Anka Zapart

New kids on the block. Teens joining a group mid-year.

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Tuscan Flying Beauties

A post inspired by a reader. Thank you @kids.in.english.

Where the inspiration came from

It was ten years ago. I was standing at the board, looking at my students working on a task,all of them, working hard, involved, a teacher’s dream, and yet…To my right – the bunch that had been in my group for the past two or three years, to my left – the three new students who had just joined us and in the middle – a beautiful wall, invisible but sturdy and getting thicker by the minute. They were not aggressive verbally or otherwise, they did not do anything mean, there was no bullying. They simply decided that they do not like each other. The ‘old’ kids – because they did not want any invaders, they ‘new’ kids – because they did not feel welcome.

I did not like it at all. I was looking at them (yes, a little bit annoyed because we had everything figured out) thinking ‘Not on my shift, people. Na-ah’. Today I would like to share some of the tricks that I applied and have been applying since then in the new-teen-in-the-group scenario.

Ideas for building and re-building a group

  • Change the seating arrangements during the first month or the first six – eight lessons with the new students. The main aim here is to enable everyone in the group to work with everyone else. It has to be initiated (or ‘forced’ if you prefer) by the teacher because the students will be acting as a group and might not have enough courage to break ranks in order to befriend the new students or to venture out and try to join the cool kids. It is a good idea to explain to students why this is done (‘we need to get to know each other’) and give them a specific time limit so that they know when they will be able to go back to sitting with whom they want. Even if, initially, the students do not like the hassle and the uncertainty that it introduces, they have a deadline and they know when things go ‘back to normal’. The burden is easier to bear.
  • Frequently group and regroup the students for activities and use a tool that will be completely arbitrary. These can be for example re-usable cards with the students’ names that are kept in a box or in a bag. Before the activity, the teacher (or even better – one of the students) simply picks out cards randomly and this is how pairs and teams are formed. This way, it is simply fair, impersonal and, every single time, there is a high probability that student A might end up working with their best friend. If they are lucky. Again, the burden is easier to bear. Both of these tactics will also help the teacher establish how the students work in different set-ups. It will be more important in case of the new students
  • It is a good always but especially during those ‘first’ days or weeks to include activities which promote team-work and cooperation, such as smaller or larger scale projects, ideally in every lesson. The students will be already mixed, the new with the old and it is quite likely that they will want to share the responsibility for the task and they will want to complete it. This will be their excuse, the teacher asked them and they are just completing the task, without losing the face since working with the new partner is not their own choice.
  • While cooperation works well, competitive games are even more effective. If the students have their favourite games, they obviously like to play and win. Since they will be put in mixed groups, the ‘old’ and the ‘new’ students together, they will be put in a situation in which they might have to cooperate with ‘a new friend’ to compete against ‘an old friend’. Of course, these two elements, the competitive and the cooperative, should complement each other and balance each other. Some of my favourite games include ‘the game of five’ and ‘stop!’
  • When we start working with a new group, some getting to know each other activities are in order. Here, however, the situation is a bit tricky. If there are three or four new students in the group, then we can easily use some of those. When only one student joins the existing group, it might not work that well. The majority of the group already know each other very well so they will not be motivated in taking part in it. What’s more, it will be rather obvious why it is added to the lesson and the new student might be accidentally put in the spotlight. Not to mention that if a few students join the group, separately, it would mean including these activities in a few lessons in a row and the students might be even less motivated to take part in them.
  • Instead, an activity in which the students can express themselves and share personal information is a much better solution. It can be, for example, ‘Who is X?‘, a task in which students would have to match the names of all the students in the group to a set of sentences (in any structure that is the topic of the lesson). If it is the Present Simple then the sentences describe daily routines ( X never does homework, X always wakes up early on Saturday), if it is the future then the sentences describe future predictions (X will live abroad, X will become famous, X will travel to Spain) etc. During the feedback, students will be mingling and confirming and justifying the sentences about themselves. The task that I really like to use for that is the United Buddy Bears art project but this one is a bit more difficult to add to any lesson in any level at any point when the new student joins the group. But not impossible))

If you have been in a similar situation and you have some great tips and tricks up your sleeve, please share them with the rest of us in the comments box! Thank you!

Happy teaching!

‘Dear Sasha’ or About journaling with YLs

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created with Miro

It is the middle of one heavy-duty reading for the theoretical background for my first classroom research. I am already a bit tired because it takes time for a rookie scholar (if we want to use big words, if not – just a humble MA student). The eyes are struggling, the brain is struggling, even the spine is struggling because it’s been quite a few articles on the Zone of Proximal Development since the day broke. And, sadly, not all of them exciting. Alas.

But then, somehow, I opened a piece by H. Nassaji and A.Cummings from a few years back *) and, all of a sudden, I was wide awake and excited!

Why? The article is an account of a small-scale but very interesting research based on the dialogue journals that a primary school teacher set up for one of her young students – a 6-year-old boy from an immigrant family who already spoke English at the point of their arrival in Canada but he still struggled in comparison with his peers at school. The journals were a supplementary homework task and their main aim was an opportunity to develop the child’s literacy skills, catered to his immediate needs. The article is fascinating account of the nature of the Zone of Proximal Development and how it was changing in relation to the child developing langauge skills. Highly recommened!

This is how my researcher’s brain reacted. My teacher’s brain only sighed ‘I WANT ONE OF THOSE!’

And I got one. It’s been three years now and this is one of my favourite teaching projects. This is how we do it.

Ingredients

The main aim of this project is the development of young learners’ literacy skills, reading and writing. I normally start this project with my Starters students (that is the children who have finished the YLE Starters level and are about to start preparing for Movers, or, in other words, are at the start of the A1 level). The reasoning behind that timing is the fact that, most of the time, children can deal with simple tests, write single words or simple sentences within a specific structure (from among those that they are familiar with such as I like, I’ve got, I can) but cannot be considered to be fluent readers or independent writers. Not yet, anyway, but keeping the journal is definitely going to help them become these.

The journals are kept in simple notebooks which I buy for my students. I do not really introduce the idea to the students, apart from a short note, in the kids’ L1, glued into the notebook in which the journal introduces itself. It goes, more or less, like that: Hello! I am your new project – a journal! Please open me, read the notes from Anka and, if you want, write something and bring it back when you are ready! Anka will read it and write something to you!

This time round, since we are all on whatsapp, it was also followed-up by a note to parents which explained in more detail what it is and how I would like to run it.

In each notebook, on the first page, there was the first entry, from me. All of them consisted of only a few lines and said:

Hello student!

How are you? What’s your favourite subject / food / sport / colour / toy?

Write to me!

Anka

Procedures

Everything is super simple and straightforward: I give out notebooks, kids take them home, read, reply and bring them back. Then I take them home, read their notes and reply. Afterwards, I take photos of all the entries to keep the record, to be able to reflect on their progress and to save all the data. After all, travelling notebooks are in a grave danger of getting lost in-between the school and the house.

I do not correct any mistakes in the notebooks themselves, not to discourage the kids and not to destroy their entries with my scribbles. Instead, I focus on the delayed error correction and on the extensive input and additional practice based on the mistakes I spot.

It is very important to highlight that I really do not want the journals to become an additonal homework task. The kids are supposed to take part voluntarily and as frequently as they are ready to. In our everyday lesson procedures, whenever we check our regular homework, I also ask ‘Have you got the addional homework?’. I do not keep track of who brought what and when. There are no marks or points involved.

That means that each child is in charge of the journal and of how involved they want to be, they can write a little or a lot, they can write every week or every two weeks, they can draw or not. And, last but not least, they can opt out of being involved altogether.

Reflection

The journals are an amazing opportunity for the kids to develop literacy skills outside of the classroom. Each entry means additional opportunity to read a bit and to write a bit.

All of the entries are highly personalised and unique. The conversations that started from the same ‘What’s your favourite…?’ have taken different routes and turned into conversations about hobbies, families, books, food, sports and pets. Some of them are accompanied by drawings, some of them turned into scrapbooks that both the teacher and the student contribute to. What is more, although there is some scaffolding (ie the questions asked by the teacher), the students have a lot of freedom as regards the topic, the vocabulary and the structures that they want and will use.

They are perfectly suited to the needs of a mixed ability group. I have students who take time to read and to plan what they want to write and later to produce an entry for two pages. I have students who write only one sentence answer and their own question. I had students in the past from whom, at one point, it was easy to supplement the text with simple drawings in order to limit the number of words that they had to write but I was and I am extremely grateful and excited about any, even the smallest contribution.

Regardless of the volume of the text, it is obvious that the kids also learn from the experience as sometimes they write about the topics that are not included in our course curriculum, such as some unusual hobbies, less common although useful verbs etc, and this makes them look up the words in dictionaries which proves that the project also works towards expanding their vocabulary.

What is more, it has been obvious from the very beginning (with different groups) that the students really do enjoy taking part in this project to the point that at one point it even interrupted our classroom routine. As soon as I would give out the journals back to their owners, the kids would grab them, open them and start reading, completely engrossed in it and not paying attention to what was happening in the classroom. Did it upset me? Of course not! I know the feeling – when the book that you are reading is so interesting and so good that you don’t want to put it away. Only this time, it was not a book but our journal and our conversations. I was happy. But I had play with the routine a little bit – on some days I check the homework at the end of the lesson and on some days, we check the homework in two stages, first the homework for all and the journals at the end of the lesson only, depending on the day.

One more lesson learnt is that Kids Can! I am all for challenging the students and hoovering on the outskirts of the ZPD, stretching it gently and carefully but stretching it nonetheless, but since I started this project I have been surprised, time after time. For me, for a long time the main indicator of the students’ writing skills has been the YLE Cambridge tasks and writing assessment scales. While I still consider these to be relevant and useful, thanks to this experience, I was able to see that children, even at the age of 7 and on the level of A1 are capable of a lot more. If given a chance to produce and if the conditions are perfect.

Sample aka a few quotes

‘I’m happy because big holidays.’

‘My favourite food is pasta. I don’t like pasta’

‘My favourite toy is Lego. I like making cars, houses from Lego. I like teddy bears, too. What’s your hobby?’

‘I like to draw magic animals.’

‘I can cook, a little.’

‘I have got many, many, many toys.’

‘I love sharks because they are big and interesting’.

‘My favourite city is Moscow because Moscow is very good and has a lot of big houses.’

The beginning of a beautiful adventure

As I have mentioned above, I have been journaling for three years now, with groups and with individual students, primary and a bit older, too. It has been so successful that I started to use journals in the other areas of teaching and teacher training. More on that soon!

What about the students who don’t want to take part? Nothing. It is their choice and I have respect it. After all, I am this girl who has kept journals since since she was 13 (yes, there are still a few notebooks in my parents’ house, filled up with words, sketches and memories) but not everyone might like writing. Instead, I will encourage, I will praise and I will be completely over the moon when a journal comes back but that’s it. And I will be happy when they do their regular homework and I will absolutely melt when a five-year-old sister of my student also attempts a letter, inspired by our exchanges.

So, how about a journal for your students?

My youth in journals)

Happy teaching!

*) H. Nassaji and A. Cummings (2000), What’s in a ZPD? A case of a young ESL student and teacher interacting through dialogue journals, Language Teaching Research, 4 (2), p. 95 – 121.

A square peg in a round hole. New kids joining the group mid-year.

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Back in the classroom

January, January. Here we are, are still dragging the residue of the Xmas – New Year laziness in our blood cells but the time is now to enter the classrooms briskly (also, because the school hallways is the only place where you can do ‘briskly’, the pavements outside are either icy or covered with snow or slush), with the new energy and to start the second half of the game.

Sometimes, let’s be honest, this YAY attitude is a show you put on (see the laziness residue) but if it doesn’t start with the teacher, then there is no or very little hope that it will be student-generated. After all, they don’t only have you, their after-school English classes, they also have the regular school, with the huge piles of homework and, this year’s special – they are back to the regular, offline classrooms, after three months of the screen’n’pjs education. This is the older students.

The younger ones, well, they have been attending regular classes, without any breaks, in most cases, but these, they come after not having seen you for two weeks. Will they be a little bit displaced and confused? Yes, they will. Will they have forgotten some of the class rules and routines? Most likely, yes. Will this first lesson after the winter holidays be to some extent like the first lesson of the course? It might be.

What to do with it? Not much, really. Just being kind to yourself and to your students and acknowledging the fact that it will take some time to warm up the neurons and to have them work at the top of their capacity. And a lot of revision, as regards vocabulary, structures, rules and routines. It is not that difficult to put together a great and meaningful ‘revision’ lesson and all the students will appreciated and enjoy doing something that is familiar (but not boring) and achievable (but still challenging enough). Before we get back to climbing yet another of our EFL Everests.

But that’s not really what I wanted to write about today

Imagine, dear reader, that to all the hoops that are already in place (a long break, sleepy students, tired students, all over the place students), you get one more: you find out that a brand new student will be joining your group. Or coming to do a trial lesson. Or just joining you for a catch-up lessons since he/she missed a few classes with their regular teacher.

I am not sure how common an occurence that would be in state schools, kindergartens or classes given by private tutors, or, even, whether it does happen in other private language schools. It does in mine and it is an interesting experience. Here are few thoughts from the last two weeks.

The teacher

It is a challenge, admittedly, because in a way we work the double amount, on the one hand dealing with the group, re-instating the kingdom from before, on the other hand, taking the new student on a brand new adventure and that might mean some temporary dissonace that will have to be managed.

It might also happen that the new student’s mum will want to take part in the lesson or that the new child will refuse to enter the classroom without her. How you react here will, of course, depend on the school’s policy.

It might be a good idea to invite the parents in or to have them sit in the hallway but with the door open so that everyone (the parent and the child) feel comfortable and it is equally important for the teacher to explain what is going to happen in the lesson and how the parents can help. What usually happens is, the child stays around mum in the very beginning and then, slowly, wanders towards the teacher and the group and, eventually, takes part in all the activities. This period of time might be different for different children and it is crucial that they are not rushed here, by the teacher or by the parents, and that they make the decision when to join all by themselves.

The best advice that I might give teachers (and that I give myself when I enter the room on a day like this) is to stay calm and to smile a lot, because things will get better soon. Of course, in 2020 – 21 even smiling might not such a straightforward solution, but even with the mask on, it is good to remember that it takes a few muscles to smile and that the smile spreads all over your face. Plus, it might be a good idea, to stand at a safe distance and to take off the mask just for a second, while meeting the child for the first time to let them see your face.

The activities

This is an interesting case, especially with the very young learners. As mentioned before, some revision is absolutely necessary in any lesson and especially in the first lesson after a long break. However, that might mean that the new students will be constantly at a disadvantage, because for example, they won’t know all the songs that everyone else already loves or to take part in all the games because in order to do so, they would have to be familiar with all the vocabulary and, of course, they are not.

For that reason, it would be good to start each activity with a quick revision of the vocabulary and drilling, to inlcude the games that will have a double focus, something apart from the language itself, for example langauge and CLIL (names of the animals and whether they are big or small or numbers and counting real objects) or language and cognitive skills (names of toys and looking for differences between two pictures or odd one out) because the new students will be able to participate partially at least, relying on their ‘previous knowledge’ not on the langauge only in order to complete the tasks.

What’s more, despite the overall focus on the revised, I would still recommend introducing some new material, in order to ensure that there is something which is new to absolutely everyone, the ‘old’ students and the new and that we all learn it, together, as a group. It doesn’t have to be a brand new topic, only a couple of new items to extend their vocabulary range in the topic of toys, a new song or a new story.

Using gestures is always a good idea, but it can be especially beneficial in the begining of the course, the new topic or when there is a new student in the group. They might not be able to produce all the words straightaway but they should be able to show them, if they know how.

As for songs and videos, in general, although there are plenty of advantages of using a mixture of both audio and video or even moving to using audio only, once the kids know the song very well, the videos will help to support the new kids for whom all is new. At the very minimum, they will be able to follow and understand the plot of the song.

The new child

Well, in a way, this is the most important person in the room as this is, definitely, the most confused, the most singled-out and the most vulnerable person in the room. The adults definitely know what is going on, what we are doing and why we are here. The other non-adults, albeit a bit out-of-sync perhaps, also seem to recognise the set-up and the procedures and they also know each other.

The reactions to this amount of ‘new and unfamiliar’ might vary, from a complete disregard for it (‘There are other kids, they do something, I want to do it, too! What, they use some strange words all the time? Nevermind! ‘), through one million questions in an attempt to take the situation in (‘Why?‘ ‘Who?‘ ‘What?‘ ‘Why?‘ ‘Why?‘ ‘Why?‘) to a complete refusal to take part (‘I can’t, I won’t‘)

As I said before, it is rare that the children are completely uninterested and not ready to be involved. Usually, it wears off during the first fifteen minutes so it is only up to the teacher and the parents to wait it out, patiently, while providing all the support necessary.

Apart from tthe smiles and the praise, all the new activities should be modelled and demonstrated with the other students. This way, the newcomers will have a chance to see the game in action before it is their turn to take part.

The group

This is, by far, the most interesting component of the whole set. No matter how unfocused they are, and how much they have forgotten, these are the students who have been with you for a few months and, almost automatically, they will become your teaching assistants.

You will be able to demonstrate the activities as well as the behaviour that you want to reinforce or, sometimes, too, discourage. What is more, they will naturally want to be involved and, even without you asking, they will give the new student the best introduction to all the lesson procedures, in the L1 and in a way that is best understood by a child.

It is actually a real joy to see them do that, with all the 3 or 4-year-old kindness and empathy:

‘Don’t worry, we all take turns. First me, then Anya, then Masha, then you. Don’t be sad.’

‘She doesn’t speak Russian. We speak English here.’

‘She will show us how to do it‘

‘And then we will read the story‘.

There is another reason why having a new or a guest student might be interesting. This is a truly unique (albeit unsolicited) opportunity for the teacher to see how much progress the group have made. Assessing preschoors is not as easy and straightforward as assessing other age groups, and comparing them against a beginner who is just starting to learn is fascinating. Even if seemingly, they are all still beginners, still pre-A CEFR and still in year 1, it is possible to see how much progress the children have made over a period of a few months. And it applies to all the areas, vocabulary, behaviour, social skills.

And two stories from the classroom, instead of a coda

The first one, from my preschool group a few years back. Over the course of the year, we got bored and started to come up with more creative names for things that we were using. No more of ‘orange juice’ or ‘cherry juice’, we were drinking ‘clock juice’ and ‘balloon juice’ and we were all using chocolate marker, cucumber marker, strawberry marker and sky marker, instead of all the traditional colours. It was all great and a lot of fun, until a new student joined. We just had to explain what was going on.

The second one, from my teens group. This time, it was not a new but a catch-up student. Who brought her phone and who did not switch it to mute. Whose telephone rang in the middle of the lesson, naturally. Who just picked it up and started a conversation.

We sorter it out later, of course, but before we did, I because a part of a beautiful classroom tableaux. I, in the middle, and a few of heads of my students, first turning towards the new girl and then right at me, with the same question in their eyes, ‘WHAT is she doing?!?!?!’…

It made me giggle, inside. ‘Hm, look, it seems we have a code of conduct here.’, I thought. ‘And someone feels strongly about it.’ Good to know, eh?

As for the square pegs and round holes…Well, even if they that in the beginning, during the first lesson or the first two lessons, they never stay that way. The square pegs become a bit rounder and the round holes get a bit square-y. And that is the way to go!

Happy teaching!

Crumbs #13: Angelina, our class puppet.

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First steps

I still remember my first ever lesson with pre-schoolers in Moscow. I went in prepared, a whole pile of flashcards, crayons, books, mini-cards at the ready. I wasn’t scared or panicky and the thought that we had to occupy ourselves for only 45 minutes was rather soothing. After all, I did teach in Spain, the group was much bigger and the lessons much longer and yet I survived. In a rather victorious manner.

But then the kids came in, only five of them, they sat down nicely and we started the lesson. And by that I mean ‘I’ started the lesson. They did not give me the register before the lesson, the admin left quickly, the door was closed and the parents were somewhere else. I was on my own.

The kids were sitting nicely, very nicely, just looking at me and absolutely not reacting to my smiles, hellos and communication attempts. They did not respond at all to my ‘silly teacher guessing game’ that I normally (and successfully) use to get the kids to introduce themselves at the beginning of the first lesson. I say my name, pointing at myself and then start with one of the kids (the brave-looking one) and start bombarding them with all the boy’s or girl’s names typical of the country that I can think of until I bump into the right one or until the child reacts to the silliness and introduces themselves.

Only this time, I was getting nowhere. Five pairs of eyes were looking at me, just looking at me and waiting for something else. Something else which I did not have. It did last only a minute or even less, in real life, but it felt like a whole eternity. And I did start to panic.

Luckily, among the rubbish that I did bring to class that day, I had a puppet, Max from Playway to English. And guess what, the kids did not want to talk to me but they were more than happy to converse in Max. In English, straight away, even without any special introductions in L1 and explanations that Max is from England does not speak Russian and so we have to make an effort. That was not necessary, they just wanted to talk to him. We did talk. Yay!

I don’t really like puppets, to be honest.

I don’t and I cannot even explain why.

I am actually good at all the puppet-related skils. I don’t have a problem with putting on voices, making faces and role-playing things with myself for the benefit of the 5-year-old audience. And anything in the classroom can find its own soul and voice, flashcards, masks, pencils.

But, really, I use puppets only in the beginning of the course, with new groups, when we have new students joining an already established group or when we were forced to move our pre-primary classes online.

Dex is then ready to help and Teddy sorts out most of the issues. Children feel more comfortable with something that is soft and pretty and right out of the world that they are familiar with and someone who does silly things and who can make them happy. Teddy and Dex are always at the ready.

However, as soon as we done with the first weeks of the course and we feel comfortable in the classroom, they visit less and less frequently. I don’t miss them but perhaps this is something that I should actually reflect on why we are not using puppets more. But there are exceptions, of course.

Angelina, my superhero

It all started in 2017 because this was the Year of the Rooster and, traditionally, the world filled up with toys, figurines, puppets representing this very animal. One of my friends landed one as a present and decided that my classroom will be the best permanent home for it or, actually, her, because, regardless of the Chinese horoscope, it is a she, a hen, Angelina.

At the time, my youngest group were already very big, already five years old, well-accommodated in the school and in the classroom and definitely beyond the stage when they needed a puppet to ‘feel better’ or ‘to break the ice’.

But I had Angelina and I really wanted to use it and, of course, I did. It was not one of the projects that you start with research and reading that lead to implementing an idea in the classoom to meet some specific aims. Here, we went topsy-turvy. I had a resource, I jumped in at the deep end, without any specific aims, observing, taking notes and reflecting. And learning a lot about working with preschoolers. Here is how Angelina changed my teaching life.

Angelina 1: When puppets listen, kids talk.

Instructions

  • Get a puppet, think of the name, the background, the voice and the movements. Our Angelina, for example, is not quite a puppet, rather ‘a fancy sweets container‘ as she has a big zipped pocket, in her bum (sorry) which I decided not to use it. I do not to put it on my hand. She normally sits in my lap and I hold her by the back, letting her express herself mostly through the head movements. Sometimes, with the use of my other hand, I use Angelina’s wings or wings which are quite dangly. She is, overall, quite expressive for a puppet))
  • Make the puppet a part of the classroom routine. Our Angelina sleeps in her house (this being a rather unappealing plastic bag hanging on the bookshelf). Right after the hello song and hello routine, we wake her up and invite her to join us in the circle. Afterwards, she says goodbye and returns to her house, to continue sleeping.
  • The main aim of Angelina’s visits is to provide an opportunity for freer speaking practice and to encourage the kids to produce the language spontaneously.
  • In practice that means that we ask lots and lots of questions and Angelina is telling us about herself. We start with ‘What’s your name?’, ‘How are you today?’ and ‘What’s your favourite….?’, later moving on to ‘Do you like…?’, ‘Have you got…?’ and ‘Can you…?’, although these are always only ideas and I make sure that all the contributions are welcome. I have not tried telling and retelling stories yet but that might be another option.

Why we love it

  • Angelina (or ‘a puppet’) is a fascinating way of getting the language out of the kids. They start producing the questions because they are really curious about the class puppet’s life and these questions start from the ‘traditional’ questions, often used and heard in class but they quickly become very creative and unexpected.
  • Kids naturally react to what Angelina says and we can use this opportunity to teach them and them a chance to express surprise (‘Wow’), disbelief (‘Really?’) or shock (‘Oh no!’).
  • There is some opportunity for emerging langauge learning, for example ‘wolf’ (things that Angelina is scared of), ‘corn’ (things that Angelina eats) and ‘planet’ (things that Angelina likes) that we might not have learnt otherwise because they do not really feature in our coursebook.
  • It is a woderful opportunity for spontaneous production since with this kind of activities the students are in charge of the content. Naturally, they will not be able to chat freely in English about Angelina (what with being 5, pre-A learners of English, with a limited exposure to L2) but from my perspective (I still teach these same, first Angelina, children, now we are seven and eight and A1 level), this was an important first step that has definitely contributed to my students’ current level of fluency and communicative skills.

Angelina 2: Our class puppet and her diary

Instructions

  • First you need to have had a class puppet for some time for the kids to become familiar with the puppets, their habits and interests. I introduced Angeling in year two and the diary in year three, but it will depend on the group and the children.
  • The teacher starts the journal. I used a sketchbook and filled in the first few pages with Angelina’s adventures. Each of them was a drawing and a sentence.
  • The teacher brings the journal to class. The group look at it together and talk about what they can see in the pictures.
  • After a few weeks, the teacher first explains the whole idea and the logictics to the parents: the kids, in turns, will be taking Angelina and the album home for the weekend and then, when they are ready, they will bring them back, with one more drawing added. In class, we are all going to look at it and talk about it.
  • To lessen the stress of having to draw in the official diary, I have used a template for the main character, an drawing from clip art library that I printer, cut out and glued to a few empty pages. This way we would always create a collage, the drawing of Angelina would be consistent and of a good quality and the students would only work on the scene itself.
  • The kids were only suppsed to write but some of the parents helped and wrote the key sentences.
  • When I introduced the idea, one of my eductional mums said ‘Youa are brave!’ and, I guess, by that she meant that I was risking Angelina getting destoryed, lost, stained or loved so much that she would never want to go back to school…Yes, that is something to take into consideration. The younger students might get too emotionally attached and we would be in trouble. Plus, there are the accidents of the everyday that we cannot predict or prevent. I did think about it and I still wanted to risk. Plus, I had located another copy of Angelina in our accountants’ room and I was ready to ask, bribe or steal, should anything really bad happen to our original SuperHen.
  • ‘Angelina is making cookies’
  • ‘Angelina is having cookies and tea.’

Why we love it

  • The kids loved taking Angelina home to play. Once she came back to school with a boyfriend (who stayed only for a day) but she also encouraged other kids to bring her toys. A parrot called Pepsi attended our lessons regularly, participated eagerly and sometimes asked for her own handout in order to be able to do her own homework. Which, accidentally, was always different from her human’s homework.
  • The project gives the kids a chance to be creative as Angelina can do absolutely anything while visiting. She can go to the park and she can fly to the moon, too.
  • It provides the entire group with a picture to talk about, to discuss and to ask questions about and the best bit is – we never know what it is going to be. As a result, we get yet another chance to use the language tools we have to talk and to learn new vocabulary, too.
  • No Angelina was harmed during the entire project. The kids took this responsibility very seriously and I was really proud of them.

  • ‘Angelina is making a cake’
  • ‘Angelina is on the beach’
  • ‘Angelina is jumping into the swimming pool’

Instead of a coda, another puppet story.

If you think that puppets and class puppets work only with the little kids, I would like you to reconsider.

In the classroom where we study with my older kids, we don’t have any balls and whenever we need to throw things (while playing games) we use soft toys. For that reason, we have a creature called ‘Flying Cow’, which lives on the top shelf, is a very sphere-like toy cow and, yes, it frequently flies.

Despite the fact that the students are well-past the primary age, Flying Cow always gets stroked, squeezed, hugged, patted, or, in other words ‘is shown affection’. Last year, while we were playing, the cow got thrown or caught rather too energetically and, as a result, suffered a tail injury (reads: it just got ripped off).

It was an interesting thing to see that all my seemingly teenage students gasped in horror at the damage done. As if Flying Cow would really be in pain. I did keep a straight face and acted like a good doctor ‘Don’t worry, everything is going to be alright. I’ll take her home and fix it.’ Which was met with relief.

Maybe not only the little kids?:-)

Now, dear teacher, take a careful look around. Is there anyone that could become your Angelina?

Happy teaching!

Bibliography

  1. Carolyn Webster-Stratton, PhD, Tips for Using Puppets to Promote Preschool Children’s Social and Emotional Development, accessed on 6 January 2021, from www.incredibleyears.com
  2. Christine Belifiore, Puppets Talk, Children Listen, accessed on 6 January 2021, from https://teachmag.com/archives/5618
  3. When Puppets Speak, Children Listen, No Strings, TeDxBermuda, accessed on 6 January 2021, from youtube.com
  4. Sandie Mourão and Gail Ellis, Teaching English to Pre-Primary Children, DELTA Teacher Development Series, pp 48 – 51

Crumbs #12 In my little house: A craft activity for one hundred occasions.

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If I had to choose only one craft activity for all my classes, a proper all-rounder, for the younger and for the older, to serve a hundred purposes – that is the one!

Welcome to my little house!

First of all, I really did try hard, very hard to remember where and when I learnt how to make it and how to use it and who taught me and I can’t. I don’t know. For sure, it was Moscow, definitely my first year here but who and how? No idea. The only thing that I can do now is to say ‘Thank you!’ to this forgotten and now anonymous benefactor. I am, indeed, much obliged. Now, I am sharing.

Instructions

  • Two pieces of paper per student / house. In the samples in the photos I have used A4 but in the classroom, with my kids I tend to use both A3 and A4, depending on the main aim. If we are just glueing things, A4 works just fine. If we draw – A3 is bigger and offers more room for the kids’ drawings.
  • Fold the house. It is pretty easy and you can watch this video here, from Inner Child Fun to see how it is made. Emily is using origami paper but a regular A3 or A4 will work just fine!
  • Important: I normally do it myself, for all my students because even adults (like my trainees) might not be very good at origami-like activities and the house, although it is relatively simple, it does require some precision and if it is not applied, it is not going to look very well, unfortunately. Preschoolers will not be able to fold it and when I once tried with my primary school kids, I immediately began to regret it because some of them took the responsibility of the taks too seriously and were getting very nervous, predicting that they might not be skilled enough to manage the task. They did, in the end, with a lot of encouragement but I think it is just not worth it. We can still teach them how to do it, for them to practise and play at home but if you think of the lesson itself, the timing and the aims – just not worth it.
  • In my case, depending on the aim of the particular house (see below, there are plenty of options), I make one house myself, as a template, hand-drawn or using clip art images, and then I photocopy it to fold for each student. The advantage of it is that you can put in your house whatever you want. The basic design involves only the lines inside the house and the division into rooms, with numbers. That helps during the activities because you can ask your students ‘Go to room number 1’ and this way you make sure that everyone is on the ball and that they don’t glue pictures wherever they should not, for example, on the lines as that would get in the way of the house closing and opening.
  • Also, before the lesson, I glue the houses onto the garden page. This is especially useful in the case of the pre-primary students and in the case of those of my primary kids who have not done the activity before. Being glued on, the house is not as easy (although not impossible) to be dismantled and unfolded and it is just easier to manipulate in class.
  • I start with demonstrating my house, with all the theatre that I can muster. We look at it, we knock at the door, we open it and look inside. This can be done on the carpet or with the kids gathered around you so that everyone can see all the details.
  • I give out the houses and we start with drawing the door and writing the number (ask talking about them) and then drawing the windows (and talking about them). Make sure that all the students are more or less in the same place here. I normally only give out one colour per child (although they can ask for a different colour for the door and a different colour for the windows) or, with the older kids, with a pencil only. They will want their houses to be really pretty so erasing might be necessary and I really don’t want to waste time on colouring, this can be done at home.
  • The main task usually involves glueing things in different rooms, for example pets. For that, I prepare small pictures of all the pets, one set per child, on a tray (or whatever works as a tray) and a poster to put up, for everyone to see all the options. We start with room number 1 and I say, ‘Go to room number 1’. ‘I can see a cat (in my room number 1)’ after which I glue there the small picture of a cat. Then, the kids take turns and make similar sentences choosing their own animal from the set. They only receive a picture to glue after they make their sentences. When everyone is ready with room 1, we show our pictures, we say ‘I’m ready’ and move on to room number 2. And so on.
  • In the end, if there is time, we draw the sun, the tree and the flowers in the garden and we colour the house for homework. Also, if there are any leftover animals, these can be given out to glue at home (although, yes, that involves some more complex logistics, paperclips, small envelopes, not impossible though).
  • In the following lesson, we look at our houses and describe the rooms, the colours etc.
  • Variations: there are many of these. The house can be anything you want it to be. Here are some of my favourite ones:
  • Any set of vocabulary and almost any set of stucture, starting with ‘I can see’ and ‘I’ve got’, with some less obvious ones like the pictures of activities to practise Present Continous (‘I’m jumping in the kitchen’) or even words or word cards with the Past Tense forms which can be used later to tell stories for example ‘A strange Sunday’ (‘My brother slept in the garden’, ‘My dad danced in the kitchen’ etc)
  • Halloween or Christmas house – with the characters and symbols of each holiday
  • International House (accidental) – each room is a country represented by its flag and some symbole, these are drawn or glued, for older children
  • Rooms of the house – template is prepared with some furniture typical of each room, students can place pets in rooms (‘Where is the cat?’ ‘It is in the bedroom’) or family members (‘Where is mum?’ ‘She is in the living room’), add small objects to each room (‘Where is the lamp?’ ‘It is in the kitchen’, it is best to choose things that could be in any room such as lamps, pictures, chairs, rugs) and this version can be also further extented (‘Where is the lamp?’ ‘It is in the kitchen. It is on the cupboard’). The older kids can also draw these, making a regular or a silly house, too.
  • Secret Room – this was a follow-up activity in which I used the template which I drew with one empty box (empty, only because I could not, for the life of me, draw anything resembling a dining room). We did one of the activities mentioned above but the last room was to be drawn at home and it could be anything – a space room, a swimming pool, a library, an ocean zoom, a pirate room…
  • Where are you? – a template with the rooms, pre-prepared, each student gets a set of the leftover stickers or small cards, they put them somewhere in the house, in secret and afterwards they guess where their objects are. It can be used to practise simple prepositions and the rooms (‘Is it in the kitchen?’) or more complex ones (‘Is it in the living room?’ ‘Yes’ ‘Is it on the sofa / behind the chair?’etc)
  • Put your penguin in the living room on the sofa – a template with the rooms, pre-prepared and a set of stickers or small cards. The kids dictate to each other where to glue them, again, it can be used for simple or more complex prepositions, to get the kids ready for the Starters speaking exams. Later on, we compare our houses.

Why we love it

  • It is relatively easy to make and the kids love the fact that it is a real house.
  • It can be used with any vocabulary or structures (or almost)
  • It can be used with pre-schoolers and primary
  • It has to be prepared before the lesson for all the students but it is a good time investment
  • It is at the same time a focused task to be done in class and a homework task. The homework can involve only colouring and decorating it, talking about it in class but a writing task can easily be added for the older students (any template to be printed on the back of the garden, for example the focus can be such structures as there is, I can see, colours and furniture, my favourite room etc
  • It encourages the students to produce the langauge and it is easy to stage since you go from room to room
  • Lots of opportunities for adaptation, even if you repeat it with the same group. Every single time, it will be a different house.

Happy teaching!

Crumbs #11: Speaking Circle (aka My favourite part of the lesson)

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Set-up: a set of small chairs in a circle, in one super cozy corner of the classroom. This is where always start the lesson before we move to the serious part of the classroom and the lesson, with big tables, big chairs and coursebooks.

Time: 5 – 10 minutes in the beginning of each lesson

Materials: Angelina, dice and any visuals, especially flashcards, EFL posters (and at the school we do have a big and the most random collection of these from long-forgotten publishers and coursebooks), Starters, Movers and Flyers wordlist picturebooks which you can be easily downloaded (although we are lucky to have a few paper copies, too) and sometimes a whiteboard or a set of mini-whiteboards

Interaction patterns: all the new activities are first tried and tested with the whole group, to support production and to make sure that all students feel comfortable to be creative and to share their ideas. Later on, we split and continue in pairs or in teams.

Here a confession: ideally, of course, all of the interaction should be taking place in pairs to ensure that everyone has a go and produces as much language as possible but it is not what we always do. I have noticed that first of all, the children really do enjoy the whole group discussion, when everyone can contribute and when we do something together. I cannot quite describe it but it is almost palpable, this ‘team spirit’ and it does have a positive impact on them and on the atmosphere in the group. Plus, they are always curious about everyone else’s creative (aka crazy) ideas so they pause to eavesdrop, especially when there are giggles coming up from different parts of the circle. Because of that, we do both, a lot of whole class and a lot of pairwork.

Some of the activities to use in the Speaking Circle:

  • Tell me about that boy: the kids choose a person, an animal, a character or an object in the picture. The kids choose themselves what they want to conversation to be about and what information to include. The basic information usually includes emotions, clothes, activities or location.
  • Yes or no: the kids use the picture as the basis to make true or false sentences about the picture. The other students listen and correct the sentences when necessary.
  • Riddles: the kids describe something in the picture (the colour, the size, the location and the activities) for the others to guess
  • Which one is better?: the kids draw two cards out of the pile (animals, gadgets, food or anything else that we are studying) and they choose which one is better.
  • It’s a pair: the kids look for associations among different objects, people, animals in the set and they have to explain why they have put them together
  • Silly pictures: the kids talk about different silly things they see in the pictures
  • Silly stories: the kids come up with a character and they take turns in coming up with the adventures based on the set of verbs and / or other words that the teacher prepares in advance (displayed on the whiteboard or on the mini-whiteboards).
  • Angelina: the kids chat with the class puppet, ask and answer questions (pre-primary groups)
  • Hello dice: a new variation of the hello circle that can be introduced long before the kids actually study the Past Simple. They roll the dice, once, in turns and talk about their day, starting with the key phrase and we try to encourage including justification (‘School was easy because I have only 4 lessons on Tuesday’) or evaluation (‘I ate soup and it was very yummy’) etc. Sometimes we also play with the imaginary dice which basically means that everyone can choose what they want to talk about. Somehow, then number 6 is the most common choice. Perhaps because it is most generative of all of them and it is fun to say that ‘I didn’t go to Mars’, ‘I didn’t eat a fox’, ‘I didn’t dance in the park’ and what not. Not to mention that they just LOVE rolling the imaginary dice.
I kept it colour-coded to help them navigate among the verbs in the early days of this game.

Why we like it

  • The kids love it
  • They are very creative, they have great ideas and they want to share them
  • By being creative, they also develop their creativity, there are new ideas, new approaches and even more fun
  • Endless opportunities for revising without focusing too much on any specific vocabulary or structures.
  • Some potential for accidental learning and emerging vocabulary (although to make it work properly, I should start keeping track of it)
  • The activities do provide lots of opportunities for spontaneous (or almost spontaneous) language production where the only scaffolding devices are just the resources prepared by the teacher for the day and the langauge that the kids have at their disposal and, in many ways, we are just having a chat, despite being only A1 level.
  • Really, the part of the lesson that I really look forward to, every Tuesday and every Thursday.

Happy teaching!

What can EFL teachers learn from speech therapists?

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Even only looking at the blog here, it is easy to figure out that I am passionate (or, well, let’s be honest: ‘obsessed’) about maximising production in young and very young children and I am constantly on the look-out for new techqniues, resources and activities that can help the youngest of my students produce more and more language.

This is how a few months ago I found Saffira Mattfield, who is a speech therapist from Australia (@onlinespeechie) and who uses colourful semantics with her students to encourage them to produce more language, in full sentences. I have started using it and promoting it here on the blog, too.

Then, a few days ago, while searching for silly pictures that I could include in my lessons, I have found Allison Fors and her blog. Allison (@speech.allisonfos) is a speech therapist from California who creates resources for speech therapy (some are free, some can be purchased at a small fee) and who writes a lot about different techqniues used by therapists, parents and teachers that lead to enabling the little children to speak more and speak better.

If you think about it, EFL teachers and speech therapists have a lot in common. The context is different but the age group is the same: preschoolers and the aim is the same: get them to talk.

For example, when it comes to picture scenes, Allison suggests using them:

  • to have a conversation about the picture
  • to work on vocabulary sets as all the picture scenes have a theme ie the beach, in the kitchen, etc.
  • to work on verbs and Present Continuous as all the picture scenes usually involve a group of characters involved in different activities
  • to practise asking and answering Wh-questions
  • to practise prepositions, nouns and pronouns, directions and inferences.

Among some other ideas that I have found on her blog are using blank comics in speech therapy, using short videos or sensory play. Of course, the very young beginner learners of English as a foreign language, will not be able to produce as much language as the L1 speakers but lots of ideas that could be adapted to our needs.

Another source of inspiration can be Carmen Perez and her blog, although it is in Spanish so a little bit more difficult to access.

Perhaps this ia a new area to research and to be inspired by for us, too? What do you think? Let me know in the comments!

Happy teaching!

Crumbs #10: Silly pictures

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So here is a picture, have a look.

www.seanparks.net, also reproduced by allisonfors.com and aulap.org

Can you see what I see? Are you thinking what I am thinking?

This adventure started like many others, really, with google and one of those straightforwardly mindless searches and a hope that the engine can actually pleasantly surprise you once more. this time it was ‘silly pictures for kids, clip art’ or something similar.

When I came up, I tried to take in all the absurdities all at once but at the same time, my teaching brain was firing at me with the many ideas of how I could use it in class. If I had been an ancient Greek philospher, most likely, I would be running around shouting ‘Eureka’ but since I am only a humble teacher, the only reaction was a rather excited mumble ‘THIS is going to be SO good!’

Now, this Crumbs post is going to be slightly different. We are still in the middle of winter holidays so there hasn’t been a chance to properly trial and test it with mu kids. but I am going to share it anyway, now, and the real classroom experience is going to be added in a week.

Here are the activities I am planning for next week

Preschoolers: Yes and No.

With my second year preschoolers, we are going to use the winter scene as this one is most relevant due to the what’s happening in the world outside of our windows and because the vocabulary and structures that we are already familiar and this picture has a chance of being most productive.

Yes and No is a game that my kids are familiar with. The teacher makes a sentence about the picture, which can be true or false and the kids have to react to it and correct it, using either a full sentence or only a phrase, depending on their abilities.

For example:

T: I can see a girl. She is sliding on a doughnut.

SS or S 1: Yes / Yes, it’s true.

T: I can see a girl. She is wearing one yellow hat.

SS or S: No. She is wearing 5 hats.

https://www.pinterest.ru/pin/96686723224800785/

Primary: Can you see something really silly?

Step 1: Prediction

T tells the kids that they are going to see a picture of a campsite. T asks the whole class to guess what might be in the picture. To make it even more dramatic, T can ask the kids to close their eyes, imagine that they are in the forest and say what is happening. T may preteach some of the campsite-related words that kids might not be familiar with yet.

Step 2: Silly campsite

T tells the students that the campsite that they are going to see is a little silly. Kids work in pairs. T gives out a copy of the picture per pair. Kids circle and describe all the silly things they can see.

Step 3: What’s the silliest thing in the picture?

To round up, each student chooses one thing in the picture that they think is the silliest one.

www.seanparks.net, also reproduced by allisonfors.com and aulap.org

Primary: Silly pictures reading practice

This one was inspired by an activity I found on aulapt.org and, automatically, I wanted to have my own. Here is it, created on wordwall and it will be shared as an additional homework task.

Primary: Tell me about this boy…Because

All these silly picture scenes are going to be the main character in our free speaking activities that has become a regular feature in our lessons recently.

One of the easiest activities to apply here is ‘Tell me about this boy‘. In the beginning, the teacher is leading the activity, chosing the people, animals or objects to describe and the students, in turns, decide what information they want to share. Now we have reached the stage when the kids are comfortable enough with working in pairs and taking turns in choosing the parts of the illustration for their partners and describing what was selected for them.

Now, with this new resources and all the absurdity, I would like to go in the direction of looking for rationale for their actions. We will try to play ‘Because‘. It might not always be easy but since the students are in charge of their discourse (well, ok, their mini-discourse), they can focus on how the people are feeling, what they like or don’t like or what they did before that might have had an impact on their non-standard behaviour now. Especially that we have just started talking about the past, using was/were and the affirmative forms of the regular and irregular verbs so that might be just a perfect opportunity to practise these.

Stage 1: Extended modelling

T: Tell me about this animal.

S1: It is a bull. It is swimming.

T: Because he likes water.

T: Tell me about this man.

S2: He is sitting. He’s got a big fork.

T: Because he is very hungry.

Stage 2: Because

Since this is a new kind of an activity and it might quite challenging to find the rationale for all the actions, we will play it together, to ensure a good brainstorming session. Kids will be choosing what they want to talk about and the whole class will try to say what everyone is doing and why.

In the worst case scenario, we might resort to our ‘Because because’ answer which they sometimes use or we might just go for a simple ‘Because it’s fun’.

http://ecx.images-amazon.com/images/I/91l29YCYn2L.SL1500.jpg


This ia brand new adventure for us. I will be back in a few weeks to let you know whether it was a story of success or yet another epic fail story to post on this blog, too.

If you are interested in our free speaking practice circle, have a look at this post and if you would like to know more about what EFL teachers can learn from speech therapists – here is another post to check out!

If you are looking for more ideas on using pictures in speaking activities, here are two posts from the series of ‘All you need is…a picture’ and, its Volume 2 (because activities are accumulating:-)

PS A word of confession: it was very difficult to resource these illustrations. They have been posted, reposted and shared a million times, sometimes losing the artist on the way. I did my best!

Happy teaching!

P.S. A request!

It is very simple.

I would like to know a tiny little bit more about my readers. There are so many of you, popping in here, again and again, and the numbers of visitors and visits are going up and make my heart sweel with joy. But I realised I don’t know anything about my readers and I would love to know, a tiny little bit more.

Hence the survey.

How to read storybook illustrations? Teaching English through Art #2

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The background

There are eight students in the group with whom I trialled this lesson. They are about 12 – 14 years old and we are now finishing the A2 level. The inspiration for this very lesson (apart from my own personal obsession with storybooks and storybook illustrations) was one of the reading tasks that we did cover, taken from Prepare 3 2nd edition by Cambridge University Press in which we discussed books and everything we read in general. The thing that really inspired me to put together this lesson was one of the follow-up questions asked on page 104 and it went: Do you think that books with illustrations in them are just for the little kids? and, which came as a surprise, this was the question that generated a real discussion.

Almost at the same time, I received a delivery from a bookshop with as many as eight new storybooks and that basically was it. I wanted a new lesson, a different lesson.

If you are interested in storybook illustrations but you are not quite sure where to start, I would like to suggest watching an amazing webinar by Mathew Tobin on ‘Exploring Pictures in Picturebooks‘ as well as having a look at the PEPELT webiste and all the videos they have posted, especially as regards the peri-textual features of picturebooks.

Introduction

The teacher brings up (or brings up again, as in our case) the topic of illustrations and drawings in books in general. Students discuss in pairs or teams.

  1. Are the illustrations and drawings only for the little kids?
  2. Are the photographs only for adults?
  3. What do the teenagers like then?

The teacher regroups the students, to make sure that each student has a new partner. The students, now in new pairs, report what they have discussed. Afterwards, the teacher asks each pair ‘Do you have the same opinion as your partner?’, this way summarising the entire discussion so far.

Where’s my baby? by Julie Ashworth and John Clarke

Setting the context

The teacher shows selected illustrations and the titles of the storybooks to be used in class. I have used the covers but these might not always be appropriate. It might be a better idea to choose one of the illustrations from the story. The students discuss the following questions:

  1. What can you see in the picture (on the cover page)?
  2. What can the story be about?

An open class discussion follows. At this point the teacher does not reveal anything about the plot of any of the stories. The students will be able to figure it out for themselves in one of the later stages of the lesson.

I’ve seen Santa! by David Bedford and Tim Warnes

The storybooks selection

When I taught this lesson for the first time I used the following coursebooks

  • I’ve seen Santa! by David Bedford and Tim Warners from Little Tiger: I have chosen this because they are cosy and warm, something that might be an example of typical, obviously beautiful storybook illustrations which are there only to accompany the text.
  • Where’s my baby? by Julie Ashworth and John Clark from Longman. This book is a good example of a basic framework chosen to tell the story. All the pages are basically the same scene: Mr Monster Officer and Mrs Monster looking at yet another monster baby. The baby is the only element that is changing from page to page, as the officer’s confusion and Mrs Monster’s desperation grow.
  • Mr Noisy and the Giant by Roger Hargreaves from Mr Men and Little Miss Magic. This might be a good example of simple and uncomplicated, illustrations that might have been drawn by little children.
  • Perfectly Norman by Tom Percival from Bloomsbury. This is a gem of a book where the story is told through the words and by the visuals, both of these being separate entities in their own rights, complementing each other.
  • A Child of Books by Oliver Jeffers and Sam Winston from Walker Books Ltd. This title is unique, like all the books by Oliver Jeffers and here a story of the importance of books is told and illustrated by pictures made of words (which are also the quotes from the classic child literature, all titles acknowledged in the inside covers).
Perfectly Norman by Tom Percival

Vocabulary

We have looked at some of the vocabulary related to storybooks that the students might need in the following stage. In a way, for my students, it was the follow-up on the vocabulary presented in the coursebook, and for that reason I decided to include the following: cover, text, illustrations, writer, illustrator, reader, character, background, details, plot, dark, bright, easy, complex, drawn, printed, painted.

The students were working in pairs, matching the definitions with the terms, follwed by a whole class feedback and an exercise in which we talked together about one of the books, using these words. For this exercise it is best to choose the title that is the biggest in size so that it could be comfortably demonstrated by the teacher and seen by the students. By discussing the storybook together, the teacher can also guide the students and ask some follow-up questions, to model what the students will be requested to do in the following stage. One or two questions from the set below can also be used.

A Child of Books by Oliver Jeffers and Sam Winston

Discussion

The students work in pairs or groups of three. Each team gets one of the storybooks and a set of questions to discuss, based on what they see in the storybook. The teacher sets the time limit and when the time is up, the students exchange the storybooks and the procedure is repeated until all the teams have had a chance to look at all the books.

We worked in four teams and we used about 5 minutes per book.

The questions the students were asked to answer were as follows:

  1. Please describe the book using the key words.
  2. Look at the illustrations only. What is the story about? Can you ‘read’ the story only by looking at the illustrations? Why? Why not?
  3. Look at the text (some or parts). What is the story about? Do you like it?
  4. Do you like the illustrations? Are they simple or complex? Beautiful or ugly? Dark or bright?
  5. Do the illustrations make you feel happy / sad / angry / bored / ? Why?

After all the students have looked at and discussed all the storybooks, the teacher asks them to answer the following questions

  • Which book has got the best illustrations? Why do you like them?
  • Which book has got the worst illustrations? Why don’t you like them?

The teacher monitors and helps to keep the discussion going. A whole class discussion follows. The teacher may highlight the main points, as outlined above (the storybook selection) but, really, the main aim of this kind of a lesson and this kind of a discussion is the opportunity for the students to look and to draw their own conclusions and formulate their own opinions. There are no correct or incorrect answers and interpretations.

Mr Noisy and the Giant by Roger Hargreaves

Conclusions

This was the first lesson of this kind with this particular group. It was obvious that, at the very beginning, some of the students did not feel very comfortable with expressing their views and even with formulating them. However, even as we went through the task, it all got easier, with the second or third book and they were all involved in the discussion. It was great to see how they ventured out into evaluating the illustrations and uncovering their meaning for themselves.

Their answers in the final survey on the favourite set of illustrations were also unexpected because of them could not really make up their mind and they chose two, very different books: the more conventional ‘I’ve seen Santa!’ and the more unusual ‘Perfectly Norman‘.

All in all, I did decide to give myself a pat of on the shoulder for that lesson and I am already planning the next one. Maybe it will be devoted to storybooks, maybe not.

If you, dear reader, have any storybooks lying around and no idea for a lesson, here is your lesson plan!

Bonus: an easier start

I have written the post and only then did I realise that, perhaps, not all the teachers will feel perfectly comfortable and ready to enter the world of the storybook illustrations at a full throttle, especially if they have not dealt with this approach to language teaching.

Storybook illustrations can be used on their own, as visuals, only slightly different visuals, as an alternative to photographs or YL scene illustrations. In this case, the teacher can choose any storybook illustrations, in no connection to the story itself or the entire book.

The teacher gives them out and uses them as the basis for one of the following exercises

  • YLE Starters, Movers, Flyers speaking such as answering questions about pictures, talking about differences
  • PET speaking picture description
  • FCE or CAE speaking (compare the pictures and answer the questions)
  • some of the ideas I shared in my post on using illustrations to develop speaking skills ‘All you need is…a picture’

This way the students (and the teacher) will get introduced to the storybooks illustrations and using drawings will be a lovely and an interesting alternative to the visuals that we usually encounter in our lessons or coursebooks. I promise that it will make a difference! And, on top of everything else, you will be developing your students’ visual literacy!

Happy teaching!

Mr Milk, the unsung hero

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I have committed a piece about Pasha, the invisible student only to realise that there are more unsung heroes in my classroom. Enter Mr Milk.

The beginnings

Mr Milk has been a frequent guest in my classes for a very long time now and, and unlike in Pasha’s case, I know that for sure because I remember the students (8 and 9-year-olds, A1 level boys plus Nastya) and I do remember the classroom itself: Moscow, Sokolniki, 2008. Since then, it’s been twelve years and a quite a few generations of students.

This time round, I also remember the sources of inspiration. One of them was the game I played with my cousin, Magda. When we were much younger, we used to come up with silly names for characters according to the formula: a very traditional first name and an everyday household object for the family name. Hence Peter Radiator and Archibald Loudspeaker. It must have left a mark because up to this day, I get weirdly excited when I come across such surnames in real life. Tetradkina, Karandashovna, Sobachkina*…Oh, what a dream!

The other sources of inspiration was definitely the amazing videoclip for the Blur’s song Coffee and TV. It’s just the ending of the main character dying and going to heaven has (so far) kept me from using it in class.

Mr Milk arrives when…

  • we start talking about other people, moving away from ‘I am’, ‘I have got’, ‘I can’ and ‘I like’
  • we introduce Present Simple 3rd singular. No day is too weird, too amazing or too everyday for Mr Milk.
  • we introduce Past Simple and start telling stories. Mr Milk is a superhero and literally anything can happen to him.

The best thing about Mr Milk is that he rarely stays on his own and as soon as he feels comfortable, all his pals, relatives and enemies so that we are never short of people to talk about. Mr Cheese, Mr Coffee, Mr Apple, Miss Umbrella, Mr Banana…And once he comes, he never leaves. And, to be perfectly honest, I have no idea why the kids like Mr Milk so much. But they really do.

The next step?

Well, that’s easy. It takes very little for the kids to start coming up with their own characters’ names. This week, for example, we spent a good portion of the lesson talking about the adventures of Mr Bike Strawberry. After they had decided whether ‘Bike’ was better as a name or a surname, that is. Oh, there was a caterpillar, too.

This particular story involved Mr Bike chasing the teacher, an absent teacher, happy students drinking lemonade in class and one sad football (sad because everyone was kicking it).

And, as a result of all that, one real life teacher, very very happy at the amount of the language produced. And eternally grateful to Mr Milk.

Here, in the other post, you can read about using noughts and crosses to tell stories in class.

Happy teaching!

*) Tetradkina from the words тетрадь (notebook), карандаш (pencil) and собачка (a little dog). Although, to be honest, I am not quite sure if all of them are real Russian surnames.