#teachingenglishthroughart

Materials May Vol. 2 Clay Portraits

by

Last year, the month of May was one crazy ride. We made madalas, we made dreamcatchers, we used salt dough and it very messy and it was lots of fun. Naturally, May 2025 also became the Materials May.

We started with clay. And with portraits.

The language

Actually, the language was not the main priority this time. Just like in our materials lessons last year, the absolute leader in the lesson, the first place, the right of way, all of that was the material, the medium. The language was just something I picked up because we needed it for this particular lesson. This time it was the body parts, especially the parts of the face. We revised them, made up a new chant and played a bit with ‘Tell me about’.

The artist

The artist of the day was not the most important stage, either, but I am very happy with the idea I had for this lesson and how it worked out. Instead of one particular artist, I prepared a whole collection of portraits for all of us to understand how diferent they can be. We looked at them, one by one, and tried to look at what the focus was: the face, the body, the place, the colours or the technique. I was hoping that it would help the children see many various styles in which they could execute their own portraits.

The art

The main idea for the creative part came from Princess Artypants – a face made of clay. I told the kids that they could choose to create a face, any face they wanted, their face or someone else’s, in a style of their choice.

I showed the kids a face I made before the lesson and I outlined the steps (1. clay (form, roll, shape) 2. draw (with sticks and plasticine knives), 3. paint (acrylic paints).

Before the lesson, I prepared the tables and all the resources and I was handing them out and picking them up as we went through the task. I was also making one more piece of mine to better illustrate the instructions.

In terms of the resources we used: a large sheet of paper, fitted with the scotch as the main workplace, a rolling pin to prepare our circles, clay (self-drying, ochra colour), sticks, chopsticks and small plastic knives, paintbrushes and wet tissues, acrylic paints in tubs (everyone got their personal blob of the chosen colours on their A3 piece of paper aka workplace), pieces of cardboard to transfer the faces onto and as their frames.

As can be seen in the photos, we created lots of different types of clay faces and, as usual, it was a joy to see how quickly everyone started to make their own decisions and to develop their own style. One of my students opted for creating the face of a cat, one made an absolutely beautiful abstract Pinocchio. One focused on the colours and one, completely out of the blue, asked for tinfoil because ‘I’ve got an idea, miss Anka!’

To be honest, the idea (for the dress aka the body made out of tinfoil) was so good that I wanted to make my own and this is how his ‘Mona Miss Anka’ was created and how my ‘Angel / Mermaid’ came to be, too.

I really liked the clay as the material because it is extremely flexible and user-friendly. It did require warming it up in the tub of hot water (I did it before the lesson, warmed it up and broke it up into blobs) but later on it was relatively easy to work with it. And it was easy to fix the mistakes in case they occured. We also did not have to wait for it to dry, we started to paint straight away.

It was definitely one of those lessons that finished with me, cleaning up the tables with a huge smile on my face. I loved it.

The pictures that were especially touching include the very basic Pinocchio. It was created by my youngest student and it was the first time this year that he prepared one piece and immediately asked for another piece of clay, to create more. I also love the coloured faced because it was created during a long process of collecting and combining different colours and shades. The outcome is the result of a lot of work and reflection. And, of course, the title piece here, that was a result of experimentation with tools and their opptions and the lovely print that came out of it.

I have already started to think about the adaptations and creating anything in clay, to use it with any EFL topic, fruit, food or animals. Body parts and faces, too, of course! Since it is so easy to create pictures with a stick, I was also thinking of a picture scene, a house, a Christmas tree or a dress. I am already looking forward to it!

Happy teaching!

Advertising April: Great Artists at work. Andy Warhol

by

The language

This time, I decided to let the topic and the language lead the way in all the lessons this month. On the one hand, it has already proved to be a great way of revising the structures we know (I like, Do you like, adjectives) and, even more importantly, it will help us aling what we know beautifully with our artists and their ideas.

Andy Warhol and the idea for the lesson (that I owe to my friend, just like this whole idea for the series that was born during a conversation) was that instead of focusing on Andy, we focus on food and creating our amazing combinations of it. No suprise then, that the lesson had to include the amazing ‘Broccoli Ice-cream’ from Super Simple Songs and our own version of it, too, which we created with a set of flashcards. The kids were taking turn to pick out two flashcards randomly from the pile and sing a new version of the story (‘Do you like bananas? Do you like sandwiches? Do you like banana sandwiches?’). And the rest of us reacted.

The artist

‘Miss Anka! It’s him!’ It is precisely when the Art teacher smiles, upon hearing a comment like that! The kids were super excited to see Andy again because most of them have already met him, either in our Chebourashka lessons and our Christmas tree lessons or both.

This time, we invited Andy again, to introduce him as an artist and as a copywriter and the art director, too. As usual, I used a presentation (this one here) to show his advertising portfolio and the kids were calling out the products advertised.

We also looked at all the soup cans, read the flavours and chose our favourite one.

The Magic Soup

The art

I showed the children the template of the Campbell soup can (I got mine from Fine Art Coloring Pages Archives · Art Projects for Kids, Thank you!) and explained that everyone can create their own. We made a list of all the decisions to make: flavour, name, logo, colours. This time I did not prepare my own model (I did not have a template available before the lesson, a rookie mistake) but I decided that this time we will have a chance to brainstorm together and that it might also be a source of inspiration for my students. It also so happened that I had my older / smaller group first so I prepared my soup cans with them and when I already ran the second lesson, with my younger / bigger group, I had lots to show to inspire them and it all worked out just fine.

I was really happy because all the kids could accomplish this task and we had a lot of different types of soup posters and our noticeboard looks like a print by Andy.

The Zombie Version of Campbell’s

All the kids worked very well, also the young ones and most of them had a very clear idea of what they wanted to get from the very beginning. The selection of colours took a bit longer but it was also beautiful to see how they were all coming together.

Not to mention that I love all the final products and, again, I could not but keep repeating ‘Oh, that is a lovely idea!’ My students treasured their creations, too! It was one of those lessons when I had to beg to at least get the permission to photograph the posters because so many of my students just snatched their works to take them home as soon as possible. At least I have the photos!

I was planning to ask the kids to make a list of all the ingredients but, somehow, it did not always work out. Next time, I will have to ask the kids to start with the writing, before we get to create properly.

But look at that! We’ve got some magic soup, some tomato soup, some garlic soup, some sun soup, some octopus soup as well as some darkness soup and some zombie soup. I am happy. I hope that Andy would be happy, too! Just look at all these colours!

One of my creations
The Darkness Soup
The Garlic Soup

Happy teaching!

Just a little bit of Art (in your English classroom)…Erik Bulatov once more!

by

This time, I did not teach my regular Art lesson. Last Thursday, in the middle of a regular unit but at the end of the term, with all my kids already tired and looking forward to holidays and with the first properly spring days outside of our windows, I decided to let our hair down and engage into some creative activity as part of our regular English lesson. Yay to great ideas!

The language

This time round Erik Bulatov joined us in our regular English lessons. At the moment, we are in a fanstastic unit ‘Going places’ (Global English, CUP) and we have already revised the transport, learnt some less traditional transport, we did our Big Transport Tournament (choosing the best one, in qualifiers, quarter-, semi- and finals which was basically a lot of speaking) and now we are comparing the transport (‘Are they similar or different?’). We have also worked on the verb ‘to get’ and all its meanings (aka ‘The best verb in the world’).

And then I needed something lighter, more fun and more creative for the last lesson of the term.

The artist

I taught this lesson before, twice, in different ways (the previous posts can be found here and here). I reused the presentation I prepared before even though some of the students have taken part in my Art Explorers lessons already and it worked well.

We talked a little bit about the meaning of words and the meaning of pictures and I introduced the Artist of the Day. We looked at his paintings and the meaning and how Bulatov tried to show his ideas through words and through images.

I have also showed the kids again the images in Portuguese I created for the previous lesson (in the posts mentioned before).

The art

I showed the students the template I prepared, just a simple word TRAVEL in block capital letters and together we brainstormed their own associations with the word. Afterwards, I explained that their task will be to illustrate the word in such a way so as to show the word speak: as a word and as a visual. And that all ideas are good ideas. I gave out the pencils and the markers and they got to work. They were working and I was just supervising and helping with the content as we had to do some research to look for images or for information.

Afterwards we had a short presentation for everyone to see all the ideas (‘This is my poster. I’ve got…because…and…’) and when all of them were done, we also had a feedback session. I wanted to praise everyone together, as a group, apart from all of those individual praises I gave while monitoring and I also wanted to highlight that we had lots and lots of different ideas and that they were all precious. One of the students suggested choosing the best poster but I objected. I explained that all of the posters were great and so different that it is impossible to choose one, the best, they are all great.

Apart from that I also wanted to ask the students for their feedback and whether it was easy or difficult to use the words and images in such a way. This was also a precious part of the lesson.

It is also important to mention that this lesson, untraditionally, was longer as it took more than 1 academic hour that we normally spend on Art in our Art Explorers. I could do it because we had a double English on that day and it was absolutely necessary as only a few of my students are the regular creators and I did notice that these did have a different time management mode and ideas generation mode. The others needed more time to make decisions, to generate ideas and to execute them. Which is something to bear in mind. If it hadn’t been the last day before the term break, we would have created in one lesson and carried out the presentation + feedback on the following day.

The teacher watches and ponders…

Oh, this was one wonderful lesson!

I was really really curious how my regular class would react to the Art content as out of all the students only three or four attend the Art Explorers regularly, all the other ones do not have the chance to stay for the afterschool classes and only some of them attend our term break classes when these take place.

But it went well…I mean, it is a good lesson and, for me as a teacher, it has been tried and tested so I was confident and I knew that great things might come out of it. But the kids took well to it. They were curious about the artist and his paintings, especially that they were in Russian and they were interested and invested in answering the questions I asked.

The brainstorming session, something that we rarely do in the Art Explorers, also helped because it helped the (potentially) less creative students generate ideas or, at least, to see that there is a range of interpretations to choose from. To be honest, some of the kids really surprised me with their ideas and their interpretations as they were fresh and spot-on.

The presentation was a great idea, and again, something we rarely do, because only in our classes we have more time and a relatively even levels of English for everyone to produce and to understand but it was also worth it. I need to think of how to smuggle elements of it into our Art Explorers classes.

My favourite part, however, apart from the creation, was the feedback and all of the comments the kids made. The general consensus was that sometimes it was easy and sometimes it was not to come up with the ideas and to deal with their execution. I really loved the fact that there was such a variety of the interpretations and they the kids had a chance to see everyone else’s angle, too, further broadening their horizons. Some of my favourite ones were the following: travel represented by the sights from around the world, travel represented by things that we need to travel, travel represented by the flags of the countries that the artist likes, travel represented by the flags of the countries that start with the letters t, r, a, v, e and l, travel represented by the travel associations that look like the letters of the word or, even, travel represented by the potential problems which you might encounter while travelling…

The most beautiful line and the one that I will finish this post with was a question from one of my students, one of those cool one, the older ones, the ones who do not attend the regular art classes. It went like that:

‘Are we going to do it again?’

Happy teaching!

Movement March! Nature (aka Turner and waves!!!)

by

The language

This week was simply a repeat of the previous week’s class, with the only variation being some new sentences in our game (‘What are you doing?’) and a new set of pictures for the presentation and this time we used the famous paintings. This stage of the lesson was relatively short but that is because the artist would make a proper entrance.

The same artist. Twice.

The artist

The guest and the Artist of the Day was J.M.W. Turner who visited in the past. I decided to bring him back because he felt perfect as a representation of movement through a very simple medium of the sea and the clouds.

Normally, the stage in which I show the kids my model happens a bit later in the lesson, just before we start creating. In this particular lesson, however, I changed the order and before revealing who the artist was I presented my two paintings: the seascape painted practically with one colour and almost with no lines and the other one with plenty of colours and plenty of lines. This was to demonstrate the difference and to encourage my students to use these two basic tools later on in the lesson. I also asked the kids which one they liked more. (Unsurprisingly, the second one, for the majority of students but there were some who liked the peace and quiet of the first one, too!)

Afterwards, we looked at some of the paintings created by Turner and how he tried to depict the movement in them. It happened almost naturally that they started to express their opinion (‘It is beautiful’, ‘It is scary’, etc).

You can find the presentation we used here.

Here you can find a very interesting article about the movement in art.

Here is a whale jumping out of the water…

The art

Last week we worked with watercolours and the task was ridiculously simple: draw the sun, the sky and the water (just like Turner did!) and try to show the movement using the colours and the lines.

This was a day of surprises in the classroom and here is the list of the things that surprised me most:

  • how easy it is to create a beautiful seascape, even for the artists who are only five or six or eight
  • how touching are all the images the children created
  • how involved all of my students got into the task despite the fact that we are a mix bunch and there are some who love art and creating and those who don’t really do it very frequently
  • how they approached the task and how they adapted it to their own needs and perspectives, by adding human figures or animals or boats to accentuate the movement, by changing the setting and visualising movement in nature in the mountains or in the fields and how proud they were of their works
  • how easy it was for them to experiment with the colours, the lines and the settings
  • how un-coincidental all the decisions were. And I know it because I could hear what they were talking about while they were working.
  • how they enjoyed the task
  • how the youngest artist painted a very calm and uneventful sea but then decided to experiment with the materials and his sky was, in fact, created with the wheels of the toy car, resulting in thin black clouds
  • and how the other young artist, almost as young, but attending our classes since September, has shown a lot more maturity and understanding of the task (though I love both pictures!)
  • how two of them decided to change the settings and go for the mountains instead
  • how one of my older students found a new passion for colour and for experimenting with mixing different shades and colours
  • how one of my most talented just went for a huge, uncontrollable cloud, a hurricane almost
  • how this most precious picture was created by one of my students, two days after the lesson, just because we have found the van Gogh background in the stack of the recycled paper. How the real artist saw the movement in the clouds and how the transformed the sky into the sea because the idea lingered…
The mountains, just before the movement
The mountains
The cat under the sky
The sea and the sky
Art at 6
Colours, colours, colours!
A magnificent storm!

Happy teaching!

Movement March. Humans!

by

Oh, I was so not sure what to do with March this year…Last year we did ‘Monochrome’ and so repeating and extending the theme was an option, of course, but I wanted something else. I was brainstorming with me, myself and this is how I stumbled on the idea of movement. M is for movement!

The funny thing is that when I get those ideas, the theme for the month, it is never a fully-fledged curriculum. I starts with the word and the alliteration and then I go on brainstorming and coming up with ideas. For instance, right now, half-way through ‘the unit’, we have had two great lessons but I still don’t know what we are doing with the rest of the month. The only thing I know is that the ideas will come to me, for sure.

The language

As regards the language, I decided to continue our theme from the previous month, the verbs and the Present Continuous, because I have a cunning plan of turning it all into picture description and, eventually, into storytelling. We still play our ‘What are you doing game?’ and describing different pictures, in the most simple of ways. And we also sing Pete the Cat’s, Rocking in my school shoes.

The artist

In the first lesson of the month, we did not have one Artist of the Day. Instead, I introduced a few different creators who helped us illustrate how movement can be depicted in art: through humans, shapes and lines, colour, nature, texture, animals and even words. This is, probably, the biggest number of artists that I have ever manged to squeeze in one lesson with Chagall, Bulatov, Hokusai, Kandinsky, van Gogh, Samokish and Riley. Seven. Wow!

It was lovely to see that my kids recognised some of the paintings as we used van Gogh, Bulatov and Chagall before…

Here you can find the link to my presentation.

The art

We started with looking at my example that I prepared before the lesson and called ‘Walking the snake’ to illustrate the idea and the whole project: choosing one or more of the characters from the photographs and giving them a new life – a new activity, a new environment and a new movement.

Then we outlined the main stages of the whole process (1) choose the photograph(s), 2) choose the new settings, 3) draw and glue or glue and draw, 4) think of the title) and we got down to work.

And I was working with the kids, creating my own pictures, to better illustrate the stages and to help them generate ideas for theirs.

If I were to summarise this lesson and my associations with it, it would be through the smile that appeared on my face every single time I walked past the noticeboard in the hallway where our pictures were displayed for a few weeks. Every single time. And that’s because they are beautiful.

The movement in the pictures is more or less distinct but all of the characters are doing something in their new settings although sometimes we know it only from the title of the picture (‘Doing nothing’). One of my students also tried to make a moving picture in the form of a simple puppet. Some of the pictures were even controversial (if you look closely, ‘Sitting’ is set in the bathroom) but it met all the requirements of the task and I had to accept them. One of my students, one of the more creative ones, took the task to a brand new level and focused not on the humans but on the place and, of course, I allowed that as I was very curious what will come out of it.

I would really like to use this technique and this task in one of our regular lesson, I just need to think what piece of grammar I can combine it with…

Happy teaching!

The Aztecs, fabrics and print! Teaching English through Art!

by

The langauge

This lesson was a part of our winter camp – a series of lessons devoted to ancient civilisations taught over a week, with each day being devoted to a different country and culture. We had a lot more time than in a regular EFL class because we could spend the entire three lessons focusing on the History, the Art and the Culture each day. Not to mention that each day was packed with the L1 activities in the particular theme, further reinforcing the vocabulary, the concepts and the ideas, turning it into a real experience for the kids.

For that reason, we had a lot more time to explore the language and all our History lessons of this programme followed the same plan: listening to the music of the civilisation to experience the culture, learning the key vocabulary, doing some written work and, the most important part, comparing the life of ancient Greeks, Romans, Aztecs and so on to ours, using Present Simple and Past Simple, which helped us practise a few key verbs throughout the whole week and to really learn some interesting things about a particular culture. It was also a great opportunity for the kids to share their questions and, equally, the knowledge which they already had.

‘Tell me you are the Art teacher without telling me…’ (and the kids left with their hands clean!)

The artist

Sadly but not surprisingly, we did not have ‘an artist’, not one with a real name. Instead, just like with many other lessons of this particular week, we invited a whole nation to our classroom. We talked about the beautiful Aztec prints that are still popular today. I showed the kids a few examples and we called out the colours and the types of patterns there. The kids automatically started to share which one was their favourite, too.

We also looked at a few printing plaques and outlined what ‘a pattern‘ is.

The art

My choice of the resources and techniques for this lesson was influenced by a few different factors. I decided to combine the Aztec love of cotton and amazing fabrics and patterns, the Aztec love of printing and the amazing colours. And this is how we ended up with our lesson.

There were so many precautions and instructions that I really ended up giving a step by step lecture and a demo, while at the same time discovering the technique, having never done it in class before. I cannot show you the video but there is a lot of ‘awnnn’ coming from the kids and a lot of ‘I just looove it’ coming from the excited teacher.

This is what we did step by step:

  • I prepared the fabric (simple cotton, pre-washed, dried and ironed it at home and cut it up at school) and I attached the pieces to the tables. We did not have the frames (which would have been amazing), but I scotched each piece to the table using the thin painter’s scotch, along the four edges, to ensure that it is properly attached but also to make sure that we have the natural frame for each piece. I also put a piece of newspaper or paper underneath to protect our tables and to make sure that the excess paint is soaked up by that, when necessary.
  • I prepared the tools: plastic forks, knives, spoons, chopsticks, paintbrushes and a few foam stamps I had. Later on we also added a few big shells and some crumpled tinfoil, just because we found it at school.
  • We also got the aprons ready, the wet tissues and an additional piece of paper per two students.
  • It is also worth mentioning that we rearranged the tables and put them all together into one big piece in the centre of the room to avoid a situation when the kids need to move around to exchange the colours or tools and spilling the paint all over the room.
  • I put up another piece on the board, for me to use as a model. Again, I used scotch+fabric+paper underneath and it worked very well.
  • The next step was a set of my instructions. I had to focus on: not getting up and moving around (the teacher will bring everything), being careful with the paint and wiping it off your hands immediately, wiping off the paint off the tools once you stop using them and sharing the tools and waiting patiently for your turn.
  • Afterwards, I demonstrated how we work: choose a tool, dip in the paint on the spare piece of paper that we used as a palette (easier to throw out than to wash), print, clean your hands and the tool and repeat.
  • At the end of the lesson, the kids went to wash their hands and went for a walk, I was cleaning up myself (always the case with the acrylic paints).
  • We needed the classroom for our lesson #3 so I moved the pictures to dry in peace to another room that was empty at a time.

I don’t really need to tell you that this lesson was a success, you only need to look at the photos that accompany this post. I absolutely loved how it went, how we worked and where we got with it. It was not an easy task, logistically, but it was absolutely and definitely worth it.

I was really impressed with how well my kids worked regarding all the rules, cooperation, sharing and being careful with the materials. True, I have no idea how many times, within those 45 minutes, I said ‘Wash the tools!’, ‘Wash your hands!’, ‘Show me your hands!’ and ‘Who needs blue / a fork / a flower / a heart?’, but they were absolutely amazing. So much more gratifying that these were not my regular Art Explorers kids and, nonetheless, they were great. The hands remained cleaned, the tables were generally clean and no clothes were injured or harmed during all our creative activities. I made sure I told my kids that I was really proud of them.

Now, the printing was one ridiculously enjoyable and one surprisingly innovative process. The children took my model into consideration and they tried to follow in my footsteps in the beginning but every single one of them took their own steps towards experimentation and their own interpretation of the process. And, despite the fact that we were working with the same tools and techniques, we ended up with a set of different pictures.

All the kids were visibly enjoying the process and it was great to see how they were not only sharing resources but also the ideas and the new solutions that they came up. Some of the works were directed by the colours, some by the tools that were used, some just by the silly ideas that we had out of nowhere.

Despite the fact that it all looks random and abstract, the pictures are the outcome of an organised creative process. In one of the cases, one of my students was debating with himself, along the lines of: ‘Something is missing here…Something is missing here…What is it?’ but because he was doing it out loud and a few of us got into a conversation, sharing our suggestions. That was a beautiful moment and the final product is, indeed, fantastic.

The best compliment to the lesson, I think, is one of the comments that my student made. He was peeling off his picture and looking at from all the sides. I asked him what he thought of it and if he liked it. ‘I want to buy a frame for it. Are frames expensive?’, he said and that is just the best thing that I could hear, I guess.

Another quote came from my admin staff. They were very much impressed with what we created and they asked: ‘Miss Anka, can we display them on the wall?’. I didn’t answer, I only started to laugh because all of my students, every single one of them, asked me during the lesson (and sometimes confirmed once or twice): ‘Miss Anka, are we taking it home?’ Too precious to leave behind, even for a day. I didn’t even try to convince them, I just made sure I had photos of all the fabric pictures.

My thoughts were of a slightly different kind. Looking at my students works, I was thinking, again, of a real gallery exhibition…

P.S. My favourite things: the Art Aftermath!

Happy teaching!

Hearts and Jean-Michel Basquiat

by

The language

February is our Fun Cartoon February but language-wise I decided to focus on Present Continuous to work on verbs and to get us ready for storytelling later on in the year. This is also a great TPR-friendly structure that comes in very handy and gives us a chance to move a little bit when we meet at around 4 pm, already a bit tired after a whole long day at school. We have a set of basic activities for that, tried and tested, that include making sentences based on stencils, Pete the Cat and his ‘Rocking in my school shoes’ (video and song) and a miming-guessing game (the calss asking:’Sasha, what are you doing?’, Sasha demonstrating and the kids guessing).

The artist

The day has come! Jean-Michel Basquiat is here! It has taken some time for him to arrive (mea culpa!) but it is finally happening. I was racking my brain in order to find a match for February and my own alliteration challenge because I really (really) wanted to deal with Basquiat (and with Roy Lichtenstein and Keith Harring) as soon as possible.

I introduced him to my students in the usual way (name, photo, country, favourite thing) and we looked at a few of his creations, including one of the self-portraits, cats and his ‘Robot man’. Funnily enough, my kids found some of his pictures a bit scary. That is why we didn’t spend a lot of time on that and we moved on to his technique because that was, really, my main aim for this lesson.

Before the lesson I prepared my own model of the heart because it made it a lot more easier to explain what ‘layering’ is all about. We looked all of the materials I prepared on the table and we tried to count how many I used in my picture and what they were.

My own piece

The art

Apart from the number of layers that my picture helped with, we also made a list of stages that we need to go through and I wrote them on the board: 1. the draft with a pencil, 2. the outline with a marker, 3. and more: all of the other materials, as many as you want and 4. the final one: glitter. The only thing that was obligatory for everyone was the topic, a heart as we had our lesson in the week of St. Valentine’s Day that our school was getting ready for.

This was a great process art lesson, an amazing process art lesson, in fact. I experienced it myself, while creating my own heart. Apart from just having fun, working with all of the materials and resources and experimenting with them brought me a lot of pleasure. Certainly, I was hoping that my students will also be able to experience that. Guess what? They did!

Different children chose their own approach to the resources and the number of different materials and layers to work with. I didn’t want to interfere with that, even though some of them chose only or two resources. I tried to suggest other solutions but I respected their final decisions. This was an interesting balance to those of my students who went over the top and used absolutely every single material that I had prepared. Or more, just because they found some random bits of coloured paper in the glue box.

Two resources only
Only markers)

My favourite thing was probably the fact that the kids went into the task with a completely open mind, willing to experiment, to try new resources and the new combinations of resources and to learn from each other, as well. We discovered that tinfoil can be torn and cut, it can be coloured and glued or glued and painted over. I shared with the kids that you can paint with acrylic paints and a wet tissue and I looked at how they liked working with our almost professional acrylic paints and that a piece of string actually makes a difference. I myself added a few more bits to my picture just observing what my students were doing.

One of my students came to our class for the first time ever and it was lovely to see how unexpectedly creative he is and how beautifully he applied the technique to create his heart.

Have a look at the beautiful pieces in our gallery…

Same artist, two pieces

Happy teaching!

John Olsen, the sun and the jungle. Jungle January

by

The Erik Bulatov jungle-themed lesson is here. The Henri Rousseau – here.

The language

We continued with our January theme and the jungle, and we continued to focus on the animal vocabulary and the phrases with ‘I can’. We revised the animals and we played the animal riddles based on a video, guessing the animals by the sound (I can hear).

The artist

Our Artist of the Day this time came from Australia. We looked at his paintings and I told the kids a story of his travels to Europe and how him being far away from his own country made him realise that this is where the real beauty is. This was ‘the favourite thing’ for John Olsen – Australia. We looked at a few of his paintings to see the unique style; we compared the paintings and the same objects in photographs. This year, this was our first meeting with abstract paintings.

We also looked at different pictures of the jungle, to see what it looks like from the perspective of a bird (or as John Olsen would see it, if he painted jungle) and to see what colour palette we need (green!).

The art

I have prepared my own version of the jungle picture, a la John Olsen, but I quickly realised that my kids were not quite interested in the abstract, non-figurative painting. For that reason, my painting was used only as a curiosity but everyone were allowed to paint the jungle in any way they wanted.

I demonstrated the technique that I have chosen for this lesson (crayons and watercolours, wet on wet or dry on wet) and we started to work. And, as usual, it was a joy to see them choose ideas, make decisions and work.

As could be predicted from their initial reactions, not one of my kids chose the abstract, not in the younger group, not in the older, either. Most kids worked with the technique I chose but I also had one student who asked for acrylic pens and one who only did crayons.

They were all invested in the process and I am really happy that we got so many beautiful and so many different paintings out of this lesson. I cannot even choose one picture that really ‘stole my heart’, although there usually is one. They are all special, each in their own way.

Every week, I have a few opportunities to interact with my students’ creations. First, when they are creating them – I am looking, then when I am editing the photos, then, when I am writing the post and then, usually after a few days, when I am uploading them here and posting. Every week, it is a chance to revisit and to notice something new. Initially, I thought that they did not really take John Olsen in, but now, on the 4th interaction, I can see that in those jungle of ours, the sun does play a very important part and, even when it is not always the centerpiece, it is very much present in their paintings. So, they did look and they did see!

Now, I am just wondering how to get them like the abstract art a tiny little bit more…

Happy teaching!

Henri Rousseau and a trip to the jungle

by
The peacock

The language

January is our jungle month (Jungle January!) and that is why we are talking about everything related. The first lesson can be found is here.

In this lesson we continued working with the verb ‘can’, still only with ‘I can see’ but we changed the focus a little bit. I wanted us to revise and to learn the names of the jungle animals, especially on their distinctive features. That is why we played a guessing game with the wordwall cards. In order to help us guess, I chose not one specific body parts, like in other games we played, but a very distinctive feature for each particular animal.

The tiger

The artist

We invited Henri Rousseu to join us in class again, this time as the main guest. We looked at his paintings (presentation slides 8 – 15), just calling out the names of the things we can see.

I also wanted to show the kids different ways of depicting a tiger, a painting, a drawing, a child’s drawing, a photo, a logo and the Chinese symbol that represents this animal. We looked at how they are different and how they are similar and we tried to outline their distinctive features: black and orange, stripes, four legs and a tail.

I also told the kids that Rousseau never travelled to the jungle or even out of the country and that, still, he decided to paint the jungle because he wanted to do and he did, the best he could. We talked a bit where he could have got his ideas from. I realised that he is a really good role model for us, the budding artists.

The anaconda and the peacock

The art

We started with describing what the task was: to choose one animal and to try to paint it using finger and handprint and our paints, focusing on these distinctive features that we would be able to tell that it is a flamingo, a tiger or whichever animal we choose.

I showed them a few examples of the finished tasks from the internet (see the presentation) as well as my model. Before the lesson, I printed a green hand on a piece of paper (also to check again how much time we will need to wait before drawing on the paint) and I showed it to kids. While they were watching I added the little bits with a marker and ended up with an elephant.

My attempt at an elephant

I also showed them how we would be working, moving from the paints station in one corner of the room, to the tables where I attached the paper for printing, I gave out the tissue paper and the wet tissues to clean our hands, too. I also showed them how we don’t need to smear the paint on the table (covered with paper) but that we can also spread it on the palm of the hand with a paintbrush. I prepared a paintbrush per colour and a few extras for the colours that we would mix.

And then we got down to work. The results, as usual are all over this post…

The tiger
The beaver
The peacock

What I loved about this lesson was:

  • how the kids were discovering the material and the technique, thinking about and developing ideas as we went along
  • how they were learning from each other
  • how they experimented with the colours, mixing them and asking me to try getting new colours for them
  • how they made their decisions about the distinctive features of the animals they chose
  • and how sometimes they asked me to google the animals to check that they were doing a good job with certain body parts
  • how we discovered that even our dirty tissues were pretty and that they could be Art. ‘Miss Anka, can we do some more tissue Art?’
  • how children were making their own decisions. Some decided to choose very un-jungle animals, some loved the fingerpaint so much they they decided to use it in a more traditional way, with paintbrushes for colouring. And, as Pete the cat says, ‘It’s all good!’

Happy teaching!

Erik Bulatov once again. January Jungle!

by
Once a teacher, always a teacher. I decided to use this one as an opportunity for all of us to learn some words)

The language

On the spur of the moment, at one point before Christmas, I decided that our January theme will be the jungle. As in: January Jungle! (Or ‘Jungle January!’, we are using both terms interchangeably.

This means only three lessons but it took me about one blink to decide what we are going to be doing and I am not saying it to brag but to share the surprise because, without knowing, I had these three lessons already in my head. They were just waiting for their cue, apparently.

I decied that we are going to practise a lot of ‘I can’ with different verbs to describe sensory experiences and in the classroom that is actually very (very) far away from a real jungle, I hope we can at least manage ‘I can see’ (the easiest one of them), ‘I can hear’ (there are the sounds) and, perhaps, ‘I can smell’, with a fragrance or two, hopefully.

In the first lesson, we focused on the general vocabulary, related to the tropical forest. We learnt and revised the words (those here) and we practised guessing, using ‘I can see’ (using these cards). With the older kids, we also looked at some of the paintings by Henri Rousseau (a preface to the second lesson in the cycle) while describing the pictures and everything we could see in them (presentation from slide 11).

The artist

Our real artist of the day, however, was my beloved (no joke here), Erik Bulatov. I designed a lesson based on his works a few months ago, during the summer camp lessons. You can find it here, it is only of my proudest creations and I really do recommend it, especially that it lends itself to many different topics and age groups.

I knew that Erik Bulatov would be coming back and the jungle month seemed perfect for it.

We looked at only a few of his paintings (presentation, slides 5 and 6) and we talked about the main idea, that is using the words as visuals, or, as I have been putting it, ‘a word is a picture, a picture is a word’. Actually, it is for that reason that I chose those particular pieces by Bulatov, I needed some clear examples.

We also looked at two of my pictures that I created as models, ‘jungle’ in English and in Portuguese. I wanted the children to see that even though we don’t really know the word and ‘selva’ is unsimilar enough, we might be able to guess (or to decode) what it tells us. I also wanted them to see an example of how different letters can be shaped into the jungle animals and plants.

Selva, or ‘jungle’ in Portuguese. But you already knew it, right?
Jungle!

The art

Afterwards, we just got to work. In terms of resources, that was an easy-peasy lesson because it required only pencils, markers and paper. I did prepare a template with the word ‘jungle’, to speed up the process a little bit. Since, however, I am dealing with a very creative and independent bunch, as it turned out, some specifically asked for the permission to opt out of the template. And, as was to be expected, some asked for the permission to opt out of the jungle altogether. Permissions were granted and the photographic evidence confirms that.

These are the pictures by two friends, working together.
Clearly, one inspired the other but the execution is different and ideas, too, vary.

We also used a bit of brainstorming (‘What fruit do we have in the jungle?’) and the internet research. This is a serious word but research it was for sure. We googled the fruit and some specific animals and items because the kids wanted to see them first before deciding which letter they could be incorporated into. I really loved to see the thinking that went into making these decisions. It was a process and they were really involved.

Balinese jungle (yes, that has been confirmed)

‘Jungle’ has only six letters but, still, it was too many for some of the students and, since we only had 45 minutes, they did not manage to finish their pictures, which, I suppose, can be seen as some kind of a failure, bad time management on the part of the student or bad monitoring on the part of the teacher…I’d rather look at it as an opportunity to see how my students were engaged. Those who didn’t finish either promised to complete the picture the next day, during the break or they came up with a pleading ‘Miss Anka, can I please take the paper home and finish there?’ It was important, it mattered!

I have also learnt that a teacher should research the topic a bit further before the lesson, even if only to refresh and to remember that, for example, there are jungles out there which, apart from toucans and piranhas or other tropical fish, might be recognised due to their volcanoes…I was surprised when one of my students started his ‘J’ as a volcano but then he told me that, ‘You know, miss Anka, in Bali…’ I accepted and ate my humble pie. And took notes))

And here are even some indigenous people!
Not the best quality but that is the only thing I managed to snap before the picture went home…

Happy teaching!