#eflteacher

Romero Britto and very happy animals. Teaching English through Art

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The language

This was a part of a wonderful Brazil Day in our summer camp. We started the day with learning how to say hello in Portuguese and looking for Brazil on the map. Afterwards, we looked all the things Brazilian and we expressed our opinion using ‘I like’, ‘I don’t like’, ‘I love’ and ‘I don’t know’. I wanted the beginners to focus on the basic structure but I also have some more advanced kids and I encouraged them to also say why or why not. We used the the wordwall cards, we played pelmanism and a miming game. I found the video about the country, too, but we didn’t even have time for that as we still had to complete our passport page.

The artist

There is a special place in my heart for Romero Britto and his animals and he was a perfect match for this lesson. We talked about colours and which ones are happy or sad for us and then I introduced the artist and his works. I prepared a presentation in which parts of the animals were hidden and the kids had to guess their names.

We talked about the colours that the real animals have and the colours that Romero Britto used. Initially, I was considering extending the ‘analysis’ to shapes, too, but eventually, I decided to keep it simple and focus on the colour only.

The art

The task was essentially very simple: a colouring picture of one of the Romero Britto animals and working on including happy colours. I showed them a selection of animals (they are available on different sites) and everyone chose one and we printed those.

I decided to use watercolours because they are easy to mix and they dry relatively easy and we could add my secret ingredients: the glitter markers. The kids found some old ones in my box and they got wildly excited about them and that is why I decided to use them properly in class. I am not a huge glitter fan (reads as: I avoid it like the plague) but the marker version, mixed with paints is a bit more manageable and it does not spill as easily, unlike the powder.

We started to paint with the watercolours and as soon as we finished, the kids could pick up the glitter glue. I suggested using it as yet another paint as even a small amount can be spread over an already painted surface (even if it is not entirely dry) and it adds the glow and makes the picture even more beautiful and joyful. We had three different types of those glitter glue markers with different type of a sparkle, everyone got their two in the beginning and then they exchanged and shared.

Some kids worked a bit more slowly and completed only one picture, some others, the older ones, went on a bit faster and managed to finish two or even three of them. And they sparkled so beautifully in the sun!

For some time I thought that perhaps that kind of an activity will be too easy and too boring for the children but there were two elements that helped to prevent it. On the one hand, the complexity of the original picture and all the little shapes and patterns made the kids work in concentration and focused, they really wanted to do a good job. On the other hand, the glitter definitelly did add to the WOW factor.

All in all, I think Romero Britto in that format will be a great choice for one of the first lessons with a new group of young artists.

Happy teaching!

The sun, the sea, the sky. J.M.W. Turner with kids

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J.M.W. Turner is, hands down, one of my favourite painters and, definitely, one of the first ones that I fell in love with and it has taken way too long for me to introduce him to my students. But, finally, this day came. We are now in our summer camp ‘Travelling around the world’ session and we planned an England Day, there could be no other painter to bring to class. ‘It had to be you’, Turner, sir.

The language

On the day, we had to lessons which we could devote to England. The first one was a vocabulary lesson in which we learnt about the different things we can see and do in England, food, sports, symbols and sights. We also talked about the things we like and don’t like and we played a pelmanism game. We filled in another page in our ‘passport’ (every day we do one) we watched a short video about the top attractions in London to compare it with our city.

The artist

Introducing J.M.W. Turner was easy as we could compare him with Claude Monet and it went along the lines of ‘Claude Monet had a garden and there he went to paint and Turner lived in Margate, by the sea, so he went to the beach to paint the sea’. That is, of course, a huge simplification but it worked for my 6-8-year-old audience.

We looked at a few of paintings and talked about the colours and the sea (‘Is it day or night?’, ‘Is the sea calm / quiet or angry?’, ‘What colours can you see?’).

The art

This was the first lesson in which we had two separate creative exercises.

The first one focused on mixing the colours as I wanted the children to experiment with the paints we had in order to achieve a wide variety of blues which, later, would be used to paint the main picture. Everyone got a narrow strip of watercolour paper attached to the table, a box of watercolours, water, and a paintbrush. And the task: mix the colours in any way they want in ten different ways. I asked them to try out the paints on the paper.

Before we started, I showed them what I did for homework, namely about 20 different shades in my sketchbook. While I was monitoring and watching the kids, I realised that it was a great idea and that this could be a separate lesson. I just need to stage it in a slightly different way.

Turner in three short words

When everyone completed the task, ten different shades of blue, we got down to a real Turner. I drew a simple plan of what a Turner painting is (with all the love there is in the world): the sun, the sea, the sky and I asked the children to decide if it is a day or night, if the sea is quiet or angry, what colours they want to use and whether there is going to be a boat or not at all…

And we got down to work.

In methodology you call it ‘teacher monitoring the work of the students‘ and I do a lot of that but the truth is that I adore watching my kids work, take time to think, handle the materials, make decisions and focus on the beauty that they are creating. I cannot post the photos which feature my students, we take them only for the parents, but they are all so involved, so in the process, so concentrated, each in their own way.

What I noticed:

  • the 10 shades of blue was a great idea and it helped them see how many options there are and I could that they were using it later. One of our youngest ones also applied the same technique in the following day, with another teacher. He really learnt something!
  • everyone interpreted the topic in their own invidividual way
  • one of our oldest students was a beginner painter and looking at the way he held and moved the brush, I could tell that there hadn’t been much of painting in his life until our lesson. For him, this kind of an easy task was a good introduction into the world of Art and by the end of the lesson he seemed a bit more relaxed and confident.
  • the simple Turner was introduced to help the kids see the pattern in his paintings and to include all three elements.
  • it was an achievable task for the youngest (5 y.o.) and the oldest of my students (9 y.o.)

Happy teaching!

We don’t need no…enthusiastic teachers. The dangers of enthusiasm

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Do I hear gasps of horror in the audience? Good. That is how I reacted when I said these words out loud, in a conversation with a teacher friend, retelling her some of the ‘recent events’…

Bear with me, dear reader and let’s see if you still gasp at the end of this post. Or maybe I will get you to at least look at the world through my eyes and give me a tiny little nod of agreement…

The ideal teacher?

‘Enthusiastic‘ is this one term that frequently appears on the list of words to describe an ideal teacher. Qin Zhang goes as far as saying that it is ‘generally recognised as one of the most essential and desirable qualities and characteristics of effective teachers‘ as one almost synonymous with energy or passion. What’s more, it is often presented as key to students’ motivation and engagement and, if you look long enough, you can even find advice how to be enthusiastic about what you teach (and in case you need it – use your voice and gestures, never admit that you don’t like your subject or topic or that it is not important). Enthusiasm then – a key factor in teaching.

Or is it?

Reading all these articles made me want to jump up and shout ‘Objection, Your Honour!’

My definition of a teacher, and especially a YL teacher, is slightly different and, surprise surprise, enthusiasm does not feature there as one of the necessary qualities. I put this list together based on years of mentoring and training of teachers who were either novices in general or novice teachers in the early years ESL/ EFL world. I based it on my own experience, the things that worked and the things that didn’t. I read about it, too, of course.

On my list, I have resilience and stamina and a variety of skills, I have resourcefulness and patience, I have creativity, energy and calmness and all three elements mentioned by my gurus such as Sandie Mourao (2018): the level of language, the knowledge of child development and of the appropriate methodology. A YL teacher is also someone who can teacher up or teacher down. But ‘enthusiastic’, well, somehow I didn’t think of including it. Truth be told, only recently did I begin to understand why.

Case studies

To illustrate that, I will use three case studies, from my professional life as a teacher, a trainer, an educational manager in all the contexts, countries and schools where I have worked and, at the same time, in none of them. The stories may have happened but in the way you think, not in the place you can guess and not with the people you know. No identification with actual persons or places is intended or should be inferred.

Case study 1: A senior teacher is asked to prepare a programme for the summer camp session. This senior teacher does not really have a lot of experience in the area and with this age group and, somehow, they do not bother to ask for advice, recommendations or support from more experienced colleagues. They just put it together, as best as they can because they really, really want to and they believe that something’s gotta give.

The programme has more holes than a slab of some Swiss cheese. There are no real ideas, no lesson plans, no support for the teacher or any attention or knowledge of any methodological principles. The only thing that there is – the enthusiasm and the Wow Factor . The camp lags from one day to the other, the teachers are confused and lost and just doing their best. But, because they are dedicated and passionate, they pull it through.

Execution mode: atrocious and unecessarily exhausting.

Aims: met as in: the world did not fall apart.

Case study 2: A teacher orgnises an excursion for her students, to the cafe, to celebrate. It is not a big group of students, there are four adults accompanying the kids, the paperwork is ready. However, the teacher doe not bother to check and to plan the route, there and back, because they are in the city city, not far from the school and the place is reacheable on foot. On the way there and on the way back, the group wanders around, they have to stop a few time to check the google maps, everything takes forever and on the way back, they take yet another shortcut and, to add insult to injury, they are caught in a blizzard.

Execution mode: messy and unnecessarily exhausting.

Aims: met (meaning: the world did not fall apart and there were a lot of lovely photographs)

Case study 3: An adult student stays after a lesson to talk about a relative who would like to work as a teacher. The contacts are exchanged and the potential applicant is advised to get in touch with the recruitment department of the school. She does and only later doe it become obvious that the enthusiastic would-be teacher has not graduated from the university yet, her studies are not even remotely related to education, she has never every taught in any capacity and does not even have any official confirmation of her language level. For all these reasons, naturally, the school does not hire her. However, she is advised to take a language test and consider starting the basic teaching qualification course. The potential applicant does not reply to these in any way and, her relative, the adult student who comes to the following lesson iss obviously disappointed and she tries to plead, with her teacher. ‘But she is so eager to start teaching. She really, really wants to be a teacher of English. It would be a dream come true...’

Execution mode: a great range of mixed feelings.

Aims: not met. I hope this person found her path.

Put the enthusiasm on the back burner!

It is easy to image that all of the directors, all of the managers, all of the parents and all of the trainers would love to see their teachers full of energy, stars in their eyes, joy in their gait, impatient to start doing their favourite thing, teaching! To impart knowledge, to help the kids learn, to help their students grow! That’s absolutely important and I hope that all my teachers, readers, colleagues have a chance to experience it on daily basis, this passion for what you do. I, personally, cannot imagine a life in which you to work without a tiny spark of happiness, just to do something in exchange for the salary. There are lots and lots of things that I do, solely out of pure enthusiasm and there are lots and lots of things that my colleagues and teacher friends do, on daily basis, that are not reimbursed financially.

But.

Enthusiasm cannot be the only resource available to a teacher. If it is and if it is there to cover up and to make up for all the other adjectives (such as organised, supportive, qualified, skilled, realistic, methodologically sane, planned, reasonable and professional), then I would like to make an objection and a strong one, too!

If we were talking about a different profession, nobody would even consider hiring a person to do the job of a doctor, a driver or a hair-dresser if the only thing they had to show for themselves was their enthusiasm or serving a disgusting cake on a pretty plate and claiming a Michelin star or two. It would not be a good idea to organise a festival without checking all of the bits, pieces and options and going for it just because we really, really want to have it.

No because it does not work like that in other areas and we should not have to deal with that in teaching, either.

Personally, I find it very, very tiring, as a teacher, as a trainer and as an educational manager. Mostly, because, in most cases, it translates into mess, confusion, teaching and learning below standard and last minute preparations and fixing problems as we (happily) go along. Perhaps, on my part, it is some kind of professional OCD but I like things to be in order.

This is not a post against enthusiasm and pession. Let’s not take it off the list, let’s just put it on the back burner, please.

Happy teaching!

References

Instructor’s Corner #3: Teaching with Enthusiasm: Engaging Students, Sparking Curiosity, and Jumpstarting Motivation | National Communication Association (natcom.org)

An enthusiastic teacher of English – How I see it now (wordpress.com)

Being an Enthusiastic Teacher – Swansea Academy of Learning and Teaching

What makes teachers enthusiastic: The interplay of positive affect, self-efficacy and job satisfaction – ScienceDirect

Sandie Mourao (2018), Research into the teaching of English as a foreign language in early childhood education and care, In: S.Garton, F.Copeland, The Routledge Handbook of Teaching English to Young Learners, Routledge, p. 429.

Crumbs #81 Making sandwiches aka a different type of Food Art

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Ingredients

  • anything that you want to use to make sandwiches, we used: toast bread, blueberries, cucumbers, carrots, cherry tomatoes, cheese slices
  • a few pictures to get the inspiration from, for yourself and for your students. There are lots of websites with creative sandwiches for kids but I wanted something simple that we could all make and that is why I just looked for illustrations on google. If you are looking for something more intricate, you can have a look here and here.
  • two plates for each child and a small plastic knife
  • we made the sandwiches in our lunch room

Procedures

  • We started with the picture that I created during our previous lesson, my own vegetable print and I asked the kids to guess which vegetables I used in another lesson on the same day (here) and we connected them to the flashcards of vegetables we had on the board. Before the lesson I also put up more flashcards, of all the other items to be used in our sandwiches, and we spend some time working on those, drilling and playing a game.
  • Important: before the lesson, I sent the list of ingredients to my administrators to ask them to buy everything we needed and to inquire with the parents if everything was ok and to check against the allergies that our students might have.
  • I told the kids that we would be making sandwiches and I showed them a few different patterns but I also stressed that everyone would be making their own monsters.
  • We relocated to the lunchroom, washed hands and sat down. The vegetables had already been washed and cut up: cucumbers into julienne and slices, carrots into julienne and slices, cheese into slices. Cherry tomatoes and berries were only washed and dried.
  • I was making my own sandwich, modelling what can be done and my T.A. was bringing plates with more and more veggies. I did my best to encourage the kids to ask for certain vegetables and we did it))
  • At the end, we went through all of the veggies to check that everyone used everything. (“Have you got any carrots?’)
  • Then, we went on to eat!

Why we like it

  • It was the most ideal follow-up of our lesson 1 (vocabulary) and lesson 2 (making print art with vegetables) and, finally, we could eat in class.
  • It was a great way of practising our target vocabulary, practical, hands-on, productive because we really, really used the language.
  • Apart from what I planned for this lesson, namely using the functional language in the context (‘Bread, please’), we also started to sing a new version of the Broccoli Ice-cream, using the combination of the things on the table and then tasting to check what we really think. And, guess what, it turns out that carrot cheese, blueberries cheese and blueberry carrot are all yummy!
  • The kids worked very well together, they reacted well to changing the set-up and the type of an activity. Nobody got overwhelmed or overexcited, they were patient and waited for their turn and they used the langauge. I was really proud of them.
  • Last but not least, we made sandwiches (some kids more than 1) and we ate A LOT of vegetables. I was worried for a while that dry bread might not be the most popular item but I did not want to include any spreads of any kind and it turned out not to be necessary. Actually, during the previous stages of the lesson, I asked whether the kids liked all of the items we had ready and I was lucky – everyone liked everything! But, even if not, they were not required to use or to eat all of the ingredients.
  • As for the creative element, I was laughing a lot during this lesson because my students and their monsters were just amazing and very creative. I showed just a model but I didn’t want them to follow directly in my footsteps. We all looked at our plates and everyone, clearly, had their own idea of what the monster should look like.

Happy teaching!

A study in purple and pink! Summer still-life #1

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Last week, we had an opportunity to still-life twice, with the same group. Make sure you check out the other post, too. You can find it here.

The language

Having a summer camp planned well and planned by yourself (yes, a bit of blowing my own trumpet here) is great not only because it is done well but also because every day, for ten days, you know exactly what is happening and you have the same lesson routine. The pink and purple day was no different. The langauge had its own separate lesson in which we sang songs about purple and pink and we talked about our preferences, whether we like certain things in pink or colourful or purple or not. We also wrote a poem about these two colours, very losely inspired by the poems I found in the Little Learning Corner.

The artist

This was the day of two Frenchmen, Monet and Manet and I had to invite both because I wasn’t sure which way the lesson is going to go. Initially I was hoping we could go to the nearby park to paint there but I had to take the weather conditions and the potential summer showers into consideration and prepare two options. But, in the end, that brought up an idea for a lesson.

We looked at two paintings, Water Lillies by Monet and Bouquet of Flowers by Manet and looked for similarities and differences. We also looked at some more flowers paintings and answered a set of a questions about all of them, in order to understand a little bit about composition. Among the questions we had: Can you see all the flowers? The flowers at the front are they big or small? The flowere at the back, are they big or small? What’s the biggest flower? What’s the smallest? etc.

I had a set of photographs prepared, in order to focus either on the flowers in the garden or those in vases and, in the end, we had give up on the idea of painting in the park and we focused on the vase that I filled with flowers.

The art

As you can see from the paintings accompanying this post, everyone chose their own approach to a flower still-life. My students painted anything and everything they could see and yes, they saw different things. This was to some extent a surprise but a pleasant one and I did not want to intervene or to ensure at all cost that they all focus on the realism and try to recreate the image. Perhaps one day we will get there but even when we do, it will require its own separate technique, planning and staging.

Another (not unpleasant) surprise was the fact that all of my students took time to start, more than they had ever done before. At first I was alarmed but it was only until I realised that they were just taking it in, and that looking at the flowers, looking at the page, and processing the task is all a very important part of it and that we should make it official, our creative Thinking Time.

I added the daisy just for the contrast but it turned out to be a very clever decision (albeit it was not planned, I am still learning!) but it helped us a lot. We started with a vase and with a ribbon but then, moving on to the flowers, the daisy was a good starting point. All the other flowers were arranged around the daisy, in the vase and on the paper. At least with my older students and with those who needed guidance. With all the other ones, who were already at work, I just let things be.

One more thing that I learnt on that day was that, perhaps, for a first flower still-life, it would be good to have a simpler set, with a variety of colours and flowers, to help the children see them and to help the children draw them, too.

Two of my students started to sketch the plants and while they were doing that, they asked for permission to keep it black and white. I agreed, of course. How could I not, when the question was asked like that: ‘Miss Anka, can I do it in the style of a 19th century photograph?‘ (though it was asked in the L1). And they are beautiful.

One of my students chose to focus on the daisy and went for it, very much, in the style of Georgia O’Keeffe (who, by the way, was one of the painters who featured in my presentation) and it is just wonderfully magnificent.

As usual, I am looking at all the photos while getting them ready for the post and it is amazing to see how the realism and the bouquet I created shows in them. Sometimes it is a ribbon and a vase, sometimes it is the daisy and the flowers, sometimes the little roses. Sometimes, though rarely, it is everything. And as says one of my favourite superheroes, Pete the Cat, ‘Because it’s all good!’

Welcome to the gallery!

Happy teaching!

Kind of green. Summer still-life #2

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Last week, we had an opportunity to still-life twice, with the same group. Make sure you check out the other post, too. You can find it here.

The language

This was one more lesson we did this summer as part of our summer camp, with each day dedicated to a different colour and we had a whole lesson which we could devote to language practice. This lesson went according to the same plan: a song, things that are green and, to focus on the structure, which do you prefer, green or not green. We also included more practice and games and we wrote a poem about the colour green, modelled on the poems I found in the Little Learning Corner.

The artist

Initially, I was planning to base this lesson on Ilya Mashkov and his pumpkin painting because it worked very well in the past (post here) and the kids responded well to it. However, having decided to do just that, on the day of the lesson, while going to school, I realised we needed something more. Firstly, because I have a new group, with mixed ages and levels and all made of kids who did not attend my Art lessons throughout the year. Secondly (and more importantly), the colour and the shades and the logistics of it, were a new concept and I wanted to set an appropriate time slot for that. Instead of looking at some other paintings we got down to business:

Shapes: we looked at all the green fruit and vegetables that I brought and described them using simple shapes. In order to help the younger kids, I also drew them quickly on the board, too, to demonstrate that it is not necessarily very complicated.

Colours: for this part of the lesson, we all sat on the carpet, around a piece of paper and a box of watercolours. We tried different colours in the box (there were 2 shades of green) and then we experimented with mixing shades, creating new ones and trying them out on paper. We checked how adding water works, mixing greens with white, black and grey and then we just used a few combinations that kids suggested.

Outlines: I personally love drawing with crayons and colouring with watercolours, because the crayons do a great job of holding the paint within the lines and really like the contrast of the most random colours used to sketch. Black is not the only option and I wanted to share that with kids. I demonstrated that but I also told the kids that they can also use pencils or nothing.

The art

Before the lesson, I prepared the working stations and the kids were taking their after they got up from the carpet. On the way, they also picked up their aprons.

I gave out all the materials: crayons, water, watercolour, paintbrushes, palettes for mixing and tissues and we got down to work. The kids were working at their pace and I was just so happy that I had my TA who could help monitor a relatively big and varied group.

My eldest students were working very well on their own and they really didn’t need any real support and direction. The youngest students took a while to get started and were definitely in need to the first step accompanied by the teacher. For two of the children, we even had to start the sketch and let them continue.

It is interesting to see how many different ways of looking at the composition of the still-life the kids took. I tried to suggest starting from the biggest and the most obvious ones (the broccoli and the zucchini) but I did not insist and, as you can see, some of them went as far as just drawing a set of fruit and vegetables, reminding me of a page of a XIX century herbarium.

Regardless of their age, they really enjoyed working with the colour and the experimenting with different combinations of paints. They were working and, again and again, they would call us out, me and my TA, to come up to their desks to look at the new variations of green. ‘I’m a real artist!’ our youngest in the group said proudly when we were about to start working.

Some of them also went as far as working on the texture to match the texture of different fruit and vegetables but, again, I did not insist on that. That’s a separate lesson, something to look into in the future.

Three of the children completed the ‘obligatory’ fruit+veg painting and went on to create their own paintings, one for mum, one to experiment with different painting techniques and one, ‘the glory of the colour’, just because a 5 y.o. found an especially bright box of colours and she decided to express herself with them. Two of the creations were never photographed because they were so precious that my student just snatched them, still slightly wet, to leave them in the changing room, not to forget to take them home.

Next time to-do list:

  • Make sure that all the kids have a spare piece of paper to try out all the new shades before applying them on the actual painting.
  • Write the lesson plan on the board. I didn’t this time and it is a pity, it would have helped to keep everyone more or lesson on the ball.
  • Prepare some kind of a version of a template or a sketch ready for the youngest children, in order to help them jump over the huge challenge of the drawing stage and in order to be able to focus on the colour and the shades. Technically, this could also be a separate lesson, too, with a template for everyone, to focus on the colour or on the texture.

The gallery

Happy teaching!

How we watched the paint dry. Bubble painting! Teaching English through Art

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This was not a typical Art lesson for many reasons. First of all, it was a part of the camp programme, so I had a mixed ability group, with many children who have not created a lot with me. Then, it was an Art lesson that did not involve the Artist of the Day and, also, a lesson which was fully and thoroughly devoted to the process, perhaps more than any other lesson that I taught.

The language

This particular lesson was taught as a part of the summer camp programme which meant a lot more time for all of us, we had one lesson for the language practice and one separate lesson for creation. And one whole lesson for Science and experiments! It was a part of the Black and White day so in our English lesson, we talked about the things that are black and white, we did some acting, we talked about our preferences (Do you prefer a black and white zebra or a colourful zebra? based on the illustrations I found) and we wrote a poem about our favourite black and white things. We also had a fantastic Science lesson in which we were learning about what the colour black is made of and what the colour white (aka the light) is made of.

The art

Initially, I had a different idea for this lesson and I wanted to create two drawings (black on white and white on black) but we did something like that very recently and I needed something a lot more inspiring.

I did ‘waste’ some time thinking about the ways of making the connection between the colours and the art (something that is one of my favourite things, this kind of a brain-breaker) but, luckily, a few days earlier I was also researching new watercolour techniques and this is how I found a video on Lemon Creation ‘The most relaxing watercolour technique ever!‘. Then it was easy for the grey cells to make a connection: bubbles = white, bubbles = light, bubbles = colours.

I tried and tested the technique on myself, the day before. It helped me to understand the process better and to plan and stage it for the classroom full of kids. Not to mention that I had lots and lots of fun with it, as an adult. A delightful process that I really wanted to share with my kids.

In the classroom, the next day, it went like that:

  • I showed the kids all of the materials (plates, spoons, straws, washing up liquid, watercolours, paper, paintbrushes) and I explained that we are going to make bubble paintings.
  • I showed the kids my creations, already dry and ready for all of us to see the final product.
  • The next step was the list on the board, all the stages with simple verbs, for each of them because, again, this is an activity whose success depends a lot on the careful following in the footsteps of the teacher, one at a time.
  • And, to further underline it, I produced one more picture in real time, with us following the instructions on the board and the kids watching the process, from the beginning until the end. Initially, I wanted to colour the bubbles only with the black paint, in order to keep in line with the theme of the day but I quickly gave up on the idea. Not because it is a bad idea but because adding more and more colour and looking at how they seep into each other and mix and dry was way too much fun to skip it.
  • Giving out cups and straws to all the kids and making out own foam would be a lot of fun but I didn’t want to risk anyone taking a sip of the soapy water by accident (and, mind you, that is very easy, even for an adult, I did it myself while in class, oups) so I decided that there will be only two Foam Makers, myself and my TA.
  • After we have given out resources, put on aprons and prepared the paper, we started to walk around the room with my teacher assistant giving out the foam to kids. At home I used a piece of cardboard but a spoon is a much better solution (Miss Nigina’s idea:-).
  • Children went on to infuse their bubbles with colour and only now and again someone would should ‘Miss Anka, more foam, please!’
  • Some of the kids named their paintings in the same lesson, some decided to leave it for later (‘Miss Anka, I haven’t finished yet’ as my 5 y.o. artist told me).
  • When we came back after the lunch break, we unpeeled all of the pictures, signed them, named them and decided who is taking theirs home and who is keeping theirs on the noticeboard.

If you haven’t figured that out yet from the first 500 words of the post, I am here to tell you that we absolutely enjoyed this activity.

Yet again, we had an opportunity to learn to keep the pace and to follow detailed (but carefully-staged) instructions. We created these beautiful pieces that you can see in the photos and the kids were fully engaged. It is almost difficult to call it ‘painting’, it seems that ‘a show’ would be a more appropriate term as it was a whole performance that we created with the help of the bubbles and the watercolour. Observing how the paint seeps down, through the bubbles, colouring them and then drying and changing slowly…We literally watched the paint dry and it was an absolutely fascinating experience.

It was only after the lesson when I had a chance to look at the photos that we took during the lesson and the kids in all the photos are so focused, so engrossed, so into it…A beauty to behold!

The study in pink that is the title photo of this post was created by my 5 y.o. firestarter who, when ‘forced’, stops plotting how to destroy the world and sits down to paint and ends up putting together the most amazing pieces. Like that one. I have already had a chance to witness it 6 times and every single time it is a wonder.

There many things that can be done with the finished paintings, with the use of markers or colours or even collage and we will definitely be coming back to it! Bubbles for everyone!

Happy teaching!

Hokusai, waves and watercolours!

by
8 y.o. artist

The language

This particular lesson was a part of our summer camp programme devoted to colours and that day was dedicated to ‘blue’ and all the blue associations, namely the sky, the water and the peace. For that reason, the language of the lesson was dictated and aligned with everything that we do in the other days of the session: talking about the things that are blue, miming and guessing, writing a poem about the colour blue and singing songs of which my favourite one is this one here, from Kiboomers, with a catchy tune and the repetition.

6 y.o. artist

The artist

That particular lesson had a whole party of artists as I wanted the children to see a few different ways of depicting water in Art, with Turner, Hockney, Monet, Levitan and, of course, Hokusai. I live by the river and I have piles of photographs of the water and, as a joke, I decided to include one of my own photographs in the presentation. We looked through all of those, depicting a wild sea, a swimming pool, a pond with lillies, a wave and a river. Very briefly, we talked about the water being either calm or in movement and the children noticed themselves that there were no people in the paintings.

8 y.o. artist

The art

For the creative part of our lesson, I chose Hokusai. He has been on my mind for a while, just waiting for the most opportune moment and this moment came. I also wanted something that my mixed age group would be able to handle and recreate. Calling Hokusai ‘simple’ would be offensive but it is a print, with lots of intricate elements but the power of the water can is really shown by the line and that is something that even the little kids can relate to and to act upon. And they did!

The other thing that I wanted to do in this lesson is the use of a variety of watercolour techniques. It was very tempting to go overboard and experiment on a large scale, using everything we worked with before (a post here), but my students are the moment are still beginners in Art and very young, so I decided to be a clever teacher and I chose only three: crayons and watercolours, salty water and what we called ‘a broken brush’.

Before the lesson, I cut up the paper and all the students got three pieces of paper (A5) which I attached to the tables with the paints scotch. This really helped to set up the activity as it was clear, from the very beginning that we are going to paint three pieces. The size of the paper made it possible as they easily fit on the small table and it was perfect as it would not require too much colouring and painting. Three were a feasible number in one 45-min lesson. We reinforeced that by counting the pieces of paper and matching them to ‘technique 1’, ‘technique 2’ and ‘technique 3’ which I wrote on the board.

At the same time, the most important piece of instruction for this lesson was ‘step by step’ that I kept repeating throughout the lesson. I wanted to make sure that no one will draw on all three pieces at the same time or just destroy the paper. Or anything else that a creative pre-schooler can come up with.

I demonstrated each technique for the kids, step by step and we went on to create. I left the salty water for the very end.

There are the techniques that we use:

  • crayons and watercolours: give out crayons, one per child, a crayon of any colour as it really does not matter and any colour will look good and then colour the picture with watercolours which will not affect the drawing.
  • the broken brush: give out crayons, one per child, draw the wave, proceed with colouring the picture but instead of smooth strokes use the broken paintbrush: pick some paint and make small stamps with the paintbrush, mistreating it and leaving prints similar what a duck would leave. When there are many of them, the wave get a wonderful texture, especially when different colours and shades are used. Even if the prints are done inexpertly, the wave is covered in blotches of colour and it looks lovely, too!
  • salty water: I walked around the room, adding water to the pots that all the kids had (in some cases we had to pour some fresh water as it was very dirty) and I asked them to stir it properly and then we used the water to dampen the paper as it is a wet-on-wet technique and then drawing waves and applying little drops of colour and watching how it spreads beautifully. Here, the crayon can be used, too, to sketch the wave but last week we decided not to.

It was a great lesson and I am very happy with the outcomes. The task was easy enough even for the youngest kids, especially that they had three chances and even if some of them did not feel very confident at the first step and the first wave, they all got a chance to do it again and it was visible how their confidence grew. Technically, it was not complicated so the kids could focus on the creativity and on enjoying the process. Which they really did, both my youngest ones and my oldest ones (that’s 5 and 8 y.o.).

We got a set of amazing pictures for all of them. It was interesting to leave the pictures for the lunchbreak to dry and to come back later to check, together, what changed and what they looked like in the end.

It is the camp so, of course, we had some new children joining the group and it turned out that this kind of a task had a lot of potential for the mixed ability groups, who had done nothing of the kind before and the combination of three techniques helps to build the routine even within one lesson. What’s more, this type of a task works very well for staging and getting the kids to listen, simply because we go ‘step by step’ and doing that is the crucial part of the process. It is good to have this kind of an activity at hand.

Sitting here, thinking that Hokusai was a great choice, for the kids and for the teacher, too! Now, I can dreaming of making a real Hokusai-inspired print. And of writing a few more posts that he accidentally inspired.

Welcome to our gallery!

8 y.o. artist
8 y.o. artist
5 y.o. artist
7 y.o. artist
5 y.o. artist

Happy teaching!

Upside down art. White on black!

by
Walking tree. Artist aged 4.

The artist

We did have a set of paintings ready for this lesson as I taught it before, as part of our Monochrome March but we haven’t really used it. The reason for that was the fact that our lesson was brought about by the theme of the Camp Week 3 and that was: Wednesday Addams. Not my favourite topic and, definitely, not my choice but that was the brief, as it were, and I decided to go through with it, thinking of the ways in which the dots could be connected. And I found one as I am pretty sure that miss Addams would be a huge fan of the upside down, drawing with white on black.

Inspired by real events. Artist aged 8.

The language

This lesson was a series of four lessons on the day and that is why we could devote each of them to a specific topic and activities. Our ‘strictly English’ lesson focused on ‘I’ve got’ and pets and we really did lots and lots in terms of practice and speaking. We had a proper craft lesson, in which we created our own unusal pets and we talked about them, too and that is who we could easily devote our Art lesson to just creating and experimenting with all the new materials.

The art

I simply loved the look on my students’ faces when I showed them the materials that we would work with in class, on the slide and on my desk, a pile of tiessues, chalk, white pencils, cotton pads, cotton buds, toothpaste and black sheets of paper. It was an amazing and beautifully executed surprised ‘WHAT?! You want us to use THAT?’ When I joyfully announced ‘And tootpaste!’, someone even echoed ‘Toothpaste?’, without any conviction whatsoever in their voice.

We went to the carpet to experiment a little bit with the white pencils and the blending stump pencils. Everyone had a go. I also showed the children a few pictures that I made at home to show them how it is possible to mix a variety of materials in a collage painting.

Then we put on our aprons and sat down to work and I distributed all the materials, the paper, the pencils, the cardboard plates with some tootpaste on them, the tissue, the cotton pads and the cotton buds (to dip in the paste to draw). The kids were told that they could choose any topic for their painting.

Once the paintings were ready we came up with the titles, we cleaned up and we put up the paintings on the board, to dry.

As usual, I was surprised and amazed how my students, of different ages, took to the task. We went from disbelief through first dabs at the new resources and materials to creating all the beautiful masterpieces that you can see in this post. Everyone made their own creative decisions and, as a group, we ended up creating such a variety of themes and approaches. The kids were absolutely thrilled with the process and happy with the result. What more would you want from an Art lesson?

Naturally, we are going to do it again, for sure, and now I am only wondering what else I could add to the list of the white resources to use on the black sheet of paper…

Here are some of our creations:

Artist aged 6.
Artist aged 6.
Artist aged 6.
Artist aged 5.

Happy teaching!

Crumbs #80 A clever drawing dictation

by

‘Students draw…’ is one of the YL-related lines that is my personal pet peeve…You can see it in coursebooks, teachers’ books, in lesson plans and on the social media. The idea is that a bunch of seven-year-olds (or younger) will have their teacher give out the pencils and they will hear their teacher say ‘draw (insert your word)’ and they will just sit down, get an idea and complete the job in five minutes without any issues and (AND) afterwards they will be ready to talk about their pictures, to present their work or do whatever goes under the productive part of the project.

What a joke! It looks good on paper and in theory and in a real classroom it is going to translate into a neverending, unproductive, very often full of blood, sweat and tears task because the little people simply do not have the drawing skills, the time management, the imagination and the self-control necessary to complete the task that the adults imagine them to do and, more often than not, they will really want to do it well because they care, they love a project and they love drawing and those zoo animals, monsters and princesses that they were told to create. Or, quite possibly, they don’t like drawing, they are into other creative areas and they will devote precisely a total of sixty seconds to that task having then announced ‘I have finished’ and already on the lookout for other things to do. While their more involved peers are still busy and far from finishing, leaving the teacher with a room full of self-induced mixed ability group.

Is there a solution to that? Yes, there is. There must be. This ‘students draw’ has been on my mind for a very long time and there are some ways of handling it, the first of them – taking the coursebook and the ideas with a pinch of salt. Or two. The second of them, working on the staging and the clever way of keeping the activity in shape and everyone on the ball.

This is one of my solutions. It has worked very well with both groups and I am already thinking how to adapt it to other topics. As soon as I do come up with something and as soon as I trial and test, I will be adding to this post. For now, only one topic: the dinosaur.

Ingredients

  • Paper and pencils or markers for the children
  • A set of cards that help to shape up the drawing process, like the one that I used in a lesson in which we created our dinosaurs.

Procedures

  • It is noteworthy that the lesson in which we actually draw the dinosaur was only one of the series of lessons taught over a period of three weeks and was proceeded by a few lessons in which we introduced and practised new vocabulary, did a mini-research and described the appearance of different dinosaurs. After our dinosaurs were ready, we added a fact file, did lots of quizes on dinosaurs and, eventually, had a role-play aka an interview about a dinosaur. The drawing lesson was just a part of a long chain of activities.
  • The teacher asks the kids to open their notebooks and get the markers or pencils ready or give out the paper for the drawing, depending on the set-up in your context.
  • The teacher tells the students that they are going to create a dinosaur, their own dinosaur and that they will listen to the teacher and make decisions. It might be a good idea to show the children the cut-up cards and to tell them that each card is a decision about a dinosaur.
  • The teacher is supposed to draw their own dinsoaur, either on a piece of paper or on the board.
  • The activity starts with everyone drawing a circle or an oval for the dinosaur’s body in the middle of the page.
  • The teacher picks up the first card (i.e. ‘draw a long neck’ OR ‘draw a short neck’), the teacher reads it out loud and makes their own decision, announces it out loud and draws the neck for the dinosaur. The teacher then checks with all the students, in turns, what choice they have made, making sure they say out loud what they have decided to do. The kids draw, the teacher monitors.
  • The activity goes on, with the teacher doing one more round and then the students taking over and reading and dictating for the class and the teacher.
  • In the end, the student come up with the name for their dinosaur with the suffix -saurus (although it is, of course, not the only suffix used to created dinosaurs names).
  • The lesson finishes with all the students introducing their dinosaurs briefly and only in the following lessons do the students proceed with working on their dinosaurs (facts, role-playes etc).

Why we like it?

  • I loved how this format worked in the classroom. It was well staged and it helped me manage the children and their creativity, without losing control and without anybody finishing ahead of time or going on for too long. It was also a perfect combination of teacher-centred and of individual creative choices for every student.
  • I had quite a few cards to use but I was prepared to use all or not all of them, depending on how focused or interested my students would have been. In the two lessons / groups I did it with, we managed to go through all the cards (aka decisions).
  • The kids were prepared for the task, vocabulary-wise and we also could use it to practise it further, through reading, confirming, checking etc. The words were out there, in the air, throughout the entire lesson.
  • The kids absolutely loved their dinosaurs. Some of them even managed to finish their first dinoasaur, and draw another one.
  • It worked very well also as the preparation for the more productive part of the project, our interviews – role-plays in the following lessons.
  • Kids also enjoyed the fact of being responsible for making the decisions, step by step, while creating their dinosaurs.
  • I will definitely be applying this particular approach to our projects in the future.

Happy teaching!