#eflsongs

Crumbs #78 Making our own songs with kids.

by
A paintbrush, that took us all by surprise with how beautifully it caught and preserved the paint. We all kept staring at it for a few minutes, in admiration.

I have already written a lot about things to do with songs. Here you can find a post about the steps to take to properly un-sing a song and to make the language your spoken language and another one on creating your own songs for the use in the YL classroom.

Today, I would like to share with you a project that we have been a part of for the past two months and that I am hoping will continue until the end of the academic year: our own month song.

Ingredients

  • a song and a melody that will be used as a model, in my case it was January Song from Sing Play Create.
  • a group of kids and a teacher to manage
  • optionally: an audio of the melody, ours was Frere Jacques, it was easy to find.

Procedures

  • First, a story: Our lessons in December, with my year 1 kids, started with different Christmas songs as we had already abandoned the regular Hello songs somewhere in December. When January arrived, I wanted to devote a part of the lesson to a chat about things that we do in that month. And to introduce that slot, I was looking for a song. I found it and quite easily and it was perfect – short, call and response style and with a relatively simple melody. We sang this song throughout the entire month. Then, February came and I started to look for a song that we could sing. I did not find anything that would work for us, something easy and short, without too many cultural references that are not at this point relevant. I didn’t find anything that I could use. I decided we are going to create our own.
  • In the first lesson of February, I explained to my students the song situation and encouraged them to think about our own song. They made a real effort and we ended up with a song in 1 a and a slightly different song in 1b. I wrote the songs on the board and we photographed the board. Every day, at the beginning of the first lesson, I would take out my phone and start singing for the kids to repeat. Some of the phrases were familiar to kids, the others I helped to translate.
  • We repeated the procedure in March and ended up with two verses in both groups that we sang for a week.
  • The next step was of course the kids’ versions. I did not prepare them for that in any way and on one of the days, I simply asked: Does anyone have an idea for a new song? And they did. Right now we do it every lesson and there are always some kids who are willing to share their ideas.

Why we love it

  • The song is a perfect choice for creative singing (and speaking). It has got a simple melody which we already know very well. The song follows the pattern of call – response so whatever idea the leader comes up with, the group responds, by simply repeating the line.
  • The lines are short, easy to create and to repeat even for beginner children. It is an advantage, too that the verses of the song follow two patters: either a simple phrase or a short sentence so pretty much anything can be used. Some of the verses we created were like that: ‘March, March’ (only two words repeated), ‘Make snowmen’ (an imperative), ‘Birds and bees are flying’ (present continuous), ‘Flowers grow’ (present simple), ‘We are very tired’ (personalised sentences with the verb to be).
  • Some of my kids have an idea but they don’t have the language and that works, too. They sing the first line, in Russian, and I respond with the equivalent in English. It also helps with some verses that are not appropriate but are, at the same time, a result of my students experimenting with the language. We have had a few cases of a line like that appearing as a call and me replying with ‘La la la’ or with ‘Sasha is not singing’, to signal that some things are not be accepted.
  • Kids love this part of the lesson and, on a typical day, we have about 4 or 5 verses, sometimes more, sometimes fewer. Some of the kids sing the verses, some prefer to say them already and it all works.
  • I am just overjoyed because they are producing the langauge and in this previous week, we have seen an interesting new trend or even two. Some kids (following my example) started to create songs about how they feel on the day (‘March, March. Sunny day. I am very happy. But I want to sleep’) which is their extended and musical answer to ‘How do you feel today?’. Some children sang a song about their favourite month (usually related to their birthday). We had also a few crazy versions of snow in July and another Christmas in the summer. One way or another – lots and lots of language creativity.
  • Another thing that makes me really happy is that this creative activity appeals not only to my stronger students but also to some of my struggling students and, in general, is great for mixed ability groups. It is easy to create your song, for example by changing one or two words in the verses that your teacher or friend sang. That’s easy to do. Plus, all students are creative, even my beginner beginners. They have an idea and they want to share and since some of the ideas are shared every day, they stay. My student Sasha came up with the idea of a sick rainbow two weeks ago and now he remembers himself and encourages us to sing ‘The rainbow is sick’. We do.
  • Last but not least, this is our little tradition, our routine, something that we do as a community. And that makes it precious, too!

I am quite curious what is going to happen to this project in April and in May. It is already good and exciting and worthy of sharing but who knows what else is there for us…I will definitely be writing about it in the future!

Happy teaching!

The diary of a lazy (VYL) teacher: Five songs that have become games

by
‘The hills are alive with the sound of music….’

Hello! My name is Anka and I am here to tell you how to be a lazy teacher. ‘Lazy’ here is to highlight ‘no preparation‘ although that does not mean ‘doing nothing at all‘. That never happens in the pre-school classroom.

All of the songs featured here are the favourites of my students and that is one of the two reasons why we turned them into games. The other one is the fact that all of them contains the most precious structures and an opportunity that I could not just miss.

One disclaimer that needs to be included here (and the most important one here) is that things do not happen overnight and these are not the games that we play in the same lesson in which the songs are introduced. The song games are the freer practice activity, the follow-up, the spontaneous production opportunity and the fun opportunity, yes, but we start playing them strictly only when the kids have become entirely familiar (‘borderline bored’ even) with a song. All due to the age of the students and the way they process songs and the world.

This post will be about our (mine and the kids’) Top Five Songs, those which brought us most fun. If you are interested in the logistics, please have a look at the older post in which I describe the stages of un-singing a song in more detail. You can find it here.

Do you like broccoli ice-cream?

If, by any chance, you are not familiar with the phenomenon of broccoli ice-cream, it is definitely time to catch-up. This is the song that my own personal ‘un-singing’ started with and I have safely say that since I found this song, this has been the only tool I have been using to introduce and to practise ‘Do you like…?’ with both my primary and pre-primary students.

We start with singing and talking about food, we created our own most random, disgusting and delicious, food combinations and then we slowly move towards the non-culinary questions, too.

What do you like to do?

When I was first introducing this song, I was in two minds. On the one hand, the song was very tempting – lots of useful verbs, a beautiful complex sentence with a linking word ‘but’ and lots of fun. On the other hand, my 5 year-old preschoolers, beginners and all these verbs…I could not imagine all of these being pre-taught all together. We would have to have a whole separate unit, flashcards, two weeks of practice and then the song itself. I didn’t want to do that.

And I did not. We turned everything upside down and inside out and we started with just watching the video, for the fun of it and for pleasure. The practice and the speaking, started with these few verbs that we did know already such as ‘dance’, ‘ride a bike’, ‘cook’. They were the main focus and everything else was acquired, bit by bit.

When we create our own ideas for things we like and don’t really like to do, the kids first tend to change only little details, for example ‘I like riding a bike but I don’t like riding a dinosaur’ instead of the original ‘shark’ or to use the ideas from other verses, for example ‘I like reading but I don’t like reading in the air’, instead of ‘upside down’. But the important thing is that they speak and the song helps them produce complex sentences. The really amazing thing happens later on – the more we play, the more creative and original these contributions become.

As a teacher, I am mostly interested in maximising production, of course, but there are some hidden bonuses here. The kids know that it is the creative part of the lesson and they are really looking forward to hearing their friends’ ideas (aka ‘we work on the focus and extending the attention span’), they listen (aka ‘we develop one more skill’) and they react either by just laughing or expressing opinion when their own view on riding dinosaurs or drawing on the moon differs from that of the author (aka ‘we develop interactive skills’).

As quiet as a mouse

As soon as I found this song, I knew that I would be singing it with all my students. After all, conditions are perfect: a yummy piece of a structure that wonderfully lends itself to language games, the theme of the animals, some great adjectives (a most recent obsession of a VYL teacher) and, last but not least, a few music genres that were chosen to represent different animals. What’s not too like here?

I liked it so much that I decided to introduce it ‘just because’, not waiting until the next animal lesson or the next adjectives lesson. Actually, at this point, my ‘advanced’ pre-schoolers got bored with all the hello songs (of which I was informed) and so this has become the new hello song or the piece that we start our lessons with now.

And then we play, making new sentences about the animals (‘as beautiful as a lion’), ourselves (‘as happy as Anka’) and all the impossible and sarcastic combinations (‘as big as a ladybird’ and ‘as little as a giraffe’). With lots and lots of laughter.

I’m rocking in my school shoes

This is the only song in this set that does not come from Super Simple Songs and which we owe to Pete the Cat.

Here, the story took a completely different turn – I did want a module on school (it was the start of the year) and on the Present Continous (which would help us later to get the kids involved in the telling of the stories and in the describing the pictures) and so I wrote it for my kids and the video and the song, of course, were the basis for it.

The contents of the module included: rooms in the school and a set of Present Continous sentences, but the original set from the song was later extended by the set of places which the kids studied before (such as ‘the cafe’, ‘the volcano’, ‘the park’) and the other verbs which we have been using for two years in our movement game. Now they came in very handy.

This particular song is the song that we have modified the most and our key structure, sung and then spoken, went according to the formula ‘what I am doing’ + ‘where’, for example: I am reading in the garden.

What’s your favourite colour?

I have mentioned it before, in one of the previous posts, that I utterly love this song. Not only is it a very dynamic way of practising colours (we sing it, touching and pointing at everything green, blue and yellow around us) and, as such, it can be introduced even with the youngest beginners, but it also has got the advantage of introdcing a superbly generative and adaptable ‘What’s your favourite…‘ together with an equally superbly generative and adaptable (and straightforward) answer ‘I like‘. We sing it first with colours but, as soon as the kids are ready, we start singing (and then talking) about our favourite colours. And then, as we progress through the unit, about our favourite fruit, pets, toys, weather, food and animals. If there is any structure that can be and should be introduced as the first five ones…

In class, I sing the verse for each student, using their name ‘Sasha, Sasha, What’s your favourite colour?’ and Sasha is expected to answer by choosing a flashcard from the pile of colour flashcards as she answers. Which is a procedure that we repeat later on with all the topics. To make it more managable, I have also created a set of special flashcards which have the question on one side and a selection of items in each category on the other side. This way I do not have to keep a huge pile of flashcards from all the categories to practise this question.

With my older students we have managed to take this activity one step further and turn it into a pairwork activity. At this point, we have a beautiful selection of categories (sport, hobbies, lunch, dessert, transport, toys, jungle animals, farm animals, ocean animals) and the kids are good at accepting the flashcard of a tractor to stand for the entire category. We put our ten categories of the day (aka ten flashcards) on the floor, we sit around it in pairs. One child in each pair gets five counting sticks and they ask their chosen five ‘favourite’ questions to their partners and, as they do, they put one stick on the relevant flashcard. After they are done, I collect the sticks, divide them into the packs of five and redistribute and the other child in each pair asks their chosen questions.

As a follow-up, they ask me a question each, as we collect the cards of the floor. A beautiful, personalised pairwork activity that started a long while ago with a Super Simple Song.

What are you waiting from? Have you got a song that you have been singing for a while now and that your kids know very (very) well? Are there any interesting structures that could turn this song into a game? Go on! Use it to maximise production! It will be fun! I guarantee!

Happy teaching!

How to un-sing a song.

by

Can you imagine a VYL or YL lesson without a song? I really hope you can’t😊 I should probably make a list of all the reasons why we need songs in EFL/ESL and see how many there are. Some other time.

The most important one for me is that a song, any song, is a plethora of words and structures sprinkled with some music. When, after a while you take away the music, your students, even the little ones are left with a discourse. Almost.

So while we listen to songs for pleasure and while we include them in our lessons just because they are fun, for me, the teacher, there is the secret agenda, the master plan, what the Tiggers do best…But before all that happens, a song needs to make an appearance. Or an entrance…

There are many ways of introducing a song.

When I was a little teacher, I always went through the same routine of introducing and practicing vocabulary and structures first and only when the kids were ready, I would ‘summarise’ it all with a song.

Not anymore.

Sometimes I start with the song because it already includes absolutely everything I need for a successful language presentation – lots of repetition, colours, gestures, even the written form. A good example here is ‘Do you like broccoli ice-cream?’.

Starting with a video is another solution. When I first found ‘What do you like to do?’, I wasn’t sure how to go about it because it included all these amazing verbs but there were so many of them that I would need a separate lesson to go through all of them and to prepare the kids for singing. I opted for the lazy teacher approach and we just watched the video first to simply enjoy the story the song is telling. I introduced the main structure then and verbs, in batches, as it were. The kids joined in singing with the verbs they had already known and slowly we filled in the gaps.

It is entirely up to you. This year, when this song was introduced, my students already knew ‘I can see’ from the previous units and all the verbs because we had used them in different games. I had to focus only on the names of the animals.

They can be introduced, with (electronic) flashcards, gestures or plastic animals, if you have them and this stage can be done (or in some cases even: should be done) in a separate lesson, to give the students a chance to become familiar and comfortable with them.

Then comes the song itself. You can simply just watch the video and listen to the song but there are certain advantages of playing the video with the sound off. This way, the kids can focus on the plot and the concept and the teacher can slowly introduce the lyrics, pausing and asking the students to repeat or to reply, again, depending on the group. Don’t forget about the gestures, too.

Afterwards comes the real proper song, this time, hopefully, with more students participating via gestures, humming or maybe even singing.

A song is never just for a lesson. It is a real waste not to reuse the old hits because the more we sing them, the better we know them and the more we can just enjoy them!

But this post is about the follow-up activities

These activities will be an opportunity for further language practice contributing to the song becoming ‘ours’ but they will also build the road to the world in which these verbs, animal names and ‘Can you…’ questions are just the language that the kids use, freely and creatively…

Here are some examples of the games and activities that can help achieve that.

One: Pelmanism game

In the classroom, we use small cards, colour-coded. In the online classroom, it takes only a moment to prepare a set of cards in your powerpoint or on the miro board.

In the beginning it might be a good idea to play teacher vs kids. The teacher picks one blue card and the students, in turns, choose one of the pink cards to be uncovered. The numbers make the game a little bit less challenging and in the online classroom they help the students make decisions and say which card they want. Once both cards are uncovered, the teacher starts singing ‘Little bird, little bird, can you swim?’ and the kids reply ‘No, I can’t’

When the kids are ready, they take over and choose both cards, still singing and practicing the key structure and vocabulary.

When my students got to the point when they were completely comfortable with the structure, we used the verb cards to interview all the other animals that we know, using flashcards or toy animals.

This can be easily done in the online classroom, too, because the teacher can use the google images, the finger puppets or just any toys that the kids have in their rooms.

Two: Handouts, homework or classwork.

To reinforce the knowledge of the lyrics of the song and also to check the kids knowledge of certain animals, I prepared a set of handouts. These can be set as homework, if the parents have the way of printing them, or they can become and activity that you do on the screen with the whole class.

Handout a focuses on the animals from the song, handout b takes the song out and uses the other animals that the kids know. Handout c can be done with the kids suggesting the animals and asking and answering questions about them. All three include people, too (I can, my mum can, my teacher can).

We normally circle the things that each animal can do but the same handout can be used to make affirmative (circle) and negative (cross) sentences about each animal, too.

Three: Dice game

This is a TPR game that can be used during the movement stage of the lesson, from the very beginning. It uses the same visuals as the handouts. The teacher rolls the dice and ask the kids the question ‘Can you clap?’ Kids answer ‘Yes, we can’ and mime the activity. After the first few rounds, the students take turns to roll the dice and ask the question. If the kids know more verbs, the original seven verbs can be replaced with some other activities.

Singing it or saying it?

During one of my first classroom research projects at university, I did look at the scaffolding techniques that a teacher (myself) uses at the different stages of using a song with little kids and it was only because of that research and the fact that I had to record my lessons and analyse them in detail that I could look at that issue and to find the exact answers.

It turned out that during the first lesson, all eight children were using the structures from the song in a creative communicative game but because it was a new song, all of them resorted to singing the question and the answer. A few lessons later, when everything was familiar, only one still preferred to sing. The other seven were already comfortable enough with asking the questions and answering them without the support of the music. This might be an indication for the teacher to start with singing but slowly move towards spoken language, allowing the students to transition whenever they are ready.

P.S. There is craft, too but this is a post for a different day😊

Happy teaching!

Links

Yes, I can. Super Simple Songs https://www.youtube.com/watch?v=_Ir0Mc6Qilo

Do you like broccoli ice-cream? Super Simple Song https://www.youtube.com/watch?v=frN3nvhIHUk

What do you like to do? Super Simple Songs https://www.youtube.com/watch?v=nddRGDEKxA0

www.supersimple.com/song/yes-i-can Check out their websites for lots more handouts.

And here are the links to my handouts: https://drive.google.com/open?id=1GywvxbJohMINsDV9jOymZwc7ZLC4WPB_

If you are interested in the topic of language production in pre-schooler, make sure you check out the posts on pairwork in pre-school, discourse clock, activities based on developing cognitive skills and Colourful Semantics in EFL.