#EFLstorytelling

How to choose a storybook?

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Seven. This is how many storybooks I own at this point in my life. To be honest, seven is a huge downgrade from these three shelves that I used to have a few months ago: one full shelf at the office, one full shelf at home and one, half-full shelf in the school…

I sigh and I try not to think about the absence of these shelves and, instead, I am thinking of my books circulating in the world, stuck all over the other, guest shelves, my storybooks out of reach but bringing joy to someone, somewhere. On a really good day, I can almost see myself as a fairy who sprinkles not golddust but beautiful pieces of literature.

The thing is, one cannot stay too far away from storybooks. Whether you want it or not, they start piling up, slowly, cautiously but still. Starting from scratch but I already have seven new books. Although ‘new’ should be taken with a pinch of salt here. I do recycle a lot, when possibly, and pick the gems to my collection in all the friendly charity shops. And some of them in my favourite book shop.

How do I choose the storybooks?

Oh, look, my unit 1 vocabulary! I buy the books to teach the lexis

In a perfect world there would be a library in which I would have a storybook for every unit (or for every set of vocabulary) that I am planning to teach. From colours, numbers, pets, transport, shapes to Christmas, Halloween and insects. This is probably never going to happen due to that inability to stick to a shelf for longer (see: Introduction) but it is good to daydream at least.

But I am trying!

When I choose storybooks, I like to look through the illustrations to see to what extent I will be able to use them with a specific topic. Sometimes I read the text, too, but I have also learnt to completely disregard it. The story can always be retold or adapted, graded to the needs of the people in the classroom and the lexis that they are working on at the moment.

That is why I bought Nick Sharratt and Sally Syme’s Something Beginning With Blue (yes, to teach colours!) and Debbie Harter’s Walking Through the Jungle, which has an amazing set of animals, habitats and verbs and which I will be also able to use alongside Walking in the Jungle by Super Simple Songs.

Grrrr! I buy the books to introduce and practise the structure

Because there is more than words, there is also the structure and sometimes I choose the books with the grammar that I will be able to introduce or to practise using a particular story. Oftentimes, the illustrations play the main role here (because, again, the story can be retold and adapted) although the story itself can help, too!

This is how Copy Cat by Mark Birchall landed in the bag and on the shelf. The adventures of the two friends, a cat and a dog, have a lot of verbs which means that I will be able to use it to practise Present Continuous or the Past Simple. I was also thinking of some functional language because the cat and the dog already talk a lot but they can talk even more in the future.

Say it again! I buy the books with repetitive language

Having read those two paragraphs, you might think that I buy the books not to read them but to look at the illustrations. It is not quite true. I use the text, too, but bearing in mind that my students are EFL kids, beginners, with somewhat limited exposure to the target language, I have to be selective as regards the text. At the same time, there are many amazing storybooks which can be used with a beginner child learner and that is because the language is repetitive and, even if it is above the child’s level and even if it has to be introduced, it is a good time investement because it appears throughout the entire story. Some good examples of that could be ‘I wrote to the zoo to send me a pet’ in Dear Zoo (another favourite) or ‘What do you see?’ in Brown Bear, Brown Bear, What do you see?.

The story mentioned above, ‘Walking Through the Jungle’ took a similar approach. The entire story is told through the following exchange: ‘Walking through the jungle, what do you see?’ ‘I think I see a lion chasing after me‘.

I know this story! I buy the books with traditional stories

It is great to see that traditional stories are making a comeback into the EFL VYL world. They are not the easiest material to work with, especially with the younger students, because the language is usually complex albeit beautiful, but they have one great advantage – the chances are that kids will be already familiar with them, the characters and the plot, because they are quite likely to have heard them before. At the very least, these are the stories that we can start with while taking the first steps in the traditional stories for pre-schoolers or primary.

That is why I picked up Alexei Tolstoy’s and Niamh Sharkey’s The Gigantic Turnip at the bookshop. I am hoping we are going to have a lot of fun with it, especially that the illustrations are beautiful and there is some repetition in the way the story is told.

Hello again! I buy the books I used to have

The list of the storybooks that are important and close to my heart is long, very long, indeed. The list includes Elmer, Barry, the Caterpillar, Gruffalo and many others, all of the books that I love, that I have been using in class for ages and that I could just take out of my bag and have a lesson with, without any real preparation. The trialled and tested. The best friends forever. The personal top ten, twenty, thirty.

However, when I start recreating the shelf, I do not start from this list, although, perhaps that would be a good idea. Making a fresh start brings with it an opportunity to find new treasures and that is what I like to do, I am on the look-out, I keep my eyes open and when I bump into a title that I know and love, I just get it.

Only when I get to the point of ‘Oh, how I miss Elmer!’, do I go online and just order all of these staples.

This time, my oldie but good is an Oliver Jeffers’ book, Lost and Found which I love for his illustrations and stories.

Guilty pleasures. I buy the books beacause they are just beautiful.

To be perfectly honest, I have to be double reasonable when it comes to this particular category because it is very easy to lose control and to end up with piles and piles of beautiful artifacts that I cannot really use in class. Self-restraint, moderation and temperance are not my favourite words but I have to make an effort, from time to time.

Once in a blue moon, however, comes the day when I am allowed to forage the shelves and the boxes and pick out publications which are (mainly) appealing visually. They are those that are to be used in my art lessons to develop taste, visual intelligence and symbolic representation in children.

This time, the two books that I picked for that very reason were Lauren Child’s Beware of the Storybook Wolves (for the trademark produced-by-a-child-like illustrations) and Kazuno Kohara’s Jack Frost (for the monochrome in black and in blue which will be a starting point for a lesson on the importance of colour). Or Lost and Found…

Most importantly…

It does not really matter why you buy the books as long as you buy them!

The stories that I could tell you of the books that were no one’s favourite and on no one’s wishlist but they came with other treasures or there was a really good price on them or they simply got donated and thus they made it to the shelf…True, they had to wait for their turn, for the inspiration to come, for this special lesson. Every dog has its day. Every storybook has its audience and its lesson.

Go, get the books! Bring them to the classroom!

Happy teaching!

P.S. The only problem now is that it is the middle of July and I already have a head full of new ideas and still – a good few weeks of waiting before I can put them into practice…

Crumbs #22 The Big Story Competition

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When you suddenly notice how the everyday is beautiful. The metro station Universitet

Ingredients

  • A group of teenagers or pre-teens
  • Paper and pen
  • The theme of the story. We are preparing for the Cambridge exams and so we used pictures and the exam format of the story writing in KET (three pictures) and the exam format of the story writing in PET (the opening or the final sentence).

Procedures

  • We start with some warming-up activities and they depend mostly on the coursebook and the curriculum but they all they have one thing in common – they help the kids get ready and get in the mode for the proper writing task.
  • Some of the potential exercises include: talking about the story, generating vocabulary to support the weaker students or less creative students, see the post here (especially Sstep 2: Two crazy words) or the following two
  • One-line stories
  • Make it better: students start with a set of simple sentences and work in pairs or individually, trying to develop it in a few rounds. The students can either work on the same handout using a set of colourful pens (a different colour for each round) or a few copies of the same handout. It can be followed up with a reading session and choosing the most interesting sentences of all but it is not quite necessary to include one more competitive element. The number of rounds can be limited or extended, depending on the age and level of the students.
  • We include ‘The Thinking Time‘ to give the students a chance to imagine their story and make the necessary decisions. These are the questions which they might be asked to consider:
  • Everyone can choose their own pen name, too.
  • I make it more formal by announing that we are going to choose the best story and that I am going to ask my colleagues to help me.
  • The students start writing, the teacher monitors and I help out with vocabulary when necessary.
  • There is not one time slot or the number of words required. We are practising in the exam format but without too many limitations at this point.
  • Afterwards, we type the stories up and share them with our BKC teachers who vote for the one they like best. I don’t correct any mistakes at this point.
  • I prepare diplomas of participation for all the students and one more for the winner and there is a reward (food as this is the one hobby that we all share, me and the students). We have a ceremony that involves a speech from the teacher, applause for everyone and for the winner and eating because they all share the reward. Our winner is the master of ceremonies of the day.
  • The final stage is the error correction. In the original handwritten copies I underline a few mistakes that the kids correct later on. So far, these have been mostly in the area of spelling, tenses or the general style.

Why we like

  • The students get really involved in the writing process and looking at how they write away, it is really difficult to believe that teenagers don’t like writing, that they are not motivated or that they are not creative at all.
  • If carefully scaffolded, it is an activity that all the students can complete and it is very mixed-ability-groups-friendly. Since there is not word limit, everyone writes as much as they can and want. The last time we did it, using the PET format with 100 words as the limit, I received entries of about 70 words but also entries of 400 words.
  • It is an amazing opportunity for the students to express themselves. They can choose the storyline, the genre and the style. This year they produced a horror story, a love story, a post-modernist short story and a diary entry, among others. We have been working together for at least two years (and for about six with some of them) and yet, I was still surprised that they can write like that. Because they can and they are amazing kids although this is not some kind of a writing-obsessed and literature-obsessed group (unlike their teacher) but a bunch of typical teenagers: always tired, always under-slept, who’d always choose ‘no homework’ over ‘homework, please’ and ‘no test’ over ‘test, please’ and so on. And yet.
  • This time round I have decided to include the most beautiful comment that each story got from the readers and, in a way, it started to resemble the categories that we have at different film festivals, although, to be fair, they can be quite random as they are generated by the readers, such as ‘your dreams will come true award’, ‘I can’t believe a child has written it’ or ‘A kind heart’. And my students really liked it and were touched by that.

P.S. I would love to share these stories here but some of my students keep them secret even from their parents. Their stories and their copyrights. So be it.

Happy teaching!

Crumbs # 9: Storytelling noughts and crosses

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Today a post about a post about one of my favourite games ever: noughts and crosses. I have written about it already on this blog because I use with illustrations, to practise vocabulary and with my preschoolers, too, to increase production.

Today it is storytelling noughts and crosses!

Instructions

  • Demonstrate or check that all your students know how to play noughts and crosses, in the traditional, non-EFL way. It can be done with one of the stronger students, on the board.
  • Draw an EFL grid of the game, on the board, filling it up with the words you want the students to use. I normally start to use it to tell stories when we get to the lessons with the Past Simple and normally we play the game just to talk about our ‘yesterday’, our ‘last weekend’ or ‘last summer’, not to put too much pressure on the kids and to get them into the habit of using the language. These are some of the grids that we used with my A1 primary, aged 7 – 9. The symbols at the top mean nothing and they just help us identify different grids.
  • Introduce the characters that the kids are going to talk about. One of the unsung heroes of my lessons has been one Mr Milk who has been with us for a good few years* and who has been kind enough to bring some of his friends along. For that reason, figuring out who can be the character is never a problem. Mr Milk always goes first, the others follow suit.
  • Demonstrate how to play the game on the board. This time we have done it: teacher vs the group, represented by one of the students at the board and the whole class participating, choosing the verbs and telling the story.
  • This version of the game is slightly more challenging because you not only have to use the verb. It is very necessary that you also continue a story. Of course, students are allowed to use more than one sentence (yes, please, do!!!) but the key verb (or the key word) is the one that they have to use. These are some of the grids we used this week. As you can see, they are all very basic but hey, that’s what it is, the real classroom life. Sometimes the handouts are pretty and picture perfect, sometimes they are not. Sorry – not sorry.
  • Students play in pairs and they are told to play until the very end, when all the verbs have been used in the story.
  • The teacher monitors and eavesdrop on some of the precious lines created such as ‘Miss Apple ate an apple (a normal one, not a person!)‘ or ‘Miss Umbrella drank the rain‘.
  • In the end, when everybody has finished, the teacher asks some feedback questions, for example ‘Was it a happy story or a sad story?‘, ‘What happened in the end?‘, ‘What was the best part?’ and all the pairs are invited to share something about their stories.
  • Next step is the scores. I usually prepare a few sets, like this one in the photo. One of the students chooses one of the letters and the teacher draws the grid on the board. Students count their points and we write them on the board.
  • We normally play two or three rounds, depending on the time we have.

Why we love it

  • We love Mr Milk and all his friends.
  • We love stories.
  • It takes a few minutes to prepare (High five to all the lazy teachers!)
  • It generates lots and lots of language (High five to production greedy teachers!)
  • It is motivating because of the scoring system but it is not very competitive since we use the most random points sets and you never know what you might get, 1 point or 1 000 000 points.
  • It helps to develp creativity and imagination.
  • It has a lot more potential for developing listening skills (if only one round is played and the kids have to retell the story to the rest of the group) or reading and writing skills, too (if the sets are given for homework and the students are asked to write a short story using the same nine verbs that they have used in class. During the following lessons, the kids can exchange and read their stories, too).

Happy teaching!

*) I have just realised that Mr Milk has been accompanying my teaching life for about twelve years now… And that he might actually deserve his own post. Just a second, please!