Material design

‘Teacher, did you do your homework?’

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Surprisingly, that is not as random a question as it might seem. Not only because we talk about the adverbs of frequency and my kids ask how often I do mine. I always say ‘Never’, just to make my kids give out the appalled ‘Oh!’ although, really, every day is a homework day because the lessons don’t plan themselves.

But there is more to that. With my older students, I do my homework regulary, especially when it is writing. My letter / story / essay not only serves as a model for my students but it also motivates them to do their homework. We frequently use my writings to learn how to structure the discourse, how to proofread and how to improve it. There is so much to it that I even ran a workshop with the same title a few years ago and, perhaps, a separate post will come out of it, in the future.

I would also like to highlight that, as a teacher, I am all for homework assignments, even with the very young learners, and I have already written about it here. Naturally, if the preschoolers can do their homework, then everyone else can, too and I have just realised that this deserves a post on homework with older learners (mental note #2).

However, today, I would like to write about something else entirely.

Let me tell you about the context

It’s been over a year since I started to work in a slightly different context, a primary school with a bilingual programme (which you can definitely tell just looking at the content here). Last year, in my year 1 group we used to give the kids the homework, once a week, Maths and phonics and we used to keep a journal with my kids, too. I shared the electronic materials with the parents, in order to enable the children to interact witht the content at home. All types of homework were optional, although, of course, I was checking everything that was handed to me and I kept a homework record, just to be able to analyse the situation and to check if there was any connection between the homework done and the progress made. Here is a spoiler: yes, there was.

This year, we decided to change that and to standardise the procedures across all subjects and both departments (English and L1). This year our final, seventh lesson, is a self-study lesson which we devote to additional work in the areas that need that most. I am not sure how the L1 programme teachers make their decisions but I decided to go for flexibility, sometimes it is English, sometimes it is Maths, depending on the day and how the day goes.

Each day we have about 20 minutes (aka one task), the kids work on their own and they are supervised by my T.A. The children work on their own, the task is a written one (at least at this point) and there is always some flexibility and differentation as, naturally, we have a mixed ability group. The task is always an extension of what we have done in class in the morning.

My T.A. always collects the papers and I check and comment on them and give them back on the following day.

What exactly do we do? (aka Examples)

Task type A: Just One More Exercise Like We Did In Class: This is probably the kind of a task that was initially intended for this kind of a lesson. I remember the debates with phrases like ‘what we don’t finish in class’, ‘what we didn’t have time for’ and ‘just some more practice’. This is absolutely very, very useful for the children (more practice!) and for the teacher (easy to prepare) but, admittedly, not the most exciting task type. As I have found out.

Task type B: Find My Mistakes: That is the type of a task that, unlike the one above, I need to write myself. It involves a task that we did in class but there are some mistakes in it. It can be a Maths task (the type we do with Petya and Alisa, our invisible students) that follows on the specific exercise that we already did together with exactly the same procedures and instructions, already completed but with mistakes. The main objective for children is to become a teacher and to check the tasks for potential mistakes. Sometimes all tasks already have a mistake (the easier option), sometimes some items are correct.

It can be an English task, too and in this case the children look for structural mistakes (punctuation or grammar) or factual mistakes, in case the task is based on a song or a story we have covered.

Task type C: Odd One Out or Add Yours: This task type is usually used for English and we used it a lot with vocabulary. So far it has been really handy with all the vocabulary as it allowed for differentation and open-ended exercises or verb phrases or noun phrases as we could practise simple collocations, for example: What goes with this verb: wash: your hands, your face, a book, your shoes. In this particular case, the kids had to find the odd one and, also, add their own option.

Task type D: Make a Task For Miss Anka: This is also a task that is always based on the type of a task we do in class in the morning but in this case, children have to create their own examples for me. It can be a word search or a snake (see photos), it can be their own mini-story or short sentences in English or their own text tasks or examples, for me to solve or to find mistakes. This has become the Number 1 Beloved Task, for all of us. A hit!

Task type E: Miscellaneous: Guess-Related: This is a mix of all tasks, another one of those that I prepare myself and very personalised. It is usually a task for English although it can be Maths, too. We did one when I wrote random sentences about my students (a set of 7 per child) with the adverbs of frequency (‘Sasha always plays computer games’) and children had to read and correct when necessary or give me points for guessing correctly how often they do things. In the Maths lesson on the Roman numerals, I had a set of numbers ‘about me’ and what they mean and the children had to decipher them and match them i.e. the number of meters I can swim = DC and so on.

Why we all just LOVE it?

First of all, I cannot repeat it enough (and in caps): WE ALL LOVE HOMEWORK. I always have, really, but now I am discovering the new levels and reasons for this love but it is also true that my kids love it, too and, when on an ocassion or two, the homework in English did not happen in lesson 7, my kids were simply disappointed. Not to mention that right now we start the day with ‘Miss Anka, did YOU do the homework?’ (or variations: ‘Miss Anka, did you see the homework?’).

Here are the reasons why I love these homework assignments:

  • my students have an opportunity to do ‘something more’ in English or in Maths, which is the idea of the homework itself and the most precious benefit.
  • these tasks were also an opportunity to develop my students’ reading and writing skills and, at this point in the game, these are crucial. We are past the basic phonics stage and the simple sentences stage so whatever they read and write, out of their own accord, is a reason to celebrate.
  • the kids could work in a more independent format, revising everything that they have learnt in the morning, doing it again, moving it to the ‘freer practice’ level, revisiting the task and, in a way, testing themselves
  • many of the tasks gave the kids an opportunity to make decisions and even to be creative and, for that reason, I love checking the homework, to see where the course of the day took them. I can tell you, easily, almost every morning, I get a hearty laughter and my comments are some variation of ‘excellent’ and ‘I love it’.
  • these tasks, by design short, flexible and open-ended, are perfect for mixed-ability groups and very often the students are in charge of how much they choose to do. The instructions include the minimal number of examples or sentences they have to do (adjusted to my ‘weaker’ students) but it is great to see that hardly anyone does just that and many, if not all, complete the entire task prepared. Naturally, ‘every little helps’ and I rejoice every single example completed. This approach, however, takes the pressure off the students and is very motivating in itself.
  • movitation is a huge factor here, as well, and, I’d risk saying that all of the aspects of the format and the task design contribute to it. Some of the children have to leave early (to attend to whatever errands they need to run) but they take the handouts with them and bring them the following day, although it is not obligatory.
  • many of the tasks are teacher-friendly. I prepare them daily and it really does not take a lot of time. The task type A requires no preparation, apart from making copies. Task type D is even better because, usually, it requires bringing only a piece of paper for each student. Task type C is also very simple as it can be a copy of the exercise done before, only with wrong answers and that, for a high-level speaker of English and a relatively competent Maths user, also – a piece of cake. The other two, type C and E are, admittedly, a tad bit more involving, especially the highly personalised type E, but, looking back at the results and the outcome, they are just SO worth it!

Instead of the coda

I am aware of the fact that we have some advantages because of the format in which we work at my school but I decided to share these activities and the whole approach because of the benefits it has brought us and because I believe that many of these task types can be adapted to, say, a more traditional EFL classes of a language school. And bring about the same exciting outcomes.

It’s been only two months of this particular experiment so there is definitely more to come!

Here are some tasks we have done already

English: Task type C: odd one out and add yours

Maths: Task type D: created your own task

English: Task type D: write your own (based on the story we did in class)

Math: Task type E: Guess (Roman numerals and the notes my student took of her potential guesses)

Happy teaching!

How to make your own songs for the YL classroom

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The amazing staircase in the tenement house by Max Berg in Wroclaw

Looking for songs

We have lots and lots of sources of amazing songs that can be used in the YL and VYL classroom. The first and the easiest one of them is your coursebook and the main advantage of it is the availability and the close connection to the curriculum. The songs often combine the vocabulary and the structure of the unit and both the teacher and the students have an easy access to it. The songs’ lyrics are in the kids’ coursebooks, they are often built around the characters from the coursebook or the stories in the coursebook. As a teacher, I have been using the songs from Superminds and Playway to English by CUP and Discover with Dex by Macmillan and I am a huge fan to the extent that I would recommend them as a supplementary material to accompany another coursebook, too.

Another amazing resource is youtube and the brilliant channels such as Super Simple Songs, Dream English Kids, Fun Kids English or Mother Goose Club, full of amazing, kids-friendly, visually beautiful productions that can be used in our EFL classes even if the content does not match the curriculum 100% accurately. After all, this can be an opportunity to learn some more vocabulary or structures.

Sometimes, however, it happens that, no matter how hard you try and how long you look here and there, the song or the chant that you really need is nowhere to be found. There is a way out, too, because you can create your own songs! From scratch!

Max Berg Cafe, Wroclaw

Creating your own songs: Starting from the rhythm.

This is more of a jazz chant than a song and I took the general idea from Carolyn Graham. The thing you need is a set of words to practise, divided into groups based on the number of syllables: 1-syllable words (cat, dog, frog, duck), 2-syllable words (hamster, snake, lizard), 3-syllable words (elephant, guinea pig, ladybird) and 4-syllable words (chameleon). You arrange them, in any way you want, following the pattern, for example: 2, 2, 2 – 2, 2, 2 – 2, 2, 2 – 4, 1 OR 3, 3, 1 – 3, 3, 1 – 3, 1 – 3, 1 – 3, 3, 1.

Hamster, lizard, snake

Hamster, lizard, snake

Hamster, lizard, snake

Chameleon, cat!

OR

Elephant, ladybird, cat

Elephant, ladybird, cat

Elephant, cat

Ladybird, cat

Elephant, ladybird, cat.

Practically any rhythm will do, especially if you start clapping your hands and stomping your find and chanting.

A similar technique can also be applied to any repeated sentences. I really like mixing affirmative and negative sentences connected with ‘but’ and ‘and’, for example

I like cats but I don’t like dogs.

I like ducks but I don’t like frogs

I like lizards but I don’t like snakes

What about you? What about you?

Max Berg Cafe, Wroclaw

If you are looking for more ideas of this kind, please check out the book by Carolyn Graham (see below).

Creating your own songs: Starting from the melody

This, by far, is my favourite way of creating the songs I want and the songs I really really need. The only thing that it takes is a melody that the teacher is familiar with and filling it up with the lyrics that match the lesson’s theme and aim.

During the YL course sessions, I was visiting one of the breakout rooms while the trainees were discussing the ways of adapting a certain material and, together, within a couple of minutes, we came up with a simple song that could be sung in the lesson on pets, with to the melody of The London Bridge is falling down. It went more or less like that:

Little dolphins cannot dance, cannot dance, cannot dance.

Little dolphins cannot dance but they can swim!

Naturally, this little verse can be replicated with all the other animals and verbs, according to the vocabulary content of the lesson.

Max Berg Cafe, Wroclaw

Creating your own song: Starting from the language

This one is probably the most challenging one because there is no basis here, like in the previous two. However, at the same time, since you are not bound by the rhythm or the melody, you can put together any text you need. I have used this approach while creating a chant for one of the groups with whom I had a double lesson, with a break in-between. This is the song that I put together to signal the beginning and the end of the break. The melody for this song was completely made up.

Let’s take a break.

Let’s run and play.

Five minutes. Five minutes

Let’s take a break.

Let’s drink some water.

Five minutes. Five minutes.

Let’s take a break.

Let’s go to the toilet.

Five minutes. Five minutes.

In one of the Science lessons for my pre-schoolers we were doing the food chains and I really wanted to make it more interactive and fun and this is how we ended up with a play with an alge, a fish, a squid, a dolphin and a shark. The story was built around all the creatures noticing their predator in the ocean and hiding. While taking turns to sing the song

I am a little, little alge

And I am happy

At the bottom of the ocean

Where I live

Oh, no! Look! What’s that? It’s a fish!

Let’s hide.

In this particular lesson we made the finger puppets for all the characters, practised the song a few times and then we all participated in the game aka the performance. It was definitely a success.

The only trick with writing a song like that would be coming up with the message to convey, verbalising it and sticking to the appropriate number of syllables in each line. As can be seen in the examples above, the verses don’t rhyme and they don’t need to. As for the melody, it can be anything and, once you’ve got it, it is a good idea to record it, for memory, even if only on the smartphone recorder.

Max Berg Cafe, Wroclaw

Here you can find my other posts about using songs in the VYL and YL classroom

  • Where to start if you have never sung before (here)
  • How to un-sing a song (here)
  • All the reasons to use a song in the classroom (here)
  • Five songs that have become games (here)

Here you can find some more interesting resources to read

J is for Jazz Chants by Carol Read

How to creat a jazz chant by Barbara Hoskins Sakamoto

Creating chants and songs by Carolyn Graham (Oxford University Press)

How to survive a coursebook. Part #2 Grammar

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This is the second post in the series that is a diary of a teacher trying to teach not the most exciting unit from the coursebook and sighing all the way. The first post can be found here. Today another one, this time devoted to two lessons on the passive voice. The post includes references to Gateway to English, B2 by David Spencer published by Macmillan. This is the coursebook that I am using with my group and the page numbers refer to the second edition of the coursebook.

Vocabulary practice and revision

This unit has a rather challenging content as regards vocabulary. There are the names of the natural disasters as well as a big set of nouns, adjectives and verbs used to talk about disasters, not a small thing. Hence more practice.

  • A quick test – Here I had a good time pretend play a school teacher and calling out my teens to answer a series of random questions. The teens took turns to give us a definition and an example for all of the key words from the previous lesson.
  • Visuals: I shared with my students a set of six visuals related to disasters (here) that I found on google, illustrating different aspects of a variety of natural disasters, including the damage and the beauty, too. Students were asked to work in pairs and to choose a pair of pictures for their partner to talk about and to compare them (‘Are they similar or different?’), partially inspired by the visuals tasks from the higher levels of the Cambridge exams. There was also a round-up question, ‘Which photograph was the most interesting for you?’ which is also the question that we used for the whole class feedback.

Grammar presentation and practice

From the very first moment I knew that I would try to minimise the presence of the main topic of the unit, in order to give us all a break and to be able to include some more exciting and some less dramatic topics. Because, really, how much can you take. Overall, I decided to keep all the practise exercises from the book (all of them but one using the context of the natural disasters) and to supplement them with something more fun.

  • The context I chose was My International Life. The first part was the presentation about the products that I use, the clothes I wear, the books I read and the devices I use and where they were made. I presented a series of visuals and the group were trying to guess where they were made, my computer, my socks, my coffee and my trinkets. The model sentence we were using at this point was: It was made in…They were made in…
  • Later on we dealt with the form, pronunciation and use, including the difference between the active and the passive voice.
  • The first practice activity was the students talking about themselves. The students were sent out into the breakout rooms to talk about their international life. They were instructed to talk about ten things (minimum).
  • The other practice activities in that lesson focused on the exercises in the coursebook (page 98 in the coursebook).
  • We finished the lesson with an online game, found on bamboozle.com.

Grammar presentation and practice. Part 2

I decided to divide the grammar input into two lessons because I teach a mixed ability group and, although, theoretically, the passive voice structures, in all the tenses, should be only a revision for them, it is not quite true in case of some of my students. For that reason, in lesson 1 we worked on the form in all the tenses and in lesson 2 we focused on the passive voice with two objects.

  • Practice and production: Photographs in our book: I decided to start with a freer practice activity based on the materials from the coursebook. I found different illustrations in the coursebook, namely: set 1: pages 98 and 99 depicting the aftermath of the hurricane Katrina and the typhoon damage in the Phillipines and set 2: pages 87 (a Foo Fighters concert) and page 70 (health). The students were asked to choose one of the sets and to describe the photographs using only the passive voice. We did this activity in the breakout rooms.
  • Grammar presentation #2: we used the coursebook materials to present the passive voice sentences with two objects (page 98).
  • Controlled practice was built around the exercises in the coursebook (page 98 and 99).
  • Freer practice #1 was the activity from the coursebook, too, Find someone who. I had to change the format of the activity as moving students in-between the breakout rooms would be too much hassle and I wanted them to produce a lot of language, rather than talk to different partners which they do anyway. For that reason there were asked to use the prompts from the coursebook and to find out as much as possible from the same partner.
  • Freer practice #2 and the final activity of this lesson was inspired by something that I read on Sandy Millin’s blog once. I decided to call it ‘A story of an object’. In the orignal version of the activity it was the object itself that would be retelling the story of its life and, I suppose, other structures would be the format. We changed it to the 3rd singular as it was the format more consistent with the passive voice that I was hoping that my students would be using. We started with a model and I used my (amazing) Malevich tote bag, probably The Present of the Year 2022. I presented the structure (A story of an object, 3 questions from the audience) and a set of verbs to use (created, bought, brought, seen, loved, kept, washed, worn etc). Afterwards, the students went into the breakout rooms and worked in pairs. Back in the common room, each student gave us a summary of what they found out about from their friends.
  • We finished with another bamboozle game.

Reflection

  • Well, in one line: I was a happy teacher last week.
  • The context of the international life worked very well. We managed to get away for a moment from the gloom of the natural disasters and immediately after the presentation the students got to use the structure to talk about themselves. It was very beneficial even though in the beginning the students were mostly using ‘was / were made’. This gave us a very good basis for the more extensive use and it was a great opportunity to personalise it straight away.
  • The lessons included a good ratio of the individual practice, disaster-focused and the pair-work, disaster-less and more productive. The bamboozle games were another way of balancing the weight of the lesson.
  • I love working with visuals and I was really very happy with how they worked in this lesson. The students were discussing the disasters and using the vocabulary but they were also able to interact with the beautiful photographs and notice the discrepancy between the beauty of the natural disasters in the photographs and the danger and suffering that this beauty is synonymous with in some cases.
  • In the same vein, I was very happy with the way we recycled the photograhps in the coursebooks. It was also interesting for the students to notice when it is and it is not natural to use the passive voice in different situations.
  • A story of an object was probably my favourite activity of these two lessons. I could share with the students the story of my Malevich tote bag but I also loved listening to the stories that my students chose to tell. Some of them decided to share their treasures with the class, such as the favourite book, the phone or the parrot (a bit of far-fetched but she managed!). Some went for the sarcastic approach as they talked about their favourite cookies, the hoover or a bottle of water, sparkling. It’s been a while since the last time I laughed so much in class.

Happy teaching!

Try something new today!* Material design for beginners**

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One of my favourite EFL quotes is what Katherine Bilsborough started her presentation at TESOL Greece in 2019 that we, the teachers, we are all material writers. Because we simply are, all of us. Even if we don’t ever produce a coursebook, even if we don’t ever get to share ideas on our Instagram or in our blogs. Even if we never get to be famous and renowned, we produce materials for our students, day in day out.

If you want to read more about creating materials, don’t forget to check Katherine’s blog on material writing here and her interview with some great advice here.

In this post here, I would like to share some ideas from a low-key but an advanced material writer, hoping that my everyday material creation, design and adaptation might help some of my fellow material writers, those with less experience.

Why do teachers adapt, supplement and design?

Methodology aside, the very subjective and personal answer to this question is very easy: the students are boread, the teacher has noticed that something does not go as well as planned, the teacher has found something that they really want to use, the teacher does not like whatever is in the coursebook, the teacher is bored…

The three concepts to take into consideration: the material, the activity, the aim

The material aka the physical resource that we have at hand, the photograph, the drawing, the poster, the puppet, the flashcards, realia, the song.

The activity aka the game, the reading task, the matching activity, the odd one out, in other words – a set of instructions of how to do something.

The aim aka why we bother and what exactly we want to achieve.

The understanding what these three are (and what they are not) is the absolute first step in starting your own blazing career in material design because at the stage of creation these three can be the source of inspiration and, at the later stage of reflection and readjustment, one or two of these three will be the elements that can be tweaked and manipulated in order to perfect the initial desing.

This is why, in this particular post, I am going to share ideas that had their starting point in the material, the activity and the aim.

Example #1: the coursbook

Using the sample of the unit 1 from Superminds 5 published by Cambridge University Press here, page 1 (which is page 10 of the students’ book).

The material here is an illustration, a scene from the Pompeii and three characters from the book, Patrick, Phoebe and Alex, a set of numbers and a set of words as well as the audio track which here is the list of words.

The activity is to listen and to repeat the words and to check with the partner.

The aim is for the students to become familiar with the key vocabulary in the unit and to be able to practise them before they move on to the following exercise which introduces the kids’ first adventure as time travellers.

When we started to use it in class, I kept all of the coursebook material but I decided to adapt and to extend the original activity for my students (A2 level, aged 7-8-9 years old) seemed to be ready for a more challenging task that would involve more communication and language production. One of our favourite activities here is to play riddles in which the kids work in pairs and describe one of the items in the picture either by giving their definition (It is big, it is made of, it is used for) or by providing their location in the picture (It is behind Patrick).

This way the material and the aim stay the same and only the activity is slightly adapted.

Example #2: Own materials on Miro

This is a task that I designed for my 1-1 online student, aged 6 y.o. who cannot read yet.

The material here, created using Miro Board, is a picture of a tractor, a set of photos of animals, and a set of colourful cards with simple descriptions of animals.

The activity is a riddles game in which the teacher reads out the definitions of the animals in the order chosen by the student. The student listens and guesses the animals which is later revealed by the teacher.

The aim is to practise listening skills, to develop the ability to focus and to practise the names of animals. In the long run, this activity is used also to prepare the student to start producing similar riddles about a chosen animal.

Now, the next step will be the three follow-up posts devoted to resources whose existance started from finding a new material, coming up with a new game or with a very specific aim for the lesson. Don’t forget to check them out!

Happy teaching!

*) This is one amazing slogan that belongs to Sainsbury’s, the chain of supermarkets in the UK.

**) The material presented here was first a webinar given for teachers from all around the globe, organised by BKC Moscow in September 2022