water by accident (and, mind you, that is very easy, even for an adult, I did it myself while in class, oups) so I decided that there will be only two Foam Makers, myself and my TA.
After we have given out resources, put on aprons and prepared the paper, we started to walk around the room with my teacher assistant giving out the foam to kids. At home I used a piece of cardboard but a spoon is a much better solution (Miss Nigina’s idea:-).
Children went on to infuse their bubbles with colour and only now and again someone would should ‘Miss Anka, more foam, please!’
Some of the kids named their paintings in the same lesson, some decided to leave it for later (‘Miss Anka, I haven’t finished yet’ as my 5 y.o. artist told me).
When we came back after the lunch break, we unpeeled all of the pictures, signed them, named them and decided who is taking theirs home and who is keeping theirs on the noticeboard.

If you haven’t figured that out yet from the first 500 words of the post, I am here to tell you that we absolutely enjoyed this activity.

Yet again, we had an opportunity to learn to keep the pace and to follow detailed (but carefully-staged) instructions. We created these beautiful pieces that you can see in the photos and the kids were fully engaged. It is almost difficult to call it ‘painting’, it seems that ‘a show’ would be a more appropriate term as it was a whole performance that we created with the help of the bubbles and the watercolour. Observing how the paint seeps down, through the bubbles, colouring them and then drying and changing slowly…We literally watched the paint dry and it was an absolutely fascinating experience.

It was only after the lesson when I had a chance to look at the photos that we took during the lesson and the kids in all the photos are so focused, so engrossed, so into it…A beauty to behold!

The study in pink that is the title photo of this post was created by my 5 y.o. firestarter who, when ‘forced’, stops plotting how to destroy the world and sits down to paint and ends up putting together the most amazing pieces. Like that one. I have already had a chance to witness it 6 times and every single time it is a wonder.

There many things that can be done with the finished paintings, with the use of markers or colours or even collage and we will definitely be coming back to it! Bubbles for everyone!

Happy teaching!

Hokusai, waves and watercolours!

October 8, 2025July 21, 2024 by Anka Zapart

The language

This particular lesson was a part of our summer camp programme devoted to colours and that day was dedicated to ‘blue’ and all the blue associations, namely the sky, the water and the peace. For that reason, the language of the lesson was dictated and aligned with everything that we do in the other days of the session: talking about the things that are blue miming and guessing, writing a poem about the colour blue and singing songs of which my favourite one is this one here, from Kiboomers, with a catchy tune and the repetition.

The artist

That particular lesson had a whole party of artists as I wanted the children to see a few different ways of depicting water in Art, with Turner, Hockney, Monet, Levitan and, of course, Hokusai. I live by the river and I have piles of photographs of the water and, as a joke, I decided to include one of my own photographs in the presentation. We looked through all of those, depicting a wild sea, a swimming pool, a pond with lillies, a wave and a river. Very briefly, we talked about the water being either calm or in movement and the children noticed themselves that there were no people in the paintings.

The art

For the creative part of our lesson, I chose Hokusai. He has been on my mind for a while, just waiting for the most opportune moment and this moment came. I also wanted something that my mixed age group would be able to handle and recreate. Calling Hokusai ‘simple’ would be offensive but it is a print, with lots of intricate elements but the power of the water can is really shown by the line and that is something that even the little kids can relate to and to act upon. And they did!

The other thing that I wanted to do in this lesson is the use of a variety of watercolour techniques. It was very tempting to go overboard and experiment on a large scale, using everything we worked with before (a post here), but my students are the moment are still beginners in Art and very young, so I decided to be a clever teacher and I chose only three: crayons and watercolours, salty water and what we called ‘a broken brush’.

Before the lesson, I cut up the paper and all the students got three pieces of paper (A5) which I attached to the tables with the paints scotch. This really helped to set up the activity as it was clear, from the very beginning that we are going to paint three pieces. The size of the paper made it possible as they easily fit on the small table and it was perfect as it would not require too much colouring and painting. Three were a feasible number in one 45-min lesson. We reinforeced that by counting the pieces of paper and matching them to ‘technique 1’, ‘technique 2’ and ‘technique 3’ which I wrote on the board.

At the same time, the most important piece of instruction for this lesson was ‘step by step’ that I kept repeating throughout the lesson. I wanted to make sure that no one will draw on all three pieces at the same time or just destroy the paper. Or anything else that a creative pre-schooler can come up with.

I demonstrated each technique for the kids, step by step and we went on to create. I left the salty water for the very end.

There are the techniques that we use:

crayons and watercolours: give out crayons, one per child, a crayon of any colour as it really does not matter and any colour will look good and then colour the picture with watercolours which will not affect the drawing.
the broken brush: give out crayons, one per child, draw the wave, proceed with colouring the picture but instead of smooth strokes use the broken paintbrush: pick some paint and make small stamps with the paintbrush, mistreating it and leaving prints similar what a duck would leave. When there are many of them, the wave get a wonderful texture, especially when different colours and shades are used. Even if the prints are done inexpertly, the wave is covered in blotches of colour and it looks lovely, too!
salty water: I walked around the room, adding water to the pots that all the kids had (in some cases we had to pour some fresh water as it was very dirty) and I asked them to stir it properly and then we used the water to dampen the paper as it is a wet-on-wet technique and then drawing waves and applying little drops of colour and watching how it spreads beautifully. Here, the crayon can be used, too, to sketch the wave but last week we decided not to.

It was a great lesson and I am very happy with the outcomes. The task was easy enough even for the youngest kids, especially that they had three chances and even if some of them did not feel very confident at the first step and the first wave, they all got a chance to do it again and it was visible how their confidence grew. Technically, it was not complicated so the kids could focus on the creativity and on enjoying the process. Which they really did, both my youngest ones and my oldest ones (that’s 5 and 8 y.o.).

We got a set of amazing pictures for all of them. It was interesting to leave the pictures for the lunchbreak to dry and to come back later to check, together, what changed and what they looked like in the end.

It is the camp so, of course, we had some new children joining the group and it turned out that this kind of a task had a lot of potential for the mixed ability groups, who had done nothing of the kind before and the combination of three techniques helps to build the routine even within one lesson. What’s more, this type of a task works very well for staging and getting the kids to listen, simply because we go ‘step by step’ and doing that is the crucial part of the process. It is good to have this kind of an activity at hand.

Sitting here, thinking that Hokusai was a great choice, for the kids and for the teacher, too! Now, I can dreaming of making a real Hokusai-inspired print. And of writing a few more posts that he accidentally inspired.

Welcome to our gallery!

Happy teaching!

Upside down art. White on black!

July 12, 2024 by Anka Zapart

The artist

We did have a set of paintings ready for this lesson as I taught it before, as part of our Monochrome March but we haven’t really used it. The reason for that was the fact that our lesson was brought about by the theme of the Camp Week 3 and that was: Wednesday Addams. Not my favourite topic and, definitely, not my choice but that was the brief, as it were, and I decided to go through with it, thinking of the ways in which the dots could be connected. And I found one as I am pretty sure that miss Addams would be a huge fan of the upside down, drawing with white on black.

The language

This lesson was a series of four lessons on the day and that is why we could devote each of them to a specific topic and activities. Our ‘strictly English’ lesson focused on ‘I’ve got’ and pets and we really did lots and lots in terms of practice and speaking. We had a proper craft lesson, in which we created our own unusal pets and we talked about them, too and that is who we could easily devote our Art lesson to just creating and experimenting with all the new materials.

The art

I simply loved the look on my students’ faces when I showed them the materials that we would work with in class, on the slide and on my desk, a pile of tiessues, chalk, white pencils, cotton pads, cotton buds, toothpaste and black sheets of paper. It was an amazing and beautifully executed surprised ‘WHAT?! You want us to use THAT?’ When I joyfully announced ‘And tootpaste!’, someone even echoed ‘Toothpaste?’, without any conviction whatsoever in their voice.

We went to the carpet to experiment a little bit with the white pencils and the blending stump pencils. Everyone had a go. I also showed the children a few pictures that I made at home to show them how it is possible to mix a variety of materials in a collage painting.

Then we put on our aprons and sat down to work and I distributed all the materials, the paper, the pencils, the cardboard plates with some tootpaste on them, the tissue, the cotton pads and the cotton buds (to dip in the paste to draw). The kids were told that they could choose any topic for their painting.

Once the paintings were ready we came up with the titles, we cleaned up and we put up the paintings on the board, to dry.

As usual, I was surprised and amazed how my students, of different ages, took to the task. We went from disbelief through first dabs at the new resources and materials to creating all the beautiful masterpieces that you can see in this post. Everyone made their own creative decisions and, as a group, we ended up creating such a variety of themes and approaches. The kids were absolutely thrilled with the process and happy with the result. What more would you want from an Art lesson?

Naturally, we are going to do it again, for sure, and now I am only wondering what else I could add to the list of the white resources to use on the black sheet of paper…

Here are some of our creations:

Happy teaching!

Crumbs #80 A clever drawing dictation

July 12, 2024 by Anka Zapart

‘Students draw…’ is one of the YL-related lines that is my personal pet peeve…You can see it in coursebooks, teachers’ books, in lesson plans and on the social media. The idea is that a bunch of seven-year-olds (or younger) will have their teacher give out the pencils and they will hear their teacher say ‘draw (insert your word)’ and they will just sit down, get an idea and complete the job in five minutes without any issues and (AND) afterwards they will be ready to talk about their pictures, to present their work or do whatever goes under the productive part of the project.

What a joke! It looks good on paper and in theory and in a real classroom it is going to translate into a neverending, unproductive, very often full of blood, sweat and tears task because the little people simply do not have the drawing skills, the time management, the imagination and the self-control necessary to complete the task that the adults imagine them to do and, more often than not, they will really want to do it well because they care, they love a project and they love drawing and those zoo animals, monsters and princesses that they were told to create. Or, quite possibly, they don’t like drawing, they are into other creative areas and they will devote precisely a total of sixty seconds to that task having then announced ‘I have finished’ and already on the lookout for other things to do. While their more involved peers are still busy and far from finishing, leaving the teacher with a room full of self-induced mixed ability group.

Is there a solution to that? Yes, there is. There must be. This ‘students draw’ has been on my mind for a very long time and there are some ways of handling it, the first of them – taking the coursebook and the ideas with a pinch of salt. Or two. The second of them, working on the staging and the clever way of keeping the activity in shape and everyone on the ball.

This is one of my solutions. It has worked very well with both groups and I am already thinking how to adapt it to other topics. As soon as I do come up with something and as soon as I trial and test, I will be adding to this post. For now, only one topic: the dinosaur.

Ingredients

Paper and pencils or markers for the children
A set of cards that help to shape up the drawing process, like the one that I used in a lesson in which we created our dinosaurs.

Procedures

It is noteworthy that the lesson in which we actually draw the dinosaur was only one of the series of lessons taught over a period of three weeks and was proceeded by a few lessons in which we introduced and practised new vocabulary, did a mini-research and described the appearance of different dinosaurs. After our dinosaurs were ready, we added a fact file, did lots of quizes on dinosaurs and, eventually, had a role-play aka an interview about a dinosaur. The drawing lesson was just a part of a long chain of activities.
The teacher asks the kids to open their notebooks and get the markers or pencils ready or give out the paper for the drawing, depending on the set-up in your context.
The teacher tells the students that they are going to create a dinosaur, their own dinosaur and that they will listen to the teacher and make decisions. It might be a good idea to show the children the cut-up cards and to tell them that each card is a decision about a dinosaur.
The teacher is supposed to draw their own dinsoaur, either on a piece of paper or on the board.
The activity starts with everyone drawing a circle or an oval for the dinosaur’s body in the middle of the page.
The teacher picks up the first card (i.e. ‘draw a long neck’ OR ‘draw a short neck’), the teacher reads it out loud and makes their own decision, announces it out loud and draws the neck for the dinosaur. The teacher then checks with all the students, in turns, what choice they have made, making sure they say out loud what they have decided to do. The kids draw, the teacher monitors.
The activity goes on, with the teacher doing one more round and then the students taking over and reading and dictating for the class and the teacher.
In the end, the student come up with the name for their dinosaur with the suffix -saurus (although it is, of course, not the only suffix used to created dinosaurs names).
The lesson finishes with all the students introducing their dinosaurs briefly and only in the following lessons do the students proceed with working on their dinosaurs (facts, role-playes etc).

Why we like it?

I loved how this format worked in the classroom. It was well staged and it helped me manage the children and their creativity, without losing control and without anybody finishing ahead of time or going on for too long. It was also a perfect combination of teacher-centred and of individual creative choices for every student.
I had quite a few cards to use but I was prepared to use all or not all of them, depending on how focused or interested my students would have been. In the two lessons / groups I did it with, we managed to go through all the cards (aka decisions).
The kids were prepared for the task, vocabulary-wise and we also could use it to practise it further, through reading, confirming, checking etc. The words were out there, in the air, throughout the entire lesson.
The kids absolutely loved their dinosaurs. Some of them even managed to finish their first dinoasaur, and draw another one.
It worked very well also as the preparation for the more productive part of the project, our interviews – role-plays in the following lessons.
Kids also enjoyed the fact of being responsible for making the decisions, step by step, while creating their dinosaurs.
I will definitely be applying this particular approach to our projects in the future.

Happy teaching!

Erik Bulatov. A word that is also a picture

June 29, 2024 by Anka Zapart

Even today, after a few days have passed since the day of the lesson, and with other lessons that have happened in-between, I am still simply, well, euphoric, about the lesson I taught and about the art we created. Cloud number 9.

I saw Bulatov in an exhibition more than ten years ago and, my oh my, what an inspiration he was. Really, I cannot think of anyone who had an impact comparable to him. And he stayed with me. For days on end did I draw letters and tried to make them work together. I even turned one of the pictures into a pillow case, in black and white.

A few weeks ago, I got to see his exhibition again and, once more, it was a blast, in every possible way and, naturally, I made an instant decision that we would do it in class, sooner or later.

The artist and the concept

It was with a real pleasure that I got to tell my students that our Artist of the Day is a contemporary artist who is almost 91 years old and who still lives in our city. They got really excited about it.

However, before we looked at Bulatov’s works, I wanted a proper lead-in. It seemed crucial to me that my students start to use the words as images, to have them look beyond the letters and to see the bigger picture. In order to do that I decided to use two tools or two tricks and I am so happy that what I came up with worked wonders.

The first, really easy exercise was to look at the colour words and to read them as words and as colours. There are plenty of resources that talk about the Stroop effect and pleny of resources to use: the online game, the article, the quiz video. I used a super simple visual, like this one here. The kids loved the challenge and I was having fun with them, quietly celebrating the fact that reading (all of a sudden) is an easy-peasy task for my almost-year-2 students.

For the following stage, I used my own illustrations of some of the Portuguese words which you can see the photographs. My students don’t speak Portuguese and I wanted to have them try to guess what they might mean just looking at the visuals. And they did so well here! Preparing those visuals took some time but I loved this kind of a homework and it made for a lovely evening for me. I chose ‘o sapo’, ‘a casa’, ‘o amor’ and ‘os olhos’ (without articles) simply because I had an idea for the illustration and I knew that my students will know these words in English. Obviously, any other words can be used and any other language that is appropriate in the context. I have already decided that when I teach this lesson again, I will use a wider range of words and a wider range of langauges.

At this point it was already obvious for the kids that words are more than ‘just words’ and we were ready to look at what Erik Bulatov created. I chose only five of the paintings. We looked at them and we briefly analysed why these particular words were presented in such a way. The main idea for this lesson was the sentence that I repeated a few times during the lesson and the one that is also the topic of that post: a word is also a picture.

The language

The language input was minimal in this lesson as we only talked about the different words that the kids could use. As an example, I suggested using their names, animals, food, emotions and professions (the theme of our summer camp). The kids had time to think about it (as we were getting ready for the creative part, bringing water, getting on the aprons, giving out paints and brushes) and when they were ready, I wrote all the words they suggested on the board.

I was considering showing them a few examples of the English words that were also turned into images such as a few variations of ‘love’, ‘a cat’ and ‘a dog’ but I decided not to put them up, just to see what the students can come up themselves.

It is worth mentioning, however, that, depending the language input can be extended and there is a lot of potential for combining this lesson with a lesson on animals, colours, seasons or fruit and vegetables. I will definitely be going back to it and I am already excited about it. I want to be perfectly honest here, though. I focused on the artistic part because we are at the summer camp at the moment and there are separate English and Art lessons and, hooray, we have more time for English and for Art. Our Art lesson, however, was done entirely in English.

The art

We used very basic materials: pencils and watercolours. We didn’t even have any real watercolour paper, because we ran out and we had to use the regular photocopying sheets. Not the best choice, but it didn’t stop us from creating.

I gave out the paper and pencils and we started to design our words. It is a good idea to keep a few spare pages of scrap paper for the kids to practice because it might be a bit complicated to get to the ‘acceptable’ level of quality of the letters or the picture, even with a good general idea, this does not happen naturally. I experienced that myself with my ‘casa’ picture and I was just so happy that I kept the drafts because I could show the kids that only practice makes perfect. Next time we are going to create Bulatov, I am also going to include different versions of his paintings that I saw at the exhibitions, either sketches (if they are at all available) or the same painting with various approches to the composition, size of letters or colours that I know exist. They will be a wonderful lesson into the creative process. Actually, here is another great idea for a lesson for me and for us, from the sketch to the masterpiece…Soon, I promise, soon!

After the sketches were ready and the kids were happy with them, we started to paint. That’s it. The only thing to follow will be only my admiration, love, excitement, awe and multiple rounds of applause and high-fives. My kids did great.

Here is what went well / very well / amazingly well:

We went smoothly from the main idea, to Bulatov’s paintings and to our own creations
The kids did great, many of them knew straight away what idea they want to depict and they just went for it. They worked very well, they were focused and motivated. Many finished their first original idea and went on creating.
Designing the ideal visual was not easy for all the kids and not all of them got there from the first time. Keeping the additional sheets of paper was a good idea, showing my failed attempts was a good idea, too, and it did help some of the kids. I was really proud of those who got upset at the begininng but decided to go on and created real masterpieces.
It was interesting to work with this particular group of kids because they were a new bunch, a mix of my students and some new children who joined us only for those two weeks. All of them, however, apart from one, were new to the artistic activity, unlike everyone who took part in our regular Art Explorers activities that I normally write about here. And it was such a joy to teach them and to take them into the world of creativity.
We used the simplest resources, the pencil and the watercolours, but I have already started to wonder what else we could use. Perhaps gouache, perhaps acrylic paints or maybe a mix of techniques, paints and a collage, with the newspaper cut-outs…So many things to think about!

The only thing left now is to invite you to admire what my amazing artists have created!

Happy teaching!

The unsung heroes of the YL/ VYL classroom. Volume 2

June 22, 2024 by Anka Zapart

This is the second post in the series and the link between them is the painter’s scotch that already futured in the first post but that is still one of my top 5 things in my bag. And here are some more…

The alphabet

We started the academic year with ‘Aa is for apple’ in our handwriting booklets and we spent the first three months on meticulous handwriting exercises. When we got to Zz and we were more or less familiar with the whole set of letters, I would write all of them on the top of the board for the kids to copy. I know that there are a lot of posters available on the market (and my school prints their own, too), but I just didn’t like them as they did not match my set of requirements: big letters, handwriting, font matching what we have been using and some visual representation, too, to help make them a little bit less abstract. With the visuals that we already know instead of some randomness such as ‘N – nest’, ‘Q – quilt’, ‘S – sparrow’, ‘Y – yak’ or even ‘X – xylopohone’ that are either very rare, well beyond the A1 level, not child-friendly or just vile (yes, I am talking about the xylophone that has the randomest pronunciaction of ‘x’ ever).

I made my own. I made two, one for 1A and one for 1B. The only thing necessary was an A1 piece of cardboard, a marker and a set of stickers.

It has spent the second half of the year on the walls of our classrooms and we used it as a reference point in all our writing exercises. The kids used it on their own and I used it, too, to direct them towards the correct letter. ‘Dd is for dog! Look!’. All in all, it helped us made huge progress with our literacy skills. No more than that but so much!

The chalk markers

When I found the Treasure of the Year, I was looking for something else entirely. I was getting ready for the Art classes, White on Black, googling for black drawing paper and white pencils. I found them and the lesson was great (you can read about it here) but what I also found the Solution of the Year and the Teacher’s Love of the Year: the chalk markers.

The thing is for the previous six months I had been forced to use the traditional blackboard and the traditional chalk and I hated every single moment of it, after all my educational like in the Polish state schools, fourteens years as a student and five as a teacher; hatred from the very bottom of my heart, because of the dry hands, because of the chalk dust on your clothes and because of the cloth. And then I found the chalk markers that I had not even known existed!

They are beyond amazing. They last a few weeks, they are just markers and they are quite thin so it is a dream to be writing with them and you can be very accurate and produce intricate letters and drawings. And they erase easily!

The trolley

I spent about three weeks of the academic year being miserable. I had two groups and two classrooms and the whole day was about moving from one to the other, together with everything that I needed in my teaching life: markers, toys, flashcards, cards, stamps, schoolbag, thermos, notebook, my magic wand, glue, craft paper, pencils…Most of the time wasting on it the entire length of the break. Every single time, every single day. The classrooms are door to door but, still, it meant making a few rounds, a few times a day. It’s not that I did not have a place to keep my things in either of these classrooms, I did, but it was still impossible to have two separate sets of cards, two separate sets of puppets, two separate sets of markers for the whole class.

The misery lasted almost a month until I had enough and I looked for solutions. I used to use boxes and baskets in the past, with my preschoolers but these would not work in these new circumstances. This is how I got my trolley, four metal shelves of happiness on wheels. Each shelf has its own theme and I keep there, going from the top: markers, flashcards and storybooks and puppets, cards, packets small scrap paper cards and handmade cards.

It is super easy to move from one classroom to the other or to roll it around the classroom while handing out boxes with markers. It is light so my students can help with it and they love doing it. They actually love to pretend play being flight attendants and giving out things. It made my life much easier.

One more thing! That trolley is getting me one step closer to becoming a Real Babushka!

The cupboards

One thing that I definitely had a chance to find out about myself is that I am thoroughly obsessed with order. It might have something to do with some form of OCD because mess and disorder makes me very unhappy. In the past, I must have lived in some kind of an ignorance but that’s because I was not obliged to share the classroom with another teacher on permanent basis. Until September 2023.

This was when I realised that I am deeply unhappy with the disorder on the table, on the cupbards, on the window sills and on the shelves. This was when I understood that I like my classroom near to empty, without all of these toys, games, books and (omg) candy that children have a full and unrestricted access to, which, of course, has a detrimental impact on the general classroom management. Alas, when you have to share, you just share and try to live to tell the story.

The cupboards made it possible and because there are two that I have got, I can be easy-going with how I organise the shelves and what I put things. In one word, I have room for everything. One full cupboard is filled with books, workbooks and notebooks and the other is my beloved Art cupboard, with all my resources, treasures, aprons and jars. They are all located at the back of the classroom and sometimes, when I teach, I like to glance at one or the other and smile. Peace and quiet, law and order in my resources.

The markers

There are many stationary items in the primary classroom, pencils, pens, crayons, coloured pencils but ‘Nothing compares to you’ is what I would sing to my boxes of markers. I think, perhaps, it might be because of the hours spent in the young learners’ and very young learners’ classroom or, in other words, because of the hours spent with people who are learning to hold a writing tool and people who are learning to use it to write their first words.

On behalf of my students, I prefer them to everything else, because, first of all, they are much easier to handle for an inexperienced hand, much easier to hold, requiring less muscle power to hold and to produce a line, very often much thicker and much lighter than anything else. Not to mention that because of the colours and the excitement of using them, they make the difficult and tiresome task of writing a tiny little bit more appealing and motivating.

We use them throughout the year to colour and, also, in the beginning of the year to write. I cannot really say exactly when we stop and switch to pencils and pens as it varies, from year to year but that is our general procedure.

Happy teaching!

Materials May: stone painting!

June 22, 2024 by Anka Zapart

The language

This was the last episode in our series of Materials in May. The language input was a revision and limited to colours, emotions and animals which was also consistent with the vocabulary that featured in the photos I found online to inspire my students. Which, of course, means that the vocabulary can be adapted, adjusted and selected to match the topic that you are planning to focus on or the topic that the stone painting is supposed to accompany.

The artist

Since our main character was stone, I decided to choose a group Artist of the Day and look at the artistic creations across the centuries made specifically of stone (or, rather, different variations of it) such as the Sphinx of Giza, the Easter Islands monuments, Nike, the Greek goddess and Moscow lions, among others. The great thing about it was that many of these, the kids were already familiar with and they could relate to them on a slightly different level, for example, because they had a lot to share, although most of the time this was done in Russian, rather than in the target langauge.

The art

The art part was very simple and straightforward. We started with looking at a great variety of stone paintings that can be found online, with different smileys, fish, dogs, cats, elephants and what not. The kids were told that they would be able to paint whatever their want.

We proceeded to choosing the stones and handing out pieces of paper and pencils as we were to design our drawings. We traced our stones on the paper and spent some time trying to figure out the best picture or pattern for our stones. I tried to encourage them to be inspired by the shape, especially that we had stones of two different sources.

A word here on the stones themselves. They came from two main sources. Some of them were the ‘pretty’ craft stones, round and polished and I bought them in a craft store. The others were more organic, collected by me in the neighbourhood. These are irregular, ragged, rough but also more inspiring. I washed all of them with soap and hot water. In the end, they were left in a bowl with hot water, in order to sanitise them as much as possible.

When our designs were ready, we put on the aprons and started painting. Our paints were on a big table in the middle of the classroom so that all the kids could share all the resources. We used two types of the acrylic paints, I had some basic colours (but in lovely, rich shades) and some pearl colours (in other shades, as it happened). A part of the fun on the day was mixing of both in order to get the best of both. I am not sure if it can be seen in the photographs but it really worked out very well.

As for the design, as I said before, the kids had a free hand and they chose whatever they wanted. We had some smileys, we had some ‘favourite things’ such as the horses, the geese and Picachu, we also had some ‘magic stones’, which were only coloured and decorated. Because the acrylic paint dries relatively quickly, some of my students managed to decorate both sides of the stones.

I had the black markers ready for the follow-up decorating as it is also an option, especially useful for all the tiny elements of the drawing or the tracing, but it turned out not be necessary in the end. As with all the materials lessons in May, I announced that we would be leaving our creations to dry overnight but, guess what, that also didn’t happen. Almost everyone insisted on taking their stones home asap. I barely had time to take any photos. I suppose that means that the lesson was a success.

Happy teaching!